compiled by Stephen Wildman Director, Ruskin Library and

Transcription

compiled by
Stephen Wildman
Director, Ruskin Library and Research Centre
Revised Spring 2013
© The Ruskin Library, 2011-13
Wildman: A Ruskin Bibliography, 2011-12
CONTENTS
Bibliographies
3
Letters and diaries
4
Editions of the works of John Ruskin
4
Selections of the works
5
Exhibitions
6
Books and articles about John Ruskin
A
B
C
D
E
F
G
H
K
L
M
O
P
R
S
T
U
V
W
Y
8-16
8
8-9
9-10
10
10-11
11
11
12
12
13
13
13
14
14
15
15
16
16
16
16
Electronic Editions
17
2
BIBLIOGRAPHIES
Wildman, Stephen, ‘Ruskin Bibliography January – December 2010’, Ruskin Review and Bulletin, Vol.7,
No.1, Spring 2011, 55-63.
Wildman, Stephen, ‘Ruskin Bibliography January – December 2011’, Ruskin Review and Bulletin, Vol.8,
No.1, Spring 2012, 54-66.
3
LETTERS AND DIARIES
Neal, Charles, ‘A Ruskin Letter’, Intentions: Published by the Oscar Wilde Society, New Series No. 76,
October 2011, 16-17. [Letter of 5 December 1879 from Ruskin to Constance Wilde]
Southern, David, ‘John Ruskin and the Choral Master John Pyke Hullah’, Carlyle Studies Annual, 27,
2011, 243-247. [Letters from Ruskin to John Pyke Hullah (1812-1884)]
Southern, David, ‘John Ruskin and the Younger Critic Harry Quilter’, Carlyle Studies Annual, 27, 2011,
247-251. [Letters from Ruskin to Harry Quilter (1851-1907)]
4
EDITIONS
Les Sept lampes de l’architecture. Traduction et présentation de Benedicte Coste (Paris: Michel
Houdiard Editeur, 2011).
Diesem Letzen: Vier Aufsätze über die wichtigsten Prinzipien der Volkswirtschaft von John Ruskin
1860 (Norderstedt: Books on Demand GmbH, 2011). Edited and translated by David Uwe. Foreword by
James L. Spates (1999). [Unto This Last]
From Seven to Seventeen: Poems by John Ruskin. Edited by Rob Breton, with Alayna Becker and
Katrina Schurter (Sydney: Juvenilia Press, 2012).
Praeterita. Edited with an Introduction and Notes by Francis O’Gorman (Oxford: Oxford University
Press, 2012).
The Storm-Cloud of the Nineteenth Century (London: Pallas Athene, 2012). Clive Wilmer,’Foreword’, 56; Peter Brimblecombe, ‘Introduction: Century of Storms’, 7-12.
5
SELECTIONS
Blaisdell, Bob (ed.), Ruskin on genius (London: Hesperus Press Ltd., 2011). Foreword by Melvyn Bragg.
Introduction by Bob Blaisdell.
Christen, Eric, and Baud, Françoise, Rousseau, les Alpes et la poésie anglaise (Vevey: Les Editions de
l’Aire, 2011). 10, ‘John Ruskin’, 175-189. [Extracts from Modern Painters and Praeterita, in French
translation]
The Nature of Gothic. By John Ruskin. Preface by William Morris. (London: Pallas Athene, 2011).
Facsimile reprint of Kelmscott Press edition, 1891, with essays: Robert Hewison, ‘Ruskin and the Nature
of Gothic’, 137-142, Tony Pinkney, ‘Morris and the Nature of Gothic’, 143-149.
Marcel Proust and John Ruskin on reading (London: Hesperus Press Ltd., 2011). Foreword by Eric
Karpeles. [Proust’s On Reading (Translator’s Preface to Sesame and Lilies) and other writings, edited
and translated by Damion Searls.]
The Storm-Cloud of the Nineteenth Century (London: Pallas Athene, 2012). Clive Wilmer,’Foreword’, 56; Peter Brimblecombe, ‘Introduction: Century of Storms’, 7-12.
6
EXHIBITIONS
Colour and Light: Caring for Turner’s Watercolours (Dublin: National Gallery of Ireland, 2011). Booklet
ed. Anne Hodge. ‘Ruskin and Turner’, 2-5; ‘Ruskin and Preservation’, 5.
