Pressbook - Mode-f

MODE-F
s o u n d t r a c k s
BIOGRAPHY
MODE-F are a team of sound illustrators, composers, producers and DJs who specialize in creating intricate bespoke soundtracks for fashion runway
shows in Paris, Milan, London and New York, and for VIP events.
The team consists of Laurent Ballot, Alexander Maxwell, and Nano de Clausel, three dynamic and varied talents representing the highest possible ability
in technology, creativity and sound design.
The three men first met while studying at S.A.E., one of the world’s most prestigious institutions for audio technology and design. It was here that they
developed their unique style of sound illustration.
Since graduating they have been in constant demand among the world’s top fashion designers, event producers and directors. Unique in the industry
they create soundtracks which creatively “illustrate” the performance they accompany, creating a powerful match between the moment and the
music.
Their fashion week soundtracks have become some of the most distinctive in the world. For nearly 10 years, they have worked with some of the
world’s most iconic brands - creating soundtracks for couture and ready-to-wear collections.
Between projects, they can be found performing secret gigs to test new material, deliver new kinds of audio experiences, for the love of performing
live, and to enjoy seeing people dance.
REFERENCES
F A S H I O N S H O W S:
DIOR Homme
Louis VUITTON Homme
SCHIAPARELLI
GIVENCHY
MONCLER
Rick OWENS
Roland MOURET
Sharon WAUCHOB
VIONNET
CORNELIANI
EDUN
Boris BIDJAN SABERI
KENZO
WOOYOUNGMI
LEONARD
HUGO by Hugo BOSS
Paco RABANNE
VAN CLEEF & ARPELS
HEXA by KUHO
Christophe JOSSE
ROCHAS
SMALTO
H&M Studio
LANVIN
Stephane ROLLAND
ARNYS
N° 2 1
MUGLER
TALBOT RUNHOF
Kris VAN ASSCHE
Peter PILOTTO
CELINE
CARVEN
Jean Paul GAULTIER
Thom BROWNE
H u s s e i n C H A L A Y A N ...
E V E N T:
Giorgio ARMANI
Maison Martin MARGIELA
Le PRINTEMPS
HSBC
Louis VUITTON
IWC
GIVENCHY
EMAAR
VAN CLEEF & ARPELS
APPLE
TENNIS OPEN de PARIS
VEOLIA
KENZO
Paco RABANNE
LANVIN
Thierry MUGLER
KERING
DOM PERIGNON
COTY
AUDI
HUBLOT
Yves SAINT LAURENT
TAG HEUER
Paul SMITH
AREVA
GUCCI
GUERLAIN
LANCEL
SONY
PERNOD RICARD
SWAROVSKI
MONTBLANC
PRADA
WATERMAN
LANCÔME
Jean Paul GAULTIER
SAMSUNG
PIPER HEIDSIECK
VOGUE France
H. R U B I N S T E I N
DIOR
NISSAN
BREGUET
FLAMMARION
BOUCHERON
Le Musée du LOUVRE
CARTIER
O M E G A ...
H O T E L S & S T O R E S:
PARK HYATT Paris-Vendôme
Louis VUITTON Popup Store - Cannes
GIVENCHY Georges V Store - Paris
Hôtel Le ROYAL MONCEAU RAFFLES - Paris
Louis VUITTON Store Spazio Etoile - Rome
TALBOT RUNHOF Stores - Paris / Munich
Louis VUITTON Popup Store featuring Yayoi Kusama
Stephane ROLLAND Store - Abu Dhabi
BVLGARI Hotel & Residences - London…
CONTACTS
Follow us on:
Facebook
Soundcloud
Twitter
Instagram
Mixcloud
https://www.facebook.com/MODE.FMusicStylists
https://soundcloud.com/mode-f
https://twitter.com/MODE_F_Music
https://instagram.com/mode_f/
http://www.mixcloud.com/MODE_FMusicStylists/
+ 33 1 80 50 66 07
[email protected]
37 Boulevard du Temple, 75003 Paris
Nano de Clausel
+ 33.6.23.24.48.48. - [email protected]
Alexander Maxwell
+ 33.6.18.34.52.66. - [email protected]
Laurent Ballot
+ 33.6.64.03.21.50. - [email protected]
REVUE DE PRESSE
VANITY FAIRE - février 2015 - ‘’Le son de la mode Qui fait la musique des défilés ?’’
Par Sophie Rosemont
Mode-F, c’est un trio : Nano de Clausel, Laurent Ballot
et Alexander Maxwell. Ils se sont rencontrés à l’école
parisienne S.A.E, spécialisée en technique du son et
de l’image. Très vite, ils ont monté leur petite structure
et, tout aussi vite, ont été appelés par les plus grands
noms de la mode. À leur actif : Dior Homme,
Givenchy, Kenzo, Kris Van Assche, Leonard, Rochas,
Schiaparelli, Louis Vuitton, Carven, Jean-Paul
Gaultier… La liste donne le tournis.
En une dizaine d’année, MODE-F a imposé un petit
vent d’air frais sur les défilés. La force de ces trois
mousquetaires ? Une compréhension aiguisée de la
mode et un sens des tendances musicales tout aussi
éveillé. De Peter Doherty à Barbara en passant par
Sébastien Tellier, leur play-list nous fait souvent
écouter ce dont on a envie à cet instant précis.
NEW YORK TIMES - 21 novembre 2014 - ‘’ In a New Performance Piece, Tilda Swinton Turns Fashion Into Art’’
By Sarah Moroz
Tilda Swinton's performance in "Cloakroom — Vestiaire
Obligatoire," which opens Saturday in Paris, incorporates
outerwear belonging to audience members.
[...]
This year, the two have produced a piece called “Cloakroom
- Vestiaire Obligatoire,” which opens tomorrow and runs for a
week at the Palais Galliera. The preview performance today
was a veritable Paris Who’s Who; Alber Elbaz, Haider
Ackermann, Martine Sitbon, Charlotte Rampling, Stella
Tennant and Pierre Bergé were in attendance. Swinton took
on the personae of the audience members by way of their
outerwear: Spectators relinquished their coats and jackets to
the actress, tentatively making their way to the wooden table
that served as the “stage” threshold. Swinton laid each
garment out, held it up, smoothed it out and contemplated it,
sometimes crouching or lying atop it. Periods of silence
alternated with ambient sounds by the “music stylists”
MODE-F.
[...]
