Théâtre National de Marseille La Criée

Transcription

LE STÉRÉOSCOPE DES SOLITAIRES
A labyrinthine course after texts by Juan Rodolfo Wilcock
Ana Maria Rodriguez Composition
Ingrid von Wantoch Rekowski Direction
Fred Pommerehn Stage and Light Design
Théâtre National de Marseille
La Criée
It is possibly due to the fact that J.Rodolfo Wilcock wrote his most wellknown
work in Italian that the Argentinian author is not automatically
associated with Argentinian literature.
Born in Buenos Aires in 1919, Wilcock died in 1978 in Italy.
His short stories and literary incidents are written in the best of Argentinian
story-telling traditions. The stories are absurd, seamlessly blurring
reality with the surreal, human with animal, people with monsters.
Wilcock tells these stories in an everyday language, which underlines the
incidental, abstruse figures all the more.
In 1972, “The Mavericks’ Stereoscope” was published, in which a world of
labyrinths around the Hieronymus Bosch of literature is created: a work
full of absurd ideas and virtuosic, deceitful imagination. Seventy mavericks
are portrayed in sixty-six stories.
One meets a pair of lovers, who decide never to leave their bed and end up
consuming themselves. Or there is the emaciated centaur, who paints still
life. In another story a “siren” is not at home in the picturesque grottos of
the Mediterranean Sea, but on the banks of a stinking river full of rubbish.
Ingrid von Wantoch Rekowski, Ana Maria Rodriguez and Fred Pommerehn
interpret this unusual universe as a labyrinthine course, which will
be installed in the circus in Reims. The audience is able to move through
the museum-like sound labyrinth and follow the traces left behind by the
loners. Winding passageways lead to magnificent showcases and cabinets,
which preserve Wilcock’s universe, but are also afflicted by very real phenomena during the course of the evening.
→ video 5 minutes
→ video 40 minutes
Le Stéréoscope des Solitaires
A labyrinthine course after texts by
Juan Rodolfo Wilcock
Festival Les Musiques, Marseille
May 14, 2016: 18h00, 20h30, 21h30
May 15, 2016: 16h00, 18h00, 19h00
La Criée
30 Quai de Rive Neuve,
13007 Marseille, France
Ana Maria Rodriguez, composition
Ingrid von Wantoch Rekowski,
direction
Fred Pommerehn,
stage and light design
Annapaola Leso, Dance
Ana Maria Rodriguez, live-electronics
Ensemble KNM Berlin
Matthew Conley, trumpet
Theodor Flindell, violin
Kirstin Maria Pientka, viola
Cosima Gerhardt, violoncello
premiere
Reims Festival Scènes d‘Europe
Le Manège de Reims (Cirque)
February 18 and 18, 2015
duration: 50 minutes
Le Stéréoscope des Solitaires is a project
by KNM Berlin in coproduction with Césaré, Centre national création musicale de
Reims / Reims Scènes d‘Europe.
Supported by the Berlin Senate Cultural
Affairs Department and Impuls.
structure
1_Installation
for violin, viola, moon string, trumpet and electronics
2_In the darkness
for violin/bandurria, viola and violoncello with distorsion
3_In the space
for trumpet, violoncello and electronics
4_The embroiderers
for trumpet, violin, viola and violoncello
5_The mirror
for violin, viola, violoncello and electronics
6_The angel
for trumpet and live-electronics
7_The island
for violin, viola and violoncello
8_The atom
for trumpet (also speaking), violin, viola, violoncello
(also speaking) and live-electronics
May 14, 2016: 18h00, 20h30, 21h30
May 15, 2016: 16h00, 18h00, 19h00
La Criée
direction
Fred Pommerehn,
Ensemble KNM Berlin
premiere
Ana Maria Rodriguez: Space – Poetry – Spontaneity
In her works, Ana Maria Rodriguez links the spontaneity of improvisation with
fully composed scores. She interacts with the musicians as laptop player and takes
part in the performances of her own works. At the same time, she also works with
the acoustic and architectural conditions of the performance space when creating
