ACTIVITY REPORT FINANCIAL REPORT

Transcription

SOCIÉTÉ CIVILE DES PRODUCTEURS
PHONOGRAPHIQUES
ACTIVITY REPORT FINANCIAL REPORT
09
General Shareholder’s meeting of 24 juin 2010
5
A >Activity Report 2009 / pages 05 to 12
1 > COLLECTING
2 > DISTRIBUTING
3 > GRANTS
4 > REPORT OF THE AUDITING COMMISSION ON SPRD
(AUTHORS RIGHTS’ COLLECTIVE MANAGEMENT SOCIETIES)
5 > COMBATING PIRACY
6 > COMMUNICATIONS AND INSTITUTIONAL RELATIONS
7 > CURRENT FISCAL PERIOD
CONCLUSION
B >Financial report 2008/pages 14 to 49
1 > COLLECTING AND DISTRIBUTING
2 > CUT-OFF
3 > 2009 ANNUAL FINANCIAL STATEMENTS
C > Annexes / page 51 to 78
1 p. 52
Organisational chart
APPENDIX
APPENDIX 2 p. 54
Members of the board and of the committee
APPENDIX 3 p. 56
Grants approved by the scpp in 2008
APPENDIX 4 p. 72
Anti-piracy report
APPENDIX 5 p. 76
Communications report
7
A > Activity Report 2009 / contents
General shareholders’ meeting of 24 june 2010
1.

> COLLECTING p. 8
1.1 Music videos
1.2 Private audio copying
1.3 Private audiovisual copying
1.4 Equitable remuneration – spre
(Collecting society for equitable remuneration) collections
— 1.4.1 Radio sector
— 1.4.2 Television sector
— 1.4.3 Club sector
— 1.4.4 Public performance sector – sacem collections
1.5 Sound recordings (excluding equitable remuneration)
2.
> DISTRIBUTING p. 9
3.
> GRANTS p. 9
4.
> REPORT OF THE AUDITING COMMISSION ON SPRD p. 10
> COMBATING PIRACY p. 10
5.
6.
(Authors rights’ collective management societies)
> COMMUNICATIONS AND INSTITUTIONAL RELATIONS p. 11
6.1 Communication
6.2 Institutional relations
7. > CURRENT FISCAL PERIOD p. 11
7.2 Combating piracy
7.3 Tarifs for public performances
CONCLUSION p. 12
Activity Report 2009
Neuilly, 23 April 2010
Ladies and Gentlemen, Associates,
I am pleased to present you with the activity report of the SCPP for the period opened 1 January and ended 31 December 2009.
I would like to remind you briefly of the SCPP’s major responsibilities:
1. Collecting and distribution fees pertaining to:
• music videos,
• private audio and audiovisual copying,
• equitable remuneration,
• certain uses of commercial sound recordings (excluding.
• equitable remuneration).
2. Grants
3. Combating piracy
4. Defending and developing the rights of sound recording producers
9
10
1 > COLLECTING
1.1 Music videos
• Collections of fees for the distribution of your music videos stood at 18,514,000 euros in 2009 compared to 19,561,000 euros
in 2008, which represents a drop of nearly 5%.
• This drop can be explained primarily by the drop in revenue of certain music channels in a general context of reduced advertising
resources of the broadcasters in 2009.
1.2 Private audio copying
• Recall that the SORECOP is responsible for collecting this fee. Fifty percent goes to the authors, twenty-five percent to performers
and twenty-five percent to the producers.
• The total amount of SORECOP collections for the year 2009 stands at 85,426,000 euros compared to 80,452,000 euros in 2008,
which is an increase of 6.2%.
• This increase is mainly due to the liability of new media such as multimedia telephones and the increased capacity of sold external
hard drives, USB keys, memory cards and multimedia hard drives, which more than offset the drops observed on the write-onceread-many media such as DVD R Data and CD R Data. The growth in collections is also due to a review at the end of 2008 of the
shares of the remuneration reverting respectively to audio and audiovisual, generally favouring audio.
1.3 Private audiovisual copying
• COPIE France is responsible for collecting fees, which are then distributed by PROCIREP, representing the audiovisual producers.
• Total fees received by Copie France stood at 88 million euros in 2009 compared to 87 million euros in 2008 which is a very slight
increase of 1.1%. The weaker growth in the remuneration for private audiovisual copying compared to of remuneration for private
audio copying is tied to the review at the end of 2008 of the shares of the remuneration reverting respectively to audio and
audiovisual, generally favouring audio.
• The copying rate for music videos was 0.88% in 2008 compared to 0.78% in 2007. Remuneration for music video producers
received in 2009 and concerning rights year 2008 stood at 262,000 euros. Moreover, the SCPP collected for the first time rights
for the remuneration for private copying of fixed images (disc liners, music DVD jackets and frames of music videos).
1.4 Equitable remuneration – spre collection
• Fees due by radio stations, television stations, clubs and public performances are collected by the SPRE, joint interest company
for producers and performers.
• Collecting fees from public performances is handled by the SACEM on behalf of the SPRE.
• Total SPRE collections for equitable remuneration stood at
62 million euros in 2009, compared to 57 million euros in 2008, which is an increase of 8.2%. To this amount is added more than
13 million euros in amounts collected from television stations, which had been sequestered due to litigation going on in the sector,
and which were able to be released subsequent to the agreements signed with TF1, M6, Canal Plus and France Télévisions.
— 1.4.1 Radio sector
• Collections across the entire radio sector stood at
28 million euros in 2009, compared to 25 million euros in 2008, which is an increase of nearly 11%.
• This increase comes primarily from the application of the new tariff for private radio broadcasting adopted in October 2007,
for which
the first effects in terms of collections were not observed by the SPRE until during the year 2009.
• The effects of the new tariff adopted on 17 September 2008 for public radio broadcasting will not appear in the collections
of the SPRE
until fiscal 2010.
— 1.4.2

Television sector
• There were no collections in 2008 in this sector due to the conflicting situation involving rights owners and broadcasters
(3 million euros collected in 2004).
• The Court of Cassation’s ruling of 16 November 2004 indeed defined the application scope of equitable remuneration in
television to a highly limited domain, since most of the uses of commercial sound recordings by television stations pertain
to the exclusive rights system, and especially the domain managed collectively by the SCPP and the SPPF.
• This situation has resulted in the television stations asking for and obtaining legislative modifications within the framework
of the DADVSI law of 1 August 2006. According to our analyses, these modifications do not call the Court of Cassation ruling
of 16 November 2004 into question, although the television stations consider that these modifications extend the scope
11
of the legal licence for their uses of commercial sound recordings. Negotiations were opened at the end of 2006 with the main
broadcasters, and then with ADAMI and SPEDIDAM, in order to find a solution to this dispute. More than 2 years of negotiating
were required in order to allow for the signing of transactional agreements at the beginning of 2009 with the TF1, M6, Canal Plus
groups and then with France Télévisions at the end of 2009. The impact of these agreements was primarily taken into account
in the financial statements of the SCPP for 2008. The agreements have made it possible for the SPRE to resume in 2009 its
collections in this sector at a level higher than that of 2004 and to release the sequestered sums starting at the end of 2004
by the SPRE at the request of the television stations. For the producers of sound recordings, the effect of the agreements
is to multiply by threefold the amount of their collections in this sector compared to the case up until the end of 2004.
— 1.4.3 Club sector
• Collections in the club sector stood at 9.9 million euros in 2009 compared to 11.5 million euros in 2008, which is decrease
of nearly 14%.
• This drop reflects the strong impact of the economic crisis in the night entertainment sector in 2009.
— 1.4.4 Public performance sector – SACEM collections
Collections for the year 2009 stand at 20.7 million euros compared to 20.4 million euros for 2008, which represents a slight
increase of nearly 1.2%, reflecting the rate structure in this sector, which is independent of the revenue of the tax payer, and
therefore little affected by the economic crisis. The year 2009 was furthermore devoted to a renegotiation of the tariffs that
apply in this sector within the Commission of Article L.214-1 of the Intellectual Property Code, which resulted in January 2010
in the adopting of a new tariff (see hereinafter).
1.5 Sound recordings (excluding equitable remuneration)
• Since the middle of 1997, the SCPP has been intervening on behalf of its associates, within the framework of general contracts
of common interest, in a certain number of sectors relating, not to equitable remuneration, but to the right of producers of sound
recordings to authorise: use of sound recording excerpts by on-line services, reproduction right of sound system operators,
audiotel, interactive listening terminals, telephone music-on-hold. Moreover, since 2006, the SCPP financial statements the revenue
due by certain television stations for the portion of the uses of sound recordings carried out by the latter relating, not to equitable
remuneration, but to exclusive rights managed collectively. With regards to the financial statements for fiscal 2008, the latter
incorporated the very strong effects of the adjustment in the amounts owed by the main television companies for this. The amount
of the collections for 2009 in the Sound Recording sector (excluding Equitable Remuneration) stands at 6.8 million euros, which
represents an increase of nearly 25% compared to 2007 (5.5 million euros), a comparison with regards to 2008 is not pertinent,
in light of the above.
2 > DISTRIBUTING
• Nearly 63 million euros were distributed in 2009, which represents growth of nearly 7% compared to 2009 (59 million euros gross amounts).
• These distributions were supplemented by a cash advance for a gross amount of 27 million euros, reduced to a net amount
of 25.6 million euros after taking into account the advances and downpayments paid previously and not recovered (a cash advance
of 26 million euros corresponding to a net amount of 23.2 million euros had been paid at the end of 2008). This advance was
supplemented by an additional structural advance for a gross amount of 2,000,000 euros corresponding to a net amount of
2,245,000 euros (as certain associates had requested in 2009 the payment of a structural advance while they had not requested
it in 2008). A detailed report of the distributions is provided in the financial report 2009.
3 > GRANTS
• This assistance is covered in a report provided with these documents, «Grants allocated by the SCPP in 2009» - Appendix 3.
Details of assistance per project are mentioned in this report.
• For the year 2009, the SCPP had itself a total budget of 10,992,000 euros, including 8,834,000 euros in terms of the 25 % allocated
to Private Audio Copying and Private Audiovisual Copying remunerations and in terms of the allocations of non-distributable
remuneration resulting from equitable remuneration, with 1,072,000 euros coming from amounts that cannot be allocated relating
to years of rights 1988 to 1998, 397,000 euros coming from the balance brought forward from 2008 and from cancelled selective
assistance projects, and 689,000 euros coming from drawing rights that were not used or cancelled in 2008 and 2009.
12
4 > REPORT OF THE AUDITING COMMISSION ON SPRD
(AUTHORS RIGHTS’ COLLECTIVE MANAGEMENT SOCIETIES)
6 > COMMUNICATIONS AND INSTITUTIONAL RELATIONS
INSTITUTIONAL
• The permanent Auditing Commission on authors rights’ collective management societies filed its seventh annual report in April 2010.
This report is available on the Cour des Comptes website (www.ccomptes.fr) in the «Commission permanente de contrôle des SPRD»
section.
• This report includes 2 parts: one on the financial flows and the other on the wage policies and remuneration. With regards to
the financial elements, some of the key ratios contained in the report illustrate the performance of the SCPP compared to the most
comparable companies:
Management expenses /
collections 2008
SCPP
SPPF
ADAMI
SPEDIDAM
9 %
14 %
18 %
12 %
1 %
31,4 %
26,9 %
7,3 %
68,9 %
171 %
182,9 %
267,8 %
increase in expenses
Management 2006/2008
treasury /
collections 2008
13
• Pertaining to the wage policies and remuneration, although the report shows that the ranking of the remuneration of the managers
per company does not always follow the ranking of the companies in terms of the number of employees or their revenue, it also
mentions that the justification was provided showing that the remuneration of the manager of the SCPP is in line with the results
of wage surveys, applied to his personal situation, taking into account in particular the number of employees and the revenue of the
SCPP. Furthermore, over the period 2005/2008, the SCPP is the company where the growth in the remunerations of the top 5 paid
people was the lowest out of all of the SPRD audited (7.1% compared to 10% on the average for author companies and 14% for artist
companies), which confirms that the SCPP has indeed taken the crisis affecting phonographic production into account.
• Copies of this report will be available at the General Shareholders’ Meeting of 24 June.
• In addition, the SCPP will send a copy to any associate who requests one.
5. - COMBATING PIRACY
• Details on the SCPP’s actions in terms of combating piracy are provided in the activity report of the Anti-piracy Unit in Appendix 4.
• Once again in 2009, the actions of the SCPP have primarily concentrated on combating piracy on the Internet, within the
framework of the plan adopted by the Board of Directors of the SCPP in October 2006, favouring action against software publishers
and technical intermediaries, and the new forms of piracy other than the making available of sound recordings on the P2P networks
without authorisation. With regards to the P2P networks, the upcoming implementation of the measures for a system to combat
piracy implemented by the State have been taken into account. The actions of the SCPP have primarily consisted in:
– maintaining the closing of all of the EDonkey (Emule) servers located in France and continuing actions of shutting down almost
all of the Direct Connect servers located in France (117 servers have been shut down)
– the maintaining of the shutting down by Free of access to all of the binary music newsgroups that it had selected (which therefore
can no longer be accessed in France via a French operator)
– the sentencing in the first instance of the managers of the Radioblog site, operating without any authorisation from the rights
owners, following an action against an unknown person filed by the SCPP (an appeal has been filed against this ruling)
– the sentencing in civil terms of a publisher of P2P software used massively to make sound recordings available illegally
– the suppression of many illicit links to on-line storage sites of the «Rapidshare» type and the suppression of many «blogspots»,
subsequent to warning letters that the SCPP sent to their hosts
• Despite the many favourable legal rulings that were handed down (detailed in the Anti-piracy unit’s report), this is still not enough
to significantly reduce piracy on the Internet, in light of the importance that the illicit use of P2P networks continues to have.
This is why the SCPP is expecting a lot from the implementation of the «Creation and Internet» and «Penal protection of Literary
and Artistic Property on the Internet» laws, which should take place during the second half of 2010.
6.1 Communication
• Appendix 5 contains a report on our communications efforts in 2009.
• Recall that since the end of 1996, the SCPP is in charge of a lobbying mission at a local level as well as on an international one.
• This mission is performed in partnership with the SNEP. It exclusively involves the development and protection of the rights of
producers of sound recordings and music videos.
• The SCPP’s activity during the course of 2009 was primarily focussed on the adopting of the «Creation and Internet» law, then,
subsequent to a partial censoring of the latter by the Constitutional Council, in the adopting of the «Penal protection of Literary
and Artistic Property on the Internet» law, commonly referred to using the terms HADOPI 1 and HADOPI 2, implementing a portion
of the agreement with the Elysée of 23 November 2007.
• Moreover, the SCPP continued its participation in the work of the ISO MPEG Committee pertaining to the protection of literary and
artistic property within the framework of the MPEG standards, and especially those pertaining to creating standard file formats for
music and audiovisual content, allowing for interoperability with the various protection systems.
7. - CURRENT FISCAL PERIOD
• The scpp’s activity was primarily devoted to monitoring the implementation of the hadopi 1 and hadopi 2 laws: creation of hadopi,
implementation decrees.
• It also participated in a work group set up by the european commission intended to assess the various solutions of a legislative
or contractual nature making it possible to combat the piracy of literary and artistic property on the internet and that the
commission could lend its support.
7.2 Combating piracy
New actions concerning the plan adopted in october 2006 continued to be carried out at the beginning of 2010 (details are
provided in the report of the Anti-piracy Unit in Appendix 4).
7.3 Tariffs for public performances
The Commission on Article L. 214-4 of the CPI has been meeting since February 2009 in order to revise the tariff for public
performances, set since 1987 at 18% of authors’ rights, adopted on 5 January 2010 a new tariff for this sector. Although parity
with the amount of author’s rights was not able to be obtained, the new tariff will result in a considerable increase in collections
in this sector. It includes 4 independent tariffs for author’s rights (Cafés, Hotels and Restaurants; Musical theme bars,
Retail shops, Hairdressing saloons), representing nearly 75% of the collections and a tariff at 65% of the author’s rights for
other public performances (excluding clubs). The tariff came into effect on 1 February 2010. It includes a reduction in the rollout
of 45% the first year, 30% the second year and 15% the third year. In light of the expected reductions in the costs of collecting
this remuneration, the new tariff should make it possible in time to quadruple collections in this sector.
14
CONCLUSION
The year 2009 was a particularly busy year for the SCPP with the effective signing of the «sound recording» agreements with the TF1,
M6, Canal Plus and France Télévisions groups, the negotiating of a new tariff for equitable remuneration for public performances
and the monitoring of legislative and technical work needed to implement the agreements with the Elysée («Hadopi 1» and
«Hadopi 2» laws).
The financial statements for 2008 had taken into account the results of the negotiations with the television stations, which
included non-recurring collections and which had made it possible for collections to reach a record level of 70 million euros.
Collections in 2009 could only be down compared to the exceptional level reached in 2008. However, excluding the non-recurring
elements of 2008 as well as those of 2009, the amount of collections in 2009 is very slightly higher than the amount of collections
in 2008.
With the progressive increased load of the radio tariffs and the setting of a new tariff for public performances at a level that
in 4 years should reach a net amount nearly 4 times higher than it was before, this set of elements should result in significant
growth in equitable remuneration in the upcoming years. The exceptional collections levels of 2008 should be able to be achieved,
on a regular basis, by 2010.
Furthermore, the effective operation of HADOPI in 2010 should make it possible to substantially reduce the level of piracy on
the P2P networks, contributing to an improvement in the situation of the music sector that has been hoped for so many years now.
Marc GUEZ
General Managing Director
Neuilly, 23 April 2010
17
B >Financial Report 2009 / contents
Financial year 2009
1 > Collecting and distributing p. 18
Collecting p. 19
Distributing p. 22
2 > Cut-off > fiscal 2009 p. 24
Key figures p. 25
Balance sheet p. 26
Income statement p. 27
Conclusion p. 28
3 > Annual financial statements > at 31 December 2009 p. 30
Balance sheet p. 32
Income statement p. 34
Appendices p. 36
Main events during the period
Accounting rules and methods
Additional information concerning the balance sheet and the income statement
Other information
Financial Report 2009
During fiscal 2009, the SCPP:
• received 65.946 million euros, which is 5.5% more than in 2008 (69.821 million euros), which included a substantial amount
of non-recurring collections from the television stations,
• distributed 62.918 million euros, which is 7% more than in 2008
(58.855 million euros).
The first part of this report covers the collections and distributions for the period, and the second part covers the 2009 financial
statements for the company.
In the appendices, you will find the report from our statutory auditors (Ernst & Young).
19
21
COLLECTING [1]
≥ In 2009, the SCPP received 65.946 million euros, which is 5.5% more than in 2008 (€60.821 million), the adjustment year for Television
rights (2003-2007).
≥ Collections from Private Copying grew 22% compared to that in 2008 but a portion of this increase is due to a modification in the
recognition of this collection (cf. § Private Audio Copying).
This increase, as well as that of ER, due to the resumed collection from television stations and the first effects of the new «Private radio
station» tariffs offset the decrease in music videos broadcasting rights and the adjustments in favour of the SPPF for distributions of ER
and Private Audio Copying. The adjustment that took place between the two companies decreased SCPP collections of de la Private Audio
Copying by €1.028 million and by €2.307 million for that of ER and by €0.170 million for that of «Telephone music-on-hold».
