programme. colloque international sur les mémoires de guerre.
Transcription
programme. colloque international sur les mémoires de guerre.
PROGRAMME. COLLOQUE INTERNATIONAL SUR LES MÉMOIRES DE GUERRE. Mardi 14 juin Accueil 9h00-9h30 9h30-11h 9h30-11h 1. The construction of war hero in three films of the 1920s about WWI: Wings (William Wellman) Broken Lullaby (Lubitsch) The Great Parade (Vidor). / Raphaelle Costa de Beauregard. 2. Requiem for a Tommy: impersonality and subjectivity in Stuart Cooper’s Overlord (1975). / Nicole Cloarec. 3. The Spanish-American War on Film: an International Approach. / Andras Lenart. 1. Constructing Wilfred Owen’s Legacy: from Poet’s Poet to War Poet. / Jane Potter. 2. Critical Reverberations of the Memory Boom: Veterans in Pat Barker’s Fictions of the First World War (1986-2012). / Marlene Briggs. 3. No Rest for the War Weary: Insomnia and Memory in Ernest Hemingway's “Now I Lay Me” / Sarah Kingston. 11h 11h30 pause 11h30-12h30 11h30-12h30 1. Les deux guerres mondiales à travers les caricatures et les bandes dessinées en Grande-Bretagne. / Renée Dickason. 1. “I don’t know how one would stick it here if it wasn’t for you”: reconsidering the First World War through exchanges of letters between couples. / Carol Acton. 2. The Empire Fights Back: First World War Postcards & Combat Representations of Indian Colonial Troops. / Gilles Teulié. 2. Robert Briffault’s War letters: A Divided Self Under Fire. / Emmanuel Roudaut. 12h30-14h00 repas 14h00-15h00 keynote speaker Stephen Whitfield Brandeis University, Massachusetts The Meaning of Memory: The American Civil War 15h00-15h15 pause 15h15-16h15 15h15-16h15 1. War Voices - Australian Aboriginal Political Revolt Post WWI. / John Maynard. 2. Wars and Memories of Wars - Impact on the elaboration of indigenous stereotypes in colonial and postcolonial societies: the case of New Zealand. / Corinne David. 1. Between Nigeria and Biafra: Locating Ethnic Minorities in Narratives of the Nigerian Civil War, 1967-70. / Dominique Otigbah. 2. A dirty little colonial war: British strategies to control the visual representation of the Kenya “emergency” 1952-60. / Keith Bell. 16h15-16h30 pause 16h30-17h30 1. For the Privilege of Dying: African American Artists and the Imagery of World War 1. / Amy Kirschke. 2. Allies or Enemies? The Representation of Coloured Soldiers in Contemporary First World War Fiction in English and French. / Anna Branach-Kallas. 16h30-17h30 1. They fought alone: la mémoire oubliée des envoyés britanniques et américains auprès de la résistance française. / Raphaele Balu. 2. Une « époque abominable» : le regard d’une Australienne sur la France occupée. / Sylvie Maréchal. Mercredi 15 juin Accueil 9h00-9h30 10h-11h 9h30-11h 1. Remembering Gallipoli from Female Perspectives: Daughters of Mars and The Wing of Night. / Azer Kemaloglu. 1. Construction de la figure du “héros-combattant juif” : représentations et contre-représentations sur l’écran américain. / Véronique Elefteriou-Perrin. 2. ‘Absolutely Napoleonic’: War, Death and Sibling Intimacy in Katherine Mansfield. / Gerardo Rodriguez-Salas. 2. « Écrire le Blitz, Entendre la nation » : récit individuel du Blitz et construction d’une identité collective sonore dans le cinéma britannique de la Seconde Guerre mondiale (1939-1945). / Anita Jorge. 3. Celebration, education, entertainment, or commerce? Transnational influences and local characteristics in commemorating the WWII Liberation, 2014-2015. / Susan Hogervorst and Kees Ribbons. 11h 11h30 pause 11h30-12h30 11h30-12h30 1. The Afghanistan Wars in Film: from Communism to Terrorism. The Changing Menace towards the United States. / Tatiana Prorokova. 