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2003- 2005 2005 6 17-19 1 2005 2005 6 2 DJ ATM (BMA) 3 CCTV TFI Le Monde France 2 CHANNEL V MTV BBC 3-4 5000 4 10000 CNN DJ 70 30 6 7 2008 5 DJ 70 30 4 6 5000 VI 6 DJ 2 10000 6 18-19 40000 19:30-21:30 pm 7000 8000 6 / 18- 19 7 23:00-02:00 am 500-800 / 6 17- 19 The Public Village The Pro Village 10 DJ ( 10 ) GOTAN PROJECT Gotan Project Gotan being a play upon "tango" consists of a core nucleus of three French musicians: Phillippe Cohen Solal, Eduardo Makaroff and Christoph H. Muller. Several exceptional Argentinian musicians join them: vocalist Cristina Vilallonga, pianist Gustavo Beytelmann and bandoneon (the tango accordion) player Nini Flores. Their album La Revancha Del Tango (XL) was released in 2001 and quickly became a favourite with discerning DJs and listeners across Europe and Latin America. What makes Gotan Project's take on tango so attractive? It wasn ¯t si mpl y t hat t hey br ought 8 a fresh approach and wit to tango. What Gotan pioneered was a way to build bridges between tango and Jamaican dub music. Dub music has arguably been the most radical music form of the last quarter century spawning everything from hip-hop to ambient drift and Gotan Project realised by employing dub's ability to distort and colour sound they could reshape tango while retaining its weary, soulful beauty. SAINT GERMAIN St Germain confirmed his reputation on the burgeoning French electro scene by releasing his first album, "Boulevard", on Laurent Garnier's independent label F.Communications, in July 1995. The deft musical mix on this debut album caused as great a stir on the French jazz scene as it did in the electro world, blurring the boundaries between jazz and electro beats. In fact, "Boulevard" garnered rave reviews around the world, even in electro heartland in the States, and went on to sell a staggering 200,000 copies. Following his phenomenal success in the album charts, St Germain went on to make his first live appearance in December '95, performing at TransMusicales in Rennes. Meanwhile, as his name gained celebrity status on the electro scene, remix invitations came flooding in from all quarters. Then, in an abrupt about-turn, Ludovic decided what was missing in his work was the fusion element that had inspired him from the start of his career. Eager to meet other musicians and explore new musical horizons, St Germain decided to quit electro specialist label F.Com and sign to the legendary jazz label Blue Note instead. "Tourist" was released on the international market in September 2000 and by the summer of 2001 sales had topped 1.5 million! 9 DANYEL WARO Few people outside the Reunion Island have heard about Maloya. It is a sort of Reunionese blues through which plantation workers have long been singing their joys and woes. Living in the middle of sugarcane fields high up in Saint Paul, Danyel Waro is probably the island ¯ s most f a mous mal oya si nger, e mpl oyi ng tr aditi onal i nstr u ment s such as t he kayam, a flat instrument made from cane flower stems and filled with saffron seeds; the bob (called birimbau in Brazil), a musical bow attached to a calabash for resonance; the rouler, big drum made from barrels with a cowskin head: to sum up, a variety of traditional maloya instruments. In his songs, Danyel Waro speaks of love and death using a popular yet pleasant vocabulary that urban listeners have often forgotten. He creates unexpected, beautiful and powerful imagery and, most importantly, feels the convergence between words and music that makes great songs. A musician as well as poet, Danyel Waro can sing Creole with emotions beyond belief. DENEZ PRIGENT Denez Prigent discovered the Breton language with his grandmother in what he calls a determining moment: °I f elt i n t une wit h my gr andpar ent s, wit h t he deep peace t hey f elt as they listened to the rhythms of nature, and I was totally dazzled by my grandmother ¯ s voice when she expressed herself spontaneously in song. ± At t he age of 14, Denez began to learn the art of kan ha diskan. In 1987, he and singer Alain Lecl¨ ¨r e won fi r st pri ze at t he Kan ar Bobl, t he most pr esti gi ous singing competition in Brittany. In 1992, Denez Prigent broke with tradition by taking the risk of performing at TransMusicales for a rock audience, not the usual target for kan ha diskan. The concert was a triumph, opening the door to the great musical events of France and Europe. Denez recorded his first album as an a cappella work, made up of essentially traditional songs. His second album however was entirely of his own compositions. Denez brought together musicians from different genres including improvised music, electronic music, traditional Irish and Scottish music, rock, and hip-hop. Vocals, traditional instruments, prototype Electro-acoustic instruments are mixing in harmony, displaying a subtle sense of balance. His last album was released in 2003. 