De Posidonio Timaei Platonis commentatore, Diss

BIBLIOGRAFÍA
BIBLIOGRAFÍA
A. DE CARÁCTER GEERAL: MÚSICA Y MATEMÁTICAS.
ALTMANN, G. (1906), De Posidonio Timaei Platonis commentatore, Diss. Berolini.
ANDERSON, W. D. (1966), Ethos and Education in Greek Music. Cambridge.
_____(1994), Music and Musicians in Ancient Greece, New York.
BARKER, A., Greek Musical Writings, Cambridge University Press.
_____(1984), vol. I, “The Musician and his Art”.
_____(1989), vol. II, “Harmonic and Acoustic Theory”.
_____(2007), The Science of Harmonics in Classical Greece, Cambridge
University Press.
BÉLIS, A. (1991), “La música de la Grecia antigua”, en J. CHAILLEY, Compendio de
musicología, Madrid.
_____(1999), Les Musiciens dans l’Antiquité, Paris.
_____(2000), “Harmoniké”, en J. BRUNSCHWIG y G. LLOYD eds. (2000), El
saber griego, trad. esp., Madrid, pp. 270-280.
BELLERMANN, F. (1847), Die Tonleitern und Musiknoten der Griechen, Berlin.
BENADE, A. H. (1960), Horns, Strings, and Harmony, New York.
BLACKBURN, B. J., LOWINSKY, EDWARD E. & MILLER, C. edd. (1991), A
Correspondence of Renaissance Musicians, Oxford Clarendon Press.
BLAISE, A. (1993), Dictionnaire latin-français des auteurs chrétien, Tsurnhout,
Brepols.
BOWER, CALVIN M. (1989), Fundamentals of Music. Ancius Manlius Severinus
Boethius, Yale University Press.
BRUMBAUGH, R. L. (1954), Plato’s Mathematical Imagination: The Mathematical
Passages in the Dialogues and their Interpretation, Indiana University Press.
BURKERT, W. (1972), Lore and Science in Ancient Pythagoreanism, Harvard University
Press.
CANTOR, M. (1907), Vorlesungen über Geschichte der Mathematik, vol. I, Leipzig.
CHAIGNET, A. E. (1873), Pythagore et la Philosophie Pythagoricienne, Vol. II, Paris.
CHAILLEY, J. (1979), La musique grecque antique, Paris.
COMOTTI, G. (1984), La música en la cultura griega y romana, en VV.AA., Historia
de la Música Turner, vol.1, Madrid.
CREESE, D. (2010), The Monochord in Ancient Greek Harmonic Science, Cambridge
University Press.
DIELS, H. & KRANZ, W.(1903), Die Fragmente der Vorsokratiker, Berlin.
DÜRING, I. (1934), Ptolemaios und Porphyrios über die Musik, Göteborg.
FARMER, H. G. (1957), “The Music of Islam”, E. WELLESZ ed., The 3ew Oxford History
of Music, Vol. I, Ancient and Oriental Music, London.
_____(1960), “The Music of Ancient Egypt”, 3OH, pp. 273-274.
497
BIBLIOGRAFÍA
FERRATER MORA, J. (2005), Diccionario de Filolofía, 5 vols., Madrid.
FORTLAGE, C. (1964), Das musikalische System der Griechen, Amsterdam.
FRANK, E. (1923), Plato und die sogenannten Pythagoreer. Ein Kapitel aus der
Geschichte des griechischen Geistes, Halle.
GARCÍA LÓPEZ, J. (1999), “La traducción de un tratado técnico: el Perˆ mousikÁj del
Ps. Plutarco”, Miscelánea léxica en memoria de C. Serrano, Madrid, CSIC, pp. 97-102.
En colaboración con C. Morales Otal.
_____(2000), “Terminología musical y géneros poéticos en Moralia de
Plutarco”, I generi letterari in Plutarco (Atti del VIII Convegno Plutarcheo),
Napoli, pp. 287-298.
_____(2004), Ps. Plutarco. Sobre la música, Introducción, Traducción y Notas,
Madrid, Gredos.
