13-17/11 Flagey - Queen Elisabeth Music Chapel

Transcription

DebussyChaussonFranckFauréSaint-SaënsRavel
13-17/11 Flagey
Création graphique: Mathilde Collobert, ENSAV La Cambre.
festival
Queen Elisabeth
Music Chapel
Artistic Season
2012 - 2013
56 artists in residence
24 nationalities
Main Sponsors
2
Co-sponsor
1
Sous la Présidence d’Honneur
de S.M. la Reine
Onder het Erevoorzitterschap
van H.M. de Koningin
Après Chopin en 2010 et Brahms en 2011, la Chapelle Musicale Reine Elisabeth et Flagey, en coproduction
avec l’Orchestre Royal Philharmonique de Liège et le Brussels Philharmonic, présentent à nouveau ensemble
un festival d’automne, le Festival ‘A la française’, du 13 au 17 novembre 2012 à Flagey.
Ce festival, programmé par la Chapelle Musicale, est dédié à la musique française du ‘tournant de siècle’,
une période extrêmement riche que le public peut explorer à travers les plus belles oeuvres des maîtres français tels que Claude Debussy, Camille Saint-Saëns, Gabriel Fauré, Eric Satie, Maurice Ravel, César Franck ou
encore Francis Poulenc.
Le Festival ‘A la française’ peut compter, et c’est une des caractéristiques de la Chapelle Musicale : le compagnonnage, sur la participation de musiciens de réputation internationale comme Augustin Dumay, Gary
Hoffman, Jean-Philippe Collard, Abdel Rahman El Bacha ou encore Gérard Caussé, associés notamment aux
solistes de la Chapelle.
Cinq jours de festival, 12 concerts & plus de cinquante artistes, le chœur Octopus et deux orchestres belges
seront de la partie : l’Orchestre Philharmonique Royal de Liège dirigé par Christian Arming, ainsi que le Brussels Philharmonic sous la baguette de Michel Tabachnik.
Devenu une marque de maison pour Flagey, le Festival ‘A la française’ n’est pas exclusivement musical, notons
au programme une Soirée Satie mêlant mélodies et extraits de la correspondance presque complète d’Erik
Satie. Ce spectacle mis en scène par Jean Bellorini est produit le 15 novembre par l’Académie européenne
de musique du Festival d’Aix-en-Provence, partenaire de la Chapelle Musicale dans le cadre du réseau ENOA
(European Network of Opera Academies).
Le festival n’oublie pas les enfants et leurs familles, à découvrir notamment ‘Le Carnaval des Animaux’ de
Saint-Saëns lors d’un concert conté sur les images de Danieli le samedi 17 novembre à 11h. (en collaboration
avec la Maison de la Musique).
Et toujours dans cet esprit de ‘compagnonnage’, l’image du festival a fait à nouveau l’objet d’un concours
auprès des étudiants de l’Ecole de la Cambre (Ecole nationale supérieure des arts visuels). Flagey expose tous
les projets d’affiche pendant la durée du festival.
La clôture du festival, le samedi 17 novembre en soirée, est l’occasion d’entendre le Requiem de Fauré dans sa
version pour grand orchestre, version terminée par Fauré en 1901.
A vous toutes et tous, Cher Public attentionné, un très bon festival !
Bernard de LaunoitGilles Ledure
Executive President
Directeur
Chapelle Musicale Reine Elisabeth
Flagey
2
3
Na Chopin in 2010 en Brahms in 2011 stellen de Muziekkapel Koningin Elisabeth en Flagey, in coproductie met het Orchestre Royal Philharmonique de Liège en het Brussels Philharmonic, ook dit jaar samen een
herfstfestival voor. Dat loopt van 13 tot 17 november 2012 in het Flagey, onder de titel ‘A la française’.
After Chopin in 2010 and Brahms in 2011, the Queen Elisabeth Music Chapel and Flagey, in co-production with
the Liège Royal Philharmonic Orchestra and the Brussels Philharmonic, present jointly again an autumn “A la
française” Festival, from 13 to 17 November 2012 at Flagey.
Dit festival, waarvoor de Muziekkapel het programma samenstelde, staat volledig in het teken van de Franse
muziek uit de periode van de eeuwwisseling. Het was een bijzonder vruchtbare en boeiende tijd, waaruit voor
het publiek de mooiste werken van Franse meesters gekozen werden, zoals Claude Debussy, Camille SaintSaëns, Gabriel Fauré, Erik Satie, Maurice Ravel, César Franck of ook nog Francis Poulenc.
Programmed by the Music Chapel, this festival is dedicated to French music at the “turn of the century,” an
extremely rich period that the public can explore through the finest works of French masters such as Claude
Debussy, Camille Saint-Saëns, Gabriel Fauré, Eric Satie, Maurice Ravel, César Franck or Francis Poulenc.
Het Festival ‘A la française’ kan rekenen op de medewerking van internationaal vermaarde musici als Augustin
Dumay, Gary Hoffman, Jean-Philippe Collard, Abdel Rahman El Bacha en verder Gérard Caussé. Zij zullen de
avond opluisteren naast de solisten van de Muziekkapel, helemaal volgens het systeem van het ‘gezellenschap’
dat zo eigen is aan de Muziekkapel.
Vijf dagen lang duurt het festival. Dat betekent 12 concerten en meer dan vijftig artiesten, het koor Octopus en
twee Belgische orkesten: het Orchestre Philharmonique Royal de Liège met Christian Arming als dirigent, en
het Brussels Philharmonic onder de leiding van Michel Tabachnik.
Het Festival groeide uit tot een huismerk voor Flagey, maar ‘A la française’ beperkt zich niet tot de muziek alleen. Op het programma staat ook een avond rond Satie, een mengeling van melodieën en uittreksels uit de
bijna volledige briefwisseling van Erik Satie. De voorstelling, in een regie van Jean Bellorini, wordt op 15 november gebracht door de ‘Académie européenne de musique du Festival d’Aix-en-Provence’, partner van de
Muziekkapel in het kader van het ENOA (European Network of Opera Academies).
Uiteraard vergeet het festival de kinderen en de rest van hun gezin niet. Zij kunnen onder meer genieten van ‘Le
Carnaval des Animaux’ van Saint-Saëns tijdens een vertelconcert op de beelden van Danieli, op zaterdag 17
november om 11 uur (in samenwerking met Het Huis van de Muziek).
En nog altijd in die sfeer van ‘gezellenschap’ werd voor de affiche van het festival ook weer een wedstrijd uitgeschreven waar de studenten van La Cambre konden aan deelnemen (Nationale Hogeschool voor Visuele
Kunsten). Alle ingediende ontwerpen zullen trouwens tijdens de hele duur van festival uithangen in het Flagey.
De afsluiting van het festival, op zaterdagavond 17 november, biedt de kans om het Requiem van Fauré te horen
in zijn versie voor groot orkest, die Fauré in 1901 voltooide.
Wij wensen u een onvergetelijk festival!
Executive President
Directeur
Flagey
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The “A la française” Festival can count on what has become one of the characteristics of the Music Chapel:
mentoring, thanks to the participation of internationally renowned musicians such as Augustin Dumay, Gary
Hoffman, Jean-Philippe Collard, Abdel Rahman El Bacha or Gérard Caussé, who are involved in particular
with the Music Chapel’s soloists.
A five-day festival, with 12 concerts and more than fifty artists, the Octopus chorus and two Belgian orchestras
on hand: the Orchestre Philharmonique Royal de Liège conducted by Christian Arming, as well as the Brussels Philharmonic under the baton of Michel Tabachnik.
Having become a house mark for Flagey, the “A la française” Festival is not exclusively musical. The program
includes a Satie evening which mixes songs and extracts from the nearly complete correspondence of Erik
Satie. Directed by Jean Bellorini, this show is to be performed on 15 November by the ‘Académie européenne
de musique du Festival d’Aix-en-Provence’, a partner of the Music Chapel under the European Network of
Opera Academies (ENOA).
The festival does not forget children and their families either, featuring in particular Saint-Saëns’s “Le Carnaval
des Animaux” during a concert related on images of Danieli on Saturday, 17 November at 11:00 AM (in cooperation with the “Maison de la Musique”).
And still in this ‘mentoring’ spirit, the festival has once again been the subject of a competition among students
of La Cambre (national school of visual arts). Flagey will exhibit all the poster projects during the festival.
The festival will be brought to a close on Saturday evening, 17 November, with a performance of Fauré’s
Requiem in its version for large orchestra, which the composer completed in 1901.
We wish you, dear attentive public, a fine festival!
Executive President
Directeur
Flagey
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23.11.12
Fred Hersch Trio
13.11.2012 - 18:00
Studio 1
13.11.2012 - 20:15
Studio 4
Diana Gouglina soprano
Philippe Riga PIANO
Gary Hoffman cello
Jean-Philippe Collard piano
G. Bizet: 20 mélodies, op. 21
La coccinelle
Chant d’amour
C. Debussy
Sonata in D minor, for cello & piano
Prologue
Sérénade
Finale
R. Hahn: D’une prison
28.11.12
G. Bizet: Ouvre ton coeur
Phronesis
camille merckx mezzo
Philippe Riga PIANO
1.12.12
G. Fauré: La bonne chanson, op. 61
Puisque l’aube grandit
La lune blanche luit dans les bois
J’allais par des chemins perfides
Avant que tu ne t’en ailles
N’est-ce pas?
L’hiver a cessé
Brussels Jazz Orchestra‘s Finest
7.12.12
Tomasz Stanko
© David Bartolomi
Julie Mossay soprano
Philippe Riga piano
H. Duparc: Chanson triste
H. Duparc: Chanson triste
H. Duparc: La vie antérieure
H. Duparc: Phidylé
Kinga Borowska mezzo
Philippe Riga piano
Info & tickets : www.flagey.be - 02 641 10 20
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Augustin Dumay violin
C. Franck
Sonata in A major, for violin & piano
Allegro ben moderato
Allegro
Recitativo fantasia
Allegro poco mosso
Gérard Caussé viola
Gary Hoffman cello
G. Fauré
Piano quartet No. 1 in Ut minor, op. 15
Allegro molto moderato
Scherzo: allegro vivo
Adagio
Finale: allegro molto
G. Fauré:
Chanson du pêcheur, op. 4 No. 1
Automne, op. 18 No. 3
H. Berlioz: La captive, op. 12
Assez vif, très rythmé
Très lent
Vif et agité
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14.11.2012 - 18:00
Studio 1
14.11.2012 - 20:15
Studio 4
15.11.2012 - 18:00
Studio 1
15.11.2012 - 20:15
Studio 4
Quatuor Hermès
Brussels Philharmonic
Michel Tabachnik conductor
Liya Petrova violin
Pau Codina Masferrer cello
Lilit Grigoryan piano
Soirée Satie
C. Debussy
String quartet in G minor, op. 10
Animé et très décidé
Assez vif et bien rythmé
Andantino, doucement expressif
Très modéré - mouvementé et avec passion
M. Ravel
String quartet in F major, op. 35
Allegro moderato, très doux
Assez vif, très rythmé
Très lent
Vif et agité
M. Ravel
La Valse
Adam Krzeszowiec cello
C. Saint-Saëns
Concerto No. 1 in A minor, for cello and orch., op. 33
Moderato
Adagio
Allegro non troppo
Maria Milstein violin
M. Ravel
Tzigane, for violin & orchestra
Julien Libeer piano
F. Poulenc
Concerto for piano & orchestra
Allegretto commodo
Andante con moto
Presto giocoso
M. Ravel
Bolero in C major
G. Fauré
Trio for piano, violin & cello, in D minor, op. 120
Allegro ma non troppo
Andantino
Allegro vivo
E. Lalo
Piano trio No. 3, in A minor, op. 26
Allegro appassionato
Presto
Très lent
Allegro molto
M. Ravel
Trio for piano, violin & cello, in A minor
Modéré
Pantoum, assez vif
Passacaille, très large
Finale, animé
Léa Trommenschlager soprano
Damien Pass baritone
Michalis Boliakis piano
Jacques Hadjaje actor
Jean Bellorini stage director
E. Satie
Production Académie européenne de musique d’Aix en Provence
Mélodies et extraits de la Correspondance presque
complète d’Erik Satie & de Mémoires d’un amnésique
PAUSE
Soirée Belle époque
Elina Buksha violin
Pavel Kolesnikov piano
G. Fauré
Sonata No. 1 in A major, for violin and piano, op. 13
Allegro molto
Andante
Allegro vivo
Allegro quasi presto
Elina Buksha violin
Harriet Langley violin
Jeroen Reuling cello
Polina Bogdanova piano
C. Franck
Piano quintet in F minor
Molto moderato
Lento
Allegro non troppo
8
9
16.11.2012 - 12:30
Studio 1
16.11.2012 - 18:00
Studio 1
16.11.2012 - 20:15
Studio 4
Piknikmusik
Sander Sittig piano
Duo Jatekok
F. Poulenc
Sonata for violin and piano
Allegro con fuoco
Intermezzo: Très lent et très calme
Presto tragico
Orchestre Philharmonique
Royal de Liège
Christian Arming conductor
C. Debussy
Petite suite
En bateau
Cortège
Menuet
Ballet
C. Saint-Saëns
Danse macabre, op. 40
M. Ravel
Ma Mère l’Oye
Pavane de la Belle au bois dormant
Petit Poucet
Laideronnette, Impératrice des Pagodes
Les entretiens de la Belle et de la Bête
Le Jardin féerique
M. Ravel
Rapsodie espagnole
Prélude à la nuit
Malagueña
Habanera
Feria
10
M. Ravel
Sonata posthume No. 1 in G major, for violin & piano
C. Debussy
Sonata in G minor, for violin & piano
Allegro vivo
Intermède: Fantasque et léger
Finale: Très animé
E. Ysaÿe
Caprice d’après l’étude en forme de valse
de Saint-Saëns, op. 52 n°6
C. Saint-Saëns
Overture of Danse macabre, op. 40
Abdel Rahman El Bacha piano
M. Ravel
Concerto in G major, for piano and orchestra
Allegramente
Adagio assai
Presto
Francisco Vila cello
C. Saint-Saëns
Concerto No. 2 in D minor, for cello and orchestra, op. 119
Allegro moderato e maestoso
Andante sostenuto
Tatiana Samouil violin
C. Saint-Saëns
Concerto No. 3 in B minor, for violin and orchestra, op. 61
Allegro non troppo
Andantino quasi allegretto
Molto moderato e maestoso
11
17.11.2012 - 11:00
Studio 4
17.11.2012 - 15:00
Studio 1
17.11.2012 - 20:15
Studio 4
C. Saint-Saëns: Carnaval des animaux
Noëlle Weidmann cello
Christia Hudziy piano
Orchestre Philharmonique
Royal de Liège
Octopus Symphonic Choir
La Maison de la Musique - Musée Danieli
Duo Jatekok
Floris Willem violin
Hélène Koerver viola
Agnieszka Kolodziej cello
Elias Bartholomeus Contrabass
Marie Lagaditis flute
Géraldine Fastré clarinet
Sophie van der Stegen
explanationS
C. Saint-Saëns: Carnaval des animaux
Introduction & Marche royale du Lion
Poules et Coqs
Hémiones
Tortues
L’Éléphant
Kangourous
Aquarium
Personnages à longues oreilles
Le Coucou au fond des bois
Volière
Le Cygne
Finale
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C. Saint-Saëns
Sonata No. 1 in C minor, for cello and piano, op. 32
Allegro
Andante tranquillo sostenuto
Allegro moderato
CoryFeye Quartet
Elina Buksha violin
E. Chausson
Concert in D major, for piano,
violin and string quartet, op. 21
Décidé
Sicilienne - pas vite
Grave
Finale, très animé
G. Lekeu
Adagio for string orchestra
C. Saint-Saëns
Concerto in G minor, for piano and orchestra, op. 22
Allegro scherzando
Andante sostenuto
Presto
Sonja Volten soprano
shadi torbey bass
G. Fauré
Requiem in D minor, op. 48
Introit et Kyrie
Offertoire
Sanctus
Pie Jesu
Agnus Dei
Libera Me
In Paradisum
13
A la française total !