EURONEWS Portugal - Octobre 10th 2014 - ‘’Jean Paul Gaultier: Uma carreira às riscas’’
Patricia Tavares – Jornalista de Moda
A mariniére, pronta a vestir, de Jean Paul Gaultier conta com
38 riscas, desenhadas numa passerelle horizontal. Com a
icónica camisola à marinheiro, o estilista deixou um aviso à
navegação. Depois de 38 anos a acenar no final dos desfiles
chegou a altura de dizer adeus, ao prêt-à-porter. Uma
despedida sentida, em Paris, na apresentação das coleções
primavera/verão 2015. O estilista abre a cortina do cinema
Le Grand Rex e deixa cair o pano, por cima das manequins
[...]
A tripla MODE-F concebe bandas sonoras para desfiles de
moda em Paris, Milão, Londres e Nova Iorque. Playlist do
desfile, pelos estilistas do som, Nano de Clausel, Laurent
Ballot e Alexander Maxwell
ID Italia - Octobre 1st 2014 - ‘’La Playlist del designer Alexis Martial’’
La Depeche - September 25th 2014 - ‘’In the mood of Sharon Wauchob’’
In the mood of Sharon Wauchob : "J'ai puisé mon inspiration
dans les années 60 et 70"
A l’occasion des défilés de prêt-à-porter (23 septembre-1er
octobre) à Paris, Relaxnews est parti à la rencontre de la
créatrice Sharon Wauchob, qui présente sa collection
printemps-été 2015 le 25 septembre à 14h. L'occasion de
découvrir les fashion coups de cœur et les sources
d'inspiration de la styliste.
Quelle est la pièce maîtresse de cette collection ? Pourquoi ?
Les pièces maîtresses sont les robes coupées en biais,
nouvelles pour moi, qui sont pourtant assez traditionnelles.
Quelle ambiance musicale avez-vous choisi pour
accompagner cette collection ?
Avec mon partenaire Joshua et mode F, qui collabore avec
nous, nous avons puisé notre inspiration dans la fin des
années 60 et le début des années 70.
…
The Wall Street Journal - September 17th 2014 - ‘’Models Never Talk’’
The Very Model of Insight, Wit and Art
A theatricalized and somewhat skewed take on couture's
défilé.
By Robert Greskovic
[…]
On Sept. 8, the eighth installment of Crossing the Line, an
interdisciplinary arts festival presented in New York by the
French Institute Alliance Française, kicked off with "Models
Never Talk," Olivier Saillard's specially theatricalized and
somewhat skewed take on couture's défilé. The 50-minute
presentation, on the eighth floor of Milk Studios in Chelsea,
was performed by seven veteran female models—Christine
Bergstrom, Axelle Doué, Charlotte Flossaut, Claudia
Huidobro, Anne Rohart, Violeta Sanchez and Amalia
Vairelli—all formerly favorites of name designers working in
Paris.
Overall, however, words and actions managed to enhance
each other gracefully, making for a show-and-tell
presentation of insight, wit and art. For a score "Models" had
accompaniment that ranged from sonar-styled echoing pings
to Satie-like piano music; Laurent Ballot, Alexander Maxwell
and Mode-F were credited as "sound designers."
[…]
La Depeche - July 11th 2014 - Paris Haute Couture ‘’Les meilleures Bande-sons des défilés’’
Voici notre sélection des meilleurs morceaux diffusés lors
des défilés haute couture automne-hiver 2014/2015 qui ont
eu lieu dans la capitale française.
1) Zuhair Murad
Sur la bande-son du défilé du couturier libanais figurait le
magnifique "Easy" de Son Lux. Plus connu sous le nom de
Ryan Lott, Son Lux est une sensation musicale qui nous
vient de New York et qui mélange hip-hop alternatif et postrock. Le titre constituait l'équivalent idéal aux tissus très
travaillés de la collection.
2) Jean Paul Gaultier
La reprise par Marilyn Manson de la chanson d'Eurythmics
"Sweet Dreams" est présente sur le mix composé par
MODE-F (Alexander Maxwell, Laurent Ballot, Nano de
Clausel) pour le défilé Jean Paul Gauthier. Vous pouvez
l'écoutez dans son intégralité sur Soundcloud.
…
Madame Figaro - January 19th 2014 - ‘Ils font le son de la mode’’
The Daily Beats - November 21th 2013 - ‘’Eternity Dress’’
Tilda Swinton and Oliver Saillard Perform the Creation
of Fashion in ‘Eternity Dress’
By Sarah Moroz
A new, ballet-like performance at Paris’s eminent fashion museum
explores the meticulous process of creating a beautiful garment, using
actress Tilda Swinton as mannequin.
[…]
Once pinned, Swinton was left alone, and she sewed the front of the
dress herself with needle and thread. The music - a voiceless
soundtrack by MODE-F, the music stylists responsible for
many high-fashion runway shows - ceased, and Swinton sewed
in silence. The entire room was still except for the careful, repeated
motion of the thread going in and out of the fabric.
[…]
What does one take away from such a performance? For one, the
kind of patience and meticulousness required to make something
beautiful. It was quiet, careful, slow work, which, even in the
scrupulous step-by-step of the performance, was, of course, an
accelerated version of the real act. Fashion is no democracy: most
things are not made with this care. But to watch the process is to
honor it, to think about the magic of all those accumulated gestures
that go into the designs that cloak our bodies.
France Inter - November 2013 - Eternity Dress with Tilda SWINTON
Une performance conçue par Olivier Saillard, directeur
du Palais Galliera, musée de la Mode de la Ville de
Paris
Avec Tilda Swinton,
Musique MODE-F
En partenariat avec le festival d'Automne
[…]
Eternity Dress est une performance qui repose sur la
création d’une robe, une seule. Ce sont toutes les étapes de
sa création qui sont consacrées de manière à ralentir, à «
s’éterniser » sur chaque geste qui conduit à la fabrication du
vêtement. La séance de prise de mesures par laquelle
débute toute réflexion se révèle une mathématique du corps
pleine de poésie et de mystère. Centimètre après centimètre,
c’est un cadastre de la silhouette qui émerge, une académie
de l’habit. Tour de taille, tour de hanches, tour de petites
hanches, longueur milieu dos/ pointe sein, tour de bras,
largeur coude plié, etc sont les mesures et les relevés
sérieux qui mèneront au vêtement frivole.
[…]
Eternity dress est l’ombre de toutes les robes du XXe siècle,
un pictogramme qui condense toute l’histoire de la mode,
celle qui fuit et qui revient à grands pas. Elle appartient à
tous. Chaque soir, la robe se fait et se défait dans le tumulte
de l’atelier mis en scène.