1 > Collecting and distributing
In millions OF euros
2009
2008
DIFFERENCE
2008/2009
2007
2006
2005
ER
22,673
20,178
2,495
20,414
20,119
21,076
Private Audio Copying
21,019
17,212
3,807
16,340
17,349
17,660
Private Audiovisual Copying
0,423
0,264
0,159
0,195
0,212
0,223
VIDÉOS
18,514
19,567
- 1,053
20,601
18,884
19,107
PHONOS. & MUSIC-ON-HOLD
6,822
15,988
- 9,166
5,470
5,124
2,223
SUBtotal
69,451
73,209
- 3,758
63,020
61,688
60,289
SCPP /SPPF adjustment
- 3,505
- 3,388
- 0,117
- 1,732
- 1,155
- 0,559
TOTAL
65,946
69,821
- 3,875
61,288
60,533
59,730
PERCEPTION SCPP (1) - IN MILLIONS OF EUROS
80
70
60
50
40
PHONOS
30
VIDEOS
20
CPA
10
CPS
0
RE
2009
2008
2007
2006
2005
2004
[1] The revenue in each sector is that collected during the period, including provisions
2003
2002
2001
2000
22
Equitable Remuneration
≥ In 2009, the SCPP received 76.5% of the Equitable Remuneration paid by the SPRE to the SCPA during the period (77.5% in 2008,
79% in 2007), and paid €2.306 million to the SPPF in order to correct the distribution for rights year 2008 between the two companies.
≥ The SPRE received €63.189 million in Equitable Remuneration in 2009, which is a 5.25% increase compared to 2008 (€57.31 million)2.
≥ Private Audiovisual Copying now comes from three sources; copying of distributed music videos (€243 thousand), copying fixed
images extracted from music videos (€175 thousand) and copying disc liners, which is €423 thousand, up 58% compared to 2008
Music Video broadcasting rights
Music Video Broadcasting Rights for 2009 are down 5.4% compared to those for 2008.
TV
RADIOS
stations
RLP
clubs
public
performances
TOTAL
2000
3,03
6,43
12,17
8,61
13,95
44,19
In millionS OF euros
2001
3,20
4,90
18,84
9,42
15,05
51,41
TV radio broadcasting
2002
3,10
6,06
21,64
10,53
15,55
56,88
2003
5,26
9,16
18,72
11,21
16,90
2004
3,00
12,66
18,97
11,20
2005
0,26
7,99
18,70
2006
0,43
7,88
2007
-
2008
2009
IN MILLIONS OF EUROS
2005
2006
2007
2008
2009
TF1
1,943
1,929
1,666
1,517
1,639
61,25
Public Television Channels
0,614
0,585
0,351
0,242
0,094
17,69
63,53
Groupe M6
10,676
9,426
11,842
10,607
10,171
11,51
17,83
56,29
Groupe Lagardere
3,331
4,084
3,899
4,249
4,321
18,32
11,34
18,54
56,51
NRJ
0,184
0,556
0,752
0,293
0,315
9,51
17,73
11,71
19,32
58,26
Canal +
0,110
0,111
0,173
0,430
0,129
-
9,53
15,81
11,49
20,48
57,31
other TV channels
2,190
2,117
1,859
2,131
1,691
4,32
8,76
19,47
9,91
20,73
63,19
Communication in public places
0,054
0,072
0,055
0,094
0,155
Total – Music video rights
19,106
18,884
20,600
19,567
18,358
IN MILLIONS OF EUROS
PERCEPTION SPRE
70
Reproduction and public communication rights (excluding compulsory licence) for Sound
recordings
≥ The SCPA[4] received, on behalf of the SPPF and of the SCPP, €3.049 million from users of telephone music-on-hold.
(€2.845 million in 2008)
60
50
40
LS
30
DISCOS
20
RLP
10
RADIOS
≥ 83% of net rights collected were paid in 2009 to the SCPP (€2.003 million) by the SCPA (€1.917 million in 2008) within the
framework of the agreement signed by the SPPF and the SCPP in 2002. The SCPP paid €0.170 million to the SPPF in adjustments
for the distribution of 2007 rights (SCPP share: 76,6%)
≥ The SCPP also received for 2009
• €2.231 million from television stations,
• The SCPP collected €1.110 million from sound system operators, Internet sites and suppliers of music-on-hold
(€1.029 million in 2008),
• €1.477 million from sound system operators on behalf of foreign collective management companies (€1.442 million in 2008)
TV
0
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
The increase in the Private Audio Copying remuneration collected for 2009 by the SCPP comes from:
• the 6.2% increase in the SORECOP collection, which is €0.707 million more than in 2008 for the SCPP3
• The modification in the periodicity for recognising the Private Audio Copying which increased collections for 2009
(+€4.037 million) by two additional monthly payments.
≥ The SCPP and the SPPF have provisionally shared Private Audio Copying in 2009 based on a cash rate of 80.4% for the SCPP
(compared to 80.7% in 2008 and 82.4% in 2007) and 19.6% for the SPPF.
≥ The final distribution for the 2007 Private Audio Copying distributed in proportion to sales (93%) between the two companies
stands at 78.8% (80.7% for the 2006 Private Audio Copying) for the SCPP and at 21.2% for the SPPF. The SCPP paid the SPPF
€1.023 million in Private Audio Copying fees.
[2] Does not include the amounts paid by TV stations and sequestered by the SPRE.
[3] SCPP/SPPF adjustment included
[4] The SCPP provides collection operations on behalf of the SCPA.
23
24
DISTRIBUTING
≥ The amounts distributed in 2009 are 6.9% higher than those distributed in 2008
(€58.855 million in 2008 and €55.022 million in 2007).
DIST.
DATE
GROSS
AMOUNT
GRANTS
STATUTORY
WITHHOLDING
Non
DISTRIBUTABLE
PRODUCERS
Distrib. on broadcasts 63
9/07/09
6 572 792,48
0,00
490 713,79
1 667 809,22
4 414 269,47
Cancel. ER / 2007 sales Prov.
23/10/09
-2 331 924,71
0,00
-258 843,64
-520 091,42
-1 552 989,65
Distrib. ER / 2007 sales 65
23/10/09
3 063 098,77
0,00
340 003,96
599 969,12
2 123 125,69
Distrib. on broadcasts 67
30/11/09
6 210 681,64
0,00
496 609,40
1 784 437,14
3 929 635,10
Distrib. Prov. ER / 2008 sales
5/06/09
2 539 563,15
0,00
185 388,11
590 204,07
1 763 970,97
EUR
16 054 211,32
0,00
1 253 871,61
4 122 328,13
10 678 011,58
DISTRIBUTION
ER
on non-distrib.
and distrib
Distrib. Prov. Private Audio
5/06/09
Copying / 2008 sales
Cancel. Private Audio Copying /
23/10/09
2007 sales Prov.
Distrib. Private Audio Copying /
23/10/09
2007 sales 64
Distrib. Private Audio Copying/
30/11/09
diff. 2003 67
13 366 720,04
3 341 680,01
731 827,92
0,00
9 293 212,11
-13 232 147,77
-3 308 036,94
-1 101 576,30
0,00
-8 822 534,53
14 039 224,71
3 509 806,18
1 168 765,46
0,00
9 360 653,07
1 243 779,48
310 944,87
74 626,77
0,00
858 207,84
EUR
15 417 576,45
3 854 394,11
873 643,85
0,00
10 689 538,49
Dist. teleph. music-on-hold
2008 63
9/07/09
1 625 731,49
0,00
130 762,61
0,00
1 494 968,88
Distrib. TV 2003-7 66
25/11/09
7 615 683,58
0,00
746 963,19
0,00
6 868 720,39
Mood Média for UK
29/06/09
1 008 907,51
0,00
0,00
0,00
1 008 907,51
Mood Média for Finland
19/11/09
43 336,73
0,00
0,00
0,00
43 336,73
Mood Média for Sweden
6/07/09
82 884,25
0,00
0,00
0,00
82 884,25
Dist. teleph. music-on-hold
2008 67
30/11/09
758 746,16
0,00
69 894,46
0,00
688 851,70
EUR
11 135 289,72
0,00
947 620,26
0,00
10 187 669,46
8/12/09
172 209,96
43 052,49
7 749,45
0,00
121 408,02
EUR
172 209,96
43 052,49
7 749,45
0,00
121 408,02
19 587 403,04
0,00
1 175 244,17
0,00
18 412 158,87
4/12/09
552 109,23
0,00
33 126,55
0,00
518 982,68
EUR
20 139 512,27
0,00
1 208 370,72
0,00
18 931 141,55
EUR
62 918 799,73
3 897 446,60
4 291 255,89
4 122 328,13
50 607 769,10
PHONO. RIGHTS /
MUSIC-ON-HOLD
Private Audiovisual
Copying 2007
VIDeOs
Video distribution at 31/12/09
F. Tampon 2007
GRAND TOTAL 2009
1 > KEY FIGURES
≥ The exceptional 14% increase in revenue between 2007 and 2008 made it possible to reduce the withholding rate on Equitable
Remuneration, Private Audio Copying and «Phono Rights» to 7.3%. The rate of withholding in 2009, subject to approval by the
General Shareholders’ Meeting, is increased to 11.8%.
≥ To the current expenses of the SCPP are added for the first year the costs of implementing the Convention Collective
Nationale de l’Edition Phonographique (3 positions and additional premises) and the measures for combating piracy of the Hadopi
law. The expenses of the SCPP have, for this reason, increased by 9.2%.
≥ Withholdings on music videos broadcasting rights remains at 6%.
≥ At 31 December 2009, the amount of withholdings booked as such was €5.846 million and represents 8.86% of current
collections (7.23% in 2008).
≥ The «expenses/collections» ratio, which was 8.4% in 2008, 9.4% in 2007, is 9.7% in 2009.
≥ The SCPP generated a loss of €0.016 million which will, subject to approval by the General Shareholders’ Meeting,
be carried forward.
In millions OF Euros
2009
2008
%
Video Rights
18,514
19,567
-5,38 %
19,996
15,252
31,10 %
0,418
0,264
58,33 %
20,367
18,75
8,62 %
Phono. Rights
6,651
15,988
-58,40 %
65,946
69,821
-5,55 %
Misc. Management Costs
2,878
2,746
4,71 %
Salary Expenses
3,546
3,135
13,10 %
EXPENSES SUBTotal
6,421
5,881
9,18 %
Distribution expenses (SCPP/SPPF agreement)
0,378
-0,051
ns
TOTAL EXPENSE
6,802
5,830
16,62 %
Statutory Withholdings
5,846
5,046
15,85 %
Misc. income
0,941
0,833
12,97 %
TOTAL INCOME
6,787
5,879
15,44 %
Résult
-0,016
0,049
ns
Investment
0,792
0,597
32,66 %
TOTAL COLLECTIONS
2 > Account cut off > fiscal 2009
≥ For the eleventh year, the SCPP’s operating expenses incorporate the sharing of «distributing expenses» of the SPPF and
of the SCPP, up €429 thousand compared to the previous fiscal year. This item, added to the costs of the new missions entrusted
to the SCPP by its Board of Directors, explains the substantial increase in the total expenses of the SCPP in 2009.
27
28
2 > BALANCE SHEET
3 > INCOME STATEMENT
Main investments during the year
≥ In 2009, the company commissioned:
1 – the software for declaring sound recordings on the personalised access portals of the company,
2 – the new authentication system for the portal and outsourced management of contacts.
3 – the new site for the management and presentation of the ISRC Code; and renewed as every year a portion
of its obsolete IT equipment.
A > Expense
IN M€
Receivables, cash and deferred charges
≥ Accounts receivable (accrued income), which stand at €6.349 million, are comprised of receivables on music video broadcasters
(mostly invoices to be issued for broadcasts in December).
≥ The other receivables are primarily remunerations that are provisioned each year for known amounts to be invoiced to the
SCPA representing Equitable Remuneration settled by the SPRE, the Private Audio Copying paid by SORECOP and the «Telephone
music-on-hold» rights, and not yet paid to the SCPP, VAT adjustments concerning provisions on remuneration and current operations
and finally cash advances granted to members in December 2008.
≥ Cash and investment securities stand at €33.106 million (compared to €24.248 million at the end of 2008) inc. €32.601 million
for investment securities:
Banks and income
BNP PARIBAS – BNP FCP BNPP MOIS
BNP PARIBAS – CASH INVEST
PALATINE– PALATINE SECURITE
SOCIETE GENERALE – SG SICAV SGAM MONEPLUS
PORTFOLIO TOTAL AT 31/12/2009
Quantité
Valeur unitaire
Montants
293
22 535,48
6 602 896,84
8 002
2 255,22
18 046 270,44
530
14 143,53
7 496 072,70
20,45
22 307,80
456 194,53
32 601 434 ,51
≥ Cash on SCPP’s current accounts stood at 505,501 euros.
Company’s shareholder equity
≥ The SCPP had, at the end of 2009, 1239 associates (1109 at 31/12/2008). The amount of shareholder equity is €330,205
including €185,850 in capital, €110,490 in statutory reserves. The balance brought forward stands at €33,865 at the end of 2009,
after allocating the results.
Main debt
≥ Accounts payable and similar items, which stand at €0.361 million, are primarily composed of invoices for our consulting
and invoices for the provision of services concerning the last few months of the year.
≥ Tax and social security debt stands at €15.588 million and is mainly:
– provisions for holiday pay, social contributions and employee profit-sharing (€0.679 million),
– VAT on rights received and to be received.
≥ «Other debt» (charges à payer) for 131.7 million euros primarily includes:
– rights to be paid to rights owners for which the SCPP did not yet receive the invoices at 31 December 2009,
– undistributed rights collected in 2009 and, for a small portion before that, and which will be distributed in 2010,
– balance of «non-distributable» amounts on hold for allocation (2010 grant budget) and adjustment with the SPPF
(€6.075 million).
29
2009 Budget
2009 ACTUAL
DIFFERENCE
DIFFERENCE %
Other purchases and external charges
1,726
1,934
0,208
12,05 %
Tax
0,207
0,217
0,010
4,83 %
Personnel costs
3,311
3,452
0,141
4,26 %
Allowances for depreciation and provisions
0,540
0,544
0,004
0,74 %
Extraordinary financial expense
0,001
0,003
0,002
ns
Total expense including SCPP/SPPF shared costs
5,785
6,150
0,365
6,31 %
Share of SCPP/SPPF IT costs
0,265
0,378
0,113
42,64 %
Implementation of the «Collective Bargaining Agreement»
0,153
0,132
-0,021
-13,73 %
Implementation of the «Hadopi Law»
0,092
0,142
0,050
54,35 %
Total expense
6,295
6,802
0,507
8,05 %
≥ Expenses for 2009 are €505 thousand higher than the budget forecast.
This difference is primarily composed of:
– 113 thousand on the share of SCPP-SPPF IT costs, due to prior year adjustments,
– 71 thousand in additional profit sharing (personnel costs)
– 117 thousand representing the cost of MIDEM, financed by the non-allocated non-distributable amounts (expense transfers that
were not in the budget),
– 15 for legal consulting financed by grants (expense transfers that were not in the budget),
– 86.7 thousand coming from the recognition as income of the SPPF share of the costs for collecting the «Telephone music-onhold» remuneration which is not booked as an expense in the budget for 2009,
– 50 thousand corresponding to the development entrusted to the TMG company to implement the measures provided for in the
Hadopi law.
B > Income
IN M€
Budget 2009
Réel 2009
Écart
Écart %
Statutory withholdings on ER
2,447
2,329
-0,118
-4,83 %
Statutory withholdings on Private Copying
1,348
1,792
0,444
32,98 %
Statutory withholdings on Video
1,055
1,111
0,056
5,29 %
Statutory withholdings on Phono. rights
0,643
0,614
-0,029
-4,55 %
TOTAL Statutory withholdings
5,493
5,846
0,353
6,42 %
Rebilling for database use
0,138
0,138
-
-
Management costs on Telephone music-on-hold
0,423
0,519
0,096
22,61 %
TOTAL Operating income
0,561
0,657
0,096
17,05 %
Extraordinary income and other income
0,025
0,046
0,021
84,00 %
Expense transfers and provision reversals
0,025
0,238
0,213
ns
TOTAL INCOME
6,104
6,786
0,683
11,18 %
REsult
-0,191
-0,016
0,176
ns
30
a – Withholdings
The rate of withholding for «phonos» which had been exceptionally reduced to 7.3% in 2008 in order to take into account the
collection of the «TV» rights will be 11.8% in 2009 (11.1% in 2007). The withholding rate on «music video» rights and Private
Audiovisual Copying remains set at 6%.
The average rate of withholding of the SCPP is, in 2009, 8.86% (7.22% in 2008).
b – Access to the «Sound recording» base
As every year, the SCPP invoiced ADAMI for access rights to its database for €138 thousand.
Financial income
The SCPP distributed €0.505 million in financial income to its rights owners in December 2009.
c – Extraordinary income and other income
This income is comprised of compensation obtained from «Piracy» litigation and from capitalised wage costs.
4 > CONCLUSION
In 2008, the SCPP had experienced major growth in its collections, mainly due to the adjustment in the situation of certain
television stations, with regards to the SPRE as well as the SCPP.
The effects of this adjustment continued this year without reaching the level of 2008. In 2010 this effect will also under the increase
in the collection of Equitable Remuneration from public performances.