A la Française Comittee
5 jours de musique et 12 concerts en compagnie d’une
vingtaine d’artistes confirmés et de jeunes virtuoses :
master class, récitals ou concerts avec orchestre, rencontres avec les artistes et interviews dans un cadre
intime... une façon originale de vivre intensément et
passionnément ce festival, tout en soutenant le projet !
The Queen Elisabeth Music Chapel wants to express
a special thanks to:
Monsieur et Madame William Bostyn
Madame Barbara François
Madame Simone Guttman
5 dagen muziek en 12 concerten in gezelschap van een
twintigtal ervaren kunstenaars en jonge rijzende sterren: masterclass, recitals of concerten met orkest, ontmoetingen met de artiesten en interviews in een intiem
kader… een manier om zichzelf plezier te doen en het
project te steunen!
Monsieur et Madame Nissim Israel
Monsieur et Madame Nicolas Orts
Monsieur et Madame Pierre Saey
Madame Jenny Stalpaert
Monsieur et Madame Arnaud van de Put
Interviews by Martine D. Mergeay
Monsieur et Madame Jacques Zucker
13 nov. 12 - 19.30 to 20.00
Comité d’Honneur - Erecomité
A la française Festival 2012
14 nov. 12 - 19.30 to 20.00
(to be confirmed)
15 nov. 12 - 19.30 to 20.00
Satie Production
16 nov. 12 - 19.30 to 20.00
Shadi Torbey Bass
14
Info.: Membership & Funding
[email protected] - 02/352.01.16
© L. Loeckx
17 nov. 12 - 19.30 to 20.00
15
Brussels Philharmonic was established in 1935 under the aegis of the public broadcasting network (NIR). The
orchestra has performed with leading conductors and soloists and has created new works by world-famous
composers such as Stravinsky, Messiaen and Francesconi. Brussels Philharmonic and music director Michel
Tabachnik are at home in Brussels, both in Flagey, where it rehearses, and in BOZAR. In addition, the orchestra
is at home at major venues in Flanders. On the international scene, the orchestra has a residency at the Cité de
la musique (Paris), The extensive internationally recognized experience of the orchestra in film music includes
Martin Scorsese’s ‘The Aviator’, and more recently the Oscar winning silent movie ‘The Artist’. Brussels Philharmonic is supported by the Flemish Community.
As Music Director, Michel Tabachnik has been a key figure in the work of Brussels Philharmonic since 2008. His
idiosyncratic yet highly accessible programmes, in which the great orchestral repertoire is combined with music
from the 20th century, are reaching an ever bigger and wider audience. Together with the orchestra, Tabachnik
is also consolidating the sound international reputation built up over the past few years. Michel Tabachnik
studied piano, composition and conducting in Geneva. After his studies, he was coached by a number of iconic
conductors: he was Igor Markevitsj’s assistant and acted for four years as assistant conductor of Pierre Boulez
(in London). After this Herbert von Karajan invited him to conduct his orchestra in Berlin for a number of years.
© SERGE TABACHNIK
Michel Tabachnik, chief conductor
On tour in Europe
Brussels – Amsterdam – London
Paris – Berlin
More info on dates, locations & programmes:
BRUSSELSPHILHARMONIC.BE
Brussels Philharmonic is een instelling van de Vlaamse Gemeenschap. Eugène Flageyplein 18 B-1050 Brussel | T +32 2 627 11 60 | [email protected]
16
Orchestre Philharmonique Royal de Liège
Since 2011 the new Music Director Christian Arming brings both youth and experience to an orchestra dedicated
to excellence, exploration, and a spirit of openness towards all kinds of audiences. Founded in 1960, the OPRL,
under the leadership of its founder, Fernand Quinet, and of conductors such as Paul Strauss, Pierre Bartholomée, Louis Langrée, and Pascal Rophé, has developed an identity that is unique in Europe – a blend of the
discipline of German orchestras and the “transparency” of the French tradition with an openness to new work
and to a vast range of repertoire. Well represented on disc the OPRL is also an ambassador abroad of Belgium’s
French-speaking Community, touring regularly. Since 2000 it also runs the Salle Philharmonique in Liège.
Prochains concerts à Bruxelles
(Palais des Beaux-Arts)
The musical director of the Liège Royal Philharmonic Orchestra since 2011, Christian Arming was born in Vienna, where he studied conducting with Leopold Hager. Between 1992 and 1998, he cooperated closely with Seiji
Ozawa, which led him to conduct several times the Boston Symphony Orchestra in Tanglewood and the New
Japan Philharmonic in Tokyo. At the age of 24, he was the youngest conductor appointed to head the Janácek
Philharmonic Orchestra of Ostrava, a position he has occupied since 2002. From 2001 to 2004, he was the musical director of the Lucerne Symphony Orchestra. From 2003 to 2013 he holds the post of musical director of the
New Japan Philharmonic. Christian Arming has conducted more than 50 orchestras throughout the world and
is equally at ease with the classical, romantic and contemporary repertoire. He is also much in demand at the
opera. In a little over ten years, he has recorded works by Brahms, Beethoven, Mahler, Janácek and Schmidt,
for Fontec and Arte Nova/BMG.
10/1 CONCERT DE NOUVEL AN
J. Strauss, R. Strauss, Gulda / Dir. C. Arming
07/2 RACHMANINOV
Concerto pour piano n° 1 et 2 /
B. Lupo, B. Chamayou
27/2 MAHLER 5 / ARMING
Symphonie n° 5 / Dir. C. Arming
22/3 MEYER / ARMING
Fafchamps, Debussy, Escaich, Rouse
SALLE PHILHARMONIQUE - BD PIERCOT 25-27, 4000 LIÈGE - WWW.OPRL.BE - +32 (0)4 220 00 00
PALAIS DES BEAUX-ARTS - RUE RAVENSTEIN, 23, 1000 BRUXELLES - WWW.BOZAR.BE - +32 (0)2 507 82 00
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© A.S. Trebulak
13/6 CONCOURS REINE ELISABETH
Concert des 4e, 5e et 6e lauréats /
Dir. P. Davin
19
THE ARTISTS
France’s leading violist, Gérard Caussé is widely acclaimed as ranking among the handful
of great international viola talents of our time. Caussé performs and records regularly with
E. Krivine, Ch. Dutoit, K. Nagano, G. Kremer, M. J. Pires, A. Dumay and many others. While
continuing to be a champion of new repertoire for the viola, with over ten concertos written
especially for him, Gérard Caussé has appeared as soloist with many of the world’s most
prestigious orchestras, with a repertoire ranging from baroque music, to Bruch, Berlioz,
Bartók, Stravinsky, Britten, Walton, Martinů, and Mozart,.From 2002 to 2004, Gérard Caussé
was artistic director of the Toulouse National Chamber Orchestra . His discography is composed of more than 35 recordings for leading labels.Gérard Caussé plays a Gasparo da Salo
(1560) and is professor at the Reina Sofia School in Madrid.
Born in Beirut in 1958, Abdel Rahman El Bacha lives in France where he attended advanced
classes from the age of sixteen. Since the dazzling revelation of his talent at the Queen
Elisabeth International Competition in 1978, which he won unanimously, and after a hiatus
to extend his repertoire, he has performed in the most prestigious venues in Europe and
throughout the world, Since his first record, devoted to Prokofiev’s Early works, for which he
won the Charles Cros Academy’s Grand Prize, he has recorded numerous works (Bach, Ravel, Schubert, Schumann, Rachmaninov) at Forlane, as well as Prokofiev’s 5 concertos (live)
at Fuga Libera. His complete sonatas of Beethoven and works for piano solo by Chopin - in
chronological order - are a resounding success, in the concert hall and on CD. Abdel Rahman El Bacha, who teaches piano at the Queen Elisabeth Music Chapel, is also a composer.
Gary Hoffman cello
Born in 1948, Jean-Philippe Collard attended the Paris National Conservatoire, in the class
of Pierre Sancan, before being thrown into the limelight of the internal stage. Whereas
his talents raise him to an unrivalled cantor of the contrasts of French music (from Fauré
to Saint-Saens, Poulenc and Ravel), Jean-Philippe Collard tackles with equal fervour and
panache the most breathtaking pages of the piano repertoire. With a discography exceeding forty titles today, Jean-Philippe Collard performs in the most prestigious music venues
on the old continent and across the Atlantic. On stage as in town, Jean-Philippe Collard is
nourished by encounters… This cross-country artist likes to travel as a lone ranger, accompanied by his faithful piano, on the roads of Béarn or the Mexican sierra.
Fullness of tone, perfect technique, and an exceptional artistic sensibility characterise the
style of Gary Hoffman. He made his début at Wigmore Hall in London at the age of 15, then
moving to New York. At 22, he became the youngest professor at the renowned School of
Music of the University of Indiana. Presently Master in residence at the Music Chapel, he
teaches highly talented young cellists. After winning the First Grand Prize of the Rostropovich Competition in Paris in 1986, he began an international career, and has performed with
the greatest orchestras in the United States and Canada, but also in Europe and Asia. While
he has a preference for the great classical repertoire for cello, Gary Hoffman is nonetheless
not at all averse to contemporary music, for which he is a committed spokesman. Living
since 1990 in Paris, he plays a 1662 Nicolo Amati that belonged to Leonard Rose. Gary Hoffman has recorded for BMG (RCA), Sony, EMI, and Le Chant du Monde. His next recording,
devoted to Mendelssohn, will appear in 2012 with La Dolce Volta.
European audiences has discovered Augustin Dumay thanks to his encounter with Karajan,
his concerts with the Berlin Philharmonic Orchestra, his recordings for EMI. Over the last
years, he has chosen to dedicate a large part of his time to developing the great classical and romantic repertoire. This investment is manifest in some recordings for Deutsche
Grammophon, especially Beethoven’s complete sonatas for violin and piano with Maria João
Pires (Deutsche Grammophon 2002) and the Mozart concerts with the Salzburg Camerata
Academica (soloist and conductor. He teaches young talented violinists at the Queen Elizabeth Music Chapel. Since 2003 he has been the principal conductor of the Royal Chamber
Orchestra of Wallonia and, since 2008, the Principal Guest Conductor of the Kansai Philharmonic Orchestra (Osaka). His discography, which includes some forty recordings, is available on the Deutsche Grammophon and EMI labels.
20
THE ARTISTS
Stemming from a family of musicians in Amsterdam, Jeroen Reuling studied cello with J.
Decroos. He was admitted into the class of Professor A. Navarra and become his assistant at the Staatliche Hochschule für Musik in Detmold. He completed his training with P.