“More valuable than any sketch”: Ruskin’s Daguerreotypes of Northern France (Lancaster University:
Ruskin Library, 2011). Catalogue by Stephen Wildman.
Dante Gabriel Rossetti, Edward Burne-Jones e il mito d’Italia nell’Inghilterra vittoriana (Milan: Electa,
2011). Catalogue ed. Maria Teresa Benedetti, Stefania Frezzotti and Robert Upstone. ‘Il mito dell’Italia’;
‘Turner e Ruskin’, 198-209.
Drawings by Lord Leighton from Leighton House, London. (Lancaster University: Ruskin Library, 2011).
Catalogue by Stephen Wildman. [Includes Ruskin drawings]
(Now that would be) Telling. Installation at Brantwood, Coniston, 2011. Booklet by Lucinda Hawksley,
In the Shadow of Ruskin.
Ruskin’s Flora: The Botanical Drawings of John Ruskin (Lancaster University: Ruskin Library and
Research Centre, 2011). Catalogue by David Ingram and Stephen Wildman.
“Beautiful Effects”: Ruskin’s Daguerreotypes of Switzerland (Lancaster University: Ruskin Library and
Research Centre, 2012). Catalogue by Stephen Wildman.
The Library Edition of the Works of John Ruskin: A Centenary Celebration (Lancaster University: Ruskin
Library and Research Centre, 2012). James S. Dearden, ‘The Library Edition of the Works of John
Ruskin’, 3-16.
Ruskin and the Sacred (Lancaster University: Ruskin Library and Research Centre, 2012). Catalogue by
Diane Tyler.
7
BOOKS AND ARTICLES
A
Amaral, Claudio Silveira, ‘Rui Barbosa and John Ruskin: The Policy of Drawing Education in Brazil’,
Ruskin Review and Bulletin, Vol.7, No.1, Spring 2011, 15-22. [Rui Barbosa (1849-1923), Brazilian
educationalist]
Amaral, Claudio Silveira, The Influence of John Ruskin on the Teaching of Drawing in Brazil. How His
Spatial Way of Thinking Affects Architecture and Painting. (Lewiston NY: The Edwin Mellen Press,
2012) Foreword by Nilson Ghirardello.
Andrew, Patricia, ‘David Roberts’s Rome: A Bravura Painter Rattled by Ruskin’, Journal of the Scottish
Society for Art History, vol.15, 2010-11, 39-48. [Painting of 1856 by David Roberts (1796-1864)]
Arrhenius, Thordis, The Fragile Monument – Conservation and Modernity (London: Artifice (Black Dog
Publishing)), 2012. ‘The Authentic’, 48-91. [Ruskin and Viollet-le-Duc]
Atwood, Sara, Ruskin’s Educational Ideals (Ashgate: Farnham and Burlington VT, 2011).
Atwood, Sara, ‘The Soul of the Eye: Ruskin, Darwin, and the Nature of Vision’, Nineteenth-Century
Prose, vol.38, no.1, Spring 2011, 127-146.
Atwood, Sara, ‘Ruskin, Plato and the Education of the Soul’, Ruskin Review and Bulletin, Vol.7, No.1,
Spring 2011, 6-14.
Atwood, Sara, ‘“The things that lead to life”: Ruskin and Cultural Value’, Nineteenth-Century Prose, Vol.
38, No. 2, Fall 2011, 1-12.
Aubert, Nathalie, ‘Proust et Ruskin – l’imperfection comme une des fins de l’art’, in Isabelle EnaudLechien and Joëlle Prungnaud (eds.), Postérité de John Ruskin: L’héritage ruskinien dans les textes
littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011), 289-302.
B
Barnes, Janet, Ruskin in Sheffield (1985), revised with additional material by Louise Pullen, 2011
(Sheffield: Museums Sheffield in association with The Guild of St George).
Beattie, James, ‘Alfred Sharpe, Australasia, and Ruskin’, Journal of New Zealand Art History, 27,
December 2006, 38-56. [Alfred Sharpe (1836-1908), artist]
Bennett, Zoe, ‘“To see fearlessly, pitifully”: what does John Ruskin have to offer to Practical
Theology?’, International Journal of Practical Theology, 14, 2, February 2011, 189-203.
