program previsionnel

WOODen MUSical Instrument Conservation and Knowledge
Opening Conference
Thursday 27 February - Friday 28 February 2014
Amphithéâtre – Cité de la musique
Thursday February 27
9:15
9:45
10:00
Welcome - Coffee
Introduction: Eric de Visscher, director of the Musée de la musique, Sandie Le Conte &
Pascale Vandervellen, Chairwomen of the COST Action FP1302
Session 1: Human Science & Wood Knowledge
-
11:00
12:00
1:00
3:00
Renato Meucci, director of the Conservatory of Novara, Italy: Violin expertise:
yesterday, and today?
- Iris Brémaud, LMGC – CNRS, France: Diversity in Instrument Making Woods: at
the Crossroads of Organology, Intangible Cultural Heritage and Wood Sciences
Flash-talks Session A
Poster Session A
Lunch
Session 2: Mechanics & Wood Science
-
4:00
5:00
6:30 – 7:10
Peter Niemz, ETH Zürich, Switzerland: Physical and Mechanical Properties of
Wood
- Marco Fioravanti, GESAAF, University of Florence, Italy: Wood Aging and
Conservation of Historical Musical Instruments
Flash-talks Session B
Poster Session B
Concert
Etsuko Chida, vocal & koto Yasujiro Ogura (collection of the Musée de la musique)
Fadhel Messaoudi, vocal & ‘ud lute Georges Nahat (collection of the Musée de la
musique)
Friday February 28
8:30-10:30
10:00
10:30
Management Committee (Salle des colloques) only for MC members
Welcome Coffee for non MC members
Session 3: Acoustic & Reconstruction of Wooden Historical Instruments
-
11:30
12:30
1:00
2:30 - 5:30
Paul Poletti, piano maker-restorer, Spain: Reverse-engineering Historic Musical
Instruments
- Claudia Fritz, Institut Jean le Rond d’Alembert - LAM - CNRS, France: Old Italian
Versus New Violins: the Players’ Perspective
Flash-talks Session C
Poster Session C
Lunch
WG1 synthesis: Round Table | Iris Brémaud & Gabriele Rossi Rognoni
WG2 Synthesis: Round Table | Marco Fioravanti
WG3 Synthesis: Round Table | Claudia Fritz
Conclusion
FLASH-TALKS & POSTER LIST
SESSION A
no
A1
name
Akkermans, Emily
A2
Bonaduce, Ilaria
A3
Bastos, Patricia
A4
Bini, Annalisa
A5
Bokiau, Baudouin
A6
A7
Cecconi, Cécile
Laloue, Christine
De Bruyn, Vera
A8
Debert Benoit
A9
Doganis, Stathis
A 10
Echard, Jean-Philippe
A 11
A 12
Ecochard, Marc
Frederickx, Manu
A 13
Grothe, Timo
A 14
A 15
A 16
Houssay, Anne
Hulshof, Carolien
Moens, Karel
A 17
O’Brien, Grant
A 18
Perez, A. Marco
A 19
Rossi Rognoni, Gabriele
A 20
Saverwyns, Steven
A 21
Thomas, Romain
A 22
Vandervellen, Pascale
A 23
Warneke, Nikolaus
A 24
Willaert, Saskia
topic
Restoration of musical instruments, metal and
mechanical parts in combination with wood.
Antwerp University, Belgium
ALI, Associazione Liutaria Italiana. Università di
Pisa, Italy
ANIMUSIC, Associação Nacional de Instrumentos
Musicais, Portugal
Musicolog. Accademia Nazionale di Santa Cecilia,
Italy.
The Evolution & History of Piano Actions. Center
for Research in Energy and Mechatronics; Catholic
University of Leuven, Belgium
Museum Archives of Instrument Maker |
Archives Website. Musée de la musique, France
Conservator for Wood and Musical Instruments.
Ringve Musikkmuseum, Norway
Violin Family in the old southern of Netherlands.
