Bio and biblio Manon de Boer until 03-09-10

Jan Mot
Manon de Boer
Born in 1966 in Kodaicanal, India
Lives in Brussels
1985-1990
1990-1992
Akademie van Beeldende Kunsten, Rotterdam
Rijksakademie van Beeldende Kunsten, Amsterdam
Awards
1997
2004
2006
2006
2009
Prix de la Jeune Peinture Belge, Brussels
Prix Georges de Beauregard, FID, Marseille (F)
Best Experimental Film, Film Festival, Vila do Conde (PT)
Prix Marseille Espérance, FID, Marseille (F)
Videonale 09 Prize (Attica), Bonn (DE)
Solo Exhibitions
2010
Manon de Boer, Contemporary Art Museum of St. Louis (US)
(upcoming)
Manon de Boer, South London Gallery (upcoming)
Dissonant, Jan Mot, Brussels
2009
Manon de Boer & Hito Steyerl, Pallas Contemporary Projects, Dublin
2008
Manon de Boer: The Time That Is Left, Frankfurter Kunstverein,
Frankfurt (DE)
Manon de Boer, Witte de With, Rotterdam (NL)
Attica, Jan Mot, Brussels
2005
Artists in Focus 13e Curtas Vila do Conde Film Festival, Solar Galerie,
Vila do Conde (PT)
Resonating Surfaces, Jan Mot, Brussels
2003
Sylvia Kristel - Paris, Galerie Jan Mot, Brussels
2002
Laurien, SKOR, Amsterdam
2001
The Alpha and Omega Project, Galerie Jan Mot, Brussels
Galerie Jan Mot, ARCO, Madrid
1999
Etablissement d'en Face, Brussels
Four Takes, Stedelijk Museum Bureau, Amsterdam
L.A. Stories - 3 Variations, Huis a/d Werf, Utrecht (NL)
JAN MOT BVBA
RUE ANTOINE DANSAERTSTRAAT 190 B - 1000 BRUSSEL / BRUXELLES
TEL +32 2 514 10 10 FAX +32 2 514 14 46 E-MAIL [email protected]
BTW/TVA BE 875 839 328
ING 310-1812436-77
1997
The Monologues, Vaalserberg, Rotterdam (NL)
Group Exhibitions
2011
Les paradoxes du temps, MUDAM, Luxemburg (upcoming)
2010
Blitz & Donner, COCO, Vienna
There is Always a Cup of Sea to Sail In, The 29th Sao Paulo Biennial,
Sao Paulo (BR)
Publics and Counterpublics, Centro Andaluz de Arte Contemporaneo,
Sevilla (ES)
Attica, Concertgebouw, Bruges (BE)
Trust, Media City Seoul 2010, Seoul Museum of Art, Seoul
Sensorialités excentriques, Musée départemental d'art contemporain
de Rochechouart, Rochechouart
Repetition Island, Centre Pompidou, Paris
A l’ombre d’un doute, FRAC Lorraine, Metz (FR)
Auguste Orts: Correspondence, MUHKA, Antwerp (BE)
Springdance, Centraal Museum, Utrecht (NL)
Collectiepresentatie, M HKA, Antwerp (BE)
Body Sound/Update III, Zebrastraat, Ghent (BE)
Projections, Bonniers Konsthall, Stockholm
Make the Most of Now!, Kunsthalle Exnergasse, Vienna
Listen to your eyes, Fonds régional d'art contemporain de Lorraine,
Metz (FR)
2009
Dance In My Experience, Kunstverein Düsseldorf, Düsseldorf (DE)
Menschen am Sonntag, Vanmoerkerke Art Collection, Ostend (BE)
Jan Mot, Frieze Art Fair, London
A Sensed Perturbation, Murray Guy Gallery, New York
Sound Of Music, Turner Contemporary, Margate (UK)
See This Sound, Lentos Museum, Linz (AT)
Time As Matter. MACBA Collection. New Acquisitions, MACBA,
Barcelona (ES)
Chance Encounters, Ludlow 38, New York
Several Silences, The Renaissance Society, University Of Chicago (US)
