Music Chapel - www.neoma

Transcription

01>06.12.14
Flagey
1
Music Chapel
2014-15
59 young artists in residence
23 different nationalities
6 Masters in residence
Artemis Quartet, chamber music
José van Dam, voice
Chair granted by an anonymous donor
Augustin Dumay, violin
Chair granted by InBev-Baillet Latour
Gary Hoffman, cello
Maria João Pires, piano
Chair granted by Fondation Futur21
Miguel da Silva, viola & chamber music
Main Sponsors
Co-sponsor
Sous la Présidence d’Honneur de Sa Majesté la Reine Paola
Onder het Erevoorzitterschap van Hare Majesteit Koningin Paola
Under the Honorary Chairmanship of Her Majesty Queen Paola
Music and the training of young people mean a lot to me, and I am delighted to see them here at the Queen Elisabeth Music Chapel. My dearest
wish is that the level of excellence of the Music Chapel will help young talents to give their best and to create an international musical elite, beyond
borders and cultures.
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Music Chapel Festival: Beethoven
Après Chopin, Brahms, À la française et The Romantics, Flagey et la Chapelle Musicale s’associent pour une nouvelle édition
du Music Chapel Festival, consacrée au grand compositeur allemand Ludwig van Beethoven.
Le festival s’est montré ambitieux en programmant, grâce à six orchestres présents sur six soirées et proposant notamment
l’intégrale de l’œuvre concertante de Beethoven. Sur les scènes du studio 4 et du studio 1 se croisent, dans l’esprit du compagnonnage de la Chapelle, des talents confirmés et des étoiles montantes toutes générations confondues. En ouverture, Le
Concert Olympique dirigé par Jan Caeyers, spécialiste du compositeur, et le pianiste Ashot Khachatourian interprètent le
Troisième Concerto pour Piano. Le 2 décembre, Laurence Equilbey dirige l’Orchestre Royal Philharmonique de Liège dans le
célèbre Triple concerto et la Fantaisie Chorale. Petite entorse au 100% Beethoven avec Krzysztof Penderecki : le compositeur
est invité à diriger lui-même quelques-unes de ses œuvres interprétées par le Sinfonia Varsovia ainsi que le concerto pour
violon avec la jeune violoniste Liya Petrova. Notre partenaire fidèle, le Brussels Philharmonic, sous la baguette de Michel
Tabachnik, clôture le festival le 6 décembre dans le concerto pour l’Empereur et la symphonie n°3.
Na Chopin, Brahms, À la française en The Romantics slaan Flagey en de Muziekkapel opnieuw de handen in elkaar voor een
nieuwe editie van het Music Chapel Festival, dit jaar gewijd aan de grote Duitse componist Ludwig van Beethoven.
Het belooft een ambitieus programma te worden, in de loop van zes avonden en met evenveel verschillende symfonieorkesten worden de integrale concerterende werken van Beethoven voorgesteld. Geheel in lijn met het “gezellensysteem”
(“compagnonnage”), zo eigen aan de Muziekkapel, zullen gevestigde waarden het podium van Studio 1 en Studio 4 delen
met rijzende sterren, uit verschillende generaties. Als openingsconcert vertolken Le Concert Olympique, onder leiding van
Jan Caeyers, een groot Beethoven-specialist, en pianist Ashot Khachatourian het Derde Pianoconcerto. Op 2 december begeleidt Laurence Equilbey het Liège Royal Philharmonic in het beroemde Tripelconcerto en de Koorfantasie. Kleine inbreuk
binnen een integraal Beethoven-festival, met Krzysztof Penderecki: de componist is immers uitgenodigd om enkele van zijn
eigen werken zelf te dirigeren met het Sinfonia Varsovia, alsook het Vioolconcerto met de jonge violiste Liya Petrova. Onze
trouwe partner, het Brussels Philharmonic, onder het dirigeerstokje van Michel Tabachnik, sluit het festival op 6 december
af met het Keizerconcerto en de Derde Symfonie.
Sont également présents, de grands solistes tels Maria João Pires, Dietrich Henschel, Plamena Mangova, Miguel da Silva et
près de quarante jeunes talents : solistes, chanteurs et groupes de musique de chambre, notamment le jeune et déjà célèbre
Quatuor Hermès, sans oublier l’Orchestre de Chambre de la Nouvelle Europe dirigé par Nicolas Krauze et l’Orchestre National de Lille dirigé par Jean-Claude Casadesus.
Avec au moins deux concerts par jour (quatre concerts le mercredi 3, vendredi 5 et samedi 6), le programme est une véritable
“immersion” dans la musique de Beethoven au cours duquel le public aura l’occasion de (re)découvrir aussi certaines de ses
célèbres symphonies, sa musique de chambre (le trio Archiduc, des Esprits, les deux quintettes à cordes, etc.), une grande
œuvre pour choeur (la Fantaisie Chorale), et ses pièces plus ou moins connues pour voix (les Irische Lieder entre autres)
présentées lors d’une masterclass publique et d’un concert des jeunes chanteurs du réseau enoa, réseau européen d’opéra
dont fait partie la Chapelle Musicale.
Les plus jeunes, de 6 à 12 ans, peuvent découvrir Beethoven et son œuvre le Trio des Esprits, grâce à l’atelier “Beethoven
et les Fantômes” organisé par les Jeunesses Musicales suivi d’un concert le mercredi 3 décembre. Les familles au sens large
quant à elles peuvent (re)découvrir le projet Equinox, lors d’un concert le samedi 6 décembre à 11h au Studio 4 : une chorale
d’enfants des quartiers bruxellois, accompagnés par les jeunes solistes en résidence à la Chapelle Musicale, sous la direction
artistique et l’active participation de Maria João Pires avec en plus au programme la fameuse sonate op. 111. Côté cinéma,
une programmation Cinematek autour de Beethoven est proposée au Studio 5. Bon festival !
Bernard de Launoit
Executive President
Music Chapel
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Gilles Ledure
General Manager
Flagey
Zijn ook aanwezig, gerenommeerde solisten, zoals Maria João Pires, Dietrich Henschel, Plamena Mangova, Miguel da Silva
en een veertigtal jonge talenten: solisten, zangers en kamermuziekensembles, met het jonge en al bekende Hermès Kwartet,
zonder het Orchestre de Chambre Nouvelle Europe te vergeten, onder leiding van Nicolas Krauze, en het Orchestre National
de Lille, gedirigeerd door Jean-Claude Casadesus.
Met minstens twee concerten per dag (en vier concerten op woensdag 3, vrijdag 5 en zaterdag 6 december), wordt u als het
ware “ondergedompeld” in de muziek van Beethoven, waarbij u enkele van zijn bekende symfonieën kan (her)ontdekken,
alsook zijn kamermuziek (het Aartshertog-trio, het Geestentrio, de twee strijkkwintetten, enz.), een belangrijk koorwerk
(de Koorfantasie), en ook min of meer bekende vocale stukken (zoals de Irische Lieder) die worden voorgesteld tijdens een
openbare masterclass en een concert door jonge zangers van het enoa-netwerk, een Europees operanetwerk waarvan de
Muziekkapel deel uitmaakt.
De kinderen, van 6 tot 12 jaar, kunnen Beethoven en zijn Geestentrio ontdekken via de workshop “Beethoven et les Fantômes”, die georganiseerd wordt door de Jeunesses Musicales, gevolgd door een concert op woensdag 3 december. De
hele familie kan dan weer het project Equinox (her)ontdekken, tijdens een concert op zaterdag 6 december om 11 uur in
Studio 4: een kinderkoor uit de Brusselse wijken, vergezeld van de jonge solisten in residentie aan de Muziekkapel, onder
de artistieke leiding en met de actieve deelname van Maria João Pires, met bovendien op het programma de beroemde
Pianosonate op. 111. En wat de 7e kunst betreft, kunt u terecht in Studio 5 voor de Cinematek-filmreeks rond Beethoven. We
wensen u een aangenaam festival!
Bernard de Launoit
Executive President
Music Chapel
Gilles Ledure
General Manager
Flagey
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After Chopin, Brahms, À la française and The Romantics, Flagey and the Music Chapel are once more joining forces for a new
edition of the Music Chapel Festival, this year devoted to the great German composer, Ludwig van Beethoven.
The festival has an ambitious program, presenting six orchestras over the course of six evenings and proposing among others
the entirety of Beethoven’s concertante work. In the spirit of the Chapel’s intergenerational approach, established talents
and rising stars will appear together on the stages of Studio 4 and Studio 1. The opening concert will feature Le Concert
Olympique conducted by Jan Caeyers, an expert on Beethoven, and the pianist Ashot Khachatourian, who together will perform the Piano Concerto No. 3. On 2 December Laurence Equilbey will conduct the Liège Royal Philharmonic in the famous
Triple Concerto and Choral Fantasy. There will be a small exception to the all-Beethoven program with composer Krzysztof
Penderecki, who has been invited to conduct some of his works performed by Sinfonia Varsovia as well as the Violin Concerto with young violinist Liya Petrova. Our loyal partner the Brussels Philharmonic, under the baton of Michel Tabachnik,
will conclude the festival on 6 December with the Emperor Concerto and Symphony No. 3.
With at least two concerts daily (four concerts on Wednesday 3, Friday 5 and Saturday 6), the program will allow listeners to
immerse themselves in Beethoven’s music. The audience will have the opportunity to (re)discover also some of his famous
symphonies, his chamber music (the Archduke Trio, the Ghost Trio, the two string quintets, etc.), a major choral work (the
Choral Fantasy), and his less familiar works for voice (among others, the Irish Songs). These works will be presented during a
public masterclass and a concert by the young singers of the enoa network, the European opera network of which the Music
Chapel is a member.
Young listeners aged between 6 and 12 can discover Beethoven and his Ghost Trio thanks to a workshop on “Beethoven
and Ghosts” organized by the Jeunesses Musicales, followed by a concert on Wednesday 3 December. Families in the broad
sense are invited to (re)discover the Equinox project during a concert on Saturday 6 December at 11 a.m. in Studio 4: a choir
of children from neighborhoods of Brussels accompanied by the young soloists in residence at the Music Chapel, under the
artistic direction and with the active participation of Maria João Pires. The program also features the famous Sonata No.
32 Op. 111. Film-goers can enjoy a program of films centered on Beethoven proposed by Cinematek at Studio 5. Enjoy the
festival!
Bernard de Launoit
Executive President
Music Chapel
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Gilles Ledure
General Manager
Flagey
Music Chapel
Gala concert
National Orchestra of Belgium
Eivind Aadland, conductor
Sarah Laulan, mezzo-soprano
Woo Hyung Kim, violin
Kaito Kobayashi, piano
Chopin - Brahms - Tchaikovsky - Dvorak
26.03.2015 - 20:00
Bozar, Henry Le Boeuf Hall
Info: +32 (0)2 352 01 10 - www.musicchapel.org
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© M. Cooreman
Leading soloists such as Maria João Pires, Dietrich Henschel, Plamena Mangova and Miguel da Silva will also be present,
and close to 40 young talents: soloists, singers and chamber-music ensembles, among others the young but already renowned Hermes Quartet. And let’s not forget the Orchestre de Chambre de la Nouvelle Europe conducted by Nicolas Krauze
and the Orchestre National de Lille conducted by Jean-Claude Casadesus.
Février - Februari 2015
01.12.2014 - 18:00 Studio 1
01.12.2014 - 20:15 Studio 4
Music Chapel Festival
Beethoven
Beethoven
Trio Suyana
L. van Beethoven
Piano trio in G major, op. 1 No. 2
Adagio - Allegro vivace
Largo con espressione
Scherzo. Allegro
Finale. Presto
L. van Beethoven
Piano trio No. 7 in Bes, “Archduke”, op. 97
Allegro moderato
Scherzo allegro
Andante cantabile
Allegro moderato
Le Concert Olympique
Jan Caeyers, conductor
L. VAN BEETHOVEN: Concerto pour piano n°1 en ut majeur, op. 15 / Pianoconcerto nr. 1 in C, op. 15
Soliste - solist : Frank Braley, piano
Coproduction:
Flagey/Music Chapel
L. VAN BEETHOVEN:
L. van Beethoven
Symphony No. 1 in C major, op. 21
Ashot Khachatourian, piano
L. van Beethoven
Concerto No. 3 in C minor,
for piano & orchestra, op. 37
Allegro con brio
Largo
Rondo
L. van Beethoven
Symphony No. 8 in F major, op. 93
Allegro vivace e con brio
Allegretto scherzando (B major)
Tempo di Menuetto
Allegro vivace
Symphonie n°3 en mi bémol majeur, op. 55 ‘Héroïque’ / Symfonie nr. 3 in Es, op. 55 ‘Eroica’
01.12.2014 - 19:30 Studio 2
24.02.15 :
25.02.15 :
26.02.15 :
27.02.15 :
28.02.15 :
Schouwburg, Louvain - Leuven
Flagey, Bruxelles - Brussel
Cultuurcentrum, Hasselt
deSingel, Anvers - Antwerpen
De Spil, Roeselare
Live talk
Le Concert Olympique vzw • Naamsestraat 96 • B 3000 Leuven • [email protected]
BILLETS - TICKETS : www.leconcertolympique.eu
Coproduction:
Flagey/Music Chapel/Le Concert Olympique
Live radio broadcast on Musiq3
Live streaming: www.flagey.be, www.musiq3.be
& www.musicchapel.org
“Beethoven, life and works” (FR-NL)
@leconcertolympi
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BRUXELLES
Bruxelles, Palais des Beaux-Arts
SAM. 7 MARS 2015 (11h & 14h)
RAVEL / NIELSEN
DEBUSSY, Berceuse héroïque
RAVEL, Concerto pour la main gauche
NIELSEN, Symphonie n° 4 « Inextinguible »
Nicholas Angelich, piano
OPRL | Christian Arming, direction
L’orchestre à la portée des enfants :
CARNAVAL
Maureen Dor, narration
OPRL | Jean-Pierre Haeck, direction
Lionel Rougerie, mise en scène
DIM. 8 FÉV. 2015 (15h)
SAM. 6 JUIN 2015 (11h & 14h)
Bruxelles, Flagey
FLAGEY PIANO DAYS
L’orchestre à la portée des enfants :
TCHAIKOVSKI, Roméo et Juliette
BRAHMS, Concerto pour piano n° 2
Denis Kozhukin, piano
OPRL | Fayçal Karoui, direction
PINOCCHIO
Bruno Coppens, narration
OPRL | Patrick Davin, direction
Lionel Rougerie, mise en scène
02.12.2014 - 20:15 Studio 4
Beethoven
Beethoven
Han Bin Yoon, cello
Marcin Fleszar, piano
L. van Beethoven
Sonata No. 1 in F major,
for cello & piano, op. 5 No. 1
Adagio sostenuto - Allegro
Allegro vivace
Liège Royal Philharmonic
Octopus Symphony Chorus
Laurence Equilbey, conductor
Han Bin Yoon, cello
L. van Beethoven
Sonata No. 2 in G minor,
Adagio sostenuto ed espressivo
Allegro molto piu tosto presto
Rondo. Allegro
L'OPRL À
JEU. 22 JANV. 2015 (20h)
02.12.2014 - 18:00 Studio 1
Coproduction:
Flagey/Music Chapel
JEU. 11 JUIN 2015 (20h)
LAURÉATS REINE ELISABETH
1er, 2e, 3e lauréats CMIREB 2015 (violon)
02.12.2014 - 19:30 Studio 2
JUIN 2015
Bruxelles, Flagey
FESTIVAL MUSIQ’3
INFOS : WWW.OPRL.BE
Harriet Langley, violin
Lidy Blijdorp, cello
Lilit Grigoryan, piano
L. van Beethoven
Triple concerto in C major,
for violin, cello & piano, op. 56
Allegro
Largo
Rondo alla polacca
L. van Beethoven
King Stephen, overture in E flat major, op. 117
L. van Beethoven
Fantasia in C minor, chorus & orchestra, op. 80
Adagio
Finale. Allegro
Allegretto, ma non troppo
(quasi Andante con moto)
Coproduction:
Flagey/Music Chapel/OPRL
Live talk
Jean-Louis Michaux, writer
“Beethoven, le génie et le malade” (FR)
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03.12.14
14:30
Flagey
03.12.2014 - 14:00 Studio 1
03.12.2014 - 14:30 Studio 2
Beethoven
Atelier Jeunesses Musicales
Beethoven et les fantômes
L. van Beethoven
Sonate No. 1 in F minor, for piano, op. 2 No. 1
Allegro
Adagio
Menuetto; Allegretto
Prestissimo
Mertol Demirelli, piano
L. van Beethoven
Sonate No. 3 in C major, for piano, op. 2 No. 3
Allegro con brio
Adagio
Scherzo. Allegro
Rafael Kyrychenko, piano
L. van Beethoven
Sonate No. 23 in F minor, “Appassionata”,
for piano, op. 57
Allegro assai
Andante con moto
Allegro ma non troppo
Atelier et concert pour les enfants
avec les Jeunesse Musicales
& les Solistes de la Chapelle Musicale
Infos
+32 (0)2 641 10 20
www.flagey.be
Coproduction:
Flagey/Music Chapel
03.12.2014 - 16:00 Studio 1
Beethoven
Joona Pulkkinen, cello
L. van Beethoven
Sonata No. 3 in A major, for cello & piano, op. 69
Allegro ma non tanto
Scherzo. Allegro molto
Adagio cantabile
Allegro vivace
Olga Volkova, violin
Joona Pulkkinen, cello
L. van Beethoven
Piano trio No. 5 in D major, “Ghost trio”,
op. 70 No. 1
Allegro vivace e con brio
Largo assai ed espressivo
Presto
Coproduction:
Flagey/Music Chapel
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03.12.2014 - 20:15 Studio 4
Beethoven
Beethoven
Quatuor Hermès
L. van Beethoven
String quartet No. 1 in F major, op. 18 No. 1
Allegro con brio
Adagio affettuoso ed appassionato
Scherzo: Allegro molto
Allegro
L. van Beethoven
String quartet No. 6 in B flat major, op. 18 No. 6
Allegro con brio
Adagio ma non tropo
Scherzo: allegro
Adagio - allegretto quasi allegro adagio - allegretto
Orchestre de Chambre Nouvelle Europe
Nicolas Krauze, conductor
Coproduction:
Flagey/Music Chapel
© M. Cooreman
Julie Szproch, soprano
Music Chapel - October 2014
03.12.2014 - 18:00 Studio 1
03.12.2014 - 19:30 Studio 2
Steun onze jonge artiesten!
