13. Cinéma

Transcription

13. Cinéma

Geneviève Horwood
CINÉMA
TABLE DES MATIÈRES
Histoire du cinéma……………
………………………………………………………. 3
Critique et théorie………………… …………………………………………………..11
Technique du cinéma…………………………………………
………………………..24
Les cinéastes………………………………………………………………
………..….27
Les films……………………………………………………………………….……….
33
Littérature et cinéma…………………………………………………………………. 38
Cinéma mondial et industrie du cinéma………………………… 40
Québec et Canada……………………
…………………………………….….40
Hollywood et le cinéma américain……………………………43
Mexique et Amérique latine……………………………………………47
Cinéma européen……………………………………………………………...
France
48
………………………………………………………….……...48
Royaume-Uni
………………………………………………….……...51
Allemagne……………
…………………………………………….….52
Italie………………………………
…………………………………...54
Scandinavie…………………………… ………………………….…...55
Europe de l’Est………………………………………………….…….55
Afrique et Tiers monde………………………………………...
Asie…
57
………………………………………………………………………….57
Australie et Indonésie……………………………………………………59
2
Histoire du cinéma
1. Allard P. La fabuleuse histoire du cinéma parlant : à
travers 1000 films. Paris : PAC Éditions; 1982.
2. Allen RC. Vaudeville and Film 1895-1915: A Study in
Media Interaction. New York: Arno Press; 1980.
3. Alloway L. Violent America: The Movies 1946-1964. New
York: The Museum of Modern Art; 1971.
4. Amberg G. The Film Society Programs: 1925-1939. New
York: Arno Press; 1972.
5. Armes R. Film and Reality: A Historical Survey.
Harmondsworth: Penguin Books; 1974.
6. Baecque A. Histoire d'une revue, tome II : Cinéma,
tours, détours 1959-1981. Paris : Éditions Cahiers du
cinéma; 1991.
7. Barboni L. Cinéma d'aujourd'hui : Images de cinéma,
images de société. Sèvres : Centre international d'études
pédagogiques de Sèvres; 1986.
8. Bardeche M, Brasillach R. The History of Motion
Pictures. New York: Arno Press & The New York Times; 1970.
9. Bazin A. Le cinéma de l'occupation et de la résistance.
Paris : Union générale d'éditions; 1975.
10. Belone J. Renaissance of the Film. London: Collier
Books, Collier-MacMillan Ltd.; 1970.
11. Bohn TW, Stromgren RL. Light and Shadows: A History of
Motion Pictures. New York: Alfred A. Knopf; 1975.
12. Bory J-L. Rectangles multiples : Cinéma VII (19751976). Paris : Union générale d'éditions; 1977.
13. Bory J-L. L'obstacle et la gerbe : Cinéma VI (janvier
1973-décembre 1974). Paris : Union générale d'éditions;
1976.
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14. Bory J-L. La lumière écrite : Cinéma V (mai 1971décembre 1972). Paris : Union générale d'éditions; 1975.
15. Bory J-L. L'écran fertile : Cinéma IV (janvier 1970juin 1971). Paris : Union générale d'éditions; 1974.
16. Bory J-L. Ombre vive : Cinéma III (année 1969; flashs
back sur le cinéma des années soixante). Paris : Union
générale d'éditions; 1973.
17. Bory J-L. La nuit complète : Cinéma II (1966-1968).
18. Bowser E. The Transformation of Cinema 1907-1915.
Toronto, Canada: Collier MacMillan; 1990.
19. Brode D. The Films and the Eighties. New York: Carol
Publishing Group; 1991.
20. Browne N. Cahiers du cinéma: 1969-1972: The Politics of
Representation. Cambridge, Massachusetts: Harvard
University Press; 1990.
21. Buchanan A. Film and the Future. London: George Allen &
Unwin Ltd.; 1945.
22. Casty A. Development of the Film: An Interpretive
History. New York: Harcourt Brace Jovanovich, Inc.; 1973.
23. Clair R. Cinema: Yesterday and Today. New York: Dover
Publications, Inc.; 1972.