Fournier in Geneva. After his debut at the Large Hall of the Amsterdam Concertgebouw
with the Philharmonic Orchestra, he has played regularly with other Dutch orchestras as
well as on radio and television. From 1983 to 2004, he was the cello soloist of the Arnhem
Philharmonic Orchestra. He has taken part in a Japan tour with A.R El Bacha, Philippe Graffin, Yuzuko Horigome and Roger Chase. He has recorded for Naxos, Ottavio and Cobra. He
teaches cello at the Brussels Royal Conservatoire, at the Artez Institute of the Arts in the
Netherlands, and since 2011 at the Queen Elisabeth Music Chapel. Jeroen Reuling plays an
Italian cello attributed to Antonio Gagliano (Naples 1757).
21
THE ARTISTS
22
THE ARTISTS
Philippe Riga piano
Born in Saint Petersburg in a family of musicians, Tatiana started to play the violin at the age
of six. In 1989, she enrolled in the Academic College of Music, from which she graduated in
1993, then continued her studies at the Tchaikovsky Conservatoire in Moscow. She graduated in 1999 and became the student of Igor Oistrakh at the Brussels Conservatoire. Finally,
in 2001 a scholarship enabled her to study at the Queen Sofia School in Madrid. Tatiana
Samouil has won the First Prizes of the Belgian Radio and Television and the Henri Vieuxtemps Competition (1998) and is a laureate of prestrigious competitions. Since 2002, Tatiana
Samouil has recorded works by Schubert, Prokofiev and Sarasate with Liuba Aroutunian
(Villecroze Academy of Music); the complete Prokofiev sonatas with Plamena Mangova and
Boris Brovtsyn for Cyprés. In 2009, she recorded the Aymara violin concerto by Luis Gianneo.
Since 2004, Tatiana Samouil teaches at the Queen Elisabeth Music Chapel and since 2009 at
the Antwerp Conservatoire. Thanks to the generosity of an anonymous patron, she plays a
magnificent Stradivarius that once belonged to the celebrated Fritz Kreisler.
Philippe Riga earned the First Prize in Piano as well as the Higher Diploma in Piano in the
class of Jean-Claude Vanden Eynden at the Brussels Royal Conservatoire, and has already
obtained, summa cum laude, the First Prize in Chamber Music, the First Prize in Accompaniment, and the First Prize in harpsichord in the class of Frédéric Haas. He has taken part
in numerous concerts in Belgium and in France as a soloist and accompanist of numerous
singers. He cooperates regularly with the Monnaie Opera House during musical meetings
and concerns, and with the Anima Eterna Orchestra under the direction of Jos Van Immerseel, on the pianoforte and harpsichord. He has just recorded, on an Erard piano, French
melodies by Irene Poldowski, accompanying soprano Elise Gäbele. He has accompanied
numerous master classes, in particular at the Monnaie Opera House, at the “Enghien Musical Encouters, at the “Festival des Heures Romantiques” (France). He is currently a piano
accompanist at the Queen Elisabeth Music Chapel and professor of harpsichord and piano,
pianoforte at the Woluwé-St-Lambert Music Academy in Brussels.
shadi torbey bass
Sander Sittig piano
A Belgian bass of Lebanese origin, Shadi Torbey holds a degree in Romance languages and
literature and in cultural management. He earned first prizes for Opera and Concert in the
class of Ludovic de San at the Brussels Royal Conservatoire, before attending advanced
classes under José van Dam at the Queen Elisabeth Music Chapel. Winner of the Vocation
Prize at the Verviers International Voice competition in 1999, he won a “Voix d’or” [Golden
Voice] at the 39th Golden Voice Tournament in France in 2001. In 2004, he was the 3rd laureate
at the Queen Elisabeth International Music Competition. He has had the opportunity to work
with internationally renowned directors, and has performed title roles in several productions in France, Germany and the United Kingdom. He has given melody and Lied recitals
with, in particular, Abdel Rahman El Bacha, Fritz Schwinghammer and Eugene Asti, and
has recorded a disc of French melodies with the Cypres label.
Sander Sittig studied the piano at the Amsterdam Conservatorium. After winning prizes at
several international piano competitions he embarked on a career that took him all over
Europe. Sander Sittig recorded solo (compositions by Mozart) and chamber music CDs
and performs regularly for radio and television. He is a regular performer at the Concertgebouw-based Oorkaan company and is a pianist of the International Holland Music Sessions and the Sion International Violin Competition (Switzerland). Sander Sittig’s events in
2012 include his debut in the Czech Republic during the Festival of Mariánské Lázně. He
also performed in the concerts of The Violins of Hope in Charlotte (USA) and will make a CD
recording with violinist Maria Milstein. Sander Sittig teaches chamber music, piano accompaniment and artistic research at the Rotterdam Conservatory.
23
THE ARTISTS
SOLOISTS OF MUSIC CHAPEL
Octopus Symphonic Choir
Quatuor CoryFeye
Octopus Choir is a versatile ensemble that assumes in turn the form of a chamber or a symphonic choir. Ever
since it was founded by its conductor Bart Van Reyn, Octopus has worked on the basis of projects and has managed to gain a privileged position in Flanders. This ensemble is composed of enthusiastic amateur singers, students studying voice in conservatoires and professional singers. Octopus has a particular passion for and dedication to ancient music and the Romantic voice repertoire. In addition to concerts conducted by Bart Van Reyn with
his own orchestra and period instruments, the Chamber Choir has already worked together with such orchestras
as the Brussels Philharmonic, deFilharmonie, Musica Viva Moscow, the Orchestra of the Vlaamse Opera and the
baroque orchestra B’Rock under the baton of such conductors as Yoel Levi, James MacMillan, Enrique Barrios,
Sian Edwards, Alexandr Rudin, Richard Egarr, Ottavio Dantone and Philippe Herreweghe. Several recordings
have already been carried out for Klara Radio and Radio France. In 2012, the choir performed at the Cité de la
Musique with a program of Debussy and Schumann, and debuted with the National Orchestra of Belgium.
The CoryFeye Quartet is born in 2009 from the encounter of young prize winning musicians from the Royal Brussels Conservatoires and the Hochschulen of Cologne and Karlsruhe. The CoryFeye studies since its beginning with
the members of the Danel Quartet with whom they regularly improve during master-classes. They receive numerous advices from quartet members: Jean-Marc Bourret (Castagneri Quartet), Joseph Kluson (Prazák Quartet),
Luigi Vecchioni (Manfred Quartet) and Alan George (Fitzwilliam Quartet). Besides many concerts in Belgium, it
performs in Germany, Poland and France during festivals. Since 2009, it is in residence at the international classical humanities school ‘Schola Nova’ (Brabant) where they teach and give many concerts in particular for young
publics. The members of the CoryFeye Quartet collaborate happily with nowadays composers. It had the opportunity to work with the composers Philippe Boesmans and Peter Eötvös as part of the Ars Musica festival. Since 2011
the quartet is studying at the Queen Elisabeth Music Chapel with the Artemis Quartet.
Duo Jatekok
The Hermès Quartet, set up in Lyon in 2008, is considered one of the most promising groups playing today. They
won first prize at the most recent International Competition in Geneva and the International Competition in Lyons where they were also awarded a special prize for their interpretation of the “Ainsi la Nuit” quartet by Henri
Dutilleux. The group has gained fame for its performances of quartets by Ysaÿe, Guarneri, Alban Berg, LaSalle,
etc. The members of the quartet decided to spend two years in Berlin, two years full of work and musical exploration. They have already performed at major European venues such as the Lockenhaus Festival, the Bayer
cultural season, the Festival of Sceaux, the Montpellier Festival, Radio France, etc. The release of their first
recording devoted to Haydn and Beethoven (Nascor-Harmonia Mundi) is planned for November 2012. In 2012,
the Hermès Quartet starting studying at the Queen Elisabeth Music Chapel under the direction of members of
the Artemis Quartet. For session 2012-2013 The Quartet received a scholarship by InBev-Baillet Latour.
© E. Van Looveren
Pianists Adélaïde Panaget and Naïri Badal, who make up the Duo Jatekok, are considered the most promising
of their generation. After having obtained a Master’s in piano studies at the Paris Music Conservatory taught
by N. Angelich and B. Engerer, they went on to perfect their art with C. Désert and A. Flammer. They came first
in the international Rome 2011 music competition in both categories for four hands and two pianos and won
first prize in the contemporary music competition at the Normandy Forum musical in 2012. They perform at
many French and international venues and can be heard at the Festival of La Roque d’Anthéron. They recently
included the SPEDIDAM Generation programme in their repertoire. In September 2012, they started training
at the Queen Elisabeth Music Chapel under the direction of members of the Artemis Quartet. The Jatekok duo
received a scholarship by Belgacom.
Quatuor Hermès
24
25
Bo Kyung Kim violin
Born in 1985, Kim Bo Kyung started to play the piano at the age of 4. When she graduated
from Yonsei University in Seoul with a degree in piano, she moved to France, where she
continued her studies at the Marseille Regional Conservatoire in the class of Bruno Rigutto.
She obtained her first prize with distinction at the Paris Regional Conservatoire in the class
of Oliver Gardon, and also in the Rueil-Malmaison Regional Conservatoire, in the class of
Chantal Riou. She has won prizes in several national competitions in her country as well as
international competitions, She has given recitals and concerts as a soloist with orchestra,
as well as chamber music in Seoul. She performed in Paris Celebrates Chopin in 2010,
as well as in several festivals in Europe. Since 2011 she’s studying at the Queen Elisabeth
Music Chapel under the direction of Abdel Rahman El Bacha.
Polina Bogdanova piano
Polina Bogdanova was born in 1986 in St. Petersburg. She studied with Natalia Browerman
and Marina Wolf at the Music College for highly talented children in St. Petersburg. Her
competition successes include 2nd prize at the Piano Competition in Paris (2004), a diploma
at the Andorra Competition (2006), 2nd prize at the Rachmaninov Competition in Morcone,
Italy (2007), 5th prize at the A.M.A. Calabria Competition (2008) and 3rd prize at the Thailand
Piano Competition (2008). In 2009 she won the 3rd prize at the BPSE Beethoven Competition
in London and in 2010 the 3rd prize in the Robert William and Florence Amy Brant Competition. Polina graduated with distinction from the Saint-Petersburg Conservatoire (class of
Eduard Bazanov) and also from the RNCM (UK) where she got MMus degree with Professor
Norma Fisher. In 2011 she has been accepted at the Queen Elisabeth Music Chapel, in the
piano section under direction of Abdel Rahman El Bacha.
Mozart Prelude
Queen Elisabeth Music Chapel
Kinga Borowska mezzo
Orchestre Royal de Chambre de Wallonie
Augustin Dumay, conductor
Soloists of Queen Elisabeth Music Chapel
07.03.2013 - 20:15
26
Infos: 02 641 10 20 - www.flagey.be
© G. Grimonster
Flagey
Born in 1986 in Poland, Kinga Borowska start studying in 2005 at the Lodz Academy of
Music with Mrs Grazyna Krajewska-Ambroziak. She graduated cum laude in 2010. In 2007
she made her debut on the stage of the Lodz Grand Theatre, playing Marcelina in Mozart’s
Le nozze di Figaro. In 2009 she played Sesto in Haendel’s Giulio Cesare staged at the Lodz
Opera. She has cooperated with La Monnaie opera house particularly in Toshio Hosokawa’s
Matsukaze, in George Enescu’s Œdipe and in the productions of Dance X Music. She performs for the Belgian Royal Family during the Christmas Concert at the Royal Palace in
Brussels, where she sings with the Liège Royal Philharmonic Orchestra under the baton of
Pascal Rophé. She appears on the most prestigious stages in Belgium such as BOZAR or
Flagey under eminent conductorsand with famous orchestras. Since 2010, she is studying
at the Queen Elisabeth Music Chapel under direction of José van Dam.
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Elina Buksha violin
Lilit Grigoryan piano
Born in Latvia in 1990, Elina Buksha has been playing violin since the age of 5, having been
a student of Latvian violin professor Ojars Kalnins until 2009. Later she continues her studies with B. Belkin in The Netherlands. Since 2011 Elina studies with Ana Chumachenko in
masterclasses in France, Germany and Switzerland. She has performed both as soloist and
chamber musician in Sweden, Russia, Finland, France, Switzerland, The Netherlands, Italy,
Romania. Having won her first violin competition at the age of six, Elina has since been a
laureate of many national and international competitions, Elina Buksha debut CD entitled
Ave Maria, recorded in Riga’s Doma Cathedral was released in 2008. Elina is artist of concert
agency Herman Braun Foundation in Latvia. Since 2011 she’s studying at the Queen Elisabeth Music Chapel, under the direction of A. Dumay. She received a scholarship granted by
Mr & Mrs Michael Guttman.
Born in 1985 in Yerevan, Lilit Grigoryan started to play piano in age of seven. After studying in Armenia, she entered in 2004 Hochschule für Musik und Theater Rostock by Prof. M.
Kirschnereit. Lilit Grigoryan is Laureate of several International Competitions, a.o. Francis
Poulenc Competition and Piano Campus in France, Vianna da Motta Competition in Portugal, Paderewski Competition in Poland. Aram Khachaturian Competition in Armenia. She
has been awarded to the Culture Prize of President of Armenia. She got the Tabor Piano
Award of Verbier Festival Academy and also a scholarship from Yamaha Foundation. Lilit
has received master classes with E. Leonskaya, M. Pressler, D. Bashkirov, S. Kovacevich
etc. She also worked with J. Rouvier. In February 2012, the Label DiscAuvers released Lilit
Grigoryan’s first CD. In 2012 she enters the piano section at the Queen Elisabeth Music
Chapel, under the direction of Abdel Rahman El Bacha. She receives a scholarship granted
by InBev Baillet-Latour.
