PRESS RELEASE 38TH EDITION – 2014
Transcription
PRESS RELEASE 38TH EDITION – 2014
PRESS RELEASE 38TH EDITION – 2014 “GASTRONOMY” FROM 8 TO 16 NOVEMBER 2014 A festive edition based around gastronomy This autumn, for its 38th edition, Antica Namur has reunited its most loyal Belgian and foreign antiques dealers, as well as a list of new top-flight participants, mostly members of Belgian and European Chambers. Art market professionals are particularly mindful of the constant and qualitative development of this event, the first in the calendar as the Belgian art and antiquities fairs return from the summer break. Antica Namur combines the thrill of discovery and careful selection, making room for young antique dealers as well as major Belgian, French, Dutch, English or German houses. Almost 27,000 visitors are expected at Namur over the 10-day period. The visitors are a diverse group: coming from Belgium, as well as across the border, they comprise amateurs, connoisseurs, large and small collectors, including many decorators. The visible presence of young galleries also attracts a thirtysomething audience of bargain-hunters who appreciate the relaxed atmosphere and the accessible prices at Antica Namur. This year, the fair’s theme is Gastronomy. It will be shaped by Gerald Watelet who is signing the menu of the restaurant at the fair and who will unleash his decorative talents on a completely new booth dedicated to the show’s theme. Around this area, all the antique dealers will illustrate the theme of Gastronomy, from art to painting, etchings, collectibles or table art, including furniture, porcelain, glass and silverware or even collectible textiles. The City of Namur will also devote space to a selection of exceptional pieces from the City museum’s collections. Conferences will bring the show to life. Table art in history Table art began … in bed. The Romans had three-person beds in their villas. These were called “triclinium”. There they received guests, they ate and they drank. Always using their fingers, of course, cutlery was invented much later. However, the Romans did introduce fine pottery and the first glass wine goblets to make their banquets more festive and luxurious. The end of the Roman Empire put an end to meals in a supine position. People then ate sitting down, on a bench, at a table, made with simple planks laid on trestles. The large tablecloth was also used as a napkin and all the guests used it to wipe their mouths. There were still not many utensils, the rich had gold knives, the poor had wooden spoons and bowls. Noblemen and women put salt and spices on the table (a great sign of wealth). People still ate with their fingers and the leftovers were thrown on the ground for the dogs to clean up immediately. The aristocracy began to apply good table manners in the Renaissance, in the 17th century. It was Erasmus who standardised them in his work “De civilitate morum puerilium” [on good manners for children]. Catherine de Médicis (15191589) introduced the two-pronged fork, fine china and glassware. The first chairs appeared and replaced benches. People stopped wiping their mouths with the tablecloth and began to use a large napkin which also protected their ruffs. The meal took place in a chronological order: fruit first, then boiled, roasted or grilled meats and, finally, desserts. Every meal started with the hand-washing ritual using a ewer and basin. During the 17th and 18th centuries, table art became more and more refined. Each guest had an individual place-setting: a plate, a spoon, a knife and a (three-pronged) fork, placed to the right of the plate, all covered with a napkin. Goldsmithery is booming. In terms of service, the Court of Versailles set the standard. Festive meals were staged as sumptuous buffets, richly