her compositions, installations and scenic works. Thematically, her latest pieces
could be said to revolve around the relation between poetry and technology. This
relationship does not only comprise the compositional use of words, poetry and
literary sources, but also in a more abstract way the musical utilisation of technological means in order to create a richness of perspectives based on poetry.
Heterogeneous time layers, diverse spaces, plots running contrary to logic as in
poetry: Ana Maria Rodriguez is committed to expressing herself in a precise and
sensuous way.
Studies of piano and composition in Buenos Aires.
From 1990 to 92 : Studies of electronic and algorithmic composition in Barcelona.
1993 : Research project at the Frauenhofer Gesellschaft in the department of artificial intelligence.
1996 : Move to Berlin.
1997/98 : First concerts-installations, combining written scores with installative based settings.
Since 2004 : Working as a laptop artist.
2005 : Foundation of the ensemble Les Femmes Savantes. Collaboration with visual artists like
Melita
Dahl, Andreas Köpnick, Joanna Rajkowska, Steffi Weisman and the poet Ron Winkler.
Invitations to festivals throughout Europe and abroad : Berlin in Lights (NYC), Brückenmusik Köln,
CETC Buenos Aires, Chiffren-Biennale Kiel, Donaueschinger Musiktage, Forum Neuer Musik (DLF
Köln), MaerzMusik, November Musik Essen, Poesiefestival Berlin, Tage für neue Kammermusik
Witten, Transmediale Berlin, Wiener Festwochen...
Ingrid von Wantoch Rekwoski : Body – Embodyment?
I am trying to go beyond the language of traditional musical theatre to invent new
and unconventional theatrical forms, regardless of whether they are for a drama,
an opera or a concert. My research is wholly dedicated to the dialogue between
music and theatre and between theatre and painting. To me the possibilities appear endless.
Musical - Music is essential for me, whether it is entrusted to actors, singers
or musicians. I am aiming for a form of expression that pours out of the music.
Rather than illustrating music, I like imagining in counterpoint a specific body
capable of entering into dialogue with it. The performers’
acting is not naturalistic, but is organised like a score, generating a new rhythmical, physical and harmonic theatricality. (Ingrid von Wantoch Rekowski)
Studies of piano, dance and art at the University of Wisconsin (USA).
Studies of Direction at l’INSAS in Brussels (Belgium).
1994 : Foundation of the theatre compagnie Lucilia Caesar in Brussels.
Director of her own pieces.
She develops her multi disciplinary and polyphonic aesthetical style taking elements from the music
theatre, performance and video art.
Her productions have been invited to different festivals in whole Europe :
Wiener Festwochen, Festival d’Automne de Paris, Kunstenfestivaldesarts Bruxelles, Mozarteum
Salzburg, Théâtre de la Monnaie Bruxelles, Zürcher Theaterspektakel, Staatsoper Stuttgart, Hebbel
Theater Berlin, Kunstfestspiele Herrenhausen, Hamburgische Staatsoper, Musik-Biennale Berlin,
Opéra de Bordeaux, Centre Pompidou, Opéra comique de Paris,
Festival d’art lyrique d’Aix-en-Provence, Musica Strasbourg...
May 14, 2016: 18h00, 20h30, 21h30
May 15, 2016: 16h00, 18h00, 19h00
La Criée
direction
Fred Pommerehn,
Ensemble KNM Berlin
premiere
Fred Pommerehn: sitespecific settings - dialog with the environment
His work is constructed primarily from found objects and common every day material. His main interests are, the effects of natural and artificial light and their
interaction with the installation. His preference for site-specific settings allow
access to the work in an informal even coincidental way.
His work has in many cases a direct relationship to the community in which he
lives and works. He prefers to be in a close dialog with the environment around
him and therefore has chosen often to work with other members of the society