GEVAERT, F. A. (1965), Histoire et théorie de la musique de l’Antiquité, 2 vol.,
Hildesheim (=Grand,1875-1881).
GLARE, P.G.W. ed. (2000), Oxford latin dictionary, Oxford.
GOMBOSI, O. J. (1939), Tonarten und Stimmungen der antiken Musik, Kopenhagen.
GOTTSCHALK, B. (1968), “The De Audibilibus and Peripatetic Acoustic”, Hermes 96,
pp. 435-460.
GREIF, F. (1909), “Études sur la musique antique”, REG 22, pp. 89-139
_____(1910), REG 23, pp.1-48.
_____(1911), REG 24, pp.233-286.
_____(1913), REG 26, pp. 273-346.
_____(1914), REG 27, pp.1-34.
GUTHRIE, W. K. C. (2005), Historia de la filosofía griega, 6 vols., Barcelona.
Hagel, S. (2009), Ancient Greek Music: A 3ew Technical History, Cambridge
University Press.
HEATH, SIR THOMAS (1913), Aristarchus of Samos: The Ancient Copernicus, Oxford
Clarendon Press.
_____(1981), A History of Greek Mathematics, 2 vols., New York.
HENDERSON, M. I. (1957), “Ancient Greek Music”, en E. WELLESZ ed., The 3ew
Oxford History of Music, vol. I, London, pp.336-403.
HOWARD, A. A. (1863), “The Aulos or Tibia”, HSCP 4, pp. 1-60.
JEANS, SIR J.(1961), Science and Music, Cambridge University Press.
JONKER, G. H. (1970), The Harmonics of Manuel Bryennius, Groningen.
JOOST-GAUGIER, CHRISTIANE L. (2006), Measuring heaven: Pythagoras and his
Influence on Thought and Art in Antiquity and the Middle Ages, Cornell University
Press.
_____(2008), Pitagoras e il suo influsso nel pensiero e sull’arte, Edizioni
Arkeios.
KEEBLE, J. (1784), The theory of harmonics or an Illustration of the Grecian
harmonica. In two parts: 1. As it is maintained by Euclid, Aristoxenus and Bacchius
498
BIBLIOGRAFÍA
Senior. 2. As it is established on the doctrine of the ratio in which are explained the two
diagrams of Gaudentius and the Pythagorean numbers in 3icomachus, London.
LANDELS, J. G. (1999), Music in Ancient Greece and Rome, London-New York.
LESKY, A. (2005), Historia de la literatura griega, 2 vols., Barcelona.
LIDDELL, H. G. & SCOTT, R. (19689), A greek-english lexicon, Oxford.
LIPPMANN, E. A. (1964), Musical Thought in Ancient Greece, London-New York.
_____(1975) Musical Theory in Ancient Greece, New York.
LUQUE, J., FUENTES, F., LÓPEZ, C., DÍAZ, P. R., MADRID, M. (2009), Boecio. Sobre el
fundamento de la música. Cinco libros, Madrid, Gredos.
MAAS, M. & SNYDER, J. (1989), Stringed Instruments of Ancient Greece, Yale
University Press.
MACDONALD CORNFORD, F. (1937), Plato’s Cosmology. The Timaeus of Plato
translated with a running commentary, London.
MACRAN, H. S. (1992), The Harmonics of Aristoxenus, edited with translation, notes,
introduction and index of words by H. S. Macran, Oxford.
MARTIN, THÉODORE H. (1841), Études sur le Timée de Platon, Paris.
MATHIESEN, THOMAS J. (1988), Ancient Greek Music Theory: A Catalogue raisonné of
Manuscripts, RISM BXI; Munich.
_____(2000), Apollo’s Lyre. Greek Music and Music Theory in Antiquity and the
Middle Ages, University of Nebraska Press.
_____(2002), “Greek Music Theory”, en TH. CHRISTENSEN ed., Western Music
Theory, Cambridge University Press, pp.109-135.
MCCLAIN, E. G. (1978), The Pythagorean Plato: Prelude to the Song Itself, York
Beach.
MICHAELIDES, S. (1978), The Music of Ancient Greece. An Encyclopaedia, London.