3 > Annual financial statements
at 31 december 2009
33
34
ASSETS
Annual financial statements at 31 december 2009
31 december 2009
Gross
Franchises, patents, licences
4 887 776
Advances and downpayments
on intangible fixed assets
144 970
Depreciation
3 952 641
31 december 2008
185 850
166 350
935 135
694 038
Statutory or contractual reserves
110 490
105 090
144 970
343 803
Balance brought forward
49 846
1 079
PROFIT OR LOSS FOR THE PERIOD
-15 981
48 768
0
0
330 205
321 286
Provisions for risks
0
0
TOTAL PROVISIONS FOR RISKS
AND CHARGES
0
0
20 271
22 871
360 890
259 111
15 588 311
16 706 746
Other debt
131 735 686
128 346 807
TOTAL DEBT
147 705 158
145 335 535
148 035 364
145 656 821
1 080 105
1 037 841
Machinery and equipment
4 073
4 073
0
0
1 263 511
1 015 049
248 462
273 173
1 267 584
1 019 122
248 462
273 173
152
152
152
Other long-term investments
5 300
5 300
7 587
Long-term investments
5 452
0
5 452
7 739
6 305 782
4 971 763
1 334 020
1 318 754
807
807
6 719
10 399 910
10 399 910
12 919 414
Other receivables
102 810 722
102 810 722
106 851 569
Miscellaneous receivables
113 210 633
113 210 633
119 770 983
Investment securities
32 601 435
32 601 435
23 941 648
505 501
505 501
306 461
Total fixed assets
Advances and downpayments paid
Receivables
Cash
Available securities
Total circulating assets
Deferred charges
Total assets
0
33 106 935
0
33 106 935
24 248 109
146 318 375
0
146 318 375
144 025 811
382 970
312 256
148 035 364
145 656 821
382 970
153 007 127
4 971 763
31 december 2008
Share capital
3 952 641
Other interests
31 december 2009
Net
5 032 746
Tangible fixed assets
Annual financial statements at 31 december 2009
Net
Intangible fixed assets
Other tangible fixed assets
LIABILITIES
Net investment subsidies
TOTAL SHAREHOLDER EQUITY
Security deposits
Advances and downpayments received
Accounts receivable and similar items
Tax and social security debts
TOTAL LIABILITIES
35
36
INCOME STATEMENT
INCOME STATEMENT [CONT]
31 december 2009
31 december 2008
COLLECTED RIGHTS AND RIGHTS
TO BE COLLECTED
0
69 820 956
DISTRIBUTED RIGHTS AND RIGHTS
TO BE DISTRIBUTED
0
-69 820 956
Private audio copying
0
0
15 252 287
18 749 901
Private Audiovisual Copying /
Digital for image/Video Mandate
0
263 458
Music Video Rights
Sound recording rights
0
0
19 567 358
15 987 952
Sales of services: statutory
withholdings
Digital for image/Video Mandate
Music Video Rights
5 845 614
814 714
1 390 918
17 231
12 814
1 110 772
613 752
1 185 882
1 641 178
Rebilling of IT costs concerning
distributions
723 111
721 084
Other service provisions
137 967
137 967
Management costs on Telephone
music-on-hold (17%)
518 397
483 722
Management costs on Foreign AU
250
250
7 225 340
6 388 530
NET REVENUE
Provision reversals and expense
transfers
167 656
117 192
Other operating income
70 809
69 979
OPERATING INCOME
7 463 804
6 575 702
Tax and similar payments
Salaries and wages
Social contributions
2 082 753
217 052
2 246 800
1 298 867
2 009 087
206 555
2 091 960
1 043 366
575 200
529 661
0
0
1 101 468
9
669 804
360
7 522 150
6 550 793
-58 345
24 909
Allowances for provisions for risks
and charges
Joint sharing of IT costs
Other operating expense
OPERATING EXPENSES
OPERATING INCOME
0
0
FINANCIAL INCOME
0
0
72
0
0
0
FINANCIAL COSTS
72
0
FINANCIAL REVENUE
-72
0
CURRENT INCOME BEFORE TAX
-58 418
24 908
Extraordinary revenue
from management transactions
Extraordinary revenue
from capital transactions
Provision reversals
and expense transfers
46 224
23 906
0
0
0
0
EXTRAORDINARY INCOME
46 224
23 906
Extraordinary expenses
from management transactions
Extraordinary expenses
from capital transactions
3 787
45
0
0
EXTRAORDINARY EXPENSES
3 787
45
42 437
23 860
TOTAL INCOME
7 510 028
76 420 564
TOTAL EXPENSE
7 526 009
76 371 796
-15 981
48 768
Interest and related costs
Income tax
Allocated non-distributable amounts
Allowances for depreciation
of fixed assets
31 december 2008
Other interest and related revenue
Foreign exchange losses
5 045 506
1 774 966
2 328 894
31 december 2009
PROFIT OR (LOSS)
37
38
APPENDIX
31 December 2009
1 > Main events during the period
As agreed jointly, the sppf and the scpp decided that starting with fiscal 2009, private audio copying remunerations
collected by sorecop and copie france for rights year n shall be those collected from 1 march of year n to the end of
february of year n+1. This modification in the rule allows the scpp to return to the rule that it was using before 1996:
the amounts collected by sorecop and copie france for year n are distributed for this same year. The private audio copying
collected by the scpp for 2009 therefore exceptionally includes this year the amounts that it collected from 1 february 2009
to 31 march 2010.
2 > Accounting rules and methods
2.1 Legal framework of reference
General accounting methods were applied in compliance with the conservatism principle, in accordance with basic
hypotheses:
• Continuity in operations,
• Consistency of accounting methods from one period to the next,
• Independence of periods.
Equitable remuneration
Private audiovisual copying/
digital for image/mandate Video
Music video rights
Rebilling of IT costs concerning
distributions
Other service provisions
Management costs on Telephone
music-on-hold (17 %)
Management costs on foreign AU
The impact on the presentation of the income statement is as follows:
Income statement
31 December 2009
31 December 2008*
COLLECTED RIGHTS AND
RIGHTS TO BE DISTRIBUTED
Equitable remuneration
0
0
15 252 287
Private audiovisual copying/
digital for image/mandate
0
0
18 749 901
0
0
0
0
0
0
263 458
19 567 358
15 987 952
Video
Music video rights
Sales of services :
statutory withholdings
0
0
31 December 2008
5 845 614
0
0
5 045 506
69 820 956
-69 820 956
814 714
1 390 918
814 714
1 390 918
17 231
12 814
12 814
1 110 772
613 752
1 185 882
1 641 178
1 185 882
1 641 178
723 111
721 084
721 084
137 967
137 967
137 967
518 397
483 722
483 722
250
250
6 388 530
6 388 530
167 656
70 809
117 192
69 979
117 192
69 979
OPERATING INCOME
7 463 804
6 575 702
6 575 702
Tax and similar payments
Salaries and wages
of fixed assets
Allowances for depreciation for risks
and charges
Other operating expense
OPERATING EXPENSES
2 082 753
217 052
2 246 800
1 298 867
2 009 087
206 555
2 091 960
1 043 366
2 009 087
206 555
2 091 960
1 043 366
575 200
529 661
529 661
0
0
0
1 101 468
9
7 522 150
669 804
360
6 550 793
669 804
360
6 550 793
OPERATING INCOME
2.3 Change in method
In 2009, a change in the accounting method was carried out concerning the recognition of rights received and intended
to be distributed to the producers.
In accordance with the order of 11 december 2008 approving regulation no. 2008-09 Of the comité de la réglementation
comptable, authors’ rights must be booked as third party accounts on the balance sheet after deducting or rebilling of
operating costs.
The impact of the application of this regulation on the accounts for 2009 constitutes a change in the method of presenting
the income statement. This change does not affect the results of the period.
1 774 966
2 328 894
250
Allocated non-distributable amounts
Provision reversals and expense transfers
Other operating income
2.2 Method of presenting the management report and the income statement
Operations are summarised and presented using the «management account», such as defined by the measures of decree
no. 98-1040 Of 18 november 1998, appendix 1. This management report, in conformity with the decree of 18 november 1998,
is supplemented by an income statement presented according to the general chart of accounts.
31 December 2008
7 225 340
NET REVENUE
The enclosed financial statements were drawn up in accordance with regulation no. 99-03 Of 29 april 1999 of the comité
de la réglementation comptable relative to the general chart of accounts amended in particular by regulation no. 2000-6
Of 7 december 2000 pertaining to liabilities, no. 2002-10 Of 12 april 2002 pertaining to asset amortisation and depreciation
and no. 2004-6 Of 23 november 2004 relative to the definition, recognition and evaluation of assets as well as regulation
no. 2008-09 Pertaining to the recognition of authors’ rights.
31 December 2008*
39
-58 345
24 909
24 909
Other interest and related revenue
0
0
0
FINANCIAL INCOME
0
0
0
Interest and related costs
Foreign exchange losses
72
0
0
0
0
0
FINANCIAL COSTS
72
0
0
FINANCIAL REVENUE
-72
0
0
CURRENT INCOME BEFORE TAX
Extraordianring revenue from
management transactions
Extraordinary revenue from capital
transactions
Provision reversals
-58 418
24 909
24 909
46 224
23 906
23 906
0
0
0
0
0
0
46 224
23 906
23 906
Extraordinary expenses from management
transactions
Extraordinary expenses from capital
transactions
3 787
45
45
0
0
0
EXTRAORDINARY EXPENSES
3 787
45
45
42 437
23 860
23 860
TOTAL INCOME
7 510 029
6 599 608
76 420 564
TOTAL EXPENSE
7 526 009
6 550 840
76 371 796
-15 980
48 768
48 768
Income tax
5 045 506
PROFIT OR (LOSS)
* With change in method applied in 2009
40
2.4 Intangible fixed assets
Intangible fixed assets are comprised of:
• Software purchased by the company,
• Design costs for distribution software and databases, carried out by it service providers or the scpp’s it department.
Internal costs are booked as fixed assets based on the costs of wages used in creating the developments.
All of these intangible fixed assets are depreciated using the straight-line method over three years.
2.5 Tangible fixed assets
Tangible fixed assets are booked at their purchase cost. Depreciation is calculated over the estimated lifespan
of the goods according to the straight-line or progressive methods, as follows:
— 2.9.3 Non-distributable sums of equitable remuneration
According to article l321-9 of the intellectual property code, sums collected starting on 1 august 2000 for equitable
remuneration for radio broadcasting and communication in public places of commercial sound recordings, and which
are non-distributable in accordance with the intellectual property code and with international agreements must be fully
allocated to grants.
Equitable remuneration received before 1 august 2000 is not concerned by this change in legislation. The allocation
of non-distributable amounts that will be observed for these amounts at the time of the next distribution is therefore
subject to the rules that were previously defined by lawmakers.
These sums are booked on the liabilities side of the balance sheet.
Straight-line
Fixtures and fittings
8 years
Office equipment
5 years
It equipment
Furniture
Industrial equipment
progressive
3 to 5 years
Non-distributable equitable remuneration received after 1 august 2000 that the company has is used for financing
its grants, putting on live performances and for artist education.
— 2.9.4 Service provisions: statutory withholdings
Most of the operating income of the s.C.P.P. Is made up of statutory withholdings on rights distributed to members.
Rates of the statutory withholdings are set by the general meeting of partners.
5 years or 8 years
5 years
2.6 Equity interests
Equity interests appear on the balance sheet at their historical cost or at their current value if the latter is less.‑
2.7 Investment securities
• Investment securities are booked at their purchase cost and, at the end of the period, an estimation is made of these
securities, based on their market value.
• Investment securities are comprised of capitalized s.I.C.A.V., Mutual funds and negotiable certificates of deposit. In accordance
with the company’s by-laws, capital gains on these securities supplement the rights of producers of sound recordings.‑
2.8 Provisions for risks
The company books a provision for risks according to incurred litigation, likely to have an impact on its income and expenses.
2.9 Rules and methods concerning rights
— 2.9.1 Obligation as to supporting creation
The s.C.P.P. Must statutorily and in virtue of article l 321-9 of the intellectual property code devote a portion of the collected
rights to grants: 25% of the amounts collected for private copying of sound recordings and all of the non-distributable
amounts generated on years of rights after 1 august 2000.
This contribution is booked on the liabilities side of the balance sheet and the various payments made for this purpose are
then deducted.
— 2.9.2 Collected and distributed rights
All of the rights collected by the company must be distributed.
The amount of rights collected or to be collected is therefore identical to the amount of rights distributed and to be
distributed.
Rights to be distributed to producers are booked on the liabilities side of the balance sheet for their total amount including
tax, and have only one deduction for grants linked with rights stemming from private copying of sound recordings.
The statutory withholding is considered as acquired when the credit notice is issued, regardless of the type of right.
Statutory withholdings that are considered as acquired according to this method, but pertaining to rights in the process
of distribution and not yet paid to producers, are booked separately on the asset side of the balance sheet, with accrued
income.
— 2.9.5 Rights due by the users of telephone music-on-hold
On behalf of the scpp, the scpa provides administrative management of rights pertaining to telephone music-on-hold
for payment of a management commission of 17% on collected rights. Application of this management commission has
a retroactive effect on the share of the collected rights that will be paid to the s.P.P.F.
The amount generated by the management fees collected by the scpp for collecting rights pertaining to telephone
music-on-hold, stands at €518,398 at 31 december 2009.
Since 2005, the amounts received during a given period have been considered as sums collected during this same year
of rights. These rights are booked based on payments received in the current fiscal period, and no longer based on the
rights period.
2.10 Joint scpp and sppf it costs
In order to improve the accuracy and reliability of the respective distributions of the scpp and of the sppf, the latter have
decided to share their costs for managing the social catalogue and distribution costs. The two companies, invoice the s.C.P.A.,
With proof, for their it expenses. This billing takes place twice a year for the sppf. The s.C.P.A. Then rebills each party for its
share in the total of its expenses determined, in a final manner, based on the average share of the temporary distribution
for the civil year, for the civil year in which the costs were incurred.
The final distribution key, which depends on the completion of all of the distribution of rights for the period, can only be
determined about 4 to 5 years after the year in which the costs were incurred. In the meantime, a temporary distribution key
is used, based on the average of the two latest known final distribution rates.
The amount of expense rebilled to the scpa by the scpp at 31 december 2009 stands at €1,101,468.
The amount of expense rebilled to the scpp by the scpa, based on the average share of final distribution for the civil year for
the civil year in which the costs were incurred, stands at €723,111(excl. Tax).
41
42
Remaining
balance of
prior rights
Rights
booked
in 2009
Total
rights for
the period [3]
TYPE OF
rEmunErations
Total
rights from
the previous
period
Provision
at 31/12/2009
307 794
15 598 763
4 704 562
19 995 530
15 252 287
Equitable remuneration [1]
7 338 150
23 554 628
4 151 281
20 367 760
18 749 901
Music Video rights
6 785 929
19 990 729
5 308 756
18 513 556
19 567 358
Digital for image /
Mandat e Video
Sound recording rights [2]
Total
177 265
208 239
211 888
242 861
263 457
14 431 119
15 726 418
5 530 919
6 826 219
15 987 952
29 040 256
75 078 776
19 907 405
65 945 926
69 820 956
[1] At 31 december 2008, a provision of €5,015,264 for equitable remuneration on phonographic rights on tv rights was booked.
[2] This concerns rights on telephone music-on-hold, sound system operators, private copying for visual art element mandates and suppliers of telephone music-on-hold.
At 31/12/2008, a provision of €10,185,000 for phonographic rights concerning tv agreements was booked.
[3] Total rights are equal to the sum of billing and the provision for the period minus the provision from the previous period (excluding adjustments).
— 3.1.2 Rights to be distributed
Rights to be distributed are shown in the table on the following page for their entire amount excluding tax, after
allocation of the 25% mandatory share for grants for rights stemming from the remuneration of private audio copying
and private audiovisual copying, and after deduction of the share of the statutory withholdings already booked as
a resource for management of the s.C.P.P.‑
Details by collection year for the sums to be distributed are shown in the following tables.
— 3.1.3 Table of rights allocation at 31 december 2009
Details on rights as allocated in 2009, and presented in accordance with the decree of 18 november 1998, are shown
in the table below:
The following tables are presented without the provisions.
rights
remaining
to be
allocated at
31/12/2008
collection deductions
for fiscal
for
2009
management
amounts
allocated
(art. L. 321-9) [B]
[A]
amounts
allocated to
social or
cultural
charities
amounts
allocated
to rights
owners [*]
rights
remaining
to be
allocated at
31/12/2009
Remuneration for which
management has been entrusted
By the rights owner
Music videos
Phono. Rights
Tv rights
Billing
Provision
at 31/12/2008
43
Allocation of amounts at the end of the period (IN euros)
3 > Additional information concerning the balance sheet and the income statement
3.1 Information concerning rights
— 3.1.1 Collected rights
Rights collected during the period are as follows :
Private Audio copying
appendix 2
4 786 909
8 018 535
0
19 990 729
4 788 871
10 791 518
1 208 371
232 291
1 053 074
0
0
0
0
0
0
18 931 142
3 318 949
6 868 720
4 638 125
9 256 167
2 869 723
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
37 165 272
23 554 628
2 466 288
4 982 789
0
10 678 012
42 592 812
15 069 598
15 598 763
1 328 939
3 899 691
0
10 689 538
14 750 193
155 083
354 268
14 628
81 265
0
121 408
292 050
65 195 398
75 078 776
6 303 590
8 963 745
0
50 607 769
74 399 069
Remuneration for which
the management has been entrusted
In application of the law:
Art l. 122-10
(For reproduction rights
Via reprography)
Art l. 132-10
(For the right to authorise
Rebroadcasting via cable, simultaneously,
complete and With no change, on
national territory, of a Work broadcast
from a member state of the European
community)
Art l. 217-2
(For the right to authorise
Rebroadcasting via cable, simultaneously,
complete and On national territory,
of the service of a Performer, a sound
recording or a Video recording from
a member state of the European
community)
Art l. 214-1
(For the right to communicate
To the public a sound recording
published for Commercial purposes)
Distributable er
Art l.311-1
(For the private copy of audiovisual
Recordings)
private audio copying
Art l. 311-1
(For the private copy of audiovisual
Recordings)
private audiovisual
copying
Total
(*) «Allocated amounts» means booking the corresponding amounts to the right holder’s individual account.
[A] the column contains only the stat. Withholdings withheld based on the collections for the period
[B] amount corresponding to 25% of the grant calculated on the collections of the period (private audio copying, private audiovisual copying) and the non-distributable amounts allocated
to the period’s grant budget.
Ratio withholdings for the management/
collections of the period
8,40%
appendix 3
ACTIONS CARRIED OUT DURING THE PERIOD in terms of group allocations*
Article L.321-9
Social or cultural charities
8 788 592
0
Total
8 788 592
*Total commitments for the period
44
aPPENDIX 4
SUMMARY OF AMOUNTS REMAINING TO BE ALLOCATED INDIVIDUALLY
IN EUR
Remuneration for which management has been
entrusted by the rights owner:
Music videos & sound recording rights
SUMMARY OF AMOUNTS REMAINING TO BE ALLOCATED INDIVIDUALLY [CONT]
YEAR of
collection
Amount
3 619 734
996 820
99 067
52 558
2 839
2 782
1 821
Subtotal VID
4 775 621
Phono. rights
2 119 320
1 351 167
1 021 830
1 064 156
686 526
539 244
695 045
74 495
100 844
326 600
156 721
147 855
Subtotal Phono. rights
TV rights
Subtotal TV rights
2009
2008
2007
2006
2005
2004
2003
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
8 283 804
1 436 256
1 402 652
11 600
6 631
4 931
3 371
4 281
2009
2008
2007
2006
2005
2004
2003
2 869 723
Remuneration for which the management has been entrusted in application of the law:
Art L. 122-10 (for reproduction rights via reprography)
0
Article L. 132-20 (for the right to authorise rebroadcasting via cable, simultaneously, complete and with no change,
0
on national territory, of a work broadcast from a Member State of the European Community)
Article L. 217-2 (for the right to authorise rebroadcasting via cable, simultaneously, complete and on national territory,
of the service of a performer, a sound recording or a video recording from a Member State of the European Community)
Article L.214-1 (for the right to communicate to the public a sound recording published for commercial purposes) RE
Subtotal ER
0
13 085 650
2009
6 578 071
3 548 299
2 393 304
2 075 153
1 400 286
33 441
-2 533
93 314
390 593
-107 882
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
29 487 697
Art. L.311-1 (for the private copy of audiovisual recordings) Private Audio Copying
*1998 remitted according to the same schedule as Private Audio Copying for distributions that are common with the SPPF
(adjustment on 1999)
Subtotal Private Audio Copying
13 903 828
1 844 832
851 607
870 037
893 698
940 993
101 317
29 803
34 676
9 435
13 305
-526 552
1 688
-29 744
-62 841
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998*
1997
1996
1995
18 876 083
Art. L.311-1 (for the private copy of audiovisual recordings) Private Audiovisual Copying
Subtotal Private Audiovisual Copying
82 360
2009
167 051
2008
249 412
Total
61 672 617
— 3.1.4 Statutory withholdings
The rate for statutory withholdings applied to the distributions is voted by the General Shareholders’ Meeting.