10 BIKINI MACHINE Bikini Machine has really achieved something: going against the grain, they ¯ ve made ol d from new! The idea might seem crazy, but it soon shows itself to be a real formula for hits, the perfect blend of vintage sounds and electro power. But don ¯t get i t wr ong: Bi ki ni Machi neare not another example of fashion following retro merchants. Their references are spot on playing through valve amps, and with an innate sense of melody. Their passion for the sixties does not stop there, as their stage name was inspired by B-movie ®Doct r Goldfoot and the Bikini Machine¯. The sub-culture of 50s/ 60s America is used simply as their blank canvas, Bikini Invasions, failed Intergalactic voyages, hymns to Santa Claus, belated Beatniks, nothing ®s spar ed, and yet Bikini Machine inject life into the formula. A blast of Danelectro, or a groovy Farfisa, and the Machine creates its own universe. Bored thirty something ¯ s will be r ea wakened by f or gott en gar age hy mns, f ashi on vi cti ms will unselfconsciously whistle ®Bongos and Bur ger ¡¯, and dancers f m another age will do the ®Bu m Bu m Boogi ¡¯. I ts gonna be good The result? Electro, 60 ¯ s Super Soul X MAKEENA Combo renna is de deux junglistes et de deux MC¯ s d¨¦ j ant ¨ ¦ s exper t s en beat box accoutrements divers, c ¯ est sur sc¨ ¨ ne u¡ ¯ X Makeena ese plus impressionnant. Le groupe livre sans complexe un concert o¨ ´ r agga, dub & hi p hop se m¨º l ent ¨¤ l a pui ssance de drum ¯ ¡ ¯ bass. Le gr oupe enl i ve est ¨ ¤ g ¨ ¦om̈¦ t r i e var i abl e et d̈ ¦ boul e sur sc¨ ¨ ne d¨ ¦g camoufl¨ ¦, pr oposant al or s une perf or mance UNI QE ! c ¯ est ce st yl e si nguli er qui a atti r 11 l ¯ att enti on sur eux l or s ¡ ¯ une pr emi ¨ ¨r e par ti e de Asi a n Dub Foundat i on aux Bar s en Tr a de 2002. A d¨¦couvrir absolument BIG BUDDHA Adepte de la correspondance, Big Buddha qui n'a toujours v¨¦cu que dans des illes ¨¤ m¨¦tr (Paris et Marseille) est un homme de plume et de diamant. Sous le pseudo de Squaaly, il appara?t au g¨¦n¨¦rique de nombreux festivals, soir¨¦es et ¨¦v¨¦nements quand il ne com pas en compagnie de Laurent Pernice sous le couvert de Goldenberg et Schmuyle, Alif tree pour Aleph Beat ou David Walters pour Soul System, d'inclassables tracks, d'improbables remixes. BOBBY HARDCORE LIBERACE Pierre-Louis Berlatier, alias Bobby Hardcore Liberace, est un acteur passionn¨ ¦ de l a sc¨ ¨ ne ¨¦ l ect r oni que, ac un lien fort pour la sc¨ ¨ ne du nor d de ¡ ¯ Angl eter re u¡¯i l ar pen depuis les ann¨ ¦ es 80, p¨¦r i ode di te post punk ouil t ouche ¨ ¤ l a pop angl ais(Fad Gadget, les premiers Human League, John Foxx, Tubeway Army ...) puis allemande (DAF, Kraftwerk...) mix¨ ¦ avec les premiers titres d'electro-hip-hop et la sc¨ ¨ ne pun-funk de New York. Adepte de la diversit¨ ¦ et de ¡ ¯ ¨¦ cl ect i sme, Bobb y Har dcor e Li ber ace garanti t show anthologique et plein d ¯ hu mour 12 DJ MORPHEUS Samy Birnbach, est un artiste embl¨ ¦ mati que ds Trans avec un parcours musical impressionnant voire m¨ º me ant hol ogi que! ¡ ¯ abor d chant eur et c omposi t eur dans l e ann¨ ¦ es 80 du myt hi que M i ni mal Co mpact ( co mbi nai son i mpar abl e de r ock ori ent e dance venue du proche Orient ), il est aussi connu pour son pl¨ ¦t hori que r adi o sho w lysergic factory depuis 1994, et des collaborations artistiques plac¨ ¦ es sous l e si gne de l a diversit¨ ¦, de Bertr and Bur gal at aux per cussi ons r ¨ ¦ uni onnai ses de El Di ablo. Sous so avatar de DJ Morpheus, il promet une s¨¦lection avant grdiste du downtempo au hip hop en passant par le drum ¯ ¡ ¯ bas DJ DIO MICKEY ZHANG BEN 13 POPPY CPAA 6 Publicis 17 6 17 14 Graphic Identity 15 2004 9 21 26 2004 11 2004 12 2004 1 ATM 2004 2 16 2004 3 (Graphic Identity) 2004 6 6 17 6 18-19 17 This document was created with Win2PDF available at http://www.daneprairie.com. The unregistered version of Win2PDF is for evaluation or non-commercial use only.