WAD Magazine - July 2013 - La musique et la Mode
20 MINUTES - July 5 2013 - Au rythmes des couturiers du son
PORT Magazine - June 28 2013 - Wooyoungmi Soundtrack
The Paris-based Korean brand gave us their MODE-F
produced soundtrack from their SS14 show
Fashion shows are an expensive way of showcasing the fashions of
seasons to come; for months staff plan the event and, of course, work
on getting the collection done on time. But with half a fortune invested
in 10 minutes, it’s important that the experience is right – from
greeting buyers and press at the gate to the much-discussed seating
plan. But the one element of a show that can make or break the
atmosphere of the event – except for the actual clothes – is the music.
Good shows become great and poor collections can become bearable
with a decent soundtrack.
Wooyoungmi managed to get them both right with their Parisian
Spring Summer 2014 collection. Staged in a gallery space close to the
Bastille, the Korean-born designer sent out her model army to the
stomping sound of a MODE-F produced beat – exclusively premiered
on Port today. Using denim on the catwalk for the first time, the
collection focused on a blue, beige and green colour palette.
Panelling, colour blocking and all-over prints dominated the visual
aesthetic and an impressive array of shirts in different shapes, colours
and forms perhaps heralded the introduction of a new Wooyoungmi
signature piece?
“The inspiration wasn’t one particular thing or person. The collection
idea came when I walked through a snowy Paris last winter. It was
dreadful weather and I just wanted to be in a warmer climate so the
collection is about an aspiration to go to the desert! So this season we
followed that man to the desert, it’s a journey through that terrain. But
he isn’t just into the landscape, he carefully inspects every living
organism. He’s interested in the terracota, blue sky, cactus and the
beige sand – that’s where the colour palette came from. The denim we
used isn’t casual or rough, I wanted to use sophisticated and chic
denim… I wanted it to help create an elegant look,” Wooyoungmi said
after the show.
By David Hellqvist
Liberation NEXT magasine - March 21 2013 - Les Couturiers du Son
LES COUTURIERS du SON
Par ELVIRE VON BARDELEBEN
Pas de défilé de mode sans une bande-son créée pour
l’occasion. Mais qui s’en charge??Comment s’opère
l’alchimie entre l’univers du designer sonore et celui du
créateur??Explications avec quelques maîtres qui donnent le
« la » à Paris, New York ou Milan.
[…]
Kris Van Assche a également des idées bien arrêtées. «
Quand on travaillait pour Kris, il nous disait souvent “je veux
ce titre, à vous de le rendre intéressant pour la collection” »,
dit Nano de MODE-F.
[…]
MODE-F les coupe [les chansons] pour qu’ils ne durent
jamais plus de deux minutes trente, ôte le chant, change les
arrangements, superpose plusieurs pistes.
[…]
Nano de MODE-F se souvient d’expériences ardues :
«Quand le D.A. demande une musique “ puissante ”, que
comprendre ? Du hardcore, de l’opéra ? Le plus difficile a été
une collection pour Mugler au début des années 2000. On
nous avait demandé “ le vide et le son du soleil ”. » Afin
d’éviter les dérapages théoriques sur les couleurs ou les
impressions creuses (bleu, hypnotique, ouvert…), Nano de
MODE-F arrive aux rendez-vous avec son ordinateur, et
visualise concrètement les spectres sonores avec le
couturier.
[…]
VOGUE US - February 5 2013 - My favorit soundtrack…
“Unexpected sound tracks. My favorites last season
were The Beach Boys at Rochas and Elvis Presley’s
‘Do the Clam’ at Isabel Marant.” EH
It’s that time of year when runway shows, review writing,
after-party attending, and more industry-related activities
take over our daily lives. During the next four weeks, we’ll
sprint through four cities on little-to-no sleep. The sheer
volume of events and appointments might sound daunting to
some, but to us there’s a lot to look forward to during the
marathon that we now call fashion month. From fresh faces
on the street-style circuit to the hot spot everyone will be
hitting to the collections we’re dying to see, here are the
people, places, and pomp our editors are excited about this
season.
ATELIER Wooyoungmi - December 2012
The Music Makers
And what would a runway show be without a soundtrack?
Alexander Maxwell, Nano De Clausel and Laurent Ballot are
Mode-F and they have the task of telling the story of the
season in music. From the waiting music that welcomes the
press and buyers to the finalé track that sends out a troop of
boys on their last march – it’s 10 minutes of music that
makes all the difference to creating a great show. Alexander
paid us a visit today with the final mix for tomorrow’s show.
Stay tuned for the playlist.
CRASH Magazine - December 2012 - The sound of Fashion
PARIS HAUTE COUTURE - Automne Hiver 2013
DIOR HOMME
Koudlam : Love Song - Original remix by Mode-F
QASIMI
Before the Bridge : Future Islands - Raw Umber / Twilight : Walls - Balance :
Future Islands - Swept Inside : Future Islands
PARIS HAUTE COUTURE - Automne Hiver 2011
JEAN PAUL GAULTIER
CONFESSION D’UN ENFANT DU SIECLE : DOUCE IVRESSE bal oriental SEBASTIEN TELLIER : New Beat In Buenos Aires_A Sebastien Tellier And
Romain Turzi Remix - ELECTRIC LIGHT ORCHESTRA : Ocean Breakup King of
the Unive - BO CONFESSION D UN ENFANT DU SIECLE : OCTAVE
prÈgÈnÈrique - SEBASTIEN TELLIER : Fingers of Steel_Hypnolove Remix ELECTRIC LIGHT ORCHESTRA : Believe Me Now - SEBASTIEN TELLIER :
Kilometer_Strangelets Remix - ELECTRIC LIGHT ORCHESTRA : Standin' In the
Rain - ELECTRIC LIGHT ORCHESTRA : The Quick and the Draft - FREDDIE
MERCURY Love Kills MODE-F remix
STEPHANE ROLLAND
RYAN TEAGUE : Introit - MARTYN : Bauplan L Vis 1900 Bok Bok Remix Bonobo : 1414 - Black Sands (Duke Dumont's 'Grains Of Sand' Reconstruction
Edit) - MARSEN JULES TRIO : Oeillet Parfait - LODEN : Hordeloop - Cliff
Martinez : My Name On a Car - ANDY STOTT : Dark Details - RYAN TEAGUE :
Cadastral Survey LLS - ANDY STOTT : Tell Me Anything - MOBY : Pale Horses
(Apparat Dub)
VOGUE - october 2 2012 - "The Impossible Wardrobe" avec Tilda Swinton
Haute Solo: Tilda Swinton in "The Impossible Wardrobe"
by Emily Holt
[…]
Also—though this is not very likely—if Swinton and curator
Olivier Saillard’s collaboration didn’t provide convincing proof
that clothes can transform, a portion of the sound track
helped to reinforce the idea. “Today’s an important occasion,
she thinks. She must wear the right clothes, the right
combination of clothes,” a voice spoke, as Swinton made yet
another stride down the runway stage. “They’ll make her
lucky.”