Violin Maker, Belgium
Conservation/Restoration of Woodwind Instrument.
Technological Educational Institute (T.E.I.) of
Athens, Greece.
Curator of Bowed String Instruments. Musée de la
musique, France
Maker of Baroque and Classical Hautboys. France
Lecturer at the Hogent School of Arts Musical
Instrument, Making Department, Ghent, Belgium
Reed Woodwind Instrument Research. Hochschule
für Musik. Detmold, Germany
Laboratory of the Musée de la musique, France
The Formalized Fiddle. MIM, Belgium
Curator, Museum Vleeshuis | Klank van de Stad,
Antwerp, Belgium
Early Keyboard Instruments. Edinburgh, United
Kingdom
Presentation of Museu de la Música de Barcelona,
Spain
Curator at the Royal College of Music, London,
United Kingdom
Laboratory Department, Royal Institute for Cultural
Heritage (KIK/IRPA), Brussels, Belgium
Fondation des Sciences du Patrimoine. Université
de Cergy-Pontoise, France.
Research project on Ruckers instruments. MIM,
Brussels, Belgium
Itinerant exhibition of original xylophones and
marimbas from Africa and Central America (20
items), France
Research and Digitization of African Collections.
MIM, Brussels, Belgium
SESSION B
no
B1
name
Aurand, Alice
B2
Baer, Frank
B3
Cufar, Katarina
B4
Dietrich, Tobias
B5
Divos, Ferenc
B6
Esquirol, Agnès
B7
Ferreira, Mauro
B8
Gilani, Marjan
B9
Gluschkov, Sotir
B 10
B 11
Gjerdrum, Peder
Karami, Elham
B 12
Kozakiewicz, Pawel
B 13
Lavier, Catherine
B 14
Mannes, David
B 15
Moutou Pitti, Rostand
B 16
Odlyha, Marianne
B 17
Popescu, Carmen
B 18
Popescu, Cristina
B 19
Ridley-Ellis, Dan
B 20
Sebera, Vaclav
B 21
B 22
Sodini, Nicola
Sporea, Dan
B 23
Storme, Patrick
title
Conservation and Technology Dept., Courtauld
Institute of Art, London, United Kingdom
MIMO project. Curator at the Germanisches
Nationalmuseum, Germany
Slovenia in COST Action Wood Music, University of
Ljubljana, and University of Primorska, Slovenia
Modifying Native Wood Species for the Use in
Musical Instruments as Substitute for Tropical
Hardwood. Technische Univeristät Dresden,
Germany
Acoustic properties of wood. Institute of Physics
and Electrotechnique, Karoly Simonyi Faculty,
University of West Hungary
Paintings conservator. Painting soundboards. MIM,
Brussels, Belgium
Can we engineer the acoustic properties of wood?
Trinity College Dublin. Ireland
Applied Wood Materials / Swiss Federal
Laboratories for Materials Science and Technology
(Empa), Switzerland
Forest Research Institute of the Bulgarian
Academy of Sciences, Bulgaria
Norwegian Forest and Landscape Institute, Norway
Effect of Different Coating Systems on the
Acoustical Properties of Musical Instruments.
LMGC, France
Faculty of Wood Technology, Warsaw University of
Life Sciences, Poland
Archaeometrical Study of Archaeological Wood.
LAMS, France
Neutron Imaging and Activation Group / Paul
Scherrer Institute, Switzerland
Acoustic Emission and Finite element or Modeling
approach. Institut Pascal / Université Blaise Pascal,
France
PROPAINT project. Birkbeck,University of London,
United Kingdom
Analytical Methods for Historic Wood Evaluation,
Petru Poni Institute of Macromolecular Chemistry,
Romania
Spectral evaluation of wood and wood
components. Petru Poni Institute, Romania
Strategic Integrated Research in Timber. Edinburgh
Napier University, United Kingdom
Department of Wood Science/Mendel University in
Brno, Czech Republic
SYRMEP Baeamline at Elettra. Triestre, Italy.