Live talk
Membership & Funding Departement
“Conducting Beethoven”
Word Peter, Patron of Vriend.
[email protected]
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+32 (0)2 352 01 16
Plamena Mangova, piano
L. van Beethoven
Concerto No. 1 in C major,
Allegro con brio
Largo
Rondo (Allegro scherzando)
L. van Beethoven
Symphony No. 2 in D major, op. 36
Soutenez nos jeunes artistes!
Rejoignez nos mécènes Parrains, Patrons et Amis.
Nathanael Gouin, piano
L. van Beethoven
Concerto No. 2 in B flat major,
Allegro con brio
Adagio
Rondo, Molto allegro
Coproduction:
Flagey/Music Chapel
www.musicchapel.org
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Katarina Van Droogenbroek, mezzo-soprano
MUCH Addict:
© M. Cooreman
Your addiction to music
04.12.2014 - 18:00 Studio 1
04.12.2014 - 20:15 Studio 4
Beethoven
Beethoven
Ori Epstein, cello
Julien Brocal, piano
L. van Beethoven
Sonata No. 4 in C major,
Andante - Allegro vivace
Adagio - Tempo d’Andante - Allegro vivace
L. van Beethoven
Sonata No. 5 in D major,
Allegro con brio
Adagio con molto sentimento d’affetto
Allegro - Allegro fugato
L. van Beethoven
7 variations on “Bei Männern, welche Liebe
fühlen” (Mozart, The Magic Flute) WoO 46
Sinfonia Varsovia
Krzysztof Penderecki, conductor
Coproduction:
Flagey/Music Chapel
For much more than music!
04.12.2014 - 19:30 Studio 2
Do you feel you want more than just a MYchapel experience?
That you’d like to get to know the world of the Music Chapel better?
Then join the addicts’ club, and enroll now!
Live talk
Discover this new project on 02.12 at 7pm @Flagey: Wine tasting & Music
Contact: [email protected]
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Miguel da Silva, violin
“Beethoven and Chamber music” (FR)
Three Pieces in the Old Style
Liya Petrova, violin
L. van Beethoven
Concerto in D major, for violin & orchestra, op. 61
Larghetto
Rondo
K. Penderecki
Symphony No. 2
Coproduction:
Flagey/Music Chapel
Live radio broadcast on Klara
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www.enoa-community.com
soutenir la création / support creation
Engagées dans une réflexion commune sur l’avenir de l’opéra, les 11 institutions culturelles
européennes du réseau soutiennent la formation, la mobilité et l’accompagnement
professionnel d’artistes émergents et encouragent la création et la diffusion de nouvelles
œuvres opératiques à travers l’Europe.
Depuis 2011, enoa a coproduit cinq opéras, dont Trauernacht en 2014.
05.12.2014 - 12:30 Studio 1
05.12.2014 - 15:00 Studio 1
Beethoven
Lieder and Folk songs
Beethoven
Public master class
enoa workshop concert
enoa workshop on Beethoven’s Lieder
Adriana Ferfecka, soprano*
Cécile Lastchenko, soprano
Julia Szproch, soprano
Diana Gouglina, soprano
Sarah Théry, mezzo-soprano
Katarina Van Droogenbroeck, mezzo-soprano
Wilma Damian, baritone*
Bertrand Duby, bass
Philippe Riga, piano
Trio Suyana
L. van Beethoven
Lieder and Folk songs
Dietrich Henschel, baritone, guest master
Micha Kozlowski, piano*
Music Chapel & enoa soloists
*enoa soloists
Coproduction:
Flagey/Music Chapel/enoa
“At the source of folklore”
Traditional dances and ballads for voice and
piano trio.
*enoa soloists
PHOTO / LES MAMELLES DE TIRÉSIAS © VINCENT BEAUME
Coproduction:
Flagey/Music Chapel/enoa
Sharing the same vision of tomorrow’s opera, the 11 European cultural institutions of the network support the
professional development and mobility of emerging artists and encourage the production and touring of new opera
works throughout Europe. Trauernacht is the fifth enoa co-production since 2011.
Aldeburgh Music / ALDEBURGH / ROYAUME-UNI • Bayerische Theaterakademie August Everding / MUNICH / ALLEMAGNE • Calouste Gulbenkian Foundation
/ LISBONNE / PORTUGAL • Queen Elisabeth Music Chapel / WATERLOO / BELGIQUE • Dutch National Opera / AMSTERDAM / PAYS-BAS • Festival d’Aix-enProvence / AIX-EN-PROVENCE / FRANCE • Fundación Albéniz - Escuela Superior de Música Reina Sofía / MADRID / ESPAGNE • Latvian National Opera / RIGA /
LETTONIE • LOD music theatre / GAND / BELGIQUE • Teatr Wielki - Polish National Opera / VARSOVIE / POLOGNE • Verona Opera Academy / VÉRONE / ITALIE
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enoa reçoit le soutien du Programme Culture de l’Union européenne. Ce projet a été financé avec le soutien de la Commission européenne. Cette communication n’engage que son auteur et
la Commission n’est pas responsable de l’usage qui pourrait être fait des informations qui y sont contenues.
With the support of
With the support of
This project has been funded with support from the European Commission. This publication
[communication] reflects the views only of the author, and the Commission cannot be held
responsible for any use which may be made of the information contained therein.
This project has been funded with support from the European Commission. This publication
[communication] reflects the views only of the author, and the Commission cannot be held
responsible for any use which may be made of the information contained therein.
19
05.12.2014 - 18:00 Studio 1
05.12.2014 - 19:30 Studio 2
Beethoven
Elina Buksha, violin
Hélène Desaint, viola
Deborah Pae, cello
L. van Beethoven
String trio in C minor, op. 9 No. 3
Allegro con spirito
Adagio con espressione
Scherzo
Finale
Your generation,
Your passion for music
Kacper Nowak, cello
Aurore Dassesse, cello
MYchapel
Music for You (<35)
Less than 35 ?
Subscribe now !
MYchapel : 5 concerts/year - 50€
Contact : [email protected]
20
www.mychapel.be
#MYchapel
L. van Beethoven
Sonata No. 8 in G major,
for violin & piano, op. 30 No. 3
Allegro Assai
Tempo di minuetto
Allegro Vivace
Deborah Pae, cello
L. van Beethoven
Piano quartet in E flat major, op. 16
Andante cantabile
Rondo. Allegro, ma non troppo
Coproduction:
Flagey/Music Chapel
Live talk
Diedrich Henschel, baritone
“Singing Beethoven” (FR-EN)
05.12.2014 - 20:15 Studio 4
Beethoven
Lille National Orchestra
Jean-Claude Casadesus, conductor
L. van Beethoven: Symphony No. 7 in A major, op. 92
Poco sostenuto - Vivace
Allegretto
Presto - Assai meno presto
Allegro con brio
Lev Solodovnikov, violin
L. van Beethoven: Romance No. 2 in F major,
for violin & orchestra, op. 50
L. van Beethoven: Concerto No. 4 in G major,
Allegro moderato - Andante con moto
Rondo vivace
Coproduction:
Flagey/Music Chapel
06.12.14
19:00
Flagey
06.12.2014 - 11:00 Studio 4
06.12.2014 - 15:00 Studio 1
Beethoven
Beethoven
L. van Beethoven
Sonata No. 32 in C minor, voor piano, op. 111
Maestoso
Allegro con brio ed appassionato
Adagio molto semplice cantabile
Quatuor Hermès
Miguel da Silva, viola
L. van Beethoven
String quintet in C major, op. 29
Allegro moderato
Adagio molto espressivo
Scherzo. Allegro
Presto
A. Bruckner
String quintet in F major, WAB 112
Adagio
Milos Popovic, piano
L. van Beethoven
Sonate No. 25 in G major, for piano, op. 79
Presto alla tedesca
Andante
Vivace
Coproduction:
Flagey/Music Chapel
Equinox children’s choir
L. van Beethoven
Ich liebe dich, WoO 123
L. van Beethoven
La Marmotte, op. 52 No. 7
L. van Beethoven
Bagatelle, op. 33 No. 4
L. van Beethoven
Sehnsucht, WoO 134
Mixed experiences
Classical concert & Pop after
22
Infos
+32 (0)2 641 10 20
www.flagey.be
#MYchapel
Coproduction:
Flagey/Music Chapel
23
2015
happy 2015! new year’s concert
Hervé Niquet, conductor
brussels, Flagey fri 09/01/2015 | www.flagey.be
prokoFiev: roméo et Juliette
Stéphane Denève, conductor
Flagey piano Days
Baldur Bronniman, conductor
brussels, Flagey sat 07/02/2015 | www.flagey.be
tchaikovsky & bartok
Michel Tabachnik, conductor
brussels, boZar mon 16/02/2015 | www.bozar.be
west siDe story
Wayne Marshall, conductor
brussels, boZar mon 09/03/2015 & tue 10/03/2015 | www.bozar.be
entartete musik
© Liesbet Peremans · design Liesbet Lutin
brussels philharmonic
06.12.2014 - 18:00 Studio 1
06.12.2014 - 19:30 Studio 2
Beethoven
Dietrich Henschel, baritone
Fritz Schwinghammer, piano
L. van Beethoven
An die Hoffnung, op. 94
Der Wachtelschlag, WoO 129
Lied aus der Ferne, WoO 137
Ich liebe dich, WoO 123
Adelaide, op. 46
Bitten, op. 48 No. 1
Die Liebe des Nächsten, op. 48 No. 2
VomTode, op. 48 No. 3
Die Ehre Gottes aus der Natur, op. 48 No. 4
Bußlied, op. 48 No. 5
Gottes Macht und Vorsehung, op. 48 No. 6
Maigesang, op. 52 No. 4
Neue Liebe, neues Leben, op. 75 No. 2
Mit einem gemaltem Band, op. 83 No. 3
Aus Goethes Faust, op. 75 No. 3
An die ferne Geliebte, op. 98
Andrew Litton, conductor
musica ex machina
Coproduction:
Flagey/Music Chapel
Nicolas Collon, conductor
brussels, boZar mon 04/05/2015 | www.bozar.be
bruckner 7
brussels, Flagey thu 18/06/2015 | www.flagey.be
www.brusselsphilharmonic.be
Brussels Philharmonic is een instelling van de Vlaamse Gemeenschap.
Eugène Flageyplein 18 B-1050 Brussel | T +32 2 627 11 60 | [email protected]
24
06.12.2014 - 19:00 Studio 2
Beeth’off & DJ
DJ Party Beethoven Remix
After concert till 1 am
Live talk
David Ramaël, conductor
“Beethoven & pop music” (FR-NL-EN)
(special MYchapel)
06.12.2014 - 20:15 Studio 4
Beethoven
Brussels Philharmonic
L. van Beethoven
Concerto No. 5, in E flat major, “Emperor”, op. 73
Allegro
Adagio: un pocco mosso
Rondo: allegro ma non troppo
L. van Beethoven
Symphony No. 3 in E flat major, “Eroica”, op. 55
Allegro con brio
Adagio assai
Scherzo allegro assai
Finale allegro molto
Coproduction:
Flagey/Music Chapel/Brussels Philharmonic
25
01.12.2014 - 17:30 Studio 5
01.12.2014 - 19:45 Studio 5
02.12.2014 - 22:15 Studio 5
03.12.2014 - 19:30 Studio 5
04.12.2014 - 21:45 Studio 5
02.12.2014 - 17:30 Studio 5
03.12.2014 - 17:30 Studio 5
05.12.2014 - 19:30 Studio 5
06.12.2014 - 18:00 Studio 5
04.12.2014 - 17:30 Studio 5
05.12.2014 - 17:30 Studio 5
06.12.2014 - 11:00 Studio 5
06.12.2014 - 15:30 Studio 5
Beethoven & Cinema
Ludwig van B.
Beethoven & Cinema
Copying Beethoven
Beethoven & Cinema
Le neveu de Beethoven
De/van: Bernard Rose avec/met: Gary Oldman,
Jeroen Krabbé, Isabella Rossellini, Johanna ter
Steege
De/van: Agnieszka Holland avec/met: Diane
Kruger, Ed Harris, Matthew Goode
De/van: Paul Morrissey avec/met: Wolfgang
Reichmann, Dietmar Prinz, Jane Birkin
US, DE, HU - 2006 - couleur/kleur - 103’ - OND - ST:
FR/NL
DE, FR - 1985 - couleur/kleur - 101’ - OND - ST: FR/NL
US, GB - 1994 - couleur/kleur - 120’ - OND - ST: FR/NL
FR/ À la mort de Ludwig van Beethoven, son
légataire testamentaire part à la recherche de
la mystérieuse femme (Isabella Rossellini) à
laquelle le grand compositeur a décidé de léguer
l’ensemble de ses biens. Un biopic romancé de
la vie de Beethoven, porté par un étonnant Gary
Oldman.
NL/ Na Beethovens dood werden drie brieven
aan zijn “unsterbliche Geliebte” gevonden,
maar niemand wist wie die immortal beloved
was. Zijn secretaris toog op onderzoek en
ontdekte verschillende kandidaten, waaronder
Anna-Marie Erdödy (Rossellini). Een alternatieve biopic over Ludwig van Beethoven.
26
FR/ Enfermé dans la surdité, Beethoven engage
une assistante. Un très beau film sur le génie,
sur la musique et sur le génie de la musique.
Ed Harris est formidable dans ce mariage réussi
d’émotion lyrique et d’âpreté psychologique
mené par la polonaise Agnieszka Holland.
NL/ Een geheel fictieve kijk op de laatste jaren
van het leven van de zo goed als dove Ludwig
van Beethoven en zijn platonische relatie met
de veel jongere Anna Holtz die zijn leven binnenwalst als amanuensis om hem te helpen zijn
Negende Symphonie neer te schrijven.
FR/ Orchestré par un des proches collaborateurs
d’Andy Warhol, un épisode douloureux de la vie
du grand génie de la musique romantique, qui
veut offrir l’éducation la plus droite à son neveu.
Mais l’enfer est pavé des meilleures intentions...
NL/ De voorstelling van de stormachtige relatie
tussen Beetho-ven en zijn neef Karl, die door
de componist bij diens moeder weggehaald is,
wijkt af van de historische feiten. Maar dankzij
de visuele grandeur - inclusief massa’s enorme
close-ups, is deze zelden vertoonde biopic van
Paul Morrissey méér dan een curiosum.
Beethoven & Cinema
Orange mécanique
De/van: Stanley Kubrick avec/met: Malcolm
McDowell, Patrick Magee, Michael Bates
GB, US - 1971 - couleur/kleur - 136’ - OND - ST: FR
FR/ Des adeptes de l’ultraviolence multiplient
viols et agressions. Leur leader, incarcéré, sert
de cobaye à une méthode devant guérir les
pulsions meurtrières. Dans un Londres brutaliste, un Kubrick visionnaire opposant violence
individuelle et violence sociale, pour un film
prémonitoire. La séance du 05.12 à 19 :30 sera
introduite par des commentaires musicaux de
Nathanael Gouin, pianiste en résidence à la
Chapelle Musicale.
NL/ Over een hooligan die door de staat door
middel van een aversietherapie van zijn antisociaal gedrag wordt ‘genezen’. Kubricks schokkende en explosieve punkparabel toont enkele
parels van de Engelse Brutalistische architectuur. Op 05.12 om 19:30 uur zal Nathanael Gouin
(pianist in residence in de Muzikkapel) de film
inleiden met muzikale opmerkingen.
27
Orchestras
Le Brussels Philharmonic est un orchestre symphonique, fondé en 1935, sous l’égide de la radiodiffusion (NIR/INR). L’orchestre a
joué sous la direction de grands chefs et avec des solistes de renom, et a créé des œuvres nouvelles de compositeurs de renommée
mondiale tels Stravinsky, Messiaen et Francesconi. L’orchestre et son directeur musical Michel Tabachnik résident à Bruxelles, à
Flagey. Ils se produisent aussi régulièrement à BOZAR et sur les grandes scènes en Flandre. Sur la scène internationale, l’orchestre
est en résidence à la Cité de la musique à Paris, est invité par les festivals de Strasbourg et de Besançon, et donne des concerts à
Amsterdam (Concertgebouw), Londres, Venise, Berlin, Salzbourg (Grosses Festspielhaus) et Vienne (Musikverein). Son expertise
dans la musique de film est reconnu au niveau international avec un Golden Globe pour “The Aviator” de Martin Scorsese et un
Oscar pour “The Artist” de Michel Hazanavicius. Le Brussels Philharmonic est une institution de la Communauté flamande.