decorated and perfectly structured, echoing French gardens. The dishes were arranged in perfect symmetry. This type of service, called "entertaining à la française", would soon be copied by aristocracy across the whole of Europe. New exotic products (coffee, tea or chocolate) appeared on the tables. Spices became more accessible. These developments required specific containers and utensils so they could be served. Porcelain replaced pottery. The largest and most famous manufactures are Sèvres and Chantilly in France, Meissen in Germany, Chelsea in England and Tournai (18th century) and Brussels (19th century) in Belgium. After the French revolution, the first restaurants appeared in Paris. The City of Light became the gastronomic capital of Europe. But French-style grand service was obsolete and little suited to the time and gave way to Russian service: dishes were presented one after the other. Fish became a dish in its own right and was served before meat. The Saint-Louis Crystal Glassworks launched its crystal glasses and complete wine service (large water and table wine glasses, medium glasses for fine and foreign wines, champagne glasses and small glasses for spirits and liqueurs) to the market. In the 19th century, there were three meals a day: lunch at around 11am, dinner at around 6pm (the largest meal of the day) and supper at around 10pm, after the show (this trend waned at the end of the century). The 19th century was also the time when food critics appeared. The most famous, Brillat-Savarin, wrote “Physiology of taste” which was to become a major reference work. Throughout the 20th century, table art became more accessible to everyone and also became industrialised. Books and guides devoted to this art were within everyone’s reach. People began to eat out more because many women worked. Attitudes changed, favouring greater simplicity. That being said, the grand table tradition lives on. The craze for beautiful porcelain, crystal glasses and precious silverware is still alive today. New faces and major houses to spot at Antica Namur Among the foreign antique dealers, Antica Namur is welcoming Spanish gallery Miquel Alzueta for the first time. Alzueta took part in Eurantica this year and the gallery received a good deal of attention from vintage furniture and contemporary art collectors. Also discover the Becker Antiques (Amsterdam), Eurazie (Valkenburg) galeries, as well as Anthony Short Antiques (UK) and, from Berlin, Ikonen Galerie Dr. M. Ewenstein and Kunsthandel Shimanovich. Among the major houses, we note the presence of, for Belgium, the Ursulines’ convent, Maison Lemaire, Laurence Lenne, Jean-François Nélis, the Ming-K’i gallery (Asiatic art), Ciel mes bijoux, the modern art galleries NF Art Gallery, La Galerie belge, Dus’Art Gallery, and Claeys Gallery (Franco-Belgian). For France, Antica Namur is receiving, among others, the Pellat de Villedon gallery, Joëlle Lasry, Jacques Gonthier, Graphiek-Art and the J.C. Scalabrino gallery. Galleries from Flanders are also very well represented, with the De Pauw-Muller gallery, Frederik Muller and Jan Muller, William Jonckers, Libertas Gallery, K. van de Ven, Galerie Maru, Raf van Severen and Yves Vandooren. The highlights of Antica Namur 2014 Dates and times From 8 to 16 November 2014 From Monday to Friday: From 2 to 7pm Weekend and Monday, 11 November, from 11am to 7pm Invitation-only preview on Friday, 7 November from 2pm to 11pm. “Ladies Day” - free entry for women: on Thursday, 13 November from 2pm to 7pm Press conference on Thursday, 6 November at midday Location Namur expo 2, avenue Sergent Vrithoff 5000 Namur Number of exhibitors 120 Number of experts 20 for vetting, 3 for the entire duration of the show Price Entrance: €20 - Free visitor’s guide. Information Tel. : +32(0)2 