ELLE.com - October 2012
Now that Paris Fashion Week has wrapped up, find out what
sounded on the catwalks in The City of Light.
New York Fashion Week provided a slew of great jams, and
Paris continued the stream of old and new artists—including
hits from iconic names like Nina Simone, Paul McCartney,
and The Beach Boys, to of-the-moment favorite Azealia
Banks.
The music was eclectic not just in genre, but approach as
well. Saint Laurent designer Hedi Slimane teamed up with
Daft Punk, Karl Lagerfeld brought the Chromatics to play a
live set during Chanel, and Miu Miu took the mash-up
approach to a runway soundtrack.
Here, ELLE.com has narrowed down the top 10 tracks from
Paris Fashion Week Spring 2013. Have a listen.
[,,,]
9. "Wouldn't It Be Nice" by The Beach Boys at Rochas
Despite being first and foremost a French fashion house,
designer Marco Zanini wasn’t afraid to look beyond the
borders of France for music that would serve as an
appropriate counterpart to a collection with some serious '60s
vibes. Who better than The Beach Boys for notes of
nostalgia and an overall feel-good atmosphere?
EDUN - Septembre 2012
Fashion Show Q&A: Alexander Maxwell of MODE-F
Spring/Summer 2013 will be the 5th season France-based music
stylists MODE-F create the soundtrack to EDUN’s runway show. The
experimented sound designers work closely with EDUN to create a
unique experience that helps bring the collection to life. Alexander
Maxwell, one of the three producers behind MODE-F, talks to us
about the inspiration and process behind creating the soundtrack.
What is the process of creating music for the show?
First we sit down with Sharon [Wauchob] and Joshua Neville, the
Creative Director for the show, and discuss the general mood and
theme of the collection. Then we make a large selection of different
tracks, from which we end up with three. We rework, rearrange and
remix the tracks completely to make them fit and work for the show.
We add a lot of elements and rhythmic patterns to make the whole
soundtrack more interesting and unique. After that, we have several
listening sessions where we strip out the parts we think could confuse
the story we’re telling. The collaborative process and the inputs from
Sharon, Josh, Ali and Bono, are what gives us a great and personal
soundtrack.
How do you incorporate Africa in the music?
Africa is a big part of Edun, but so is the concept of “Beautiful
Rebel.” We try to mix a bit of both worlds sound-wise. The Africa bit
will be
the main rhythm and all the hand percussions, shakers and other
traditional instruments. The idea is to get a touch of Africa without
being too obvious. It has to remain modern and fresh.
What inspires you when creating music for a fashion show?
The collection is a great guideline when it comes to creating a
soundtrack for a show. But we have to always keep in mind the core
of the brand and what it represents. It’s the collaboration with the
designer and the exchange of ideas that really what makes it
interesting each time.
VOGUE.com - July 2012
Jean Paul Gaultier Fall 2012 Couture
by Hamish Bowles
To a sound track of Pete Doherty declaiming words after
Alfred de Musset, the Romantic early-nineteenth-century
French writer, Jean Paul Gaultier sent out a playful couture
collection—for men and women—that toyed with the notion
of dandyism, from de Musset’s age to the Weimar Republic,
and named some of the models for characters out of Proust,
Colette, and Oscar Wilde.
There was Gaultier’s take on the round-hipped New Look
jacket silhouette of Christian Dior; a tailcoat cinched with a
corset; a late-nineteenth-century jet-trimmed velvet cape with
a collar of goat fronds resembling monkey fur; and a
dramatic floor-length black opera coat spliced with panels
from a precious kimono—and that was just the menswear.
[,,,]
Gaultier’s bride romped back to the swaggering dandy
theme, in her back-to-front ivory tailcoat worn over crinolined
organdy skirts.
July 05, 2012 4:11p.m.
L’EXPRESS.fr - 03 Mars 2012
Jean Paul GAULTIER prêt à Porter Automne Hiver 2013
Jean Paul Gaultier inspiré par le graffiti et la brillance du métal
Jean Paul Gaultier a présenté samedi soir une
collection pour l'hiver prochain riche en couleurs et en
cuivres scintillants, inspirée par les graffiti new-yorkais
des années 1980, sur une bande son du Velvet
Underground.
"J'ai joué sur le graffiti sur un mode plutôt couture et élégant", a
expliqué en coulisses l'énergique couturier qui fêtera ses 60 ans en
avril, après avoir salué ses admiratrices dont la cinéaste Tonie
Marshall ou les actrices espagnoles Victoria Abril, qui a adoré "les
couleurs, oh la la, et les petits perfectos" et Rossy de Palma.
Côté matières, il a travaillé des jacquards de soie et du fil lurex pour la
brillance métallique, des cuirs souples et des velours, mais aussi des
tissus "compressés, comme ratatinés sous du tulle ou du voile"
permettant de créer "de nouveaux drapés".
Parmi les fourrures, il a souvent assemblé, sur un même manteau, du
renard, du vison rasé ou brut, de l'agneau de Mongolie, de la chèvre,
"n'en déplaise à PETA", l'association de défense des animaux qui
milite contre la fourrure, a-t-il indiqué.
Il propose aussi un étonnant manteau orange vif en mohair avec des
manches en fourrure de la même couleur, et des vestes en fourrure
rose ou bleu vif. Quelques ensembles en python jouent sur plusieurs
teintes de vert.
De petits blousons en cuir se portent sur de la maille large ou de la
soie fluide, et des godillots punk ou compensées hautes. Les robes ou
jupes en cuirs sont boutonnées, et en partie déboutonnées pour le
défilé, dans le dos.
Jean Paul Gaultier joue sur le trompe-l'oeil avec une robe en maille
comme un pull dont les manches, parties des hanches, se nouent sur
le ventre. Ou cette robe bustier en velours rouge-noir qui se prolonge
derrière la cheville en cape-étole anthracite qui se ramène autour des
épaules…
HALLOW’S END - Décembre 2011
Music Stylists, an Interview with MODE-F
by Andreea
A few weeks back we were doing research for this music related
article and stumbled upon MODE-F.