24. Clair R. Cinéma d'hier, cinéma d'aujourd'hui. Paris :
Éditions Gallimard; 1970.
25. Dallet S. Guerres révolutionnaires : Histoire et
cinéma. Paris : Éditions L'Harmattan; 1984.
26. Denby D. Film 71/72: An Anthology by the National
Society of Film Critics. New York: Simon and Schuster;
1972.
27. Dickinson T. A Discovery of Cinema. London: Oxford
28. Douin J-. La nouvelle vague 25 après. Paris : Les
Éditions du cerf; 1983.
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29. Dufrenne M, Allonnes OR. Le cinéma en l'an 2000.
Toulouse : Éditions Privat; 1983.
30. Elasaesser T, Barker A. Early Cinema: Space, Frame,
Narrative. London: BFI Publishing; 1990.
31. Embre K, Moore H. Northern Lights. Ottawa: Canadian
Film Institute; 1986.
32. Fell JL. Film before Griffith. Berkeley: University of
California Press; 1983.
33. Ferlita E, May JR. Film Odyssey. New York, Paramus and
Toronto: Paulist Press; 1976.
34. Ferro M. Cinéma et histoire. Paris : Éditions
Denoël/Gonthier; 1977.
35. Fledelius K, Jorgensen KR, Skyum-Nielsen N, Swiatek EH.
Studies in History Film and Society: History and the AudioVisual Media. Copenhagen: Eventus ; 1979.
36. Fulton AR. Motion Pictures: The Development of an Art
Form Silent Films to the Age of Television. Norman:
University of Oklahoma Press; 1960.
37. Garbicz A, Klinowski J. Cinema, the Magic Vehicle: A
Guide to its Achievement. Journey Two: The Cinema in the
Fifties. Metuchen, N.J. & London: The Scarecrow Press;
1979.
38. Garbicz A, Klinowski J. Cinema, the Magic Vehicle: A
Guide to its Achievement. Journey One : The Cinema through
1949. Metuchen, N.J.: The Scarecrow Press; 1975.
39. Gardner G. The Censorship Papers: Movie Censorship
Letters from the Hays Office, 1934 to 1968. New York: Dodd,
Mead & Company; 1987.
40. Godard J-. Introduction à une véritable histoire du
cinéma. Paris : Éditions Albatros; 1980.
41. Goldmann A. Cinéma et société moderne : le cinéma de
1958 à 1968 : Godard - Antonioni - Resnais - Robbe-Grillet.
Paris : Éditions Denoël; 1974.
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42. Haustrate G. Le guide du cinéma, volume III : 19681984. Paris : Syros; 1985.
43. Haustrate G. Le guide du cinéma, volume II : 1945-1967.
Paris : Syros; 1984.
44. Haustrate G. Le guide du cinéma, volume I : 1895-1945.
Paris : Syros; 1984.
45. Hillier J. Cahiers du cinéma: 1960-1968. New Wave, New
Cinema, Reevaluating Hollywood. Cambridge, Massachusetts:
Harvard University Press; 1986.
46. Hillier J. Cahiers du cinema (volume I): The 1950s :
Neorealism, Hollywood, New Wave. London, Melbourne and
Henley: Routledge & Kegan Paul; 1985.
47. Hurley NP. The Reel Revolution: A Film Primer on
Liberation. Maryknoll, New York: Orbis Books; 1978.
48. Infante GC. A Twentieth Century Job. London and Boston:
Faber and Faber; 1991.
49. Jarvie I. Hollywood Overseas Campaign: The North
Atlantic Movie Trade 1920-1950. Cambridge: Cambridge
50. Jeanne R, Ford C. Histoire illustrée du cinéma 3 : Le
cinéma d'aujourd'hui. Paris : Éditions Robert Laffont;
1966.
cinéma parlant. Paris : Éditions Robert Laffont; 1947.
cinéma muet. Paris : Éditions Robert Laffont; 1947.
53. Kaes A. From Hitler to Heimat: The Return of History as
Film. Cambridge and London: Harvard University Press; 1989.