A Story Of The Image, Shanghai Art Museum, Shanghai (CN)
A Story Of The Image, National Museum, Singapore
The Space of Words, MUDAM, Luxembourg (LU)
The Immediate Future, Lund Kunsthalle, Lund (SE)
Argos Open Lounge, Villa Merkel, Esslingen (DE)
Playtime, De Warande, Turnhout (BE)
Two Times 4’33”, MONA FOMA Festival, Tasmania (AU)
2008
Multikino, Tranzitdisplay Gallery, Prague
Overcoming, Ernst Museum, Budapest
Silenzio!, Galeria Vermelho, Sao Paulo (BR)
I Have Nothing To Say And I’m Saying It, Platform Seoul, Seoul
Now Jump, Nam June Paik Festival, Gyeonggi-do, Seoul
Geschlossene Gesellschaft, KW Institute of Contemporary Art, Berlin
Sound Of Music, FRAC Nord-Pas de Calais, Tri-Postal, Lille (FR)
Collective Learning, The Power Plant, Toronto (CA)
Correspondence, Auguste Orts, Lux 28, London
Turn and Widen, 5th Seoul International Media Art Biennale, Museum
of Art, Seoul
U-Turn, Quadrennial For Contemporary Art, Nicolaj Copenhagen
Contemporary Art Center, Copenhagen
Muoviti Fermo! I’m Too Sad To Tell You, Pecci Museum of Prato,
Florence (IT)
Sound of Art. On Music in The Fine Arts, Museum der Moderne,
Salzburg (AT)
Jan Mot, Art 39 Basel, Basel (CH)
Re-make/Re-model, Courtisane Festival, Vooruit, Ghent (BE)
When Things Cast No Shadow, 5th Berlin Biennial for Contemporary
Art, KW Institute for Contemporary Art, Berlin (cat.)
Scene Missing, Georg Kargl Fine Arts, Vienna
2007
Capturing Time – Mapping the Moment, Artefact festival, STUK
Kunstencentrum, Leuven (BE) (cat.)
International and National Projects, PS1, New York
Territoires de l'Image, Le Fresnoy, Dix Ans de Création, Musée
des Beaux-Arts de Lille; la Maison de l'architecture de Lille (FR)
2 ou 3 Choses que J’Ignore d’Elles, FRAC de Lorraine, Metz (FR)
Inquiry into Reality. Disappearance of Public Space, museum DhondtDhaenensContemporary Art, Belgrade
Inquiry into Reality. Disappearance of Public Space, Press to Exit
Project Space, Skopje (MK)
Think With The Senses - Feel With The Mind, 52nd International Art
Exhibition, La Biennale di Venezia, Venice (IT) (cat.)
Art 38 Basel, Jan Mot, Basel (CH)
2006
Programme, Jan Mot, Brussels
The Artist Cinema Commissions, Frieze Art Fair, Regent’s Park, London
White Cube Opera House, Umeå (SE)
Don Quijote, Witte de With, Rotterdam (NL)
Jan Mot, Art 37 Basel, Basel (CH)
2005
A Certain Tendency in Representation, Thomas Dane Gallery, London
Jan Mot, Frieze Art Fair, London
Screen Tests, Nederlands Fotomuseum, Rotterdam (NL)
2005
Documentary Creations, Kunst Museum, Luzern (CH) (cat.)
Today is Just a Copy of Yesterday, Jan Mot, Brussels
E-flux Video Rental Library, Manifesta Foundation, Amsterdam
Contour 2005, Stad in Vrouwenhanden, Mechelen (BE)
Manon de Boer and Brussels, Van Abbemuseum, Eindhoven (NL)
(curated by Manon de Boer and Phillip van den Bossche)
2004
Nederland niet Nederland, Van Abbemuseum, Eindhoven (NL)
Once Upon a Time… Een blik op kunst in België in de jaren ’90,
MUHKA, Antwerp (BE) (cat.)
