Jérémie Garcia – Postdoct at Goldsmiths

Jérémie Garcia
Postdoct at Goldsmiths
1 Caledonia House, 64 Salmon Lane
E14 7PN, London, UK
H +44 7778619821
B [email protected]
Í jeremiegarcia.fr
Research Interests
Human-Computer Interaction, Design and Evaluation of Interactive Systems, Creativity
Support, Computer-Aided Composition.
Experience and Education
2015–current Research and Teaching Postodctoral Fellow, Goldsmiths University of London, UK.
Topic Design of creativity support tools for creative users, User-centered Machine leanring
2014–2015 Project Efficace postdoctoral researcher, Ircam, Paris, France.
Topic Designing interfaces and interaction to support spatialization control for composers.
2013–2014 ATER (equiv. Teaching Assistant) – 96h, Université Paris-Sud, Orsay, France.
2010–2014 Ph.D. in Computer Science, Université Paris-Sud, Inria & Ircam, Paris, France.
Title Supporting music composition with interactive paper
Description This thesis explored interactive paper as an extension of computer-aided composition tools
to support interaction with personal musical representations.
Supervisors Wendy Mackay, Carlos Agon & Fanis Tsandilas
2008–2010 M.Sc in Acoustics, Signal Processing and Computer Science Applied to Music, Université Paris VI,Telecom Paris Tech & Ircam, Paris, France..
Thesis Interaction between sketches and musical notes, augmented paper for composers
Supervisor Wendy Mackay, InSitu team, Inria Saclay, France
2009 R&D Internship in Multimedia Computing, PuceMuse, Rungis, France.
Topic Development of mapping tools for gestural control of audiovisual instruments
Supervisor Serge de Laubier
2005–2008 B.Sc in Applied Physics, Université Jean-Monnet, Saint-Etienne, France. (with honors).
Skills
Programming Java, Lisp, Html, Css, JavaScript, OpenGL, C, C++
Max/MSP/Jitter, OpenMusic, AbletonLive, Processing
Interaction Participatory Design, Interviews, Structured Observations, Technology Probes, Mockups,
Design Tangible Interfaces, Arduino and Electronics.
Language French (native), English (fluent), Spanish (intermediate)
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Publications
International peer-reviewed conferences
2015 J. Bresson, J. Garcia, M. Schumacher, T. Carpentier and X. Favory. "Applications
for Interactive-Algorithmic Control of Sound Spatialization in OpenMusic". In Proc. of
inSONIC2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art. 5 pages.
2015 J. Garcia, J. Bresson, and T. Carpentier. "Towards Interactive Authoring Tools for Composing Spatialization". In Proc. of 3DUI’15, 2 pages.
2014 J. Garcia, P. Leroux and J. Bresson. "pOM: Linking pen gestures to computer-aided
composition processes". In Proc. of ICMC-SMC’14, 384–390.
2014 J. Garcia, T. Tsandilas, C. Agon and W.E. Mackay. "Structured observation with polyphony:
a multifaceted tool for studying music composition". In Proc. of ACM/DIS’14, 199–208.
2013 J. Garcia, L. Bigo, A. Spicher and W.E. Mackay. "PaperTonnetz: supporting music composition with interactive paper". In Proc. of ACM/EA CHI’13, 3051–3054.
2012 J. Garcia, T. Tsandilas, C. Agon and W.E. Mackay. "Interactive paper substrates to support
musical creation". In Proc. of ACM/CHI’12, 11825–1828.
2012 L. Bigo, J. Garcia, A. Spicher and W.E. Mackay. "PaperTonnetz: Music Composition with
Interactive Paper Tonnetz". In Proc. of SMC’12, 219–225.
2011 J. Garcia, T. Tsandilas, C. Agon and W.E. Mackay. "InkSplorer: Exploring Musical Ideas
on Paper and Computer". In Proc. of NIME’11, 361–366.
Local peer-reviewed conferences
2015 X. Favory, J. Garcia, J. Bresson "Trajectoires : une application mobile pour le contrôle et
l’écriture de la spatialisation sonore". In Proc. of ACM/IHM15, 8 pages.
2015 J. Bresson, D. Bouche, J. Garcia, T. Carpentier, F. Jacquemard, J. Maccallum and D.
Schwarz. "Projet EFFICACE : Développements et Perspectives en Composition Assistée par
Ordinateur". 8 pages.
2014 J. Garcia, T. Tsandilas, C. Agon and W.E. Mackay. "PaperComposer: Creating Interactive
Paper Interfaces for Music Composition". In Proc. of ACM/IHM’14, 1–8.
2014 J. Garcia, T. Tsandilas, C. Agon and W.E. Mackay. "InkSplorer: Vers le papier interactif
pour la composition musicale". In Proc. of JIM’11, 2 pages.
Workshop
2014 J. Garcia, G. Nouno and P. Leroux. "Quid Sit Musicus: Interacting with Calligraphic
Gestures". In Interactive Music Notation and Representation Workshop, NIME’14. 2 pages.