It has changed as follows:
Related rights
and Telephone music-on-hold
Music Video Rights
1986 to 1989
17 %
3 % + 2 %
1990
14 %
3%+2%
1991 and 1992
12 %
3 % + 2 %
1993
8 %
3%
1994
7 %
3%
1995
0 %
3 % until 31 May 1995, then 2 %
1996 to 2000
0 %
2%
2001
6 %
2%
2002
11,5 %
6%
2003
8 %
6%
2004
9,5 %
6%
2005
9,75 %
6%
2006
10,70 %
6%
2007
11,10 %
6%
2008
7,30 %
6%
2009
11,80 %
6%
45
46
3.2 Other information concerning the balance sheet
— 3.2.1 Intangible fixed assets and amortisation
Statutory withholdings booked during the period are as follows:
Accrued rights, while waiting
for rights to be distributed
and/or collected
Amount
booked during
the period
Amount billed during
fiscal 2009
TANGIBLE
FIXED ASSETS
Variation in
accrued rights
1 774 966
1 328 939
446 028
2 328 894
2 466 288
-137 395
1 110 772
1 208 371
-97 599
17 231
14 628
2 603
613 752
1 285 365
-671 613
5 845 614
6 303 590
-457 976
Music Video Rights
Digital for image/
Video Mandate
Phonographic rights [1]
Total
47
Franchises, patents, licences,
Applications
Fixed assets in progress
TOTAL
Gross amount
at the end
of the period
Gross amount
at beginning
of the period
Increases
of the period
4 201 981
685 795
343 803
454 206
653 040
144 970
4 545 784
1 140 001
653 040
5 032 746
Carry forward
of the period
Decreases
of the period
4 887 776
During the course of the period, the company continued investing in the development of software designed for distribution
processing and grant management.
AMORTISATION OF TANGIBLE
FIXED ASSETS
Total at the
beginning
of the period
Allowances
of the period
Reversals
of the period
Total at the end
of the period
Amortisation of franchises
patents, licences, applications
3 507 943
444 698
0
3 952 641
TOTAL
3 507 943
444 698
0
3 952 641
[1] This concerns rights on Telephone music-on-hold, Sound system operators and Suppliers of Telephone music-on-hold.
— 3.1.5 Support for creating (Article 38 of the Law of 1985)
The amounts allocated by the S.C.P.P. as support for creating, provided for in Article L 321-9 of the new Intellectual
Property Code, are as follows:
RESOURCES
• 2009 carry-forward
3 159 838
• pertaining to Private Audio Copying (2010 usage)
4 998 883
• pertaining to Private Audiovisual Copying (2010 usage)
60 715
• SORIMAGE (2010 usage)
35 012
• pertaining to equitable remuneration
(on allocation decision of the Board of Directors).
4 982 789
• Cancelled application carry-over (drawing rights and selective assistance)
1 026 985
TOTAL RESOURCES
14 264 222
— 3.2.2 Tangible fixed assets and amortisation
Gross amount
at the end
of the period
TANGIBLE
FIXED ASSETS
Gross amount
at beginning
of the period
Fixed assets
1 161 792
105 791
1 267 584
TOTAL
1 161 792
105 791
1 267 584
AMORTISSEMENTS DES
IMMOBILISATIONS CORPORELLES
Total at the
beginning
of the period
Increases
of the period
Carry forward
of the period
Allowances
of the period
Decreases
of the period
Reversals
of the period
Total at the end
of the period
Other amortisation
888 619
130 502
1 019 122
TOTAL
888 619
130 502
1 019 122
— 3.2.3 Long-term investments
Long-term investments are comprised of:
USES
• Drawing rights committed on 2009
6 411 258
• Selective assistance committed on 2009
3 404 319
TOTAL USES
9 815 577
Amount of grants remaining to be committed at 31 December 2009
4 448 645
During the period, the amounts committed for grants stood at €8,788,592 (appendix 3 of the decree of 18 November 1998).
S.C.P.A. shares
€ 152
Total – other interests
€ 152
Other long-term investment corresponds to security deposits for an amount of €5 300.
— 3.2.4 Maturity of receivables at the closing of the period
Receivables at 31 December 2009 all mature within less than one year except for deposits and securities
for an amount of €5,300.
48
— 3.2.5 Other accrued income
Accrued income included in balance sheet items is as follows (in €):
— 3.2.8 Shareholders’ equity
The share capital is comprised of 1,239 parts with a par value of €150, fully paid up.
Accounts receivable and similar items
Collected rights - video recordings
6 349 272
Other receivable
Collected rights - equitable remuneration
4 964 932
Collected rights - private audio copying
5 626 656
Collected rights - private audiovisual copying / digital for image/video mandate
253 417
Collected rights – sound recordings
6 393 625
Statutory withholdings on private audio copying
2 471 792
Statutory withholdings on video recordings
Statutory withholdings on equitable remuneration
Statutory withholdings - private audiovisual copying / digital for image/video mandate
Statutory withholdings on phonographic rights
623 352
Statutory reserves are made up of:
shares of members that have left the company, in accordance with Article 19 of the by-laws; before the decision
of the Extraordinary General Meeting of 29 June 2004 now stipulating reimbursement of the shares of outgoing members.
the allocation of rights that were not able to be distributed due to a lack in documentary proof in accordance with
the measures provided for in the by-laws.
— 3.2.9 Provision for risks and charges
No provision for risks and charges was booked during the period.
— 3.2.10 Accrued expenses
Accrued expenses included in balance sheet items are as follows:
3 857 236
19 126
1 448 326
Accounts payable and similar items (inc. tax)
Fees
103 813
Other accrued income
165 009
Rents and rental expense
2 392
Re-billing of it costs
864 840
Postage and telecommunications costs
7 168
Insurance
2 830
Bank charges
1 654
Total
26 688 312
— 3.2.6 Investment securities
This item is primarily composed of capitalised S.I.C.A.V.
Hotel costs
Temporary workers
Investment securities generated capital gains for €235 thousand during the period,
compared to €413 thousand at 31 December 2008.
At 31 December 2009, latent capital gains stand at €19 thousand.
Financial income is allocated to partners. Movements during the period (presented in accordance
with the decree of 18 November 1998) are as follows:
Financial income for fiscal 2009
Financial income allocated during the period
Unallocated financial income at 31.12.09
47 719
493 150
(505 000)
35 869
— 3.2.7 Deferred charges
Details on deferred charges are as follows:
Rent and rental expense
Subscriptions and service provisions
Fixed assets in progress
22 102
Misc.
43 179
Total
185 607
Tax and social security debts
Income from investment securities
Unallocated financial income at 31.12.08
398
2 073
179 973
8 964
Maintenance
30 682
Fairs and trade shows
110 081
Insurance
13 608
Telecommunication expenses, documentation
3 806
Restaurant vouchers
5 734
Business travel
6 651
Misc.
23 471
Total
382 970
Provisions for holiday pay including social contributions
461 475
Provision for employee profit-sharing
217 582
Other social security debts
176 680
855 737
Other debt
Financial income to be distributed to members
Other income to be distributed to members
35 869
Rights to be paid on Private Audio Copying
162 561
Rights to be paid on Equitable Remuneration
25 489 546
Rights to be paid on Private Audiovisual Copying / Digital for image
43 983 444
Rights to be paid on Sound recordings
528 242
Rights to be paid on Video recordings
19 546 086
Non-distributable sums of equitable remuneration (1)
6 349 272
Rebilling of shared IT costs
6 075 732
Other accrued expenses
1 197 905
Autres charges à payer
Total
[1] Including the share for grants while awaiting allocation.
— 3.2.11 Allocation of the results of the previous period
The results of the previous period, a profit of €. 48,846, was brought forward entirely.
26 530
103 395 186
49
50
— 3.3.4 Detail of operating expenses
Details on operating expenses are provided below (excluding rights to be distributed for fiscal 2008):
3.3 Information concerning the income statement
— 3.3.1 Management account for 2009
The management account for the year 2009, presented in accordance with the decree of 18 November 1998, is as follows:
APPENDIX 1 (according to R321- of the CPI) MANAGEMENT ACCOUNT FOR 2009
EXPENSES
Year
2008*
Year
2008
Year
2009
I. OPERATING EXPENSIVES :
A. Purchase and external
charges
IT services ans research
RESOURCES
Year
2009
Year
2008*
Office supplies 1 other non inventoried supplies
Year
2008
Rent and rental expenses
Maintenance
I. OPERATING RESOURCES :
2 082 753 2 009 087 2 009 087
A. Recovery and rebilling
of expenses
723 111
721 084
721 084
Billing of management
fees
518 397
483 722
483 722
217 052
C. Personnel costs
206 555
206 555
3 328 085 3 065 628 3 065 628
D. Other operating
expenses
1 101 477
670 165 70 491 121
E. Allowances for
depreciation
575 200
529 661
B. Withholdings on rights
5 845 614 5 045 507
C. Other operating
resources
209 027
D. Provision reversals
167 656
5 045 507
208 197 70 029 153
117 192
117 192
72
0
0
III. EXTRAORDINARY
exPENSES
3 787
45
45
IV. PROFIT SHARING
217 582
69 699
69 699
V. CORPORATE TAX
0
48 768
III. EXTRAORDINARY
RESOURCES
46 224
0
0
23 906
23 906
48 768
7 526 009 6 599 608 76 420 564
Total resources
(I + II + III)
7 510 029 6 599 608
DEFICIT DEDUCTION
AT THE END
OF THE PERIOD
76 420 564
15 980
— 3.3.2 Joint S.C.P.P. and S.P.P.F. IT costs
The impact on the income statement for the period of sharing the costs of their IT expense by the S.C.P.P. and the S.C.P.F.
is as follows (€):
IT costs S.C.P.P. rebilled to the S.C.P.A. :
Income
723 110
Share of joint costs :
Expense
1 101 468
Net effect
Expense
378 358
— 3.3.3 Extraordinary income
Within the framework of its anti-piracy efforts, the company received income concerning the sentences pronounced
for an amount of € 46,224.
67 356 €
663 651 €
645 095 €
73 259 €
70 912 €
21 747 €
23 544 €
20 204 €
22 596 €
4 119 €
122 761 €
284 109 €
274 958 €
64 096 €
74 476 €
117 192 €
Business travel
134 523 €
114 742 €
Postage and telephone
116 059 €
108 102 €
Bank charges
Other miscellaneous expenses
5 957 €
6 127 €
29 788 €
25 101 €
217 052 €
206 555 €
2 246 800 €
2 091 960 €
1 081 285 €
973 667 €
Profit-sharing expenses
217 582 €
69 699 €
575 200 €
529 661 €
Allowances to provisions for kids
0 €
0 €
Other expenses
9 €
360 €
6 420 681 €
5 880 990 €
1 101 468 €
669 804 €
Total
7 522 150 €
6 550 794 €
4 > Other information
4.1 Employee breakdown
7 526 009 6 599 608 76 420 565
* With change in the method applied in 2009
336 126 €
81 083 €
117 596 €
Categories
GRAND TotaL
469 563 €
Representation (MIDEM)
Subtotal
0
7 526 009 6 550 840 76 371 796
SURPLUS DEDUCTION AT THE
END OF THE PERIOD
0
2008
Public relations advertising
II. FINANCIAL
RESOURCES
2009
Temporary workers
Wages
II. FINANCIAL COSTS
GRAND TotaL
Documentation
Tax
529 661
F. Allowances for provisions
Total EXPENSES
(I + II + III + IV)
Insurance
Fees
pertaining to telephone
music-on-hold
B. Tax
51
2009
2008
[1] Number of employees [1] Number of employees
Executives
23
23
Employees
18
17
Fixed-length contacts
3
1
44
41
Total
[1] Average number of employees during the year
4.2 Management’s compensation
This information is not provided, as it would result in revealing individual remuneration.
4.3 Pension commitments
Indemnities are paid to company employees when they take their retirement. Taking the age and seniority of the employees
into account, the amount of gross indemnities (excl. social contributions) calculated at the closing of the period stand
at €32,386. No provision was booked at 31 December 2009.
53
C >Appendices / content
APPENDIX 1 p. 52
Organisional chart
APPENDIX 2 p. 54
Members of the board and of the committee
APPENDIX 3 p. 56
Grants approved by the scpp in 2008
APPENDIX 4 p. 72
Anti-piracy report
APPENDIX 5 p. 76
Nathalie Villerot
Investigator in charge of
monitoring the internet
S. L. B.
Responsible
for Anti-Piracy
Investigations
J.-P. P.
Responsible for
the anti-piracy unit
assistante
Hanifa Tarfaoui
Legal specialist
Claire Le Feunteun
Legal specialist
Marc-Antoine
Maury
Management Assistant
Responsible for
the anti-piracy unit
Sabine Vincent
Angélique Gautier
Legal Director
Laurence
Marcos-Courant
Identifier
Fabrice Descatoire
Assistant
Térèsa Alvès
Caroline Denancé
Assistant
Assistant
Sarah El Himdi
Assistant
Sophie Jactel
Assistant
Marie Pannels
Responsible
for catalogues
Ouerdia Tahanout
Switchboard reception
Alpha Viard
Assistant
Sandrine Morlet
Michèle Morin
Delegate Finance and
Administration Manager
+ Communication
Ulrike
Chasseguet-Huning
June 2010
Marc Guez
Organisational chart
Florence Aubert
Accountant
Jean-Michel
Lapilus
Accountant
Arnaud Largillière
Marie-Thérèse
Cheynut
In charge
of operations
Françoise Boutron
Responsible for
IT development
Eugenio Gonzalez
Project manager
Vinak Sauv
Project manager
Dov Slama
Responsible for
the IT Department
Annabelle Pinto
Accountant
Responsible for
Music Videos
Vonnick Sfiligoi
Delegate Finance
and Administration
Manager
Isabelle Lozon
Manager of Grants
Assistant
Artist data
management Manager
Gaëlle Sfiligoï
Communications
Manager
Anouchka
Roggeman
Artist Catalogue
Manager
Ayette Beddiaf
Artist catalogue
manager
Ludovic
Champalou
Dossier manager
Jessye
Bongo-Passy
Dossier manager
Christophe
Lahoussine
Dossier manager
Karène Parienti
Dossier manager
Brigitte Viviani
Management
Assistant
Magali Roubieu
Director of «Sound
Recording Rights»
Finance and
Administration Manager
Aurore Mourao
Sophie Barbier
Jacques Chesnais
General Managing
Director
Appendices 2009
55
Appendices 2009
COMMITTEE
Pascal NÈGRE
(UNIVERSAL MUSIC)
President
Stéphane LE TAVERNIER
(SONY MUSIC)
Vice-President of the 1st board
Gilles FRUCHAUX
(BUDA MUSIQUE)
Vice-President of the 2nd board
Alain ARTAUD-MACARI
(V2 MUSIC)
Vice-President of the 3rd board
Thierry CHASSAGNE
(WARNER MUSIC)
General Secretary
Olivier MONTFORT
(EMI MUSIC)
Treasurer
Olivier CHINI
(ROY MUSIC)
Asst. secretary
Pierre DARMON
(BONSAI MUSIC)
Delegate treasurer
Members of the board
and of the committee
Au 08/04/2010
BOARD
1st board
(more than 45,000 recordings)
2nd board
(between 45,000 and 3,001 recordings)
3rd board
(less than 3001 recordings)
ABEILLE MUSIQUE Sarl
Yves RIESEL
EMI MUSIC France Olivier MONTFORT
SONY Music
Stéphane LE TAVERNIER
UNIVERSAL MUSIC
Pascal NÈGRE
WARNER MUSIC FRANCE
Yann MIOSSEC
13 BIS RECORDS
Mehdi EL JAI
ARION S.A.
Manuela OSTROLENK
BUDA MUSIQUE
Gilles FRUCHAUX
SUNSET FRANCE
Sébastien NORMAND
BONSAI MUSIC
Pierre DARMON
ROY MUSIC
Olivier CHINI
V2 MUSIC
Alain ARTAUD-MACARI
57
Appendices 2009
59
≥ In accordance with Articles L.321.9 and R.321.8 of the Intellectual Property Code, «Civil Companies» of rights owners must file
a report every year with the Ministry of Culture on the amount and use of the amounts that they «can use» for actions supporting
creation, broadcasting live performances and in educating artists.
≥ The purpose of this report is, as every year, to report to the partners of the SCPP and to the Ministry of Culture on the use
of the sums allocated either directly or indirectly by the SCPP for grants.
1 > Financing Grants
≥ The SCPP had, for this purpose, in 2009 of a total amount of 10,992,269 euros, including:
• 3,851,042 euros, i.e. 25% of Private Copying, that the SCPP must devote to Grants,
• 4,982,790 euros, taken from the non-distributable amounts of Equitable Remuneration distributed during the previous period,
• 1,071,790 euros, which is the remaining amounts unallocated to distribution of years of rights 1988-1998,
• 396,994 euros which is the balance of the Grant budget for 2008 («Selective Assistance» balance: 6,726 euros, «Drawing Rights»
balance: 390,268 euros),
• 321,077 euros in grants approved during previous periods that were cancelled in 2009 and reincorporated into the Selective
Assistance budget for 2009,
• and 368,576 euros in grants approved during previous periods that were cancelled in 2008 and reincorporated into the
«Drawing Rights» budget for 2009.
2 > Allocating these sums
Grants approved by the SCPP in 2009
≥ The SCPP’s entire grant budget was allocated by the Board of Directors as such:
• 7,549,814 euros for the «Drawing Rights» budget and
• 3,442,455 euros for the «Selective Assistance» budget (i.e. 3,121,378 euros for the initial budget and 321,077 euros in cancelled
and reincorporated grants from prior years)
≥ The «Selective Assistance» budget was allocated in accordance with the decision of the General Shareholders’ Meeting to:
• grants for sound recordings: 887,656 euros)
(829,094 Euros + 58,562 euros in cancelled grants from prior years).
• grants for music videos: 417,292 euros)
• grants for live performances: 651,318 euros)
• grants for special projects: 1,486,189 euros).
(1,485,689 + 500 euros in cancelled grants from prior years).
3 > Allocated grants
≥ During fiscal 2009, the Commission met 11 times to examine 860 grant request applications (778 in 2008 and 826 in 2007).
The Board of Directors granted, as proposed by the Commission, 698 grants (608 in 2008 and 648 in 2007) for an amount
of 10,535,491 euros (1)(i.e. 7,125,469 euros in terms of «Drawing Rights» and 3,410,022 euros in terms of Selective Assistance).
• 81.16% of the requests were satisfied.
[1] This amount does not include the grants from 2009 cancelled at the request of their beneficiaries during the year 2009.
60
Appendices 2009
Appendices 2009
Number
of requests
Approved
grants
Requests
satisfied
444
266
342
227
77, 03 %
85, 34 %
• Opening acts
• Tours
• Hall agreements
• Special projects
6
91
31
7
6
79
24
5
100, 00 %
86, 81 %
77, 42 %
71,43 %
TRAINING
3
3
100, 00 %
12
12
100, 00 %
860
698
81,16 %
CREATIONS
• Albums
• Music Videos
SHOWS
CONTRIBUTIONS TO ORGANISATIONS
• FAM (Musical Audiovisual Fund),
FCM (Musical Creation Fund), Bureau Export
TOTAL
61
4 > Beneficiaries
≥ In 2009,
• 82.63% of the SCPP’s grant budget was directly allocated to phonographic producers, i.e. 8,705,944 euros.
