President and Fellows of Harvard College

© President and Fellows of Harvard College
1 of 31
© President and Fellows of Harvard College
Gallery Text
Ingres painted this icily erotic Turkish fantasy to
discharge a debt. When it was exhibited in Paris in
1840, the painting revealed an aspect of his art rarely
seen before. The odalisque, or concubine in a harem,
allowed Ingres to reinterpret the ennobled,
Renaissance tradition of the female nude in the modern
context of the Middle Eastern “other.” The marquis de
Custine wrote: “The execution is irreproachable, the
conception poetic: yet the viewer remains unmoved
before the form of a nude woman of Grecian beauty. . . .
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The painter has depicted his dream; he has painted
neither that which he has seen, nor seen that which he
thought. The painting is none the less his masterpiece
and what is more, a masterpiece.” Two years later,
Ingres traced the painting for a new version
commissioned by the king of Bavaria, which features a
landscape background painted mostly by Ingres’s
student Paul Flandrin.
Identification and Creation
Object Number
1943.251
People
Jean-Auguste-Dominique Ingres, French (Montauban
1780 - 1867 Paris)
Title
Odalisque with a Slave
Classification
Paintings
Work Type
painting
Date
1839-1840
Culture
French
Location
Level 2, Room 2120, European and American Art, 17th–
3 of 31
19th century, The Lure of the East
View this object's location on our interactive map
Physical Descriptions
Medium
Oil on canvas
Dimensions
72.1 x 100.3 cm (28 3/8 x 39 1/2 in.)
frame: 94.6 x 122.6 x 7.6 cm (37 1/4 x 48 1/4 x 3 in.)
Inscriptions and Marks
Signed: l.l.: J. Ingres / Rom. 1839
Provenance
Jean-Auguste-Dominique Ingres, Painted, 1839, Sold
to Charles Marcotte d'Argenteuil, 1840.
Charles Marcotte d'Argenteuil, Purchased from artist,
1840, to son Louis-Marie-Joseph Marcotte.
Louis-Marie-Joseph Marcotte, from father Louis
Marcotte d'Argenteuil, Sold to Louis Aguillon, 1875. The
work was offered for sale at the Ingres sale, Drouot,
Paris April 27, 1867 as no. 17, but was bought in by
Marcotte for Fr 44,000.
Louis Aguillon, Purchased from Marcotte family,
Acquired by Louis Marcotte de Quivières. Aguillon was
the brother-in-law of L.-M.-J. Marcotte.
Louis Marcotte de Quivières, Acquired from Louis
Aguillon, Sold to Guilhermoy [?] at de Quivières sale,
1875. The work was no. 11 in the de Quivières sale at the
Hotel Drouot. de Quivières was the nephew of Charles
Marcotte, the original owner.
Guilhermoy [?], Purchased at de Quivières sale, 1875.
Spelling of owner's name varies-- Guilhermoy or
4 of 31
Guilhermy. He paid Fr 50,000 at the de Quivières sale.
Gustave Pereire, Paris, 1911, To his wife (at his death?).
Mme. Henriette Pereire, From her husband, Gustave
Pereire.
Carroll S. Tyson, Philadelphia, To Wildenstein?.
Wildenstein & Company, New York, NY, Sold to
Winthrop, 1935.
Grenville Lindall Winthrop, Purchased from
Wildenstein, NY, 1935, Bequest to Fogg Art Museum,
1943. Winthrop paid $75,000.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Bequest of
Grenville L. Winthrop
Accession Year
1943
Object Number
1943.251
Division
European and American Art
Contact
[email protected]
Publication History
"Manet: Bringing Art Back into Life", The Daily
Telegraph Magazine (London, England), ill. p. 44
"De la nouvelle odalisque envoyée de Rome par M.
Ingres", L'Artiste (1840), vol. VI, pp. 343-345
Ernest Breton, "M. Ingres.-- L'Odalisque. La Chapelle
5 of 31
Sixtine", Bulletin des salons (1840), pp. 67-68, pp. 6768
[Unidentified article], Le Moniteur Universel (November
18, 1840), [unpag.]
[Unidentified article], Nouvelles à la main (December
20 1840), p. 104
Jules Varnier, "M. Ingres", L'Artiste (1841), vol. VIII, p.
508
"Salon de 1841. M. Ingres", Le Charivari (March 14 1841)
Théophile Thoré, "Léopold Robert II", Les Beaux-Arts:
Illustration des arts et de la littérature (1843), I, no. 18,
p. 284, p. 284
Damay, "Une visite à l'atelier d'Ingres", Mémoires de
l'Académie des Sciences, Agriculture, Commerce,
Belles-Lettres... (1843), 5, pp. 449-454, pp. 449-454
Théophile Thoré, "Galeries particulières: Collection de
M. Marcotte, d'Argenteuil", Les Beaux-Arts: Illustration
des arts et de la littèrature (1844), 2, no. 48, p. 298, p.
298
[Eugéne-Emmanuel Pineu-Duval] Amaury-Duval, "De
M. Ingres à propos de l'exposition Bonne Nouvelle", La
Revue Nouvelle (February 1, 1846), vol. VII, pp. 88-89
Théophile Thoré, "Etudes sur la Peinture Française
depuis la fin de 18e siècle à propos de l'exposition de la
société des peintures", Le Constitutionnel (March 10,
1846), p. 9
Charles Lenormant, "Exposition au profit des artistes
malheureux", Le Correspondent (January 1846-March
1846), 13, p. 673, p. 673
C.A.D., "Exposition dans les galeries du boulevard
Bonne-Nouvelle, no. 22, en faveur des artistes
malheureux", La France (February 11, 1846)
Albert de La Fizeliére, "Exposition de l'Association des
Artistes", Journal du Commerce (February 1 1846)
6 of 31
"Exposition des Galeries Bonne-Nouvelles. M. Ingres",
Moniteur des Arts (March 8 1846), no. 6, p. 42, p. 42
"Exposition des ouvrages de peinture dans la galerie
Beaux-Arts Boulevard Bonne-Nouvelle, 22",
L'Illustration (1846), 6, p. 96, p. 96
Etienne-Jean Delécluze, "Exposition des ouvrages de
peinture dans la galerie des Beaux-Arts boulevard
Bonne Nouvelle, 22", Journal des Débats (January 28,
1846)
Charles Baudelaire, "Le musèe classique du Bazar
Bonne-Nouvelle", Le Corsaire-Satan (January 21 1846)
Frederic de Mercey Lagenevais, "Peintres et sculpteurs
modernes: M. Ingres", Revue des Deux Mondes (1846),
vol. XIV, p. 526
Paul Mantz, "Une exposition hors du Louvre: M. Ingres
et son ècole", L'Artiste (January 25, 1846), series 4, 5,
pp. 198-201, p. 200
[Unidentified article], Journal des Artistes (February 15,
1846), p. 50
Explication des Ouvrages de Peinture exposés dans la
Galerie des Beaux-Arts Boulevard Bonne-Nouvelle, 22
au Profit de la Caisse de Sécours et Pensions de la
Société des Artistes, exh. cat., Galerie des Beaux-Arts
Boulevard Bonne-Nouvelles (Paris, France, 1846), no.