São Paulo Project, Centro Universitário Maria Antonia, São Paulo (BR)
Essential Emptiness, Beursschouwburg, Brussels
E-flux Video Rental, New York
Elders, Galerie Paul Andriesse, Amsterdam
2003
MOPH, by BDV, Tokyo
Topos, Atopos, Anatopos, Cultureel Centrum 'Stroming', Evergem (BE)
Remix the Remixed: Audio Visions From Belgium, Yerba Buena Center
for the Arts, San Francisco (US)
Je me souviens (titres provisoires), Un peu plus, Brussels
Plateformes, SAT, Montréal (CA)
2002
L'effet Larsen, Casino, Forum d'art contemporain, Luxemburg (LU)
Tell Me, CC Ter Dilft and M&M Gallery, Bornem (BE) (cat.)
Octopus in situ, Bruges (BE) (cat.)
5th Werkleitzbiennial, Tornitz/Werkleitz (DE)
New Space: Opening Show, Galerie Jan Mot, Brussels
Richard Venlet / Paramount Basics (extended), MUHKA, Antwerp (BE)
(cat.)
Argos Festival, Belgian Focus, Argos, Brussels (cat.)
Topos – Atopos – Anatopos, CCNOA, Brussels
2001
Raum Aktueller Kunst/Martin Janda, Vienna
Intentional Communities, Rooseum, Center for Contemporary Art,
Malmö and Contemporary Art Centre, Vilnius
Still/Life, Hartware Projekte, Dortmund (DE)
(They Say This Is The) Place, KFZ, Antwerp (BE)
L'effet Larsen, OK Zentrum für Gegenwartskunst, Linz (AT) (cat.)
2000
Exit, Chisenhale Gallery, London
Etablissement d'en face, Brussels
Threeness, Museum Dhondt Dhaenens, Deurle (BE) (cat.)
Oktoberprojecties, Ten Weyngaert, Brussels (cat.)
1999
Kino Arsenal, Berlin
Snowball 2, Galerie Ulrich Fiedler, Köln (DE)
1998
Enough, Tannery, London
Sync, Pathé-bioscoop, Rotterdam (cat.)
Slipstream, Nijmegen (NL) (cat.)
Play, Ziegler, Groningen (NL)
Art Club Berlin, Art Fair, Berlin
Kunsthalle, Basel (CH)
Argos, Brussels
Dummies, de Appel, Amsterdam
1997
Bis!, Case Study House, Utrecht (NL)
Enough, Duende, Rotterdam (NL)
Prix de la Jeune Peinture Belge, Palais des Beaux-Arts, Brussels
Galerie Mot & Van den Boogaard, Brussels
1996
Nomadia, Vaalserberg, Rotterdam (NL)
Perfect, Galerie Mot & Van den Boogaard, Brussels
a cumulus, Lokaal-01, Breda (NL)
1995
Withinsights, Centrum Beeldende Kunst, Rotterdam (NL)
1994
In Collaboration with, Lokaal-01, Breda (NL)
1992
Reis naar het einde van het atelier, Lokaal -01, Breda (NL)
Screenings
2010
Sylvia Kristel – Paris, Shift Festival, Basel
Think about Wood, Think about Metal, A.B.C. - Art Belge
Contemporain, Le Fresnoy, Tourcoing (FR)
Dissonant, Film Festival Lucca (IT)
Dissonant, 17th International Film Festival of Valdivia (CL)
Dissonant, Views from the Avant-Garde, Film Festival New York
Doc.be, Cinema NOVA, Beijing, Shanghai, Kunming, Hefei (CN)
Dissonant, Media City Festival, Windsor (CA)
56th International Short Film Festival, Oberhausen (DE)
Two Times 4’33”, Dissonant, Audio-Visual Blind Date, WORM,
Rotterdam (NL)
Dissonant, The Image Festival, Toronto (CA)
Dissonant, International Film Festival, Rotterdam (NL)
2009
