Jason Rhoades

Jason Rhoades
Born 1965 in Newcastle, CA. Died 2006 in Los Angeles, CA.
EDUCATION
1985 - 1986
1986 - 1988
1988
1991-1993
California College of Arts and Crafts, Oakland, California
San Francisco Art Institute; BFA
Skowhegan School of Painting and Sculpture
University of California, Los Angeles; MFA
SOLO EXHIBITIONS
2007
Multiples (Sculptures 1993-1998), El Sourdog Hex, Berlin, Germany
2006
Tijuantanjierchandelier, Centro de Arte Contemporáneo de Málaga, Málaga, Spain
2005
Black Pussy, Hauser & Wirth, London, England
My Madinah: Pupp Tent/Puss Tent, Galería Helga de Alvear, Madrid, Spain
2004
Sheep Plug (collaboration with Paul McCarthy), Kling & Bang gallery, Reykjavik, Iceland
My Madinah: in pursuit of my ermitage…, Sammlung Hauser & Wirth, St. Gallen,
Switzerland
2003
Meccatuna, David Zwirner, New York, NY
2002
Galeria Helga de Alvear, Madrid, Spain
PeaRoeFoam. The Impetuous Process & From the Costner Complex, David Zwirner, New York,
NY
My Special Purpose, MUMOK, Vienna, Austria
Paul McCarthy & Jason Rhoades: Shit Plug, Galerie Hauser & Wirth, Zurich, Switzerland
2001
Jason Rhoades/Costner Complex, Portikus, Frankfurt, Germany
2000
of perfect world, David Zwirner, New York, NY
New Works: 00.4, ArtPace, A foundation for Contemporary Art, San Antonio, TX
Jason Rhoades. Flatworks from Perfect World, Galerie Hauser & Wirth, Zurich, Switzerland
1999
Perfect World, Deichtorhallen, Hamburg, Germany
Propposition (collaboration with Paul McCarthy), David Zwirner, New York, NY
Propposition (collaboration with Paul McCarthy), Venice Biennale, Venice Italy
Danish Pavilion (collaboration with Peter Bonde), Venice Biennale, Venice, Italy
1998
The Creation Myth, Galerie Hauser & Wirth 2, Zurich, Switzerland
The Purple Penis and the Venus, Kunsthalle Nürnberg, Nürnberg, Germany [catalogue]
The Purple Penis and the Venus in Eindhoven A Spiral with Flaps and Two useless Appendages.
After the Seven Stomachs of Nurnberg as Part of the Creation Myth, Van Abbemuseum,
Eindhoven, The Netherlands [catalogue]
1997
Deviations in Space, VariousVirgins, David Zwirner, New York, NY
1996
Jason Rhoades, Kunsthalle Basel, Basel, Switzerland [catalogue]
1994
Swedish Erotica and Fiero Parts, Rosamund Felsen Gallery, Los Angeles, CA
1993
13 Booth Cologne County Fair, David Zwirner Gallery, The Unfair, Cologne, Germany
CHERRY Makita - Honest Engine Work, David Zwirner, New York, NY
GROUP EXHIBITIONS
2007
Think with Senses-Feel with the Mind, 52nd International Art Exhibition, Venice Biennale, Venice,
Italy [catalogue]
There is never a stop and never a finish: In memoriam Jason Rhoades, The Friedrich Christian Flick
Collection, Hamburger Bahnof, Museum für Gegenwart, Berlin, Germany [catalogue]
Eden’s Edge: Fifteen LA Artists, UCLA Armand Hammer Museum, Los Angeles, CA
2006
Red Eye, Rubell Family Collection, Miami, FL [catalogue]
Wrestle, Hessel Museum of Art, Bard College’s Center for Curatorial Studies, Annandale-onHudson, NY [catalogue]
FASTER! BIGGER! BETTER!, ZKM Center for Art and the Media, Karlsruhe, Germany [catalogue]
Yes Bruce Nauman, Zwirner & Wirth, New York, NY
Work Zones: Three Decades of Contemporary Art from San Francisco Art Institute, Walter &
McBean Galleries, San Francisco Art Institute, San Francisco, CA
2005
Baroque and Neobaroque: The Hell of the Beautiful, DA2, Fundacion Salamanca Ciudad de
Cultura, Salamanca, Spain
Lichtkunst aus Kunstlicht: Licht als Medium der Kunst im 20 Jahrhundert, Zentrum für Kunst, und
Medientechnologie, Karlsruhe, Germany
Bidibidobidiboo, Works form the Sandretto Re Rebaudengo Collection, Fondazione
Sandretto Re Rebaudengo, Torino, Italy
Dionysiac, Centre Georges Pompidou, Paris, France [catalogue]
Symbolic Space: The Intersection of Art & Architecture Through the Use of
Metaphor, Hudson Valley Center for Contemporary Art, Peekskill, NY
2004
Moving Parts – Forms of the Kinetic, Kunsthaus Graz, Graz, Austria
Friedrick Christian Flick Collection Im Hamburger Bahnhof, Hamburger Bahnhof –– Museum für
Gegenwart, Berlin, Germany [catalogue]
Fantasy Island, The Reykjavik Arts Festival, Reykjavik, Iceland
Das Große Fressen: Von Pop bis heute, Kunsthalle Bielefeld, Bielefeld, Germany
Everything is Connected, he, he, he, Astrup Fearnley Museum of Modern Art, Oslo, Norway
In Need of Analysis, Foundation 20 21, New York, NY
2003
Micro-Utopias, Bienal de Valencia, Valencia, Spain