Bennett, Zoe, ‘Ruskin, the Bible and the Death of Rose La Touche’, in Michael Lieb, Emma Mason,
Jonathan Roberts and Christopher Rowland (eds.), The Oxford Handbook of the Reception History of the
Bible (Oxford: Oxford University Press, 2011), Ch.39.
Bennett, Zoe, The true use of faith (Guild of St George Ruskin Lecture, 2011) (Bembridge: The Guild of
St George, 2011)
Bennett, Zoe, ‘‘There is no wealth but life’: John Ruskin and Public Theology, in M. Higton, J. Law and
C. Rowland (eds.), Theology and Human Flourishing: Essays in Honour of Timothy J. Gorringe (Eugene,
OR: Wipf and Stock, 2011), 127-140.
Bennett, Zoe, ‘Creation made image and image made word: John Ruskin on J.M.W. Turner’s ‘Snow
Storm’’, in D. Pezzoli-Olgiati and C. Rowland (eds.), Approaches to Visuality in Religion (Research in
Contemporary Religion) (Göttingen: Vandenhoeck und Ruprecht, 2011), 249-260.
Birch, Dinah, ‘Fallen Nature: Ruskin’s Political Apocalypse’, in John Rignall and H. Gustav Claus, in
association with Valentine Cunningham (eds.), Ecology and the Literature of the British Left: The Red and
the Green (Aldershot: Ashgate, 2012), Ch.8, 113-124.
8
Bishop, M.G.H., ‘Eminent Victorian dentistry. 1. John Ruskin and the patient experience of Victorian
dentistry. Ruskin’s dentist, Alfred James Woodhouse’, British Dental Journal, Vol.210 No.4, February
2011, 179-182. [Alfred James Woodhouse 1824-1906]
Bishop, M.G.H., ‘Eminent Victorian dentistry. 2. John Ruskin and the patient experience of Victorian
dentistry. Ruskin’s mouth and teeth’, British Dental Journal, Vol.210 No.5, March 2011, 227-230.
Boucher-Rivalain, Odile, ‘La nature de gothique selon Ruskin et la postérité de sa définition’, in Isabelle
Enaud-Lechien and Joëlle Prungnaud (eds.), Postérité de John Ruskin: L’héritage ruskinien dans les
textes littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011), 111-124.
Brogniez, Laurence, and Fréché, Bibiane, ‘Ruskin en Belgique: passage en revue (1880-1930)’, in
Isabelle Enaud-Lechien and Joëlle Prungnaud (eds.), Postérité de John Ruskin: L’héritage ruskinien dans
les textes littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011), 209-226.
Brodie, Ian O., Thirlmere and the emergence of the landscape protection movement (Carlisle:
Bookcase, 2012). Ch.5, ‘Ruskin, Somervell, Rawnsley and the Thirlmere Defence Association with a note
on the Rock of Names’; ‘a) John Ruskin and the Defence of Thirlmere – the emergence of Robert
Somervell’, 113-123. [Robert Somervell (1851-1933)]
Bullen, J. B., Rossetti: Painter and Poet (London: Frances Lincoln Limited, 2011). Ch.5, ‘Found:
Friendship with Ruskin’, 70-89.
Bunney, Sarah, ‘Burgess, Bunney, Ruskin, and a Baby – Summer 1869’, Ruskin Review and Bulletin,
Vol.7, No.2, Autumn 2011, 27-42. [J.W. Bunney (1828-1882) and Arthur Burgess (1843-1886)]
Bunney, Sarah, ‘Two Ruskinians in Venice: William Smart (Thread Manufacturer) and John W. Bunney
(Artist), Ruskin Review and Bulletin, Vol.8, No.2, Spring 2012, 35-40.
Bury, Laurent, ‘Ruskin vu par trois auteures anglophones du XXIe siècle: le regard de la marge?’, in
C
Casaliggi, Carmen, ‘Craft and Labor in John Ruskin’s Romantic Tradition: The Harbours of England’,
Nineteenth-Century Prose, Vol. 38, No. 2, Fall 2011, 65-84.
Casaliggi, Carmen, ‘Ruskin’s Keats: A Joy For Ever (and its Price in the Market), “The Mystery of Life
and its Arts”, and the Resonance of the Severn Circle’, in Carmen Casaliggi and Paul March-Russell
(eds.), Legacies of Romanticism: Literature, Culture, Aesthetics (New York and London: Routledge, 2012),
31-51.