• 12.04% to institutions (Fair, Studio des Variétés, Voix du Sud, Francophonie Diffusion, Zone Franche, FCM (Musical Creation Fund),
FAM (Musical Audiovisual Fund), Bureau Export, Ademel) i.e. 1,267,231 euros.
• 2.18% to show organisers within the framework of professional awards ceremonies and tribute (Victoires de la Musique, Le Prix
Constantin, La Nuit des Musiciens, Festival au Fil des Voix, Le Printemps des Poètes) i.e. 229,600 euros.
• 3.15% to phonographic producers within the framework of agreements with show halls, i.e. 332,216 euros.
5 > The cost of managing grants
The cost of managing grants is covered by the company’s general budget. The SCPP does not take any sums from the grant
budget in order to finance this operation. Costs for this management are however estimated for 2009 to be 89,380 euros.
6 > Allocation procedures
≥ During fiscal 2009, the SCPP signed 24 agreements with theatres making it possible to subsidise 188 «show-cases»:
• Alhambra (3)
(Festival au Fil des Voix)
• Athénée Théâtre (8)
• Cabaret Sauvage (5)
• Café de la Danse (16)
• Duc des Lombards (4)
• La Bellevilloise (8)
• La Boule Noire (16)
• La Dynamo (4)
• La Java (6)
• La Locomotive (4)
• La Maroquinerie (12)
• L’Archipel (5)
• La Scène Bastille (8)
• Le Réservoir (4)
• Le Sentier des Halles (4)
• Le Trabendo (6)
• Le Triton (6)
• L’Européen (10)
• Le Zèbre de Belleville (12)
• Les Déchargeurs (4)
• New Morning (20)
• Nouveau Casino (12)
• Studio de l’Ermitage (7)
• Sunset (4)
≥ 20 organisms benefitted for the fourth year in a row (and for some for even longer) from an SCPP grant: Association Prix
Constantin, FAIR, Studio des Variétés, Francophonie Diffusion, FCM (2) , FAM, Bureau Export de la Musique Française (3),
Les Victoires de la Musique, Zone Franche, ADEMEL (Pro-Musique France), Association La Nuit des Musiciens, Voix du Sud and
for the first year the Festival au Fil des Voix, Le Printemps des Poètes.
• Finally, within the framework of defending rights owners, three consultations were financed: (two on the constitutionality
of the Hadopi laws and one on the enrichment without cause of internet professionals).
Nombre
Montant
en Euros
%
• Albums
• Music Videos
342
227
5 902 964
1 937 685
56, 23 %
18, 46 %
SUBTotal
569
7 840 649
74, 69 %
• Opening acts
• Tours
• Hall agreements
• Special projects
6
79
24
5
47 271
818 024
332 216
229 600
0, 45 %
7, 79 %
3, 16 %
2, 19 %
Sous Total
114
1 427 111
13, 59 %
3
78 575
0, 75 %
12
1 189 156
10, 97 %
698
10 535 491
100 %
Approved grants
≥ All requests for grants (other than those pertaining to special projects) are submitted to an allocation Commission of
which its 9 members are elected each year by the company’s General Shareholders’ Meeting. This Commission, in compliance
with the rules set forth by the Board of Directors and which all of the requesters are informed of [2], proposes to the Board
of Directors: for selective assistance, whether or not a grant is allocated and the amount of it and, for applications using drawing
rights, after a check on eligibility and that the requested amount complies with current ceiling rules, the allocation of the grant.
The Board of Directors approved by the General Shareholders’ Meeting, after having heard a representative of the Commission,
approves or does not approve the proposed grants.
≥ 50% of the grant is paid upon presentation of an invoice before the project is carried out, and the remaining 50%
is paid on presentation for:
• creating sound recordings: of 2 albums.(A check is carried out via sampling of one «Drawing Rights» dossier and one «Selective
Assistance» dossier per month, in order to make sure that the allocated grant is not more than 40% of the actual recording
costs).
• music videos: a copy of the clip, a copy of the audiovisual production contract or invoices paid to produce the clip, making
it possible to check that the allocated grant is not more than 40% of actual production costs.
CREATIONS
SHOWS
TRAINING
• tours and opening acts, the list of performance dates, with documents proving the producer’s contribution in financing
the entire affair as well as a copy of the press inserts, posters, flyers, tracts, in order to check that the grant obtained does not
exceed 50% of the producer’s participation.
The verifications concerning the creating of sound recordings, tours and opening acts are submitted to the Commission
for approval only when the amounts granted must be revised.
≥ The first half of the grant is recovered by the SCPP when the project does not take place.
≥ Only grants allocated for artist training and show cases, in halls that are approved by the SCPP, are paid in full in a single
payment after proof that they have taken place.
CONTRIBUTIONS TO ORGANISATIONS
• FAM (Musical Audiovisual Fund),
FCM (Musical Creation Fund), Bureau Export
TOTALS
≥ The balance of the «Selective Assistance» budget stood at the end of 2009 at 32,433 Euros, and that of the «Drawing Rights» budget
at 424,345 euros.
[2] These rules are mentioned on the grant request application and were modified via a decision of the General Shareholders’ Meeting
of 26 June 2001 and of 24 June 2003.
Appendices 2009
63
DETAIL
ON GRANTS APPROVED IN 2008
PROJET N°
NAME OF PROJECT
NAME OF THE PRODUCER
SELECTIVES GRANTS
Phonographic creation
2009 /003
2009/004
2009/006
2009/008
2009/009
2009/013
2009/025
2009/026
2009/029
2009/031
2009/032
2009/035
2009/040
2009/042
2009/049
2009/091
2009/095
2009/116
2009/135
2009/136
2009/138
2009/142
2009/150
2009/152
2009/154
2009/155
2009/156
2009/159
2009/161
2009/164
2009/165
2009/166
2009/167
2009/169
2009/170
2009/175
2009/176
2009/179
2009/180
2009/181
2009/183
2009/184
2009/196
2009/197
2009/203
2009/208
2009/212
2009/213
2009/215
2009/219
2009/222
2009/229
2009/231
2009/233
2009/234
2009/241
2009/242
2009/243
2009/250
2009/251
2009/252
2009/255
2009/256
2009/269
CD de L.-J. Suignard et Y.-G. Le Bars
CD de Ménage à 3
CD de Daara J Family
CD d’Angélique Ionatos
CD de Abraxxxas
CD de Magic Pop Hotel
CD de Sandrine Piau
CD de Skip The Use
CD de Jean-Pierre Rolland
CD de Ozma
CD du groupe Corde Brève
CD de Jean Corti
CD d’Henri Courseaux
CD de Ed Ake
CD de Mikhaïl Yurkov
CD de L’Esprit du Clan
CD de Sniper (live)
CD de Didier Squiban
CD de Léni
CD de La Maman et la Putain
CD de Tom Gé
CD de Uztaglote
CD de Rodolphe Burger
CD de James Izmad
CD de Det är jag som är Döden
CD d’Isabelle Oehmichen
CD de Jil Is Lucky
CD de Gush
CD de Régis Huiban
CD d’Elodie Ruillier
CD des Troubadours Art Ensemble
CD de Babylon Circus
CD d’Arthur Schoonderwoerd
CD des Musiciens de Saint Julien
CD d’Eric Lesage
CD de 4Karat
CD des Agitatrices
CD de Birdpen
CD de François Elie Roulin
CD de Laurent Mignard Duke Orchestra
CD de Joseph Leon
CD de Gaëtan de Courrèges et Jean Humenry
CD de Mickey 3D
CD d’Amélie
CD de T21
CD d’Edouard Oganessian
CD de 49 Swimming Pools
CD de Zong
CD de Magnetix
CD de Aufgang
CD de Tony Allen
CD des Vendeurs d’Enclumes
CD de Samuel Le Hénanff
CD de Julien Deniel
CD de Marie Espinosa
CD de Zveig
CD de Mélanie Pain
CD de H Double L
CD de Georges Nounou
CD de Progamers
CD de Roula Safar
CD de Rat Luciano
CD de Kalinou
CD du Quatuor Renoir
BNC PRODUCTIONS
BULLET PROD
TRAFFIX MUSIC
ACCORDS CROISES
CYLID
LAFOLIE
SAPHIR PRODUCTIONS
NOTRE P’TITE ENTREPRISE
HORTUS DEVELOPPEMENT
AMOC
VICIOUS CIRCLE
MON SLIP
EDITO HUDIN
3 CINKS PRODUCTION
13 BIS RECORDS
DESH MUSIQUE
L’OZ PRODUCTION
MUST PRODUCTION
LAFOLIE
MY MAJOR COMPANY (MMC)
ROSELINE PRODUCTIONS
LA CILE
KILOMAITRE PRODUCTION
LE SON DU MAQUIS
ROY MUSIC
CAFE DE LA DANSE
COOP BREIZH DIFFUSION BREIZH
MISTIROUX PRODUCTIONS
TROBA VOX
AKIRIRA
ALPHA PRODUCTIONS
ALPHA PRODUCTIONS
ALPHA PRODUCTIONS
SOUND EFFECT KILLER KAYCI IMAGE
VOX GRAMOPHONE
LES OREILLES BLEUES
SAVOIR F.E.R.
AMOC
REAL TIME RECORDS
COMME-CI COMME-CA PRODUCTIONS
MOUMKINE MUSIC
MVS RECORDS
LE SON DU MAQUIS
SAPHIR PRODUCTIONS
ELAP MUSIC & PUBLISHING
BI-POLE
BORN BAD RECORDS
INFINE
PLANET WOO
MDLS
BNC PRODUCTIONS
LA CILE
REMARK
BOBURST
KWAIDAN
BATCH MANAGEMENT 2001
CREA TEF
AUDIOGENIC
JFK MUSIC
ARB
AR RE-SE
AMOUNT IN EUROS
3 000,00
5 000,00
4 000,00
6 000,00
4 000,00
4 000,00
5 500,00
6 000,00
2 000,00
2 000,00
2 000,00
6 000,00
3 000,00
5 000,00
2 000,00
7 000,00
8 000,00
3 000,00
5 000,00
2 000,00
5 000,00
2 000,00
4 000,00
3 000,00
4 000,00
2 000,00
4 000,00
4 500,00
3 000,00
5 000,00
3 000,00
5 000,00
2 200,00
1 800,00
2 500,00
3 000,00
5 000,00
1 000,00
5 000,00
4 000,00
2 500,00
2 940,00
5 000,00
3 900,00
6 500,00
1 900,00
3 000,00
4 500,00
2 740,00
3 000,00
4 000,00
3 000,00
1 500,00
3 000,00
9 000,00
5 000,00
5 900,00
3 200,00
3 000,00
2 540,00
1 700,00
4 840,00
3 040,00
1 500,00
64
Appendices 2009
2009/272
2009/273
2009/283
2009/294
2009/295
2009/299
2009/302
2009/303
2009/304
2009/307
2009/310
2009/313
2009/315
2009/318
2009/320
2009/322
2009/323
2009/324
2009/330
2009/331
2009/335
2009/337
2009/339
2009/340
2009/341
2009/342
2009/345
2009/351
2009/360
2009/363
2009/364
2009/366
2009/371
2009/373
2009/374
2009/376
2009/377
2009/378
2009/380
2009/382
2009/392
2009/393
2009/395
2009/396
2009/398
2009/400
2009/407
2009/413
2009/414
2009/416
2009/430
2009/431
2009/432
2009/436
2009/437
2009/448
2009/449
2009/450
2009/454
2009/461
2009/464
2009/465
2009/472
2009/473
2009/474
2009/490
2009/492
2009/493
2009/494
Appendices 2009
CD de Dolly Lou
CD de William Geslin
CD de Yas
CD de Sunil Dev
CD de Driver
CD de Smadj
CD de Nouvelle Vague
CD de Malavoi
CD de Mademoiselle K (live)
CD des Caméléons
CD de Mister Modo & Ugly Mac Beer
CD de Charlie
CD de Acwl
CD de Fiction Plane
CD de Beier, Berthoumieux, Sanseverino
CD de Françoise Masset et Michel Alabau
CD de Myrdhin
CD de The Bewitched Hands on the top of of our heards
CD de Joyce
CD de Oldelaf et Monsieur D
CD de Vincent Genvrin
CD des Anges Gardiens
CD des Voix de Daïa
CD de Crista Galli
CD de l’ensemble Cappella Mediterranea
CD de Rondinara
CD de Wayne Beckford
CD de Max Leonidas
CD de Dondolo
CD de Ramiro Musotto
CD de Pascale Rouet
CD de André Le Meut
CD de Olivier d’Ormesson & Hervé Lamy
CD de Miro
CD de Raphaël Pidoux, Elodie Soulard, Bruno Philippe
CD du groupe Film Noir
CD du groupe Mist
CD du groupe Angele Phase
CD de Smaïn
CD de Natalia Valentin
CD de Calvin Russell
CD de Sinik
CD de Kamel Shadi
CD de El Matador
CD de Tango Voz
CD de Back to Fundamentals
CD d’André Manoukian
CD de Jacques Kauffmann
CD d’Art Mengo
CD de Roland Brival
CD du groupe Omasphère
CD du Trio Elégiaque
CD de Sam Karpienia
CD de Bikini Machine
CD du Trio Klezele
CD de Saël
CD de Marcel Zaragoza
CD de Frédéric Laroque et Ryoko Hisayama
CD de Didier Super
CD de Atri N’ Assouf
CD de Jean-Louis Murat
CD de Renaud Detressan
CD de Arom
CD de Mah Damba
CD de Yom
CD de Jean-Pierre Ferey
CD Breizh Connection»»
CD de Jazz Liberatorz
CD d’Hervé Lamy et Sébastien Amadieu
YUMMY TUNES
YUMMY TUNES
LES PRODUCTIONS 50 /50
HEAVENLY SWEETNESS
PRESSE INTERNET LABEL
MVS RECORDS
THE PERFECT KISS
AZTEC MUSIQUE
ROY MUSIC
TODOS PRODUCTIONS
KIF
KLEA MUSIC
13 BIS RECORDS
13 BIS RECORDS
LES EDITIONS EVEIL ET DECOUVERTES
THIEBAULT GENEVIEVE
BNC PRODUCTIONS
SAVOIR FAIRE
ROY MUSIC
CHRIS MUSIC
RE RE MUSIC
PRIKOSNOVENIE
ART ET MUSIQUE D’AMBRONAY
VERSAILLES STATION
BORDERBLASTER INTERNATIONAL
ROYAL RIVER MUSIC
SECONDE VERSION
HELICO
THIEBAULT GENEVIEVE
BNC PRODUCTIONS
PSALMUS
CHROMATIC PRODUCTION
PRODUCTION INTEGRAL
LE SON DU MAQUIS
LE SON DU MAQUIS
LE SON DU MAQUIS
KOS AND CO
PARATY PRODUCTIONS
GEL PRODUCTION
SIX-O-NINE
LA MANUFACTURE DU DISQUE
BOMBATTAK RECORDZ
MONOLITHE PRODUCTIONS
CM MUSIC
VA SAVOIR
SKARBO
KABASSA PROD
SUCH PRODUCTION
PRIKOSNOVENIE
THIEBAULT GENEVIEVE
D-FRAGMENT MUSIC
LES DISQUES ALIENOR
PRODUCTION INTEGRAL
DON’S MUSIC
DE PLEIN VENT
SONOGRAMME
LA CILE
LOCAL STUDIO
SCARLETT PRODUCTIONS EDITIONS
EPICURE
13 BIS RECORDS
BUDA MUSIQUE
BUDA MUSIQUE
SKARBO
L’OZ PRODUCTION
KIF
PSALMUS
2 500,00
4 000,00
5 600,00
1 400,00
4 700,00
4 800,00
6 000,00
3 200,00
4 100,00
3 400,00
4 000,00
2 500,00
3 000,00
4 000,00
1 500,00
1 500,00
2 800,00
3 000,00
6 000,00
2 400,00
1 500,00
3 000,00
2 000,00
1 000,00
4 000,00
2 000,00
9 000,00
2 000,00
3 500,00
5 500,00
2 000,00
3 000,00
2 800,00
6 000,00
2 000,00
4 500,00
3 000,00
6 000,00
5 000,00
2 000,00
5 000,00
9 000,00
7 000,00
7 000,00
3 500,00
5 000,00
10 000,00
2 000,00
12 000,00
2 500,00
2 800,00
3 000,00
2 700,00
9 500,00
4 020,00
8 695,00
3 000,00
3 000,00
5 400,00
5 000,00
9 000,00
5 200,00
7 500,00
1 300,00
2 600,00
2 200,00
3 300,00
3 600,00
1 600,00
2009/497
2009/503
2009/508
2009/511
2009/514
2009/523
2009/525
2009/527
2009/542
2009/544
2009/546
2009/548
2009/549
2009/550
2009/551
2009/566
2009/573
2009/575
2009/577
2009/579
2009/580
2009/581
2009/582
2009/583
2009/585
2009/586
2009/587
2009/588
2009/596
2009/604
2009/615
2009/617
2009/618
2009/627
2009/636
2009/637
2009/639
2009/641
2009/643
2009/644
2009/646
2009/647
2009/656
2009/671
2009/672
2009/673
2009/676
2009/677
2009/683
2009/684
2009/686
2009/699
2009/701
2009/707
2009/708
2009/717
2009/718
2009/719
2009/721
2009/733
2009/734
2009/737
2009/739
2009/744
2009/748
2009/756
2009/759
2009/769
2009/770
CD de Gilles Ragon
CD Les contes de la lampe magique»»
CD de Mary’s Dream
CD de Partenaire Particulier
CD de Otra Mar
CD de Zoxea
CD de La Fanfare P4
CD de Music Is Not Fun
CD de Black Kent
CD de Quinze
CD de Lauren
CD de Hariprasad Chaurazia
CD de Will Maës et Compagnie
CD de Omar Pene
CD de Redmore
CD de Marcel Zaragoza
CD de Michel Moraguès
CD d’Emmanuelle Guigues
CD de Kent
CD de Patrick Dis Cala
CD de La Jarry
CD d’Alexandre Paley
CD de Steve & Heather
CD de Kim
CD du Duo Hamon Martin
CD de l’Ensemble Carpe Diem
CD d’Agnès Bihl
CD de Die On Monday
CD de Tom Poisson
CD de Robert Aaron
CD de Charles Schillings
CD de Jack of Heart
CD de Boulbar
CD de Dany Brillant
CD de Hocus Pocus
CD de The Mondrians
CD du groupe Pornorama
CD de Ladylike Dragons
CD de Rageous Gratoons
CD de Dubphonic
CD de Stéphanie d’Oustrac et Aline Zylberajch
CD de Antrabata
CD de David Walters
CD des Bantunani
CD de Pascal Amoyel et Emmanuelle Bertrand
CD de Pattern J
CD de Soig Siberil
CD de Giorgos Xylouris
CD de Warattah
CD de l’Ensemble Sagittarius
CD de Jaboticaba
CD d’Alex Tassel
CD de Eyeless
CD de Jalane
CD de Fergus
CD de Satan Jokers
CD du groupe Trust
CD des H-Burns
CD de Roberto Alagna
CD de Julien Pras
CD d’Imbert Imbert
CD de Rodolphe Raffalli
CD de Lars
CD de Benjamin Alard
CD de Babet
CD de Kalinou
CD de Daran
CD de Heavenly
CD de Radium
SAPHIR PRODUCTIONS
ARB
SHINY SHOES RECORDS
CHRIS MUSIC
TROBA VOX
KDB ZIK
SCHERZO CONCERTS ET PRODUCTION
PBOX
ANIMAMA PROD
PAS SAGE
ACCORDS CROISES
DE PLEIN VENT
AZTEC MUSIQUE
AUDIOGENIC
DE PLEIN VENT
SAPHIR PRODUCTIONS
PARATY PRODUCTIONS
THOOBETT
COMME-CI COMME-CA PRODUCTIONS
J.A.M.I.E.