54. Koszarski R. An Evening's Entertainment: The Age of the
Silent Feature Picture 1915-1928. Toronto, Canada: Collier
MacMillan; 1990.
55. Langlois H. Trois cents ans de cinéma. Paris : Cahiers
du cinéma; 1986.
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56. Lenne G. Le cinéma "fantastique" et ses mythologies
(1895-1970). Paris : Éditions Henri Veyrier; 1985.
57. Lorentz P. Movies 1927 to 1941: Lorentz on Film. New
York: Hopkinson and Blake, Publishers; 1975.
58. Luhr W. World Cinema since 1945. New York: Ungar; 1987.
59. MacGowan K. Behind the Screen: The History and
Techniques of the Modern Picture. New York: Delacorte
Press; 1965.
60. Manvell R. The Cinema: 1951. Harmondsworth, Middlesex:
Penguin Books; 1951.
61. Manvell R. The Cinema: 1950. Harmondsworth, Middlesex:
Penguin Books; 1950.
62. Martin M. Le cinéma français depuis la guerre. Paris :
Edilig; 1984.
63. Mast G. A Short History of the Movies. New York:
Pegasus, The Bobbs-Merrill Company, Inc.; 1971.
64. McLaughlin R. Broadway and Hollywood: A History of
Economic Interaction. New York: Arno Press; 1974.
65. McLelland D. Forties Film Talk: Oral Histories of
Hollywood, with 120 Lobby Posters. Jefferson, North
Carolina and London: McFarland & Company, Inc., Publishers;
1992.
66. Mitry J. Histoire du cinéma 5 : Art et industrie V. Les
années 40. Paris : Éditions universitaires Jean-Pierre
Delarge; 1980.
67. Mitry J. Histoire du cinéma 4 : Art et industrie IV.
Les années 30. Paris : Éditions universitaires Jean-Pierre
Delarge; 1980.
68. Mitry J. Histoire du cinéma 3 : Art et industrie III.
1923-1930. Paris : Éditions universitaires; 1973.
69. Mitry J. Histoire du cinéma 2 : Art et industrie
II.1915-1925. Paris : Éditions universitaires; 1969.
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70. Mitry J. Histoire du cinéma 1 : Art et industrie
I.1895-1914. Paris : Éditions universitaires; 1967.
71. Mordden E. Medium Cool: The Movies of the 1960s. New
York: Alfred A. Knopf; 1990.
72. National Council of Public Morals. The Cinema: Its
Present Position and Future. New York: Arno Press & The New
York Times; 1970.
73. Norh JH. The Early Development of the Motion Picture
(1887-1909). New York: Arno Press; 1973.
74. Pym J. Film on Four 1982/1991. London: BFI Publishing;
1992.
75. Ramsaye T. A Million and One Nights: A History of the
Motion Picture (Volume II). New York: Simon and Schuster;
1926.
76. Ramsaye T. A Million and One Nights: A History of the
Motion Picture (Volume I). New York: Simon and Schuster;
1926.
77. Rhode E. A History of the Cinema: From its Origins to
1970. New York: Hill and Nang; 1976.
78. Rittaud-Hutinet J. Le cinéma des origines : les frères
Lumière et leurs opérateurs. France : Éditions du Champ
Vallon; 1985.
79. Robinson D. World Cinema: A Short History. London: Eyre
Methuen; 1981.
80. Robinson D. The History of World Cinema. New York:
Stein and Day; 1981.
81. Robinson D. Hollywood in the Twenties. London: A.
Zwemmer Ltd; 1968.
82. Robson EW, Robson MM. The Film Answers Back: A
Historical Appreciation of the Cinema. London: John Lane
the Bodley Head; 1947.
83. Rotha P. The Film Till Now: A Survey of the Cinema.
London: Jonathan Cape; 1930.
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84. Sadoul R. Histoire générale du cinéma : 6. L'art muet
1919-1929 (Hollywood - la fin du muet). Paris : Éditions
Denoël; 1975.
85. Sadoul G. Histoire générale du cinéma : 5. L'art muet,
1919-1929 (L'Après-Guerre en Europe). Paris : Éditions
Denoël; 1975.