MODE-F is a music design studio based in Paris that does runway
show soundtracks for fashion brands such as Dior, Louis Vuitton, Jean
Paul Gaultier, Lanvin, Givenchy.
The people behind Mode-F are 3 sound illustrators – Nano de Clausel,
Laurent Ballot and Alexander Maxwell, who were kind enough to
answer some of our questions (see below). Some of their music can
be found on Soundcloud and if you like what you hear, let them know
it on their Facebook page.
All Hollow: Tell us about your background. What were you doing
before making fashion music?
MODE-F: It all started at the S.A.E. [School of Audio Engineering]
where we were all studying to become sound engineers. We were
working on several school projects together and with time we
developed MODE-F which in the beginning was for us a way to create
soundtracks and compose music. We all have different music
backgrounds but it seems that is our strength. And when we combine
the three, it sounds quite original.
AH: Would you say your calling was more towards fashion or music? If
you had to choose, which would you give up?
MF: We always we’re interested in music to start with, but fashion
showed us different perspective in music that we would have never
experienced if we were just musicians.
AH: How did MODE-F get to be MODE-F? How did you get to finally
doing fashion music?
MF: We were always fascinated by the Haute couture, it demands
such a dedication and talent that we were immediately attracted by
that passion designers put in their close. They could for example
spend hours and hand paint the inside of a jacket, spend more than
400 hours on one dress. Naturally we wanted to illustrate their story in
music. We see it as a short movie, ….
AnOther Magazine - 19 Aout 2011
TSUGI MAGAZINE - August 2011
MODE-F mentor au :
W HOTEL and BURN Studio DJ Lab
TETU MAGAZINE - July 2011
DEFILE Jean Paul GAULTIER Haute Couture
Automne Hiver 2012
Mylène Farmer:
La mariée était en noir au défilé Jean Paul Gaultier
Par Luc Biecq
La rumeur courait depuis hier: la chanteuse rousse
allait faire une apparition au défilé de Jean Paul
Gaultier. Promesse tenue: elle a revêtu la robe de
mariée du créateur, dont le nom s'inspire d'une de
ses plus célèbres chansons.
Tutu en volants noirs rehaussé de plumes, blouson
de cuir et crinière rousse, Mylène Farmer a clôturé
sous les bravos le défilé de la collection couture
Automne-Hiver de Jean Paul Gaultier, présentée
aujourd'hui dans son atelier de la rue Saint-Martin.
Dès le lancement de la bande son du show, l'esprit
de Mylène a régné sur les lieux, puisque MODE-F,
qui assurait la partie musicale, n'a cessé de diffuser
de courts extraits du tube Libertine.
Le modèle présenté par la star porte d'ailleurs le
nom, très sur-mesure, de Libertine Swan. Ce n'est
donc plus nue que notre libertine apprend la vertu!
DEALER DE LUXE - Hiver 2010
MODE-F
Texte et photo Clément Schneider
Derrière ce nom qui évoque la science fiction, la
création et la technologique unis et indissociable
comme le yin et le yang, on trouve trois enchanteurs
qui se prénomment Alexander, laurent, Nano.
Des amis qui se sont rencontrés lors de leurs études
dans l’une des plus prestigieuses école de son du
monde et qui en huit ans de travail en commun sont
devenu dans le milieu du luxe les designers sonores
incontournables. Leurs collaborations avec les
meilleurs maisons de couture et de prêt-à-porter se
passe toujours autour d’une complicité, un travail
minutieux et sur mesure, Dior, Dior Homme, Louis
Vuitton, Jean Paul Gaultier, Lanvin, Givenchy, Kris
Van Assche entre autre ont sollicité leur
impressionnante culture musicale associée à une
expertise technique et technologique sans faille pour
créer la bande son de leurs défilés comme on
construit la musique d’un film. Avec un peu de
chance, vous pourrez les croiser aux quatre coins de
la planète pour un DJ set dont eux seul ont le
secret...
Trois garçons débordant d’idées et de projets, une
équipe qui donne une nouvelle dimension à
l’expression « sans limites ».
CRASH MAGAZINE - Hiver 2010
The sound of fashion
PARIS DÉFILÉS HOMME - Printemps été 2011
DIOR
Shigeru Umebayashi - 2046 Main Theme (With Percussion) Shigeru Umebayashi
- Interlude (Instrumental) Peer Raben-Dark Chariot (Instrumental) Shigeru
Umebayashi - 2046 Main Theme (With Percussion~Train Remix, Instrumental)
Arranged by Laurent Ballot, Nano de Clausel and Alexander Maxwell
JEAN PAUL GAULTIER
Led Zepplin - In the light Shacketon - El Din part II Pink Floyd Dramatic Theme
Alain Chamfort - Majorelles Jerry de Sario - Hammam U-Cef & Mirror System Hilal Chalf Hassan - Solo Derbuka Naguila - Hammam The Rolling Stones Let’s
spend the night together Khalliouni The Egyptian Orchestra
KRIS VAN ASSCHE
Trentemoller - Silver surfer ghost rider go Tom Waits - Potter's field Original remix
by Mode-F
WOOYOUNGMI
FOUR TET - Givers LUCKY DRAGONS - Desert rose LORN - What's the use
PANTHA DU PRINCE – Stick to my Side Four Tet version HOT CHIP JESSE
ROSE - Forget my name feat Hot Chip CARIBOU – Odessa
PARIS HAUTE COUTURE - Automne Hiver 2011
JEAN PAUL GAULTIER
Atlanta Symphony Orchestra & Robert Spano -Rainbow Body Alexandre Desplat The Queen - People's Princess Juliette Gréco - Si tu t'Imagines Barbara - Hop-là
Cora Vaucaire - Trois petites notes de musique Catherine Sauvage - Le cirque
Michael Galasso - Scene VIII Nana Mouskouri - Ne me quitte pas Barbara - Au
bois de Saint-Amand Juliette Gréco - Strip-tease Telefon Tel Aviv - Stolen
Moments (Telefon Tel Aviv Remix) London Philharmonic Orchestra Kashmir, The
Symphonic Led Zeppelin - When the levee breaks La marche nuptial by Yue
Zhang (exclusive recording for the show) Juliette Gréco - Jolie môme All lead
violins by Yue Zhang recorded by Mode-F for the show Original mix by Mode-F
STEPHANE ROLLAND
Ludovico Einaudi - Lady labyrinth Pantha Du Prince - Lay in a shimmer
Steve Reich- Music for 18 Musicians II. Secti Anthony Collins – Reeves False
Fed – On youth Dominik Eulberg – Die rotbauchunken vom tegernsee Robag
wruhme’s bombina bum remix Ludovico Einaudi - Nightbook
London
Metropolitan Orchestra -The Soda To Rococo Rot – Forwardness traversable
wormhole remix
LONDOND EVENING STANDARD - 17 septembre 2010
London Fashion Week: Model Music
London Fashion Week: Model Music
David Smyth - 17 Sep 2010
While the fashion world has always looked to musicians for inspiration — my local butcher sold out of sausage necklaces just hours after Lady
Gaga revealed her all-meat dress — the transaction works the other way as well. You can look to London Fashion Week, which kicks off today, for
more than just the next big thing in cardigans.