MOUNTFORD, J. F. ( 1920), “Greek Music and its Relation to Modern Times”, JHS, pp.
13-42.
MÜLLER, G. (1818), Particula 3ova 3otitiae et Recensionis Codicum Manuscriptorum
Qui in Bibliotheca Episcopatae 3umburgo-Cizensis Asservantur, Leipzig.
NAVARRO ANTOLÍN, F. (2006), Comentario al "Sueño de Escipión" de Cicerón, Madrid,
Gredos.
NESSELMANN, G. H. F. (1842), Geschichte der Algebra, Vol. I, Berlin.
NEUBECKER, A. J. (1977, 19942), Altgriechische Musik: eine Einführung, Darmstadt.
NEUGEBAUER, C. (1969), The Exact Sciences in Antiquity, New York.
PHILIP, J. A. (1966), Pythagoras and Early Pythagoreanism, Toronto.
REINACH, TH. (1926), La musique grecque, Paris.
RICHTER, K. (1856), Aliquot de musica Graecorum arte quaestiones, Münster.
RIEMANN, H. (1923), Handbuch der Musikgeschichte, Leipzig.
_____(19342), Historia de la Música, trad. esp., Barcelona.
RIGHINI, P. (1976), La musica greca, Padua.
499
BIBLIOGRAFÍA
ROCCONI, E. (2003), Le parole delle muse: la formazione del lessico tecnico musicale
nella Grecia antica, Roma.
SACH, C. (1940), The History of Musical Instruments, New York.
SUSEMIHL, F. (1891), Geschichte der gr. Literartur in der Alexandrinerzeit, I, Leipzig.
TANNERY, P. (1949), Quadrivium de Georges Pachymère, ou SINTAGMA TWN
TESSARWN MAQEMATWN ¢riqmhtikÁj, mousikÁj, gewmhtr…aj kaˆ ¢stronom…aj.
Texte revisè et établi par le R. P. E. Stéphanou, A. A. Studi e testi 94. Città del
Vaticano, Biblioteca Apostolica Vaticana.
TAYLOR, A. E. (1928), A Commentary on Plato’s Timaeus, Oxford.
THESLEFF, H. (1961), An Introduction to the Pythagorean Writings of the Hellenistic
Period, Abo Akademi.
_____(1965), The Pythagorean Texts of the Hellenistic Period, Abo Akademi.
URREA MÉNDEZ, J., PÉREZ CARTAGENA, F. J., REDONDO REYES, P. (2009), Hefestión,
Métrica griega. Aristóxeno, Harmónica-Rítmica. Ptolomeo, Harmónica, Madrid,
Gredos.
VINCENT, M. A. J. H. (1847), “Notices sur divers manuscrits grecs relatifs à la musique”,
3otices et Extraits des Manuscrits de la Bibliothèque du Roi et autres Bicliothèques,
Vol. 16, 2, Paris.
VON DRIEBERG, F. (1819), Aufschlüsse über die Musik der Griechen, Leipzig.
_____(1835), Wörterbuch der Griechischen Musik, Berlin.
WEHRLI, F. (1945), Die Schule des Aristotels, II, Basel.
WERNER, E. (1959), The Sacred Bridge, London-New York.
WEST, M. L. (1992), Ancient Greek Music, Oxford.
WESTPHAL, R. (1863), Harmonik und Melopoiie der Griechen, Leipzig.
_____(1867), Griechische Rhythmik und Harmonik, Leipzig.
WINNINGTON-INGRAM, R. P. (1936), Mode in Ancient Greek Music, Cambridge
University Press.
_____(1956), “The Spondeion Scale”, CQ 22, pp. 73-100.
_____(1958), “Ancient Greek Music 1932-1957”, Lustrum 3, pp. 6-57.
_____(1980), “Greece”, en S. SADIE ed., The 3ew Grove Dictionary of Music
and Musicians, vol.VII, London, pp. 659-672.
ZANONCELLI, L. (1990), La manualistica musicale greca, Milano.