such as non artistic professionals, school children, young adults and persons in
extreme situations such as political refugees, prisoners and persons with physical
or mental disabilities.
Born 1964 in Madison, Indiana /USA).
From 1982 to 1986 : Studies at the North Carolina School of the Arts
1987 : mouved to Berlin.
From 1987 to 1990 : assistant at Schiller Theater Berlin.
Since 1990 : working as a freelance artist and designer.
He creates installations and scenic installations, sets, lights and costumes for theaters, festivals,
events, dance theater, music productions and projects in cultural education.
He has worked extensively throughout Europe and occasionally his work has taken him as far as Asia
and North America.
His work has also been produced or invited to festivals throughout Europe and abroad, including:
Wiener Festwochen, Inventionen Festival Berlin, Icebreaker Amsterdam, Hellerau Dresden, Züricher
Theaterspektakel, Oper Leipzig, New Arts Seoul, Musica Strasbourg, Huttersfield Contemporary
Music Festival, Nanterre Amandiers - T&M Paris, Budapest Fall Festival, Dnes A Tady Festival
Prague, Arsenal Metz, Festival Perspectives Saarbrück, Altstadt Herbstfestival Düsseldorf, Spielzeit
Europa Berlin, Berliner Festwochen, Bayerisches Staatsschauspiel München…
Annapaola Leso (*1988 in Verona, Italy) (IT) started with ballet training when she was five years old.
She gratuated 2010 at the Academy of Contemporary Dance and Acting in Milano. Sie had classes in
London and Brussels with Wim Vandekeybus, Yuval Pick, Michael Clark and David Hernandez
She is living, studying and working in Berlin since June 2011 where she has studied performance and
improvisation with David Zambrano, Rebecca Hilton, Julyen Hamilton and Rosalind Crisp.
At the moment she is working with Shang-Chi Sun in different productions such as “ Breakfast”,
“Uphill” and “Threads”. She collaborates as a dancer and choreographer with composer Ana Maria
Rodriguez in different pieces like “ Capìtan Luiso Ferrauto” (Villa Elisabeth Berlin) and „Camera Lucida“
(Sophiensaele Berlin and LaborGras). In 2014 she was engaged as one of the three Solodancers
for the international production „The Photographer“ - staged by Ensemble KNM Berlin at Museum
für Fotografie Berlin, Kölner Philharmonie und Cité de la Musique Paris. Furthermore she worked with
Choy Ka Fai in the lecture performance „Notion: Dance Fiction“. She was part of the project “in/
the/back/effect/no/words/hearing” of Karina Suarez-Bosche in the 2. Semester MA Choreographie
(Hochschule für Schauspielkunst “ Ernst Busch” Berlin) performed at Uferstudios Berlin.
In 2015 Annapaola Leso will work with choreographer Sasha Waltz.
Juan Rodolfo Wilcock (17 April 1919 - 16 March 1978)
was an Argentine writer, poet, critic and translator. He studied at the Universidad de Buenos Aires
from which he graduated as a Civil Engineer in 1943. That same year he started to work for a railroad
company then in expansion in the western parts of Argentina. His first known literary work and accomplishment came in 1940 under the title Libro de poemas y canciones („Book of Poems and Songs“).
The same work would win the prestigious Municipal Award of Literature given by the City of Buenos
Aires. Soon Wilcock would see himself surrounded by some of the most prominent writers-intellectuals
of the time like Jorge Luis Borges, Silvina Ocampo, and Adolfo Bioy Casares to name just a few of
the acquaintances he befriended. In 1945 Wilcock undertook the self-publication of two collections of
poetry: Ensayos de poesía lírica and Persecución de las musas menores. The following year he would
again obtain the award granted by the Argentine Society of Writers (SADE) for his Paseo Sentimental. Also in 1946, Wilcock published his Los hermosos días.
At the time, General Juan Peron’s regime was suffocating intellectual life in Argentina; as World War