86. Sadoul G. Histoire générale du cinéma : 4. Le cinéma
devient un art, 1909-1920 (La Première Guerre Mondiale).
Paris : Éditions Denoël; 1974.
87. Sadoul G. Histoire générale du cinéma : 3. Le cinéma
devient un art, 1909-1920 (L'Avant-Guerre). Paris :
Éditions Denoël; 1951.
88. Sadoul G. Histoire générale du cinéma : 2. Les
pionniers du cinéma, 1897-1909. Paris : Éditions Denoël;
1948.
89. Sadoul G. Histoire générale du cinéma : 1. L'invention
du cinéma, 1832-1897. Paris : Éditions Denoël; 1948.
90. Sands PN. A Historical Study of the Academy of Motion
Pictures, Arts and Sciences (1927-1947). New York: Arno
Press; 1973.
91. Sauvage L. L'affaire Lumière (enquête sur les origines
du cinéma). Paris : Éditions Pierre Lherminier; 1985.
92. Sayre N. Running Time: Films of the Cold War. New York:
The Dial Press; 1982.
93. Schickel R. Movies: The History of an Art and an
Industry. New York: Basic Books; 1964.
94. Segrave K. Drive-in Theatres: A History from their
Inception. Jefferson, North Carolina and London: McFarland
& Company, Inc., Publishers; 1992.
95. Sklar R. Film: An International History of the Medium.
New York: Harry N. Abrams, Inc.; 1993.
96. Skylar R, Musser C. Resisting Images: Essays on Cinema
and History. Philadelphia: Temple University Press; 1990.
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97. Sorlin P. The Film in History: Restaging the Past.
Totawa, New Jersey: Barnes & Noble Books; 1980.
98. Taylor JR. Stranger in Paradise: The Hollywood Émigrés
1933-1950. New York: Holt, Rinehart and Winston; 1983.
99. Thomas T. Films of the Forties. Secaucus, New Jersey:
The Citadel Press; 1975.
100. Virilio P. Guerre et cinéma 1 : Logistique de la
perception. Paris : Éditions de l'Étoile; 1984.
101. Wenden DJ. The Birth of the Movies. New York: E.P.
Dutton; 1974.
102. Wyver J. The Moving Image: An International History of
Film, Television and Video. New York: Basil Blackwell;
1989.
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Critique et théorie
1. Adler MJ. Art and Prudence: A Study in Practical
Philosophy. New York: Arno Press; 1978.
2. Adler R. A Year in the Dark: Journal of a Film Critic
1968-1969. New York: Random House; 1969.
3. Affron C. Cinema and Sentiment. Chicago and London: The
University of Chicago Press; 1982.
4. Amberg G. The Art of Cinema: Selected Essays. New York:
Arno Press & The New York Times; 1972.
5. Amelio RJ. Willowbrook Cinema Study Project. Dayton,
Ohio: Geo. A. Pflaum, Publisher; 1970.
6. Andrew D. Concepts in Film Theory. Oxford, New York,
Toronto and Melbourne: Oxford University Press; 1984.
7. Andrew D. The Major Film Theories: An Introduction.
Oxford, London, New York: Oxford University Press; 1976.
8. Aristarco G. Marx, Le cinéma et la critique de film.
Paris : Lettres modernes; 1972.
9. Ayfre A. Dieu au cinéma : problèmes esthétiques du film
religieux. Paris : Éditions Privat et Amédée Ayfre; 1953.
10. Bazin A. Le cinéma de la cruauté. Paris : Flammarion;
1975.
11. Bazin A. What is Cinema? Berkeley, Los Angeles and
London: University of California Press; 1971.
12. Benoit-Levy J. The Art of the Motion Picture. New York:
Coward-McCann, Inc.; 1946.
13. Berger AA. Film in Society. New Brunswick and London:
Transaction Books; 1980.
14. Besset J. Cinéma (Tome II). Paris : Éditions de
l'Instant; 1985.
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15. Besset J. Cinéma (Tome I). Paris : Éditions de
l'Instant; 1985.