Pau Codina Masferrer cello
Pau Codina was born in 1988 in Barcelona and began studying the cello at the age of five
with Eulalia Subirà. Other teachers to date have included Ivan Chiffoleau, Daniel Grosgurin,
Peter Thiemann and Louise Hopkins. Pau is graduated from the Yehudi Menuhin School in
2006, and from the Guildhall School of Music & Drama with first class honours in 2010. Over
the course of his career so far he has taken part in several International Music Festivals.
He has appeared as a soloist with several orchestras such as the Barcelona Sinfonietta,
the Empordà Chamber Orchestra, the Andorra Chamber Orchestra, the Südwestdeutsches
Kammerorchester Pforzheim, and the Franz Liszt Chamber Orchestra of Budapest. Away
from the concert platform, Pau has won several competitions and awards. In sept 2011 he is
studying at the Queen Elisabeth Music Chapel under the direction of Gary Hoffman.
Diana Gouglina soprano
Diana Gouglina was born in1990 in Bulgaria. She obtained in 2008 her “Guildhall Performance Diploma” with distinction. In 2009, she earned her education diploma in the class of
Jeanne Roth at the Neuchâtel conservatoire, and in 2011 her Master’s in performance at the
Geneva Institute of Music. She sang the role of Sylva in Kalman’s The Csardas Princess in
2006, the role of Gretel in Humperdink’s Hänsel and Gretel in 2009, and the role of Michaela
in Bizet’s Carmen in 2011. Thanks tot the collaboration off he Music Chapel in the Enoa project (European network of Opera Academies) she participated In 2011 at a masterclass with
Anita Garanca and in 2012 in a wonderful french Baroque music masterclass with Christophe Rousset. Since 2011, she is studying at the Queen Elisabeth Music Chapel in the voice
section headed by José van Dam.
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Christia (born in Ukraine) studies the piano from 1990 to 1998 at the special music school
in Lviv. In 1999, she wins the 1st prize of the Alfred Roussel scholarship and at the age of 10,
she wins the 1st prize of the Léopold Bellan competition. At 14 she is a prize-winner of the
Ukrainian competition Young Talents in Kiev which opens the door for a presidential scholarship. In 1999, she is selected to play in the Cortot Hall in Paris and to take part in the 1st
festival l’Art de l’Enfance. During her studies at the CNSM of Paris, she is supported by the
Lili and Nadia Boulanger foundation. She wins several piano competitions. She takes part
in several festivals (Saintonge, Menton, La Roque d’Antheron, Chartres…). In 2008, she wins
the international Yahama scholarship and is a finalist of the chamber music competition of
the Concertgebouw (Amsterdam). In September 2008, she’s studying at the Queen Elisabeth
Music Chapel under the direction of Abdel Rahman El Bacha. Sinds 2008, she holds a scholarship granted by InBev-Baillet Latour
Pavel Kolesnikov was born in Novosibirsk in 1989. He began to study piano and violin at the
age of six and entered the Moscow State Conservatoire in 2007. He continues his education
at the Royal College of Music in London being Else Gertrude Martin Scholar supported by
an Evelyn Tarrant Award. In June 2011 he got the special Jury Prize at the XIV International
P.I. Tchaikovsky Competition in Moscow. Pavel plays concerts both as soloist and chamber
musician in Russia, the Ukraine, Italy, Spain, Switzerland, Germany, the United Kingdom
and Poland. In 2007 he was awarded the President’s Order “Young Talent of Russia”. In september 2012, he enters the Queen Elisabeth Music Chapel in Belgium, in the piano section
under the direction of Maria João Pires.
29
Adam Krzeszowiec cello
Camille Merckx mezzo
He began to play the cello at the age of 7 with professor P. Glombik. Recently he was studying with F. Helmerson in Hochschule fur Musik in Cologne. He has reached the semi-final
stage at Peter Tchaikovsky Competition in Moscow, International Music Competition in Geneva, and at Rostropovich Competition in Paris. He is a very active performing artist, both
as a soloist and a chamber musician. He has played in many European countries, being
especially proud of his acts at Verbier Festival and “Sommets Musicaux” in Gstaad in Switzerland, where he was awarded with Firmenich Cello Prize and Prix Phillip Chaignat. He
has been presented with numerous scholarships, endowed by the Minister of Culture, the
President of City of Katowice, and the Speaker of the Local Parliament. In 2011, he is studying at the Queen Elisabeth Music Chapel with Gary Hoffman. He benefits from a scholarship
granted by Mrs C. Lagrange.
Camille Merckx obtained a degree in music from the Sorbonne in 2005 and joined the Jeune
Chœur of Paris. In 2008, she was unanimously awarded a DEMS diploma in musical studies for singing. Her repertoire consists of many lieder and various pieces of ancient music.
She has worked together with internationally renowned conductors such as H. Niquet (in
the role of La Folie in the Carnaval et la Folie by Destouches at the Comic Opera in Paris), J.
Rhorer (mezzo solo in Thamos by Mozart, Festival of Saint-Denis) and M. Minkowski (Garcia
in Don Quichotte by Massenet). She sang the role of the Maid of Honour in The Huguenots
by Meyerbeer at the Monnaie opera house in Brussels and performed under the baton of Y.
Pouspourikas as Nicklaus in The Tales of Hoffmann by Offenbach, in Belgium. She has also
devoted herself to contemporary music. Since 2009, she’s studying at the Queen Elisabeth
Music Chapel in the Voice section the direction of José van Dam.
Born in 1992 in Australia, she began violin studies in Korea at 4 yrs old. She continued in Tokyo at the Toho Gakuin music school and at Manhattan School of Music in New York. In 2002,
she performed at Ground Zero with Yo-Yo Ma and Gil Shaham for the 1st anniversary of the
WTC 9/11 Commemoration Ceremony. The same year, she made her Carnegie Hall début.
She is a laureate and finalist of numerous competitions, like Yehudi Menuhin Competition
2006, and Andrea Postacchini Competition 2009, Tibor Varga Competition 2010. In 2009, she
takes part in the Summer Academie of Seiji Ozawa and the Windsor Festival 2011. Since
2006, she’s studying at the Queen Elisabeth Music Chapel under the direction of Augustin
Dumay. She benefits from a join scholarship granted by Fund Baron Jean-Charles Velge and
an anonymous donor.
Born in 1985, Maria Milstein started playing the violin at the age of 5. She studied for 4 years
in Fiesole (Italy). Between 2004 and 2010 she studied at the Amsterdam Conservatory where
she earned her degrees cum laude. She has attended many master classes and has won
several international competitions such as Città di Brescia, Lyon and the Premio Rodolfo
Lipizer. Maria performs in prestigious concert halls in recital or as a soloist with various
orchestras. Together with pianist Hannes Minnaar and cellist Gideon den Herder she plays
in the Van Baerle Trio, which has won several prizes. Their debut CD, released in 2012 under the label Etcetera Records, was warmly received by the international press. She plays
on a Francesco Goffriller (Venice ca. 1725) on loan from the Nationaal Muziekinstrumenten
Fonds (Netherlands). In 2011, she entered the Queen Elisabeth Music Chapel under the
direction of Augustion Dumay.
Julien Libeer piano
Julien Libeer has studied with Daniel Blumenthal, Abdel-Rahman el Bacha and Jean Fassina.
In 2008, the Juventus festival, which is committed to spotting and bringing together the
most illustrious soloists of the young generation, declared him a laureate. Two years later,
the Belgian music press named him Musician of the Year. A passionate chamber musician,
Julien Libeer has benefited from the advice of such ensembles as the Talich Quartet, the
Saint Petersburg Quartet and the Artemis Quartet, and has worked together with Augustin
Dumay, Marie Hallynck, Ronald Van Spaendonck, and Marc Coppey among others. His work
has been the subject of a documentary on Canvas. He has been taking advanced lessons at
the Queen Elisabeth Music Chapel under Abdel Rahman El Bacha since 2011.
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Julie Mossay soprano
Julie Mossay begins her voice and lyrical arts studies at the Verviers Conservatoire (Belgium) with Annie Frantz. She then enters the Royal Music Conservatoire of Brussels in the
class of Marcel Vanaud where she receives a first prize in singing and opera. She continues
her studies at Nancy Conservatoire with C. Stutzmann. She began her career in 2005 at the
Royal Opera of Wallonia (Liège) in the role of Barena in Janacek’s Jenufa and in Weber’s Der
Freischütz. In autumn 2007, she enters the Flanders’ Opera Studio in Gent. Julie began the
2008-2009 season singing the role of Omphale in Les Travaux d’Hercule at the Metz opera,
Poussette in Manon at the Nantes and Angers operas, Noémie in Cendrillon, then Pedro in
Massenet’s Don Quichotte conducted by Marc Minkowski and with José van Dam at la Monnaie in 2010. The same year, she joins the Opera Studio of the Queen Elisabeth Music Chapel
under the direction of José van Dam. She received a scholarship from InBev-Baillet Latour.
31
Liya Petrova violin
Francisco Vila cello
Liya Petrova was born in 1990 in Sofia, Bulgaria in a family of musicians. At the age of six, she
was already performing with various orchestras and at the age of eight she was awarded with
Mozart Medal and rating “The youngest artist of UNESCO”. She appears as a chamber musician at some of Europe’s most distinguished festivals, and in 2011, Liya was invited to take part
in a chamber music concert series in Athens, playing with Marta Argerich, Renaud Capucon,
Yuri Basmet and Misha Maisky. Liya began her studies at the age of four in Sofia. In 2001 she
entered the “Hochschule fur Musik und Theater Rostock” with Prof. Petru Munteanu. In 2012
she joins a tour with DeFilharmonie under Phillipe Hereweghe. Since 2010, Liya is studying at
the Queen Elizabeth Music Chapel, under the direction of Augustin Dumay. Liya Petrova plays
a unique Italian violin Matteo Goffriller 1690, made available to her by Queen Elizabeth Music
Chapel. Liya benefits from a scholarship granted by InBev Baillet-Latour.
Ecuadorian-Spanish cellist Francisco Vila´s principal teachers include Janos Starker, Sharon Robinson, Andrew Mark, David Bjella; chamber music with Menahem Pressler. Vila is
the first-prize winner of the ‘09-’10 concerto competition, the Kuttner String Quartet in Residence Competition of 2010 at Indiana University; prize-winner of the 2011 Concours FLAME
(Paris). Last February 2012 he won the 2nd prize at the 15th Annual Sphinx Competition in the
United States.He plays a 1790 Vincenzo Panormo cello on generous loan from the Saul B.
and Naomi R. Cohen Foundation. In September 2011 he is studying at the Queen Elisabeth
Music Chapel under the direction of Gary Hoffman. He received a scholarship granted by Mr.
& Mrs Guy Reyniers. “Vila brought out the fervour and vitality of the piece, boldly emphasizing attack and consummate projection” The Strad Magazine, April 2012.
Stephanie Proot piano
Stephanie Proot started playing piano at the age of 6. She graduated from the Conservatory of
Antwerp with Levente Kende. She graduated at the Ecole Normale Alfred Cortot in Paris with
Ramzi Yassa and she continues with the ‘Diplome superieur de concertiste’ section. Since 2005
she won several prizes of which the 1st prize at the ‘International EPTA Competition’, the 2nd
prize at the ‘Nueva Acropolis Competition in Madrid’ and at the ‘International Piano Competition
of the City of Porto’ and the 3rd prize in the ‘Piano Competition For Young Musicians’ in Eschede.
In 2009 she won the 1st prize at the Stephan De Jonghe-competition in Aalst, the1st prize at the
‘Rencontre Internationale de piano’ in Le Mée-sur-Seine and 6th prize at the 5th Shanghai International Piano Competition. In 2011 she wins the 3rd price at the Svetislav Stancic International
Pianocompetition in Zagreb. Since 2009 she studies at the Queen Elisabeth Music Chapel under
the direction of Abdel Rahman El Bacha. She benefits from a Belgacom scholarship.
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Noëlle Weidmann cello
Noelle Weidmann was born in 1985 in Metz. After studying in Metz, she was admitted in
2001 to the Paris National Conservatoire in the class of Michel Strauss where she earned
her Higher Education Diploma. In 2006, she was appointed principal cellist of the Noord
Nederlands Orkest, she was a laureate of the Labberte foundation, and was admitted to
the advanced program at the Paris National Conservatoire. In 2008, she earned a Master’s
degree from the Koninklijk Conservatorium at The Hague. Noelle has attended advanced
classes with eminent instructors. She is regularly invited to many festivals such as Musique
de chambre in Giverny, Encuentro de Musica de Santander (Spain), Peter de Grote Festival
(Netherlands), or Roque d’Antheron. She has recorded for Radio 4 (Netherlands) and France
Musique. Since 2011, she studies at the Queen Elisabeth Music Chapel under the direction
of Gary Hoffman. She benefits from a scholarship granted by InBev Baillet-Latour.
carnaval des animaux
Sonja Volten soprano
Floris Willem violin
After obtaining a master degree in International Relations, dutch soprano Sonja Volten studied voice at the Royal Conservatory in The Hague. On the opera stage she sings roles such
as Blanche in Dialogues de Carmelites – Poulenc, Donna Elvira in Don Giovanni – Mozart,
Musetta in La Boheme – Puccini, and Euridice in Orfeo and Euridice – Gluck; she also performs with orchestras such as the Dutch Radio Philharmonic, the Dortmund Philharmonic
and the Kansai Philharmonic. She has performed concerts repertoire amongst which the
Scena di Berenice, Haydn; Ein Deutsches Requiem, Brahms; Grande Messe, Mozart; Ein
Sommernachtstraum, Mendelssohn. With pianist Abigail Richards she won the Vriendenprijs of the Vriendenkrans Concours in the Concertgebouw in Amsterdam in 2008. In 2009,
she enters the Queen Elisabeth Music Chapel, in the Opera studio in collaboration with la
Monnaie under the direction of José van Dam.