46
Charles Baudelaire, Salon de 1846, M. Lévy Frères
(Paris, France, 1846)
Albert Magimel, Oeuvres de J. A. Ingres, gravées au
trait sur acier par A. Réveil, 1800-1851, Ambroise
Firmin Didot (Paris, France, 1851), no. 64, repr. as line
drawing
Louis de Cormenin, "Oeuvres de M. Ingres", La Revue
de Paris (February 1852), p. 97, p. 97
Pierre Petroz, "Exposition universelle des beaux-arts
7 of 31
(II)", La Presse (May 30, 1855)
Charles Perrier, "Exposition Universelle des Beaux-arts.
III: La Peinture Française-- M. Ingres", L'Artiste (May
1855), vol. XV, pp. 57-58
Paul ("Bibliophile Jacob") Lacroix, "M. Ingres à
l'Exposition Universelle", Revue Universelle des Arts
(October 1855 - March 1856), vol. II, p. 206
Paul Mantz, "Salon de 1855", Revue française (1855), 2,
p. 222, p. 222
Exposition Universelle de Paris en 1855: Explication
des ouvrages de peinture, sculpture, gravure,
lithographie et architecture des artistes vivants
etrangers et francais, exh. cat., Vinchon (Paris, France,
1855), no. 3351
Eugène de Mirecourt, Ingres, Gustave Havard Editeur
(Paris, France, 1855), p. 82
Maxime Du Camp, Le Beaux-arts à l'Exposition
Universelle de 1855... (Paris, France, 1855), pp. 75-77
Arnould de Vienne, "Galerie de M. Marcotte", L'Artiste
(August 24, 1856), ser. 6, 2, p. 102, p. 102
[Eugéne-Emmanuel Pineu-Duval] Amaury-Duval, "M.
Ingres, II", L'Artiste (1856), vol. VI, no. 1, pp. 175-177, p.
176
Théophile Silvestre, Histoire des artistes vivants
français et étrangers, études d'après nature (Paris,
France, 1856), pp. 22-23, 37, 39
Visites et études de S.A.I. le Prince Napoléon au Palais
des Beaux-Arts ou description complete de cette
exposition (Paris, France, 1856), pp. 113-114, under no.
1; p. 156
Edmond Saglio, "Un Nouveau Tableau de M. Ingres,
liste complète de ses oeuvres", La Correspondence
Litteraire (February 5, 1857), p. 78
Theophile Gautier, Les Beaux-Arts en Europe, Michel
8 of 31
Levy freres (Paris, France, 1857), pp. 157-160
Henri, Vicomte Delaborde, Lettres et Pensées
d'Hippolyte Flandrin (Paris, France, 1865), p. 337, under
no. 40
"Mouvement des Arts et de la Curiosité. Tableaux et
Dessins d'Ingres", La Chronique des Arts et de la
Curiosité (May 5 and 12, 1867), vol. V, p. 138
Emile Bellier de la Chavignerie, "Notes sur l'oeuvre de
M. Ingres", La Chronique des Arts et de la Curiosité
(1867), vol. V, p. 59
Catalogue des tableaux, études peintes, dessins et
croquis de J.A.D. Ingres exposé dans les galeries de
l'Ecole impériale des Beaux-Arts, exh. cat., Ad. Laine et
J. Havard (Paris, France, 1867), no. 423
Charles-Ernest Beulé, Eloge de M. Ingres... prononcé
dans la séance publique de l'Académie des BeauxArts, le 14 December 1867 (Paris, France, 1867), pp. 22,
23
Olivier Merson and Emile Bellier de la Chavignerie,
Ingres, sa Vie et ses Oeuvres, J. Hetzel (Paris, France,
1867), pp. 22, 45, 114
Delphis de la Cour, "Etude sur Ingres et les peintres de
son temps", Annales de la Société d'Agriculture,
Sciences, Arts et Belles-lettres ... (October 1868 November 1868), XLVII, pp. 321-355, pp. 327, 336
Théophile Thoré, Salons de T. Thoré, Librairie
internationale (Paris, France, 1868), pp. 246, 247, 250251
Charles Blanc, Ingres, sa vie et ses ouvrages, Vve. J.
Renouard (Paris, France, 1870), p. 106-107, 119, 233
Henri, Vicomte Delaborde, Ingres, sa vie, ses travaux,
sa doctrine, d'apres les notices manuscrites et les
lettres du maitre, H. Plon (Paris, France, 1870), pp. 99100; 237-239 under no. 78 and 79; 255 under no. 139;
9 of 31
284 under no. 228
Eugene Montrosier, Peintres modernes: Ingres, H.
Flandrin, Robert Fleury, Ludovic Baschet (Paris, France,
1882), p. 16
Victor Fournel, Les Artistes Français contemporains, A.
Mame et fils (Tours, France, 1884), p. 55
Henry Lapauze, Les dessins de J.-A.-D. Ingres du
Musée de Montauban, J. E. Bulloz (Paris, France, 1901),
pp. 59, 121, 122, 235, 249
Jules Momméja, Ingres, H. Laurens (Paris, France,
1904), pp. 94-96
Henry Lapauze, "Le 'Bain Turc' d'Ingres", Revue de l'art
ancien et moderne (1905), vol. XVIII, p. 386
Jules Momméja, Collection Ingres au Musée de
Montauban, Inventaire General des richeses d'art de la
France. Province, Monuments civils (1905), p. 107,
above nos. 1253-1261
Jerome Doucet, Les Peintres Français (Paris, France,
1905), p. 128
Jules Momméja, "Le 'Bain Turc' d'Ingres", Gazette des
Beaux-Arts (1906), vol. XXXVI, p. 185-187
Octave Uzanne, "The Paintings of Jean Auguste
Dominique Ingres", Magazine of Fine Arts I (1906), p.