16. Biro Y. Profane Mythology: The Savage Mind of the
Cinema. Bloomington: Indiana University Press; 1982.
17. Black GD. Hollywood Censored: Morality Codes, Catholics
and the Movies. Cambridge, New York and Melbourne:
Cambridge University Press; 1994.
18. Blades JD. A Comparative Study of Selected American
Film Critics. New York: Arno Press; 1976.
19. Blumenberg RM. Critical Focus: An Introduction to Film.
Belmount, California: Wadsworth Publishing Co., Inc.; 1975.
20. Blumer H, Hauser PM. Movies, Delinquency and Crime. New
York: Arno Press & The New York Times; 1970.
21. Booth D, Barton R, Young D. Film. Ontario: Longman and
Canada Ltd.; 1972.
22. Bordwell D. Making Meaning: Inference and Rhetoric in
the Interpretation of Cinema. Cambridge, Massachusetts and
London: Harvard University Press; 1989.
23. Branigan E. Narrative Comprehension and Film. London
and New York: Routledge; 1992.
24. Branigan E. Point of View In the Cinema: A Theory of
Narration and Subjectivity in Classical Film. Berlin, New
York and Amsterdam: Mouton Publishers; 1984.
25. Brasch WM. Cartoon Monickers: An Insight into the
Animation Industry. Ohio: Bowling Green University Popular
Press; 1983.
26. Braudy L. Native Informant: Essays on Film, Fiction and
Popular Culture. Oxford, New York: Oxford University Press;
1991.
27. Buckle FG. The Mind and the Film. New York: Arno Press
& The New York Times; 1970.
28. Bulter JG. Startexts: Image and Performance in Film and
Television. Detroit: Wayne State University Press; 1991.
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29. Burnett R. Explorations in Film Theory: Selected Essays
from Ciné-Tracts. Bloomington and Indianapolis: Indianan
30. Cadbury W, Poague L. Film Criticism: A Counter Theory.
Iowa: the Iowa State University Press; 1982.
31. Card J. Seductive Cinema: The Art of Silent Film. New
32. Carrière J-L. The Secret Language of Film. New York:
Pantheon Books; 1994.
33. Carroll N. Philosophical Problems of Classical Film
Theory. Princeton, New Jersey: Princeton University Press;
1988.
34. Carter H. The New Spirit in the Cinema. New York: Arno
Press & The New York Times; 1970.
35. Casebier A. Film and Phenomenology: Toward a Realist
Theory of Cinematic Representation. Cambridge, New York,
Port Chester, Melbourne and Sydney: Cambridge University
Press; 1991.
36. Cayrol J, Durand C. Le droit du regard. Paris :
Éditions du Seuil; 1963.
37. Chevallier J, Elgy M. Regards neufs sur le cinéma.
Paris : Éditions du Seuil; 1963.
38. Chion M. Le son au cinéma. Paris : Éditions de
l'Étoile; 1985.
39. Chion M. La voix au cinéma. Paris: Éditions de
l'Étoile; 1982.
40. Clifton R. The Figure in Film. Newark: University of
Delaware Press; 1983.
41. Coates P. Film at the Intersection of High and Mass
Culture. Cambridge: Cambridge University Press; 1994.
42. Cocteau J. The Art of Cinema. London and New York:
Marion Boyars; 1992.
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43. Cook P. The Cinema Book. Pantheon Books Ed. New York;
1985.
44. Cooper JC, Skrade C. Celluloid and Symbols.
Philadelphia: Fortress Press; 1970.
45. Courtade F. Cinéma expressionniste. Paris : Henri
Veyrier; 1984.
46. Cucca A. L'écriture du scénario. Paris : Éditions
Dujarric; 1986.
47. Daney S. La rampe : Cahier critique 1970-1982. Paris :
Éditions Gallimard; 1983.
48. Denitto D, Herman W. Film and the Critical Eye. New
York: MacMillan Publishing Company; 1975.
49. Desnos R. Cinéma. Paris : Éditions Gallimard; 1966.
50. Drew DJ. Images of Man: A Critique of the Contemporary
Cinema. Downers Grove, Illinois: Inter-Varsity Press; 1974.