Attica, New Art Dealers Alliance (NADA) Video Nights, Horton & Co,
New York
Transmediale.09: Deep North, House of World Cultures, Berlin
International Film Festival Rotterdam, Rotterdam (NL)
2008
Resonating Surfaces, Aquilone, Liège (BE)
Viennale 2008, Vienna (AT)
Villes Saisies, Moussem Nomadisch Kunstencentrum, Antwerp (BE)
Two Times 4’33”, Films of Auguste Orts, Tate Modern, London
Resonating Surfaces, Kran Film Collective, Brussels
Sylvia Kristel - Paris, Videographe, Montreal (CA)
Two Times 4’33”, Platform Seoul, Seoul (KR)
Mes nuits sont plus belles que vos jours, 5th Berlin Biennial for
Contemporary Art, Berlin
Presto, Perfect Sound, Art Film, Art 39 Basel, Basel (CH)
International Short Film Festival, Oberhausen (DE)
I Will Be Your Mirror, Konsfack University, Stockholm
Two Times 4’33” and Presto, Perfect Sound, Flagey, Brussels
Recorder Images, The Contemporary Art Centre of South Australia (AU)
Resonating Surfaces, University of California, Santa Cruz (US)
Les Rencontres Internationales Paris / Berlin / Madrid - #14,
Reina Sofia, Madrid
2007
Presto, Perfect Sound, Happy New Ears, Kortrijk (BE)
Videogasten, MuHKA_Media, Antwerp (BE)
Les Rencontres Internationales Paris / Berlin / Madrid - #14,
Centre Pompidou, Jeu de Paume and Cinéma l’Entrepôt
Resonating Surfaces, Instituto Cervantes, Brussels
The Platforma Video Festival, Athens
Open Archive, Argos, Brussels
Euro-Mediterranean Documentary Market, Medimed, Sitges (ES)
Mood Salon, Bios, Athens
Happy New Ears, Kortrijk (BE)
Presto, Perfect Sound and Resonating Surfaces, MUHKA-Media,
Antwerp (BE)
Villes Saisies / Gewonnen Steden, MuHKA-Media, Antwerp,(BE)
Gorizio - Gradisca International Film Studies Spring School, Gradisca
Les Hivernales du documentaire, Théâtre Le Florida, Septfonds (FR)
Première Villes Saisies/Gewonnen Steden (with Nedjma Hadj), KVS
Brussels
2006
Festival International du Documentaire de Marseille (FID), Marseille (FR)
Resonating Surfaces, 35th Film Festival, Rotterdam (NL)
Again For Tomorrow, Royal College of Art, London
Underdox Festival, Münich (DE)
Festival for contemporary music in Europe, Wien Modern, Vienna
Bordelaise, Centre Jean Vigo, Bordeaux (FR)
Resonating Surfaces, Hollybushgardens, London
The Disappearance of Public Space, Belgrade
Tour de Video, Goethe Institut, Casa Voyageur, Casablanca (MA)
2006
Resonating Surfaces, Competition of the 14th Curtas Vila do Conde IFF,
Vila do Conde (PT)
Les Etats Généraux du Film Documentaire, Lussas (FR)
Resonating Surfaces, 35th Film Festival, Rotterdam (NL)
Sex is Politics, 6e Journées Cinématographique Dionysiennes, Cinéma
l’Ecran, Saint-Denis, 2005 (FR)
Lucca Film Festival, Lucca (IT)
Festival Filmer à tout prix, Brussels
2005
Hong Kong International Film Festival
IFFR, International Filmfestival Rotterdam (NL)
Inventaire Contemporain III, Jeu de Paume, Paris
Resonating Surfaces, Flagey, Brussels