Floris Willem (1993) was born into a musical family in Liège. He won the first prize at the
Princess Christina Concours in Maastricht in 2008, in category 1. In 2009, Floris studied
as a ‘Young Talent’ at the Royal Conservatory of Liège with Karen Aroutiounian. Floris was
admitted in the class of Tatiana Samouil at the Royal Conservatory of Antwerp in September
2010. In March 2011, Floris won first prize in the “Bravo!” international violin competition in
Namur. In December 2011, Floris was the winner and audience winner of the “Forté” auditions in Sint-Truiden. Floris won a third prize in category 3 (conservatory) of the Princess
Christina Concours at the finale in The Hague, and the KPMG prize from the press jury, in
2012. He is financially supported by the Robus Foundation and ‘Stroom’. Since 2011, Floris
is studying at the Queen Elisabeth Music Chapel under the direction of Augustin Dumay .
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Elias Bartholomeus Contrabass
Hélène Koerver viola
Elias Bartholomeus began his music studies when he was only 5 years old. In 2007, Elias
went to attend courses at the Brussels Art School. His main focus at the outset was percussion and he had lessons from Erik Taelemans, Jean-Philippe Komac and Jan Samyn. He
attended contrabass lessons given by Ruben Appermont at the Art School. This choice was a
logical consequence of having enrolled as a “Young Talent” at the Brussels Royal Conservatoire in 2009, in the contrabass class of Christian Vander Borght. Elias was a laureate of the
Rotary-Breughel Competition in 2010 for strings thanks to his performance of W. De Fesch’s
sonata and D. Dragonetti’s Concerto in A. He has already taken part in various projects and
is active in various ensembles and genres. He has been a member of the “Brussels Sinfonietta” chamber orchestra for five years.
Hélène Koerver earned a Master’s Degree from the New England Conservatory in Boston
in 2012 under the tutelage of Dimitri Murrath and Kim Kashkashian. Hélène Koerver first
studied baroque viola in London at the Royal Academy of Music with Martin Outram as well
as with Jane Rogers. During her studies, Hélène attended many master classes with Yuri
Bashmet, Thomas Riebl, Lawrence Power, Tatjana Masurenko, Atard Arad, Hartmut Rohde
and Thomas Brandis. She also received grants to take part in festivals such as PrussiaCove,
the Heifetz Festival and Chigiana in Sienna. Hélène likes to play with an orchestra and took
part in Beethoven’s 9th Symphony conducted by Sir Collin Davis at the Barbican and the
world premier of Port Locroy by Sir Peter Maxwell Davies. Hélène has given recitals in
prestige venues such as Wigmore Hall and St Martin-des-Champs in London, Jordan Hall
and Sanders Theatre in Boston, and the Château de Versailles in Paris. The young artist
has been aided with support in particular from the BAEF Fellowship, the Sir John Barbirolli
prize, a Soroptimist grant as well as grants from conservatoires. Hélène won the first prize
of the Viola Competition at the Royal Academy at the age of nineteen.
Géraldine Fastré clarinet
Géraldine Fastré started studying the clarinet at the Namur Conservatoire in the class of
Léon Jacot. She earned a degree cum laude in 2008 from the Brussels Royal Conservatoire
in the class of Ronald Van Spaendonck and continued her musical training by attending
advanced courses at the Paris National Conservatoire under Richard Vieille. Since then, her
core chamber music activity has for the last ten years crystallised in the Clarias clarinet
quartet. Géraldine is part of many ensembles and orchestras: the Brussels Philharmonic,
the Arpeggio Orchestra, the Orchestra of the 21st Century, the Tournai Chapel Orchestra, the
MusicaFicta Ensemble, etc. Géraldine Fastré also teaches clarinet/saxophone and chamber
music at the Evere Music Academy.
Agnieszka Kolodziej CELLO
Agnieszka Kolodziej studied at the Royal Conservatory in Brussels with prof. J. Reuling
where she received the Governement and Conservatoy award. Formerly she was student
of prof. St. Firlej at the Bacewicz Music Academy in Poland from where she received her
Master Diploma with distinction. She is 1st prize winner of Peggy Gordon Competition in
Baltimore, E. Baert Cello Competition in Brussels and others. After winning the 1st prize in
the K. Wilkomirski International Cello Competition, she receives the Golden Merit Award to
study at Towson University in Baltimore. She is invited to play at the Young Talent Concert in
Holland at the Schiermoonikoog Chamber Music Festival, the Paganini Festival in Italy and
Consonances Festival in France. In 2011 she’s been accepted at the Queen Elisabeth Music
Chapel, in the cello section under direction of Gary Hoffman.
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Marie Lagaditis flute
Marie Lagaditis started studying the flute when she was 9 years old with Alejandro Beresi
at the La Hulpe academy. She then studied at the Brussels Royal Conservatoire in the class
of Gérard Noack, and Baudoin Giaux. She earned her degree magna cum laude. She then
attended advanced courses with Vincent Cortvrint at the Rotterdam Conservatoire. She has
performed as a soloist with the Royal Chamber Orchestra of Wallonia and has worked on
several occasions with the National Orchestra of Belgium. She has been a laureate of various international competitions: First prize by unanimous decision at the UFAM competition
(Paris, France), First prize and second prize at the “Jeunes espoirs” [young up-and-coming
musicians] (Meaux, France), Distinction at the Lyon competition (Brussels, Belgium). Marie
plays regularly for Belgian and Dutch orchestras such as the Royal Chamber Orchestra of
Wallonia, the Orchestra of the East, the Limburg Symphony Orchestra, and the Royal Orchestra of the Air Force. She also teaches the flute at the Namur Conservatoire and at the
Nivelles Academy.
35
Satie Production
Satie Production
Michalis Boliakis piano
Jean Bellorini contributed to the creation of musicals from a very young age, and then created the music for his own shows on a regular basis. He has created Le Portemanteau,
and Piaf, l’ombre de la rue. He composed the music of Adèle a ses raisons by Jacques
Hadjajeavec. In the Compagnie Air de Lune, which he co-manages, he has directed Taylor’s
Address Unknown, Bock’s Fiddler on the Roof, Chekhov’s The Seagull, Garcia Lorca’s Yema,
and an act of The Imaginary Operetta by Novarian. He staged Chekhov’s Uncle Vania and
Offenbach’s Barbe bleue. In 2010, he received the support of Ariane Mnouchkine to stage
Tempête sous le crane, a stage adaptation of Victor Hugo’s Les Misérables. He directed En
ce temps-là, l’amour by Gilles Ségal. He is the guest artist of the Théâtre National de Toulouse from 2011 to 2013. His new creation Paroles gelées, based on Rabelais, is currently
on tour in France.
Michalis Boliakis studied the piano at the Athens National Conservatoire. In September
2007, he was admitted to the Paris National Conservatoire. He earned the Honour Prize of
the Athens Academy at a national competition; the scholarship of the Leventis Foundation
and the Greek Government awarded each year to a pianist chosen at the national competition. He has given numerous concerts in France, but also elsewhere in Europe. He has
played Brahms’s First piano concert with the RATP Orchestra conducted by Martin Lebel.
He was invited to perform in Paris at the Piano open house of the 28th Chopin festival. A
Voice conductor and coach, he took part in Mozart’s Le Nozze di Figaro in 2010 conducted
by Kenneth Weiss and the Magic Flute in 2011 conducted by Yann Molénat, two productions
of the National Paris Conservatoire. In January 2011, he played the orchestra piano part in
Reynaldo Hahn’s Ô mon bel inconnu at the Comic Opera.
Léa Trommenschlager soprano
Jacques Hadjaje actor
Léa Trommenschlager participated in a production of Humperdinck’s Hansel and Gretel at
the Opéra national du Rhin. In 2005, she studied at the Strasbourg Conservatoire, and then
entered the Hochschule für Musik Hanns Eisler in Berlin in 2011. She has taken part in the
Académie européenne de musique of the Festival d’Aix-en-Provence and became the recipient of the HSBC awards of the Académie européenne de musique. She has interpreted the
roles of the countess in Schubert’s Die Verschworenen, the feminine role in Arthur Lavandier’s opera creation, De la Terreur des Hommes, with the ensemble Le Balcon, Cleopatra in
Handel’s Giulio Cesare. In April 2013, she will be singing in the Neuen Szenen trilogy at the
Deutsche Oper in Berlin and in May she will hold the title role in Strauss’s Ariadne auf Naxos
at the Théâtre de l’Athénée Louis Jouvet in Paris, with the ensemble Le Balcon.
Jacques Hadjaje has been directed by Georges Werler, Nicolas Serreau, Gilbert Rouvière,
François Cervantès, Florence Giorgetti, Morgane Lombard, Richard Brunel, Robert Cantarella, Romain Bonnin, BalazsGera, Carole Thibaut, Gérard Audax, Michel Cochet, Jean-Yves
Ruf, Jean Bellorini, Alain Fleury, AymeriSuarez-Pazos… A director in turn, he has staged
Claudel’s L’échange at the Nancy CDN, About the Aquarium based on Karl Valentin at the
Théâtre de Proposition (Paris), René de Obaldia’s Innocentines at the Fanal (Paris) and several works by contemporary authors including Catherine Zambon, Valérie Deronzierou, and
Joël Beaumont. He has also staged his texts Lucien (public’s prize at the Paroles d’auteurs
festival at the TEP in 1998), Entre-temps, j’ai continué à vivre (Théâtre Clin-d’oeilà St-Jeande-Braye and tour), Adèle a ses raisons (Théâtre du Lucernaire and tour) and Dis-leur que
la vérité est belle (Théâtre de l’Opprimé, Théâtre du Lucernaire and tour).
Damien Pass studied at the Atelier Lyrique of the Paris Opera with Ruben Lifschitz. He has
worked with directors such as Carlo Rizzi, Pinchas Steinberg, Michael Schønwandt, Paul
Agnew and Laurent Petitgirard. He was the recipient of the HSBC awards of the Festival
d’Aix-en-Provence, the Sony Music Talent Award in Australia, and won Competitions such
as: Nadia and Lili Boulanger, the Dayton Opera House, the Connecticut Opera Guild, the
Cincinnati Conservatory of Music Opera, the Marilyn Horne Foundation. He is a finalist in
the National Council Auditions of the Metropolitan Opera. In 2012 and 2013 he will be singing the roles of Hermann in Les Contes d’Hoffmann, Zuàne in La Gioconda at the Opéra
de Paris, Golaud in Pelléas et Mélisande at the Journées Ravel festival, Bluebeard in Paul
Dukas’ Ariane et Barbe-bleue, Masetto in Don Giovanni at the Opéra de Dijon and Lucifero
in Handel’s La Resurrezione at the Théâtre de Suresnes.
36
« HSBC is delighted to be involved for the seventh time with the Académie européenne de
musique of the Festival d’Aix-en-Provence, which every summer offers training of the highest quality to young musicians. We are especially proud to be able to support nine of the
best artists from the Academie by giving them the opportunity to perform in France and
abroad for almost an entire year. This international tour of young artists from a variety of
backgrounds is also, for HSBC, the expression of the mutual enrichment that comes from
sharing diverse cultures and experiences. »
© F. Stephan
Damien Pass baritone
37
Le soutien de Belgacom
Belgacom soutient les principaux acteurs du monde culturel en Belgique. En tant qu’entreprise de pointe, Belgacom
se tourne résolument vers le futur. Cette volonté de croire en l’avenir se traduit dans les matières économiques,
sociales, environnementales et, bien sûr, culturelles. Face au constat que nos jeunes musiciens sont de plus en
plus contraints de se rendre à l’étranger afin de suivre, comme leurs homologues européens, des formations de très
haut niveau, Belgacom a considéré, en tant qu’entreprise citoyenne, qu’il était de son devoir de soutenir notre jeune
génération de virtuoses. Avec le lancement du nouveau cadre d’enseignement de la Chapelle Musicale Reine Elisabeth destiné à la formation des meilleures jeunes pianistes, violonistes, violoncellistes, ensembles de musique de
chambre et chanteurs sous la direction d’Abdel Rahman El Bacha, de Maria João Pires, d’Augustin Dumay, de Gary
Hoffman, de José van Dam et du Quatuor Artemis, Belgacom a trouvé dans ce projet l’occasion de soutenir nos jeunes
talents. Afin de donner toutes ses chances à ce magnifique défi, outre un soutien à la structure elle-même, Belgacom
a créé trois bourses destinées à trois artistes désireux de se former auprès de grands maîtres en Belgique. Depuis
2004, Milos Popovic, Claire Dassesse, Hendrickje van Kerckhove, Lisa Wastiau, Hrachya Avanesyan, Anneke Luyten, le
Quatuor Tercea et Samuel Nebyu ont pu se perfectionner à la Chapelle Musicale Reine Elisabeth grâce à ces bourses.
Pour la saison artistique 2012-2013, les bourses ont été attribuées à Stephanie Proot, Gijs Van der Linden et au Duo
Jatekok.
Belgacom soutient les jeunes virtuoses
de la Chapelle Musicale Reine Elisabeth.
Belgacom steunt de jonge virtuozen
van de Muziekkapel Koningin Elisabeth.