51. Easthope A. Contemporary Film Theory. London and New
York: Longman; 1993.
52. Ellis J. Visible Fictions: Cinema Television Video.
London, Boston, Melbourne and Henley: Routledge & Kegan
Paul; 1982.
53. Facey PW. The Legion of Decency: A Sociological
Analysis of the Emergence and Development of a Social
Pressure Group. New York: Arno Press; 1974.
54. Feldman, J. & H. Dynamics of the Film. New York: Arno
55. Fell JL. Film: An Introduction. New York: Praeger
Publishers; 1975.
56. Fell JL. Film and the Narrative Tradition. Oklahoma:
University of Oklahoma Press; 1974.
57. Fischer E. The Screen Arts: A Guide to Film and
Television Appreciation. New York: Sheed and Ward; 1960.
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58. Ford R. Children in the Cinema. London: George Allen &
Unwin Ltd.; 1939.
59. Friedberg A. Window Shopping: Cinema and the
Postmodern. Berkeley, Los Angeles and Oxford: University of
60. Geduld HM. Authors on Film. Bloomington and London:
Indiana University Press; 1972.
61. Gervias M. The Nash Lecture: The Inaugural Lecture
1979. Cries and Whispers. Voices and News in the Liberal
Arts Tradition. Regina: Campion College; 1979.
62. Giannetti L. Understanding Movies. 5th ed. Englewood
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63. Giannetti LD. Understanding Movies. 2nd ed. Englewood
Cliffs, New Jersey: Prentice-Hall, Inc.; 1976.
64. Gledhill C. Stardom: Industry of Desire. London and New
York: Routledge; 1991.
65. Goldmann A. L'errance dans le cinéma contemporain.
Paris : Henri Veyrier; 1985.
66. Gow G. Suspense in the Cinema. London: A. Zwemmer Ltd.;
1968.
67. Grant BK. Film Study in the Undergraduate Curriculum.
New York: The Modern Language Association of America; 1983.
68. Grant BK. Film Genre: Theory and Criticism. Methuchen,
N.J. & London: The Scarecrow Press; 1977.
69. Grau R. The Theatre of Science: A Volume of Progress
and Achievement in the Modern Picture Industry. New York
and London: Benjamin Bloom; 1969.
70. Green F. The Film Finds its Tongue. New York: Benjamin
Blom, Inc.; 1971.
71. Greene G. The Pleasure Dome: The Collected Film
Criticism 1935-1940. London: Seeker & Warburg; 1972.
72. Heath S. Questions of Cinema. Bloomington: Indiana
15
73. Henderson B. A Critique of Film Theory. New York:
E.P.Dutton; 1980.
74. Hennebelle G. L'enseignement du scénario. Paris :
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75. Hennebelle G. L'enseignement du cinéma et de
l'audiovisuel dans l'Europe des douze. Paris : Corlet;
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76. Houston B, Kinder M. Self and Cinema: A Transformalist
Perspective. Pleasantville, New York: Redgrave Publishing
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77. Huaco GA. Tech Sociology of Film Art. New York and
London: Basic Books, Inc.; 1965.
78. Huetting MD. Economic Control of the Motion Picture
Industry: A Study in Industrial Organization. Philadelphia:
University of Pennsylvania Press; 1944.
79. Hurley NP. Theology through Film. New York, Evanston
and London: Harper & Row Publishers; 1970.
80. Inglis RA. Freedom of the Movies: A Repost on SelfRegulation from the Commission on Freedom of the Press.
Illinois: The University of Chicago Press; 1947.
81. Jacobs L. The Wages of Sin: Censorship and the Fallen
Woman Film 1928-1942. Wisconsin: the University of
Wisconsin Press; 1991.
82. Jacobs L. Introduction to the Art of the Movies. New
York: The Noonday Press; 1960.
83. Jowett G. Film: The Democratic Art. Boston and Toronto:
Little, Brown and Company; 1976.
84. Kauffman S. Living Images: Film Content and Criticism.
New York, Evanston, San Francisco and London: Harper & Row
Publishers; 1975.