ZELLER, E. (1844-1852), Die Philosophie der Griechen in ihrer geschichten
Entwickung, Vol. III, Leipzig, part 2.
B. EDICIOES:
JAN, K. VON (1995), Musici scriptores Graeci (MSG). Aristoteles, Euclides,
3icomachus, Bacchius, Gaudentius, Alypius et melodiarum veterum quidquid exstat.
Recognovit prooemiis et indice instruxit Carolus Janus. Annexae sunt tabulae
(=Leipzig, 1895).
500
BIBLIOGRAFÍA
MEIBOMIUS, M. (1652), Antiquae musicae auctores septem. Graece et Latine. Marcus
Meibomius restituit ac notis explicavit, Amstelodami, I-II vol. Apud Ludovicum
Elzevirium.
MEURSIUS, J. (1616), Aristoxenus. 3icomachus. Alypius. Auctores musices antiquissimi,
hactenus non editi, Ioannes Meursius nunc primus vulgavit, et notas addidit, Lugduni
Batavorum.
C. EUCLIDES:
AMANO, Ch. (1981), “La Division du canon attribuée à Euclides et la théorie
mathématique des intervalles musicaux”, Mediterraneus 4, pp. 53-78.
BARBERA, A. (1984), “Placing Sectio canonis in Historical and Philosophical Contexts”,
Journal of Hellenic Studies 104, pp. 157-161.
_____(1984b), “The Consonant Eleventh and The Expansion of the Musical
Tetraktys”, Journal of Music Theory 28, 191-224.
_____(1991), The Euclidean Division of the Canon. Greek and Latin Sources,
The University of Nebraska Press.
BARKER, A. (1981), “Methods and Aims in the Euclidean Sectio canonis”, Journal of
Hellenic Studies 101, pp. 1-16.
_____(2007), “Systematising mathematical harmonics: The Sectio canonis”, The
Science of Harmonics in Classical Greece, Cambridge University Press, pp.
364-410.
BOWEN, ALAN C. (1991), “Euclid’s Sectio canonis and tha History of Pythagoreanism”,
Science and Philosophy in Classical Greece, A. C. BOWEN ed., Sources and Sudies in
the History and Philosophy of Classical Science, vol 2, New York, 164-87.
CAESAR, J. (1861), Grundzüge der griechischen Rhythmik, Marburg.
CROCKER, R. (1963-1964), “Pythagorean Mathematics and Music”, Journal of
Aesthetics and Art Criticism 22, pp. 189-198 y pp. 325-335.
GOTTFRIEF MÜLLER, C. – KIESSLING, T. ( 1821), Theodori Metochitae miscellanea
philosophica et historica, Leipzig.
GOTTSCHALK, B.(1968), “The De Audibilibus and Peripatetic Acoustic”, Hermes 96, pp.
435-460.
GREGORY, G. (1703), Euclidis opera omnia, Oxford.
HANDSCHIN, J. (1948), Der Toncharakter, Zürich.
HEIBERG, J. L.(1882), Literaturgeschichtl. Studien über Euklid, Leipzig.
HULTSCH, F., “Eukleides” en RE.
KNORR, W. R. (1975), The Evolution of the Euclidean Elements, Dordrecht.
LEVIN, F. R. (1990), “Unity in Euclid’s ‘Sectio canonis’”, Hermes 118, pp. 430-443.
MATHIESEN, THOMAS J. (1975), “An Annotated Translation of Euclid’s Division of a
Monochord”, Journal of Music Theory 19, pp. 236-258.
MCCLAIN, E. G. (1978), The Pythagorean Plato, New York.
MENGE, H. (1896), Euclidis opera omnia, vol. VI, Leipzig.
501
BIBLIOGRAFÍA
_____(1916), Euclidis Phaenomena et scripta musica edidit Henricus Menge,
Leipzig.
MICHEL, P. (1950), De Pythagore à Euclide. Contribution a l’Histoire des
Mathématiques Préeuclidiennes, Paris.
RUELLE, CH. E. (1884), L’Introduction harmonique de Cléonide. La division du canon
d’Euclide le géometre. Canons harmoniques de Florence.Traduction française avec
commentaire, Paris.