OVER WIJ / ABOUT WE, Van Abbemuseum, Eindhoven, The Netherlands
Falckenberg Collection, Phoenix Kulturstiftung, Hamburg, Germany
Outlook, Technopolis, Benaki Museum and Athens School of Fine Arts, Athens, Greece
[catalogue]
Bankett – Metabolismus und Kommunikation, ZKM, Karlsruhe, Germany
The Secret Life of Onions, Van Abbemuseum, Eindhoven, The Netherlands
2002
L.A. on My Mind: Recent Acquisitions from MOCA’s Permanent Collection, MOCA at the Pacific
Design Center, Los Angeles, CA
Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo, Norway
Ten Years, Galerie Hauser & Wirth, Zurich, Switzerland
Startkapital, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
The House of Fiction, Sammlung Hauser und Wirth in der Lokremise St. Gallen, St. Gallen,
Switzerland
Exile on Main Street, New International Cultural Center, Antwerp, Belgium
Linger, Artemis Greenberg Van Doren, New York, NY
Moving Pictures, Solomon R. Guggenheim Museum, New York, NY
Liverpool Biennial 2002, Tate Liverpool, Liverpool, England [catalogue]
Plus Ultra, Kunstraum Innsbruck, Innsbruck, Austria
Comer o no Comer (To Eat or not to Eat), Salamanca Art Center, Salamanca, Spain
French Collection, Musee d’Art Moderne et Contemporain, Genf, Switzerland
Head Journeys: Jules Verne, Adolf Wölfi and Andere Grensgänger, Kunstmuseum Bern, Bern,
Switzerland
2001
Sammlung Hauser and Wirth/Part 2/Alternating Current, Sammlung Hauser and Wirth, St Gallen,
Switzerland
Public Offerings, Museum of Contemporary Art, Los Angeles, CA
Yokohama 2001: International Triennale of Contempoary Art, Yokohama, Japan
I♥ NY, David Zwirner, New York, NY
Colecção Onnasch: Aspectos da Arte Contemporânea, MACBA, Barcelona, Spain
[itinerary: Museu Serralves, Porto, Portugal]
Do It, Museo de Arte Carrillo Gil, San Angel, Mexico
2000
Sammlung (1), The Oldest Possible Memory, Sammlung Hauser & Wirth, St. Gallen,
Switzerland
Soft White, University Gallery, University of Massachusetts Amherst, Amherst, MA
IMPALA, ArtPace, San Antonio, TX
1999
Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York, NY
dAPERTutto, La Biennale di Venezia, Venice, Italy
Am Horizont, Kaiser Wilhelm Museum, Krefeld, Germany
Get Together, Kunsthalle Wien, Vienna, Austria
Laboratorium, Provinciaal Museum voor Fotografie, Antwerp, Belgium
Raymond Pettibon, Jason Rhoades, Hans Weigand. LIFE/BOAT, MAK Center at Schindler House,
Los Angeles, CA
Damenwahl: Corinne Wasmuht, Jason Rhoades. Kunsthalle Bremen, Bremen, Germany
1998
Hommage a Dieter Roth, Galerie Heinz Holtmann, Cologne, Germany
Hundert Jahre Secession, Wiener Secession, Vienna, Austria
Junge Schweizer Kunst mit Gasten und Gastmahl,Kunsthaus Zurich, Zurich, Switzerland
Arkipelag. Lebensraum. The Nordiska Museet, Stockholm, Sweden
Five Years, 1993-1998, David Zwirner, New York, NY
1997
La Biennale di Venezia. XLVII Esposizione Internazionale d'Arte. Venice, Italy
La Modernité et la Côte d'Azur, Villa Arson, Nice, France
1997 Whitney Biennial, Whitney Museum of American Art, New York, NY [catalogue]
Sunshine & Noir: Art in Los Angeles 1960-1997, Louisiana Museum of Modern Art, Humblebaek,
Denmark [itinerary: Castello di Rivoli, Torino, Italy; Hayward Gallery, London; Haus der
Kunst, Munich, Germany; UCLA at the Armand Hammer Museum of Art, Los Angeles,
CA] [catalogue]
Deep Storage, Haus der Kunst, Munich, Germany [itinerary: Nationalgalerie, Berlin, Germany;
Kunstmuseum Dusseldorf, Germany; P.S. 1 Contemporary Art Center, Long Island City,
NY]; catalogue
Epicenter Ljubljana, Moderna Galeria, Ljubljana, Slovenia [catalogue]
Lyon Biennial, Lyon, France [catalogue]
Connexions Implicités, Ecole Nationale Superieure des Beaux-Arts, Paris, France [catalogue]
projects.doc., Richard J. Schiffler Collection and Archives. Weston Art Gallery, Cincinnati, OH
[catalogue & CD-ROM]
American Art from the Whitney Museum; Multiple Identity. 1975-1995, Castello di Rivoli, Museo
d'Arte Contemporaneo, Torino, Italy
Meg Cranston, Paul McCarthy, Barry McGee, Raymond Pettibon, Jason Rhoades, Galerie Tanya
Rumpff, Haarlem, The Netherlands
1996
Nach Weimar, Kunstsammlungen zu Weimar, Weimar, Germany [catalogue]
Art at the End of the 20th Century, National Gallery, Alexandros Soutzos Museum, Athens,
Greece [organized by the Whitney Museum of American Art; itinerary: Museu d'Art
Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany] [catalogue]