275, repr. p. 274
Téodor de Wyzewa, L'Oeuvre Peint de Jean-Dominique
Ingres, Frédéric Gittler (Paris, France, 1907), pl. XXIX, p.
iv
Alexander Joseph Finberg, Ingres (London, England,
1908), pp. 66-67
Henry Lapauze, "L'Académie de France à Rome", La
Nouvelle Revue (1909), vol. VIII, pp. 364, 365, 373
Augustine Boyer d'Agen (Jean-Auguste Boye), Ingres
d'apres une correspondence inédit, H. Daragon (Paris,
France, 1909), pp. 21, n. 298, 350
10 of 31
Georges LeComte, "Ingres, son oeuvre, son influence",
Le Correspondent (1911), vols. II and III, p. 350
Albert Dreyfus, "Jean-Auguste-Dominique Ingres", Die
Kunst (December 1911), p. 136
Robert de la Sizeranne, "L'Oeil et la main de M. Ingres a
la Galerie Georges Petit", Revue des Deux Mondes
(1911), vol. III, pp. 416-435, pp. 416-417
Henry Lapauze, Ingres, sa vie & son oeuvre, G. Petit
(Paris, France, 1911), pp. 335-337, 344, 350-352
Gustave Pauli, "David im Petit Palais", Kunst und
Künstler (1913), vol. XI, pp. 549-550, repr.
Henry Lapauze, "Lettres inedit a M. Marcotte", La
Correspondant (1913), vol. CCLII, pp. 90, 92-93, 94, 97,
99, 102-105
David et ses élèves, exh. cat., Petit Palais, Paris (Paris,
France, 1913), no. 187
Léon Rosenthal, De Romanticism au Realisme (Paris,
France, 1914), p. 180
Arsène Alexandre, "Comprendre Ingres, c'est
comprendre la Grece et la France", La Renaissance
(1921), vol. IV, pp. 195-196
[Eugéne-Emmanuel Pineu-Duval] Amaury-Duval, "M.
Ingres", La Renaissance de l'art Français (May 1921),
vol. IV, no. 5, p. 247, n. 1; repr. p. 248
Lili Frölich-Bum, Ingres: Sein Leben und sein Stil
(Vienna and Leipzig, 1924), pp. 25, 62, plate 49
Lili Frölich-Bum, Ingres, His Life and Art, William
Heinemann, Ltd. (London, England, 1926), p. 28, pl 49
Louis Hourticq, Ingres: l'oeuvre du maitre, Hachette
(Paris, France, 1928), p. vii, repr. p. 81
Exposition du centenaire de la conquête de l'Algérie,
1830-1930, exh. cat., Petit Palais, Paris (Paris, France,
1930), no. 285
Raymond Bouyer, "Les Expositions de mois", Revue de
11 of 31
l'Art (1931), vol. LX, p. 265
Eric G. Underwood, A Short History of French Painting
(London, England, 1931), pp. 184-185, repr. facing p.
177
Oeuvres importantes de grand maîtres du XIXe siècle,
exh. cat., Galerie Paul Rosenberg (Paris, France, 1931),
no. 48
Jean Cassou, "Ingres et ses contradictions", Gazette
des Beaux-Arts (1934), vol. XI, p. 158, repr. p. 163
Jean Cassou, "Ingres, Inventeur des femmes", La
Renaissance (1935), vol. XVIII, pp. 3, 5
Jean Cassou, "Ingres", L'Art et les Artistes (1936), vol.
XXXI, pp. 169-170
Walter Pach, Ingres, Harper and Brothers Publishers
(New York, NY and London, England, 1939), pp. 71, 95,
99-102, repr. opposite p. 179
Ulrich Christoffel, Klassizismus in Frankreich um 1800
(Munich, Germany, 1940), repr. p. 117
Edward King, "Ingres as Classicist", The Journal of the
Walters Art Gallery (1942), vol. V, pp. 78-81
[Reproduction only], "French Painting", Bulletin of the
Fogg Art Museum , Fogg Art Museum (Cambridge, MA,
November 1943)., repr. in b/w, p. 58
Chinese Sculpture, Bronzes, Jades, Paintings and
Drawings, Egyptian and Persian sculpture, PreColumbian art; selected from the collection of Grenville
Lindall Winthrop, exh. cat., Fogg Art Museum
(Cambridge, MA, 1943), p. 4
Agnes Mongan, "Drawings by Ingres in the Winthrop
Collection", Gazette des Beaux-Arts (July-December
1944), ser. 6, 26, p. 388 n. 1
Jean Cassou, Ingres, Editions de la Connaissance
(Brussels, Belgium, 1947), pp. 74-76, pl. 28
Karl Scheffler, Ingres, A. Scherz (Bern, Switzerland,
12 of 31
1949), pl. 39
Alain [Emile Chartier], Ingres, Editions du Dimanche
(Paris, France, 1949), pls. 34
Claude Roger-Marx, Ingres, J. Marguerat (Lausanne,
Switzerland, 1949), no. 39
Jean Alazard, Ingres et l'Ingrisme, Michel (Paris,
France, 1950), pp. 94, 113-114, 119, 139
Masterpieces, Ziff-Davis (Chicago, IL, 1950), repr. p.
107, text p. 104
A Loan Exhibition of Paintings and Drawings from the
Ingres Museum at Montauban, exh. cat., Knoedler
Galleries (New York, NY, 1952), p. [5], under no. 33
Walter Friedlaender, David to Delacroix (Cambridge,
MA, 1952), pp. 87, 89-90
Georges Wildenstein, Ingres, Phaidon Press (London,
England, 1954), no. 228
Douglas Cooper, The Courtauld Collection: A Catalogue
and Introduction (London, 1954), pp. 140-141, under no.
134
Lesley Blanch, The Wilder Shores of Love (London,
England, 1954), detail repr. on dustjacket
Daniel Ternois, "Les livres de comptes de Madame
Ingres", Gazette des Beaux-Arts (1956), vol. XLVIII, pp.
163, 175
Georges Wildenstein, Ingres (London, England, 1956),
pp. 210 no. 228, 213, repr. as fig. 149
Norman Schlenoff, Ingres, ses sources littéraires,
Presses Universitaires de France (Paris, France, 1956),
p. 252 n. 5, pl. XLVII
Kenneth Clark, The Nude: A Study in Ideal Form
(Garden City, NY, 1956), pp. 217-219, 498 (n., under p.
219)
S. Lane Faison, Jr., A Guide to the Art Museums of New
England, Harcourt, Brace and Co. (New York, NY, 1958),
13 of 31
p. 118, fig. 16
Henry de Waroquier, "A Propos d'Ingres", Bulletin du
Musée Ingres, Amis du Musée Ingres (Montauban,
France, December 1959), p. 12
Pontus Grate, Deux critiques d'art de l'epoque
Romantique: Gustave Planche et Theophile Thore,
Almqvist & Wiksell (Stockholm, Sweden, 1959), pp.
240-241
Kenneth Clark, The Nude: A Study in Ideal Form ,
Doubleday Anchor Books (Garden City, NY, 1959), pp.
218-219, 498 n.
Ingres and Degas: Two Classical Draughtsmen, exh.
cat., Fogg Art Museum (Cambridge, MA, 1961), p. v no.