_____(1906), “Sur l’authenticité probable de la division du canon musical
attribuée a Euclide”, REG 19, pp. 318-320.
TANNERY, P. (1904), “Inauthenticité de la Division du canon attribuée à Euclide”,
Comtes rendus des séances de l’année 1904 de l’Académie d’Inscriptions et Belles
Lettres, pp. 439-445.
TIMPANARO CARDINI, M. (1964), Pitagorici. Testimonianze e frammenti, Firenze, fasc.
3: Pitagorici anonimi e risonance pitagoriche.
VAN DER WAERDEN, B. L. (1943), “Die Hamonielehre der Pythagoreer”, Hermes 78, pp.
163-199.
D. ICÓMACO:
AST, F. (1817), Theologoumena arithmeticae. Ad rarissimum exemplum Parisiense
emendatius descripta, Leipzig.
BECKER, O. (1939), “Paramhkep…pedoi ¢riqmo…. Die Zahlen von der Form n. n. (n ≠
1) bei Nicomachos von Gerasa, mit einem Anhang über die platinische Hochzeitszahl”,
QGMath Abt. B. Studien 4, pp. 181-192.
BENTJES, S. (1987), “Untersuchungen zum Nicomachus Arabus”, Centaurus 30, pp.
212-239.
BOWER, CALVIN M. (1978), “Boethius and Nicomachus: An Essay Concerning the
Sources of De institutione musica”, Vivarium 16, pp. 1-45.
BOWERSOCK, G. W. (1969), Greek Sophists in the Roman Empire, Oxford.
BRAGORD, R. (1929), “L’Harmonie des spères selon Boèce”, Speculum 4, pp. 206-213.
BRAVO GARCÍA, A. (1979-1980), “Sobre un comentario anónimo a la Aritmética de
Nicómaco de Gerasa y sus manuscritos en bibliotecas españolas”, CFC 16, pp. 27-40.
BUCK, CARL D. (1955), The Greek Dialects, Chicago.
BURNET, J. (1957), Early Greek Philosophy, New York.
CALDERÓN DORDA, E. (2001), “La astrología grecorromana ayer y hoy”, Cuadernos de
literatura griega y latina III, Madrid-Santiago de Compostela, pp. 127-152.
CASSIO, ALBIO C. (1988), “Nicomachus of Gerasa and the dialect of Architas, fr. 1”, CQ
28, pp. 135-139.
CAVEING, M. A. (1980), “A propos d’une récente traduction de l’Introduction
Arithmétique de Nicomaque de Gérase”, AIHS 30, pp. 53-68.
CHAILLEY, J. (1956), “L’hexatonique grec d’après Nicomaque”, REG 69, pp. 73-100.
CHERNISS, H. (1935), Aristotele’s Criticism of Presocratic Philosophy, Baltimore.
502
BIBLIOGRAFÍA
CRIDDLE, A. H. (1998), “The chronology of Nicomachus of Gerasa”, CQ 48 (1), pp.
324-327.
D’OOGE, M. L, ROBBINS F. E. and KARPINSKI, L. CH. (1926), 3icomachus of Gerasa.
Introductio to Arithmetic, New York.
DE BARTHELEMY, M. A. (1780), Mémoires de l’Académie des inscriptions et belleslettres, Paris, vol. 41, 1780.
DE VOGEL, C. J. (1965), “On Iamblichus, V. P. 215-219”, Mnemosyne 18, pp. 388-396.
DILLON, J. M. (1969), “A date for the death of Nicomachus of Gerasa?”, CR 19, pp.
274-275.
ÉVRARD, E. (1965), “Jean Philopon, son Commentaire sur Nicomaque et ses rapports
avec Ammonius (a propos d’un article récent)”, REG 78, pp. 592-598
FALCO, VITTORIO DE (1922), “Sui trattati aritmologici di Nicomaco ed Anatolio”, RIGI
6, pp. 51-60.
FEDERSPIEL, M. (2000), “Notes critiques et exégétiques sur le commentaire de
Jamblique à l’Introduction arithmétique de Nicomaque: premier article”, REA 102.1-2,
pp. 59-80.