Defining the Nineties: Consensus-Making in New York, Miami, and Los Angeles, Museum of
Contemporary Art, Miami, FL [catalogue]
Traffic, CAPC Musée d'art Contemporain Entrepot, Bordeaux, France [catalogue]
Wanas 1996, Wanas Foundation, Knislinge, Sweden [catalogue]
Ranch (with Jorge Pardo), 1301 PE, Peter Strauss Ranch, Malibu, CA
a/drift, Bard Center for Curatorial Studies, Annandale-on-Hudson, NY; curated by Joshua Decter;
[catalogue]
L'Art du Plastique Nouvelles matières d'expression, Ecole Nationale supérieure des Beaux Arts,
Paris, France; curated by Robert Fleck
Multiple Pleasures, Tanya Bonakdar Gallery, New York, NY
Urban Structures, Kulturreferat München, Munich, Germany [catalogue]
Group show, Galerie Jürgen Becker, Hamburg, Germany
1995
Self-made, Grazer Kunstverein, Graz, Austria [catalogue]
Ripple Across the Water, The Watari Museum of Contemporary Art, Tokyo, Japan [catalogue]
Ludwig Forum für Internationale Kunst, Aachen, Germany
1995 Whitney Biennial, The Whitney Museum of American Art, New York [catalogue]
lo-fi, Lauren Wittels, New York, NY; curated by Michelle Reyes
Komix, Brooke Alexander Editions, New York, NY
Das Ende der Avant Garde. Kunst als Dienstleistung, Sammlung Schürmann, Hypobank Galleries,
Munich, Germany
Selections of the Permanent Collection, Museum van Hedendaagse Kunst Gent, Belgium
26es Rencontres Internationales de la Photographie, Arles, France [catalogue]
1994
Temporary Translation(s). Kunst der Gegenwart und Fotografie, Sammlung Schürmann,
Deichtorhallen, Hamburg, Germany [catalogue]
This is the Show and the Show is Many Things, Extra Muros, Museum Van Hedendaagse Kunst,
Ghent, Belgium; curated by Bart de Baere [catalogue]
Monaco Grand Prix 94, organized by Villa Arson, Nice, France
Galerie Froment & Putman, Paris, France
Sammlung West (the collection of Franz West), Raum Strohal, Vienna, Austria
Summer Group Show, David Zwirner, New York, NY
Don't Look Now, Thread Waxing Space, New York, NY; curated by Joshua Decter [catalogue]
Paul Bloodgood, Luca Buvoli, Jason Rhoades and Kathleen Schimert, Sandra Gering Gallery,
New York, NY
1993
Going Down Stairs Diagonally, Rosamund Felsen Gallery, Los Angeles, CA; curated by Paul
McCarthy
1992
Rosamund Felsen Clinic & Recovery Center, Rosamund Felsen Gallery, Los Angeles, CA; curated
by Ralph Rugoff
BIBLIOGRAPHY
2007
Carnevale, Fulvia and John Kelsey. “Art of the Possible.” Artforum (March 2007): 256-264.
Christie, Tom. “The Newcomer.” LA Weekly (May 23, 2007)
Epstein, Rebecca. “A Selection of Sensuous Affection.” Los Angeles Times City Beat (June 7, 2007)
Harvey, Doug. “Personal Choices: 15 L.A. artists in ‘Eden’s Edge’.” LA Weekly (May 23, 2007)
[ill.]
Holte, Michael Ned. “Eden’s Edge: Fifteen L.A. Artists.” Artfroum (May 2007): 164.
Knight, Christopher. “A City of Earthly Delights.” The Los Angeles Times (May 23, 2007): E1, E10.
[ill.]
Sansone, Valentina. “Reviews: Jason Rhoades.” Flash Art (Jaunary/February 2007): 124.
Storr, Robert and Simona Vendrame. “The 52nd International Art Exhibition of La Biennale di
Venezia.” Tema Celeste (May/June 2007): 92-94. [ill.]
“A Posthumous Presence at the Venice Bienale.” The New York Times (June 7, 2007): A1. [ill.]
2006
Fineman, Mia. “Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?” The New York
Times (May 7, 2006)
Khuri, Elizabeth. “Provocation in neon, noise.” Los Angeles Times, (February 14, 2006)
Nicholas, Jonathan. “Is Portland ready for CAM/P?” The Oregonian (July 07, 2006)
Rhoades, Jason. “Work in Progress: Rhoades Rules.” V Magazine, Issue 41 (Summer 2006): 58, 59.
“Jason Rhoades: Black Pussy...and the Pagan Idol Workshop.” Modern Painters (December
2005/January 2006): 125.
2005
Darwent, Charles. “A Load of Naughty Old Rubbish” The Independent on Sunday (Sept. 29 – Oct.
1, 2005): 7.
Falconer, Morgan. “Another Fine Mess” Art Review (September/October 2005): 39.
Filipovic, Elena. "Dionysiac: Art in Flux." Frieze (September 2005): 140. [ill.]
Harris, Lucian. “What’s On: United Kingdom, London” The Art Newspaper: What’s On, No. 159
(June 2005): 6.
Karcher, Eva. "Come Into My Muschi Moschee," sleek (February 2005): 64-71.
Mack, Joshua. “Thing: New Sculpture from Los Angeles,” Modern Painters (April 2005): 104105.
Mayer, Mariano. “El mundo como escenario Instalaciones.” NEO2 (March 2005): 92, 95.
Montesano, Gian Marco. “L’arte della Moltitudine” Work: art in progress (Summer 2005): 813.