Brussels Philharmonic werd opgericht in 1935 onder de vleugels van de openbare omroep (NIR). Het orkest concerteerde met grote
dirigenten, solisten en wereldvermaarde componisten als Stravinsky, Messiaen en Francesconi. Brussels Philharmonic en muziekdirecteur Michel Tabachnik werken vanuit Brussel, zowel in Flagey, waar het repeteert, als in BOZAR. Daarnaast is het orkest thuis
op de grote podia in Vlaanderen. Op internationaal vlak heeft het orkest een eigen plaats, met een residentie in Cité de la musique
(Parijs) en jaarlijkse concerten in Concertgebouw Amsterdam en de festivals in Strasbourg en Besançon. Daarnaast concerteert
het orkest in Duitsland, London, Venetië, Berlijn, Salzburg (Grosses Festspielhaus), Wenen (Musikverein). Het orkest heeft ook een
grote internationaal erkende expertise rond rond filmmuziek, met onder meer “The Aviator” van Martin Scorsese, en meer recent
het Oscarwinnende “The Artist”. Brussels Philharmonic is een instelling van de Vlaamse Gemeenschap.
Brussels Philharmonic was established in 1935 under the aegis of the public broadcasting network (NIR). The orchestra has
performed with leading conductors and soloists and has created new works by world-famous composers such as Stravinsky,
Messiaen and Francesconi. Brussels Philharmonic and music director Michel Tabachnik are at home in Brussels, both in Flagey,
where it rehearses, and in BOZAR. In addition, the orchestra is at home at major venues in Flanders. On the international scene,
the orchestra has a residency at the Cité de la musique (Paris), is invited by festivals in Strasbourg and Besançon, and has regular
concerts in Amsterdam (Concertgebouw), London, Venice, Berlin, Salzburg (Grosses Festspielhaus) and Vienna (Musikverein). The
extensive internationally recognized experience of the orchestra in film music includes Martin Scorsese’s “The Aviator”, and more
recently the Oscar winning silent movie “The Artist”. Brussels Philharmonic is supported by the Flemish Community.
28
29
Orchestre Philharmonique Royal de Liège
Orchestras
Depuis 2011, le nouveau directeur musical de l’OPRL Christian Arming apporte sa jeunesse et son expérience à un orchestre porté
par l’excellence, la découverte et l’ouverture à tous les publics. Fondé en 1960, l’OPRL (100 musiciens) est aujourd’hui reconnu
comme “le meilleur orchestre de Belgique”. Sous l’impulsion de son fondateur Fernand Quinet et de chefs comme Paul Strauss,
Pierre Bartholomée, Louis Langrée ou Pascal Rophé, l’Orchestre s’est forgé une identité unique en Europe - mélange de discipline
des orchestres allemands et de “transparence” de la tradition française, ouverture à la création et à de vastes répertoires. Très
présent au disque (50 CD en 50 ans, dont 27 depuis 1999, largement récompensés par la presse internationale), l’OPRL est aussi
l’ambassadeur de la Fédération Wallonie-Bruxelles à l’étranger : il part régulièrement en tournée. Aujourd’hui, l’OPRL donne plus
de 80 concerts par an dont la moitié à Liège. Depuis 2000, il gère également la Salle Philharmonique de Liège, élargissant l’offre de
concerts à la musique baroque, à la musique de chambre, aux grands récitals pour piano ou orgue, aux musiques non-classiques.
Sinds 2011 brengt de nieuwe muziekdirecteur van het OPRL Christian Arming zijn jeugdige ervaring mee naar een orkest dat wordt
gekenmerkt door zijn uitmuntende kwaliteit, zin in nieuwe ontdekkingen en toegankelijkheid voor een zeer breed publiek. Het in
1960 gestichte OPRL (dat honderd muzikanten omvat) geldt tegenwoordig als “het beste orkest van België”. Onder de impuls van
zijn oprichter Fernand Quinet en van dirigenten zoals Paul Strauss, Pierre Bartholomée, Louis Langrée en Pascal Rophé wist het
orkest zich een voor Europa unieke identiteit te smeden, een combinatie van de discipline van Duitse orkesten met de “transparantie” van de Franse traditie, en een interesse voor nieuwe creaties en een zeer uitgebreid repertoire. Met zijn talrijke opnamen (50
platen in 50 jaar, waarvan 27 na 1999, die herhaaldelijk werden bekroond door de internationale pers) is het OPRL nu ook een ambassadeur van de Fédération Wallonie-Bruxelles, en gaat het regelmatig op tournee in het buitenland. Het OPRL geeft momenteel
meer dan 80 concerten per jaar, waarvan de helft in Luik. Sinds 2000 beheert het orkest ook de Salle Philharmonique de Liège, en
werd het concertaanbod uitgebreid met barok, kamermuziek, grote piano- en orgelrecitals en niet-klassieke muziek.
Since 2011 the new Music Director Christian Arming brings both youth and experience to an orchestra dedicated to excellence,
exploration, and a spirit of openness towards all kinds of audiences. Founded in 1960, the OPRL (made up of 100 musicians) is now
recognised as “Belgium’s finest orchestra”. Under the leadership of its founder, Fernand Quinet, and of conductors such as Paul
Strauss, Pierre Bartholomée, Louis Langrée, and Pascal Rophé, the Orchestra has developed an identity that is unique in Europe - a
blend of the discipline of German orchestras and the “transparency” of the French tradition with an openness to new work and
to a vast range of repertoire. Well represented on disc (50 CDs over 50 years, 27 of those since 1999, widely acclaimed by the international press), the OPRL is also an ambassador abroad of Belgium’s French-speaking Community, touring regularly. The OPRL
currently gives more than 80 concerts a year, of which half take place in Liège. Since 2000 it also runs the Salle Philharmonique in
Liège, catering for baroque music, chamber music, and major piano and organ recitals, as well as non-classical genres of music.
30
Orchestras
Le Concert Olympique, le nouvel orchestre de Jan Caeyers, a été créé en 2010 et a débuté par deux concerts retentissants au deSingel
à Anvers. Dès 2012 les premières invitations prestigieuses arrivent pour des concerts à l’étranger comme au Concertgebouw à
Amsterdam et le Musikverein à Vienne. Jan Caeyers entend avec cet appareil d’orchestre propre donner une forme musicale à sa
vision approfondie de Beethoven (et des contemporains de ce dernier). C’est pourquoi, il a réuni autour de lui 45 musiciens : des
collègues et des amis et toute une série de plus jeunes musiciens. Tous ces musiciens partagent avec le chef d’orchestre l’amour de
la musique et l’ambition de jouer d’une manière réfléchie la musique des Classiques viennois. Le Concert Olympique fait explicitement référence au Concert de la Société Olympique, qui était entre 1782 et 1789 la plus importante organisation de concert à Paris.
Le Concert Olympique est habillé par la maison de mode anversoise Maison Anna Heylen. Depuis 2013, Le Concert Olympique est
“Orchestre en résidence” à l’Université de Leuven, structurellement parrainé par Ackermans & van Haaren, Elia, la KBC et Telenet,
et bénéficie du soutien de la Communauté Flamande.
Le Concert Olympique, het nieuwe orkest van Jan Caeyers, werd in 2010 opgericht en debuteerde met twee ophefmakende concerten in deSingel te Antwerpen waar het orkest van bij de start in residentie is. Sedert 2012 is zij ook actief op internationale concertpodia en trad zij op in prestigieuze zalen zoals het Concertgebouw te Amsterdam en de Doelen te Rotterdam en in het Musikverein
in Wenen. Jan Caeyers wil met dit eigen orkestapparaat zijn uitgediepte visie op Beethoven (en diens tijdgenoten) muzikaal gestalte
geven. Daarom heeft hij 45 musici rondom zich geschaard: collega’s en vrienden en een hele reeks jongere muzikanten. Al deze
musici delen met de dirigent de liefde voor de muziek en de ambitie om op een verantwoorde wijze de muziek van de Weense
Klassiekers te spelen. Le Concert Olympique verwijst expliciet naar Le Concert de la Société Olympique dat tussen 1782 en 1789 de
belangrijkste concertorganisatie in Parijs was. Le Concert Olympique gekleed wordt door het Antwerpse modehuis Maison Anna
Heylen. Sedert 2013 is Le Concert Olympique “orkest in residentie” van de Universiteit te Leuven en wordt zij gesteund door de
Vlaamse Gemeenschap. Daarnaast wordt zij structureel gesponsord door Ackermans & van Haaren, Elia, KBC en Telenet.
When Le Concert Olympique was founded in 2010 as the brainchild of Beethoven expert and conductor Jan Caeyers, it has struck
a chord in the classical music world. Le Concert Olympique represents a unique contemporary experience of a timeless tradition,
as well as a relevant performance of the canon, specifically the absolute masterpieces by Beethoven and his contemporaries in
order is to bring authentic, relevant and referential performances. The orchestra has 2 residencies in Belgium, id est in deSingel in
Antwerp and in Flagey in Brussels. As from 2012, it has been invited to acclaimed concert halls such as the Vienna Musikverein, the
Concertgebouw Amsterdam and De Doelen in Rotterdam. The spirit is captured in the orchestra’s name, which evokes Le Concert
de la Société Olympique, the renowned Parisian concert organizer that commissioned six symphonies from Joseph Haydn in the
1780s. The musicians are dressed by famous clothes designer Anna Heylen. As from 2013 Le Concert Olympique is “Orchestra in
residence” at the Leuven University and supported by the Flemish Community. It is also structurally sponsored by Ackermans &
van Haaren, Elia, KBC and Telenet.
31
Sinfonia Varsovia
Orchestras
Founded in 1984, within the Poland Chamber Ochestra, under a project with Sir Yehudi Menuhin, the Sinfonia Varsovia was an immediate success. Established as a permanent orchestra soon thereafter, it has been invited to perform in the US, Canada, and the
leading centres and festivals in Europe, Latin America, Japan, South Korea and China. The members of the orchestra are selected
in auditions, which enable the Sinfonia Varsovia to pursue a demanding instructional project while remaining at the highest level.
It has performed with the most eminent conductors, including Claudio Abbado, Charles Dutoit, Hans Graf, Emmanuel Krivine,
Witold Lutosławski, Jerzy Maksymiuk, Krzysztof Penderecki, Michel Plasson, Mstislav Rostropovich, Bruno Weil and with equally
remarkable soloists, from Martha Argerich to Christian Zacharias, from José Cura to Grigorij Zhislin. It has recorded for a dozen international labels and has won, in particular, the Grand Prix du Disque, the Diapason d’ Or and the Fryderyk prize. Under the aegis
of Krzysztof Penderecki between 1997 and 2003, the orchestra is currently conducted by Janusz Marynowski. It is supported by the
S.I. Witkiewicz Arts Centre Studio of Warsaw.
Lille National Orchestra
Since its creation in 1976, thanks to the ambitious projects of its director Jean-Claude Casadesus, Orchestre National de Lille has
established itself as a leading French orchestra open to all audiences with a desire to “bring music wherever it may be received.”
Each year, the orchestra performs in its concert hall, le Nouveau Siècle in Lille, (completely renovated and inaugurated in January
2013) its region, in France and abroad. The Orchestra is currently preparing for its third tour in China (September 2014). True to
its mission the orchestra plays the “grand” symphonic repertoire, with an annual opera production, but also the music of our time
particularly by appointing guest composers (Yann Robin in the near future). In parallel, it innovates with events dedicated to new
audiences: “live cinema concerts”, “famillissimo” concerts, “Must du Classique” concerts, “flash” 12:30 and the “lille piano(s) festival”. In all aspects of its programming, the orchestra invites experienced international conductors and soloists as well as young talent to promote. The orchestra places their young audiences at the heart of its projects by developing a wide range of participatory
actions. Over the years, the critics and the public have hailed more than thirty recordings with numerous awards. Ressortie / Re-release
Roberto Rossellini classics
Roma, città aperta
Paisà
Viaggio in Italia
La paura
Orchestre de Chambre Nouvelle Europe
The Orchestre de Chambre Nouvelle Europe brings together young musicians from all around Europe who are living at the present
time in Paris, France, and who share common extremely high musical and technical skills, as most of them are also starting their
international careers as soloist and/or chamber players. One of the goals of the orchestra is to reunite the world of soloist with the
one of orchestra musicians, giving therefore regularly the opportunity for its members to both play as soloists with the orchestra
and also accompanying world-famous soloists. Created in 2002 by Nicolas Krauze, its principal musical director, the Orchestre de
Chambre Nouvelle Europe has performed over 300 concerts all over Europe in the best halls and festivals. Recently the orchestra
has seen major development opportunities, with two regular musical seasons in France, new international partnerships as well as
major tours in Europe and South America coming 2015 and 2016.
32
Restaurations numériques
Digitale restauraties
À partir du 03.12 au Studio 5 à FLAGEY
Vanaf 03.12 in Studio 5 van FLAGEY
33
Octopus Choir
EQUINOX
CHILDREN’S CHOIRS
Equinox project is dedicated to the creation
and the development of children’s choirs under
the artistic direction of Maria João Pires.
It’s goal is simple: to share the artistic
excellence of the Queen Elisabeth Music
Chapel through the auspices of its teachers
and young musicians with members of
society that would not normally have access
to it, for example children from deprived
neighbourhoods.
The work is profound and continuous; it aims
to implant the practice of music in areas which
until now have been completely barren.
If we consider that music enhances our sense
of well-being, then surely we must wish to
make it accessible to all.
Chaussée de Tervuren, 445
1410, Waterloo, Belgique
+32 (0)498 57 63 72
www.chorales-equinox.be
[email protected]
34
IBAN: BE93310148728267
SWIFT: BBRUBEBB100
© equinox 2014
Artistic Direction
Maria João Pires
Pedagogical Team
Miloš Popović (Brussels)
Pau Baiges (Chastre and Brussels)
Anna Follia (Brussels)
Talar Dekrmanjian (Brussels)
Dismas Niyonkuru (Burundi)
Adeline Ntakarutimana (Burundi)
Heïdi Fortin (Paris)
Julien Libeer (Brussels)
Joël Soichez (Paris)
Coordination
Joana Nöth, coordination
Emmanuelle Weeger, production
Lami Tchabebou, coordination assistant
Hélène Schmit, coordination in Paris
Choirs
The Octopus Choir is a versatile ensemble that assumes in turn the form of a chamber or a symphonic choir. Ever since it was
founded by its conductor Bart Van Reyn, Octopus has worked on the basis of projects and has managed to gain a privileged position
in Flanders in a short span of time. This ensemble is composed of enthusiastic amateur singers, students studying voice in conservatoires and professional singers. The ensemble’s repertoire extends from late baroque to the 21st century. Octopus has a particular
passion for and dedication to ancient music and the Romantic voice repertoire. In addition to concerts conducted by Bart Van Reyn
with his own orchestra and period instruments, the Chamber Choir has already worked together with such orchestras as the Brussels Philharmonic, de Filharmonie, Musica Viva Moscow, the Orchestra of the Vlaamse Opera and the baroque orchestra B’Rock
under the baton of such conductors as Yoel Levi, James MacMillan, Enrique Barrios, Sian Edwards, Alexandr Rudin, Richard Egarr,
Ottavio Dantone and Philippe Herreweghe. Several recordings have already been carried out for Klara Radio and Radio France. In
2012, the choir performed at the Cité de la Musique with a program of Debussy and Schumann, and debuted with the National
Orchestra of Belgium. In 2013 they will sing Bach’s Passion of Saint Matthew, Haydn’s Die Jahreszeiten and Schubert’s Mass in F.
Equinox
The Equinox project is devoted to creating and developing choirs for children in difficult situations under the artistic leadership of
Maria João Pires and with the support of the Queen Elisabeth Music Chapel and its students. It is a substantive project for the long
haul geared to getting music to “take roots” in environments were conditions are not a priori propitious for it to grow: it is a matter
of sharing art and culture, but also equality. Such a process promotes solidarity, good fellowship, emulation distinct from competition, and the development of self-esteem. Developed by Maria João Pires, the work method is intended to bolster the child’s
capacities by promoting artistic expressing through music. The notion of listening enables children to develop a critical sense, an
analytical acumen and concentration. Since 2012, the Equinox project has been developed in Belgium, in schools, children houses
and one psychiatric hospital; in Burundi with the SOS Children Villages and in France with the collaboration of La Cité de la Musique.
An Equinox Choir will be soon opened in the Leuze-en-Hainaut’s prison and we are working on opening Equinox projects in India
and Middle-East.