SAPHIR PRODUCTIONS
FRENCH MUSIC TOUCH
VICIOUS CIRCLE
AN NAER PRODUKSION
BANCO MUSIC
13 BIS RECORDS
LA FAMILIA
HEAVENLY SWEETNESS
PSCHENT MUSIC
BORN BAD RECORDS
ROY MUSIC
SOUL LATIN JAZZ PRODUCTION
ON AND ON
LE SON DU MAQUIS
LE SON DU MAQUIS
NICE AND ROUGH RECORDS
SL WORKS
TAKTIC MUSIC
ART ET MUSIQUE D’AMBRONAY
PRIKOSNOVENIE
SCIENCE ET MELODIE
VIZUALIZ MUSIC
THIEBAULT GENEVIEVE
AUDIOGENIC
COOP BREIZH DIFFUSION BREIZH
ACCORDS CROISES
BASE
BI-POLE
BASE
SPIDINVEST
LA CILE
13 BIS RECORDS
BALADINS TOURS PRODUCTIONS
PBOX
VICIOUS CIRCLE
LE TEMPS DES ASSASSINS
GROUPE FREMEAUX COLOMBINI
ICI D’AILLEURS
AU PAYS DES MERVEILLES
ARB
13 BIS RECORDS
AUDIOGENIC
65
2 200,00
2 500,00
4 400,00
3 300,00
5 500,00
6 600,00
3 000,00
4 100,00
7 000,00
4 600,00
4 000,00
4 700,00
1 100,00
3 300,00
1 000,00
1 700,00
2 000,00
2 400,00
7 500,00
1 900,00
2 400,00
2 500,00
3 400,00
1 100,00
3 400,00
2 500,00
4 400,00
5 600,00
6 300,00
5 300,00
6 800,00
1 100,00
2 200,00
10 000,00
4 400,00
4 400,00
5 000,00
7 100,00
6 300,00
3 500,00
2 800,00
1 900,00
8 900,00
9 766,50
1 500,00
1 000,00
2 400,00
3 400,00
3 400,00
1 000,00
3 400,00
3 400,00
3 900,00
7 400,00
3 400,00
4 400,00
4 900,00
4 400,00
12 000,00
1 000,00
7 000,00
2 500,00
6 600,00
3 500,00
11 000,00
4 800,00
3 600,00
9 000,00
1 000,00
66
Appendices 2009
Appendices 2009
2009/781
2009/789
2009/790
2009/791
2009/86
CD de Donso
CD de Vicente Pradal
CD Victor Hugo»»
CD Sénèque»»
convention SCPP /Studio des Variétés
PLANET WOO
ACCORDS CROISES
THELEME PRODUCTIONS EDITIONS
STUDIO DES VARIETES
8 800,00
9 700,00
3 500,00
1 000,00
43 575,00
Live performances
2009 /039
2009/117
2009/139
2009/140
2009/144
2009/153
2009/171
2009/209
2009/217
2009/225
2009/226
2009/227
2009/230
2009/247
2009/257
2009/300
2009/305
2009/306
2009/328
2009/347
2009/349
2009/433
2009/447
2009/460
2009/510
2009/524
2009/529
2009/530
2009/547
2009/612
2009/634
2009/635
2009/640
2009/678
2009/687
2009/697
2009/698
2009/706
2009/709
2009/712
2009/716
2009/724
2009/752
2009/771
2009/802
2009/816
2009/817
2009/829
2009/316
2009/452
2009/553
2009/652
2009/061
2009/062
2009/063
2009/064
2009/065
2009/066
2009/067
2009/068
2009/069
2009/070
tournée de Ba Cissoko
tournée de Brighter Days
tournée de Lilicub
tournée de Mademoiselle K
tournée de NLF3
tournée de Enhancer
tournée de Ayin Aleph
tournée de Marcel et son Orchestre
tournée d’Alexis HK
tournée de Thomas Verovski
tournée de Bernard Joyet
tournée de Serge Utgé-Royo
tournée de Zong
tournée de Herman Dune
tournée de Thomas Roussel
tournée de La Chanson du Dimanche
tournée de Pauline Paris
tournée de Koritni
tournée de Zaho
tournée de Max Léonidas
tournée de Ti-Coca
tournée de La Jarry
tournée de Léni
tournée de Jil is Lucky
tournée de Lafayette
tournée de La Fanfare P4
tournée du groupe Weepers Circus
tournée de Titi Robin et Faiz Ali Faiz
tournée de Calvin Russell
tournée de Florent Vintrigner
tournée de Tom Nardone
tournée de Reza
tournée de Skip The Use
tournée de Arom
tournée de Jaboticaba
tournée de Diving with Andy
tournée de Oldelaf et Monsieur D
tournée de Vitalic
tournée de Dany Brillant
tournée de Maissouille
tournée de Satan Jokers
tournée de 49 Swimming Pools
tournée de Ladylike Dragons
tournée de Loudblast
tournée de Natacha Ezdra
tournée de Vicente Prada
tournée de Sinik
tournée de Heavenly
Mr Toma en première partie de Tété
Julien Deniel en première partie de Bruno Maman
Music Is Not Fun en première partie de divers artistes
Birdpen en première partie d’Archive
convention SCPP / Théâtre de l’Athénée
convention SCPP /Le Cabaret Sauvage
convention SCPP /Café de la Danse
convention SCPP /La Bellevilloise(Club)
convention SCPP /La Boule Noire
convention SCPP /La Locomotive (Petite Salle)
convention SCPP /La Maroquinerie
convention SCPP /L’Archipel
convention SCPP /Sentier des Halles
convention SCPP /Le Trabendo
NUITS METIS
PLANET WOO
L’ AVVENTURA
ROY MUSIC
PROHIBITED RECORDS
NOWHERE PRODUCTION
INVENCIS
MESO PRODUCTIONS
LA FAMILIA
DES-MESURES PRODUCTIONS
EDITO HUDIN
EDITO HUDIN
BI-POLE
SOURCE ET CAETERA
JFK MUSIC
LA PECHE PRODUCTION
QUART DE LUNE
BAD REPUTATION
DOWN LO PRODUCTIONS INC.
ROYAL RIVER MUSIC
ACCORDS CROISES
J.A.M.I.E.
MUST PRODUCTION
ROY MUSIC
FAT
BOULE A ZERO PRODUCTIONS
ACCORDS CROISES
GEL PRODUCTION
LADILAFE
CBN PRODUCTION
FRENCH TOAST
13 BIS RECORDS
BI-POLE
SUMMERTIME
ROY MUSIC
CITIZEN - RECORDS
SOUL LATIN JAZZ PRODUCTION
AUDIOGENIC
13 BIS RECORDS
ELAP MUSIC & PUBLISHING
13 BIS RECORDS
EDITO HUDIN
ACCORDS CROISES
SIX-O-NINE
13 BIS RECORDS
LICKSHOT
LA CILE
PBOX
LES OREILLES BLEUES
THEATRE DE L’ATHENEE
LE CABARET SAUVAGE
CAFE DE LA DANSE
ORIZA-LA BELLEVILLOISE
LA BOULE NOIRE
LA LOCOMOTIVE
LA MAROQUINERIE
L’ARCHIPEL /PARIS-CINE
SENTIER DES HALLES
LE TRABENDO
5 500,00
3 000,00
3 000,00
10 000,00
4 000,00
5 000,00
4 000,00
4 500,00
2 500,00
3 000,00
4 000,00
4 000,00
4 000,00
3 500,00
4 000,00
5 900,00
6 400,00
2 238,00
5 400,00
2 400,00
3 900,00
4 000,00
9 920,00
8 500,00
10 000,00
5 000,00
8 000,00
10 000,00
5 000,00
15 000,00
7 500,00
1 900,00
7 700,00
8 500,00
5 900,00
4 600,00
4 100,00
13 000,00
15 000,00
4 600,00
3 600,00
4 100,00
7 097,00
12 000,00
7 000,00
7 000,00
12 876,00
7 000,00
3 400,00
3 121,00
7 000,00
6 450,00
36 480,00
10 800,00
28 160,00
14 720,00
30 720,00
7 040,00
18 720,00
4 000,00
3 840,00
17 880,00
2009/071
2009/072
2009/073
2009/074
2009/075
2009/076
2009/077
2009/078
2009/079
2009/080
2009/081
2009/082
2009/083
2009/084
convention SCPP /Le Triton
convention SCPP /L’Européen
convention SCPP /Le Zèbre
convention SCPP /New Morning
convention SCPP /Nouveau Casino
convention SCPP /Studio de l’Ermitage
convention SCPP /Alhambra
convention SCPP /La Dynamo
convention SCPP /Les Déchargeurs
convention SCPP /Duc des Lombards
convention SCPP /La Java
convention SCPP /Le Réservoir
convention SCPP /Sunset
convention SCPP /La Scène
LE TRITON
STACCATO-L EUROPEEN
LE ZEBRE DE BELLEVILLE
NEW MORNING
NOUVEAU CASINO
STUDIO DE L’ERMITAGE
FESTIVAL AU FIL DES VOIX
LA DYNAMO
LES DECHARGEURS
DUC DES LOMBARDS
LA JAVA
LE RESERVOIR
SUNSET
LA SCENE BASTILLE
Music Videos
2009 /001
2009/007
2009/010
2009/012
2009/022
2009/024
2009/030
2009/038
2009/052
2009/053
2009/087
2009/090
2009/094
2009/134
2009/137
2009/145
2009/146
2009/147
2009/149
2009/157
2009/162
2009/182
2009/200
2009/210
2009/216
2009/218
2009/221
2009/244
2009/254
2009/268
2009/274
2009/275
2009/284
2009/296
2009/297
2009/298
2009/301
2009/311
2009/312
2009/319
2009/325
2009/327
2009/329
2009/346
2009/348
2009/357
2009/368
2009/375
2009/390
2009/394
2009/397
2009/399
2009/415
vidéo Ca fait mal quand même» de Al»
vidéo D’une blessure à l’autre» de Brasco»
vidéo Bang» de Donovan»
vidéo Sentiments sales» de Cifack»
vidéo Shanghaï» de Ji Mob»
vidéo Le prince charmant» de Claire Denamur»
vidéo Au ravin des enfants perdus» de Dominique Grange»
vidéo Orgiak» du groupe Zong»
vidéo Quoi que tu dises» de Melissa M»
vidéo Go» de James Izmad»
vidéo Breaking Precedent» de Birdpen»
vidéo Le feu aux yeux» de Renaud Hantson»
vidéo Rockcollection» de Laurent Voulzy»
vidéo Il m’a dit» de Black Kent»
vidéo Ta main» de Grégoire»
vidéo Spanish Breakfast» de Rone»
vidéo Juste un oui» de Amine»
vidéo Tu m’as pas laissé le choix» de Amine»
vidéo Licked by love» de The Penelopes»
vidéo The wanderer» de Jil is Lucky»
vidéo Recommencer» de Naëlle»
vidéo Puzzle» des Looptroop Rockers»
vidéo Baby Welcome» de Rodrigue Marcel»
vidéo Sugar Sugar» de Diving with Andy»
vidéo Les affranchis» d’Alexis HK»
vidéo Ca va ça vient» de Merlot»
vidéo On est pas fatigué» de Magic System»
vidéo Then you will know who you are» de F. Elie Roulin»
vidéo Little Sister» de Jean-Philippe Verdin»
vidéo Nou rive abo mem bato la» d’Erick Cosaque»
vidéo open the Door» de William Geslin»
vidéo Hiptonik» de Hiptonik»
vidéo « Get it right de Yas»
vidéo Mec cool» de Driver»
vidéo Hymne à la soie» de Maxime Le Forestier»
vidéo Luna» de François Elie Roulin»
vidéo Robberman» Anthony Joseph»
vidéo Inconsolable» de Control Club»
vidéo Si ou pa la» de Erik»
vidéo 300» des Hilight Tribe»
vidéo La vie cajun» de Féloche»
vidéo Driive» de Rafale»
vidéo Je ne sais pas» de Joyce»
vidéo California Bay» de Max Leonidas»
vidéo Je regarde le monde» de l’Esprit du Clan»
vidéo L’amour existe» de Cristina Marocco»
vidéo Ulysses» de Mélissa Laveaux»
vidéo Taka Danser» de Jim K Ressource»
vidéo Mélodie» de Pep’s»
vidéo La fête des Loges» de William Rousseau»
vidéo S’il ne me restait» de El Matador»
vidéo The parachute ending» de Birdy Nam Nam»
vidéo Le monton blanc» de Zouk Fun»
MP PROD
BOMBATTAK RECORDZ
CITIZEN - RECORDS
SIX-O-NINE
PLANET WOO
SOURCE ET CAETERA
AMOC
BI-POLE
LES OREILLES BLEUES
13 BIS RECORDS
LES EDITIONS LAURENT VOULZY
INFINE
ARTOP RECORDS
ARTOP RECORDS
CITIZEN - RECORDS
ROY MUSIC
UNIT-SOUND
AZTEC MUSIQUE
SUMMERTIME
LA FAMILIA
MVS RECORDS
ARTOP RECORDS
SAVOIR F.E.R.
PATHE PRODUCTION
AZTEC MUSIQUE
YUMMY TUNES
YUMMY TUNES
LES PRODUCTIONS 50 /50
INCIDENCES EDITIONS
SAVOIR F.E.R.