De steun van Belgacom
Belgacom steunt de belangrijkste actoren van de Belgische culturele wereld. Als topbedrijf kiest Belgacom resoluut
voor de toekomst. Deze wens om in de toekomst te geloven, vertaalt zich zowel op economisch, sociaal, milieu als
natuurlijk ook op cultureel vlak. Bij de vaststelling dat onze jonge musici alsmaar meer verplicht zijn naar het buitenland te gaan om, zoals hun Europese collega’s, opleidingen van zeer hoog niveau te gaan volgen, vindt Belgacom, als
bedrijf met burgerzin, dat het haar plicht is om deze jonge generatie virtuozen te steunen. Bij de start van het nieuw
artistiek programma van de Muziekkapel Koningin Elisabeth bestemd voor de vorming van de allerbeste pianisten,
violisten, cellisten, zangers en kamermuziek ensembles onder leiding van Abdel Rahman El Bacha, Maria João Pires,
Augustin Dumay, Gary Hoffman, José van Dam en Artemis Quartet, grijpt Belgacom de kans om onze talenten te
ondersteunen. Om deze prachtige uitdaging te laten slagen heeft Belgacom, naast de structurele steun die ze geeft,
drie beurzen toegekend, bestemd voor drie artiesten die zich in België willen vervolmaken bij grootmeesters. Met
deze beurs hebben sinds 2004 reeds Milos Popovic, Claire Dassesse, Hendrickje van Kerckhove, Lisa Wastiau, Hrachya Avanesyan, Anneke Luyten, het Quatuor Tercea en Samuel Nebuy zich kunnen vervolmaken aan de Muziekkapel
Koningin Elisabeth. Voor het artistiek seizoen 2012-2013 werden de beurzen toegekend aan Stephanie Proot, Gijs Van
der Linden en aan het Duo Jatekok.
38
39
Le soutien d’ING
ING Belgique est fière et honorée de s’inscrire au rang des partenaires de la prestigieuse Chapelle Musicale Reine
Elisabeth. Notre banque se veut une entreprise citoyenne et entend assumer pleinement sa responsabilité sociétale.
Et ce ne sont pas les opportunités ni les sollicitations qui manquent. ING Belgique n’en est pas à son coup d’essai
en matière de mécénat. En effet, elle a créé le Fonds de Mécénat d’ING en Belgique au sein de la Fondation Roi
Baudouin. Elle est aussi à l’origine d’initiatives telles que l’Ecole des devoirs et le Parrainage moral. Par ailleurs,
la banque participe au programme international de bienfaisance du groupe ING - ING Chances for Children - lancé
en 2005 en partenariat avec l’Unicef et qui a déjà permis de scolariser des milliers d’enfants défavorisés de par le
monde. ING Belgique mise beaucoup sur les jeunes talents et artistes d’horizons divers. Son importante collection
d’art contemporain, visible dans ses bâtiments centraux surtout, en témoigne. Sa contribution à des événements
majeurs tels que artbrussels (foire internationale d’art contemporain) ou le Prix de la Jeune peinture belge est fondamentale. Sans oublier le célèbre Mémorial Van Damme, qui réunit chaque année les meilleurs athlètes du monde et
à l’occasion duquel ING Belgique décerne les Young Athlete Awards destinés à donner un coup de pouce à de jeunes
athlètes belges particulièrement prometteurs. A l’instar de la Chapelle Musicale Reine Elisabeth et de ses autres
partenaires, nous véhiculons et prônons des valeurs essentielles telles que l’excellence et la qualité. Nous espérons
de tout coeur que ce nouveau partenariat permettra à de nombreux jeunes virtuoses de franchir un nouveau palier et
de donner la pleine mesure de leur talent au niveau international.
De steun van ING
Het is voor ING België een hele eer om partner te mogen zijn van de prestigieuze Muziekkapel Koningin Elisabeth.
Onze bank staat met beide voeten in de samenleving en is zich ten volle bewust van haar maatschappelijke verantwoordelijkheid. Aan uitdagingen en mogelijkheden om zich op dit vlak te bewijzen, ontbreekt het haar zeker niet. Op
het vlak van mecenaat is ING België niet aan haar proefstuk toe. Zo richtte de bank binnen de Koning Boudewijnstichting het Mecenaatsfonds ING in België op. Zij stond ook mee aan de wieg van initiatieven zoals de “huiswerkbegeleiding” en het “moreel peterschap”. Daarnaast werkt de bank mee aan het internationale liefdadigheidsprogramma
van ING Groep, ING Chances for Children, dat in 2005 in samenwerking met Unicef werd gelanceerd en sindsdien
wereldwijd duizenden kansarme kinderen naar school kon sturen. ING België trekt duidelijk de kaart van jonge talenten en kunstenaars uit uiteenlopende disciplines. Getuige daarvan de indrukwekkende collectie hedendaagse kunst
die vooral in de centrale gebouwen te bewonderen is. Haar medewerking aan grote evenementen zoals artbrussels
(internationale beurs voor hedendaagse kunst) of de Prijs van de Jonge Belgische Schilderkunst positioneren de bank
prominent op de kunstscene. Op sportief vlak vermelden wij de Memorial Van Damme, waar jaarlijks de beste atleten
ter wereld samenkomen en ING België de Young Athlete Awards uitreikt om jonge Belgische beloftevolle atleten een
duwtje in de rug te geven. Naar het voorbeeld van de Muziekkapel Koningin Elisabeth en de andere partners, dragen
wij fundamentele waarden als uitmuntendheid en kwaliteit hoog in het vaandel. We hopen van harte dat dit nieuwe
partnerschap tal van jonge virtuozen de gelegenheid zal bieden nieuwe grenzen te verkennen en internationaal te
tonen wat ze waard zijn.
40
ING is sponsoring the gala concert of the
Queen Elisabeth Music Chapel.
Be it classical or contemporary,
music is first and foremost for
sharing with all. By promoting
access to culture for everyone,
and enabling young people to
develop and share their talents,
ING aims to be an instrument
at the service of our society,
both now and in future.
IING Belgium SA/nv – Bank – avenue Marnix 24, B-1000 Brussels – Brussels RPM/RPR – VAT: BE 0403.200.393 – BIC: BBRUBEBB – IBAN: BE45 3109 1560 2789
Publisher: Philippe Wallez – Cours Saint-Michel 60, B-1040 Brussels
41
Le soutien de Ginion Group
Associer l’image de Ginion Group avec celle de la Chapelle Musicale Reine Elisabeth, symbolise le début d’une aventure hors du commun pour notre groupe. Dès le début de nos rencontres, nous avons ressenti la dimension extraordinaire que pouvait revêtir la mise en commun de ces deux institutions incarnant chacune dans leur domaine une
passion pour l’excellence. Nous sommes donc très heureux d’avoir un partenaire dont le prestige et les réalisations
universellement reconnues dans le monde de la musique, nous permettront de communiquer dans un esprit de qualité et de raffinement, les valeurs qui ont toujours été associées aux différentes marques que nous distribuons. Nous
tenons à remercier vivement l’ensemble de l’équipe de la Chapelle Musicale Reine Elisabeth pour sa compétence et
sa disponibilité qui ont conduit à l’aboutissement de ce partenariat. Nous sommes heureux de partager cette aventure avec les partenaires de la Chapelle Musicale Reine Elisabeth, mais également avec tous ceux et toutes celles
qui font partie de l’univers du Ginion Group. Un partenariat de cette valeur est un projet ambitieux. Ginion Group se
réjouit d’être associé au rayonnement et à la pérennité d’une institution de qualité telle que la Chapelle Musicale
Reine Elisabeth. Au cours des prochains mois et des prochaines années, le Ginion Group, en plein renouveau, lancera
de nouveaux projets, des concepts innovants, des véhicules de rêve conçus pour une clientèle éprise de raffinement
et de perfection. Nous sommes légitimement fiers d’avoir trouvé un cadre digne de nos ambitions.
De steun van Ginion Group
Het is een buitengewoon avontuur voor ons om het imago van Ginion Group te verbinden met dat van de Muziekkapel
Koningin Elisabeth. Deze uitzonderlijke dimensie, dat wij reeds van bij onze eerste ontmoetingen konden ervaren,
bevestigt dat we beiden de passie delen voor het streven naar perfectie. Wij zijn dus uitermate tevreden een partner
te hebben gevonden met dergelijke realisaties en prestige die universeel in de muziekwereld erkend worden. Dit laat
ons toe op een kwaliteitsvolle en verfijnde manier te communiceren. Deze waarden worden eveneens geassocieerd
met de verschillende merken die wij verdelen. Wij wensen dan ook alle medewerkers van de Muziekkapel Koningin
Elisabeth hartelijk te danken voor hun inzet en beschikbaarheid voor het slagen van ons partnerschap. Wij zijn tevreden om dit avontuur met de partners van de Muziekkapel Koningin Elisabeth alsook met iedereen die deel uitmaakt
van Ginion Group te kunnen delen. Een partnerschap van deze omvang is een ambitieus project. Ginion Group is
verheugd zich met de uitstraling en duurzaamheid van een dergelijk kwalitatief instituut als dat van de Muziekkapel
Koningin Elisabeth te kunnen associëren. De komende maanden en jaren zal Ginion Group nog talloze nieuwe projecten, innovatieve concepten en droomwagens lanceren die voldoen aan de verwachtingen (houden van verfijning en
perfectie) van onze klanten. Wij zijn uitermate trots een kader gevonden te hebben dat bij onze ambities past.
42
43
Le soutien du Fonds InBev-Baillet Latour
Le soutien de la fondation Bernheim
Le FONDS INBEV-BAILLET LATOUR, fondé en 1974 par le Comte Alfred de Baillet Latour, administrateur des Brasseries Artois de 1947 à 1980, a pour objectif d’encourager les prestations à haute valeur humaine, au caractère principalement scientifique, académique, artistique ou sportif, et de les récompenser au moyen de prix ou de bourses
d’études. Le Fonds InBev-Baillet Latour est actif principalement dans les domaines suivants : la recherche médicale,
le patrimoine culturel belge, la formation universitaire et l’Olympisme. Le Fonds est heureux de son parrainage de
jeunes musiciens talentueux par l’octroi de 6 bourses permettant à ces jeunes artistes de poursuivre leurs études
musicales dans le cadre exceptionnel de la Chapelle Musicale Reine Elisabeth sous la guidance de maîtres prestigieux. Le Fonds participe ainsi au rayonnement de la vie et de la formation musicale en Belgique, qui plus que jamais
a besoin de soutien financier. La Chapelle fournit un effort extraordinaire pour le développement de ces jeunes talents
et leur participation dans des ensembles prestigieux en Belgique et dans le monde. Aider à l’épanouissement de leur
rêve, est un objectif dont le Fonds InBev-Baillet Latour est particulièrement fier.
Encourager ensemble l’épanouissement de vocations de jeunes musiciens très talentueux en Belgique. La Fondation Bernheim encourage la réalisation des aspirations individuelles et fait en sorte que chacun puisse trouver dans
le milieu qui l’entoure les meilleures possibilités de répondre à sa vocation. La conjonction des éléments humains
et sociaux revêt une importance capitale à ses yeux. La Chapelle Musicale Reine Elisabeth rejoint totalement cette
double préoccupation. Elle favorise d’une part le développement de la musique et aide à la formation des artistes en
s’entourant de grands maîtres et en apportant un enseignement flexible et de grande qualité à ses étudiants. L’organisation des cours, l’encadrement pédagogique, physique et logistique qu’elle met en place, encouragent l’accomplissement des aspirations individuelles et font en sorte que chaque jeune trouve dans le milieu qui l’entoure les
meilleures possibilités de répondre à sa vocation. En la soutenant depuis 10 ans, la Fondation Bernheim permet à la
Chapelle Musicale de se positionner en tant que structure sociale efficiente, offrant un enseignement d’excellence à
des talents sélectionnés sur base de leurs qualités personnelles et artistiques. Elle permet à ces jeunes de se réaliser en leur proposant des cours, un logement, des instruments, des bourses, en finançant des enregistrements, des
concerts ou encore en offrant la possibilité de se produire avec orchestre. Elle rejoint ainsi la Fondation Bernheim
dans son souci d’améliorer de manière qualitative la situation matérielle et morale d’une quarantaine de jeunes.
De steun van het Fonds InBev-Baillet Latour
Het FONDS INBEV-BAILLET LATOUR werd in 1974 opgericht door Graaf Alfred de Baillet Latour, die van 1947 tot
1980 bestuurder was bij de Artois Brouwerijen. Het Fonds heeft tot doel grote menselijke verwezenlijkingen in het
bijzonder op wetenschappelijk, academisch, artistiek of sportief gebied aan te moedigen en te belonen aan de hand
van prijzen of studiebeurzen. Het Fonds InBev-Baillet Latour is voornamelijk actief in de volgende domeinen : medische onderzoek, Belgisch cultureel erfgoed, universitaire vorming en Olympisme. Het Fonds is verheugd met het
peterschap van 6 talentvolle jonge musici die dankzij deze bijdrage hun muzikale studies kunnen verderzetten in het
prachtig kader van de Muziekkapel Koningin Elisabeth onder leiding van uitzonderlijke meesters. Hiermee draagt
het Fonds bij tot het muzikaal leven en vorming in Belgie, die meer dan ooit financiele ondersteuning nodig heeft.
De Muziekkapel levert een buitengewone prestatie voor de ontwikkeling van deze jonge talenten en hun bijdrage in
prestigieuze ensembles in België en de wereld. Helpen aan de ontplooiing van jonge talenten en de vervulling van hun
droom, is een doel waarop het Fonds InBev-Baillet Latour bijzonder fier is.