Photonics investigations facility at CETAL,
Romania
Atmospheric plasma treatments for the
conservation of objects consisting of different
materials- Faculty of Design Sciences Conservation Studies, Belgium - Faculty of Design
Sciences - Conservation Studies, Belgium
B 24
Versteeg, Arjan & Veronika
B 25
Wulf, Fabian
B 26
Xavier, José
Dendrochronology Applied to Musical Instruments.
Netherlands
Research in musical instruments at Eberswalde
University for Sustainable Development, Germany
Center for the Research and Technology of Agro‐
Environmental and Biological Sciences (CITAB),
Portugal
SESSION C
no
C1
name
Ablitzer, Frédéric
C2
Carlier, Capucine
C3
Clarke, Christopher
C4
C5
C6
Demsar, Blaz
Gibiat, Vincent
Guaus, Enric
C7
Le Carrou, Jean-Loïc
C8
Le Moyne, Sylvie
C9
Merhar, Miran
C 10
C 11
O’leary, Mickael
Perez, A. Marco
C 12
Perz, Andrzej
C 13
Poidevin, Nelly
C 14
C 15
C 16
C 17
Ray, John
Ribo, Pierre
Fouilleul, Jean-Marie
Sali, Samo
C 18
Serafin, Stefania
C 19
Tahvanainen, Henna
C 20
Tempelman, Erik
C 21
Tempelman, Erik
Verlinden, Jouke
title
Laboratoire d’Acoustique de l’Université du Maine,
France
Bring together different scientific and empirical
approaches to clarify the concept of resonance
wood. LMGC, France
Research into historical tools, materials, methods
and organisation of keyboard instrument making.
Piano maker, France
Violin maker, Slovenia
PHASE Lab., Université de Toulouse, France
Sonology Department / Escola Superior de Música
de Catalunya, Spain
Lutheries-Acoustique-Musique / Institut Jean le
Rond d'Alembert / UMR CNRS 7190, Université
Pierre et Marie Curie, Sorbonne Universités.
Modelisation, Propagation et Imagerie Acoustique /
Institut Jean le Rond d'Alembert / UMR CNRS
7190, Université Pierre et Marie Curie, Sorbonne
Universités.
Laboratory of Mechanical Processing
Technologies. Ljubljana, Slovenia
The O’Leary Guitars. Ireland.
The structural behavior of wooden musical
instruments. Universitat Politècnica de Catalunya –
BarcelonaTech. Laboratory for the Technological
Innovation of Structures and Materials, Spain
Reconstruction of a bass viol by Peeter Borbon,
instrument maker at the royal court of Brussels in
the first half of the 17th century., Poland/Belgium
Renaissance and early Baroque Bows. Maker,
France.
Professional Guitar Maker, Spain
Professional Serpent Maker, Belgium
Professional Guitar Maker, France
Controlling the guitar sound. Professional Guitar
Maker, Slovenia
Multisensory Experience Lab. Department of
Architecture, Design and Media Technology,
Danmark.
Finite Element Model of string instrument body.
Department of Media Technology, Finland
Design, Materials and Manufacture. Delft University
of Technology, Netherlands.
Additive Manufacturing and Aeroacoustics. Delft
University of Technology, Netherlands
C 22
Trevisan, Benjamin
C 23
Tro, Jan
C 24
Vaiedelich, Stéphane
C 25
Vergez, Christophe
C 26
Viala, Romain
C 27
Widholm, Gregor
Piano Vibro Acoustic. Laboratoire Vibrations
Acoustique. INSA, Lyon, France
Acoustics Research Center, Norwegian University
of Science and Technology, Norway
Presentation of the Research and Restoration Lab
in Musée de la musique, Paris. France
Physics of wind musical instruments. Laboratoire
de Mécanique et d’Acoustique. Marseille, France
FEMTO-ST / Department of Applied Mechanics,
France.
The Predictive Approach in Piano Acoustics
project. University of Music and Performing Arts,
Vienna, Austria