Partenaires: Maison d’Enfants Reine Marie-Henriette, Athénée Royal
Victor Horta, Les Amis du Grain de Sel, SOS Villages d’Enfants en
Belgique, SOS Villages d’Enfants au Burundi, La Petite Maison, Prison
de Leuze, Cité de la Musique Paris, Flagey
35
Conductors
Nicolas Krauze, French conductor born in France in 1974, has accomplished most of his musical studies in the United States, France
and Russia. Studying first as a violinist, then conducting, he got five degrees from the Moscow Tchaikovsky Conservatory and the
Moscow Gnessin Institute. His professors have been Gennady Cherkassov, Edward Ambartsoumian, Nicolas Brochot, Zsolt Nagy
and Christoph Eschenbach. He has conducted over 300 concerts with the Orchestre de Chambre Nouvelle Europe based in Paris,
and for which he is principal conductor and artistic director. He’s recently conducted soloists such as S.Nakariakov, G. Caussé, A.
Soumm, J.F. Zygel, D. Kozhukhin and many others. In the lyric field, he has conducted around Europe various productions. During
the 2014-15 season, he will conduct about 40 concerts, including two international tours in South America and China, and will be
invited as guest conductor with major symphonic orchestras in France and abroad.
“Nicolas Krauze conducts with profound insight in the music. His charisma helps him to project his musical ideas immediately to
the audience.” Christoph Eschenbach
Krystof Penderecki, conductor
Born on November 23, 1933, in Poland, Krzysztof Penderecki began studied composition at the Cracow Conservatory. He has won
many artists’ awards and received honorary doctorate degrees from many universities. He also holds prestigious national and
foreign awards. He was a professor at the Yale University School of Music in New Haven, then rector of the Academy of Music in
Cracow and in 1987-1990 the artistic director of the Cracow Philharmonic. In 1997 Penderecki became the artistic director of the
Sinfonia Varsovia. He conducts the best symphony orchestras in the United States and in Europe. On 14 December 2005 he received
the Order of the White Eagle. The composer’s output entails more than 100 works, including 16 chamber music and solo works,
27 orchestral works, 7 symphonies, 17 concertos for various instruments, 19 songs and choral works, 4 operas and 18 cantatas
and oratorios. Krzysztof Penderecki has also written music to more than 100 films and documentaries and for plays for adults and
children. In March 2014 Krzysztof Penderecki became the composer in residence at the Curtis Institute of Music in Philadelphia.
Jean-Claude Casadesus, conductor
Born of an illustrious family of musicians and artists, Jean-Claude Casadesus began his career as a percussionist before studying
writing and orchestral conducting with two great masters, Pierre Dervaux and Pierre Boulez. At only 30 years old he was hired as
music director of Châtelet in Paris before being appointed four years later as principal conductor at the Opéra de Paris and the
Opéra-Comique. In 1971, he created the Orchestre National de Lille, which since has become a reference in France and abroad.
In recent years, he has led his orchestra everywhere in the world. At the same time, he has pursued an international career and
is regularly invited to conduct prestigious orchestra. His international presence is also reflected in the field of opera productions,
which he also directs. More than thirty of his recordings have been hailed by the critics and the public. This is also the case of his
two books, Le plus court chemin d’un coeur à un autre, published by Stock in 1997 and La partition d’une vie, published in 2012 by
Editions Ecriture. Composer in his debuts for cinema as well as theatre, he is an ardent defender of contemporary music that he
actively promotes with resident composers initiated with O.N.L in 2001 and in chairing the association Musique Nouvelle en
Liberté.
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Conductors
Since 2008, Michel Tabachnik has played a decisive role as music director of the Brussels Philharmonic. With this orchestra he
devises creative programmes that combine the traditional repertoire with contemporary works, a clear testimony that there is no
gap between the music of yesteryear and today. Michel Tabachnik and his orchestra have for several seasons been reinforcing their
international reputation. Michel Tabachnik studied piano, composition and conducting in Geneva. His studies barely completed, he
came to the attention of several major conductors, who gave him valuable support. Very close to Stockhausen, Berio, Ligeti, Xenakis
and Messiaen, Tabachnik has conducted several world premieres. Michel Tabachnik is also a composer, and has received numerous
commissions, the most recent of which came from the Lyon Opera. His works have been recently played in the Netherlands, France,
Germany & Belgium. During Season 2014-15, his latest work “Le livre de Job” will premiere at Cité de la musique, Paris. Finally, he is
also the author of several books, including De la musique avant toute chose [On music above all things], a collection of reflections
on 20th century music and the novel L’Homme sauvage.
Laurence Equilbey, conductor
Conductor and musical director of Insula orchestra and accentus, Laurence Equilbey is acknowledged for her demanding, yet openminded approach to her art. She regularly conducts the Orchestra of the Opéra de Rouen Haute-Normandie. Since 2009, she has
been working with accentus as an associate artist of the Paris Chamber Orchestra and will be joining up with them again in 2015
for Reynaldo Hahn’s Ciboulette at the Opéra Comique and Dvořák’s Stabat Mater at the Philharmonie de Paris. She is also an associate artist of the Grand Théâtre de Provence in Aix-en-Provence and a companion of the Cité de la musique/Philharmonie de
Paris. In 2012, with support from the Conseil général des Hauts-de-Seine, she founded Insula orchestra, an ensemble devoted to
the classical and pre-Romantic repertory, using period instruments. With accentus, Laurence Equilbey continues to focus on the
great vocal music repertoire, while also supporting contemporary creation. The extensive recorded work of accentus (on the naïve
label) has received wide critical acclaim. She is also Artistic Director and Director of Education at the Department for Young Singers
at the Paris Conservatory.
The conductor and musicologist Jan Caeyers lived, studied and worked in Vienna for many years. From 1993 to 1997 he was assistant to Claudio Abbado at the Gustav Mahler Youth Orchestra, where he also had the opportunity to work alongside Bernard
Haitink and Pierre Boulez. Until 2003 Jan Caeyers was the director of the Beethoven Academy and performed in many of Europe’s
major concert venues. As a freelance conductor he has worked at the Opera in Stuttgart, and with orchestras in Berlin, Paris,
Madrid, Barcelona, Florence and Prague. Jan Caeyers wrote down his in-depth views on Beethoven in his substantial volume
which was published in Dutch in 2009 and translated into German entitled as Beethoven. Der einsame Revolutionär by C.H. Beck in
Munich in 2012. This superbly documented biography was given an enthusiastic reception and the original version is now already
in its seventh edition. It became a bestseller in Germany – the home of Beethoven research – and is now considered as the reference work on the famous composer. Writing this book was an essential transitional stage towards the development of the new
orchestra, Le Concert Olympique, with which Caeyers is able to express and study his mature views on Beethoven and Viennese
classical music.
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Soloists
After completing his studies at the Conservatory of Reims, Miguel da Silva entered the Conservatoire National Supérieur de Musique in Paris. In 1985 he received the first grand prize at the international chamber music competition in Paris (sonata) and joined
the orchestra of the Paris Opera. His passion for the string quartet led him to leave the Paris Opera in 1987 and to found the Ysaÿe
Quartet with three of his friends. After winning first prize in many international competitions, the Ysaÿe Quartet launched itself
on an international career. Spanning thirty years, this amazing journey came to an end in early 2014, when the quartet put an end
to its activities. Miguel da Silva has appeared as a guest soloist with many orchestras. Moreover, Miguel da Silva has always considered teaching a natural thing to do. In 1993, at the Conservatoire National de Région de Paris, he started a specific class for string
quartets with his friends from the Ysaÿe Quartet: it was a first in France. In October 2014, Miguel da Silva was appointed Master in
residence at the Queen Elisabeth Music Chapel in Belgium.
Fritz Schwinghammer, piano
Born in Staubing, Germany, Fritz Schwinghammer studied piano, chamber music and melody analysis in Munich. He is the winner
of prizes at competitions in Berlin and Bonn, and was selected to take part in the Young Artists Concerts. Since then, along with
world-renowned singers like Hermann Prey, Dietrich Henschel and Rainer Trost, he has regularly been invited to perform in the
most prestigious theatres and concert halls around the world. Fritz Schwinghammer also performs as a soloist and with various
music chamber ensembles. He has recorded several recitals with Dietrich Henschel: Schubert’s Die schöne Müllerin for EMI, the
Mörike-Lieder of Hugo Wolf, L’Invitation au voyage for Harmonia Mundi and Schubert’s Schwanengesang for the Naïve label. He
teaches piano and Lied analysis at the Musikhochschule of both Munich and Innsbruck.
“He has at his side one of the greatest piano accompanists, Fritz Schwinghammer, who plays with astonishing density, capable of
elevating three parallel chords and performing them with a magical sostenuto”. “Fritz Schwinghammer has shown his great qualities as a pianist of Lieder, probably the best of his generation”. “A gentle but powerful art, at the service of a magical tone”.
Dietrich Henschel, baritone
Baritone Dietrich Henschel’s repertoire extends from the beginning of baroque opera to modern day avant-garde. He debuted in
Munich with the title role in Michaels Reverdy´s opera Le Precepteur. In his first and only permanent engagement, at the opera in
Kiel, he performed classics such as Papageno, the Count in Nozze de Figaro, Pelleas in Debussy’s Pelleas et Melisande, Monteverdi´s
Orfeo and Henze´s Prinz von Homburg. Mr Henschel´s international career began with Busoni’s Doktor Faust in Lyon and Henze´s
Prinz von Homburg at the Deutsche Oper Berlin. Invitations followed from the important opera houses in Europe. His most recent
engagements were the title role in John Adams’ Dr. Atomic (Opéra du Rhin, Strasbourg) and Kunrad in Richard Strauss’ Feuersnot
(Teatro Massimo, Palermo). Among his projects is Salome by Richard Strauss (Johanaan) at the Hamburgische Staatsoper (September 2014). In addition to opera, a wide range of acclaimed recordings testifies to Dietrich Henschel’s success as a lied interpreter
and an oratorio singer (with a special focus on the music of Bach). Mr Henschel has sung with the world’s most famous orchestras,
and his collaboration with great conductors such as Gardiner, Harnoncourt and Herreweghe is documented on many CD’s and
DVD’s.
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Plamena Mangova, piano
Soloists
Plamena Mangova won second prize in the Queen Elisabeth Competition in. Her initial studies were with Marina Kapatsinskaya
at Sofia State Music Academy and Queen Sofia Higher Music School, Madrid with Dmitri Bashkirov. She has also worked with
Abdel Rahman El Bacha at the Queen Elisabeth Music Chapel and received the advices of Leon Fleisher, Rosalyn Tureck, Krystian
Zimerman and Andras Schiff. Plamena performs with leading orchestras, such as the Rotterdam Philharmonic Orchestra, Orchestre
Philharmonique de Radio France, Belgium National Orchestra, English Chamber Orchestra under the baton of Sir Colin Davis,
Sir Andrew Davis, Emmanuel Krivine, Walter Weller… She performs in the most prestigious halls and festivals: Progetto Martha
Argerich Lugano, La Roque d’Anthéron, Rostropovich Festivals… Among her chamber music partners: Augustin Dumay, Mihaela Martin,
Pascal Moragues, Frans Helmerson and Alexander Knyazev. The international press awarded all her CDs. Highlights in 2014-15
include collaborations with reputated conductors as Vladimir Fedoseyev and Leonard Slatkin, recitals at St Petersburg Philharmonie, Great Mountains Festival in South Korea, La Roque d’Anthéron, chamber music at Munich Herkulesaal, Franckfort Alte Oper,
Auditorium du Louvre, Wien Konzerthaus…
One of the finest musicians of her generation, Maria João Pires continues to transfix audiences with the spotless integrity, eloquence, and vitality of her art. She was born on the 23 July 1944 in Lisbon and gave her first public performance in 1948. In Portugal
she studied with Campos Coelho and Francine Benoit, later continuing her studies in Germany with Rosl Schmid and Karl Engel.
Since 1970 she has dedicated herself to reflecting on the influence of art on life, community, and education, and in trying to develop new ways of implementing pedagogic theories within society. In the last 10 years she has held many workshops with students
from all round the world. More recently she joined the teaching faculty of the Queen Elisabeth Music Chapel in Belgium where
she is working with a group of highly gifted young pianists, and together under the impetus of Maria João Pires they have initiated
the “Partitura Project”. The aim of this project is to create an altruistic dynamic between artists of different generations and to
offer an alternative in a world too often focused on competitiveness. Hand in hand with this project is the project “Equinox”, also
headed by Maria João, which is a social programme for young children who are being helped through choral singing. Both projects
are integrated under the Queen Elisabeth Music Chapel umbrella.
Philippe Riga received the First Prize in Piano and the Advanced Diploma at the Royal Conservatory of Music in Brussels. He also
received a First Prize in Chamber Music with highest honours, the First Prize in Accompaniment, and the First Prize in Harpsichord.
He pursued advanced studies as an accompanying pianist. He regularly works with the Radio France Festivals in Montpellier and
the Menton Festival. He collaborates with the Royal Theatre of La Monnaie and with the Anima Eterna orchestra, under the direction of Jos Van Immerseel, on piano and harpsichord. He also recorded an album of French melodies by Irène Poldowski on an Erard
piano in the company of soprano Elise Gäbele, and gave his first recital in Japan with the soprano Tomoko Taguchi. He has regularly
accompanied winners of the Queen Elisabeth Music Competition and in particular, during the 2008 edition, the sixth prize winner,
Gabrielle Philiponet. In 2011, he was named official pianist of the Competition. He has accompanied numerous master classes. And
he is presently a member of the faculty at the Queen Elisabeth Music Chapel as a pianist coach for the voice department under the
direction of José van Dam.
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Lidy Blijdorp, cello
Mertol Demirelli, piano
Lidy Blijdorp studied with both Monique Bartels at the Hague Conservatory (the Netherlands) and with Michel Strauss at the Paris
Conservatory, while taking lessons with Anner Bylsma and Dmitri Ferschtman. In 2011 she obtained the first prize with honors for
her master’s degree in Paris. During her studies she took part in an exchange program with the University of Michigan, where she
studied with Richard Aaron. In January 2011 she was invited to join the Sylff Chamber Music Exchange Project at the Juilliard School
in New York, where she gave severalconcerts. Lidy has won prizes at the Princess Christina Competition, the Charles Hennen International Competition, SJMN, the Cello Biennale Amsterdam and the Grachtenfestival Competition. She performs regularly in the
Netherlands as well as abroad. As a soloist she has played with the State Hermitage Orchestra in the Hermitage Theater, Saint Petersburg, and with the Royal Chamber Orchestra of Wallonia in Bozar, Brussels. Since October 2013 Lidy has been studying under
Gary Hoffman at the Queen Elisabeth Music Chapel in Belgium.
Born in 1996, Mertol Demirelli started music studies at the age of four and piano studies at the age of five at the music faculty of
Bilkent University. At seven he won the IBLA grand prize in Italy. He has already played Mozart’s Concertos no. 11, 12 and 13 many
times. He opened the 35th Istanbul International Festival with a performance of J. S. Bach’s Concerto in C minor for two pianos.
His repertoire also includes Mozart’s concerto for two pianos and Beethoven’s triple concerto, and in 2011 he executed Mozart’s
concerto for piano and violin K Anh 56 with Augustin Dumay. In October 2011 he performed Liszt’s 1st concerto in Munich, where
he received the prize for Young Artist of the Year in Germany. He has also played Mendelssohn’s concerto for piano and violin, and
in October 2013 he performed Tchaikovsky’s Piano Concerto No. 1. He has been studying at the Queen Elisabeth Music Chapel in
Belgium since September 2010, first under the direction of Abdel Rahman El Bacha, and then under the direction of Maria João
Pires. He is the recipient of a scholarship from Mr. and Mrs. Bernard and Valérie Van Hool.
Julien trained under Erik Berchot at the Conservatoire National de Région de Marseille and under Rena Shereshevskaya at the Ecole
Normale de Musique de Paris Alfred Cortot, where he was unanimously awarded the prestigious performer diploma. Throughout
his training Julien has benefited from the support of the Zaleski Foundation, Association Assophie and the Safran Foundation. He
has been invited to appear on France Musique by Gaëlle le Gallic and to take part in several festivals in France. From his early childhood he has performed on stage in France and abroad. Julien was spotted in January 2013 by Maria João Pires during an academy
session at the Cité de la musique in Paris, and was subsequently invited to perfect his skills at the Queen Elisabeth Music Chapel
in Belgium.
“Poetry, spontaneity, restraint and a profound sense of the structure and awareness of sound are rare qualities with which he is
gifted.” Maria João Pires
Born in 1984, Hélène Desaint began the viola at the Conservatoire du XXème in Paris with Jean-Baptiste Brunier. She continued her
studies at the Conservatoire à Rayonnement Régional de Paris and the Ecole Nationale de Musique de Gennevilliers with Bruno
Pasquier and Pierre-Henry Xuereb. In 2004, she entered the Conservatoire National Supérieur de Musique et de Danse de Lyon in
the class of Tasso Adamopoulos and graduated with honors in June 2008. She is currently perfecting her skills at the University of
Music in Lübeck with Miguel da Silva. In 2005 and 2006, she was solo viola in the Orchestre Français des Jeunes under the direction
of Jean-Claude Casadesus. She also performs chamber music with Benoît Fromanger, Juliette Hurel, Bertrand Chamayou, David Grimal, Lise Berthaud, Marianne Piketty, Jacques Tadeï and Miguel da Silva. In addition to studying the classical repertoire, she seeks
to promote the modern and contemporary repertoire, and has appeared in various festivals as a soloist or with chamber-music
ensembles.