HEAVENLY SWEETNESS
DIAMOND TRAXX
MONDESIR PRODUCTIONS
KOSMIK HOBOES
SCIENCE ET MELODIE
RISE RECORDINGS
ROYAL RIVER MUSIC
13 BIS RECORDS
PLAN 2
NO FORMAT
LES EDITIONS GERARD TEMPESTI
SARL ECHO PRODUCTIONS
44 PROD
BOMBATTAK RECORDZ
SAVOIR FAIRE
VERSAILLES STATION
67
5 760,00
20 400,00
13 440,00
29 600,00
21 120,00
6 720,00
10 800,00
8 000,00
7 488,00
5 888,00
4 080,00
9 440,00
4 320,00
12 800,00
1 500,00
4 700,00
1 200,00
4 000,00
2 000,00
4 700,00
3 500,00
3 000,00
4 400,00
4 000,00
3 000,00
3 000,00
4 700,00
2 500,00
6 000,00
3 500,00
5 000,00
5 000,00
2 000,00
2 500,00
2 000,00
2 000,00
2 000,00
3 000,00
4 000,00
5 000,00
5 000,00
4 000,00
3 000,00
2 000,00
7 500,00
4 000,00
5 000,00
1 500,00
5 000,00
3 000,00
1 500,00
1 500,00
2 000,00
1 500,00
4 700,00
5 000,00
3 000,00
3 000,00
3 000,00
4 000,00
4 000,00
1 500,00
5 000,00
4 000,00
6 000,00
5 500,00
3 745,00
68
Appendices 2009
Appendices 2009
2009/426
2009/435
2009/439
2009/440
2009/441
2009/445
2009/446
2009/451
2009/453
2009/459
2009/475
2009/496
2009/506
2009/512
2009/513
2009/515
2009/517
2009/519
2009/526
2009/528
2009/545
2009/591
2009/592
2009/597
2009/603
2009/605
2009/606
2009/607
2009/608
2009/609
2009/613
2009/614
2009/616
2009/620
2009/621
2009/630
2009/638
2009/653
2009/657
2009/670
2009/674
2009/681
2009/696
2009/703
2009/720
2009/723
2009/731
2009/740
2009/743
2009/750
2009/751
2009/754
2009/763
2009/774
2009/777
2009/830
vidéo Suzy» de Caravan Palace»
vidéo J’avance» de Degom»
vidéo Hong Kong» de Ji Mob»
vidéo Quebrod nem djosa» de Lura»
vidéo Someday we’ll turn to dust» d’Amélie»
vidéo Maire de la ville» de Driver»
vidéo Mort ou vif» de Sinik»
vidéo Always More» de Autokratz»
vidéo Lemon incest» de Didier Super»
vidéo Schizophrenia» de Without Sense»
vidéo Rumbafever» de Bantunani»
vidéo Les 24 heures du manque» de Jean Claude Meurisse»
vidéo Ema» de Charlie»
vidéo Si je manquais de ta peau» de Pascal Obispo»
vidéo Méfie-toi l’escargot» de Mickey 3D»
vidéo Double Poney» de Booba»
vidéo Hung Up» des Cris de Paris»
vidéo L’assassymphonie» de Mozart Opéra Rock»
vidéo The words» de Flox «
vidéo Do you love my shoes ?» de Music Is Not Fun»
vidéo Il suffirait...» de Lauren»
vidéo La valse des regrets» de Pascal Obispo»
vidéo Promesse» de ACWL»
vidéo 8000 km» de Brasco»
vidéo Quelques minutes» de Zveig»
vidéo Adrenaline» de Sinik»
vidéo 5 M2» de Calvin Russell»
vidéo Ghetto melody» de Black Kent»
vidéo Pass that» de Black Kent»
vidéo Baptême du feu» de Boxon»
vidéo Apprends à t’taire» de Casey»
vidéo La maison ronchonchon» d’Alexis HK»
vidéo Tell me that I’m Wrong» de People Like You»
vidéo Black voices» de Tony Allen»
vidéo Où vont les cons ?» de Bikini Machine»
vidéo Universal Party» de Big Ali»
vidéo It’s goodbye» du groupe Film Noir»
vidéo L’annonce» de Marie Espinosa»
vidéo Same song» de David Walters»
vidéo Go Mama» Wayne Beckford»
vidéo Country Show» de Steve & Heather»
vidéo Singing my song» de Pascal Obispo»
vidéo Cakes & Cherries» de Ed Ake»
vidéo 13 minutes» de Ladylike Dragons»
vidéo We go way back» des H-Burns»
vidéo La luna mezzo mari» de Roberto Alagna»
vidéo Tympani» de Pascal Lamour»
vidéo A girl in the movie» de The Mondrians»
vidéo Kill me» de Make The Girl Dance»
vidéo Shake it up» de Big Ali»
vidéo Dis moi» de Abesse»
vidéo Au soleil» de David Walters»
vidéo I love this game» de Black Kent»
vidéo Konm Touzour» de Jaboticaba»
vidéo Chaye Kow» d’Erik»
vidéo Je pars» de Mary’s Dream»
CAFE DE LA DANSE
DON T SLEEP
PLANET WOO
LUSAFRICA
MVS RECORDS
SIX-O-NINE
KITSUNE FRANCE
LA CILE
PASSWORD
VIZUALIZ MUSIC
STUDIOS ACCORD
KLEA MUSIC
PO PRODUCTIONS
MOUMKINE MUSIC
TALLAC RECORDS
ALPHA PRODUCTIONS
WAM PRODUCTIONS
L’OREILLE CASSEE
PBOX
PAS SAGE
PO PRODUCTIONS
13 BIS RECORDS
BOMBATTAK RECORDZ
BOBURST
SIX-O-NINE
GEL PRODUCTION
MJF
LADILAFE
LA FAMILIA
PSCHENT MUSIC
PLANET WOO
LES DISQUES ALIENOR
MADISON MUSIC
LE SON DU MAQUIS
REMARK
SCIENCE ET MELODIE
FRENCH MUSIC TOUCH
PO PRODUCTIONS
3 CINKS PRODUCTION
PBOX
BNC PRODUCTIONS
LE SON DU MAQUIS
ROY MUSIC
MADISON MUSIC
SPIDINVEST
SCIENCE ET MELODIE
BI-POLE
MONDESIR PRODUCTIONS
SHINY SHOES RECORDS
Special projects
2009 /027
2009/028
2009/044
2009/045
2009/046
2009/248
2009/285
2009/358
2009/477
2009/479
2009/480
Activités 2009
Activités 2009
Exercice 2009
Les Victoires de la Musique 2009
Exercice 2009
Contribution supplémentaire pour l’exercice 2009
Exercice 2009
Contribution 2009
Promusicfrance
8ème édition du Prix Constantin
Constitutionnalité de la loi Hadopi»»
FRANCOPHONIE DIFFUSION
VOIX DU SUD
ZONE FRANCHE
ASSOCIATION LES VICTOIRES DE LA MUSIQUE
BUREAU EXPORT DE LA MUSIQUE FRANCAISE
FAIR
FCM
ADEMEL
ASSOCIATION PRIX CONSTANTIN
PROFESSEUR DE DROIT
6 000,00
2 000,00
4 000,00
3 000,00
6 000,00
4 000,00
7 500,00
6 000,00
1 000,00
6 000,00
2 000,00
2 000,00
3 000,00
6 000,00
7 000,00
2 000,00
3 000,00
5 000,00
3 000,00
3 000,00
2 000,00
6 000,00
3 400,00
3 400,00
3 400,00
6 000,00
2 000,00
3 750,00
2 000,00
2 000,00
3 750,00
2 000,00
1 500,00
4 250,00
5 250,00
7 500,00
3 400,00
3 400,00
5 750,00
3 800,00
3 250,00
8 250,00
2 250,00
4 250,00
3 800,00
6 750,00
2 897,00
5 800,00
4 550,00
8 000,00
3 100,00
6 800,00
1 800,00
2 800,00
4 800,00
5 000,00
37 500,00
10 000,00
25 000,00
150 000,00
150 000,00
15 000,00
25 000,00
856 736,00
15 000,00
30 000,00
20 900,00
2009/491
69
Concours du poème chanté Andrée Chedid
Consultation « Enrichissement sans cause
des professionnels de l’Internet»
LE PRINTEMPS DES POETES
10 000,00
2009/722
PROFESSEUR DE DROIT
14 000,00
2009/730
2009/779
2009/780
2009/827
2009/828
20090/85
Les 18e Nuits des Musiciens
Constitutionnalité de la loi Hadopi 2»»
Contribution Fonds Audiovisuel Musical» 2009»
Activités 2010
Festival Au Fil des Voix 2010
Stand Classique Midem 2009
ASSOCIATION LA NUIT DES MUSICIENS
PROFESSEUR DE DROIT
FCM
ZONE FRANCHE
FESTIVAL AU FIL DES VOIX
18 000,00
13 300,00
14 720,00
25 000,00
21 600,00
2 000,00
DRAWING RIGHTS
2009 /861/773
2009/861/772
2009/861/578
2009/861/570
2009/51/826
2009/51/825
2009/51/824
2009/17/590
2009/17/589
2009/68/372
2009/577/567
2009/577/350
2009/1076/334
2009/1076/333
2009/78/033
2009/532/760
2009/11/807
2009/11/805
2009/11/804
2009/11/803
2009/11/801
2009/11/800
2009/11/799
2009/11/798
2009/11/775
2009/11/736
2009/11/735
2009/11/715
2009/11/714
2009/11/713
2009/11/692
2009/11/691
2009/11/516
2009/11/332
2009/208/856
2009/208/704
2009/1104/742
2009/335/682
2009/335/500
2009/335/405
2009/393/204
2009/147/679
2009/371/133
2009/288/495
2009/285/522
2009/285/224
2009/137/476
2009/789/822
2009/789/821
2009/789/820
2009/63/855
2009/63/854
2009/63/853
2009/63/852
2009/63/851
2009/63/850
2009/63/849
CD de Simon Dalmais
CD de Guillaume de Chassy
CD d’André Minvielle
CD de Nelson Veras
CD Pilota Plazara»»
CD de Pil Pil
CD de Joseph Laffitte
CD de l’ensemble Arianna
CD de l’ensemble Fuoco e Cenere
CD de l’Ensemble Jachet de Mantoue
CD de Marie-Ange Leurent et Eric Lebrun
CD des Musiciens de Madamoiselle de Guise
CD de Matthieu Boré
CD de Ben Sidran
CD de Yan Caillasse
CD d’Olivier Caillard
CD de Cali
CD de Camille
CD de Loane
CD de Keren Ann
CD de Rohff
CD de M Pokora
CD de Revolver
CD de Claire Denamur
CD Dr Tom»»
CD de Doremus
CD d’Alain Souchon (live)
CD de Diam’s
CD de Raphaël
CD de Etan
CD de Ours
CD de Charles Aznavour
CD de Rose
CD de Tamara Katoutchek
CD de Baguette Bardot
CD de Electricitiz
CD de Vanessa Hope
CD Molière»»
CD Les Malheurs de Sophie»»
CD de l’ensemble 2E2M
CD de Sarah Michelle
CD de Red Cardell
CD des Enfoirés 2009
CD de Boxon
CD de Villeneuve
CD de Map
CD d’Eric Bouvelle
CD de Goran Voievoda
CD de Régis Boulard
CD de Benjamin de la Fuente
CD de Le Rat Luciano
CD du groupe 113
CD de Gérome Gallo
CD de Julie Zenatti
CD de Fredrika Stahl
CD de Thierry Amiel
CD de Jacques Dutronc (live)
ABEILLE MUSIQUE CONSULTANTS ET DIFFUSION
AGORILA
AGORILA
AGORILA
ARION
ARION
ARPEGE
BAYARD MUSIQUE
BAYARD MUSIQUE
BONSAI MUSIC
BONSAI MUSIC
CHRIS MUSIC
DCVS
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
FGL
FGL
GOLDEN SONG
HEBEN MUSIC
KELTIA MUSIQUE
LES RESTAURANTS DU COEUR
MJF
PIAS FRANCE
PIAS FRANCE
PLURIEL
RADIO FRANCE
RADIO FRANCE
RADIO FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
13 114,00
11 960,00
22 000,00
11 200,00
1 920,00
2 884,00
4 140,00
1 112,00
4 000,00
10 912,00
4 499,00
4 480,00
5 012,00
7 500,00
5 751,00
5 189,00
60 200,00
98 900,00
46 080,00
60 000,00
100 680,00
75 200,00
46 600,00
35 380,00
59 760,00
38 950,00
40 066,00
11 200,00
144 000,00
35 460,00
40 200,00
141 272,00
76 640,00
32 988,00
5 902,00
6 000,00
5 506,00
3 697,00
4 018,00
5 493,00
19 100,00
7 678,00
98 493,00
7 915,00
12 938,00
13 956,00
5 000,00
2 863,00
6 983,00
10 035,00
36 720,00
64 000,00
32 587,00
44 316,00
37 754,00
44 942,00
32 606,00
70
Appendices 2009
2009/63/848
2009/63/823
2009/63/815
2009/63/814
2009/63/813
2009/63/812
2009/63/810
2009/63/809
2009/63/808
2009/63/797
2009/63/796
2009/63/695
2009/63/667
2009/63/666
2009/63/665
2009/63/664
2009/63/343
2009/63/317
2009/63/214
2009/1022/792
2009/1/857
2009/1/762
2009/1/693
2009/1/602
2009/1/600
2009/1/599
2009/1/598
2009/1/568
2009/1/540
2009/1/539
2009/1/538
2009/1/537
2009/1/536
2009/1/535
2009/1/534
2009/1/533
2009/1/532
2009/1/444
2009/1/442
2009/1/389
2009/1/388
2009/1/387
2009/1/384
2009/1/383
2009/1/293
2009/1/292
2009/1/290
2009/1/289
2009/1/287
2009/1/286
2009/1/282
2009/1/240
2009/1/239
2009/1/237
2009/1/130
2009/1/129
2009/1/127
2009/1/126
2009/1/124
2009/1/093
2009/1/092
2009/1/021
2009/1/020
2009/1/017
2009/1/016
2009/1/015
2009/564/732
2009/4/860
2009/4/806
Appendices 2009
CD d’Hubert Félix Thiéfaine
CD des Shades
CD de Tété
CD de La Fouine
CD d’Archimède (live)
CD de The Ritch kids
CD de Idol The Band
CD de Vox Angeli
CD de Garou
CD de Camélia Jordana
CD de Empyr
CD d’Emmanuelle Seigner
CD de Luke
CD d’Amel Bent
CD de Priscilla
CD de Soan
CD de Miss Dominique
CD de Ycare
CD de AP
CD Le diable au corps»»
CD de Mickaels Réa
CD de Madjo
CD de Vitaa
CD de Gaétan Roussel
CD de Brigitte Fontaine
CD de Féfé
CD de Gérald De Palmas
CD de Philippe Cassard
CD de Faudel
CD de Jeanne Cherhal
CD de Thomas Dutronc (live)
CD de Quentin Mosimann
CD de David Hallyday
CD de Alonzo
CD de Carmen Maria Vega
CD de Kayna Samet
CD de Nolwenn Leroy
CD de M
CD de Oncle Ben
CD de Pierpoljak
CD de Maurane
CD de Adam Vadel
CD Hommage à Boris Vian»»
CD de Mike Ibrahim
CD de Marc Lavoine
CD de Renan Luce
CD de Salif Keita
CD d’Emmanuelle
CD de Dani
CD de Michel Delpech
CD de Rachid Taha
CD de Juliette Gréco
CD d’Olivia Ruiz
CD de Khaled
CD de Régine
CD de Misia
CD de Izia
CD de Yannick Duhamel
CD de Jena Lee
CD de Cristina Branco
CD du Quatuor Debussy
CD d’Emily Loizeau
CD de Saule
CD de Superbus
CD de La Grande Sophie
CD de Jacques Coursil
CD de Katel
CD d’Amaury Vassily (live)
CD de William Baldé
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
UNIVERSAL MUSIC DIVISION BARCLAY
V2 MUSIC
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
51 940,00
20 384,00
37 600,00
38 000,00
8 000,00
24 600,00
36 000,00
29 940,00
49 274,00
44 200,00
36 000,00
48 786,00
42 000,00
44 000,00
34 000,00
34 400,00
23 860,00
24 000,00
38 000,00
755,00
38 435,50
34 100,00
78 660,00
36 441,00
46 000,00
40 600,00
80 600,00
5 912,00
47 704,00
29 420,00
18 060,00
46 490,00
74 760,00
29 226,00
28 560,00
40 981,00
55 510,00
164 338,00
9 390,00
32 000,00
76 000,00
31 873,00
78 589,00
38 328,00
90 632,00
55 734,00
81 443,00
30 800,00
44 182,00
42 684,00
36 754,00
24 000,00
79 984,00
52 113,00
73 074,00
44 414,00
33 366,00
29 344,00
28 000,00
16 620,00
7 317,00
48 600,00
31 477,00
58 980,00
42 792,00
17 200,00
32 295,00
2 162,00
36 995,00
2009/4/778
2009/4/749
2009/4/710
2009/4/632
2009/4/631
2009/4/629
2009/4/246
2009/4/245
2009/4/235
2009/4/232
2009/11/834
2009/11/831
2009/11/793
2009/11/725
2009/11/662
2009/11/623
2009/11/558
2009/11/428
2009/11/427
2009/11/408
2009/11/354
2009/11/352
2009/11/205
2009/11/187
2009/11/174
2009/11/115
2009/11/104
2009/393/202
2009/371/098
2009/625/489
2009/625/429
2009/560/858
2009/560/308
2009/63/843
2009/63/842
2009/63/841
2009/63/840
2009/63/839
2009/63/838
2009/63/837
2009/63/836
2009/63/835
2009/63/819
2009/63/818
2009/63/795
2009/63/761
2009/63/727
2009/63/711
2009/63/705
2009/63/663
2009/63/661
2009/63/658
2009/63/622
2009/63/557
2009/63/556
2009/63/555
2009/63/424
2009/63/423
2009/63/409
2009/63/336
2009/63/321
2009/63/309
2009/63/186
2009/63/185
2009/63/109
2009/63/108
2009/63/105
2009/63/103
2009/1/847
CD de Christophe Maé
CD de Catherine Falgayrac
CD des BB Brunes
CD de Inna Modja
CD de Johnny Hallyday (live)
CD de PZK
CD d’Emmanuel Moire
CD de Tigane
CD de Sliimy
CD de Kery James
vidéo Comment c’était déjà» de Rose»
vidéo Coeur de bombe» de Diam’s»
vidéo Qui tu aimes» de Marc Antoine»
vidéo Balulalow» de Revolver»
vidéo Dans un jardin que je sais» de Gérard Manset»
vidéo This must be it» de Royksopp»
vidéo Yes we did» de Rose»
vidéo The girl & the robot» de Royksopp»
vidéo Repris de justesse» de Rohff»
vidéo Get Around Town» de Revolver»
vidéo Wé wé wé» de Seth Gueko»
vidéo King of the dogs» d’Iggy Pop»
vidéo Hysteric Love» de Rohff»
vidéo Assez pour nous» de Polar»
vidéo Sidi Ferouch « & «Les saisons» d’Alain Souchon»
vidéo José» d’Anis»
vidéo Happy up here» de Royksopp»
vidéo Je veux vivre» de Sarah Michelle»
vidéo Ici les enfoirés» des Enfoirés»
vidéo Ma besta» de Sarah Michelle»
vidéo Alison» de Ycare»
vidéo Together in electric dreams» de Mathieu Bouthier»
vidéo Cyan» d’Arno Cost»
vidéo It’s gonna be» d’Empyr»
vidéo La vie en solitaire» de Camélia Jordana»
vidéo J’y crois encore» d’Ycare»
vidéo Un ange à ma table» d’Indochine»
vidéo Pense à moi» de Luke»
vidéo Le dédain de l’envie» de Tété»
vidéo Le mal de toi» d’Amel Bent»
vidéo Eva et les autres» d’Archimède»
vidéo The Backyard» de Soma»
vidéo Où vont les histoires ?» de Thierry Amiel»
vidéo Trop vite» de Myriam Abel»
vidéo Chips» de La Fouine»
vidéo Mademoiselle» de Gérôme Gallo»
vidéo L’instant T» de Natasha St Pier»
vidéo On est comme on naît» de Ridan»
vidéo Next time» de Soan»
vidéo Dingue» d’Emmanuelle Seigner»
vidéo Où je vais» d’Amel Bent»
vidéo Infréquentable» de Bénabar»
vidéo Allez l’amour» de Ludéal»
vidéo Get down» de Soma»
vidéo De passage» de AP»
vidéo Le lac» d’Indochine»
vidéo Je vibre» de Humphrey»
vidéo Merci !» de Patrick Fiori»
vidéo L’été revient» d’Archimède»
vidéo Hamdoulah moi ça va» de La Fouine»
vidéo Play boy» d’Indochine»
vidéo Les beaux souvenirs ne meurent jamais» de P. Guimard»
vidéo Vilaine Canaille» de Archimède»
vidéo La nuit» de AP»
vidéo Little dolls» d’Indochine»
vidéo Passe à ton voisin» de Ridan»
vidéo Du ferme» de La Fouine»
vidéo 1,2,3» de Natasha St Pier»
vidéo Help myself» de Gaëtan Roussel»
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
HEBEN MUSIC
LES RESTAURANTS DU COEUR
M6 INTERACTIONS
M6 INTERACTIONS
SERIAL RECORDS
SERIAL RECORDS
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
71
114 890,00
53 553,00
19 738,00
25 830,00
90 136,00
29 807,00
30 541,00
18 328,00
18 540,00
21 090,00
17 594,00
33 917,00
13 200,00
8 588,00
6 236,00
7 203,00
16 000,00
16 942,00
14 963,00
11 644,00
6 237,00
4 020,00
28 400,00
8 290,00
6 895,00
16 070,00
13 442,00
12 000,00
23 014,00
7 135,00
12 000,00
7 772,00
5 000,00
6 000,00
19 945,00
15 984,00
34 841,00
12 033,00
20 289,00
17 047,00
6 095,00
8 454,00
12 384,00
13 827,00
19 145,00
12 000,00
8 390,00
12 068,00
2 000,00
25 200,00
20 800,00
12 000,00
16 000,00
4 646,00
15 408,00
40 000,00
9 881,00
9 958,00
8 300,00
2 336,00
19 070,00
8 000,00
3 107,00
2 000,00
27 768,00
16 939,00
2 154,00
10 608,00
8 219,00
72
Appendices 2009
2009/1/846
2009/1/845
2009/1/844
2009/1/785
2009/1/784
2009/1/783
2009/1/569
2009/1/564
2009/1/562
2009/1/561
2009/1/560
2009/1/559
2009/1/488
2009/1/487
2009/1/486
2009/1/485
2009/1/484
2009/1/422
2009/1/421
2009/1/420
2009/1/419
2009/1/417
2009/1/267
2009/1/264
2009/1/263
2009/1/262
2009/1/260
2009/1/259
2009/1/258
2009/1/201
2009/1/194
2009/1/193
2009/1/192
2009/1/191
2009/1/190
2009/1/110
2009/1/102
2009/1/101
2009/1/100
2009/1/097
2009/1/096
2009/564/261
2009/4/794
2009/4/729
2009/4/660
2009/4/659
2009/4/633
2009/4/521
2009/4/482
2009/4/481
2009/4/425
2009/4/356
2009/4/265
2009/4/189
2009/4/188
2009/4/114
2009/4/113
2009/4/112
2009/4/111
2009/11/626
2009/11/624
2009/11/509
2009/11/504
2009/63/833
2009/63/832
2009/63/798
2009/63/786
2009/63/625
2009/63/353
Appendices 2009
vidéo True love» de Micky Green»
vidéo Miroir, Miroir» de Sarah Riani»
vidéo J’suis Ko» de Singuila»
vidéo Faut-il Faut-il pas” de Nolwenn Leroy”
vidéo Toc Toc” de Quentin Mosimann”
vidéo Je me perds” de Jena Lee”
vidéo J’sais pas” d’Anaïs”
vidéo Dreamland” d’Emilie Simon”
vidéo Je suis le quartier” de Alonzo”
vidéo Seven Nation Army” de Oncle Ben”
vidéo Je reviendrai” de Sheryfa Luna”
vidéo On n’est pas à une bétise prés” de Renan Luce”
vidéo Dans ma rue” de Féfé”
vidéo Au bord de l’eau” de Gérald de Palmas”
vidéo La menteuse” de Carmen Maria Vega”
vidéo Les représentants en “bonjour”” de Rachid Taha”
vidéo La Fille de la bande” de Renan Luce”
vidéo J’arrête” d’Iliona Blanc”
vidéo Savannah bay” de Sammy Decoster”
vidéo Carla” de Manu Larrouy”
vidéo Laisse aller” de Adam Vadel”
vidéo Le roi des ombres” de M”
vidéo Lova Lova” de Superbus”
vidéo J’hésite” de Salif ”
vidéo Smilin’!!” de Pascale Picard”
vidéo T pa Bo” de Iliona Blanc”
vidéo Truc de Ouf ” de Kennedy”
vidéo Elle panique” d’Olivia Ruiz”
vidéo Rebelote” des Psy 4 de la Rime”
vidéo Le premier amour” d’Anaïs”
vidéo Unpredictable” de Tahiti 80”
vidéo Sister” d’Emily Loizeau”
vidéo Le la” de Julien Baer”
vidéo Sur un trapèze” d’Alain Bashung”
vidéo Pourquoi je reviens” de Kool Shen”
vidéo Let’s get physical” de Rock & Junior”
vidéo Persistance rétinienne” des Wampas”
vidéo Bien mérité” de Clarika”
vidéo J’aimerais tellement” de Jena Lee”
vidéo Mademoiselle” de Berry”
vidéo Tucumcari” de Sammy Decoster”
vidéo Time machine” de Rinôçérôse”
vidéo Dingue” de Christophe Mae”
vidéo Promis” d’Emmanuel Moire”
vidéo Comme ça” de PZK”
vidéo Paint your face” de Sliimy”
vidéo Lettre à mon public” de Kery James”
vidéo Les filles adorent” de Pzk”
vidéo Sans dire un mot” d’Emmanuel Moire”
vidéo Mister H” de Inna Modja”
vidéo Trust me” de Sliimy”
vidéo Le temps d’une chanson” de Tigane”
vidéo Mademoiselle” de Zaza Fournier”
vidéo Je représente” de Kery James”
vidéo Papillon” de Davy Sicard”
vidéo Wake up” de Sliimy”
vidéo Le retour du rap français” de Kery James”
vidéo L’impasse” de Kery James”
vidéo Lucente stella” de Amaury Vassili”
tournée de Revolver
tournée de Rose
tournée d’Alain Souchon
tournée de Diam’s
tournée d’Emmanuelle Seigner
tournée de Jacques Dutronc
tournée d’Archimede
tournée de Ridan
tournée de Ycare
tournée de Bénabar
V2 MUSIC
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
EMI MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
SONY MUSIC FRANCE
16 286,00
11 600,00
10 600,00
19 332,00
17 600,00
22 633,00
5 949,00
13 535,00
9 167,00
1 600,00
18 755,00
22 840,00
12 031,00
19 960,00
3 805,00
10 799,00
24 806,00
2 800,00
14 044,00
7 914,00
3 816,00
19 603,00
18 580,00
5 000,00
8 436,00
6 015,00
5 603,00
24 482,00
5 200,00
16 200,00
1 800,00
11 600,00
4 989,00
16 000,00
19 416,00
12 107,00
7 219,00
4 849,00
19 830,00
5 287,00
9 101,00
12 000,00
25 164,00
15 685,00
10 460,00
18 000,00
9 271,00
12 000,00
18 000,00
10 634,00
16 403,00
13 978,00
18 550,00
9 069,00
13 040,00
14 254,00
13 266,00
7 972,00
12 000,00
11 500,00
30 000,00
42 296,00
75 000,00
7 457,00
49 707,00
13 000,00
35 485,00
25 975,00
14 500,00
2009/1022/118
2009/1/386
2009/1/385
2009/1/291
2009/1/288
2009/1/281
2009/1/279
2009/1/278
2009/1/277
2009/1/276
2009/1/238
2009/1/132
2009/1/131
2009/1/125
2009/1/122
2009/1/121
2009/564/690
2009/4/520
2009/4/406
2009/4/326
2009/4/023
2009/4/355
2009/1/123
TOTAL
tournée A la recherche du temps perdu””
tournée de Bruno Maman
tournée de Pascale Picard
tournée de Rokia Traoré
tournée de Superbus
tournée de Manu Larrouy
tournée de Marina
tournée de Izia
tournée de Khaled
tournée de Carmen Maria Vega
tournée de Saule
tournée de La Grande Sophie
tournée de Luciole
tournée de Martin Rappeneau
tournée de Saule
tournée d’Abd Al Malik
tournée de Nosfell
tournée de Louisy Joseph
tournée de Sliimy
tournée de Johnny Hallyday
tournée de Davy Sicard
Tigane en première partie de Grégoire
Orly Chap en première partie d’Arthur H
V2 MUSIC
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
WARNER MUSIC FRANCE
73
9 192,00
8 000,00
6 561,00
10 053,00
11 050,00
2 800,00
11 500,00
1 590,00
4 131,00
2 464,50
3 363,00
3 448,00
9 000,00
7 153,00
5 474,00
2 130,00
5 500,00
18 000,00
34 744,00
47 820,00
10 000,00
25 000,00
2 300,00
10 535 491,50
Appendices 2009
75
ACTIVITY REPORT FOR THE ANTI-PIRACY UNIT Year 2009/2010
Introduction
≥ Systems for illegally exchanging and making available music files have once again changed in 2009/2010. Indeed, in addition
to the use of peer to peer networks, the SCPP has in particular observed the development, at the initiative of organised virtual
communities, of exchange forums that have built-in search engines, and/or blog platforms, which provide references to links
allowing protected musical recordings to be downloaded from storage areas (cyberlockers) that are disseminated across the
Internet network. That is why, again this year, the SCPP’s Anti-Piracy Unit has made combating piracy on the Internet a priority.