Pop's future stars will be there too, wafting across catwalks on soundtracks to the runway shows. When they aren't playing live, as Lily Allen and
Cat Power have done at Chanel productions, their songs will appear on mixes put together by self-proclaimed “music stylists” who offer another
sensory brand extension to go with that latest fragrance.
There is the odd name that might be recognised by those of us who dress more like Paul McCartney than Stella. Steve Mackey, former bassist
with Pulp and now husband of powerful stylist Katie Grand, selects the music for Topshop's catwalk shows.
Topshop is known for wanting to show its hip music taste to the world — and in the past, Mackey has given before-they-were-famous airings to the
likes of Little Boots and Ladyhawke at Fashion Week. This year, however, he's straying from the cutting edge. Fashionistas visiting Waterloo's old
Eurostar terminal for the Topshop Unique show tomorrow afternoon will hear William Orbit's ambient reworking of Aquarium, from the French
Romantic composer Saint-Saëns's 1886 work Carnival of the Animals, as well as Barry White's Let the Music Play. Celestica, by Toronto
electronica duo Crystal Castles, is more up-to-the-minute — but as the clothes are apparently “intergalactic and grunge-fused”, something fusing
Spacemen 3 and Nirvana might have been a cosier fit.
New York-based DJ trio The Misshapes (named after a Pulp song) are even better suited to fashion soundtracks, featuring a model among their
number in the striking Leigh Lezark. They have toured with The Killers, Scissor Sisters and Courtney Love and will be at Henry Holland's House of
Holland show tomorrow. This time the London designer says he's inspired by “Seventies glamour, disco and New York nightlife”, though at a
recent Holland show it was all about hip hop — the music featured fast-rising female rappers Nicki Minaj and Kid Sister.
French trio Nano de Clausel, Alexander Maxwell and Laurent Ballot take things further as Mode-F. They've composed original, semiclassical electronic music for A-list names including Louis Vuitton and Givenchy.
For something more accessible, look to Burberry. The British label has been courting an array of posh blokes with guitars to model in its adverts
(Gwilym Gold, of Golden Silvers, and Samuel Fry, from Life in Film, feature in the current campaign), provide music for its catwalk shows (The
Maccabees, One Night Only, Razorlight) and record exclusive videos of live performances for its Burberry Acoustic web channel
(facebook.com/burberry).
It's risky — looking at the top 40 over the past year, indie bands seem to be unfashionable right now. But it's more important to Burberry that
they're British, skinny and look good in an expensive shirt.
Even more off-trend is a new album, also called Burberry Acoustic — The Collection for London Fashion Week. It's available in the iTunes store
from Monday as well as the clothing stores Browns, Cruise, Matches and START.
Compiled by the brand's chief creative officer, Christopher Bailey, it features tracks by more Burberry-affiliated young bands including Patch
William, Good Shoes and Ramona, as well as less well known numbers by David Bowie and Elton John. But what's this? Status Quo? Admittedly
it's the unrecognisable ballad Everything but how unhip can you get? Could ponytails and white socks be making a comeback? I wouldn't put it
past the only industry more fickle than pop.
London Fashion Week runs until September 22.
STILETTO - Septembre 2010
Sélection d’albums
Leurs cultures musicale complémentaires, leurs sensibilité, engendrent des
bandes son particulières, en total fusion avec les créateurs de mode : ils
mélangent, recréent, composent parfois, absorbent une collection pour
révéler l’essence d’une histoire ou d’une étoffe, transcender une vision, celle
de Kris Van Assche ou jean Paul Gaultier, de Dior Homme [...]
« L’ouïe est l’un de sens les plus développes, il appelle tous les autres, aimentils répéter. Lors d’un défilé, notre but est d’apporter une émotion, une âme.
De créer une bulle sensorielle qui raconte une histoire » [...]
AFP - Juillet 2010
Jean Paul GAULTIER Haute Couture fashion show - F/W 2011 collection
Gaultier embauche l'effeuilleuse Dita Von Teese
Par Gersende RAMBOURG - 7 juillet 2010 Paris
Le public frissonne et retrouve, défilé après défilé, un Jean Paul Gaultier
intensément vivant. Parmi ses velours noirs, cuirs et fourrures, il ne peut
s'empêcher de faire exploser des couleurs vives et saturées qui célèbrent
des femmes en parfaite maîtrise de leur séduction.
Simple intermède dans un défilé de près de 50 silhouettes, la célèbre
effeuilleuse Dita Von Teese arrive en noir de la tête au pied, retirant ici une
manche, là un bout de mousseline, sous le regard attendri de son
compagnon Louis-Marie de Castelbajac, au premier rang aux côtés de son
père couturier.
En corset rose poudré recouvert d'armatures noires, comme une cage
soulignant les os du squelette, elle présente ses fesses rebondies et son
immense sourire rouge poudré au public, conquis et déchaîné.
"C'est presque un prétexte", s'amuse Jean Paul Gaultier en coulisses après
le spectacle, "en fait, Dita aime se déshabiller pour mieux s'habiller".
"J'ai joué sur des effets de carrure", explique-t-il, estimant être revenu à une
certaine "sobriété" et en tout cas à "quelque chose de plus rigoureux, de
moins explosé, moins baroque".
Au premier rang, Catherine Deneuve en satin anis, mais aussi Inès de la
Fressange ou le ministre de la Culture Frédéric Mitterrand admirent les
silhouettes aux turbans années 1940, construits à partir d'un anneau de
feutre de différentes couleurs.
