Culture et techniques matérielles après Léonard Bibliographie
Transcription
Culture et techniques matérielles après Léonard Bibliographie
Culture et techniques matérielles après Léonard 9 juin 2010 Salle Walter Benjamin, 9h-12h30 Institut national d’histoire de l’art (INHA) Bibliographie Arjun Appadurai, The Social Life of Things: Commodities in Cultural Perspective (Cambridge University Press, 1988). Frederick B. Artz, The Development of Technical Education in France 1500-1850 (Cambridge: MIT Press, 1966). Mario Biagoli and Peter Galison (eds.), Scientific Authorship: Credit and Intellectual Property in Science (New York, 2003). Eve Blau, et al, Architecture and its Image: Four Centuries of Architectural Representation (Montreal: Canadian Centre for Architecture, 1989). Christine Boyer, The City of Collective Memory (Cambridge: MIT Press, 1991) Horst Bredekamp, The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art and Technology (Markus Wiener, 1995). Cammy Brothers, Michelangelo, Drawing, and the Invention of Architecture (New Haven: Yale University, 2009) Beatriz Colomina, “Media as Modern Architecture” in Thomas Demand (London: Serpentine Gallery, 2006). Lorraine Daston, ed. Biographies of Scientific Objects (Chicago: University of Chicago, 2000) Lorraine Daston and Katharine Park, Wonders and the Order of Nature, 1150-1750 (New York: Zone Books, 1998). Georges Didi-Huberman, La ressemblance par contact: archéologie, anachronisme et modernité de l’empreinte (Paris: Les Éditions de Minuit, 2008). 1 Mary Douglas, The World of Goods: Towards an Anthropology of Consumption (Routledge, 1996). Paula Findlen, Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy (Berkeley, Los Angeles. and London, 1996). Hal Foster, Design and Crime (Cambridge: MIT Press, 2004). H. Hanafi, The Monster in the Machine: Medicine, Magic, and the Marvelous in the Time of the Scientific Revolution (Durham and London, 2000). Mark Jarzombek, The Psychologizing of Modernity: Art, Architecture and History (Cambridge University Press, 2000). Neil Kamil, Fortress of the Soul: Violence, Metaphysics, and Material Life in the Huguenots’ New World, 1517-1751 (Baltimore: Johns Hopkins University, 2005). Ursula Klein and Emma Spary, Between Market and Laboratory: Materials and Expertise in Early Modern Europe (Chicago: University of Chicago Press, 2010). Ehrenfried Kluckert: Heinrich Schickhardt. Architekt und Ingenieur. (Herrenberg 1992). Wolfgang Lefèvre, ed., Picturing Machines, 1400-1700 (Cambridge: MIT Press, 2004). Alexander Marr and R. J. W. Evans, Curiosity and Wonder from the Renaissance to the Enlightenment (Aldershot: Ashgate, 2006). Jean-Paul Mazaroz, Histoire des corporations françaises d’arts et métiers, second edition (Paris: Germer Baillière, 1878). William Newman, Promethean Ambitions: Alchemy and the Quest to Perfect Nature (Chicago: University of Chicago Press, 2004) Alberto Perez-Gomez, Architecture and the Crisis of Modern Science (Cambridge: MIT Press, 1983). Antonio Pérez-Ramos, “Bacon’s Forms and the Makers’ Knowledge Tradition” in The Cambridge Companion to Bacon, ed. Markku Peltonen (Cambridge: Cambridge University Press, 1996): 99-120. 2 Antoine Picon, L'invention de l’ingénieur moderne: l'Ecole des ponts et chaussées, 1747-1851 (École des Ponts et Chaussées, 1992). Krzystztof Pomian, Collectionneurs, amateurs et curieux, Paris, Venise: XVIe-XVIIIe siècles (Paris: Gallimard, 1987). Agostino Ramelli, The Various and Ingenious Machines of Agostino Ramelli (1588), trans. Martha Teach Gnudi (London: Scolar Press and Baltimore: Johns Hopkins University Press, 1976): 44. th Carolyn Sargentson, Merchants and Luxury Markets: The Marchands Merciers of 18 Century Paris (London: V&A Museum, 1996). Jonathan Sawday, Engines of the Imagination: Renaissance Culture and the Rise of the Machine (London and New York: Routledge, 2007). Pamela Smith, The Body of the Artisan: Art and Experience in the Scientific Revolution (Chicago: University of Chicago Press, 2006). Jeremy Till, Architecture Depends (Cambridge: MIT Press, 2008). Hélène Vérin, La gloire des ingénieurs (Paris: Albin Michel, 1993). Anthony Vidler, The Writing of the Walls: Architectural Theory in the Late Enlightenment (Princeton Architectural Press, 1987). Lyn White, Jnr. “The Flavor of Early Renissance Technology” in Developments in the Early Renaissance, edited by B. S. Levy (Albany: State University of New York Press, 1972): 36-57. 3