Saltz, Jerry. “Clusterfuck Aesthetics” The Village Voice (December 2, 2005)
Searle, Adrian. “Sex Gods” The Guardian (September 20, 2005): 18-20.
Seidl, Walter. “Puppets and Heavenly Creatures” Contemporary, No. 75 (2005): 30 – 33. [ill.]
Skar, Brian. “Jason Rhoades. My Madinah: Pupp Tent/Puss Tent” In Madrid, Vol. 10, No. 5 (May
2005): 2.
Spears, Dorothy. “Collected Works” Surface, No. 54 (Summer 2005): 94.
“The Guide – Jason Rhoades: London” The Guardian (Sept. 17-23, 2005): 36.
2004
Birnbaum, Daniel. “My Pop: Jason Rhoades.” Artforum International (October 2004): 90.
Flynn, Barbara. “Exhibition Round-up: New York” Art & Australia (June/July/August 2004): 544547.
Hannula, Mika. “Some Like it Big,” Framework, (February 2004): 117-118.
Princenthal, Nancy. “Jason Rhoades.” ArtUS, Issue 1 (January – February 2004): 41.
Ronólfsson, Halldór Björn. “Paul McCarthy and Jason Rhoades.” Flash Art, Vol. XXXVII, No. 28
(October 2004): 134-135.
Sholis, Brian. “Jason Rhoades” Untitled, No. 31 (Spring 2004): 66.
Spiegler, Mark. “History’s Shadow” Art and Auction (September 2004): 38.
Ullrich, Wolfgang. “Die Muschi-Moschee.” Feuilleton, No. 34 (August 2004): 43.
Wagner, Thomas. “Emmanuelle Kant und die Moschee,” Feuilleton, No. 200 (August 2004): 37.
“Friedrich Christian Flick Collection,” Architectural Digest (October 2004): 268-277. [ill.]
“Hot Frieze in London,” Art in America (December 2004): 37.
2003
Baird, Daniel. "Allegories of Debris." The Brooklyn Rail (October 2003): 17.
Bourriaud, Nicholas. “Globalization and Confusion: The Art World in the Age of the Screen.”
Outlook. Ed. Christos Joachimedes. Athens: Benaki Museum and Athens School of Fine
Arts, 2003. [ill.]
Kimmelman, Michael. "Jason Rhoades." The New York Times (October 10, 2003): E32.
Macel, Christine. “Dada et moi.” Les Cahiers du Musée national d’art moderne, No. 85 (Fall 2003):
39-40.
Montreuil, Gregory. “Jason Rhoades.” Flash Art, No. 233 (November-December 2003): 56.
Pollack, Barbara. “Jason Rhoades.” ARTnews (December 2003): 117.
Princenthal, Nancy. “Jason Rhoades.” ArtUS, Issue 1 (January – February 2004): 41.
Reed, John. “Critics’ Picks - Jason Rhoades.” Artforum.com (October 2003)
Smith, Roberta. “The Art and Artists of the Year.” The New York Times (December 28,
2003): 37.
Sundell, Margaret. "Pussy Pilgrimage." Time Out New York, No. 419 (October 9-16, 2003): 63.
Vincent, Steven. “Jason Rhoades.” Art Review, Vol. 1, No. 12 (November 2003): 103.
Wei, Lilly. “Rhoades Abroad.” Art in America, No. 12 (December 2003): 98-99, 127.
Wilson, Michael. “Jason Rhoades.” Artforum International (December 2003): 145-146.
2002
Angus, Denis. "Figures Contmporaines: 43 artists from the new generation, the big mess." Beaux
Arts Magazine (2002): 192-195.
Burton, Johanna. "Jason Rhoades, 'PeaRoaFoam. The Impetuous Process & from the Costner
Complex." Time Out New York, No. 348 (May 30 - June 6, 2002): 62.
Landi, Ann. "Interior Motives." ARTnews, Vol. 101, No. 1 (January 2002): 94 - 95.
Weintraub, Linda. “Jason Rhoades.” Terma Celeste (October 2002): 86 – 87.
2001
Avgikos, Jan. “Jason Rhoades at David Zwirner.” Artforum International (February 2001): 151.
Baldon, Diana. “Jason Rhoades.” Tema Celeste (November-December 2001): 91.
Bowles, John P. "Blinded by the White: Art & History at the Limits of Whiteness." Art Journal,
Vol. 60, No. 4 (Winter 2001): 36 - 41.
Goddard, Dan R. “Installation pays tribute to car culture.” San Antonio Express-News
(January 5, 2001)
Princenthal, Nancy. “Jason Rhoades: Pipe Dreams.” Art in America (January 2001): 98-101,
141.
Vendrame, Simona. “Harald Szeemann.” Tema Celeste (March-April 2001): 48-53.
2000
Elms, Anthony. “Reshelved.” New Art Examiner (April 2000): 28-31.
Ferguson, Russell. “Given: 1. The Caprice, 2. The Ferrari.” Parkett, No.58 (2000): 122-125.
Johnson, Ken. “Art Guide.” The New York Times (November 3, 2000)
Meyer-Hermann, Eva & Scheidemann, Christian. “Tangential Talk on Rhoades.” Parkett, No.58
(2000): 142-147.
Ohrt, Roberto. “The Soluble Fish Is Better Off on the Beach.” Parkett, No.58 (2000): 154-160.
“Jason Rhoades.” The New York Times (October 27, 2000)
1999
Birnbaum, Daniel. “Practice in Theory.” Artforum International (September 1999): 154.
Burrow, David. “Dunkin’ Donuts.” Art Monthly (March 1999): 6-10.