Biografilm Festival, Bologna (IT)
10th Split Film Festival, Split (HR)
2004
Doc en courts, Lyon (FR)
33e Festival Nouveau Cinéma Nouveaux Médias, Montreal (CA)
Entre-Vues, Belfort & Centre Culturel Français, Milano (IT)
International Competition of the 12th Vila do Conde ISFF, (PT)
15th Marseille International Documentary Film Festival, Marseille (FR)
Théâtre National Marseille La Criée (FR)
Ecran total, Arenberg cinéma, Brussels
Viennale Filmfestival, Vienna
Viewpoint, International documentary film festival, Ghent (BE)
Argos festival, Brussels
Doclisboa II, Lisbon
Marfici, Buenos Aires
Art Club, Berlin
Internet Work
2002
Panoramic Portraits, www.skor.nl/panoramicportraits
Artist’s Books
2001
Oscillations, La Lettre volée, Brussels
Public Projects
2001
Mind Mapping, Hoofdstedelijke Openbare Bibliotheek, Brussels
Bibliography
Elena Crippa, 100 Video Artists, Exit Publications, Madrid 2010, p. 110-113
Helena Reckitt, Who was that Woman?, cmagazine, n°104, winter 2009, p. 30-40
Rosalind Furness (ed.), Artists’ Films: Manon de Boer. Presto - Perfect Sound, Frieze
Talks 2006-2008, London, 2009, p. 32-33
Bryne McLaughlin, Interview Adrian Searle, Canadian Art, october 2009 (mention
Manon p. 6)
Joanna Fiduccia, Turning Round, MAP, N. 18, Summer 2009, p. 40-45
Benjamin Thorel, Now Jump: Nam June Paik Art Center, Flash Art, N. 263,
november-december 2008, p. 36
Andreas Broeckmann, ‘Fragmentary Affinities Art Beyond the Media’, in: Yoo HeeYoung (ed), Turn and Widen, The 5th Seoul International Media Art Biennale, Seoul
Museum of Art, 2008, p. 75 (cat.)
Maarten Bertheux, ‘Has Technology Changed the Arts’, in: Yoo Hee-Young (ed),
Turn and Widen, The 5th Seoul International Media Art Biennale, Seoul Museum of
Art, 2008, p. 42-43 (cat.)
Yoo Hee-Young (ed), Turn and Widen, The 5th Seoul International Media Art
Biennale, Seoul Museum of Art, 2008, p. 190 (cat.)
Pernille Albrethsen (ed.), U-Turn, Quadrennial for Contemporary Art, Copenhagen,
2008 (cat.)
Dirk De Wit and Anne Judong (eds.), Arts Flanders 08 Compilation Box, Flemish
Institute for Visual, Audiovisual and Media Art, Ghent, 2008
Monika Szewczyk, Chus Martínez and Nicolaus Schafhausen (eds.), Manon de Boer,
Witte de With Center for Contemporary Art / Frankfurter Kunstverein, Rotterdam /
Frankfurt-am-Main, 2008 (cat.)
s.n., Manon de Boer, Frieze, N. 115, May 2008, p. 188.
Ilse van Rijn, Liam Gillick: Tree perspectives and a short scenario, Metropolis M, N.
2, april-mei 2008, p. 77-79
Hortense Pisano, In Frankfurt zeigt Manon de Boer Gegenbilder zum kollektiven
Gedächtnis, Monopol, N. 4, april 2008, p. 117
Aaron Schuster and Vivian Rehberg, Brussels, Frieze, N. 112, Jan-Feb 2008, p. 5663.
Pieter van Bogaert, De tijd doet de rest, Hart, N. 32, February 2008, p. 3
Suely Rolnik, Politics of Cultural Hybridisation (Avoiding False Problems), Art&Co, N.