Bertrand Duby, bass
Born in Latvia in 1990, Elina Buksha is considered one of Latvia’s foremost up-and-coming violinists. Elina began playing the violin
at the age of five, having been a student of Latvian violin professor Ojars Kalnins until 2009. Since 2011 she has studied with Ana
Chumachenco in master classes in France, Germany and Switzerland. Since her debut with the Liepajas Amber Sound Symphony
Orchestra in Latvia at the age of 12, Elina has performed with many orchestras, including the Latvian National Symphony Orchestra,
Sinfonietta Riga, Sinfonia Varsovia, the Liège Royal Philharmonic, Südwestdeutsche Philharmonie Konstanz and Musica Viva in Moscow. In 2013 Elina received the Latvian Great Music Award, the highest honor in Latvian music, for Debut of the Year. The highlights
of the 2014-15 season include debuts with the Tchaikovsky Symphony Orchestra of Moscow Radio under the baton of Vladimir
Fedoseyev, and the Kansai Symphony Orchestra in Japan, with Augustin Dumay. Since September 2011 she has been studying at
the Queen Elisabeth Music Chapel in Belgium, under the direction of Augustin Dumay. She received a scholarship granted by Mr.
and Mrs. Michael Guttman. Elina plays a Domenico Montagnana violin from 1723, on loan to her from the Queen Elisabeth Music
Chapel.
Bertrand Duby entered the world of music by studying the piano. Then, in parallel to engineering studies, he discovered the world
of opera and a bass voice, which led him to study opera at the Conservatoire de Bordeaux under Maryse Castets in 2009. He has
also had a great interest in conducting choirs and has followed the classes of Eduardo Lopes since 2012. He has been a member of
the baroque vocal ensemble Les Ornements (conducted by Alexis Duffaure) since its foundation. He began his career in opera as
a soloist with the company Opéra Bastide, performing the roles of Zuniga and later Sarastro in 2014. He has also performed with
Jean-François Gardeil at the Veillées du Prieuré de Grammont (Vendée) in the quartet Renaissance, as well as in Gounod’s Solemn
Mass, Bach’s cantata BWV140 and Mozart’s Missa Brevis K140. Since September 2014 he has been studying at the Queen Elisabeth
Music Chapel in Belgium, in the voice section, under the direction of José van Dam.
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Ori Epstein, cello
Born in Tel Aviv in 1993, Ori Epstein and his family moved to London where he studied at the Purcell School. Ori is a prizewinner in
numerous international competitions and performs as a soloist and chamber musician in the United States and across Europe. He
has performed alongside Salvatore Accardo, Bruno Giuranna and Antonio Meneses, and in venues such as Wigmore Hall. His teachers have included Miklós Perényi, Antonio Meneses and Bernard Greenhouse. Ori recently completed his bachelor’s degree at the
Bern University of the Arts in Switzerland. In the upcoming season, Ori will perform recitals and chamber music in Europe as well
as concertos in Israel, Belgium and London. He will record his debut CD with the Liège Philharmonic Orchestra, collaborating with
Jean-Jacques Kantorow. In August 2014 Ori won first prize in the string section and the audience prize at the Tunbridge Wells International Competition. Ori plays on a cello by Giovanni Battista Ceruti (Cremona, 1815), kindly lent to him by a syndicate of sponsors.
Since September 2014, he has been studying at the Queen Elisabeth Music Chapel in Belgium, under the direction of Gary Hoffman.
Adriana Ferfecka, soprano
Soprano, born in 1992 . In 2011 she graduated from Secondary Music School in Legnica (piano class and vocal class). Currently
studying on the Fryderyk Chopin University of Music in Warsaw and participates in vocal courses organized by National Opera in
Warsaw in collaboration with enoa. Winner of national and international competitions, including: International A. Hiolski Competition in Kudowa Zdroj, Poland (August 2013) - Ferrucio Tagliavini International Competition in Austria (April 2014) - International Vocal Competition “Grand Prix De’l Opera” in Romania (June 2014) - DEBUT, International Vocal Cometition in Germany (September
2014) - International Vocal Competition Ottavio Ziino in Italy (November 2014). In 2011 she awarded scholarship from the Ministry
of Culture and National Heritage. Has sung the title role in G. Puccini’s Suor Angelica on many stages such as the Opera Nova in
Bydgoszcz and Warsaw Chamber Opera. She also sang a solo during the first performance of the opera “wą” by Piotr Łopacki the
Warsaw Chamber Opera, as well as a solo part Ein Deutsches Requiem at the Frederic Chopin University in Warsaw. In October
2014 She sung solo part of Mozart’s requiem with one of the best polish conducter- J. Maksymiuk. She performs in many Polish,
and European cities. This year she was a soloist on “Polish Music Festival” in Xiamen (China). In addition of opera music she had
the opportunity to perform sacred music.
Marcin Fleszar, piano
Born in Poland in 1985, Marcin Fleszar started playing piano at the age of seven. In 2011 he obtained a soloist diploma from the
Bern University of the Arts, having graduated in piano, organ and pianoforte. Marcin has been invited to take part in many festivals
and has won several prestigious awards, including first prize at the 9th Concours d’Interprétation Musicale de Lausanne and third
prize at the 10th International Chopin Piano Competition in Szafarnia, Poland. He has gained precious guidance and inspiration from
his participation in master classes with such leading musicians as Robert Levin, Elisso Virsaladze, Dimitri Bashkirov, Alexandre Tharaud and Alexander Gavrilov. His commitments include tours as a soloist in Spain, Poland, Germany, Italy, France and Switzerland,
and appearances in duo with Polish violinist Agata Raatz. This was followed by his debut recital at the Swiss Chamber Music Festival
of Adelboden. He is also the laureate of the Orpheus Swiss Chamber Music Competition in Bern. Marcin and Agata have been working together since 2009 under the name Raatz-Fleszar Duo. In 2013, he entered the piano section of the Queen Elisabeth Music
Chapel in Belgium, under the direction of Maria João Pires.
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Diana Gouglina, soprano
Diana Gouglina was born in 1990 in Bulgaria. Having grown up in Cairo in a family of musicians, she started music with the violin at
the age of 5, then the piano, and then, at the age of 11, she discovered singing in the “A Capella” choir of the Cairo Opera. Having
earned her baccalaureate at the age of 13, she started her studies at Neuchâtel, site of the Geneva School of music where, at the
age of 21, she earned a double master’s degree in education and performance in the class of Marcin Habela. She appears regularly
at the Monnaie Opera House singing Opera arias, at the Flagey “Festival à la Française” with melodies by Bizet and Hahn, and at
the Brussels Centre for Fine Arts (Bozar) with the National Orchestra of Belgium in Schubert’s Mass No. 1 under the baton of C.
Warren-Green. Since September 2011, she has been admitted at the Queen Elisabeth Music Chapel under the direction of José van
Dam. She received a scholarship from an anonymous donor for the 2013-2014 academic year.
Born in 1985 in Yerevan, Armenia, Lilit discovered music and art through her family of musicians and scientists. With her first
teacher Arkuhi Harutyunyan she familiarized herself with the piano, an instrument that very quickly became not only a passion,
but also a way to express her emotions and thoughts and share them with her friends on stage. She was taught by Sergey Sarajyan
at the Komitas Conservatory in Erevan and Matthias Kirschnereit at the Rostock University of Music and Drama. Lilit is the laureate
of several international competitions, including both the Francis Poulenc Competition and Piano Campus in France, the Vianna da
Motta Competition in Portugal, Paderewski Competition in Poland and Aram Khachaturian Competition in Armenia. She has been
awarded the Culture Prize of Armenia by the country’s president himself. She is the recipient of the Tabor Piano Award of the
Verbier Festival Academy and a scholarship from the Yamaha Foundation. Lilit has been invited to perform in some of the world’s
finest concert halls and festivals. She has appeared with several internationally renowned orchestras and toured with solo recitals
in 27 countries all over the world. In February 2012, the label Disc Auvers released Lilit’s first CD. Lilit is also part of the Partitura
project. In October 2012 she entered the piano section of the Queen Elisabeth Music Chapel in Belgium, first under the direction
of Abdel Rahman El Bacha, then under that of Maria João Pires.
Nathanael Gouin, piano
Born in 1988, Nathanael Gouin-Mossé trained at the CRR in Rouen and then in Toulouse, where he would pursue his instruction
for another nine years. He was unanimously received at the Conservatoire National Supérieur de Musique de Paris in the class of
Michel Beroff, Denis Pascal and Eric le Sage, and obtained a master’s in piano before integrating the advanced course. He has benefited from the advice of such great musicians as Maria João Pires, Jean-Claude Pennetier, Pierre-Laurent Aimard, Elisso Wirssaladze,
Rena Sherechevskaya, Claire Désert and Dimitri Bashkirov. He is the laureate of several international competitions, including among
others the Johannes Brahms Competition in Pörtschach, Austria (first prize). He has appeared in many concerts in France and beyond in the context of festivals (such as Folles Journées de Nantes, La Roque d’Anthéron, etc.) and with many orchestras. Much in
demand as a chamber-music partner, he founded a piano and violin duo with Guillaume Chilemme. Nathanael Gouin has recorded
two CDs with the trombone player Fabrice Millischer and is currently preparing a CD with Guillaume Chilemme. He became a laureate of the Banque Populaire foundation in 2011. Since 2013 he has been perfecting his talent at the Queen Elisabeth Music Chapel
in Belgium under the direction of Maria João Pires.
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Ashot Khachatourian started playing the piano at the age of five at the Charles Aznavour Music School in his home country. He
continued his studies in Basel, Switzerland, and in Fiesole. He is currently a soloist at the Queen Elisabeth Music Chapel, where he
is refining his art with Maria João Pires. Ashot has particularly excelled in his interpretations of Rachmaninov’s 2nd and 3rd concertos. He won first prize at both the 2006 Rachmaninov Piano Competition and the 2007 Martha Argerich Piano Competition. He is a
prizewinner of the 2011 Top of the World Piano Competition and the 2013 Concours d’Epinal. He has been invited to perform with
leading orchestras such as the London Symphony Orchestra, the Royal Philharmonic, etc and to collaborate with masters such as
Rodolfo Fisher, Augustin Dumay, Daniele Gatti and Thomas Sondergard. As a chamber musician, Ashot collaborates with outstanding artists such as Nicolas Altstaedt, Misha Maisky, Maxim Vengerov, Ivan Monighetti, among others. His first CD, dedicated to
Haydn and Beethoven, was released in December 2013. He also gives concerts in duo with Maria João Pires, proving his exceptional
talent and revealing a musical soul at its purest.
Born in 1995 in Yokohama, Japan, Kaito Kobayashi studied at the Yamaha Music Foundation, taking lessons in piano, composition, and general musicianship, until 2014. That same year he graduated from the Ueno Gakuen Senior High School, Music Course
(course for performers). In August 2010 he won first prize and the Haydn prize at the 12th Ettlingen International Competition for
Young Pianists (Category B, under 20 years old). In April 2011 he won the special student prize at the Junior Academy Eppan given
by Prof Andrea Bonatta, and he was invited to participate in the Piano Academy Eppan given by Prof ArieVardi in September 2011.
In February 2011 he held recitals in Ettlingen (Germany) and Eppan (Italy). In August 2013, he won second prize at the 11th Tokyo
Music Competition. For 2014 he received a scholarship from the Rohm Music Foundation Scholarship in Japan. He is currently
taking advanced lessons at the Queen Elisabeth Music Chapel in Belgium, under the direction of Maria João Pires.
Micha Kozlowski, piano
As an outstanding young polish pianist, Mischa Kozlowski has already successfully presented his talent at the concert halls of
Europe, China and Japan. This sensitive and diligent young artist, winning the heart of public around the world, has already been
invited for such prominent festivals as „Kissinger Sommer” in Bad Kissingen, “Festspiele Europäische Wochen” in Passau (Germany), “NCPA May Festival” at National Centre for the Performing Arts in Beijing, Gulangyu Summer Music Week in Xiamen (China),
International Festival “Jeunes Virtuoses à Ennejma Ezzahra” in Sidi Bou Said (Tunisia), “Chopin au Jardin du Luxembourg” in Paris
(France), “Kyoto International Music Students Festival” in Japan, International Chopin Piano Festival in Duszniki Zdroj (Poland) and
“Transatlantic” Interational Music and Film Festival in Poznan (Poland). Born in 1989 in Gdynia (Poland), he devoted himself to
piano studies at the age of 7 under Julita Ksiazkowska-Randazzo. In 1999 he started to work with prof. Katarzyna Popowa-Zydron
until obtaining a diploma with honours in 2008 at Gdynia Secondary Music School. He contiuned his musical education at Fryderyk
Chopin University of Music in Warsaw at piano class of prof. Piotr Paleczny. After obtaing the master diploma with honours, he is
currently doing his post-graduate studies and honing his skills at Hochschule der Künste Bern at class of prof. Tomasz Herbut. Since
2014, he is a member of The OPERA ACADEMY at The Teatr Wielki-Polish National Opera in Warsaw, the programme - part of The
European Network of Opera Academies (enoa) - helping to develop the skills and promoting young talented singers and pianists.
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Rafael Kyrychenko, piano
International competition winner Rafael Kyrychenko was born in the Azores and began his studies at age fivewith his mother, Cristina Pliousnina. His first prize was earned atthe age of eight, in his first ever international competition in Palma de Mallorca. Since
then, he has traveled internationally, achieving many firstand secondprizes in Portugal, Spain, Italy, France, Estonia, San Marino,
Cyprus and the United States. He has also taken masterclasses with world-renowned teachers such as Philippe Entremont, Nelson
Delle-Vigne Fabbri, Dmitry Bashkirov, Michel Béroff, Martimo Tirimo, Artur Pizarro and Rosella Clini, among others. He has had the
opportunity to play in such prestigioushalls as the Cortot Hall and Fontainebleau Palace, the Teatro Baltazar Diasin Funchal (Madeira), the Estonia Concert Hall in Tallinn, the DeSantis Chapel in Palm Beach with the Palm Beach Atlantic University Orchestra, and
Sala Suggia in Casa da Música (Porto), where he opened the EDP Piano Cycle 2014. In 2014 he won the 25th Yamaha Scholarship.
He is currently studying at the Queen Elisabeth Music Chapel under Maria João Pires and at the Royal Conservatory of Brussels
under Daniel Blumenthal.
Third prize at the 2014 Queen Elisabeth Competition, Sarah Laulan trained as an actress and singer at the Conservatoire de Tours,
the Théâtre National de Toulouse, in Paris, and at the Royal Conservatory of Brussels. Her atypical path led her to sing Offenbach’s L’île de Tulipatan in Rouen, Saint-Etienne and Besançon. She has also appeared in L’Opéra de quat’sous on a tour of France
staged by L. Fréruchet and in Laika the Spacedog in London and Avignon with the English Touring Opera. She has performed the
roles of Suzuki in Madame Butterfly, Javotte in Manon, Annina in La traviata, Gertrude in Roméo et Juliette, Marina in Boris Godunov, the witch in Hansel and Gretel, and Carmen at the Salle Pleyel, the Salle Gaveau and in Algiers. She has appeared in Les
mamelles de Tirésias (at La Monnaie) and L’enfant et les sortilèges (in Bahrain) for the Festival of Aix-en-Provence. In the upcoming
season she will be Hermia in Les caprices de Marianne, directed by C. Schnitzler. For the academic year 2014-15 she is the recipient of a scholarship from Mr. & Mrs. Michel Peterbroeck. Since 2011 she has been studying at the Queen Elisabeth Music Chapel
in Belgium under the direction of José van Dam.
Harriet Langley, violin
Deborah Pae, cello
Born in 1992 in Australia, Harriet Langley began her violin studies in Korea at 4 years old. She continued in Tokyo, New York, Germany. Her teachers included Patinka Kopec and Josef Rissin. In 2002, she was invited to perform at Ground Zero with Yo-Yo Ma and Gil
Shaham for the first anniversary of the WTC 9/11 Commemoration Ceremony. The same year, she made her Carnegie Hall debut as
a part of a chamber group. She had participated in many prestigious competitions taking first prize at the Andrea Postacchini Competition of Italy and festivals such as the Summer Academy of Seiji Ozawa, Prussia Cove UK and Ravinia Festival of Chicago. Since
her professional debut as a soloist with the Reno Philharmonic of Nevada at the age of 13, she regularly performs with orchestras
including the London Chamber Orchestra, the Gyeonggi Philharmonic of Korea, the Orchestre National de Belgique, Wiener KammerOrchester in such prestigious halls as Palais des Beaux-arts, Palais Royal de Bruxelles, Musikverein de Vienne, Victoria Hall de
Genève, Théâtre des Champs-Elysées de Paris, Windsor Castle. She has given recitals in New York, Tokyo, Toronto, Seoul, Brussels
and is also invited to give a solo recital at the Louvre, Paris in December 2014. After completing her studies under Augustin Dumay
at the Queen Elisabeth Music Chapel , she’s been studying with Miriam Fried at NEC, Boston, USA since 2013.
