binder - Don Taylor
Transcription
binder - Don Taylor
WORKPLACE don taylor BOOK BINDER PHOTOGRAPHED by Erin Monett DESCRIBE WHAT YOU DO ON A DAILY BASIS. The work here is quite varied. On a given day we might be working on making a movie prop, repairing or making a protective box for a family bible or for an antiquarian book for a library or collector, building a portfolio for a photographer, binding an edition of a self-published memoir, putting together a commemorative album or book for presentation at an event — just recently Will and Kate received a very special copy of a book about the RCMP’s Musical Ride in a very fancy presentation box produced here. We might be working with an artist on a piece for an art installation, or prepping materials for teaching a workshop on the up-coming weekend. Step into the world of Don Taylor, a traditional bookbinder and preserver of treasured tomes. His workshop, located in Toronto, is littered with interesting details — from ancient books, letterpress letters of every variety, gold leaf , fascinating tools and of course a grand whirlwind of paper. HOW DID YOU COME TO BE A BOOKBINDER AND RESTORER? I got into bookbinding as a hobby when I was a kid of about 14 years old. I used to like to buy old books from the Goodwill or Salvation Army Store in Windsor where I grew up and then take them apart to see how they were made. Eventually I made my first (disastrous) attempts at fixing them. At the time I was working from an article called “How to bind your magazines into a Book” which was in the 1959 Daily Mail Boys Annual that I had got from my grandmother in England. issue 6/fall 2011 • PUREGREEN | 2 PUREGREEN • workplace In 1977 I moved to Toronto and was able to get some lessons at night school classes and eventually by some miracle a full time one year course in hand bookbinding was started at Sheridan College in Oakville. I took the course and then started my business in 1980. After that I was able to take 2 more years of lessons with Betsy Palmer Eldridge. That was an invaluable experience and gave me the knowledge needed to do restoration work. IN A WORLD OF INCREASING DIGITIZATION, WHAT DO YOU THINK THAT MEANS FOR WHAT YOU DO? Digitalization seems to be making certain kinds of work disappear, at least temporarily. The demand for photograph albums, even wedding albums seem to have disappeared for example, although I think that sooner or later people are going to want a permanent album again rather than just viewing their pictures on their computers. On the other hand, computers are assisting more and more people to research and write a family history or memoir and binding these is a growing part of our business. So the digital world is a mixed blessing for us. “I used to like to buy old books from the Goodwill or Salvation Army Store in Windsor where I grew up and then take them apart to see how they were made.” WHEN WE MET YOU DESCRIBED A GROWING TREND OF PEOPLE WRITING MEMOIRS. CAN YOU TELL OUR READERS ABOUT THAT AS WELL? WHAT DO YOU THINK IS BEHIND THAT TREND? WHAT TYPE OF PERSON IS WRITING MEMOIRS? The trend in memoir writing seems to be powered by the same kind of impulse that makes us tell our stories orally to our children and families. It doesn’t hurt that there are programs online that assist with organizing one’s memories and genealogical information. And the fact that you can format and print the material yourself just makes it more feasible. I’ve bound memoirs by people who have had amazing lives – business tycoons, Holocaust survivors, and by people who have had much less exciting or tragic experiences but who are writing because they or their families want to record the story. My mother is a good example. I finally cajoled her into telling us about her life and initially she was sure that it wouldn’t interest anyone. But her book had hair-raising tales to tell about life in London during the Blitz in WWII and great stories about moving to Canada and making a life in this country. So I would have to say that a very wide variety of people and particularly retired people are producing these kinds of books. issue 6/fall 2011 • PUREGREEN | 4 PUREGREEN • workplace the books WHAT TYPES OF BOOKS TO YOU MOST OFTEN WORK ON? WHAT IS YOUR FAVOURITE? In terms of restoration work, family bibles are definitely the most popular candidates for restoration. After that come all the other sentimental favourites such as a greatly loved children’s book to be passed on to a grandchild, and believe it or not, dictionaries are very popular. People love their dictionaries. The most satisfying books to restore are some of the 17th and 18th century books that some of our collector customers bring in. The handmade paper and the workmanship are invariably beautiful and make them a joy to handle. issue 6/fall 2011 • PUREGREEN | 6 PUREGREEN • workplace “People love their dictionaries.” issue 6/fall 2011 • PUREGREEN | 8 PUREGREEN • workplace WHAT IS INVOLVED IN BASIC RESTORATION? Restoration work can be simple or very involved and part of the art is in knowing what’s necessary and then in executing the work in a manner that is sympathetic to the piece. When we receive a book for restoration we go through it with an eye on how it was put together in the first place and look at the sewing, hinges, corners and text and the nature (is the binding in cloth or leather for example?) of the materials and their condition. We may have to dismantle the book and /or remove it from its cover in order to fix the sewing or spine linings and then choose material -frequently cloth or leather of a suitable colour, weight and texture to match the original binding. Very frequently the hinges are broken are we use the new material to re-hinge or reattach the spine which may have become detached. Finally we attempt to touch up the colours and clean surface dirt off the boards. We try to make everything as discrete as possible without compromising the strength of the repair. WHERE CAN SOMEONE INTERESTED IN BOOKBINDING LEARN THE CRAFT? People wishing to get started in bookbinding can get information about courses from the Canadian Bookbinders and Book Artists Guild. They are at www.cbbag.ca and run a lot of workshops and courses suitable for beginners. Other places that have book arts programs include Harbourfront, The Japanese Paper Place and The Haliburton School of the Arts. There are links to all these sites on my website — dontaylorbookbinder.com issue 6/fall 2011 • PUREGREEN | 10 PUREGREEN • workplace LETTER PERFECT A collection of tools and letterpress type used for book spines and titles. issue 6/fall 2011 • PUREGREEN | 12 PUREGREEN • workplace issue 6/fall 2011 • PUREGREEN | 14