Cohen, Michael. “Jason Rhoades- Mean Metal Machine.” Flash Art (Summer 1999): 110- 113.
Cotter, Holland. ”Propposition.” The New York Times (February 5, 1999): E37
Debord, Matthew. “Paul McCarthy/Jason Rhoades.” Art/Text (May – July 1999): 80.
Halle. Howard. “Paul McCarthy & Jason Rhoades: Propposition.” Time Out New York
(February 4 – 11, 1999): 57.
Herbert, Martin. “Chaos Theory” Contemporary Visual Arts, Issue 26 (1999): 23-27.
Levin, Kim. “Paul McCarthy and Jason Rhoades.” Village Voice (February 2, 1999): 80.
Puvogel, Renate. “The Purple Penis and the Venus...” Eikon 26/27. (Spring 1999): 94-95.
Schjeldahl, Peter. “Festivalism.” The New Yorker (July, 1999): 85-86.
Schwabsky, Barry. “Report- 48th Venice Biennale.” art/text, #67 (November 1999): 40-41.
Subotnick, Ali. “Bucking for Trouble.” ArtNews. (March 1999): 31.
Thea, Carolee. “Jason Rhoades and Paul McCarthy.” Sculpture (May 1999): 77-78.
1998
Becker, Michael. “Arsenal des alltaglichen Aberwitzes.” Nurnberger Nachrichter (July 1, 1998): 23.
Beil, Ralf. “Metaphysischer Heimwerker.” Neue Zuricher Zeitung (September 1, 1998)
Blattner, Martin. “Zuviel Verstandnis fur die Kunst?” Plarrer (September 1998): 7.
Broder, F.J. “Sperrmull und Videos.” Maiu-Echo (July 19, 1998)
Broder, Von. “Die ganze Welt ein Supermarkt.” General-Anseiger (August 5, 1998): 14.
Conti, Tiziana. “Sunshine & Noir.” Tema Celeste (July, August & September): 76.
Elsemere, Bernard and Sanders, Mark. “Metal Guru.” Dazed & Confused (August 1998): 6871.
Frady, F.F. “Go east, Mann.” Cosmopolitan (August 1998)
Halle, Howard. “Out of the Closet.” Time Out New York (August 13-20, 1998): 56.
Heiser, Jorg. “Untidy Minds.” Frieze (November/December 1998): 72-77.
Kimmelman, Michael. “Installation Art Moves In, Moves On.” The New York Times (August 9,
1998): E1, E32.
Mack, Gerhard. “Hohe Kunst aus dem Hobbyraum.” Cash (February 13, 1998)
Le Journal des Arts, No. 55 (February 1998): S9.
Maler, Oskar Koller. “Kiste sind noch keine Kunst.” Nurnberger Nachrichter (August 4 ,1998): 20.
Maucher, Ute. “Mit freundlichen Fluchen.” Abendzeitung (August 11, 1998): 17.
Maurer, Simon. “Apercu.” Tages Anzeiger (Zurich) (February 19, 1998): S61.
Neumann, Von Bruno, “Akribie der gestylten Unordnung.” Der Neue Tag (July 7, 1998)
Ostrow, Saul. “Jason Rhoades: In a Field of Signs.” Bomb (Winter 1998): 104-106.
Polzer, Brita. “Kunst.” Annabelle Zurich, No. 4 (1998): 19.
Radimaier, Andreas. “Der Reiswolf und die sieben Magen.” Abendzeitung (July 1, 1998): 10.
Rhoades, Jason. “A Thousand Words:Jason Rhoades Talks About His Impala Project.” (side-text by
Daniel Birnbaum). Artforum International (September 1998): 135.
Rian, Jeff. “Sunshine & Noir.” Flash Art (October 1998): 61, 67.
Riesbeck, Gerhard. “Gegen Intoleranz.” Nurnberger Nachrichter (August 13, 1998)
Ritchie, Matthew. “Love, Sweat, and Tears.” Flash Art (November – December 1998): 78-81.
Rut. Birgit. “Die sieben Magen von Nurnberg.” Nurnberg Zeitung (July 1, 1998): 23.
Schmoldt, Jochen. “Jason Rhoades.” Plarrer (August 1998): 32-34.
Senne, Thomas. “Innerieien, USA.” Der Tagesspiegel (July 26, 1998): 26.
Smith, Roberta. “In the Eye of the Collector: Seeking the Inmate Order or Chaos.” The New York
Times (July 31, 1998): E33.
Steinmeyer, Erika. “Nachdenken uber die Zeit.” Nurnberger Nachrichter (August 30, 1998): 6.
Wallach, Amei. “Vision of the Void Behind the California.” The New York Times
(November 29, 1998): 43-44.
“Ausstellung.” Abendzeitung (September 9, 1998): 4.
“Darf Kunst sich selbst genugen oder hat sie auch eine soziale Aufgabe?” Nurnberger Nachrichter
(August 22, 1998): 20.
“Das Theater in meinem Schwanz.” Zuritip, Tages Anzeiger, Vol. 13 (Zurich) (February
19, 1998)
“Der Mythos der Schopfung.” Nordbayerischer Kurier (July 3, 1998): 8.
“Die Schlange liegt im Magen.” Frankfurter Allgemeine (August 26, 1998): 38.
“Eine Augenweide als Herausforderung.” Frankischer Tag Bamberg (July 3, 1998): W2.
“Hollische Eingebungen.” Suddentsche Munchner (August 6, 1998): 12.