44
De steun van de Stichting Bernheim
Samen de ontplooiing van het talent van jonge, zeer beloftevolle muzikanten in België bevorderen. De Stichting Bernheim stimuleert de verwezenlijking van individuele doelen en zorgt ervoor dat ieder in zijn eigen omgeving de beste
mogelijkheden vindt om zijn roeping te realiseren. De combinatie van menselijke en sociale elementen is voor de
stichting van fundamenteel belang. De Muziekkapel kan zich perfect terugvinden in dit dubbel streefdoel. Zij stimuleert de ontwikkeling van de muziek en ondersteunt de opleiding van de kunstenaars door zich te omringen met grote
meesters en door haar studenten een flexibel en hoogwaardig onderwijs te bieden. De organisatie van de lessen, de
pedagogische, fysieke en logistieke begeleiding, dragen bij tot de verwezenlijking van de individuele doelstellingen en
zorgen ervoor dat elke jongere in zijn eigen omgeving de beste mogelijkheden vindt om zijn roeping in vervulling te
doen gaan. De Stichting Bernheim, die de Muziekkapel al 10 jaar steunt, biedt haar de mogelijkheid zich te positioneren als een efficiënte sociale structuur, die een uitmuntend onderwijs biedt aan talenten geselecteerd op basis van
hun persoonlijke en artistieke kwaliteiten. Op deze manier krijgen deze jongeren de kans om zich te ontplooien via
cursussen, huisvesting, instrumenten, beurzen, de financiering van opnames, concerten of door hen de mogelijkheid
te bieden op te treden met een orkest. De Muziekkapel treedt hierdoor de Stichting Bernheim bij in haar streven om
een kwalitatieve verbetering te brengen in de materiële en morele situatie van een veertigtal jongeren.
45
Le subside de la Loterie Nationale
Contribuer au bien-être de la communauté, telle est la philosophie d’entreprise de la Loterie Nationale. C’est pourquoi elle réinjecte une importante partie de ses bénéfices dans la société, en soutenant financièrement une large
palette de projets dans des domaines très variés : humanitaire, social, culturel, sportif, scientifique… Elle attache
également une très grande importance à la culture. Que ce soit par le biais des subsides ou du sponsoring, la Loterie Nationale contribue chaque jour au succès d’associations ou de manifestations culturelles: opéra, chant, danse,
musique, poésie, arts plastiques, concerts, expositions, festivals, théâtre, cinéma… touchant des publics très variés,
parmi lesquels les jeunes ne sont certainement pas oubliés. En subsidiant de nombreux projets, la Loterie Nationale
offre, en effet, aux jeunes la chance d’élargir leurs centres d’intérêt, de s’épanouir pleinement dans leur discipline et
d’arriver à un haut niveau tout en bénéficiant d’un meilleur encadrement. C’est dans ce cadre que la Loterie Nationale soutient la Chapelle Musicale Reine Elisabeth, permettant ainsi à nos jeunes talents - violonistes, pianistes et
chanteurs - de parfaire leur formation sous la direction de grands maîtres - Augustin Dumay, Abdel Rahman El Bacha
et José Van Dam - et de briller un jour sur la scène internationale. Grâce aussi au soutien de la Loterie Nationale,
la Chapelle Musicale a ouvert en octobre 2005, une section de musique de chambre sous la direction du Quatuor
Artemis. La Loterie Nationale se profile ainsi comme un opérateur public au service du public. La Loterie Nationale
soutient aussi financièrement la construction d’un studio de musique dans la nouvelle aile prévue par l’extension des
infrastructures de la Chapelle Musicale. La Loterie Nationale, le plus généreux mécène du Royaume…
Créateur de chances
La Loterie Nationale, c’est
26,1 millions d’euros pour la culture.
Grâce à vous.
www.loterie-nationale.be
De subsidie van de Nationale Loterij
Bijdragen tot het welzijn van de hele gemeenschap: zo kan de bedrijfsfilosofie van de Nationale Loterij worden samengevat. Precies in die optiek laat de Nationale Loterij een aanzienlijk deel van haar winst naar de gemeenschap
terugvloeien door haar financiële steun aan een brede waaier van projecten op de meest uiteenlopende vlakken: humanitaire en sociale aangelegenheden, cultuur, sport, wetenschap, enz. In die context staat cultuur bij de Nationale
Loterij hoog in het vaandel. Of het nu gebeurt via subsidies dan wel via sponsoring, elke dag opnieuw werkt de Nationale Loterij mee aan het succes van culturele verenigingen of evenementen: opera, zang, dans, muziek, poëzie, plastische kunsten, concerten, tentoonstellingen, festivals, theater, film, enz., waarbij telkens zeer diverse gegadigden
worden aangesproken. En de jongeren onder hen worden beslist niet over het hoofd gezien. Op die manier geeft de
Nationale Loterij jonge mensen de mogelijkheid om hun horizon te verruimen, zich in een welbepaalde discipline ten
volle te ontplooien en uiteindelijk de top te bereiken dankzij een betere begeleiding. In dit kader ondersteunt de Nationale Loterij de Muziekkapel Koningin Elisabeth om de mogelijkheid te bieden aan jonge talentvolle musici - violisten,
pianisten en zangers - hun opleiding te vervolmaken onder het toeziende oog van grote meesters - Augustin Dumay,
Abdel Rahman El Bacha et José Van Dam - en zo een dag te schitteren op de internationale scène. Ook dankzij de
steun van Nationale Loterij, heeft de Muziekkapel Koningin Elizabeth in oktober 2005 een sectie van kamermuziek
geopend onder leiding van het Artemis Quartet. De Nationale Loterij profileert zich aldus als een overheidsinstelling
ten dienste van het publiek. De Nationale Loterij ondersteunt ook finantieel een muziekstudio in de nieuwe vleugel
van de Muziekkapel, die door de uitbreiding van de infrastructuur voorzien is. De Nationale Loterij , de meest edelmoedige mecenas van het Koninkrijk…
46
47
On peut être jeune, en bonne santé,
être « comblé » et cependant
avoir du mal à trouver sa voie.
Comprendre la musique,
c’est soutenir les musiciens.
La Libre est fière de soutenir
la Chapelle Musicale Reine Elizabeth.
© G. Lybeer
www.fondationbenoit.be
49
La présence artistique française en Belgique est forte et diversifiée, la coopération entre les institutions
culturelles et entre les artistes de nos deux pays est intense.
Le Service de Coopération et d’Action Culturelle (SCAC) de l’ambassade de France vous invite à découvrir, tout
au long de l’année, au travers de son site Internet www.agendaculturefrance-belgique.weebly.com, les
nombreuses manifestations qu’il promeut et soutient.
F E S T I VA L
À LA FRANÇAISE
13 to 17 November 2012
Flagey, Studio 4
C. Debussy, G. Fauré, C. Franck, M. Ravel
E. Chausson, C. Saint Saëns, F. Poulenc
Brussels Philarmonic
Michel Tabachnik, conductor
Orchestre Royal Philarmonic de Liège
Christian Arming, conductor
Augustin Dumay, violin
Abdel Rahman el Bacha, piano
Gary Hoffman, cello
Jean-Philippe Collard, piano
Tatiana Samouil, violin
Julien Libeer, piano
Christia Hudziy, piano
Julie Mossay, soprano
Soloists of the Queen Elisabeth Music Chapel
Infos : 02 641 10 20
www. flagey. be
Cette année, la Chapelle Musicale Reine Elisabeth et Flagey
ont proposé à l'Option Communication graphique de La Cambre de réaliser
l'affiche du festival "A la Française".
Pour contacter le Service de Coopération et d’Action Culturelle (SCAC) de l’ambassade de France :
[email protected]
Le projet sélectionné par le Festival a été réalisé par Mathilde Collobert,
le projet reproduit ci-dessus est l'œuvre de Virgile Janssen.
51
ouvert / open 7/7
E
M AE N D
AK R A C
T M HT
AC HT
IT
FA
I O N CE
L 'U N FOR
LA
Tél + 32 2 513 09 65
| www.classicalmusic.be
74 Coudenberg 1000 Brussels
Fournisseur Breveté de la Cour de Belgique
Gebrevetteerde Hofleverancier van Belgïe
design©hdmh.eu
Bertrand de Wouters d’Oplinter &
son équipe de spécialistes en musique classique
vous souhaitent d’excellents moments musicaux
Bertrand de Wouters d’Oplinter
& zijn medewerkers wensen u veel luisterplezier
“I want to make Music !
That’s why I prefer a Steinway.”
Alfred Brendel
Piano’s Maene
Exclusive Steinway Distributor Belgium
Brussels - Antwerpen - Gent - Ruiselede
www.steinway.be
53
Depuis 7 ans, HSBC accompagne les jeunes talents
en soutenant les Lauréats de l’Académie européenne
de musique du Festival d’Aix-en-Provence.
54
HSBC France - Société Anonyme au capital de 337 189 135 euros - SIREN 775 670 284 RCS Paris - Siège social : 103, avenue des Champs-Elysées - 75008 Paris. Banque et Société de courtage en
assurance immatriculée auprès de l ‘ORIAS (Organisme pour le Registre des intermédiaires en Assurance - www.orias.fr) sous le n° 07 005 894. Crédit photo : Getty images.
55
DÉCO, ESCAPADES, RESTAURANTS, BOUTIQUES, BONS PLANS, BONNES ADRESSES…
ILS NOUS FONT
CONFIANCE
AGENCE DE L’EAU
uliette & ictor
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Juliette & Victor fait découvrir ou redécouvrir la Belgique
à ses habitants comme à ceux qui veulent s’y installer.