Talks
June 2014 Geste calligraphique et composition assistée par ordinateur, Ircam, Paris, France.
Composer (avec) le geste Workshop with Philippe Leroux.
June 2013 Vers des partitions interactive, La Sorbonne, Paris, France.
Music Notation Workshop with Mathieu Chailloux.
April 2012 Le papier interactif pour la composition, GRAME, Lyon, France.
New spaces for musical notation séminal.
Nov. 2011 Composing with Interactive Paper, NUIM, Maynooth, Ireland.
Feb. 2011 Composing with Interactive Paper, CNMAT, Berkley, California.
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Internship Supervision
2015 Xavier Favory, Mobile applications to support spatializaiton control, Ircam, Paris, France.
5 months, master student, supervised with Jean Bresson (50%)
2013 Mathieu Chailloux, Interacting with printed scores on paper, Ircam, Paris, France.
5 months, master student, supervised with Carlos Agon (50%)
2012 Lucie Thomas, Detecting folding with paper sensors, Inria, Orsay, France.
2 months, second year engineering school student, supervised with Fanis Tsandilas (50%)
Teaching
2015 Introduction to Programming, Goldsmiths, University of London, UK.
Lab teacher, 6 hours per weak ongoing.
2015 Principles and Applications of Programming, Goldsmiths, University of London, UK.
Lab teacher, 2 hours per weak ongoing.
2015 Advanced Interface Programming, Université Paris-Sud, Orsay, France.
Lecturer, 16h and supervision for the Université Française d’Égypte, 8h.
2013–2014 Design and Evaluation of Interactive Systems, Université Paris-Sud, Orsay, France.
Teaching Assistant, 2x25h & Project supervision 25h.
2013-2014 Human-Computer Interaction, Polytech Paris-Sud, Orsay, France.
Teaching Assistant, 2x12h.
2012, 2014 Software Development, Université Paris-Sud, Orsay, France.
Teaching Assistant, 2x40h.
2011–2013 Artificial Life and Machine Learning, Université Paris-Sud, Orsay, France.
Teaching Assistant, 3x30h.
2011 Introduction to imperative programming, Université Paris-Sud, Orsay, France.
Teaching Assistant, 40h.
Reviewing Activities
2015
2015
2015
2014
2014
2012–2015
2012–2015
TENOR, Program Committee Member.
ACM C&C, Reviewer.
INTERACT 2015, Reviewer.
ACM UIST, Reviewer.
ACM IHM, Reviewer.
NIME, Reviewer and Program Committee Member (2015).
ACM CHI, Reviewer.
Organisation Activities
2015 Composition-Performance-Interactions Workshop, Co-Organizer, CIRMMT, Montreal,
Canada. http://repmus.ircam.fr/efficace/private/workshop-cirmmt.
2012 ACM CHI’12, Student Volunteer.
2011 MCM’11, Organizing committee.
Art-Science & Dissemination Events
2015 Rotations, Creation project with La Companie du Vendredi.
Design of an audio visual performance with augmented juggling devices integrating motions sensors.
Les Guinguettes, Saint-Etienne, France.
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2014 Quid Sit Musicus, Research and Creation project with Philippe Leroux.
Design of new interactive paper interfaces to support the use of calligraphic gestures over ancient
manuscripts. Documentary about the research and creation http://medias.ircam.fr/x93c854
2013–2014 Dessines moi un paysage sonore, Interactive Installation, collaboration with Patrice Guyot.
The installation allows visitors to create sound scape from drawings and to physically explore them
with an interactive floor. Public exhibition during the Curiositas festival, Orsay, France; Horizons
Numériques, Escaladieu, France and Futur en Seine, Paris, France. http://paysagesonore.tumblr.
com/
2013 Tangible Musical Interaction, Workshop, collaboration with Phonotonic.
Participants used acceleration sensors to create interactive objects that create sounds. The workshop
was part of the Curiositas Festival, Orsay, France.
2012 Paper Substrates, Demonstration.
Science Fair during two days with scholars and external visitors at Université Paris-Sud and Interactivity session at CHI’12.
2011, 2014 PaperTonnetz, Public exhibition, collaboration with Louis Bigo.
Exhibition at the Palais de la Découverte during the MCM’11 Conference; CHI’14 Interactivity
session and Futur en Seine, Paris, France.
Funding
2014 Post-Doctoral Felowship, Efficace project, Ircam, Paris, France.
∼ 25.000 e.
2013 ATER (equiv. Teaching Assistant) Fellowship, Université Paris-Sud, Orsay, France.
∼ 15.000 e
2010–2013 Grant for Doctoral Studies, Université Paris-Sud, Orsay, France.
∼ 19.000 e, per year (3 years)
Awards
2015 Young Researcher in Sciences and Music Prize, organized by IRISA and sponsored by
AFIM and Fondation Rennes 1, France.
October 28, 2015
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