“Jason Rhoades.” Neue Bildende Kunst (August-September 1998): 50-55.
“Jason Rhoades:Kunsthalle Nurnberg.” Artforum International (May 1998): 62.
“Jason Rhoades:The Purple Penis and the Venus.” Europa Magazine, Nr.455/6 (1998): 88.
“Jason Rhoades-eine Retrospektive.” Duriers Club Magazine (July 1998)
“Jason Rhoades-Train of Thoughts.” Art Spezial (January 1998): 16.
“Kataloge und mehr.” Kunstzeitung (February 1998)
“Kosmos der Warenwelt.” Donau Kurier (July 8, 1998)
“Kunst oder was.” Abendzeitung (August 11, 1998): 17.
“Maurer in Schweinegestalt: Eine Nurnberger Ausstellung prasentiert den Bildhauer Jason
Rhoades.” SzonNet (August 6, 1998)
“Mittwoch.” Abendzeitung (September 4, 1998): 16.
“Mythos.” Kunstzeitung (July 23, 1998): 9.
“Netzwerk.” Zurichee-Zeitung (February 13, 1998)
“Nurnberg: Hier und Jetzt.” Woku! Desigu (March 1998): 12.
“Nurnbergs Kunst-Szene mit >>Sommer-Sprossen<<.” Abendzeitung (June 22, 1998): 12.
“NZ-Aktion:Leser als Kunstkritiker.” Nurnberg Zeitung (September 9, 1998): 19.
“NZ-Leser konnen Kunstkritiker werden.” Nurnberger Zeitung (September 10, 1998): 23.
“Samstag.” Abendzeitung (August 21, 1998): 16.
“Trennt Spren vom Weizen.” Nurnberger Nachrichter (August 29, 1998): 29.
“Verschobene Kunst.” Nurnberger Nachrichten (September 4, 1998): 21.
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“Zartlichkeit und Bettgefluster.” Abendzeitung (September 2, 1998): 8.
“Vom Brennen der Traume.”, Neuen Zurcher Zeitung, No. 86 (April 1998): S54.
Nurnberger Anseiger (August 19, 1998): 8.
1997
1996
Blase, Christoph. "Virtually the Best." Artforum International (October 1997): 94-95.
Czoppan, Gabi. "Leben in Ferrari." Focus, Nr. 46 (November 10, 1997): 201.
Decter, Joshua. “Elastic Realities.” Flash Art (Summer 1997): 110-113.
Höpker, Thomas. “Szene Los Angeles”, Art – Das Kunstmagazin, No. 12 (December 1997): 30 –
41.
Kalina, Richard. "Jason Rhoades at David Zwirner". Art in America (September 1997): 102103.
Lavelli, Cecilia Liveriero and Lirmans, Franklin. “Harald Szeeman”, Flash Art (Summer 1997): 89.
Perreau, David. “Jason Rhoades; déviations dans l’espace”, Art Press, No. 230 (December 1997):
26-30.
Rhoades, Jason. "Astrocap by V'Ketah." Casco Issues (#2, 1997): 35-59.
Saltz, Jerry. "Jason Rhoades." Time Out New York (April 17, 1997): 42.
Salvioni, Daniela. “The Whitney Biennial.” Flash Art (Summer 1997): 114-117.
Schmid, Karlheinz. “Karlheinz Schmid über Jason Rhoades”, Kunstzeitung (September 1997): 5.
Schulze, Karin, "Jason Rhoades", Der Spiegel (Kultur Extra), Heft 11(November 1997): 20.
Smith, Roberta. "Jason Rhoades." The New York Times (April 18, 1997): C28.
“Epicenter Osebnostnih Energij.” Delo (April 9, 1997): 13.
"Navigation: A Portfolio." Grand Street (Number 61, 1997): 210. [ill.]
Birnbaum, Daniel. "IKEA at the End of Metaphysics." Frieze (November/December
1996): 33-36.
Schorr, Collier. "Der Lauf der Dinge, When They Don't Really Go." Das Kunst-Bulletin (June
1996): 8-15.
1995
Hoving, Thomas. "Art for the Ages." Cigar Afiocionado (Summer 1995): 214-226.
Kimmelmann, Michael. "A Quirky Whitney Biennial." The New York Times (March 24, 1995)
Knight, Christopher. "Toning It Down at the Whitney." The Los Angeles Times (Sunday, April 16,
1995): 53-4.
Larson, Kay. "Sex, Politics, and Business as Usual at the Whitney Biennial." Atelier, No. 819 (July
1995): 8-18.
Rugoff, Ralph. "The Show of Shows." Harper's Bazaar (March 1995): 336.
Schaffner, Ingrid. "Deep Storage." Frieze (Summer 1995): 58-61.
Selwyn, Marc. "Report From Los Angeles." Flash Art (May-June 1995): 96-99.
1994
Bourriad, Nicolas. "Jason Rhoades." Documents, No. 5 (February 1994)
Duncan, Michael. "L.A. Rising." Art In America (December 1994): 72-82
Greene, David. "I'm Just Mad About Saffron." Los Angeles Reader (April 1, 1994): 17.
Kandel, Susan. "Rhoades' Works Overwhelm--On Purpose." The Los Angeles Times (March 26,
1994): F7.
Lingemann, Susanne. "Neunziger Jahre: Künstler als Forscher." ART (July 1994): 55.
Myers, Terry. "Review. Jason Rhoades." Art Issues (May/June 1994): 45.
Miller, John. "Openings." Artforum International (January 1994)
Relyea, Lane. "Review. Jason Rhoades." Artforum International (September 1994): 110-111.