85. Kauffman S. Figures of Light: Film Criticism and
Comment. New York, Evanston, San Francisco and London:
Harper & Row Publishers; 1971.
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86. Knight A. The Liveliest Art. New York: The MacMillan
Company; 1957.
87. Kovacs Y. Surréalisme et cinéma II. Paris : s.n.; 1965.
88. Kovcas Y. Surréalisme et cinéma I. Paris : s.n.; 1965.
89. Kracauer S. Theory of Film: The Redemption of Physical
Reality. New York: Oxford University Press; 1960.
90. Kuhn A. Cinema, Censorship and Sexuality, 1909-1925.
New York and London: Routledge; 1988.
91. Lafond J. Le film sous influence : un procédé
d'analyse. Paris : Edilig; 1982.
92. Lagny M, Ropars M-, Sorlin P. Théorie du cinéma et
crise dans la théorie. Saint-Denis : Presses Universitaires
de Vincennes; 1989.
93. Lawson JH. Film in the Battle of Ideas. New York:
Masses & Mainstream; 1953.
94. Lebel J-L. Cinéma et idéologie. Paris : Éditions
sociales; 1971.
95. Lehman P. An Anthology of New Film Criticism: Close
Viewings. Tallahassee: The Florida State University Press;
1990.
96. Lejeune CA. Cinema. London Ed.; 1931.
97. Lellis G. Bertolt Brecht: Cahiers Du Cinéma and
Contemporary Film Theory. Ann Arbor, Michigan: UMI Research
Press; 1982.
98. Leutrat J. Le western : archéologie d'un genre. Lyon :
Presses Universitaires de Lyon; 1987.
99. Lewis B. Jean Mitry and the Aesthetics of the Cinema.
Ann Arbor, Michigan: UMI Research Press; 1984.
100. Luhr W, Lehman P. Authorship and Narrative in the
Cinema: Issues in Contemporary Aesthetics and Criticism.
New York: G.P. Putnam's sons; 1977.
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101. Madsen RP. The Impact of Film: How Ideas are
Communicated through Cinema and Television. New York:
MacMillan Publishing Co., Inc.; 1973.
102. Maltby R. Harmless Entertainment: Hollywood and the
Ideology of Consensus. Metuchen, N.J. & London: The
Scarecrow Press, Inc.; 1983.
103. Manvell R. What is a Film? London: MacDonald & Co.,
Ltd; 1965.
104. Manvell R. The Film and the Public. Harmondsworth,
Middlesex: Penguin Books; 1955.
105. Manvell R. Film. Harmondsworth, Middlesex: Penguin
Books; 1946.
106. Marie M, Vernet M. Christian Metz et la théorie du
cinéma : Christian Metz and Film Theory. Paris : Librairie
des Méridiens/Klincksieck; 1990.
107. Martin TM. Images And the Imageless: A Study in
Religious Consciousness and Film. 2nd ed. Lewisburg:
Buckrell University Press; 1991.
108. Mast G. Film/Cinema/Movie: A Theory of Experience. New
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109. Mast G, Cohen M. Film Theory and Criticism:
Introductory Readings. New York, London and Toronto: Oxford
110. McCarthy T, Flynn C. King of the Bs: Working with the
Hollywood System. An Anthology of Film History and
Criticism. New York: E.P.Dutton & Co., Inc.; 1975.
111. McConnell FD. The Spoken Seen: Film & the Romantic
Imagination. Baltimore and London: The John Hopkins
112. McCreadie M. Women on Film: The Critical Eye. New
York: Praeger Publishers; 1983.
113. McLaughlin ML. A Study of the National Catholic Office
for Motion Pictures. Ann Arbor, Michigan: The University of
Wisconsin; 1974.
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114. Medved M. Hollywood vs. America: Popular Culture and
the War on Traditional Values. Zondervan: Harper Collins
Publishers; 1992.
115. Mellencamp P, Rosen P. Cinema Histories, Cinema
Practices. Los Angeles, California: University Publications
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Cinéma mondial et industrie du cinéma
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59

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