17
René Huyghe, L'Art et l'Homme, Librairie Larousse
(Paris, France, 1961), III, no. 930
Daniel Ternois, "Lettres inédites d'Ingres à Hippolyte
Flandrin", Bulletin du Musée Ingres, Amis du Musée
Ingres (Montauban, France, July 1962), p. 22
Anita Brookner, "Art Historians and Art Critics VII:
Charles Baudelaire", The Burlington Magazine (1964),
vol. CVI, repr. p. 272 fig. 23 p. 276
Madeline Cottin, "Theophile Gautier, le Poème de la
Femme", Gazette des Beaux-Arts (1967), vol. LXX, p.
307
Ingres, exh. cat., Réunion des Musées Nationaux (Paris,
France, 1967), under nos. 176-182, 198, 255
Ingres et son Temps: Exposition organisé pour le
centenaire de la mort d'Ingres, exh. cat., Ministere des
affaires culturelles/Reunion des Musées Nationaux
(Montauban, France, 1967), under no. 114, p. 79
Ingres: Centennial Exhibition, 1867-1967. Drawings,
Watercolors and Oil Sketches from American
14 of 31
Collections, exh. cat., Fogg Art Museum (Cambridge,
MA, 1967), p. x
Robert Rosenblum, Jean-Auguste-Dominique Ingres,
Harry N. Abrams, Inc. (New York, NY, 1967), pp. 82, 142145, repr. on dustjacket and pl. 38
Paintings from the Bequest of Grenville L. Winthrop
shown in conjunction with the Ingres Centennial
Exhibition, exh. cat., Fogg Art Museum (Cambridge,
MA, 1967), no. III
Valentina N. Berezina, Zhan Ogrust Dominik Engr,
Sovestkii khudozhnik (Leningrad, 1967), pls. 54 and 58,
detail
Ingres e Firenze, exh. cat., Centro di Firenze (Florence,
Italy, 1968), under nos. 106, 119-121
Ingres in Italia: 1806-1824, 1835-1841, exh. cat.,
Accademia di Francia (Rome, Italy, 1968), pp. 158
under nos. 119-191, 160 under no. 122
Emilio Radius and Ettore Camesasca, L'opera
completa di Ingres, Rizzoli (Milan, Italy, 1968), no. 128a,
pp. 106-107; under no. 167a, p. 117
Pierre Angrand, Monsieur Ingres et son époque, La
Bibliothèque des Arts (Lausanne, Switzerland, 1968),
pp. 187, 222
Gridley McKim-Smith, "Grenville L. Winthrop:
retrospective for a collector, 2: Grenville Winthrop's
Western art", The Connoisseur (1969), vol. CLXX, pp.
190-192
Hans Naef, "'Odalisque à l'Esclave' by J.A.D. Ingres",
Fogg Art Museum Acquisitions, 1968 , Fogg Art
Museum (Cambridge, MA, 1969), pp. 80-99
Dorothy W. Gillerman, Gridley McKim-Smith, and Joan
R. Mertens, Grenville L. Winthrop: Retrospective for a
Collector, exh. cat., Fogg Art Museum (Cambridge, MA,
1969), no. 85, p. 240
15 of 31
Heinz Peters, ed., Kleine Museum Reise durch Amerika,
Gebr. Mann Verlag (Berlin, Germany, 1969), p. 100
D. Fromont, La Peinture française du classicisme au
réalisme (Brussels, Belgium, 1969), no. 15, detail repr.
Pierre Angrand and Hans Naef, "Ingres et la famille de
Pastoret, correspondence inedite. II", Bulletin du Musée
Ingres, Amis du Musée Ingres (Montauban, France, July
1970), p. 19
Hélène Toussaint, Le Bain Turc d'Ingres, Réunion des
Musées Nationaux (Paris, France, 1971), no. 5, pp. 19-21,
32
Daniel Ternois and Ettore Camesasca, Tout l'oeuvre
peint d'Ingres (Paris, France, 1971), no. 129a, pp. 106107; under no. 168a, p. 117
John Connolly, "Ingres and the Erotic Intellect",
ARTnews Annual (1972), vol. XXXVIII, p. 21, 25, 31 nn. 8,
9; repr. p. 23
The Age of Neo-Classicism , exh. cat., Royal Academy
and Victoria and Albert Museum (London, England,
1972), pp. 931-932, under no. 660
Edmund Burke Feldman, Varieties of Visual
Experience, Art as Image and Idea, Harry N. Abrams,
Inc. (New York, NY, 1972), repr. p. 445
John Connolly, "Ingres Studies: Antiochus and
Stratonice: The Bather and Odalisque Themes" (1974),
pp. 45-52
Ossian, exh. cat., Grand Palais (Paris, France, 1974), p.
99
Pierre Barousse, "L' 'idée' chez Monsieur Ingres",
Bulletin du Musée Ingres, Amis du Musée Ingres
(Montauban, France, 1975), p. 162
Charles Baudelaire, "Exposition Universelle", Oeuvres
Complètes (Paris, France, 1976), vol. II, p. 588, vol. II, p.
588
16 of 31
"Treasures from New England: Special Section for the
Nation's Bicentennial", The Boston Globe (Boston, MA,
September 12, 1976), p. 9
Gianni Rizzoni and Fiorella Minervino, Ingres,
Mondadori (Milan, Italy, 1976), pp. 60-61, fig. 4
René Huyghe, La relève de l'imaginaire: la peinture
francaise au XIXe siecle: realisme, romantisme,
Flammarion (Paris, France, 1976), pp. 208, 224
Frederick S. Wight, The Potent Image: Art In the
Western World from Cave Paintings to the 1970s,
Collier Books (New York, NY, 1976), repr. b/w p. 229
William Hauptman, "Ingres and Photographic Vision",
History of Photography (April 1977), I, pp. 117-128, pp.
124-125, repr. p. 128 fig. 15
Jon Whiteley, Ingres, Oresko Books Ltd. (London,
England, 1977), pp. 11-15, 70, no. 52, repr.
Evelyne Pansu, Ingres Dessins, Chene (Paris, France,
1977), pp. 18-19, 31
Jean Sutherland Boggs, "Variations on the Nude",
Apollo (June 1978), vol. CVII, no. 196, pp. 487-489, p.
487, fig. 1, pp. 488-489
Hans Naef, Die Bildniszeichnungen von J.-A.-D. Ingres
(Bern, Switzerland, 1978), vol. II, pp. 519, 566; vol. III pp.
230, 371, 436 fig. 3
Grand Collection of World Art, Kodansha (Tokyo,
Japan, 1978), pl 18
The Second Empire: Art in France under Napoleon III,
exh. cat., Philadelphia Museum of Art (Philadelphia, PA,
1978), under no. VII-41
Ingres: Drawings from the Musée Ingres at Montauban
and Other Collections, exh. cat., Victoria and Albert
Museum (London, England, 1979), p. 44, above nos. 6163
Gaetan Picon, Jean-Auguste-Dominique Ingres, Quai
17 of 31
des Celestins, 4 (New York, NY, 1980), repr. in color p.