Saltz, Jerry. "L.A. Rising." Art and Auction (April 1994): 88-122.
Searle, Adrian. "Review: This is the show..." Frieze (November/December 1994): 54-55.
Smith, Roberta. "Dark Side of the American Psyche." The New York Times (Friday, April 8, 1994)
Van de Sompel, Ronald. "Review: This is the show..." Metropolis M (October 1994)
1993
Adams, Brooks. "Jason Rhoades at David Zwirner." Art In America (November 1993)
Cameron, Dan. "Critical Edge. Son of 'Scatter'." Art & Auction (December 1993): 52-53.
Levin, Kim. "Voice Choice." The Village Voice (September 28, 1993)
Saltz, Jerry. "Braver New Art World?" Art and Auction (November 1993)
Schorr, Collier. "Jason Rhoades." Frieze (December 1993): 57-58.
Smith, Roberta. "Art in Review. Jason Rhoades." The New York Times (October 8, 1993)
SELECTED BOOKS AND CATALOGUES
2007
Venice, Italy. The Fondazione La Biennale di Venezia. La Biennale di Venezia 2007, 2007.
2006
Annandale-on-Hudson, NY. Bard College. Wrestle, 2006. Text by Tom Eccles and Ivo Mesquita.
Miami, FL. Rubell Family Collection. Red Eye: L.A. Artists from the Rubell Family Collection,
2007.
New York, NY. Phaidon Press. Art and Today, 2006. By Eleanor Heartney.
Paris, France. Edition 7L. Artists: Photographs by Jason Schmidt, 2006. Edited by Alix
Browne and Christopher Bollen.
2005
Frankfurt am Main, Germany. Plus Ultra, 2005. Edited by Stefan Bidner and Thomas Feuerstein.
Cologne, Germany. Dumont. Friedrich Christian Flick Collection im Hamburger Bahnhof, 2005.
New York, NY. Parkett. Parkett: 20 Years of Artists’ Collaborations, 2005.
San Antonio, TX. Artpace. Artists Salute Artpace, auction catalogue, 2005.
Paris, France. Centre Pompidou. Dionysiac, 2005.
London, UK. Black Dog Publishing. LA Artland, 2005. Texts by Chris Kraus, Jan Tumlir, and Jane
McFadden. Edited by Oriana Fox and Catheirne Grant.
2004
Köln, Germany. Verlag der Buchhandlung Walther König. Sample Minds, 2004. Edited by Stefan
Bidner and Thomas Feurerstein.
Berlin, Germany. Friedrich Christian Flick Collection im Hamburger Bahnhof, 2004.
Texts by Eugen Blume, Joachim Jäger, and Gabriele Knapstein.
Frankfurt am Main, Germany. Portikus Frankfurt am Main. Turbulenz: Portikus Projekte 20012004, 2004. Texts by Daniel Birnbaum et al.
Ostfildern-Ruit, Germany. Hatje Cantz. Art Basel Miami Beach, 2004.
Paris, France. La Maison Rouge, Paris and Fage Editions, Lyon. Central Station: Collection Harald
Falckenberg, 2005. Text by Laurence Dreyfus.
2003
Athens, Greece. Hellenic Culture Organization S.A. OUTLOOK, 2003. Texts by Daniel Birnbaum
et al.
2002
Köln, Germany. Verlag der Buchhandlung Walther König. Shit Plug, 2002. Text by Guy-Ernest
Debord.
Köln, Germany. Dumont Literatur und Kunst Verlag Köln, Künstlerküche: Lebensmittel als
Kunstmaterial - von Schiele bis Jason Rhoades, 2002. Text by Ralf Beil.
Koln, Germany. Taschen. Art Now, 2002. Edited by Burkhard Riemschneider, and Uta
Grosenick
Liverpool, England. Liverpool Biennial International 2002, Texts by Declan McGonagle,
Lewis Biggs, Michael Bracewell and Christoph Grunenberg.
Salamanca, Spain. Salamanca Art Center. Comer o no Comer (To Eat or not to Eat), 2002.
Vienna, Austria. MUMOK (Museum Moderner Kunst). PeaRoeFoam: The Impetuous Proces, My
Special Purpose and the Liverpool. Jason Rhoades, 2002. Texts by Achim Hochdörfer and
Jan Avgikos.
2001
Antwerp, Germany. Antewerpen Open and Roomade. Laboritorium, 2001. Edited by Hans Ulrich
Obrist, and Barbara Vanderlinden.
New York, NY. Museum of Modern Art. Parkett: Collaborations and Editions since 1984, 2001.
Koln, Germany. Taschen. Art Now, 2001. Edited by Burkhard Riemschneider and Uta Grosenick.
Frankfurt, Germany. Portikus. Jason Rhoades: The Costner Complex (Perfect Process), 2001.
Los Angeles, CA. Museum of Contemporary Art. Public Offerings, 2001. Edited by Howard
Singerman
St. Gallen, Switzerland. Sammling Hauser & Wirth, Sammlung Hauser and Wirth/Part 2/
Alternating Current. 2001. Edited by Michaela Unterdorfer.
2000
Ontario, Canada. Art Gallery of Hamilton. Thinking Space: Selections from the Ann and Marshall
Webb Collection, 2000.
Hamburg, Germany. Deichtorhallen Hamburg. Jason Rhoades. Perfect World, 2000.
Edited by Zdenek Felix.
1999
Krefeld, Germany. Kaiser Wilhelm Museum. Am Horizont, 1999.