FIDELER D. R., ap. GUTHRIE. W. S. (1988), The Pythagorean Sourcebook and
Library:An Anthology of Ancient Writings which Relate to Pythagoras and Pythagorean
Philosophy, Grand Rapids, Phanes Press.
FLANNERY, D. (2005), The Square Root of Two, Springer.
FOWLER D., & ROBSON, E. (1998), “Square Root Approximations in Old Babylonian
Mathematics: YBC 7289 in Context”, Historia Mathematica, 25, 4, pp. 366-378.
FRANÇON, M. (1943), “Ausonius riddle of the number three”, Speculum 18, pp. 247248.
FURLANI, G. (1931), “Le greggi del cielo babilonensi in un paso di Nicomaco di
Gerasa”, SMSR 7, pp. 153-156.
GESNER, M. (1746), Theologoumena grammatica, sive de laude dei per vocales,
Göttingen.
GIARDINA, R. G. (2000), “Il concetto di numero nell’ In 3icomachum di Giovanni
Filopono”, La philosophie des mathématiques dans l’Antiquité tardive: actes du
colloque internacional de Fribourg, Suisse (24-26 septembre 1998), ed. G. Bechtle et
D. J. O’Meara, Fribourg, pp. 149-171.
GODWIN, J. (1993), The Harmony of the Spheres, Vermont.
GOLDSTEIN, B. R. (1964), “A treatise on number, theory from a tenth century Arabic
source”, Centaurus 10, pp. 129-160.
GUILLAUMIN, J. Y. (1985), “La christianisation du thème de l’oeil de l’âme chez
Cassiodore (Institutions, II 3, 22)”, RPh 59, pp. 247-254
_____(1989), “La transformation d’une phrase du Nicomaque (Introduction
Arithmétique, I 18, 2) chez Boèce (Introduction arithmétique, I 23)”, Latomus
48, pp. 869-874.
_____(1990), “Longeur, largeur et profondeur dans les diagrammes de
Nicomaque (Introduction arithmétique)”, REA 92, pp. 265-271.
503
BIBLIOGRAFÍA
_____(1994), “La structure du chaiptre 1, 4 de l’Institution Arithmétique de
Boèce et la cours d’Ammonios sur Nicomaque”, RHS 47.2, pp. 249-258.
HAASE, W. (1982), Untersuchungen zum 3ikomachos von Gerasa, Diss. Tübingen.
HAMMOND, N. G. L. & SCULLARD, H. H. (19702), The Oxford Classical Dictionary,
Oxford Clarendon Press.
HOCHE, R. (1866), 3icomachi Geraseni Pythagorei Introductionis Arithmeticae Libri II,
Leipzig.
HUFFMAN, CARL A. (1993), Philolaus of Croton Pythagorean and Presocratic. A
Commentary on the Fragments and Testimonia with Interpretative Essays, Cambridge
University Press.
JOHNSON, C. W. L. (1899), “The Motion of the Voice, ¹ tÁj fwnÁj k…nhsij, in the
Theory of Ancient Music”, TAPhA 30, pp. 42-55.
KAHN, CHARLES H. (1960), Anaximander and the Origins of Greek Cosmology, New
York-London.
KASSEL, R. (1963), “Kritische und exegetische Kleinigkeiten, I”, RhM 106, pp. 298306.
KRAPPE, A. H. (1927), “Tiberius and Thrasyllus”, AJPh 48, pp. 359-366.
KUTSCH, W. ed. (1959), Thabait b. Quarra’s arabische Vebersetzung der 'Ariqmhtik¾
e„sagwg» des 3icomachus von Gerasa, Beyrouth Impr. Cath.
LEVIN, F. R. (1975), The Harmonics of 3icomachus and the Pythagorean Tradition,
American Classical Studies, no. 1 University Park, The American Philological
Association.
_____(1972), “Synesis in Aristoxenian Theory”, TAPA 103, pp. 211-234.
_____(1980), “Plhg» and t£sij in the Harmonika von Klaudios Ptolemaios”,
Hermes 108, pp. 205-229.