68
Marjorie B. Cohn and Susan L. Siegfried, Works by J. A.
D. Ingres in the Collection of the Fogg Art Museum , exh.
cat., Fogg Art Museum (Cambridge, MA, 1980), pp. 1011, 116, 118-119, repr. in b/w p. 117; color p. 16, no. 41
25 Great Masters of Modern Art: Ingres, Kodansha
(Tokyo, Japan, 1981), repr. in color, no. 44
William R. Johnston, The Nineteenth Century Paintings
in the Walters Art Gallery, The Walters Art Museum
(Baltimore, MD, 1982), p. 37, under no. 6
Walter B. Denny, "Orientalism in European Art", The
Muslim World (July 1983 - October 1983), vol. LXXIII,
no. 3, repr. in b/w fig. 7; text p. 267
Smaro Kamboureli, "Discourse and Intercourse, Design
and Desire in the Erotica of Anaïs Nin", Journal of
Modern Literature (March 1984), vol. II, no. 1, repr. in
b/w p. 158
John Russell, "Ingres Saw Himself as the Savior of
French Painting", New York Times (New York, NY,
January 8, 1984), pp. 29-30, p. 30
Norman Bryson, Tradition and Desire: From David to
Delacroix (Cambridge and New York, 1984), pp. 137,
138, repr. as fig. 72, pp. 139-142, 144
Kristin A. Mortimer, Harvard University Art Museums: A
Guide to the Collections, Harvard University Art
Museums/Abbeville Press (Cambridge, MA; New York,
NY, 1985), no. 200, p. 176, repr. in color
David Finn, How to Visit a Museum , Harry N. Abrams,
Inc. (New York, NY, 1985), pp. 126-127, repr. in color
Daniel Ternois, "Une amitié romaine: les lettres d'Ingres
à Édouard Gatteaux", Actes du Colloque: Ingres et
Rome, Montauban (Montauban, 1986), pp. 17-61, pp.
19, 21, 22, 41-42
18 of 31
Jack Flam, Matisse: the Man and His Art 1869-1918 ,
Cornell University Press (Ithaca, NY, 1986), pp. 158, 191;
repr. in b/w p. 194 as fig. 190
Edmund Burke Feldman, Varieties of Visual
Experience, Art as Image and Idea, Harry N. Abrams,
Inc. (New York, NY, 1987), p. 304, repr.
Barbara Chase-Riboud, De Macht van een Sultane, Van
Holkema and Warendorf (Houten, The Netherlands,
1988), repr. on dustjacket
Dessins d'Ingres du musée de Montauban, exh. cat.,
Pavilion des Arts (Paris, France, 1989), pp. 46-47, repr.
in b/w above no. 49
Tableaux et dessins anciens, auct. cat., Christie's,
Monaco (Monaco, June 16, 1989), p. 105, under no. 68
Felicity Campbell, "An Historical and Technical
Investigation of J.A.D. Ingres' Odalique with a Slave at
the Fogg Art Museum and Its Connection to Related
Works" (thesis (certificate in conservation), Straus
Center for Conservation and Technical Studies, 1990),
Unpublished, pp. 1-43 passim
Edgar Peters Bowron, European Paintings Before 1900
in the Fogg Art Museum: A Summary Catalogue
including Paintings in the Busch-Reisinger Museum ,
Harvard University Art Museums (Cambridge, MA,
1990), p. 71, color plate; pp. 112, 226, repr. b/w cat. no.
278
Annalisa Zanni, Ingres: catalogo completo dei dipinti,
Cantini Editore (Florence, Italy, 1990), cat. 86, pp. 110111, repr.
Michele Haddad, La Divine et l'Impure: Le Nu au XIXe,
Jaguar Editions (Paris, France, 1990), repr. in color pp.
114-115; text p. 102, 116-117, 170
Joy S. Kasson, Marble Queens and Captives: Women in
Nineteenth-Century American Sculpture, Yale
19 of 31
University Press (U.S.) (New Haven, CT and London,
England, 1990), repr. in b/w fig. 18 p. 53
"Conservation Notes", Harvard University Art Museums
Observer, Harvard University Art Museums
(Cambridge, MA, November 8, 1991), Vol. III, No. 19
Carol Ockman, "Two Large Eyebrows a l'Orientale:
Ethnic Stereotyping in Ingres' Baronne de Rothschild' ",
Art History (December 1991), vol. 14, no. 4, repr. fig. 26
p. 529; mentioned p. 527
Gaetan Picon, Ingres, Skira/Rizzoli (Geneva,
Switzerland/New York NY, 1991), repr. in color p. 44; pp.
54, 74-75, 117
Dr. Christine Ekelhart-Reinwetter, J. A. D. Ingres 1780-
1867: Zeichnungen und Olstudien aus dem musée
Ingres, Montauban, Ferdinandeum/Albertina
(Innsbruck/Vienna, Austria, 1991), pp. 157-158, repr. in
b/w as abb. 62
Edmund Burke Feldman, Varieties of Visual
Experience, Art as Image and Idea, Harry N. Abrams,
Inc. (New York, NY, 1992), repr. in color p. 320
Neoclassic Art, Revolutionary Epoque Art, Shogakukan
Inc. (Tokyo, Japan, 1993), repr. in color fig. 79
Dr. Ruth Westheimer, The Art of Arousal, Abbeville
Press (New York, NY, 1993), repr. in color pps. 16-17
José Luis Díez, Federico de Madrazo y Kuntz (1815-
1894), exh. cat., Museo del Prado (Madrid, Spain, 1994),
p. 218, repr. in b/w
Cara D. Denison, The Thaw Collection: Master Drawings
and New Acquisitions, exh. cat., Pierpont Morgan
Library (New York, NY, 1994), pp. 96-97, under no. 66
Leonard M. Helfgott, Ties that Bind: a Social History of
the Iranian Carpet, Smithsonian Institution Press
(Washington, D.C, 1994), repr. in b/w p. 99, fig. 5
Eric Bertin, "Les peintures d'Ingres, II: Expositions et
20 of 31
ventes publiques du vivant de l'artiste", Bulletin du
Musée Ingres (1995), nos. 67-68, pp. 103-111, pp. 106,
108
[Unidentified article], Shinchosha (Tokyo, Japan, 1995),
vol. 6, p. 33, repr. in color
Georges Vigne, Dessins d'Ingres: Catalogue raisonné
des dessins du musée de Montauban,
Gallimard/Reunion des Musées Nationaux (Paris,
France, 1995), pp. 406-408, 440
Georges Vigne, Ingres, Citadelles & Mazenod and
Abbeville Press (Paris, France; New York, NY, 1995), pp.