1, 2008, p.122-125
France Hanin, Manon de Boer, Resonating Surfaces. Ne perdez jamais votre grâce,
DITS, 8-9/2007, p. 228-237
Katerina Gregos and Aaron Schuster, The Residents, Records From Abroad, Argos
Editions, 2007, p. 44-50
Manon de Boer, The Voice, Inquiry into Reality: The Disappearance of Public Space,
Belgrade Museum of Contemporary Art, Belgrade, p. 26-27
Manon de Boer and Marine Hugonnier, Marine Hugonnier & Manon de Boer, Bomb,
Fall 2007, N. 101, p.80-86
Niels Ruëll, Villes Saisies / Gewonnen Steden, Agenda Uit in Brussel, 2/2-8/2/2007,
p. 7
Niels Ruëll, ‘Schild tegen de wereld’. Manon de Boer en Nedjema Hadj over hun
videoportret van Casablanca en Fès, Brussel Deze Week, 1/2/2007, p. 12
Lukasz Gorczysca, Michal Kaczynski, Villa Holiday Warsaw, Villa Warsaw, 2006, p.
56-59
Nicolaus Schafhausen and Sophie von Olfers, Manon de Boer, Don Quijote, Witte de
With, Rotterdam, 2006, p. 8
Christy Lange, Manon de Boer. Filming Memory and Memories of Films; Men,
Women, Love and Psychoanalysis, Frieze, N. 100, Jun.-Aug. 2006, p. 234
Eva Wittocx, Manon de Boer. Galerie Jan Mot, Flash Art, N. 246, Jan.-Feb. 2006, p.
108
s.n., Manon de Boer. Sylvia Kristel – Paris, Currency, Sico Carlier, Rotterdam, 2006,
p. 32
Anton Vidokle and Julieta Aranda (ed.), E-Flux Video Rental Catalogue, E-Flux, New
York, 2005, p. 250
Mo Gourmelon, Resonating Surfaces, L’ Art même, winter 2005, N. 29, p. 35
Koenraad Raeymaekers (ed.), Rendez-vous Publics, Etcetera, Dec. 2005, N. 99, p.
38-47
Cis Bierinckx, Contour 2005, Mechelen Stad In Vrouwenhanden, Sep.-Dec. 2005, p.
58-63
Mathieu Capel, Documentaires sur le Cinéma. Le fond et la Forme, Images de le
Culture, N. 20, August 2005, p. 56-58
Pieter Van Bogaert, Kijken als een vreemdeling in een stad. Manon de Boer toont
“haar” Brussel in Eindhoven, De Tijd, 6/4/05
Manon de Boer & Phillip van den Bossche, Manon de Boer en Brussel, Journal # 8,
Van Abbemuseum, Feb.-May, 2005
Roos Gortzak, Het Elders van de Herinnering, De Volkskrant, 5/1/2005, p. 17
Maxine Kopsa, The Why Nudged Between Two Tellings, Newspaper Jan Mot, N. 45,
Jan. 2005, p. 4-6.
Chloé Martin, Thinking out Loud. Manon de Boer, Artists in Focus 13e Curtas Vila do
Conde Film Festival, Solar Galerie, Vila do Conde, 2005, p. 68-70 (cat.)
Jean-Pierre Rehm, Dokumentarische Ketzerei / Documentary Heresy, Documentary
Creations, Kunstmuseum, Luzern, 2005, p. 40-48.
Jeroen Versteele, Het dubbelleven van een begeerde vrouw. Sylvia Kristel over haar
Parijse periode in een film van Manon de Boer, Etcetera, N. 94, Dec. 2004, p. 54-57.
Ingrid Harms, Uit het hart. Sylvia Kristel, Vrij Nederland, N. 40, 2/10/04, p.84-85
Alexandra Schwartzbrod, Elle a tout osier, Liberation, 6/9/04, p.44.
Maxine Kopsa, Het waarom opgesloten tussen twee vertellingen. Re-enactment als
een nieuw verschijnsel, Metropolis M, N. 4, Aug.-Sep. 2004.