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de Bruxelles
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www.cfci.be
GEFIM MODE IN
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ww w. jvmagazine. be
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Queen Elisabeth Music Chapel, public interest foundation
Board of Directors
Honorary Chairmen
Artistic director
Violin Department
Vincent Pardoen Chairman
Jean-Jacques de Launoit
Jean-Pierre de Bandt
Arie Van Lysebeth
Dana Protopopescu piano coach
Christia Hudziy piano accompanist
Luc Devos piano accompanist
Stephanie Proot piano accompanist
Bernard de Launoit* Executive President
Géry Daeninck* Executive Director
Julien De Wilde*
Peter de Caluwe
Philippe Delaunois
Yvan de Launoit
Paul Dujardin
Bernard Foccroulle
Sylvia Goldschmidt
Viviane Reding
Leonard Schrank
Robert Tollet
Frans van Daele
Artistic committee
Bernard Foccroulle Chairman
Bernard de Launoit
Peter de Caluwe
Christian Renard
Arie Van Lysebeth
Ambassadors Comittee
Sylvia Goldschmidt Chairman
Werner Van Lembergen Vice-Chairman
Axel Miller
Willem Van de Voorde
*Member of the Executive Committee
Masters in Residence
Artemis Quartet chamber music
Vineta Sareika violin
Gregor Sigl violin
Friedemann Weigle viola
Eckart Runge cello
José van Dam voice
Gary Hoffman cello
Maria João Pires piano
Guests Masters
June Anderson voice
Dmitri Bashkirov piano
Helmut Deutsch voice (lied)
Chapelle Musicale, société anonyme à finalité sociale/
naamloze vennootschap met maatschappelijk doel
Professors
Piano Department
Board of Directors
Dimitris Saroglou piano
Sylvia Thereza piano
Jean-Claude Vanden Eynden
piano concertos
Jean-Pierre de Launoit Chairman
Bernard de Launoit Executive Director
Bernard Boon Falleur
Géry Daeninck
Philippe de Buck van Overstraeten
Yvan de Launoit
Gabrielle du Chastel de la Howarderie
Paul Dujardin
58
Center of excellence for artistic training
Cello Department
Dana Protopopescu piano coach
Christia Hudziy piano accompanist
Luc Devos piano accompanist
Stephanie Proot piano accompanist
Voice Department
Jocelyne Dienst main coach opera
Alain Garichot stage director
Agnès Chauvot vocal technique
Hélène Lucas coaching
Paola Larini (Italian) language lessons
Peter Tomek (German) language lessons
Philippe Riga piano coach
Nikolaas Kende piano accompanist
Adriaan Jacobs piano accompanist
Darren Ross dance workshop
Music theory analysis
Laurent Beeckmans
Personal well being - Career development
Patrick Bottin physical training
TICA CABRAL PSYCHOLOGIST
with the support of BENOÎT FONDATION
fiona crossley YOGA
Xavier Rouget mental training
with the support of Mentally Fit
Anne Schütt physiotherapist
Magda Thielemans physical development
59
Staff
REMERCIEMENTS - DANKBETUIGINGEN
Sophie Gosselin General Secretary
La Chapelle Musicale Reine Elisabeth et son Conseil d’Administration remercient tout particulièrement/
De Muziekkapel Koningin Elisabeth en haar Raad van Bestuur betuigen hun oprechte dank:
Cultural and Communication Department
Pour leur générosité et leur soutien quotidien - Voor hun hulp en dagelijkse steun:
Sophie Gosselin coordination
Bénédicte Bruynseels project manager & artist village mediator
Sophie van der Stegen project manager & social media manager
Auriane de Fauconval external communication & media relations
Muriel Anslot internal communication
Paul Borschette library
Monique Garnier volunteer
madeleine rey trainee
maia joe bruns volunteer
Monsieur et Madame Claes-Tovi
De heer Géry Daeninck
Monsieur Jean-Marie Delwart
Monsieur et Madame Jean-Bernard Gillet-Cabral
Madame Bernard Guttman
Monsieur et Madame Michael Guttman
Madame Vinciane Kaisin
Madame Myriam Pascal Poulet
Madame Irène Steels-Wilsing
Monsieur Hervé Vanden Waeyenberg
Et tous ceux qui souhaitent garder l’anonymat - En diegenen die anoniem wensen te blijven
Artistic Department
Muriel Vanderbauwhede artistic coordination (voice)
Anne-Lise Parotte artistic coordination (piano, violin, cello, chamber music)
« Mécènes – Parrains » - « Peterschap » van de Muziekkapel:
Entreprises & Instances Publiques - Ondernemingen & Overheid:
Equinox Solidarity Music Department
Abelag Aviation & Golf d’Hulencourt
Province du Brabant Wallon
Schelstraete & Desmedt NV
JOANA NOETH COORDINATION
Membership and Funding Department
Privés & Associations – Privé-personen & Verenigingen:
Laurence Godfraind coordination
Christine Reyntjens public relations
JOHANNA SILéE ASSISTANTE
MONIQUE DE RIDDER volunteer
Marie-Louise Welcker volunteer
Quentin Bogaerts
Logistics Department
Pierre FRANÇOIS
Karine Vilain
60
Design: www.griffe.be
Finance & Administration
Monsieur Patrick Baillieux
Madame Brigitte Fabri
Fondation Futur 21
Fonds Baron Jean-Charles Velge & donateur anonyme
Monsieur et Madame Leo Goldschmidt
Monsieur et Madame Michael Guttman
Madame Catherine Lagrange
Monsieur et Madame Eric Le Jeune
Madame Martine Lhoist
De heer en Mevrouw Guy Reyniers
Mevrouw Valérie en de heer Bernard Van Hool
De heer en Mevrouw Ludo Van Thillo
Mevrouw Leonie Vroom
Et tous ceux qui souhaitent garder l’anonymat – En diegenen die anoniem wensen te blijven
61
62
« Mécènes – Patrons » - « Patron » van de Muziekkapel:
« Mécènes – Amis » - « Vriend » van de Muziekkapel:
Monsieur et Madame Xavier Bedoret
De heer en Mevrouw Johan Beerlandt
Barones Bertrand
Monsieur et Madame Philippe Bioul
Monsieur et Madame Jack Blaiberg
Baron et Baronne Bodson
Monsieur et Madame Philippe Bossard
Madame Isabelle Bosteels
Monsieur et Madame Yves Bosteels
Monsieur et Madame René Boulanger
Monsieur et Madame Jacques Bouriez
Madame Thérèse Brel-Michielsen
Monsieur et Madame Jean-François Cats
Baron et Baronne Jean-Claude Coppens d’Eeckenbrugge
Mevrouw Katy Corluy
Mevrouw Joseph De Backer-Vermeulen
Prince et Princesse de Chimay
Monsieur et Madame Guy de Cordes
Comte et Comtesse de Kerchove de Denterghem
Baron et Baronne De Keuleneer
Monsieur et Madame Benoit De Landsheer
Comte Jean-Pierre de Launoit
Baronne Eric de Mevius
Madame Christian de Potter
De heer en Mevrouw Jacques De Raeymaeker
Chevalier et Madame Alec de Selliers de Moranville
Chevalier Baudouin de Selliers de Moranville
Baron et Baronne Wenceslas de Traux de Wardin
Comte et Comtesse Diego du Monceau de Bergendal
Monsieur et Madame Hugues De Waele
Baron en Barones De Wilde
Monsieur et Madame Philippe Delaunois
Monsieur Jean-Pierre Delwart
Monsieur et Madame François Desclée de Maredsous
Madame Jacques François
Monsieur et Madame Daniel Fuld
Monsieur et Madame Bernard Fierens Gevaert
Madame Sylvia Goldschmidt
Monsieur et Madame Pierre Gurdjian
Monsieur et Madame Regnier Haegelsteen
Madame Marie Helsmoortel
Monsieur et Madame Bernard Hertoghe
Monsieur Grégoire Jakhian
Madame Philippe Jadot
Baron et Baronne Paul-Emmanuel Janssen
De heer en Mevrouw André Annicq • Mevrouw Viviane Baarendse • Monsieur et Madame Ralf Bergner • Monsieur et
Madame Philip Bille • Monsieur et Madame Pierre Blondeau • Comte et Comtesse Nicolas Boël • De heer en Mevrouw Th.
Boland • Monsieur et Madame Arthur A. Borsei • De heer en Mevrouw Ivo Bosteels • Monsieur et Madame Alfred Bouckaert • Madame Henri Brepoels • De heer Alain Broes • Madame Marie Broodthaers • Monsieur et Madame Pierre Buchet
• De heer en Mevrouw Etienne Carbonez-Wijnen • Monsieur Pierre-André Carpentier • Monsieur Baudouin Contzen •
Monsieur et Madame Thierry Contzen • Monsieur et Madame Bernard Cosyns • Archiduchesse Anne-Gabrielle d’Autriche
• Monsieur et Madame Jacques d’Everlange de Bellevue • Monsieur Yves d’Hanens • Comte et Comtesse Ludovic d’Ursel
• Baron et Baronne de Cooman d’Herlinckhove • Comte Alain de Croix • Baron et Baronne Harold de Fierlant Dormer •
Madame Baudouin de Hemptinne • L.A.Prince et Princesse Michel de Ligne • Madame Géry de Limelette • Monsieur et
Madame Leon-Charles de Mol-Thorn • Comte et Comtesse François de Radiguès de Chennevière • Monsieur et Madame
Dominique de Ryckel • Monsieur et Madame Jean de Séjournet de Rameignies • Vicomtesse André de Spoelberch • Dokter
en Mevrouw Stephan Declerck • Madame Maryvonne Defer • De heer en Mevrouw Philippe Dekeyser • Mevrouw Lucien
Delfosse • Monsieur et Madame Léopold Delvaux de Fenffe • Monsieur et Madame Benoit Delwart • Monsieur et Madame
Jean Demesmaeker • Madame Guy Descamps • Madame May Dewaet • Madame Jeannine Donnay de Vos te Steene •
Monsieur et Madame Fabrice Duchêne • Monsieur et Madame Jean Dyckmans • Monsieur et Madame Michel Eeckhout
• Madame Monique Engels • Monsieur et Madame Jacques Espinasse • Madame Dominique Faulx • Madame Hélène
Franckx • Monsieur et Madame René-Georges Gaultier • Madame Odile Gillaux • Monsieur Rodrigue Gillion • Monsieur et
Madame Philippe Gosselin • Monsieur Marc Grutering • Monsieur et Madame Egils Gulbis • Monsieur et Madame GybelsDelperdange • Madame Claudine Gygax-Mercenier • Monsieur et Madame Edgard Hamalian • Madame Irène Heirens •
Monsieur et Madame Charles Henkart • Monsieur Jean-Luc Hooghe • Madame Corinne Hubinont • Monsieur et Madame
Nissim Israel • Baron et Baronne Nicolas Janssen • Monsieur Charles Kaisin • Monsieur Pierre Klees • Madame Katia
Knapen • Madame Jeanne Knops • Madame Elise Kuyl • Madame Renée Lacourt • Madame Marie-Louise Lamal • Monsieur Georges Lambert • Madame Micheline Lambilliotte • Madame Nadine Leblanc • Madame Alec Le Jeune-Grutering
• Monsieur Jean Lemercier • De heer en Mevrouw Fabian Leroy-Van Look • Madame Carmen Levy • Monsieur Manfred
Loeb • Madame Francine Loreau • Monsieur et Madame Etienne Mairiaux • Monsieur et Madame Jean-Pierre Maisin •
Monsieur et Madame Ivan Mercier• Mevrouw Jenny Merckx • Monsieur et Madame Philippe Muûls • Madame Marie Navez
• Mevrouw Maria-Stephania Noelmans • Monsieur et Madame Jean-Albert Nyssens • Madame Margaretha Oosterwijk •
Mevrouw Thérèse Opstal • Monsieur et Madame Nicolas Orts • Monsieur et Madame Michel Peterbroeck • Monsieur et
Madame Gilles Pinoncély • Madame Gabrielle Pinte • Madame Nicole Piret-Hecq • Monsieur et Madame Jean-Pierre Place
• Monsieur et Madame Guy Plucker • De heer en Mevrouw Peter Pompe • Monsieur et Madame Alain Querton • Madame
Françoise Raquet • Monsieur et Madame Anton Reithinger • Madame Nicole Renggli • Madame Sybille Ribaille • De heer
en Mevrouw Hugo Rombouts • Madame Françoise Rosy • Monsieur et Madame Jean Saey • Madame Janine Sauvage •
Mevrouw Agna Schoofs • Madame Ursel Schuback • Madame Colette Sifferlen • Monsieur et Madame Serge Sintzoff-Boels
• De heer en Mevrouw Etienne Stas • Madame Paul Storme • De heer en Mevrouw André Swings-Cremers • Monsieur et
Madame Eric T’Scharner • Madame Béatrice Thieffry • Monsieur et Madame Stéphane Thiery-Molitor • Monsieur Jean
Thomas • Madame Evelyn Titeca • Mevrouw Omer Vander Ghinste • Monsieur et Madame Jacques Van de Velde • Monsieur
et Madame Alec van den Abeele • Madame Michèle Vrebos • Monsieur et Madame Charles van der Straten Waillet • De
heer en Mevrouw Alfons Van Hool • Mevrouw Catherine Van Hool • Mevrouw Augusta Van Kemenade • Madame Mary Van
Leeuwen • Jonkheer et Madame Baudouin van Ryckevorsel • Madame Simone Van Schepdael • Baron en Barones Piet Van
Waeyenberge • De heer Eugène Vanstreels • Monsieur et Madame Jean Verougstraete • Monsieur et Madame Philippe
Verschueren • Madame Pierre Verwee • De heer en Mevrouw Karel Vinck • Monsieur Stéphane Vinogradoff • Madame Léon
Warny • Monsieur et Madame Paul Washer • Madame Veronica Williams.
Et tous ceux qui souhaitent garder l’anonymat – En diegenen die anoniem wensen te blijven.
Monsieur et Madame Eric Jolly
Monsieur et Madame Jean-Louis Joris
Monsieur et Madame Erol Kandiyoti
Kiwanis Club Bruxelles-Europe
Monsieur Serge Kubla – Commune de Waterloo
Monsieur et Madame Antoine Labbé
Monsieur et Madame Eric Le Jeune
Monsieur Mark Le Jeune
Madame Florence Lippens
Monsieur et Madame Olivier Lippens
Comtesse Robert Lippens
Monsieur et Madame Pierre-Olivier Mahieu
Monsieur et Madame Jacques Moreau-Lanoye
Monsieur et Madame Yves Nelissen Grade
Monsieur et Madame Mario Normand-Dailly
Monsieur et Madame Leif Palmblad
Monsieur et Madame Bernard Ruiz-Picasso
Monsieur et Madame Leonard Schrank
Monsieur et Madame Thierry Sebline
Madame Nicole Spandre-Provost
Madame Jenny Stalpaert
Monsieur et Madame Paul Storme
Madame Marcel Timmermans
Monsieur et Madame Jean-Marie Tombeur
Monsieur et Madame Denis Tytgat
Monsieur et Madame Alain Van de Poel
Monsieur et Madame Matthieu van der Schueren
Madame Adrien Van Goethem
De heer en Mevrouw Leopold Van Hool
Monsieur et Madame Emmanuel van Innis
Monsieur Benoit van Langenhove de Bouvekercke
De heer en Mevrouw Werner Van Lembergen
Monsieur Hervé Vanden Waeyenberg
Baron Paul van der Straten Waillet
Monsieur et Madame Guy Vanhaeverbeke-Carissimo
De heer en Mevrouw Luc Vansteenkiste
Monsieur et Madame Baudouin Velge
Monsieur et Madame Bernard Vergnes
Monsieur et Madame Alexis Verougstraete
Mevrouw Leonie Vroom
Madame Gabriel Waucquez
Wdog Architecten bvba
Monsieur Robert Willocx
Madame Yarsuvat
Et tous ceux qui souhaitent garder l’anonymat –
En diegenen die anoniem wensen te blijven
Liste au - Lijst op 25.10.12.
63
En collaboration avec/In samenwerking met/Incollaboration with
You & Us
together
for
The New Building!
With the support of
Membership & Funding Department
Christine Reyntjens - Laurence Godfraind
[email protected] - [email protected]
Tel.: + 32 (0)2 352 01 16 - + 32 (0)2 352 01 13
Fax: + 32 (0)2 351 10 24
This project has been funded with support from the European Commission. This publication [communication] reflects the views only of the author,
and the Commission cannot be held responsible for any use which may be made of the information contained therein.
In coproduction with
Queen Elisabeth Music Chapel, public interest foundation
Under the Honorary Chairwomanship of H.M. the Queen
Correspondence: Chaussée de Tervuren 445 - 1410 Waterloo - Belgium
Corporate address: Rue Brederode 14, B-1000 Bruxelles - BCE 459 245 906
Tel: +32 (0)2 352 01 10 - Fax: +32 (0)2 351 10 24
[email protected] - www.cmre.be
Flagey
Heilig-Kruisplein/Place Sainte-Croix
1050 Brussels/Bruxelles - Belgium
Tel: 02 641 10 20

13-17/11 Flagey - Queen Elisabeth Music Chapel

Transcription

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