218-222, repr. in color as fig. 178; detail repr. p. 201 as
fig. 166...
Carol Ockman, Ingres' Eroticized Bodies: Retracing the
Serpentine Line (New Haven, CT, 1995), pp. 53, 73, 74,
repr. as fig. 34, 97, 121, 165 n. 33
Le baron Taylor, l'association des artistes et
l'exposition du Bazar Bonne-Nouvelle en 1846,
Fondation Taylor (Paris, France, 1995), pp. 34, 84, repr.
as fig. 59; pp. 112, 123, 195-197, 222, 225, 228, 241,
257...
Patricia Condon, "Ingres, Jean-Auguste-Dominique"
(London and New York, NY, 1996), pp. 841, 844
Patricia Condon, "Les Dessins Historiques achevés de
J.A.D. Ingres" (part two), Bulletin du Musée Ingres,
Amis du Musée Ingres (Montauban, France, 1996), no.
69, pp. 3-38, pp. 15, 36
Eric Bertin, "Les Peintures d'Ingres, Estampes et
photographies de reproduction parues du vivant de
l'artiste", Bulletin du Musée Ingres, Amis du Musée
Ingres (Montauban, France, 1996), no. 69, pp. 60-62
An Introduction to Music and Art in the Western World,
Brown & Benchmark Publishers (1996), p. 224,
colorplate 46 following p. 226
21 of 31
Richard D. Leppert, Art and the Committed Eye: The
Cultural Functions of Imagery, Westview Press, Inc.
(Boulder, Colorado and Cumnor Hill, Oxford, 1996), pp.
234-236, 307 nn. 39, 40, fig. 9.6, pl. 16
Cara D. Denison, From Mantegna to Picasso: Drawings
from the Thaw Collection at the Pierpont Morg, exh.
cat., Pierpont Morgan Library (New York, NY, 1996), pp.
118-119, under no. 58, repr.
Paul de Roux, Ingres, Herscher (Paris, France, 1996),
pp. 53, 68-69, repr. as fig. 20
Robert Newman, ed., Pedagogy, Praxis, Ulysses: Using
Joyce's Text to Transform the Classroom (Ann Arbor,
MI, 1996), pp. 186-188, repr.
William Rubin, ed., Picasso and Portraiture:
Representation and Transformation, exh. cat., Museum
of Modern Art, New York (New York, NY, 1996), p. 360,
repr.
Susan Grace Galassi, Picasso's variations on the
masters: confrontations with the past, Harry N.
Abrams, Inc. (New York, NY, 1996), p. 141, repr. as fig.
5-11
Daniel Ternois, "Ingres et la photographie", Bulletin du
Musée Ingres (1997), no. 70, pp. 41-50, p. 43
Andrew Carrington Shelton, "From Making History to
Living Legend: The Mystification of M. Ingres (18341855)" (1997), vol. I, pp. x, 159, 175, 216 n. 159; vol II, pp.
246, 247, 302-303 n. 40...
Hans Belting, Das Unsichtbare Meisterwerk, Verlag
C.H. Beck (Munich, Germany, 1998), pp. 134-135, repr.
Christopher Riopelle, "The Early Nineteenth Century",
The Critics' Choice: 150 Masterpieces of Western Art,
ed. Marina Vaizey (New York, NY, 1999), pp. 228, 229,
repr.
John Gage, Colour and Meaning: Art, Science and
22 of 31
Symbolism , Thames & Hudson (London, England,
1999), pp. 47, 48, 196, 198-9, 200, Pl.96, Inv. 51
Aileen Ribeiro, Ingres in Fashion: Representations of
Dress and Appearance in Ingres's Images of Women,
Yale University Press (U.S.) (New Haven, CT and
London, England, 1999), pp. 179, 184, 205, 208 (detail
repr.), 211, 231-236, repr. as fig. 186
Daniel Ternois, ed., Lettres d'Ingres à Marcotte
d'Argenteuil, Société de l'Histoire de l'Art Français
(Nogent-le-Roi, France, 1999), pp. 22, 25, 30-32, 3536, 42, 45-46, 114-119, 166-168, 184, 205-212, 224...
Valérie Bajou, Monsieur Ingres, Editions Adam Biro
(Paris, France, 1999), repr. p. 14, detail repr. p. 246; pp.
257-263, fig. 173; pp. 267-268, 271, 310..
Old Master Drawings, auct. cat., W. M. Brady & Co., Inc.
(New York, NY, 1999), under cat. no. 33, repr. as fig. 22
Gary Tinterow and Philip Conisbee, Portraits by Ingres:
Image of an Epoch, exh. cat., The Metropolitan
Museum of Art (New York, NY, 1999), pp. 306 n. 30,
329, repr. as fig. 190, 410, 518 n. 79, 531, 535, 551, 552,
555..
Seiyo Bijutsukan [The History of Western Art],
Shogakukan Inc. (Tokyo, Japan, 1999), p. 844, repr. in
color
Jack Flam, "Matisse and Ingres", Apollo (October
2000), v. 152, no. 464, pp. 20-25, pp. 20-21, repr. in b/w
Amelia Jones, "Posing the Subject: Performing the
Other as Self", Making a Scene, ARTicle Press
(Birmingham, England, 2000), pp. 33-56, p. 47; repr. in
b/w pp. 48-49
Adrian Rifkin, Ingres, Then and Now, Routledge (London
and New York, NY, 2000), pp. 28, 30, detail repr. as fig.
14, pp. 44, 71
23 of 31
Uwe Fleckner, Jean-Auguste-Dominique Ingres 1780-
1867, Könemann Verlagsgesellschaft (Cologne,
Germany, 2000), pp. 88-90, repr. in color as no. 87
Sam Hunter, Modern Art: Painting, Sculpture,
Architecture, Harry N. Abrams, Inc. (New York, NY,
2000), repr. as fig. 5, p. 12
Holly Edwards, Noble Dreams, Wicked Pleasures:
Orientalism in America, 1870-1930, exh. cat., Princeton
University Press and Sterling and Francine Clark Art
Institute (Princeton, NJ, 2000), p. 13; repr. in b/w p. 15,
fig. 5
Anita Brookner, Romanticism and its Discontents (New
York, NY, 2000), pp. 107-108, repr. as fig. 36
Kirsten Hoving Powell, "Le Violon d'Ingres: Man Ray's
Variations on Ingres, Deformation, Desire and de Sade",
Fingering Ingres (Oxford and Malden, MA, 2001), pp.
