Fashion History II
Transcription
Fashion History II
PA R I S A M E R I C A N A C A D E M Y ECOLE DE BEAUX-‐ARTS, D'ARCHITECTURE INTÉRIEURE, DE M ODE, ET DE LANGUES Etablissement libre d'enseignement supérieur conformément à la loi du 12 juillet 1875 Académie de Paris N° 400 S Course title Fashion History II Instructor Dr. Agnès Rannou Course code FA 208 Course meets Wednesdays 14h00-15h30 FA page 1 L A B U S This course traces the major developments in fashion design as an expression of civilization or society and technological development from the 17th century to the late 19th century (second year). This course considers the historical events and the stylistic changes. Students will be taught the basics of Art History in Fashion Design through lectures and off-site visits according to time table availability. FASHION L FASHION HISTORY II FASHION HISTORY SPRING SEMESTER Section Y CALENDAR Spring Semester Week 1 Week 2 Week 3 Week 4 Week 5 Week 6 Week 7 Week 8 Week 9 Week 10 Week 11 Week 12 17th Century - Fashion under Baroque Part 1 17th Century - Fashion under Baroque Part 2 18th Century - Fashion under Rococo Part 1 18th Century - Fashion under Rococo Part 2 Presentation - Exposés - Research paper 18th Century - Neoclassical Period 19th Century - Fashion under the First Empire 19th Century - Fashion under Restoration 19th Century - Fashion under the Second Empire 19th Century - Fashion under the Second Empire- Research paper Exposés, tests Presentations TEACHING METHOD The classes are given in the form of slide lectures. Students are required to present at least one exposé or presentation during the semester. Course Goals By the end of this course, you will be able to: 1. Recognize, identify, and analyze Fashion styles from end of the 19th Century to today. 2. Demonstrate fundamental skills of visual analysis. 3. Use specialized vocabulary and concepts for discussing works of art, orally and in writing. 4. Investigate the relation between works of art and the varied cultures in which they were produced. 6. Exercise and sharpen your powers of analytical and critical thinking and writing. 7. Extract and derive major concepts from class lectures and readings to explore other ideas, evaluated in the forms of in-class and take-home writing assignments and Power Point presentations. ATTENTION: Use of cell phones during class is prohibited. No person has the right to disrupt another person’s concentration. Use of Facebook or any other off-topic use of the computer is subject to dismissal from the class if it disrupts another student. Use of cell phones or inappropriate use of the computer constitutes a lack of respect to everyone. EVALUATION - FASHION HISTORY II - Dr Agnès Rannou E-mail: [email protected] Grading Scale: Appropriate numbers/letters grading system used in this course: A+: 17/20: Excellent A: 16/20: Very Good A-: 15/20: Very Good B+: 14/20: Good + B: 13/20: Good B-: 12/20: Almost Average C+: 11/20: Average C : 10/20: Fail - Any grade below a C+ grade IS considered a fail by PAA 2013/14 CONTACT: 277 rue St. Jacques 75005 Paris France Tel: +33(0)1 44 41 99 20 Fax+33(0)1 44 41 99 29 email:[email protected] web site: www.parisamericanacademy.fr PA R I S A M E R I C A N A C A D E M Y ECOLE DE BEAUX-‐ARTS, D'ARCHITECTURE INTÉRIEURE, DE M ODE, ET DE LANGUES Etablissement libre d'enseignement supérieur conformément à la loi du 12 juillet 1875 Académie de Paris N° 400 S Section FASHION Course title Fashion History II Instructor Dr. Agnès Rannou Course code FA 208 Course meets Wednesdays 14h00-15h30 FA page 2 Y L L A B U S Specific Objectives and Elements of the Course: A. Lectures and Attendance. The student is expected to attend all lectures. This is a slide/lecture course; key information and concepts will be explained in the lectures. No absences are recommended. No more than one absence (excused or unexcused) is acceptable. Two absences will cause your grade to drop by one letter grade. Three absences will constitute failure of this course and you will be dropped from the program. Three tardy arrivals or early departures will constitute one missed class. I will only excuse an absence with a medical excuse which is written by the attending physician and must be presented to me within two days of return to class. B. Preparation. The student is expected to keep up with the reading assignments. Lecture notes should be reviewed thoroughly within a day following each lecture. C. Class Participation. There will be opportunities to discuss the works seen in class and to ask questions. You are encouraged to take advantage of these opportunities, not only to enliven the class, but also to acquire practice in the discussion of art works--a skill that will be extremely valuable for taking art history research papers. MUSEUM TRIPS ARE CLASS TIME— YOU MUST PAY ATTENTION AND TAKE NOTES. D. EXAMS. There will be Two Power Point Presentations and Four Research papers. Those dates are listed within the syllabus. Course Requirements: 2 POWER POINT PRESENTATIONS: 50% of final grade 4 RESEARCH PAPERS: 40% of final grade PARTICIPATION: 10% of final grade BIBLIOGRAPHY FASHION HISTORY II Bronwyn Cosgrave, Histoire de la Mode, Maxi-Livres, Paris, 2002 (1st Edition, Costume & fashion- a complete history, Hamlyn, London, 2000) James Laver, COSTUME AND FASHION, A CONCISE HISTORY, Thames & Hudson world of Art, NY, 2010 (1st Edition, NY, 1969) Régis Debray, Patrice Hugues, Dictionnaire Culturel du TISSU, édition Babylone/Fayard, Paris, 2005 Alexandra FRAU, Histoire des Tissus, Editions OUEST France, Rennes, 2006 Catherine ÖRMEN, Comment Regarder…..LA MODE, Histoire de la Silhouette, éditions Hazan, Paris, 2009 Blanche Payne, Geitel Winakor, Jane Farrell-Beck, The History of Costume, From Ancient Mesopotamia Through the Twentieth Century, HarperCollinsPublishers, Second Edition, New York, 1992 Auguste Racinet, The Complete Costume History, Edtions Tashen, Paris, 2007 Fashioning Fashion, Deux siècles de Mode Européenne, 1700-1915, Sharon SADAKO TAKEDA, Kate DURLAND SPILKER, Les Arts Décoratifs, Los Angeles County Museum of Art, DelMonico Books, Prestel, Munich, London, New York, 2012 (1st Edition in English, Los Angeles County Museum of Art et DelMonico Books, Prestel Verlag, Munich, London, New York, 2010) HISTOIRE DE LA BEAUTE, Sous la Direction de UMBERTO ECO, édition Flammarion, Paris, 2004 (Storia Della Belleza, Bompiani, Milano, 2004) 2013/14 CONTACT: 277 rue St. Jacques 75005 Paris France Tel: +33(0)1 44 41 99 20 Fax+33(0)1 44 41 99 29 email:[email protected] web site: www.parisamericanacademy.fr