Manon de Boer, Portrait de Suely Rolnik , Le Purple Journal, N. 1, Summer 2004
Amélie Dubois, Ce qui reste d’une vie, Les Inrockuptibles., 21-27/7/04, N. 451, p. 32
I.R., Le Festival international de Marseille gagne en envergure, Le Monde, 30/6/04, p.
29.
Herman Asselberghs (ed.), Re: Search, Transmedia Text Series 03, June 2004
Herman Asselberghs, Elk beeld dat je hebt van de ander is een reflectie van jezelf,
Sint-Lukasgalerij Brussel, Dec. 2003 – Jan. 2004, p. 16-19
s.n., Entretien avec Manon de Boer, Journal du 15e FID-Marseille, 2004
Edwin Carels, I’ll be your mirrors, Newspaper Jan Mot, N. 38, Aug. 2003, p. 1-2
Pieter Van Bogaert, Afwezige kunstenaars, Tijd, 7/5/2003, p. 22.
Lars Kwakkenbos, De transparante vrouw en andere portretten, De Standaard,
29/8/02
Jan Van Hove, Kanttekeningen bij Brugge, De Standaard, 21/5/02, p. 11
Phillip van den Bossche, Manon de Boer. Where’s Manon? Where’s Al? Where’s
L.A.?, A-Prior – Office For Artistic Production, 2002
Paul Willemsen, Manon de Boer, Argosfestival, 2002
Katrien De Meurechy (ed.), Tell Me, CC Ter Dilft and M&M Gallery, Bornem (BE),
2002
Moritz Kung, L’effet Larsen / Der Larsen Effekt, OK-Centrum für Gegenwartskunst,
Linz and Casino Luxembourg-Forum d’Art Contemporain, Luxembourg, 2001-2002
Sonia Dermience, Tijd-verlies / Loss of Time, A-Prior, N. 5, spring-summer 2001, p.
226-253
Oscar van den Boogaard, The Larger Space, A-Prior, N. 5, spring-summer 2001, p.
240
s.n. Manon de Boer, Art Press, N. 266, Mar. 2001, p. 9
Luk Lambrecht, Manon de Boer ‘infiltreert’ computers van Brusselse Bibliotheek, De
Morgen, 28/2/01
Michaël Bellon, Mind Mapping in de Hoofdstedelijke Openbare Bibliotheek. Manon
de Boer brengt geheugens in kaart, Brussel Deze Week, 28/2/01, p. 7
E.R., Britse en Belgische kunst op Arco 2001, De Morgen, 17/2/01
Els Roelandt, Portretten met een geheugen, Tijd Cultuur, 14/2/01, p. 13
Oscar van den Boogaard, The Larger Space, Newspaper Galerie Jan Mot, N. 25,
Jan.-Feb. 2001, p.1-2
Sonia Dermience, Manon de Boer. Mind Mapping, Newsletter Galerie Mot & Van den
Boogaard, N. 24, Nov.-Dec. 2000
s.n. Shift of Attention, Projections d’Octobre, Ten Weyngaert, Brussels, 20/10/00
Oscar van den Boogaard, Manon de Boer, Newsletter Galerie Mot & Van den
Boogaard, N. 19, Sep.-Okt. 1999
Edith Doove, Herinneringen, De Standaard, 08/09/99, s.p.
Edith Doove, Manon de Boer, De Standaard, 27/01/99, s.p.
Eva Gonzalez-Sancho and Kurt Vanbelleghem, Manon de Boer, Etablissement d’en
Face, 1st Trimester 1999
Chloé Martin, Manon de Boer Four Takes, Stedelijk Museum Bureau Amsterdam,
1999.
Luk Lambrecht, Los Angeles, De Morgen, 16/01/98, s.p.
Paul Willemsen, “Jonge Belgische Schilderkunst” opvallend audiovisueel getint, De
Standaard, 09/09/97