New York, Whitney Museum of American Art, The American Century: Art and Culture 1950-2000.
1999. Illus. P.357
Senefelderstrabe, Germany. The Danish Contemporary Art Foundation. The Snowball, 1999.
Edited by Marianne Ockenholt & Jerome Sans
Torino, Italy. Fondazione Sandretto Re Rebaudengo per L’Arte.Dreams. 1999.
Vienna, Austria. Kunsthalle Wien. Get Together, 1999.
1998
London, England. Phaidon Press. Cream (10 curators, 10 writers, 100 artists: contemporary art in
culture), 1998.
Munich, Germany. Prestel. Deep Storage, 1998. Texts by Ingrid Schaffner, Matthias Winzen, et al.
Nurnberg and Koln, Germany and Eindhoven, The Netherlands. Kunsthalle Nurnberg, Stedelijk
Van Abbemuseum and Oktagon Verlag. Jason Rhoades. Volume. A Rhoades Referenz,
1998. Text by Eva Meyer-Hermann.
1997
Annandale-on-Hudson, New York. Center for Curatorial Studies. a/drift, 1997. Edited by Joshua
Decter
Bonn, Germany. Kunstmuseum Bonn. Multiple Identity: Amerikanische Kunst 1975-1995 aus dem
Whitney Museum of American Art, 1997. Texts by Johanna Drucker, Donald Kuspit
Bonn, Germany. Cantz Verlang. Unbuilt Roads, 1997. Edited by Hans Ulrich Obrist and Guy
Tortosa
Humblebaek, Denmark. Louisiana Museum of Art. Sunshine & Noir. Art in L.A. 1960-1997, 1997.
Texts by Lars Nittve, William R. Hackman, Mike Davis, Peter Schjeldahl, Laura
Cottingham, Terry R. Myers, et al.
Ljubljana, Slovenia. Moderna Galeria Ljubljana. Epicenter Ljubljana, 1997. Text by Harald
Szeeman.
Lyon, France. Reunion des Musees Nationaux. 4e Biennale de Lyon, 1997. Texts by Harald
Szeeman, Raymond Barre, et al.
Milan, Italy. Castello di Rivoli, Museo d'Arte Contemporanea; Whitney Museum of American Art;
Edizioni Charta. American Art from the Whitney Museum 1975-1995, 1997.
Munich, Germany. Prestel. Deep Storage, 1997. Texts by Ingrid Schaffner, Matthias Winzen, et al.
New York, NY. Harry N. Abrams, Inc. NewArt, 1997, ill.
New York, NY. The Whitney Museum of American Art. 1997 Whitney Biennial Exhibition, 1997.
Texts by Lisa Phillips and Louise Neri.
New York, NY. Independent Curators Incorporated. do it, 1997. Texts by Hans-Ulrich Obrist,
Bruce Althusser, et al.
Paris, France. Ecole Nationale superieure des Beaux-Arts. Connexions Implicités, 1997. Texts by
Jean de Loisy, Hans-Ulrich Obrist, Nicolas Bourriad, Eric Troncy, and Pierre Lamaison
1996
Arles, France. 26es Rencontres Internationales de la Photographie, 1996.
Basel, Switzerland. Kunsthalle Basel. Jason Rhoades, 1996. Text by Robert Fleck.
Bordeaux, France. CAPC Musee d'Art Contemporain. Traffic, 1996. Text by Nicolas Bourriad
Knislinge, Sweden. Wanas Foundation. Wanas 1996, 1996. Texts by Marika Wachtmeister, Kay C.
Pallister and Barry Schwabsky
Miami, FL. Museum of Contemporary Art. Defining the Nineties: Consensus-making in New
York, Miami, and Los Angeles, 1996. Texts by Bonnie Clearwater, Michael Duncan,
Allan Schwartzman
Weimar, Germany. Kunstsammlungen zu Weimar. Nach Weimar, 1996. Texts by Klaus
Biesenbach, Nicholaus Schafhausen
1995
Gent, Belgium. Museum van Hedendaagse Kunst. This is the Show and the Show is Many Things,
1995. Text by Amy Galland, Ronald Van de Sompel, et al.
Graz, Austria. Grazer Kunstverein. Self-made, 1995. Texts by Eva Maria Stadler, Collier Schorr,
Thomas Trummer, et al.
New York, NY. The Guggenheim Museum of Art. Guggenheim Magazine, Winter 1995-6.
New York, NY. The Whitney Museum of American Art. 1995 Whitney Biennial, 1994. Texts by
Klaus Kertess, John Ashbery, Gerald M. Edelman, John G. Hanhardt, and Lynne Tillman
1994
Hamburg, Germany. Deichtorhallen Hamburg. Temporary translation(s): Sammlung Schürmann,
1994. Text by Zdenik Felix.
New York, NY. Thread Waxing Space. Don't Look Now, 1994. Text by Joshua Decter.
PUBLIC COLLECTIONS
Centre Pompidou, Paris
Los Angeles County Museum, Los Angeles
Museum of Contemporary Art, Los Angeles
San Francisco Museum of Modern Art, San Francisco
Solomon R. Guggenheim Museum, New York
Staatliche Museen zu Berlin Nationalgalerie, Hamburger Bahnhof, Berlin
Stedelijk Museum, Amsterdam
Stedelijk Museum voor Actuele Kunst, Ghent
Tate, London
The Museum of Modern Art, New York
Van Abbe Museum, Eindhoven
Villa Arson, Nice
Whitney Museum of American Art, New York