Sur des airs de Barbara, "le Bois de Saint Amand", et de Juliette Gréco, "si
tu t'imagines" et autres "j'suis toute nue sous mon pull", défile beaucoup de
noir pour cette collection automne-hiver.
Sur des airs de Barbara, "le Bois de Saint Amand", et de Juliette Gréco, "si tu
t'imagines" et autres "j'suis toute nue sous mon pull", défile beaucoup de noir
pour cette collection automne-hiver. [...]
Quelques notes comme pour s'échauffer et elle se lance dans la marche
nuptiale, mimant le mouvement sur une bande son puissante.
Premiers applaudissement spontanés pour une jupe longue en tweed
brodée de plumes d'autruche noires et blanches, aérienne malgré
l'épaisseur du tissu. Comme pour la première explosion de couleur, cette
robe en satin-cuir vert éclatant dénudant les épaules et sa pelisse assortie,
doublée de fourrure.
Enfin la mariée. En robe-trench ivoire, elle traverse les rideaux de velours
noir un violon sur l'épaule. Quelques notes comme pour s'échauffer et elle
se lance dans la marche nuptiale, mimant le mouvement sur une bande son
puissante.
"C'est peut-être une prétention", prévient Gaultier. Mais "la couture est
censée être comme un Stradivarius: un peu agressif, un peu rebelle mais
virtuose".
VOGUE JAPON - Juin 2010
Playlist « un mariage au Japon ».
PURETREND.fr - Janvier 2010
Jean Paul GAULTIER Haute Couture fashion show - S/S 2010 collection
...on était bien à Mexico, comme le vocalisait simultanément Luis Mariano. Sa
voisine péruvienne, Yma Sumac est aussi venue charmer les oreilles de
l'assistance dans la bande-son réalisée par l'équipe de MODE-F.
ABLOGCURATEDBY.com - Janvier 2010
Défilé DIOR Homme - Collection automne hiver 2011.
DIOR HOMME “COAL” FALL WINTER 2010
POSTED BY : Dan the Scout, 25. January 2010
The Palais Omnisports de Paris Bercy was transformed into a blacked out
amphitheatre for the Dior Homme show on Saturday afternoon, its floor a
gravel pit encircled and intersected by an inlaid wooden runway. A harsh
contrast to last season’s bright, airy setting in the Carreau du Temple, the
Fall Winter 2010 presentation was blanketed in a bleak darkness, with an
industrial “halo” of Thierry Dreyfus’s lighting rigs looming above the arena.
Entitled “Coal”, the show was an inspired study of the monochrome, and
Kris Van Assche worked in total looks of black, ecru, grey marle and
charcoal. On a base of crisp collared shirting and cuffed trousers in either
pleated volumes or straight legs, Kris showed an extensive range of
luxurious jackets and coats in many different shapes but unified in their
cashmere, leather and wool fabrications with a languid fluidity.
Peak collared trenches and pea coats ended with unexpectedly pointed
hems, blazers wrapped around the chest and continued into scarves, and a
dinner jacket was given a third lapel in contrasting fabric. Self-striped silks
and cottons created a textural highlight in more formal pieces, and flashes of
silver came stitched into shoulder seams, on tie stripes and from long
zippers on hooded coats and blousons.
Almost bare of accessories, the looks were worn with a low dress shoe,
sometimes laced with a monkstrap over, and several floor-length coats
swept aside at the waist to reveal a leather bag hooked to a belt loop
(seemingly keeping a Bible safe).
Choosing Parisian technicians MODE-F to develop his
soundtrack for both the Dior and Kris Van Assche shows
this season, Kris was able to engage personally in the
process through their intuitive methods, to create the
pulsing power beats of both his shows
Choosing Parisian technicians Mode F to develop his soundtrack for both
the Dior and Kris Van Assche shows this season, Kris was able to engage
personally in the process through their intuitive methods, to create the
pulsing power beats of both his shows. Odile Gilbert gave the models
messy, textured hair – adding a boyish charm to the heavy, masculine
collection – and Aaron de Mey delivered with clean, simple Dior makeup.
Taking the helm in the wake of a revolution at Dior, Kris has proven himself
– creating the world of an intelligent and contemporary gentleman – a
modern traveler. The slick production was a testament to the house and to
Kris’s ongoing realization of their vision, subverting their classic codes to
redeliver fashionable, elegant garments in unexpected, luxurious ways.
FASHION WIRE DALY.com - Janvier 2010
Défilé DIOR Homme - Collection automne hiver 2011.
Dior Homme: From Tango to Tatar
Godfrey Deeny
January 23rd, 2010
Paris They say men’s fashion is all about the details, but that certainly was
not the case at Dior Homme Saturday afternoon, Jan. 23, in Paris, where it
was all about the silhouette.
Floating, almost A-line and well away from the body, the whole profile was
much different from the shapes most men are wearing today. This is what
made the Fall 2010 collection by Dior Homme’s creative director Kris Van
Assche so special.
Throughout, there was a faintly military air, enhanced by the shoulder loops,
officer’s high collars and arty campaign boots. Staged in the boxing arena
Marcel Cerdan - nicknamed the "Casablanca Clouter," the world
middleweight boxing champion and lover of Edith Piaf - the models strutted
around the circular catwalk, their coats flowing behind them.
Van Assche used drier but light fabrics, so the wrinkle-free clothes kept a
pretty stiff shape, yet were still able to hover that little bit, adding an
adventurous authority.
On the soundtrack boomed out a suitably romantic ballad, a remix of
“Temple of Love” by English '80s Goth rock band Sisters of Mercy.
“I thought the collection was very fresh. And I love to see the '80s interpreted
by people who didn’t actually live them,” joked Karl Lagerfeld in a busy
backstage where paparazzi fought for shots of him with Kanye West, a
ubiquitous presence at Paris men’s collections this season.
On the soundtrack boomed out a suitably romantic
ballad, a remix of “Temple of Love” by English '80s Goth
rock band Sisters of Mercy.
The new tougher Dior attitude was summed up by the choice of a more
brooding model, which was also a central element in this show. Van Assche
and his design team organized model castings in Moscow, Kiev and Riga,
giving the show a much more rugged feel.
“It helps keep my eye fresh, presenting a new sort of guy,” said Van Assche,
noting that his foreign castings previously ranged to Sao Paulo and Buenos
Aires. “People used to think that I went to Latin America on holidays. With
these new guys I think they might finally get that I actually travel for work.”
So, this season at Dior Homme we’ve gone from well-groomed Tango
dancer to Tatar tough guy.