Cellist Deborah Pae is captivating audiences on world stages as a seasoned soloist, recitalist and chamber musician. Since her international debut in 2003 at the 45th Annual Grammy Awards honoring cellist Mstislav Rostropovich and her European recital debut in
2005 in the Louvre Museum recital series in Paris, Ms. Pae has performed across four continents and appeared at the invitation of
the Centre for Fine Arts, the Musée de Grenoble, the Neue Galerie, the Strad for Lunch recital series, and the Van Wezel Foundation’s Young Artists series. A committed chamber musician, she has featured at a number of highly regarded festivals including Marlboro, Ravinia, the Adam International Cello Festival (NZ), the Perlman Music Program, and the International Musicians Seminar
(IMS) Prussia Cove (UK). Her performances have been broadcast on Radio France, BBC3, Medici TV, MUSIQ3, PBS, CBS, New York’s
WQXR and Chicago’s WFMT. Ms. Pae is a graduate of the Juilliard School and New England Conservatory where she studied with
Joel Krosnick and Laurence Lesser, and has been closely mentored by violist Kim Kashkashian and violinists Miriam Fried and Sylvia
Rosenberg. Since 2012, she has been working with Gary Hoffman at the Queen Elisabeth Music Chapel in Belgium.
Cécile Lastchenko, soprano
Cécile Lastchenko, a young opera soprano, graduated from the Royal Conservatory of Brussels magna cum laude. First of her class,
she was awarded the Alice Tyckaert Prize by the Conservatory for her scholarity. She then pursued her training at the Guildhall
School of Music and Drama in London with the soprano Yvonne Kenny. Cécile appears regularly on stage, among others at the Royal
Opera of Wallonia, as a soloist for various opera projects and opera productions but also in a large repertoire of chamber music.
She has also been given the role of Susanna in Mozart’s The Marriage of Figaro, which she performed at the Théâtre Royal du Parc
in Brussels, as well as the role of Inès, the leading role in Jacques Offenbach’s Les bavards. The laureate of many competitions, she
won third prize in the Jacques Dôme competition in 2010, the first grand prize at the competition Les nouveaux talents de l’art
lyrique in 2011, the Young Talent first prize at the international Bell’Arte competition in 2013, and second prize at the international
Léopold Bellan competition in Paris. Since September 2014, she is studying at the Queen Elisabeth Music Chapel under the direction of José van Dam.
48
Liya Petrova, violin
Born in 1990 in Sofia, Bulgaria, Liya Petrova comes from a family of musicians. At the age of eight already she won the Mozart
Medal and was elected Best Young Artist of Unesco. She is also the laureate of many international competitions, including Tibor
Varga in Sion and Louis Spohr in Weimar. She has appeared both as a soloist and on tour with the Brussels Philharmonic, the Luxembourg Philharmonic, the Lausanne Chamber Orchestra, the Osaka Philharmonic, deFilharmonie (under the baton of Philippe
Herreweghe), the Monte Carlo Philharmonic Orchestra, the National Orchestra of Montpellier, and more. Liya has also appeared
in some of the most prestigious festivals of Europe, including Mecklenburg Vorpommen, the Rheingau Music Festival, Progetto
Martha Argerich, the Athens music festival, the Festival de Radio France in Montpellier, the Menton festival, and the Festival de
Pâques in Aix-en-Provence. In March 2011, she was invited to take part in the Martha Argerich and Friends series of chamber-music
concerts in Athens, playing with Martha Argerich, Renaud Capuçon, Yuri Bashmet and Mischa Maisky. Liya plays a Matteo Goffriller
violin, generously on loan from the Queen Elisabeth Music Chapel. For the academic year 2014-15 she is the recipient of a scholarship from InBev-Baillet Latour. In September 2010 she entered the violin section of the Queen Elisabeth Music Chapel in Belgium
under the direction of Augustin Dumay.
49
Miloš Popović, piano
Born in Belgrade in 1985, Miloš began learning the piano at the age of 10 and from his first lesson, he knew it was to become his life
companion, as well as his means of expression. He studied at the Academy of Arts in Novi Sad with Biljana Gorunović then at the
Conservatoire Royal de Bruxelles alongside Eugène Moguilevsky, a collaboration that lasted more than 10 years. He studied further
at the Queen Elisabeth Music Chapel with Abdel Rahman El Bacha. He met Maria João Pires at a festival in 2007. He was invited
by her to be part of the Partitura Project. Since 2013, Miloš has participated regularly in the “Equinox” project, a project created
by Maria João Pires which is devoted to developing children’s choirs in underprivileged areas with the aim of promoting mutual
respect through learning music and developing stability and inner strength, so often buried inside or oppressed by modern society.
Joona Pulkinnen, cello
Born in 1990, Finnish cellist Joona Pulkkinen started studying cello at the age of five. He has appeared as a soloist with the Finnish
Radio Symphony Orchestra, Sibelius Academy’s Symphony Orchestra, Aurora Symphony Orchestra, Tampere Philharmonic Orchestra, Orchestre Royal de Chambre de Wallonie, La Monnaie Symphony Orchestra and Turku Philharmonic Orchestra. In 2010 he
won third prize at the National Turku Cello Competition and was the youngest participant in the final. Joona has featured at a
number of highly regarded festivals in Scandinavia and performed across many countries of Europe. In September 2014 he begins
his new job as first principal cellist with the Tampere Philharmonic Orchestra. Joona plays a Giovanni Grancino cello from 1698,
kindly loaned to him by the Pohjola Bank Art Foundation. For the academic year 2014-15 he is the recipient of a scholarship from
InBev-Baillet Latour. In September 2012 he was accepted at the Queen Elisabeth Music Chapel in Belgium, in the cello section
under the direction of Gary Hoffman.
Lev Solodovnikov, violin
Born in 1987 into a family of musicians in the heart of Siberia, Lev Solodovnikov started playing violin at the age of six. Between
2004 and 2014, Lev studied in Moscow at the Tchaikovsky Conservatory with Prof Edward Grach. Lev was the latter’s assistant in
2012-14. He has taken part in the international masterclasses of Keshet Eilon, the RachlinFestival of Chamber Music, and many
more. He is a laureate of many international violin competitions, including H. Wieniawski (2006), Hubay-Szigeti (2007) and V. Huml
(2009), among others. Lev has played with renowned orchestras such as the Budapest Philharmonic Orchestra, the Orchestre Royal
de Chambre de Wallonie, the Russian State Symphony Orchestra and the Moscovia Chamber Orchestra. Since September 2014 he
has been perfecting his skills at the Queen Elisabeth Music Chapel in Belgium, in the violin section, under the direction of Augustin
Dumay.
50
51
Julia Szproch, soprano
Julia Szproch was born in 1990 in Warsaw. Piano has been her great passion since she began studying it at age 9. The laureate of
various local voice competitions, she was noticed in secondary school by director Reanta Dymna, thanks to whom she made her
debut at the National Theatre. In 2010 she began her collaboration with a contemporary chamber-music ensemble. She entered
the Fryderyk Chopin University of Music in 2011 in the class of Dorota Radomska, obtaining her bachelor’s degree in 2014. That
same year she was admitted to the master’s degree. In 2012 she performed the role of Susanna in Mozart’s Le Nozze di Figaro for
children. She also sang the role of Damigella in Monteverdi’s L’incoronazione di Poppea and Zerlina in Mozart’s Don Giovanni. In
2014 she gave several recitals in Norway and sang in Mozart’s Requiem in D minor (K 626). She reprised the role of Zerlina in Mozart’s Don Giovanni during the 24th edition of the Mozart Festival in Warsaw. Since September 2014 she has been studying at the
Queen Elisabeth Music Chapel in Belgium, in the voice section, under the direction of José van Dam.
Sarah Théry, mezzo-soprano
Olga Volkova, violin
Olga Volkova was born in Vladivostok, PrimorskyKrai, in 1991. She won her first violin competition at the age of eight. When she
was 12, Maestro Rostropovich invited her to study with Prof Irina Bochkova, a National Artist of Russia, at the Central Music School
of the Tchaikovsky Moscow Conservatory, an experience that contributed greatly to Olga’s musical life. In 2009 she moved to Germany, and since then she has been studying at the Hochschule für Musik und Tanz Köln under Prof Zakhar Bron. At the age of 16
she won the International N. Paganini Violin Competition in Moscow. In 2012 she took first prize at the Carl Nielsen International
Competition in Denmark. She has received grants and scholarships from the Vladimir Spivakov Music Foundation, the New Names
Foundation, the Russian Artists Foundation, the Mstislav Rostropovich Foundation and Doms-Stiftung of Switzerland. In September
2014 she entered the violin section of the Queen Elisabeth Music Chapel in Belgium, under the direction of Augustin Dumay.
Damian Wilma, baritone
Holding degrees in opera (from the Felix Mendelssohn Bartholdy University of Music and Theatre in Leipzig, 2014) and in literature
(Rennes 2 University, 2008), the young French mezzo-soprano Sarah Théry made her debut in opera in Johann Strauss’s Die Fledermaus in the role of Prince Orlowsky (University of Music and Theatre, Leipzig, 2012). She took on the same role the next year,
in 2013, at the Opera of Gera/Altenburg (Thuringia), where she also interpreted the role of Mrs. Noah in Benjamin Britten’s Noye’s
Fludde (2013). In 2014 she sang the third Adlige Waise in Richard Strauss’s Der Rosenkavalier (Leipzig Opera). Sarah regularly gives
recitals of lieder and melodies in France, Germany, Turkey and Canada. She has studied under Teresa Berganza, Christa Ludwig,
Simone Kermes, Philipp Moll, Elvira Dreben, John Noris, Roland Schubert and Pierre Berné. Since September 2014 she has been
studying at the Queen Elisabeth Music Chapel in Belgium, in the voice section, under the direction of José van Dam.
Born in 1988, he is currently a student of the Feliks Nowowiejski Academy of Music in Bydgoszcz – the Faculty of Vocal Music and
Drama, in the class of Professor Wojciech Maciejowski. He is also a participant of the Opera Academy – the Young Artists Programme of Teatr Wielki – Polish National Opera in Warsaw. He is laureate of the First Prize at the 17th Imrich Godin International
Vocal Competition Iuventus Canti (Vráble, Slovakia 2014), First Prize at the XIV International Competition-Festival “Music Without
Limits” (Druskininkai, Lithuania 2014), Second Prize at the International Competition “Złote Głosy” in Warsaw (2013) and the Special Prize for the best performance of a Polish song at the 15th Ada Sari International Vocal Artistry Competition (2013). They have
followed the classes of the famous Ysaÿe Quartet in Paris and they have also been invited to take part in the Académie de Villecroze
in order to work with pianist Ralf Gothoni. Since September 2014 they have been artists in residence at the Queen Elisabeth Music
Chapel in Belgium under the direction of the Artemis Quartet.
Katarina Van Droogenbroek, mezzo-soprano
Han Bin Yoon, cello
Katarina Van Droogenbroek began her singing studies at the Royal Conservatory of Liège under Hélène Bernardy. She then continued her musical training in Berlin. During her studies and during her participation in programs for young artists, Katarina had the
opportunity to perform the roles of Dido in Henry Purcell’s Dido and Aeneas, of Cherubino and Dorabella (Mozart), and of Hansel in
Humperdinck’s Hansel and Gretel. She has also prepared for the role of Octavian in Richard Strauss’s Der Rosenkavalier with Brigitte
Fassbaender. In July 2014 she will perform the role of Dorothée in Massenet’s Cendrillon at the Oslo Opera House. Passionate about
baroque music, in June 2014 Katarina joined the Baroque Vocal specialization program in Mainz as a soloist, where she has worked
with major names in baroque music such as Ton Koopman, Jaap ter Linden and Andreas Scholl. Since September 2014 she has been
perfecting her skills at the Queen Elisabeth Music Chapel in Belgium, under the direction of José van Dam.
Born in 1988, Han Bin Yoon showed signs of exceptional musical talent already in childhood. From the start of his career he has had
the opportunity to perform with renowned musicians. Han Bin received the 2010 Korean Honor Scholarship for exceptional musical talent. He is also the recipient of the scholarship support from the LéniFé Bland Foundation, the Ruth Cole Weber Foundation,
and the Pacific Palisades Westside Committee of the Los Angeles Philharmonic. Han Bin opened the 2013 concert season with his
debut recital at the Kennedy Center in Washington, D.C., presented by the Korean Concert Society. A top prizewinner at numerous
competitions, Han Bin most recently won second prize at the 2013 Young Concert Artist International Auditions as well as third
prize and special award for best performance of a Chinese composition at the first International Schoenfeld String Competition in
Hong Kong. Han Bin has performed the Dvořák Cello Concerto with the Thornton Symphony under the baton of Maestro James
Conlon, and in 2012 he gave a series of recitals, talks and master classes throughout Southern California. Since September 2014 he
has been refining his skills at the Queen Elisabeth Music Chapel in Belgium, under the direction of Gary Hoffman.
52
53
Hermès Quartet
Sincerity, finesse and sensitivity are the traits that probably best define the Hermès Quartet. Noticed by the Ravel and Ysaÿe quartets, the foursome developed and matured with Miguel da Silva, Eberhard Feltz and the Artemis Quartet. In 2009, one year after
graduating from the CNSM of Lyon, they won first prize at the Concours de Lyon, the audience award and the prize of the SACEM,
and first prize at the 2011 Geneva Competition. They are also laureates of the Académie Maurice Ravel and the Charles Oulmont
Foundation. In 2012 they took first prize at the New York Young Concert Artists. The Hermès Quartet has released a recording of
works by Haydn and Beethoven (2012) under the Nascor label (receiving the highest critical rating from Télérama), and in 2014 it
will be issuing a new recording of the complete Schumann quartets, under the Dolce Volta label. The ensemble has appeared in
Europe, America and Asia, and had the opportunity to perform beside Valentin Erben, Yo-Yo Ma, Marie-Josèphe Jude and Miguel
da Silva. Anthony Kondo plays a Moose and Moose cello, on loan from the El Pasito foundation. The Fonds Instrumental Français
has loaned a Carlo Tononi violin to Omer Bouchez and a David Tecchler violin to Elise Liu. Since 2012, the Hermès Quartet has been
studying at the Queen Elisabeth Music Chapel in Belgium under the direction of the Artemis Quartet. The foursome is the recipient
of an InBev-Baillet Latour scholarship.
Always
close
Trio Suyana
Founded in 2009 within the walls of the Conservatoire de Paris, Trio Suyana (David Castro-Balbi, violin; Alexandre Castro-Balbi,
cello; Thibaud Epp, piano) is one of the most promising young trios with piano of recent years. They have already been invited
to appear in many prestigious venues in France and abroad (Salle Pleyel and Hôtel de Soubise in Paris, Festival Georges Cziffra in
Saint-Etienne, Festival Klangspuren in Austria) and have won various international prizes: second prize (first prize unattributed) at
the 2012 Schubert and Modern Music international competition in Graz, Austria, as well as the award for best performance of a
contemporary composition. In 2013 they took first prize at the 18th Kiejstut Bacewicz international competition in Lodz, Poland.
They have followed the classes of the famous Ysaÿe Quartet in Paris and they have also been invited to take part in the Académie
de Villecroze in order to work with pianist Ralf Gothoni. Since September 2014 they have been artists in residence at the Queen
Elisabeth Music Chapel in Belgium under the direction of the Artemis Quartet.
close partner of
54
55
European Network Of Opera Academies - enoa
enoa is a network of European cultural institutions – academies, opera producers, foundations and festivals – which counts eleven
full members and twelve associated partners. Thanks to the support from the European Commission Culture Programme, enoa
is able to offer an ambitious five-year programme, including workshops, co-productions, co-commissions and its own mobility
scheme. enoa’s activities are designed to offer young opera professionals the best possible conditions to start a career in a globalised context; enoa’s goal is also to foster a common reflection on the future of opera and to encourage the creation, promotion
and dissemination of new opera works in Europe.
Co-organisers
Festival d’Aix-en-Provence / Aix-en-Provence / FRANCE
Aldeburgh Music / Aldeburgh / UK
Bayerische Theaterakademie / Munich / GERMANY
Calouste Gulbenkian Foundation / Lisbon / PORTUGAL
Dutch National Opera / Amsterdam / THE NETHERLANDS
Fundación Albéniz – ESMRS / Madrid / SPAIN
Latvian National Opera / Riga / LATVIA
LOD music theatre / Ghent / BELGIUM
Queen Elisabeth Music Chapel / Waterloo / BELGIUM
Teatr Wielki – Polish National Opera / Warsaw / POLAND
Verona Opera Academy / Verona / ITALY
Associated Partners
ING is sponsoring the concert
of the Queen Elisabeth Music Chapel.
Be it classical or contemporary, music is
first and foremost for sharing with all. By
promoting access to culture for everyone,
and enabling young people to develop
Athens and Epidaurus Festival, Bolshoi Theatre, Den Norske Opera & Ballet, Edinburgh International Festival, Escola Superior de
Música, Artes e Espectáculo Porto, Escola Superior de Música de Lisboa, Fondazione Arena di Verona, Innsbrucker Festwochen der
Alten Musik, La Monnaie I De Munt, Royal Danish Opera, Teatro La Fenice, and Silbersee ex-VOCAALLAB.
For more information, visit www.enoa-community.com
and share their talents, ING aims to be an
instrument at the service of our society,
both now and in future.