Chatterjee, Anuradha, ‘New ways of looking: John Ruskin’s visual and textual strategies for writing a
history of architecture’, Audience: Proceedings of the 28th Annual Conference of the Society of
Architectural Historians, Australia and New Zealand, July 6-9, 2011, Brisbane: State Library of
Queensland, 1-14.
Cherly, Maria, ‘Proust et Ruskin, échos bibliques’, in Isabelle Enaud-Lechien and Joëlle Prungnaud
(eds.), Postérité de John Ruskin: L’héritage ruskinien dans les textes littéraires et les écrits esthétiques
(Paris: Classiques Garnier, 2011), 303-320.
Clayton, Peter, Octavia Hill: Social Reformer and Co-Founder of the National Trust (Pitkin Guides)
(Andover: Pitkin Publishing, 2012). ‘John Ruskin’, 12.
Collingwood, Jeremy, A Lakeland Saga: The Story of the Collingwood and Altounyan Family in Coniston
and Aleppo (Ammanford: Sigma Leisure, 2012). ‘Righthand Man to John Ruskin’, 20-35. [William
Gershom Collingwood (1854-1932)]
Creswick-Dawson, Annie, Benjamin Creswick Sculptor: A Life Transformed (Grassroots Grants,
Community Development Foundation, n.d. [2012]). Ch.2, ‘Ruskin and his influence’, 8-15. [Benjamin
Creswick (1853-1946)]
Crossley, Brian, ‘A Child’s Caned Chair used by John Ruskin’, Regional Furniture Society Newsletter, No
9
55, Autumn 2011, 5. Reprinted in The Friends of Ruskin’s Brantwood Newsletter, Autumn 2011, 11-12.
[At Brantwood]
Cruise, Colin, Pre-Raphaelite Drawing (London: Thames & Hudson, 2011). Ch.3, ‘Studying Nature
Attentively: Ruskin and Pre-Raphaelitism’, 64-87.
Cruyningen, Rosanne van, Oscar Wilde and the Influence of John Ruskin and Walter Pater: An Inquiry
into the Image of John Ruskin as the Good Angel and Walter Pater as the Bad Angel on Wilde’s
Shoulders (Saarbrücken: VDM Verlag Dr. Müller, 2011).
Cugy, Pascale, and Martin, François-René, ‘“Il n’est pas d’autre richesse que la vie”: Focillon lecteur de
Ruskin’, in Isabelle Enaud-Lechien and Joëlle Prungnaud (eds.), Postérité de John Ruskin: L’héritage
ruskinien dans les textes littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011), 55-75.
[Henri Focillon (1881-1943), art historian]
D
Davis, Alan, ‘Misinterpreting Ruskin: New light on the “dark clue” in the basement of the National
Gallery, 1857-58’, Nineteenth-Century Prose, Vol. 38, No. 2, Fall 2011, 35-64. [Turner Bequest]
Davis, Alan, ‘‘Autobiographies of the Heart’: Drawings by Artists of Ruskin’s Circle’, Ruskin Review and
Bulletin, Vol.8, No.1, Spring 2012, 17-32.
Davis, Alan, ‘Ruskin and Elgar’, Ruskin Review and Bulletin, Vol.8, No.2, Spring 2012, 65-67.
Dawson, Paul, John Thomas “George” Hobbs, Adventurer, incorporating The Story of John Hobbs
(1825-1892) as remembered by his son William Makepeace Hobbs (Etchingham: The Oxenbridge Press,
2011).
Dawson, Paul, ‘The Ruskin Settlement in Florida & the Utopian Ruskin College Movement’, The Friends
of Ruskin’s Brantwood Newsletter, Autumn 2011, 17-20.
Dawson, Paul, ‘Ruskin’s View, Kirkby Lonsdale, Cumbria’, The Friends of Ruskin’s Brantwood
Newsletter, Autumn 2012, 10-12.
Dawson, Paul, ‘Hugh Allen: The Next Generation’, Ruskin Review and Bulletin, Vol.8, No.2, Spring 2012,
41-47. [Hugh (1861-1931), son of George Allen]
Dearden, James S., ‘Lost Brantwood’, The Friends of Ruskin’s Brantwood Newsletter, Spring 2011, 13-17.