137, 138, repr. as fig. 68
H. W. Janson, History of Art [6th ed.], Harry N. Abrams,
Inc. (New York, NY, 2001), repr. p. 665 as fig. 21-30
Mària van Berge-Gerbaud, Ingres et Marcotte: Lettres,
documents, dessins, et gravures [Exposition-dossier II],
exh. cat., Fondation Custodia (Paris, 2001), pp. 5, 7, 30,
under no. 26, 37 under no. 36, 38 under no. 37 (cf. fig.
26)...
Daniel Ternois, Lettres d’Ingres à Marcotte
d’Argenteuil: dictionnaire, Librairie des Arts et MétiersEd. Jacques Laget (Nogent-le-Roi, France, 2001), pp.
49, 50, 57, 76, 78, 83, 90, 99, 103, 118, 143, 161-166,
167, 179, 188, 191..
Hans Belting, The Invisible Masterpiece, Reaktion
Books (London, 2001), pp. 104-105, repr. in b/w
Amelia Jones, "'Every Man Knows Where and How
Beauty Gives him Pleasure': Beauty Discourse and the
Logic of Aesthetics", Aesthetics in a Multicultural Age,
24 of 31
Oxford University Press (UK) (Oxford, England, and New
York, 2002), pp. 215-239, pp. 228-231, repr. as fig. 4
Hollis Clayson, "Henri Regnault's Wartime Orientalism",
Orientalism's Interlocutors: Painting, Architecture,
Photography, Duke University Press (Durham, NC,
2002), pp. 131-178, p. 152; repr. p. 153 as fig. 5
Emory Elliott, ed., Aesthetics in a Multicultural Age,
Oxford University Press (NY) and Oxford University
Press (UK) (Oxford, England, and New York, 2002), p.
229, repr.
Chikashi Kitazaki, ed., Between Reality and Dreams:
Nineteenth Century British and French Art from the
Winthrop Collection of the Fogg Art Museum , exh. cat.,
National Museum of Western Art (Ueno, Japan, 2002),
pp. 92-93, cat. #13, color repr.
Impressionist and Modern Art, auct. cat., de Pury &
Luxembourg (London, England, June 24 2002), p. 56,
repr. in color as fig. 4
Elizabeth Cowling and John Golding, Matisse Picasso,
exh. cat., Tate Gallery Publishing Limited (London,
2002), p. 237; repr. in b/w as fig. 64, p. 355
Joan DelPlato, Multiple Wives, Multiple Pleasures:
Representing the Harem, 1800-1875 , Associated
University Presses (Cranbury, London and Mississauga,
2002), pp. 38-39, repr. in b/w as fig. 2.3
Christopher Riopelle, "David, Delacroix, and French
Painting around 1800", French Paintings from the
Musée Fabre, Montpellier, National Gallery of Australia,
Canberra (Canberra, Australia, 2003), pp. 107-108, fig.
102
Asher Miller, "Ingres and the Fondation Custodia: Some
Recent Publications", Master Drawings (Spring 2003),
41, no. 1, p. 73, p. 73
Stephan Wolohojian, ed., A Private Passion: 19th-
25 of 31
Century Paintings and Drawings from the Grenville L.
Winthrop Collection, Harvard University, exh. cat., The
Metropolitan Museum of Art and Yale University Press
(New York, NY, 2003), no. 72, pp. 187-190, repr. in color
Philip Ball, Bright Earth, University of Chicago Press
(Chicago, IL, 2003), pp. 7, 171, 176
Michael Harris, Colored Pictures: Race and Visual
Representation, The University of North Carolina Press
(Chapel Hill NC, 2003), pp. 126, 130; repr. in color p. 130
Christopher Riopelle, Harvard's Winthrop Collection:
Nineteenth-Century Paintings and Drawings from the
Grenville L. Winthrop Collection, exh. cat., National
Gallery Company Limited (London, 2003), p. 28, cat.
15, ill.
Ilaria Ciseri, Il Romanticismo: 1780-1860: la nascita di
una nuova sensibilità, A. Mondadori (Milan, Italy, 2003),
pp. 200-201, repr. in color
Stephan Wolohojian, Ingres, Burne-Jones, Whistler,
Renoir... La Collection Grenville L. Winthrop, exh. cat.,
Musée des Beaux-Arts de Lyon and Réunion des
Musées Nationaux (Paris, France, 2003), no. 72, pp.
195-199, repr. in color
Robert Dupin, "La Collection Winthrop", Universalia,
Encyclopaedia Universalis (Paris, France, 2004), pp.
343-344, p. 344
Ivan Davidson Kalmar, "The Houkah in the Harem: On
Smoking and Orientalist Art", Smoke: A Global History
of Smoking, Reaktion Books (London, 2004), p. 220,
repr.
Irvin Cemil Schick, Çerkes Güzeli Bir Sarkiyatçi Imgenin
Serüveni, Oglak Güzel Kitaplar (Beyoglu-Istanbul,
Turkey, 2004), p. 106, repr. in color
Delacroix to Munch: Nineteenth-Century Visions, exh.
cat., Boston Museum of Fine Arts (Nagoya, Japan,
26 of 31
2004), repr. in color as fig. 8, p. 37
Louis-Antoine Prat, Ingres, 5 Continents Press (Milan,
Italy, 2004), cat. no. 48, repr., p. 90
Laurence Madeline, ed., Picasso Ingres, exh. cat.,
Réunion des Musées Nationaux / Librairie Arthème
Fayard (Paris, 2004), under no. 71
Patricia Condon, "Jean-Auguste-Dominique Ingres: The
Politics of Friendship", Seeing and Beyond: Essays on
Eighteenth- to Twenty-First Century Art..., ed. Deborah
J. Johnson, Peter Lang (New York NY and Washington
DC, 2005), pp. 43-61, p. 47; repr. in b/w as fig. 1, p. 60
Robert Rosenblum, 19th Century Art, Pearson Prentice
Hall (Upper Saddle River, NJ, 2005), pp. 146-147, repr.
in color as fig. 130
Perrin Stein, French Drawings from the British Museum:
Clouet to Seurat, exh. cat., British Museum
Press/Metropolitan Museum (New York NY, 2005), p.
714, repr. as fig. 1
Wendy Nolan Joyce, "Sculpting the Modern Muse:
August Clésinger's 'Femme piqueé par un serpent'",
ed. Cassandra Hamrick, Suzanne Nash, and Dr.
Marshall Olds, University of Nebraska Press (Lincoln,
NE and London, England, Fall 2006), p. 174, repr. fig. 34
H. W. Janson and Anthony F. Janson, A Basic History of
Western Art, Prentice Hall (Upper Saddle River, NJ,
2006), p. 455, repr. in color
Vincent Pomarède, Stéphane Guégan, Louis-Antoine
Prat, and Eric Bertin, Ingres 1780-1867, exh. cat.,
Editions Gallimard (Paris, France, 2006), p. 178, repr. as
ill. 139
Stéphane Guégan, Ingres: Erotic Drawings, Flammarion
(Paris, France, 2006), repr. as pl. 56
Karin H. Grimme, Jean-Auguste-Dominique Ingres,
1780-1867, Taschen GmbH (Cologne, Germany, 2006),
27 of 31
p. 42, repr. p. 43 in color
Pierre Rosenberg, Only in America: One Hundred
Paintings in American Museums Unmatched in
European Collections, Skira (Milan, 2006), repr. on p.