≥ However, so-called «traditional» piracy, on the fringes of piracy of music on the Internet, has not disappeared and the SCPP
is continuing its activity and vigilance in this area.
1 > FIGURES FOR 2009/2010
Anti-piracy report
≥ During the course of the year, the Anti-Piracy Unit handled 101 dossiers, including 54 contentious dossiers and 47 dossiers
concerning enforcement procedures, subsequent to the obtaining of legal rulings.
≥ 12 penal actions were filed in one year and the SCPP was a private party in 5 dossiers.
≥ 121,907 illicit links and pirate websites on the Internet, which is 1,210,292 MP3 files, were deleted this year, subsequent
to the SCPP sending warning and removal letters.
≥ 12 «blogspot» type sites were shut down, corresponding to 6,000 illicit links, which is 90,000 MP3 files deleted.
≥ 4,313 illicit CDs were withdrawn from auction sales sites, such as Ebay.
≥ Faced with the many uses without authorisation of sound recordings listed in the SCPP’s social catalogue, and with the purpose
of correcting them, 498 verifications were carried out, and certificates of offence were delivered by sworn agents. These
verifications were primarily directed towards the telephone music-on-hold, interactive listening terminals, webradio sectors and
on-line servers making excerpts of sound recordings or music videos available.
2 > CURRENT PROCEEDINGS
≥ Actions taken against Newsgroups
• Subsequent to a decision that was handed down in a joint application presented by the SCPP, the SACEM/SDRM and FREE,
the Paris Court of First Instance authorised FREE to extend the suspension of 46 music newsgroups that were previously set up.
≥ Actions taken against servers of the illicit P2P networks
• Again this year, formal letters were sent by the SCPP to people operating servers in France devoted to pirate activities on the
P2P networks (EDonkey, Emule, and Direct Connect networks). These formal letters resulted in the shutting down of 117 servers.
≥ Actions taken against illicit links sites
• The SCPP intervened in several proceedings involving administrators of sites of links on which were illegally made available to
the public, via downloading, sound recordings in the SCPP repertoire. For most of these proceedings, a preliminary investigation
is underway.
≥ Action taken against a publisher of software used massively to make sound recordings available to the public illegally
• On 9 June 2009, the SCPP filed an action against the publisher of a software used massively to make sound recordings available
to the public illegally, this software in particular allows sound recordings proposed for listening purposes on legal streaming sites
to be downloaded illegally.
≥ Actions in terms of traditional piracy
• Again this year, the SCPP filed several actions, after becoming aware of the making available of CDs and DVDs reproducing sound
and/or video recordings from the SCPP repertoire to the public without authorisation, via the sale in shops or on Internet sites.
Eight actions moreover were filed subsequent to the Customs department discovering and seizing pirated Mickael Jackson sets,
put into circulation after the death of the artist in June 2009.
76
Appendices 2009
3 > RELATIONS WITH INSTITUTIONS AND PROFESSIONAL ORGANISATIONS
≥ Intervention taken by the SCPP’s Anti-Piracy Unit during training programmes organised by the School of Gendarmerie
at Fontainebleau, National School of Police, with specialised investigators attending, and with the Regional Customs Departments,
allows institutional awareness to be strengthened concerning dossiers on music piracy.
≥ Close relations also exist with the SACEM / SDRM anti-piracy department, which has made possible, this year again, to work
together on several cases of legal action.
≥ The anti-piracy unit enjoys privileged relations with the Secretariat of the IFPI and its various national groups, which gives
rise to regular exchanges of information concerning the strategies developed to improve combating music piracy.
≥ The SCPP is a member of the Union des Fabricants (UF)(Manufacturer’s Union) and the Comité National Anti-Contrefaçon
(CNAC)(National Committee on Anti-Piracy) and regularly participates in the commissions and work groups organised by these
two bodies.
4 > JURISPRUDENCE
4.1 Traditional piracy
CFI OF NICE > Bootlegs
Judgement of 18 September 2009 of the Magistrates’ Court of Nice
In a procedure filed against private individuals who offered CDs and musical DVDs for sale as organised fraud without the
authorisation of the legal producers, the Magistrates’ Court of Nice sentenced the accused to a 3-month to 1-year suspended
prison sentence and ordered the judgement to be published.
A hearing on the civil interests has been set for 15 June 2010.
CFI OF RENNES > Partial copies
Judgement of 3 November 2009 of the Magistrates’ Court of Rennes
Within the framework of an affair wherein «playback» versions of more than 4,000 music recordings burned on DVDs were
offered for sale on the Internet, the Magistrates’ Court sentenced the pirates:
• For one, to a suspended fine of 3,000 euros and the payment of 3,042 euros in damages (as reparation of the material
prejudice), in addition to the sum of 500 euros pertaining to Article 475-1 of the French Penal Procedure Code.
• For the other, to a suspended fine of 7,000 euros and the payment of 6,085 euros in damages
(as reparation of the material prejudice), in addition to the sum of 500 euros pertaining to Article 475-1
of the French Penal Procedure Code.
• Jointly: 500 euros in damages as reparation for the moral prejudice.
This decision is final.
4.2 Efforts combating piracy on the Internet
COURT OF CASSATION > P2P
Disposition of appeal of 16 June 2009 of the Court of Cassation
In a procedure against an internet user that had made nearly 24,000 music recordings available to the public on the internet
using the Soulseek and Emule peer to peer software, the Superior Court annulled the disposition of appeal of the Court
of Appeal of 11 December 2008 by declaring valid the procedure followed by the sworn agents who take the IP address
for the purposes of later identification of the author of the counterfeiting. Indeed, it deemed that the visual observations
made over the internet and the information collected by a sworn agent, who uses computer equipment and peer to peer
software to access for the purposes of downloading the list of works that are irregularly proposed on the web by an internet
user for whom he takes down the IP address in order to locate his service provider for the purposes of later discovering
the author of the counterfeiting, fall within the powers granted to this agent and do not constitute processing of data
of a personal nature. The affair has been returned to the Court of Appeal of Versailles.
A hearing has been set for 7 June 2010.
Appendices 2009
CFI OF VANNES > P2P
Judgement of 25 June 2009 of the Magistrates’ Court of Vannes
In a procedure filed against an internet user that had unlawfully copied and made music recordings available within the
framework of peer to peer sharing networks, the Magistrates’ Court of Vannes sentenced the accused to a 2-month suspended
prison sentence and an 18-month probationary period.
Civil interests allocated to the SCPP: 17,913.60 euros in damages, in addition to the sum of 1,000 euros pertaining to Article
475-1 of the French Penal Procedure Code.
The accused has filed an appeal against this judgement.
CFI OF NANTERRE > P2P software
Judgement of 25 June 2009 du Court of First Instance of Nanterre
Within the framework of the action initiated by the SCPP against a foreign company, publisher of P2P software, manifestly
intended to make sound recordings available to the public without authorisation of their producers, the Nanterre Court of First
Instance prohibited the making available of said software and sentenced said company to pay damages to the SCPP.
CFI OF TOULON>P2P
Judgement of 2 July 2009 of the Magistrates’ Court of Toulon
In a procedure filed against an internet user that had unlawfully copied and made more than 20,000 music recordings available
within the framework of the Direct Connect peer to peer sharing network, the Court sentenced the accused to a 2-month
suspended prison sentence and ordered the confiscation of the bonded items as well as the publication of the ruling.
Civil interests allocated to the SCPP: 21,571 euros in damages, in addition to the sum of 1,000 euros pertaining to Article 475-1
An appeal has been filed with regards to the civil interests.
CFI OF PARIS > Streaming site
Judgement of 3 September 2009 of the Magistrates’ Court of Paris
In a procedure filed against a company and its managers who, on the one hand, made music recordings available to internet
users using a streaming site and on the other hand, published and made available to internet users a software that is manifestly
intended for the unauthorised making available to the public of sound recordings in the form of playlists, the court sentenced
each of the managers to a 12-month suspended prison sentence and a fine of 10,000 euros and ordered the definitive shut
down of the company that was used to commit the offences and the confiscation of the bonded items.
Civil interests allocated to the SCPP: the managers were sentenced to jointly pay the sum of 871,804 euros in damages,
in addition to the sum of 2,000 euros each pertaining to Article 475-1 of the French Penal Procedure Code.
The accused have filed an appeal against this judgement. A hearing has been set for 4 May 2010.
CFI OF AVRANCHES > P2P
Judgement of 12 January 2010 of the Magistrates’ Court of Avranches
In a procedure filed against an internet user who had made more than 65 gigabytes of sound recordings available to the public
without the authorisation of their legal producers within the framework of the «Direct Connect» peer to peer sharing network,
the Court sentenced the accused, an individual, to a fine of 4,000 euros and ordered the publication of the ruling.
Civil interests allocated to the SCPP: 5,000 euros in damages, in addition to the sum of 800 euros pertaining to Article 475-1
An appeal has been filed with regards to the civil interests.
COURT OF CASSATION > Site of links
Disposition of appeal of 23 March 2010 of the Court of Cassation
In a procedure filed against an internet user who without the authorisation of the sound recording producers, made available
to internet users on his internet site links allowing them to download nearly 6000 music recordings, the Court of Appeal
of BASTIA confirmed the judgement of the 1st instance of 6 July 2007 in its penal dispositions and overturned it in its civil
dispositions. The Court as such sentenced the accused to pay the SCPP the sum of 10,000 euros in damages, in addition
to the sum of 4,000 euros pertaining to Article 475-1 of the French Penal Procedure Code.
Repeal of the purview of the first instance dated 6 July 2007:
Sentencing of the accused to a 3-month suspended prison sentence, omission of a ruling on the civil interests.
The accused filed an appeal to the Court of cassation against this ruling but the Superior Court rejected it on 23 March 2010
for the reason, in particular, that the Court of Appeal justified its ruling by rejecting the plea of voidance raised in terms
of the certificate of offence rendered by sworn agent, in that the sworn agent, in application of the powers that are granted
to him by Article L.331-2 of the Intellectual Property Code, observed the existence of the disputed site by noting down
in particular the IP address of its creator for whom the identification was, then, carried out, upon requisition, by the police
within the framework of the preliminary investigation commissioned for this purpose.
77
Appendices 2009
79
COMMUNICATIONS DEPARTMENT / Activity report 2009 – 2010
SCPP communication continued with four objectives:
Inform its members of SCPP activity on a regular basis
Allow SCPP members to meet the players in the music sector via events and professional fairs
Support lobbying actions and the efforts of the anti-piracy unit in their mission of defending producers’ rights
Confirm the reputation of the SCPP by positioning it as the number one partner of producers of sound recordings.
1 > INFORMATION FOR MEMBERS
1.1 Written communication
1.1.1 Letter of the General Managing Director
≥ A genuine communications link with SCPP members, the General Managing Director’s letter informs its members
of the activity and concerns of the SCPP.
≥ 1.1.2 The SCPP producer database
The SCPP’s producer database, which is updated on a regular basis, presents each member company of the SCPP, indicating its
main activity, its organisational chart, its catalogue and its corporate name. Especially useful during trade shows, this database
can be consulted using the name of the company, the name of its manager or representative, the name of an artist, or by type of
music.
1.2 Internet site and «returns» software
≥ The SCPP’s internet site, available in two languages, provides details on the mission of the SCPP, its operation, its members
and its catalogue, and relays news of interest to SCPP members.
≥ A new version of the returns software began to be installed at our members. This software, which contains all of
the instruments that allow them to declare their sound recordings and their sales to the SCPP as well as the means to manage
their repertoire, allows them to save time in their relations with the SCPP.
2 > EVENTS AND PROFESSIONAL FAIRS
2.1 MIDEM
≥ As every year, the SCPP made a 195-m2 area available to its members at MIDEM, including private offices, equipped with audio
and video equipment. In this way, SCPP members were able to take advantage of privileged rates to access the show.
2.2 SCPP general shareholders’ meeting
≥ At the occasion of its annual general shareholders’ meeting, members of the SCPP, journalists and professional partners
are invited to a dinner cocktail at the Pavillon Dauphine.
3 > DEFENDING PRODUCERS’ RIGHTS
≥ SCPP communication continued in its mission of awareness for all professionals in music and for public powers in terms
of compliance with the rights of music producers, especially:
• with companies using telephone music-on-hold systems,
• with public authorities within the framework of the «Creation and Internet» law.
≥ The SCPP wanted to inform possible offenders, producers and public powers of the risks that are taken when the rights
of producers are not respected and confirmed its determination to have these rights complied with.
80
Appendices 2009
3.1 Combating piracy and promoting legal sites
≥ In order to encourage the development of legal downloading platforms, the SCPP is a partner of
the «Tous pour la musique» association (www.touspourlamusique.org).
2) Relations with the press
≥ The communications department regularly informs the regional and national press of the favourable legal rulings obtained
by the anti-piracy unit. As it does every year, the SCPP invites journalists one week before the MIDEM and on the day of its
General Shareholders’ Meeting, for a press luncheon, allowing its President and its General Managing Director to mention
producers’ concerns and wishes.
IV – CONFIRM THE REPUTATION OF THE SCPP
4.1 Advertising
≥ SCPP advertisements are taken out in professional guides in the music sector, as well as in magazines that are distributed
during the MIDEM.
4.2 The SCPP’s presentation portfolio
≥ The SCPP’s presentation portfolio covers the main responsibilities of the company and provides details on the types
of collections as well as the rules for distribution. It is available in two languages.
SOCIÉTÉ CIVILE DES PRODUCTEURS PHONOGRAPHIQUES
14, boulevard du Général Leclerc
92527 Neuilly-sur-Seine Cedex
> T 01 41 43 03 03
> F 01 41 43 03 26
www.scpp.fr