[Changes to house and garden]
Dearden, James S., ‘John Ruskin’s Venetian Ghost’, The Book Collector, vol.60, no.1, Spring 2011,
[Printer’s copy for projected 1876 edition of The Stones of Venice]
Dearden, James S., ‘“They caught the cap off his head”: What Happened to Charles Richardson?’,
Ruskin Review and Bulletin, Vol.7, No.2, Autumn 2011, 68-71. [Charles Richardson (died 1834), Ruskin’s
cousin]
Dearden, James S., ‘A Ruskin Book with an interesting Background’, The Friends of Ruskin’s Brantwood
Newsletter, Spring 2012, 11-13. [Association copy of Hortus Inclusus, formerly belonging to William Bell
and Edward Woolgar of Coniston]
Dearden, James S., ‘The Two Misses Harrison’, Ruskin Review and Bulletin, Vol.8, No.2, Spring 2012, 2228. [Agnes and Mary Harrison]
Dearden, James S., The Library of John Ruskin (Oxford Bibliographical Society Publications, Third Series,
Volume 7) (Oxford: The Oxford Bibliographical Society, 2012).
E
Eaglen, Robin J., ‘The Numismatic Interests of John Ruskin’, Ruskin Review and Bulletin, Vol.8, No.1,
Spring 2012, 33-45.
Eagles, Stuart, After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870-1920
(Oxford: Oxford University Press, 2011).
10
Eagles, Stuart, ‘Ruskin’s Readers 2: William Marwick and the Ruskin Reading Guild’, Ruskin Review and
Bulletin, Vol.7, No.1, Spring 2011, 47-54. [Rev. William Marwick (1863-1940), churchman and Christian
Socialist]
Eagles, Stuart, ‘Lunch at Denmark Hill’, The Friends of Ruskin’s Brantwood Newsletter, Autumn 2011,
13-15. [Meeting with Ruskin in 1869 recorded by Isabella Fyvie Mayo (1843-1914)]
Eagles, Stuart, ‘“For Fear of Bears”: Ruskin in Russia (A Biblio-Historical Sketch)’, Nineteenth-Century
Prose, Vol. 38, No. 2, Fall 2011, 157-194.
Eagles, Stuart, ‘Ruskin’s ‘very small circle’ of readers in Denmark’, Ruskin Review and Bulletin, Vol.8,
No.2, Autumn 2012, 5-13.
Edwards, L. Clifton, ‘Re-envisaging Ruskin’s Types: Beautiful Order as Divine Revelation’, Irish
Theological Quarterly, vol.77, no.2, May 2012, 165-181.
Enaud-Lechien, Isabelle, and Prungnaud, Joëlle, Postérité de John Ruskin: L’héritage ruskinien dans les
textes littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011). ‘Introduction’, 11-25. See
Aubert, Boucher-Rivalain, Brogniez and Fréché, Bury, Cherly, Cugy and Martin, Enaud-Lechien and
Prungnaud, Ergal, Hélard, Larangé, Leonard, Mastrorilli, Mezzalama, Pouyat, Prungnaud, RoussillonConstanty, Rovera, Sdegno, Treiber, Wildman.
Enaud-Lechien, Isabelle, ‘Aux sources de l’impressionnisme: les Elements of Drawing de John Ruskin’,
in Isabelle Enaud-Lechien and Prungnaud, Joëlle (eds.), Postérité de John Ruskin: L’héritage ruskinien
dans les textes littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011), 29-54.
Ergal, Yves-Michel, ‘Proust du côté de chez Ruskin’, in Isabelle Enaud-Lechien and Joëlle Prungnaud
(eds.), Postérité de John Ruskin: L’héritage ruskinien dans les textes littéraires et les écrits esthétiques
(Paris: Classiques Garnier, 2011), 279-287.
F
Farahbakhsh, Alireza, ‘Social Protest through Architecture: Ruskin’s “The Nature of Gothic” as an
Embodiment of his Artistic and Social Views’, Midwest Quarterly, 52, 2, Winter 2011, 182-199.
Frost, Mark, ‘“The Circles of Vitality”: Ruskin, Science and Dynamic Materiality”’, Victorian Literature
and Culture, Vol. 39, Issue 2, 2011, 367-383.
Frost, Mark, ‘Of Trees and Men: The Law of Help in Modern Painters V’, Nineteenth-Century Prose, Vol.
38, No. 2, Fall 2011, 85-108.