_____(1994 [1967]), 3icomachus. Manual of Harmonics. Translation and
Commentary, New York.
MACDONALD CORNFORD, F. (1937), Plato’s Cosmology. The Timaeus of Plato
translated with a running commentary, London.
MAURACH, G. (1968), “Boethiusinterpretationen”, A&A 14, pp. 126-141
MCDERMOTT, W. C. (1977), “Plotina Augusta and Nicomachus of Gerasa”, Historia 26,
pp. 192-203.
MERIANI, A. (1995), “Un esperimento di Pitagora (Nicom. Harm. Ench. 6, pp. 245-248
Jan)”, MOUSIKE. Metrica ritmica e musica greca in memoria di G. Comotti, a cura di
B. Gentili e F. Perusino, Istituti Editoriali e Poligrafici Internazionali (Studi di metrica
classica, 11), Pisa-Roma, pp. 77-92.
NOBBE, C. F. A. (1828), Specimen Arithmeticae 3icomacheae e Duobus Codicum
Manuscriptis, Leipzig.
PALUMBO STRACCA, BRUMA M. (1997), “Il decreto degli Spartani contro Timoteo
(Boeth. De instit. mus. I 1)”, AIO3 (filol.) 19, pp. 129-160
PISTELLI, E. (1897), “Per la critica dei Theologoumena srithmeticae”, SIFC, pp. 425428.
504
BIBLIOGRAFÍA
PIZZANI, U. (1965), “Studi sulle fonti del De institutione musica”, SEJG 16, pp. 5-164.
_____(1974), “Il filone enciclopedico nella patristica da S. Agostino a S. Isidoro
di Siviglia”, Augustinianum 14, pp. 667-69
_____(1982), “Una ignorata testimonianza di Ammonio di Ermia sul perduto
Opus maius di Nicomaco sulla musica”, Studi in onore di Aristide Colonna,
Perugia Ist. di Filol. Class., pp. 235-345.
REDONDO REYES, P. (2005), “Pitágoras en la herrería: variaciones sobre un episodio
legendario” Prometheus 31.3, pp. 193-215.
RIETHMÜLLER, A. (1989), “Pythagoras in der Schmiede”, A. RIETHMÜLLER-F.
ZAMINER, Die Musik des Altertuns, Laaber, pp. 308-322.
ROSS, SIR D. (1936), Aristotele’s Physics: A Revised Text with Introduction and
Commentary, Oxford Clarendon Press.
RUELLE, CH. E. (1881), Collection des autres grecs relatifs à la musique, Vol. 2,
3icomaque de Gérase. Manuel d’Harmonique, Paris.
_____(1900), “Le chant gnostico-magique des sept voyelles grecques”,
Mémoires lus au congrès international de l’histoire comparée, 8e section,
histoire musicale, Paris
SCHLESINGER, K. (1939), The Greek Aulos, London.
SIMEONI, L. (2000), “Teone di Smirne e le scienze esatte”, Elenchos 21.2, pp. 271-302.
SOLIGNAC, A. (1958), “Doxographies et manuels dans la formation de Saint Augustin”,
RecAug. I, pp. 113-148.
STAMATIS, E.(1952), “'Ariqmoˆ tšleioi, pleuriko…, diametriko…. `H √2”, Platon 4, pp.
289-297.
_____(1963), “Aƒ ¢nalog…ai tîn ¢rca…wn `Ell»nwn kaˆ ¹ scšsij tÁj
¡rmonikÁj ¢nalog…aj prÕj tÕn tÚpon tîn ko…lwn sfairikîn katÒptrwn”,
Platon 15, pp. 290-293.
_____(1975), "Problems of arithmetic", Euclides (Athens), pp. 1-1.
STANFORD, W. B. (1967), The Sound of Greek: Studies in the Greek Theory and
Practice of Euphony, University of California Press.
THURN, N. (1998), “Die siebensaitige Lyre”, Mnemosyne 51.4, pp. 411-434.
TOULIATOS, D. (1989), “Nonsense Syllables in the Music of the Ancient Greek and
Byzantine Traditions”, Journal of Musicology 7, pp. 231-43.