ABLOGCURATEDBY.com - Janvier 2010
Défilé Kris Van ASSCHE - Collection automne hiver 2011.
Kris Van Assche Menswear Fall Winter 2010
POSTED BY : Dan the Scout, 24. January 2010
Kris Van Assche presented his Fall Winter 2010 presentation in Paris on Friday,
under the vaulted ceilings of the Couvent des Cordeliers on the left bank of the
Seine. Imagined as a dark traveller in the night, the relaxed collection was built
on a layered base of a loose fit trouser and classic shirting in a sombre palette of
charcoal, midnight blue and black.
Kris’s favourite South American boys carried the looks with a reserved
masculinity, their heads covered with long knitted hats that gave a rogue air to a
collection that stepped away from his African influences of seasons past and
grounded itself firmly in a Northern Hemisphere winter. Labelled “Resistance”,
the presentation had a distinctly teenage vibe of sportswear layering – with
checked shirts, bomber jackets, sweatpants and plaid blazers all working
together, suffused with a downbeat, boyish romance.
There was a sense of urgency and aggression to the presentation, thanks to a
thumping soundtrack of crashing drums and power guitars by Paris-based
sound stylists MODE-F. The breathtaking surrounds of the convent were artfully
lit by the master Thierry Dreyfus, who has collaborated with Kris at Dior.
…thanks to a thumping soundtrack of crashing drums
and power guitars by Paris-based sound stylists MODE-F.
L’EXPRESS.fr - Novembre 2009
Exposition Photo de Vincent LAPPARTIENT "Vestiaires"
Les Vestiaires de Vincent
le 6 novembre 2009 | par Guillaume Crouzet
C'était le vernissage ce jeudi soir...
Vingt et une images. A priori, ce n'est pas beaucoup, mais cela suffit, si elles sont bien choisies, à faire une
expo photo.
Celle-ci s'intitule "Vestiaires" et a été réalisée par le photographe Vincent Lappartient. Depuis plus de six
ans, le jeune homme (qui fut par ailleurs coordinateur de la semaine de la mode de Shangai et commissaire
de l'exposition Show-time au musée Galliera) promène son objectif dans les coulisses des défilés.
La matière est spectaculaire me direz-vous. Soit ! Mais j'aime beaucoup certains des petits moments
magiques qu'il arrive à voler dans ces instants. Son travail, régulièrement publié dans les magazines a déjà
fait l'objet d'une dizaine d'expos à travers le monde, depuis le Canada jusqu'à Trinidad et Tobago ...
le top-model Magdalena dans les
coulisses du dernier défilé Jean-Paul
Gaultier
Pour accompagner ces belles images, le photographe a
fait réaliser par le studio de création sonore MODE-F
"Plutôt que de parler de "backstage", j'ai choisi d'intituler cette petite exposition "Vestiaires" parce que
j'aime le double, voire le triple sens de ce mot, raconte Vincent. D'abord les vestiaires, ce sont les coulisses,
mais au singulier c'est aussi le synonyme de placard, de garde-robe pour une femme. Enfin, dans vestiaires
il y a une connotation sportive : on se prépare pour un match, pour un round. Tout à fait l'ambiance d'un
défilé."
Pour accompagner ces belles images, le photographe a fait réaliser par le studio de création sonore MODE-F,
une bande son d'une heure qui passe en boucle dans le concept store, Métal Flaque, où se tient l'exposition.
Perso, j'aime beaucoup ce cliché du défilé Stéphane Rolland, pris depuis les cintres du Palais de la
Découverte. Elle a d'ailleurs faillit ne pas se faire. Un pompier avait surpris Vincent sur la passerelle en
surplomb du show et s'obstinait à le faire redescendre. Il a juste obtenu de lui deux minutes de délais de
grâce... Et voici ce qu'il en a fait !
PARIS MATCH - 11 juin 2009
Exposition Timothy MARTIN
Une douce musique vous accueille au fil d’une
déambulation sereine.
10 MEN - summer 2009
Prêt-à-porter Homme - Collection Automne Hiver 2010
WOOYOUNGMI
It’s geat! It’s our new obsession. There should de
pictures here, if the art lot have done their job
properly.
LURRRRRRVELY jackets, really well cut and a bit mad.
You’ll want one, promise. And Russian hats, which
work again, as do knitted shrugs. And the music at the
show was great - they get gold medal for the best
music. It all came together and it’s one to watch.
Mark these words.
A NOUS PARIS - mars 2009
L’Illustration Sonore pour les défilés.
LE FIGARO madame - 3 octobre 2008
Prêt-à-porter - Collection printemps été 2009
Beaucoup plus intime, le défilé Kris Van Assche révèle
une banse son musclée...
VOGUE.COM - 2 octobre 2008
Prêt-à-porter - Collection printemps été 2009
Les Gun’s n’ Roses en fond sonore appellent d’abord
des muses sombres au tailoring mini...
PAGESMODE.COM - juillet 2008
Prêt-à-porter homme - Collection automne hiver 2009
Insouciance et joie de vivre d’une impeccable
« upper class » dansant sur les rythmes endiablés du
charleston ou du black-bottom, entre cocktail et
champagne rosé.
AUFEMININ.COM - juillet 2007
Haute Couture - Collection automne hiver 2008
Résonance allemande pour l’incroyable bande son,
qui marque le tempo du défilé, on est proche de
l’Ange bleu et de Cabaret.
LIBERATION - 6 octobre 2005
Prêt-à-porter - Collection printemps été 2006
On se sent voyeur sommé d’observer ce rituel sexuel et
glacé, sur une musique (excellent set signé MODE-F) où
se croisent un remix de Chris Isaak et un morceau
ralenti de Blue-bob, le groupe de David Lynch.
VOGUE.COM - janvier 2005
Haute Couture - Collection printemps été 2006
Les silhouettes graphiques en noir et blanc prirent des
airs plus tribaux à l’instar de la musique qui enflamma
l’espace...
CRASH MAGAZINE - sounds of fashion
Louis VUITTON / Kris Van ASSCHE Homme - automne hiver 2010 / Stephane ROLLAND Haute Couture - printemps été 2009
Kris Van ASSCHE PRET à PORTER - printemps été 2009
Kris Van ASSCHE Homme - printemps été 2009
DIOR / Kris van ASSCHE / Louis VUITTON Homme - printemps été 2008
Louis VUITTON Homme - automne hiver 2008
GIVENCHY PRET à PORTER - automne hiver 2007
MODE-F
s o u n d t r a c k s