Frost, Mark, ‘The Everyday Marvels of Rust and Moss: John Ruskin and the ecology of the mundane’,
Green Letters: Studies in Ecocriticism, 14, 2011, 10-22.
Frost, Mark, ‘The Great Interlaken Cutlery Mystery’, Ruskin Review and Bulletin, Vol.7, No.2, Autumn
2011, 72-74. [Diary reference to ‘shop-lifting’ in Interlaken, 1866]
G
Gamble, Cynthia, ‘Some Mysteries of the Easthampstead Mosaic Revealed’, The Link (Parish Magazine
of St Michael and St Mary Magdalene, Easthampstead, Berkshire), February – March 2011, 10-12.
[Includes Ruskin’s epitaph to Osborne Gordon]
Gamble, Cynthia, and Pinette, Matthieu, L’œil de Ruskin: L’exemple de la Bourgogne (Dijon: Les presses
du réel, 2011).
Gamble, Cynthia, ‘John Ruskin and a Venetian Episode in the Life of the National Gallery’, Ruskin
Review and Bulletin, Vol.7, No.2, Autumn 2011, 14-26. [Ruskin’s commendation of two paintings by
Tintoretto]
Garnett, Henrietta, Wives and Stunners: The Pre-Raphaelites and Their Muses (London: Macmillan,
2012). Chs. 2-4, 7-11 on John and Effie Ruskin (Ch.2, ‘Effie and the Ruskins’, 21-43; Ch.9, ‘At Glenfinlas’,
96-111).
11
H
Hanley, Keith, ‘Becoming Ruskin: Travel Writing and Self-Representation in Praeterita’, in Ashley
Chantler, Michael Davies and Philip Shaw (eds.), Literature and Authenticity, 1780-1900: Essays in
Honour of Vincent Newey (Ashgate: Farnham and Burlington VT, 2011), Ch.8, 107-118.
Hardman, Malcolm, ‘Praeterita: Writing One’s Life as ‘Things Omitted’’, Ruskin Review and Bulletin,
Vol.7, No.1, Spring 2011, 23-35.
Harris, Anthony, “Why have our little girls large shoes?”: Ruskin and the Guild of St George (1985).
Revised edition (Bembridge: The Guild of St George, 2011).
Hélard, André, ‘Claudel, Ponge, Bonnefoy: “traces du futur” dans l’œuvre de John Ruskin’, in Isabelle
Enaud-Lechien and Joëlle Prungnaud (eds.), Postérité de John Ruskin: L’héritage
ruskinien dans les textes littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011), 321-339.
Hewison, Robert, Ruskin and Sheffield: The Museum and The Guild of St George and its making
(Bembridge: The Guild of St George, 2011). Revised edition of Art and Society: Ruskin in Sheffield, 1876
(1981).
Hewison, Robert, ‘The Elements of Ruskin: Ruskin Now’, Ruskin Review and Bulletin, Vol.7, No.2,
Autumn 2011, 6-13.
Hewison, Robert, ‘’You are doing some of the work that I ought to do’: Octavia Hill and Ruskinian
values’, in Samuel Jones (ed.), The Enduring Relevance of Octavia Hill (London: Demos, 2012), Ch.2, 5763.
Hill, David, ‘Perfection, I should call it’: John Ruskin’s personalised guide to Switzerland, 1843’, British
Art Journal, 13, 1, Summer 2012, 54-67. [Letter of 1843 from Ruskin to George Richmond]
Holdsworth, Jonas, ‘A Beautiful Mind: The Lake District of John Ruskin’, The Lancashire Magazine,
February 2011, 6-10.
Holliday, Christopher, Houses of the Lake District. Photographs by Clive Boursnell. (London: Frances
Lincoln Ltd., 2011). ‘Brantwood’, 158-169.
Hull, Howard, Demeter’s Dowry: Ruskin and Landscape (Guild of St George Ruskin Lecture, 2012)
(Bembridge: The Guild of St George, 2012)
K
Kempster, Peter, ‘John Ruskin’s Unhappy Marriage: A Hypothesis’, The Journal of Pre-Raphaelite
Studies, New Series, 20, Spring 2011, 26-39.
King, Sue, A Companion’s Story: Egbert Rydings at Laxey (Bembridge: The Guild of St. George, 2012).