VAN DER WAEDEN, B. L. (1943), “Die Harmonielehre der Pythagoreer”, Hermes 78, pp.
163-199.
WASSERSTEIN, A. (1963), “A Nicomachus manuscript in the Bodleian Library”, CR 13,
p. 15.
WATERFIELD, R. (1988), The Theology of Arithmetic: On the Mystical, Mathematical
and Cosmological Symbolism of the First Ten 3umbers, Grand Rapids, Phanes Press.
WECHEL, CH. (1538), 3icomachi Geraseni arithmeticae libri duo. 3unc primum typis
excusi in lucem eduntur. Parisiis, in officina Christiani Wecheli.
WESTERINK, L. G. (1964), “Deux commentaries sur Nicomaque, Asclépius et Jean
Philopon”, REG 77, pp. 526-535.
505
BIBLIOGRAFÍA
WOOD, A. (1944), The Physics of Music, London.
YOUSCHKEVITCH, A. P. (1965), “Note sur les déterminations infinitesimales chez Thabit
ibn Quarra”, AIHS 17, pp. 37-45.
E. GAUDECIO:
BARBERA, A. (1980), The Persistence of Pythagorean Mathematics in Ancient Musical
Thought, Univ. of North Carolina-Chapel Hill.
_____(1984), “Octave Species”, Journal of Musicology 3, pp. 229-241.
BERNABÉ, A. (1998), “Platone e l’orfismo”, en G. SFAMENI GASPARRO (Ed.), Destino e
salvezza: tra culti pagani e gnosi cristiana. Itinerari storico-religiosi sulle orme di Ugo
Bianchi, Cosenza, pp. 33-93.
_____(1996), “La fórmula órfica ‘Cerrad las puertas, profanos’. Del profano
religioso al profano en la materia”, Ilu. Revista de Ciencias de las Religiones 1,
pp. 13-38.
DAHLHAUS, K. “Ein vergessenes Problem der antiken Konsonanztheorie”, WIORA, W.,
FINSCHER, L. y MAHLING, CH.-H. edd. (1967), Festschrift für W. Wiora zum 30.Dez.
1966, Bärenreiter, Kassel, pp. 164-169A.
DOUCAKIS, A. (1974), L’Introduction a l’Harmonie de Gaudence le Philolophe. 3otice,
traduction et commentaire, Thèse doctoral, Paris.
_____(1975-1976), "L'Introduction à l`Harmonie de Gaudence le philosophe.
Notice, traduction et commentaire", AEHE IVe Sect., pp. 1037-7040.
FEINGOLD, M. & GOUK, P. M. (1983), “An Early Critique of Bacon's Sylva sylvarum:
Edmund Chilmead's Treatise on Sound”, Annals of Science, 41, pp. 139–157.
FRANZ, J. (1840), De musicis graecis commentatio, Berlin.
FREND, W. H. C. (1992), “Pseudo-Justinus, Cohortatio ad Graecos, De Monarchia,
Oratio ad Graecos”, by MIROSLAV MARCOVICH, The Classical Review 42, Vol. 1, pp.
185-186.
MATHIESEN, THOMAS J. (1998), Strunk’s Source Readings in Music History, Vol. I,
Greek View of Music, ed. THOMAS J. MATHIESEN, New York.
PEIRCE, CHARLES S. ap. C. EISELE ed. (1985), Historical Perspectives on Peirce’s Logic
of Science. A History of Science , 2 vols., Berlin.
RUELLE, CH. E. (1895), "Alypius et Gaudence, Bacchius l'ancien", Collection des
auteurs grecs relatifs à la musique, V, Paris, pp. 53-102.
THIERFELDER, A. (1897), “System der altgriechischen Instrumentalnotenschrift”,
Philologus 61, pp. 492-524.
VEGA RAMOS, M. J. (1999), “La teoría musical humanística y la poética del
Renacimiento” en J. Guijarro Ceballos, Humanismo y literatura en tiempos de Juan de
Encina, Universidad de Salamanca, 1999, pp. 217-240.
506