II was over in Europe, many chose to relocate to the newly liberated capitals of the old world. In
1951 Wilcock left Argentina for the first time in a visit to Italy. By 1953 he was residing in London
earning a living as a translator and a commentator for the BBC. After a short return to Buenos Aires
in 1954 he once again set sail for Italy where he would settle for good three years later. From now
on most of his works, some of his most celebrated, would be written in Italian, a language he learned
to command perfectly. In 1975, Wilcock requested the Italian citizenship which was finally granted
to him a year after his death which occurred in his country cottage in Lubriano, Province of Viterbo,
north to Rome, in March 1978.
May 14, 2016: 18h00, 20h30, 21h30
May 15, 2016: 16h00, 18h00, 19h00
La Criée
direction
Fred Pommerehn,
Ensemble KNM Berlin
premiere
Ensemble KNM Berlin
KNM stands for the active, current music scene in Berlin’s metropolis. Along
with other students of former East Berlin’s Hanns Eisler School of Music, Juliane
Klein and Thomas Bruns founded the ensemble in 1988. It is now made up of ten
musicians from all over Germany, Great Britain and Switzerland.
May 14, 2016: 18h00, 20h30, 21h30
May 15, 2016: 16h00, 18h00, 19h00
In close collaboration with international composers, authors, conductors, artists
and producers, KNM has presented compositions, concert installations and projects worldwide. Programmes result from a fascination with the unknown and
constant discussions about the most essential topics of our time. The ensemble
has performed over a thousand concerts since its creation.
La Criée
KNM is known internationally, not only for its frequent appearances at the major
European music festivals such as ars musica Brussels, Donaueschinger Musiktagen, Festival d’Automne à Paris, MaerzMusik, Berlin, musica Strasbourg, settembre musica Torino, UltraSchall - Festival für neue Musik, Berlin, Wiener Festwochen and Wien Modern, but also for its own productions including “HouseMusik”,
“space+place” and “KNM New Music Spa”.
direction
Fred Pommerehn,
Concert tours have taken the ensemble to places including Carnegie Hall, New
York City, Teatro Colon (Buenos Aires), Wiener Konzerthaus, National Concert
Hall Taipei and Suntory Hall Tokyo.
In 2011 and 2012, KNM caused a sensation with highly ambitious and surprising
new projects. In over 30 “lunch & after work” concerts throughout Berlin the
ensemble presented the city with a panorama of international compositions. With
its “Gehörte Stadt “, audiences were invited on an acoustic tour of the city. In
2012 and 2013, KNM portrayed the French music scene at the French Institute
in Berlin where it gave 17 concerts.
In autumn 2015, KNM will be opening the concert series Pol(s)ka with a focus on
contemporary music in Poland.
In 2013, the Akademie Opus XXI engaged KNM as ensemble in residence to work
with young players and composers on its summer course in Avignon, France. The
collaboration will continue in Salem, Germany in 2015. 2015 will also see KNM
on tour to India, Sri Lanka and Taiwan.
KNM’s discography comprises 14 CDs to date; the KNM was awarded the “German Records Critic Award” 03/2009 und 03/2010 for its collaboration with the
composer Beat Furrer.
Ensemble KNM Berlin
premiere
May 14, 2016: 18h00, 20h30, 21h30
May 15, 2016: 16h00, 18h00, 19h00
La Criée
direction
Fred Pommerehn,
Ensemble KNM Berlin
premiere

Théâtre National de Marseille La Criée

Transcription

Documents pareils

Allemagne / Berlin

the detailed program of this mission

TALKING ABOUT WORK CONDITIONS PART 1: http://www.bbc.co

Let me steal this moment from you now SOPHIE - Freymond-Guth

citadines - prado chanot marseille

working conditions

Reims - Ixigo

se loger a paris

Soccer 15 - ENG - GAJ - Municipalité de Pontiac

Cliquez-ici - CV