1. A Duty To Remember, A Duty To Forget: Examining Americans’ Unequal Memories of the War on Armenians and the War on Jews. / Jeffrey Demsky. 2. Perpétuation du souvenir: la communauté chypriote grecque à Londres. / Solveig Marois. 2. Crimea 1854/ Kuwait 1991: Erasing the Human. / Martin Danahay. 12h30-14h00 repas 14h00-15h00 keynote speaker Stéphanie Bélanger Royal Military College of Canada, Kingston, Ontario Cultural Memories and Hegemonic Indoctrination: tensions and resolutions in the Canadian Armed Forces 15h00-15h15 pause 15h15-16h15 15h15-16h15 1. The West as the Other in Iran’s literary Postwar journalism (1988-1992). / Maryam Pirdehghan and Mohsen Mahmoudi. 2. The Digital Soldiers’ Tale? Mediatization and Memory in the War on Terror. / Michael Gisick. 1. A wounded hero of the war in Vietnam: from blaming to forgetting. / Natalia Avdonina. 2. All [not so] Quiet On the Korean Front: Lewis Milestone, Gregory Peck and S L A Marshall at Pork Chop Hill. / Judith Keene. 16h15-16h30 pause 16h30-17h30 16h30-17h30 1. ‘History will be kind to me for I intend to write 1. Of wars, scars and celluloid memory. Representations it': Winston Churchill's Eleven Volumes on the of war in Sri Lankan Cinema (2000-2010). / Vilasnee Two World Wars. / Antoine Capet. Tampoe-Hautin. 2. « Our visit to Waterloo »: Representing the 2. An experience ‘beyond their ken’: managing responses Battlefield in the Memoirs of Charlotte Eaton and to captivity across Southeast Asia, 1941 – 1945. / Oliver Elizabeth Butler. / Nathalie Saudo-Welby. Lizzie. Jeudi 16 juin Accueil 9h00-9h30 9h30-11h 9h30-11h 1. The National World War II Museum, New Orleans: An Architectural Interpretation of War. / Victoria Young. 1. “This day is not for you”: the other side of Anzac. / Matthew Graves. 2. Remembrance in the UK of Indians’ Participation in the Second World War. / Robert Upton. 3. Battles and Marches: Orange Heritage and Fragmented Commemoration in Northern Ireland. / M.K. Flynn Sieges. 2. Selective Remembering and Motivated Forgetting: The Primacy of National Identity in Australia’s Differential Memorialisation of its Wars. / Sheila Collingwood-Whittick. 3. From Hostility to Lasting Friendship: An Exhibition on Turkish and Anzac Soldier Personal Narratives. / Azer Kemaloglu and Sharon MascallDare. 11h 11h30 pause 11h30-12h30 11h30-12h30 1. American Civil War Re-enactment in Britain, 1951-1977. / Nimrod Tal. 2. U. S. Civil War Monuments and Remembrance of World War I. / Thomas Brown. 1. The humour of a WWI Indian soldier’s narrative in M.R. Anand’s Across the Black Waters (1940). / Florence Cabaret. 2. Finding Forgotten Wars: contesting fictions and frictions of the Second World War via Northeast India. / Aditya Kiran Kakati. 12h30-14h00 repas 14h00-15h00 keynote speaker Daniel Palmieri (historian, Red Cross, Geneva, Switzerland) Very Important Persons in a Stalag: War Humanitarianism in post-WWII Movies". 15h00-15h15 pause 15h15-16h15 15h15-16h15 1. Historically-Estranged Generations: Memorials and the Relevance Effect in Nigel Farndale’s The Blasphemer and Tatiana de Rosnay’s Sarah’s Key. / Marzena SokolowskaParyz. 1. L’identification au vainqueur : une manifestation du néocolonialisme. / Yves Laberge. 2. The war to haunt all wars: Canada, Afghanistan and World War One. / James Clark. 2. Searching for Spirits: Spiritualism, Memory and the Great War. / Kyle Falcon. 16h15-16h30 pause 16h30-18h 1. The Genocide Convention in the American Press. / Michelle Penn. 2. Destroy, then record and protect. The Allies’ representation of war damage to the Italian historical buildings (1943-47). / Morgante Michela. 3. Their Finest Hour?: The British Extreme Right and Memory of the Second World War, 1999-2010. / Paul Stocker.