IING Belgium SA/nv – Bank – avenue Marnix 24, B-1000 Brussels – Brussels RPM/RPR – VAT: BE 0403.200.393 – BIC: BBRUBEBB – IBAN: BE45 3109 1560 2789
Publisher: Inge Ampe – Cours Saint-Michel 60, B-1040 Brussels - 704703E
With the support of
This project has been funded with support from the European Commission. This publication [communication] reflects the views only of the author,
and the Commission cannot be held responsible for any use which may be made of the information contained therein.
56
La Libre vous offre chaque semaine,
Le soutien de la fondation Bernheim
suppléments
Encourager ensemble l’épanouissement de vocations de jeunes musiciens très talentueux en Belgique. La Fondation Bernheim
encourage la réalisation des aspirations individuelles et fait en sorte que chacun puisse trouver dans le milieu qui l’entoure les
meilleures possibilités de répondre à sa vocation. La conjonction des éléments humains et sociaux revêt une importance capitale
à ses yeux. La Chapelle Musicale Reine Elisabeth rejoint totalement cette double préoccupation. Elle favorise d’une part le développement de la musique et aide à la formation des artistes en s’entourant de grands maîtres et en apportant un enseignement
flexible et de grande qualité à ses étudiants. L’organisation des cours, l’encadrement pédagogique, physique et logistique qu’elle
met en place, encouragent l’accomplissement des aspirations individuelles et font en sorte que chaque jeune trouve dans le milieu
qui l’entoure les meilleures possibilités de répondre à sa vocation. En la soutenant depuis 10 ans, la Fondation Bernheim permet à
la Chapelle Musicale de se positionner en tant que structure sociale efficiente, offrant un enseignement d’excellence à des talents
sélectionnés sur base de leurs qualités personnelles et artistiques. Elle permet à ces jeunes de se réaliser en leur proposant des
cours, un logement, des instruments, des bourses, en finançant des enregistrements, des concerts ou encore en offrant la possibilité de se produire avec orchestre. Elle rejoint ainsi la Fondation Bernheim dans son souci d’améliorer de manière qualitative la
situation matérielle et morale d’une soixantaine de jeunes.
Pages 2-3
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D.R.
l est des livres touchés par une magie particu
lière, alliant poésie, fantasque, tendresse et créa
tivité. C’est le cas de “Carnival City” de Rawi
Hage. Né au Liban qu’il a quitté en 1992, celui qui se
partage entre l’écriture et les arts visuels vit depuis à
Montréal. Son troisième roman (après “Le Cafard” et
“De Niro’s Game”) place le lecteur dans les pas de Fly,
atypique chauffeur de taxi. Ce dernier classe ses sem
blables en deux catégories : les araignées (qui atten
dent l’appel du répartiteur) et les mouches (qui navi
guent au hasard des rues, avec l’espoir qu’une main
se lève). Comme son nom l’indique, Fly est un vaga
bond, un intrigant, qui roule sans trêve et sans but,
espérant l’averse qui précipitera le client vers lui. De
son enfance dans un cirque, où une femme à barbe a
pris soin de lui après la fuite de son père (pilote de ta
pis volant), la mort de sa mère (trapéziste) et la faillite
de la compagnie, il a gardé un goût immodéré pour la
différence et l’étrangeté. Jusque dans la ville sans
nom où il a émigré, après avoir traversé l’Atlantique.
Cette cité que Fly sillonne est prise dans les fastes
du carnaval. Mais cette toile de fond est discrète en
regard des spécimens qui défilent dans son habitacle.
Sans déguisement mais non sans particularités. Dea
lers, prostituées, gens ordinaires, pressés ou à la dé
rive, ils ont souvent une histoire à raconter, un objet à
oublier. Un coup d’œil suffit à Fly pour “distinguer les
animaux errants et le tracé de leur existence lou
voyante”. Attentif à chacun, voisin de palier ou client
régulier, justicier quand il le faut, Fly est aussi un
amoureux de littérature, elle qui a investi les moin
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ment basé sur son “impression subjective du livre et de
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Du cirque au carnaval, les singularités et autres bi
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luttons, que nous offrons l’asile aux prisonniers et aux
révolutionnaires, que nous avons sauvé des Gitans et des
Juifs.” Dans ce roman à la plume enjouée qui célèbre
avec philosophie et lucidité toutes les saveurs de
l’humanité, s’invitent aussi de belles rencontres et de
sincères amitiés. Qui ne gomment ni les noirceurs, ni
les tragédies. Car derrière les masques, il n’y a pas
que des anges.
Geneviève Simon
Conjoncture
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H.H.
UN ART PLUS
Arts Libre
Réseaux
Pas facile de gérer
les outils de
marketing
numérique. p.7
CHRISTOPHE BORTELS
le lundi
BODYS ISEK KINGELEZ - NIPPON TOWER, 1995, CARDBOARD, TAPE, GLUE, TRANSPARENT GEL, PLASTIC, LETTERING, COPPER, THREAD, 67 X 34 X 22 CM, UNIQUE | COURTESY OF AEROPLASTICS CONTEMPORARY, BRUSSELS
Samen de ontplooiing van het talent van jonge, zeer beloftevolle muzikanten in België bevorderen. De Stichting Bernheim stimuleert de verwezenlijking van individuele doelen en zorgt ervoor dat ieder in zijn eigen omgeving de beste mogelijkheden vindt om
zijn roeping te realiseren. De combinatie van menselijke en sociale elementen is voor de stichting van fundamenteel belang. De
Muziekkapel kan zich perfect terugvinden in dit dubbel streefdoel. Zij stimuleert de ontwikkeling van de muziek en ondersteunt
de opleiding van de kunstenaars door zich te omringen met grote meesters en door haar studenten een flexibel en hoogwaardig
onderwijs te bieden. De organisatie van de lessen, de pedagogische, fysieke en logistieke begeleiding, dragen bij tot de verwezenlijking van de individuele doelstellingen en zorgen ervoor dat elke jongere in zijn eigen omgeving de beste mogelijkheden vindt om
zijn roeping in vervulling te doen gaan. De Stichting Bernheim, die de Muziekkapel al 10 jaar steunt, biedt haar de mogelijkheid zich
te positioneren als een efficiënte sociale structuur, die een uitmuntend onderwijs biedt aan talenten geselecteerd op basis van hun
persoonlijke en artistieke kwaliteiten. Op deze manier krijgen deze jongeren de kans om zich te ontplooien via cursussen, huisvesting, instrumenten, beurzen, de financiering van opnames, concerten of door hen de mogelijkheid te bieden op te treden met een
orkest. De Muziekkapel treedt hierdoor de Stichting Bernheim bij in haar streven om een kwalitatieve verbetering te brengen in de
materiële en morele situatie van een zestigtal jongeren.
D.R.
Selon Adam Thirlwell,
la littérature est une
histoire de traductions.
ESCAPADE > PP. 20 ET 21
La Normandie
des écrivains.
Mario Draghi fait
la sourde oreille
Yves Cavalier
S
tatu quo sur toute la ligne du côté de la
Banque centrale européenne. Alors que la
monnaie européenne flirte avec la barre
d’1,40 dollar, Mario Draghi a préféré retenir les
signes d’amélioration de la conjoncture euro
péenne plutôt que de répondre aux craintes de
déflation et, surtout, aux appels répétés des
politiques européens qui plaident pour un
affaiblissement de l’euro. C’est que la monnaie
unique a gagné 7,5% par rapport au dollar
depuis un an et demi. Selon quelques indus
triels forts en voix, c’est autant de perte de
compétitivité sur les marchés internationaux et
donc autant de marchés qui risquent de dispa
raître à jamais pour la zone euro. C’est
d’ailleurs ce qui a largement alimenté un récent
discours du nouveau Premier ministre français,
Manuel Valls. Cela dit, les propos du Français
ont été aussitôt critiqués par Berlin, qui estime
qu’un Etat n’a pas à dicter sa politique à la
Banque centrale de tous les pays de la zone
euro.
La Libre
Entreprise
Le supplément
économique
et financier.
Mais Mario Draghi continue à faire la sourde
oreille et préfère en rester à son rôle de gardien
de l’inflation. Une posture qui devrait pourtant
l’inciter à baisser les taux –ou ce qu’il en reste–
puisque l’inflation de 0,7% est largement infé
rieure à l’objectif historique de 2%. Mais on
peut imaginer que le président Draghi ne sou
haite pas donner l’impression d’agir sous la
pression. Il a annoncé une nouvelle évaluation
pour le mois de juin et veut clairement s’en
tenir à son calendrier. C’est aussi une manière
de rappeler implicitement son discours de
banquier central : “La BCE a fait ce qu’elle avait à
faire depuis la crise; désormais, la balle est dans le
camp des gouvernements”.
© S.A. IPM 2014. Toute représentation ou reproduction, même partielle, de la présente publication, sous quelque forme que ce soit, est interdite sans autorisation préalable et écrite de l'éditeur ou de ses ayants droit.
le vendredi
le samedi
le samedi
Partenaire de La Chapelle Musicale Reine Elisabeth
58
Pour votre plaisir de lire !
59
Le soutien du Fonds InBev-Baillet Latour
Le FONDS INBEV-BAILLET LATOUR, fondé en 1974 par le Comte Alfred de Baillet Latour, administrateur des Brasseries Artois de
1947 à 1980, a pour objectif d’encourager les prestations à haute valeur humaine, au caractère principalement scientifique, académique, artistique ou sportif, et de les récompenser au moyen de prix ou de bourses d’études. Le Fonds InBev-Baillet Latour est
actif principalement dans les domaines suivants : la recherche médicale, le patrimoine culturel belge, la formation universitaire et
l’Olympisme. Le Fonds est heureux de son parrainage de jeunes musiciens talentueux par l’octroi de 6 bourses permettant à ces
jeunes artistes de poursuivre leurs études musicales dans le cadre exceptionnel de la Chapelle Musicale Reine Elisabeth sous la
guidance de maîtres prestigieux. Le Fonds participe ainsi au rayonnement de la vie et de la formation musicale en Belgique, qui plus
que jamais a besoin de soutien financier. La Chapelle fournit un effort extraordinaire pour le développement de ces jeunes talents
et leur participation dans des ensembles prestigieux en Belgique et dans le monde. Aider à l’épanouissement de leur rêve, est un
objectif dont le Fonds InBev-Baillet Latour est particulièrement fier.
De steun van het Fonds InBev-Baillet Latour
Het FONDS INBEV-BAILLET LATOUR werd in 1974 opgericht door Graaf Alfred de Baillet Latour, die van 1947 tot 1980 bestuurder
was bij de Artois Brouwerijen. Het Fonds heeft tot doel grote menselijke verwezenlijkingen in het bijzonder op wetenschappelijk,
academisch, artistiek of sportief gebied aan te moedigen en te belonen aan de hand van prijzen of studiebeurzen. Het Fonds
InBev-Baillet Latour is voornamelijk actief in de volgende domeinen : medische onderzoek, Belgisch cultureel erfgoed, universitaire
vorming en Olympisme. Het Fonds is verheugd met het peterschap van 6 talentvolle jonge musici die dankzij deze bijdrage hun
muzikale studies kunnen verderzetten in het prachtig kader van de Muziekkapel Koningin Elisabeth onder leiding van uitzonderlijke
meesters. Hiermee draagt het Fonds bij tot het muzikaal leven en vorming in Belgie, die meer dan ooit financiele ondersteuning
nodig heeft. De Muziekkapel levert een buitengewone prestatie voor de ontwikkeling van deze jonge talenten en hun bijdrage in
prestigieuze ensembles in België en de wereld. Helpen aan de ontplooiing van jonge talenten en de vervulling van hun droom, is
een doel waarop het Fonds InBev-Baillet Latour bijzonder fier is.
To build
the world’s best
concert grand piano
we focussed on the
competition
In a 19-year programme involving some of the most talented individuals in the piano world - designers, technicians, craftsmen and
artistes, Yamaha set about producing the best piano in the world. We deconstructed the concert grand, both ours and those of our
competitors, and identified every area in which improvements could be made. The resulting instrument is the magnificent CFX.
Selected for the winning performances in both the 2010 Chopin International Piano and Paderewski Competitions, it seems our
efforts have not gone unnoticed. Competition is clearly a very good thing.
60
www.yamahapremiumpianos.com
Queen Elisabeth Music Chapel, public interest foundation
Center of excellence for artistic training
Board of Directors
Honorary Chairmen
Anne-Lise Parotte, Head of Artistic Department
Vincent Pardoen, Chairman
Jean-Jacques de Launoit
Jean-Pierre de Bandt
Masters in Residence
Voice Department
Artemis Quartet, chamber music
Vineta Sareika, violin
Gregor Sigl, violin
Friedemann Weigle, viola
Eckart Runge, cello
José van Dam, voice
Augustin Dumay, violin
Gary Hoffman, cello
Jocelyne Dienst, main opera coach
Alain Garichot, stage director
Philippe Riga, piano coach (Lied & melodie), concerts
Hélène Lucas, coaching (Lied & melodie)
Nathanaël Gouin, piano accompanist concerts
Philip Richardson, repetiteur
Paola Larini, Italian coach
Christiane Gleis, German coach
Polina Bogdanova, Russian coach
Darren Ross, dance workshop
Ambassadors Comittee
Professors
Violin Department
Music theory analysis
Sylvia Goldschmidt, Chairman
Werner Van Lembergen, Vice-Chairman
Axel Miller
Willem Van de Voorde
Tatiana Samouil, violin
Dana Protopopescu, piano coach
Christia Hudziy, piano accompanist
Luc Devos, piano accompanist
Bernard de Launoit*, Executive President
Géry Daeninck*, Executive Director
Julien De Wilde*
Peter de Caluwe
Philippe Delaunois
Yvan de Launoit
Paul Dujardin
Bernard Foccroulle
Sylvia Goldschmidt
Viviane Reding
Leonard Schrank
Robert Tollet
Frans van Daele
*Member of the Executive Committee
Artistic Committee
Bernard Foccroulle, Chairman
Peter de Caluwe
Bernard de Launoit
Gilles Ledure
Ulrich Hauschild
Anne-Lise Parotte, Head of Artistic Department
Christian Renard
Arie Van Lysebeth, Artistic Director Emeritus
Chapelle Musicale, société anonyme à finalité sociale/
naamloze vennootschap met maatschappelijk doel
Piano Department
Board of Directors
Cello Department
Jean-Pierre de Launoit, Chairman
Bernard de Launoit, Executive Director
Bernard Boon Falleur
Pierre Boucher
Géry Daeninck
Philippe de Buck van Overstraeten
Yvan de Launoit
Philippe de Spoelberch
Gabrielle du Chastel de la Howarderie
Paul Dujardin
Denis Solvay
Jeroen Reuling, cello
Dana Protopopescu, piano coach
Christia Hudziy, piano accompanist
Luc Devos, piano accompanist
62
David Bismuth, piano
Sylvia Thereza, piano
Jean-Claude Vanden Eynden, piano concertos
Laurent Beeckmans
Personal well being & Career development
Ozan Aksoyek, mindfulness (emergences)
Patrick Bottin, physical training
Fiona Crossley, yoga
Bernard Dewamme, mental training
with the support of Mentally Fit
Anne Schütt, physiotherapist
Magda Thielemans, physical development
63
Team
Sophie Gosselin, General Secretary
Anne-Lise Parotte, Head Artistic
Cultural Department
Bénédicte Bruynseels, cultural & production coordination - Artists Village mediator
Florence Leeman, project manager
Kyung-sook Langley, assistant production
Mary Philllips, trainee
Communication Department
Sophie van der Stegen, communication, marketing & press relations
Muriel Anslot, external publications & social media coordinator
Auriane de Fauconval, publications
Paul Borschette, Library
Diane Lefebure, trainee
Artistic Department
Muriel Vanderbauwhede, artistic coordination (voice) & enoa contact
Katty Kochman, artistic coordination (piano, violin, cello, chamber music)
Tomoko Taguchi, auditions
Equinox, Solidarity Music Department
Finance & Administration
Joana Noeth, coordination
Emmanuelle Weeger, assistant
Quentin Bogaerts, coordination
Tica Cabral, volunteer
Johanna Filée, student & mediation support
Laurence Godfraind, coordination
Christine Reyntjens, public relations
Johanna Filée, assistant
Marie-Louise Welcker, volunteer
Monique De Ridder, volunteer
64
Logistics Department
Karine Vilain, logistic & housing
Alain Canivet, logistic & housing
Lami Tchabebou
Design: www.griffe.be
Membership & Funding Department
65
Remerciements/Dankbetuigingen/Word of thanks
La Chapelle Musicale Reine Elisabeth et son Conseil d’Administration remercient tout particulièrement/De Muziekkapel Koningin
Elisabeth en haar Raad van Bestuur betuigen hun oprechte dank/The Queen Elisabeth Music Chapel and her Board of Directors
express their many thanks to:
Pour leur générosité/Voor hun steun/For their generosity:
De heer Géry Daeninck
Monsieur Jean-Marie Delwart
Monsieur et Madame Jean-Bernard Gillet-Cabral
Madame Bernard Guttman
Monsieur et Madame Michael Guttman
Madame Vinciane Kaisin
Madame Myriam Pascal Poulet
Madame Irène Steels-Wilsing
Monsieur Hervé Vanden Waeyenberg
Et tous ceux qui souhaitent garder l’anonymat/En diegenen die anoniem wensen te blijven/And all those who prefer to remain anonymous
“Mécènes - Parrains”/“Peterschap” van de Muziekkapel/“Sponsor” of the Music Chapel:
At Ginion Group, only the best is good enough for you. We offer you
the best of premium and exclusive automotive brands: through dealer stores
in Overijse, Brussels,vre and Waterloo we distribute BMW, MINI, Volvo
and Ferrari. We hold the official representation licenses for
Rolls-Royce and McLaren in Belgium and Luxemburg.