174
Charles Newton, Images of the Ottoman Empire,
Victoria and Albert Museum (London, 2007), pp. 120121, repr. in color on p. 121.
Richard D. Leppert, The Nude: The Cultural Rhetoric of
the Body in the Art of Western Modernity, Westview
Press, Inc. (Boulder, CO, 2007), pp. 111-112, repr. as fig.
3.9
Stephan Wolohojian, ed., Harvard Art Museum/
Handbook, Harvard Art Museum (Cambridge, MA,
2008), p. 145, repr.
Michael Marrinan, Romantic Paris: Histories of a
Cultural Landscape, 1800-1850, Stanford University
Press (Stanford, 2009), pp. 198-201, fig. 94
Impressionist /Modern Evening Sale, auct. cat.,
Christie's, New York (New York, 4 May 2010), p. 89,
repr. in color as Fig 3.
Laura Neve, Paul Delvaux: Aux Sources de l'Oeuvre,
Editions Racine (Brussels, 2010), p. 105, repr. in color p
104
Deanna Petherbridge, The Primacy of Drawing:
Histories and Theories of Practice, Yale University
Press (New Haven and London, 2010), p. 80
John Elderfield and Lauren Mahony, de Kooning: A
Retrospective, exh. cat., ed. David Frankel, The
Museum of Modern Art (New York, NY, 2011), p. 473,
repr. Fig. 3
Louis-Antoine Prat, Le dessin français au XIXe siècle,
Somogy Éditions d'Art (Paris, 2011), p. 182
28 of 31
Agnes Husslein-Arco and Sabine Grabner, ed., Orient &
Occident: Travelling 19th Century Austrian Painters,
exh. cat., Belvedere (Vienna, Austria & Munich,
Germany, 2012), pp. 30-31, repr. Fig. 2
Maria Teresa Caracciolo, Le Romantisme, Citadelles &
Mazenod (Paris, 2013), repr. in color, pp. 234-235
Mio Wakita, Staging Desires: Japanese Feminity in
Kusakabe Kimbei's Nineteenth-Century Souvenir
Photography, D. Reimer (Berlin, 2013), p. 115; repr. in
color as plate 36
Theodore E. Stebbins, Jr. and Melissa Renn, American
Paintings at Harvard, Volume One: Paintings,
Watercolors, and Pastels by Artists Born before 1826,
Yale University Press and Harvard Art Museums
(Cambridge and New Haven, 2014), p. 27
Sonia Del Re, Dennis Lanigan, and Christopher Newall,
Beauty's Awakening: Drawings by the Pre-Raphaelites
and Their Contemporaries from the Lanigan Collection,
exh. cat., ed. Caroline Wetherilt, National Gallery of
Canada (Ottawa, 2015), p. 92, fig.. 32.2, repr.
Exhibition History
[Exhibition for the Pension and Aid Fund of the Societé
des Artistes], Galerie des Beaux-Arts, Paris, 01/11/1846
- 01/11/1846
Exposition Universelle de Paris, 1855 , Palais des
Beaux-Arts, Paris, Paris, 05/15/1855 - 12/31/1855
Unidentified Exhibition, Galerie Petit, 1864, Galerie
Francis Petit, Paris, 03/01/1864 - 03/31/1864
Tableaux, etudes peintes, dessins et croquis de J.-A.D. Ingres peintre d'histoire, sénateur, membre de
l'Institut, École Impériale des Beaux-Arts, Paris,
04/10/1867 - 12/31/1867
Exposition David et ses elèves, Palais des Beaux-Arts,
29 of 31
Paris, Paris, 04/07/1913 - 06/09/1913
Exposition du Centenaire de la Conquête de l'Algerie,
1830-1930, Petit Palais, Paris, Paris, 05/01/1930 06/30/1930
Exposition d'oeuvres importantes de grands maîtres
du dix-neuvième siècle Prêtées au profit de la Cité
Universitaire de l'Université de Paris, Galerie Paul
Rosenberg, Paris, 05/18/1931 - 06/27/1931
Chinese sculpture, bronzes, jades, paintings and
drawings, Egyptian and Persian sculpture, PreColumbian art : selected from the collection of
Grenville Lindall Winthrop, Fogg Art Museum,
Cambridge, 10/01/1943 - 02/28/1944
Ingres Centennial Exhibition, 1867-1967, Fogg Art
Museum, Cambridge, 02/12/1967 - 04/09/1967
Grenville L. Winthrop: Retrospective for a Collector,
Fogg Art Museum, Cambridge, 01/23/1969 03/31/1969
Master Paintings from the Fogg Collection, Fogg Art
Museum, Cambridge, 04/13/1977 - 08/31/1977
Works by J.-A.-D. Ingres in the Collection of the Fogg
Art Museum , Fogg Art Museum, Cambridge,
10/17/1980 - 12/07/1980
Masterpieces of European Art, Busch-Reisinger
Museum, Cambridge, 06/22/1985 - 09/15/1985
Between Reality and Dreams: Nineteenth Century
British and French Art from the Winthrop Collection of
the Fogg Art Museum , National Museum of Western
Art, Tokyo, 09/14/2002 - 12/08/2002
A Private Passion: 19th-Century Paintings and
Drawings from the Grenville L. Winthrop Collection,
Harvard University, Musée des Beaux-Arts de Lyon,
Lyon, 03/15/2003 - 05/26/2003; National Gallery,
London, 06/25/2003 - 09/14/2003; The Metropolitan
30 of 31
Museum of Art, New York, 10/23/2003 - 01/25/2004
For Students of Art and Lovers of Beauty: Highlights
from the Collection of Grenville L. Winthrop, Harvard
University Art Museums, Fogg Art Museum,
Cambridge, 04/16/2004
Re-View: S424-426 Western Art from 1560 to 1900,
Harvard Art Museums/Arthur M. Sackler Museum,
Cambridge, 08/16/2008 - 06/18/2011
Ancient to Modern, Harvard Art Museums, Cambridge,
01/31/2012 - 06/01/2013
32Q: 2120 19th Century, Harvard Art Museums,
Cambridge, 11/01/2014
Subjects and Contexts
Collection Highlights
Google Art Project
This record has been reviewed by the curatorial staff
but may be incomplete. Our records are frequently
revised and enhanced. For more information please
contact the Division of European and American Art at
[email protected]
Generated on February 14, 2017 at 04:24pm
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