[Egbert Rydings (1833-1912) and Laxey, Isle of Man]
Kite, Stephen, ‘‘Examining the knots … counting the bricks’: John Ruskin’s innocent eye’, in Gerald
Adler, Timothy Brittain-Catlin and Gordana Fontana-Giusti (eds.), Scale: Imagination, Perception and
Practice in Architecture (London and New York: Routledge, 2012), 43-53.
Kite, Stephen, Building Ruskin’s Italy: Watching Architecture (Farnham and Burlington VT: Ashgate,
2012). Ch.1, ‘Picturesque down to its door knockers’: an Italian Grand Tour, 7-42; Ch.2, ‘Constant
watchfulness’: beginning the study of architecture (1841-1845), 43-74; Ch.3, Watching Byzantium (18461850), 75-108; Ch.4, ‘Watchful wandering’: evolving a Gothic taxonomy, 109-142; Ch.5, Cities of bits:
colour, ornament and spoils, 143-172; Ch.6, Stones of Verona, 173-197.
Kite, Stephen, ‘Building Texts + Reading Fabrics: Metaphor, Memory, and Material in John Ruskin’s
Stones of Venice’, Library Trends (Johns Hopkins University Press), Vol.61, No.2, 2012, 418-439.
12
L
Larangé, Daniel Sébastien, ‘Présence de John Ruskin dans l’œuvre de Khalil Gibran (1883-1931)’, in
les textes littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011), 239-259. [Khalil Gibran
(1883-1931), poet]
Leonard, Diane Ruth, ‘L’église de Combray de Proust et ses avant-textes ruskiniens’, in Isabelle EnaudLechien and Joëlle Prungnaud (eds.), Postérité de John Ruskin: L’héritage ruskinien dans les textes
Leonard, Robert, ‘Economics and Aesthetics in Ruskin and Neoclassicism’, History of Political Economy,
43, Summer 2011, 303-308.
Levi, Donata, and Tucker, Paul, ‘“The Hand as Servant”: John Ruskin, Professor of the Manual Arts’, in
Annamaria Ducci (ed.), Chirurgia della creazione. Mano e arte visive. Predella (University of Pisa), No.3,
2011, 161-184. [The Cestus of Aglaia]
Luneau, Jean-François, ‘Le Crystal Palace de John Ruskin’, Revue de l’Art, No. 171, 2011-1, 49-58.
[Includes first French translation of The Opening of the Crystal Palace, 1854]
M
MacDonald, Graham A., ‘The Politics of the Golden River: Ruskin on Environment and the Stationary
State’, Environment and History (White Horse Press, Cambridge), vol. 18, no. 1, February 2012 , 125150.
McKeown, William, The Role of Venetian Renaissance Painting in John Ruskin’s Utopian Theories: A
Sociopolitical History of Art. With a Preface by James Spates. (London, Queenstown, Lampeter: Edwin
Mellen Press, 2011).
Mastrorilli, Antonella, ‘Les déclinaisons de la restauration philologique et le débat en Italie entre XIXe
et XXe siècles’, in Isabelle Enaud-Lechien and Joëlle Prungnaud (eds.), Postérité de John Ruskin:
L’héritage ruskinien dans les textes littéraires et les écrits esthétiques (Paris: Classiques Garnier, 2011),
137-153.
Mawby, Gillian, ‘Ruskin, Silence, and the Swedish Nightingale’, Ruskin Review and Bulletin, Vol.7, No.2,
Autumn 2011, 54-58. [Jenny Lind (1820-1887), singer]
Mawby, Gill, ‘Frances Tolmie and Ruskin’, The Friends of Ruskin’s Brantwood Newsletter, Autumn 2012,
13-16. [Frances Tolmie (1840-1926), musicologist]
Mawby, Gillian, ‘Ruskin in Barbados’, Ruskin Review and Bulletin, Vol.8, No.2, Spring 2012, 29-34.
Measham, Donald and Joan, ‘The Ruskin Rooms: Knutsford’, The Friends of Ruskin’s Brantwood
Newsletter, Spring 2012, 14-16 [Building of 1902 by Richard Harding Watt].
Mezzalama, Giulia, ‘Venise 1901: patine et polychromie contre les règles de la nouvelle modernité’, in
O
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ELECTRONIC
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17

compiled by Stephen Wildman Director, Ruskin Library and

Transcription

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