For us, excellence goes further than offering excellent brands:
it also reflects the personalized, tailor-made client service we are continuously
aiming at in all of our stores. To deliver on its promise, Ginion Group employs
passionate experts with great enthusiasm for automotive excellence.
Ginion Group, join us and enjoy the ride…
BMW - BMW i - BMW Motorrad - MINI - Ferrari - Volvo - McLaren - Rolls-Royce
(MINI)
(Ferrari)
Francorchamps Motors Brussels
Francorchamps Motors Luxembourg City
(Ferrari)
(BMW Motorrad)
Chaussée de Waterloo 861-865
1180 Brussels
Tel +32 [0]2 337 37 37
Chaussée de Bruxelles 54
1410 Waterloo
Tel +32 [0]2 352 03 40
14, rue d’Arlon
L-8399 Windhof
Tel +352 2639 2020
Chaussée de Bruxelles, 54
1410 Waterloo
Tel +32 [0]2 385 17 09
Ginion Overijse
Ginion Waterloo
Ginion Wavre
Brusselsesteenweg 403
3090 Overijse
Tel. +32 [0]2 687 91 40
Chaussée de Bruxelles 54
1410 Waterloo
Tel +32 [0]2 352 03 30
Chaussée de Namur 250
1300 Wavre
Tel +32 [0]10 45 27 45
Malcorps Motors
McLaren Brussels
Avenue Louise 231-235
1050 Brussels
Tel +32 [0]2 759 59 59
Rolls–Royce Motor Cars Brussels
Brusselsesteenweg 403
3090 Overijse
Tel +32 [0]2 686 04 76
Brussels Store South
(BMW-MINI Service-Diplomatic Sales-Used Cars Center)
(Volvo)
Chaussée de Namur 233
1300 Wavre
Tel +32 [0]10 84 04 78
(BMW-MINI S e r v i c e - B MW i - Diplomatic Sales)
Ginion Motorbikes
(BMW-MINI)
www.giniongroup.com
Entreprises & Instances Publiques/Ondernemingen & Overheid/Companies & Public Funding:
Abelag Aviation & Golf d’Hulencourt
Schelstraete Delacourt Associates
Privés & Associations/Privé-personen & Verenigingen/Private & Associations:
Baron en Barones Bertrand
De heer en Mevrouw Michel Delbaere
Madame Brigitte Fabri
Fondation Futur 21
Fonds Haas-Teichen
Fonds Baron Jean-Charles Velge et donateur anonyme
De heer en Mevrouw Marnix Galle
Monsieur et Madame Regnier Haegelsteen
Monsieur et Madame Eric Le Jeune
Madame Catherine Lagrange
Monsieur et Madame Michel Peterbroeck
De heer en Mevrouw Guy Reyniers
Mevrouw Valérie en de heer Bernard Van Hool
De heer en Mevrouw Leopold Van Hool
Monsieur et Madame Emmanuel van Innis
De heer en Mevrouw Ludo Van Thillo
Mevrouw Leonie Vroom
67
picture : © Tom Stoddart/CICR/Getty Images
“Mécènes - Patrons”/“Patron” van de Muziekkapel/“Patron” of the Music Chapel:
E V E RY T H I N G ’S
POSSIBLE
Rode Kruis - Croix Rouge - Red Cross
T H I S P R O J E C T E X I S T S T H A N K S T O YO U .
Playing the National Lottery also means supporting
many projects that benefit everyone.
In 2013, social projects like this received
more than €42 million.
68
Monsieur et Madame Xavier Bedoret
Monsieur et Madame Philippe Bioul
Monsieur et Madame Jack Blaiberg
Baron et Baronne Bodson
Monsieur et Madame Philippe Bossard
De heer en Mevrouw Antoine Bosteels
Madame Monique Brehier-Sandele
Madame Marie-Thérèse Brel - Michielsen
Monsieur et Madame René Boulanger
Monsieur et Madame Jacques Bouriez
Monsieur et Madame John Buckens
Monsieur et Madame Stephane Buisseret
Monsieur et Madame Jean-François Cats-Morlet
Dokter en Mevrouw Jan Clément – Vermeulen
Baron et Baronne Benoît Coppée
Mevrouw Marc Corluy en Mevrouw Katy Corluy
Comte et Comtesse Frédéric d’Ansembourg
Baron et Baronne Jean-Claude Coppens d’Eeckenbrugge
Baron en Barones de Bandt
Comte et Comtesse Hervé de Carmoy
Prince et Princesse de Chimay
Chevalier et Madame Guy de Cordes
Comte et Comtesse de Kerchove de Denterghem
Baron et Baronne De Keuleneer
Monsieur et Madame Benoit De Landsheer
Comte Jean-Pierre de Launoit
Comte et Comtesse Hadelin de Liedekerke Beaufort
Baronne Eric de Mevius
Monsieur et Madame Léon-Charles de Mol - Thorn
Monsieur et Madame Alain De Pauw
Madame Winnie De Poortere
Madame Christian de Potter
Chevalier Alec de Selliers de Moranville
Chevalier Baudouin de Selliers de Moranville
Monsieur Amaury de Sèze
Baron et Baronne de Vaucleroy
Comte et Comtesse Diego du Monceau de Bergendal
Monsieur et Madame Hugues De Waele
Baron en Barones De Wilde
Monsieur et Madame Christophe Daulmerie
Monsieur et Madame Philippe Delaunois
Monsieur Jean-Pierre Delwart
Monsieur et Madame François Desclée de Maredsous
Monsieur Eric Drossart et Madame Charlotte Leber
Monsieur et Madame Michel Eeckhout
Madame Jacques François
Monsieur et Madame Daniel Fuld
Monsieur et Madame Bernard Fierens Gevaert
Monsieur et Madame Daniel Gillet
Madame Sylvia Goldschmidt
Monsieur et Madame Pierre Gurdjian
Madame Marie Helsmoortel
Madame Philippe Jadot
Madame Eric Janssen
Baron et Baronne Paul-Emmanuel Janssen
Monsieur et Madame Jean-Louis Joris
Kiwanis Club Bruxelles-Europe
Monsieur et Madame Antoine Labbé
Monsieur Christian Lamot
Monsieur et Madame Eric Le Jeune
Monsieur Mark Le Jeune
Monsieur et Madame Laurent Legein
Madame Marc Linet
Monsieur et Madame Olivier Lippens
Comte et Comtesse Paul Lippens
Madame Florence Lippens
Monsieur et Madame Pierre-Olivier Mahieu
Monsieur et Madame François Mairlot
Monsieur et Madame Philippe Masset
Monsieur et Madame Rodolphe Meeùs
Monsieur et Madame Jacques Moreau-Lanoye
Monsieur et Madame Leif Palmblad
Monsieur et Madame Dominique Peninon
Mr. and Mrs. Bruce Philpott
Poona Music Society (India)
Monsieur et Madame Christian Reinaudo
Mr and Mrs. Leonard Schrank
Monsieur et Madame Thierry Sebline
Monsieur et Madame Henry Simon
Madame Jenny Stalpaert
Monsieur et Madame Paul Storme
Baron en Barones Swerts
De Heren Bruno Terryn en Wim Tielemans
Madame Marcel Timmermans
Monsieur et Madame Jean-Marie Tombeur
Madame Denis Tytgat
Monsieur et Madame Alain Van de Poel
Monsieur et Madame Matthieu van der Schueren
Monsieur et Madame André Van Hecke
Monsieur Hervé Vanden Waeyenberg
Baron Paul van der Straten Waillet
Monsieur et Madame Guy Vanhaeverbeke-Carissimo
Baron en Barones Vansteenkiste
De heer en Mevrouw Baudouin Velge
Monsieur et Madame Bernard Vergnes
Monsieur et Madame Alexis Verougstraete
Mevrouw Leonie Vroom
Madame Gabriel Waucquez
69
COMING SOON
The New Building
for our young talents
Monsieur et Madame Peter Wilhelm
Monsieur Robert Willocx
Prince et Princesse Cyril Wolkonsky
De heer en Mevrouw Peter Zwart
thanks to YOU!
« Mécènes - Amis »/« Vriend » van de Muziekkapel/“Friend” of the Music Chapel:
January 2015
Membership & Funding Department
[email protected] - +32 (0)2 352 01 16
IBAN: BE20 3101 2393 3956 - BIC: BBRUBEBB
Madame Monique Alder • Monsieur et Madame Michel Alloo • Monsieur et Madame Paul André • De heer en Mevrouw Hughes Beernaert •
Monsieur et Madame Ralf Bergner • Madame Anne-Françoise Bernimolin • Monsieur et Madame Philip Bille • Monsieur et Madame Pierre
Blondeau • Comte et Comtesse Nicolas Boël • De heer en Mevrouw Theodorus Boland • Monsieur et Madame Paul Borschette • Monsieur et
Madame Arthur A. Borsei • Monsieur et Madame Alfred Bouckaert • De heer en Mevrouw Hubert Brenninkmeijer • Madame Henri Brepoels
• Madame Maryse Buchet • Monsieur et Madame Pierre Buchet • De heer en Mevrouw Etienne Carbonez-Wijnen • Monsieur et Madame
Vladimir Cardon de Lichtbuer • Monsieur Pierre-André Carpentier • Mevrouw Karine Casteleyn • Monsieur et Madame Ono Christians • Monsieur Baudouin Contzen • Monsieur et Madame Georges Corbisier • Madame Ludwine De Backer • Baron et Baronne Guy de Bethune • Baron
et Baronne de Cooman d’Herlinckhove • Monsieur et Madame Stephan de Callataÿ • Mevrouw Jacqueline De Brier • Monsieur et Madame JeanJacques De Cloedt • Comte Alain de Croix • Madame Baudouin de Hemptinne • Baron et Baronne Tanguy de Jamblinne de Meux • L.A.Prince et
Princesse Michel de Ligne • Madame Géry de Limelette • Monsieur et Madame Jean de Séjournet de Rameignies • Vicomte et Vicomtesse André
de Spoelberch • Monsieur et Madame Christian de Ville de Goyet • Monsieur Godefroid de Wouters • Dokter en Mevrouw Stephan Declerck •
Madame Maryvonne Defer • De heer en Mevrouw Philippe Dekeyser • Monsieur et Madame Jean Demesmaeker • Jonkvrouw Joëlle Desprechins
de Gaesebeke • Madame May Dewaet • Madame Cécile Devos-Staquet • Monsieur et Madame Jean Dyckmans • Monsieur et Madame Gulbis
Egils • Madame Monique Engels • Madame Janine Foket • Madame Nathalie Franken • Madame Hélène Franckx • Madame Odile Gillaux •
Monsieur et Madame Pierre Goldschmidt-Contempré • Monsieur et Madame Philippe Gosselin • Monsieur et Madame Gybels-Delperdange •
Madame Claudine Gygax-Mercenier • De heer en Mevrouw Rudolf Haverkorn • Madame Irène Heirens • Monsieur et Madame Charles Henkart
• Madame Jacqueline Henvaux • Madame Anne Hermant • Monsieur et Madame Jean-Pierre Hocke • Monsieur et Madame Alain Huttert •
Madame Edouard Jakhian • Monsieur Jean-Pierre Jean • Monsieur et Madame Kenneth Jeynes • Madame Katia Knapen • Madame Elise Kuyl •
Madame Renée Lacourt • Madame Marie-Louise Lamal • Monsieur et Madame Georges Lambert • Madame Micheline Lambilliotte • Madame
Nadine Leblanc • Monsieur Jean Lemercier • De heer en Mevrouw Fabian Leroy • Monsieur et Madame Damien Levie • Madame Carmen Lévy •
Monsieur Manfred Loeb • Madame Francine Loreau • Monsieur et Madame Jean-Pierre Maisin • Monsieur Philippe Mandoux • Madame Carine
Mancel • Madame Pauline Margulies • De heer Marc Matthys • Monsieur et Madame Ivan Mercier • Mevrouw Jenny Merckx • Monsieur et
Madame Benoit Morel de Westgaver • Monsieur et Madame Robert Muylle • Madame Joelle Mamane-Aflalo • De heer en Mevrouw NerincxVan Roy • Mevrouw Maria-Stephania Noelmans • Monsieur et Madame Jean-Albert Nyssens • Madame Margaretha Oosterwijk • Monsieur
Edgard Parser • Monsieur et Madame Percsy • Monsieur Luc Petre • Madame Christiane Plucker • De heer en Mevrouw Peter Pompe • Madame
Françoise Raquet • Monsieur et Madame Anton Reithinger • Madame Nicole Renggli • Madame Sybille Ribaille • Madame Françoise Rosy •
Madame Françoise Rougny • Monsieur Laurent Rousseau • Monsieur et Madame Jean Saey • Madame Janine Sauvage • Madame Ursel Schuback
• Monsieur et Madame Reinhard Schulte • Madame Frédérique Semet • Madame Colette Sifferlen • Monsieur et Madame Michel Snaps • Monsieur et Madame Matthieu Soubry • De heer en Mevrouw Etienne Stas • Monsieur et Madame Michel Stavaux • Monsieur et Madame Arthur
Stieglitz • Monsieur et Madame Yves Storme • De heer en Mevrouw André Swings-Cremers • Madame Béatrice Thieffry • Monsieur et Madame Stéphane Thiery-Molitor • Monsieur et Madame Henri Thijssen • Monsieur Jean Thomas • Madame Eveline Titeca • Monsieur Emmanuel
Tondreau • Madame Brigitte Ullens de Schooten • Monsieur et Madame Arnaud Van De Put • Monsieur et Madame Jacques Van de Velde • Monsieur et Madame Alec van den Abeele • Madame Annette Van den Bogaert • Monsieur et Madame Karim Van Den Ende • Monsieur et Madame
Thierry van den Hove • Baron et Baronne Charles van der Straten Waillet • Mevrouw Alfons Van Hool • Mevrouw Augusta Van Kemenade • Madame Mary Van Leeuwen • Jonkheer et Madame Baudouin van Ryckevorsel • Monsieur Jack Van Sprang • Monsieur et Madame Michel Vandenkerckhove • Madame Simone Vanschepdael • Madame Ninette Vanneste-Saelens • Monsieur et Madame Philippe Verschueren • Madame Jean
Verougstraete • Madame Pierre Verwee • Monsieur Stéphane Vinogradoff • Madame Léon Warny • Monsieur et Madame Ulrich Zuschke
Et tous ceux qui souhaitent garder l’anonymat/En diegenen die anoniem wensen te blijven/And all those who prefer to remain anonymous.
Liste au/Lijst op 18.11.14.
71
En collaboration avec/In samenwerking met/Incollaboration with
‘We would like you to become
a friend too’
A production of
become a Friend of Flagey and
— Attend a selection of the best concerts
— Meet the artists, musicians and personalities of the world of music and cinema in person
— N E W : discover the neighborhood of Flagey through cultural and artistic actors established in Ixelles
— Take part in the annual trip
and...
— Enjoy a 10% discount on all your reservations
— Have a personal contact for all your requests and reservations
friends of
become a Friend, support our marvelous artistic
project and enjoy many exclusive moments !
/friends — [email protected]
With the support of
This project has been funded with support from the European Commission. This publication [communication] reflects the views only of the author,
and the Commission cannot be held responsible for any use which may be made of the information contained therein.
In coproduction with
Brussels Philharmonic • Orchestre Philharmonique Royal de Liège •
Le Concert Olympique • Sinfonia Varsovia • Lille National Orchestra •
Orchestre de Chambre Nouvelle Europe • Octopus Choir • Equinox •
Nicolas Krauze • Krystof Penderecki • Jean-Claude Casadesus • Michel
Tabachnik • Laurence Equilbey • Jan Caeyers • Miguel da Silva • Fritz
Schwinghammer • Dietrich Henschel • Plamena Mangova • Maria João
Pires • Philippe Riga • Lidy Blijdorp • Julien Brocal • Elina Buksha •
Mertol Demirelli • Hélène Desaint • Bertrand Duby • Ori Epstein • Adriana
Ferfecka • Marcin Fleszar • Diana Gouglina • Lilit Grigoryan • Nathanael
Gouin • Ashot Khachatourian • Kaito Kobayashi • Micha Kozlowski •
Rafael Kyrychenko • Harriet Langley • Cécile Lastchenko • Sarah Laulan
• Deborah Pae • Liya Petrova • Miloš Popović • Joona Pulkinnen • Lev
Solodovnikov • Julia Szproch • Sarah Théry • Katarina Van Droogenbroek
• Olga Volkova • Damian Wilma • Han Bin Yoon • Hermès Quartet • Trio
Suyana
Under the Honorary Chairmanship of Her Majesty Queen Paola
Correspondence: Chaussée de Tervuren 445 - 1410 Waterloo - Belgium
Corporate address: Rue Brederode 14, B-1000 Bruxelles - BCE 459 245 906
Tel: +32 (0)2 352 01 10 - Fax: +32 (0)2 351 10 24
[email protected] - www.musicchapel.org

Music Chapel - www.neoma

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