740 10 30 Fax : +32(0)2 740 10 35 http://www.antica.be Organisation ARTEXIS EXHIBITIONS SA Luc Darte – Exhibition Manager T +32(0)2 740 10 31 - [email protected] 135, rue Saint-Lambert B-1200 Brussels Press contact Benelux and France CARACAS public relations Hélène van den Wildenberg [email protected] T/F +32(0)4 349 14 41 List of exhibitors Antica Namur 2014 (list from 26/08/2014) A Aborigene Galerie (Paris) - All Arts (Labeuvrière) - Andrée Cordeau (Paris) – Anthemion (Brussel) - Anthony Short Antiques (Petworth) - Antiek Normandie (Heule) - Antiquités Serignan (Avignon) - Arnaud et Sylvie de Spa (Spa) - Art et Patrimoine-Laurence Lenne (Ath) - Artisy (Liège) - Axel Pairon (Antwerpen) B - Jean-Jacques Bacciochi (Fontvieille) - Becker Antiques (Amsterdam) - Benoit & Sebastien Tercelin de Joigny (Mons) - Bernard Bouisset (Béziers) - Bert Nordin Fine Paintings (Brussel) - Bie Baert (Sint-Job-in-'t-Goor) - Bois d'Acanthe (Thimister-Clermont) - C - Caroline Moxhon (Wezembeek-Oppem) - Catherine Gottmann (Profondeville) - Catherine Lassus (Bordeaux) - Chimara Antiques (Brussel) - Ciel Mes Bijoux (Brussel) - Claeys Gallery (Saint-Raphaël) -Collette "Nuances" (Theux) - Crescendo - D - Anne de Duve (L'Isle-sur-la-Sorgue) D&Art Galerie (Gent) - De Pauw - Muller Antiquairs (Gent) - Delobelle & Delobelle (Avelgem) - Denis Tissot (Liège) - Didier Abbeloos (Schellebelle-Wichelen) Dus'Art Gallery - Anne-Catherine Simon (Landenne-sur-Meuse) - E - Edouard de Potter d'Indoye (Melle) - Eric Beaumont (Neuvy) - Eufrazie gallery (Valkenburg) F - Frank Van Laer (Antwerpen) - Frederik Muller (Sint-Niklaas) - G - Galeria Miquel Alzueta (Barcelona) - Galerie Barrez (Paris) - Galerie Capazza (Nancay) Galerie de Lyne (Wépion) - Galerie Francis Noël (Sprimont) - Galerie Gilles Linossier (Paris) - Galerie Humeurs (Bordeaux) - Galerie Jérôme Pla (Paris) Galerie Kieffer (Luneville) - Galerie l'Astrée (Rouen) - Galerie le tout venant (Brussel) - Galerie Maru (Deurne) - Galerie Pellat de Villedon (Versailles) Galerie Raf van Severen (Antwerpen) - Galerie Saint Michel (Brussel) - GraphikArt (Paris) - H - Sonia de Haulleville (Brussel) - Henri Vanhoenacker (Brussel) - I - Ikonen Galerie Dr.M. Ewenstein (Berlin) - Ingrid Mathy (Godinne) - J Jacqueline Bette(Lasne) - Jacques Gonthier (Paris) - Jan Dücker (Oud-Turnhout) - Jan Muller (Gent) - Jean Nelis Fine Paintings (Brussel) - Jean-Christophe Scalabrino (Paris) - Jean-Emile Ricour (Ransart) - Jean-François Régis (Brussel) Joëlle Lasry (Paris) - Joly Antiquités (Namur) - K - K. van de Ven (Tervuren) Kunsthandel Shimanovich (Berlin) - L - La Galerie Belge (Namur) - La GalerieEric du Maroussem (Aix-en-Provence) - Laurence Fayolle (Paris) - Le Bijou (Marche-en-Famenne) - Le Camaieu (Tournai) - Le Couvent des Ursulines-JeanFrançois Taziaux (Liège) - L'Egide Antiquités (Brussel) - Leonhard's Gallery (Antwerpen) - Lex Antiqua (Wellen – Ulbeek) - Libertas Gallery (Brugge) - Lieven Moenaert (Brugge) - M - Maison Halter Ethnic Jewels (Brussel) - Maison Lemaire (Brussel) - Malvoisin Décorateurs (Vieux-Genappe) - Marie-Cécile François (Brussel) - Michèle Ancion (Serville) - Ming-K'I Gallery (Waardamme) – Miphan (Braine-le-Château) - N- Nadine Collette-Rene Vanhentenryck (Verviers) - Nf Art Gallery (Zoersel) - Nicole Dentelles (Lyon) - Nohara Japanese Art (Berchem) - O - Oud Cortrycke-Ann Herpels (Kortrijk) - P - Pascal Denoyelle (La Neuville-surRessons) - Patrick Damidot (Dijon) - Patrick Martin (Toulouse) - Patrick Pascal (Fontvieille) - Philippe Huret (Luxembourg) - Pierre Emmanuel Beguin (Liège) Private Collection (Knokke-Heist) - R - Robin Kowalski (Antwerpen) - S - SaintÉloi Antiquités (Couchey) - T - The Old Treasury (Kerkrade) - V - Véronique Malaise (Yvoir) - W - William Jonckers (Middelkerke) - Y - Yves Vandooren (Diepenbeek)