M ariza Fiche Technique MARIZA

M a r i z a
“Fado Curvo”
Tour 2004
Fiche Technique MARIZA
Tour 2004
VILLE :
DATE :
Toutes les clauses énumérées ci-dessous font partie intégrante du contrat et doivent être
strictement respectées. En cas de problème, prendre contact avec :
MAD MINUTE MUSIC
5-7 rue Paul Bert - 93 400 St Ouen France
Tél : +33 (0)1 40 10 25 55 - Fax :+33 (0)1 40 10 17 37
João Tavares Cebolas
(sound technician)
[email protected]
Le non respect de la fiche technique pourra entrainer la rupture du contrat, sans préjudice
pour le groupe. La fiche d'information jointe fait partie intégrante du contrat.
La fiche technique devra être signée et retournée, accompagnée de la fiche d'information
complétée, d'un descriptif technique de la salle et de l'équipement (son, light), et de deux
plans de la ville, au bureau de MAD MINUTE MUSIC le plus rapidement possible.
Le _______________
L’organisateur ___________________________
M a r i z a
“Fado Curvo”
Tour 2004
EQUIPMENT LIST
1.
F.O.H.
1.1
P.A. / Sound System
•
The Speaker system should be conceived to work with active crossover and it
should respect the frequency cuts and delay times of the same.
•
The amplification should be dimensioned to support comfortably the requested
potency and necessary to the correct operation of the Speaker system
components.
•
The mounting disposition of the Speaker system should be configured in way to
cover equal and linearly, with the whole spectrum of frequencies, the public's
area in the enclosure of the concert, to a minimum acoustic pressure of 110 db
SPL 1 W/1 m.
•
All the cables of the Speaker system should be in perfect conditions to avoid
extra noises and “diphase”.
•
The potency of the Speaker system should be calculated in order to obtain 5
Watts per person.
•
The P.A. should be necessarily configured in stereo.
1.2
•
Mix/Sound Desk
A mix/Sound Desk with balanced entrances and line (in option) with Insert. All
the entrance channels should have the following functions:
-
Equalization of four bands, being two parametric to the medium bands;
-
High Pass Filter;
-
Phase Reverse;
-
Phantom Power;
-
PFL.
•
The mix/Sound Desk should have, at least, 8 Auxiliary sends, with pre and post
fader option, the minimum of two subways and stereo master with balanced
output.
1.3
•
Equalizers
One stereo Equalizer, or two mono equalizers inserted in the stereo output, of
27 or 30 bands with equalization of 12 gain db or cut, 1/3 for octave between
frequencies (40 Hz to 16 kHz).
M a r i z a
“Fado Curvo”
Tour 2004
1.4
•
Compressors
4 compressors with the functions of Threshold control, Ratio, Gain control,
Attack and Release with selector of Auto/Manual and Bypass.
1.5
Effects Processors
3 processors with sophisticated digital reverbs. They should have a minimum
•
capacity of 10 available Presets for programming and memorization.
1.6
•
Intercom
One intercom unit with two receivers.
1.7
CD player
1.8
MD Recorder
2.
Stage
The sound technician makes the Monitor operation in the FOH desk
2.1
•
Monitors
3 Speaker units (monitors) developed and projected for stage sound in
concerts.
•
Each Speaker unit should debit a minimum potency of 400 W.
•
The monitors must, necessarily, be equal, have the same serie of manufacture,
have the same type of components characteristic and they should have the
same type of answer frequencies between each other.
•
It will be necessary 5 mixes:
- Portuguese Guitar – Mix 1
- Classic Guitar – Mix 2
- Acoustic Bass – Mix 3
- Mariza (In ear monitors) – Mix 4 / Mix 5
The sound technician will bring Mariza’s in ear system
2.2
•
Equalizers
2 stereo equalizers, or 3 mono equalizers, with 27 or 30 bands and equalization
of 12 gain db or cut, 1/3 for octave between frequencies (40 Hz to 16 kHz).
M a r i z a
“Fado Curvo”
Tour 2004
3.
Channels List
Ch
Instrument
Mic./DI
1
2
3
4
5
6
Portuguese Guitar
Portuguese Guitar
Classic Guitar
Classic Guitar
Acoustic Bass
MARIZA / Voice
XLR Cable
Neumann KM 184 *
XLR Cable
Neumann KM 184 *
DI/Passive *
XLR Cable
7
8
9
10
11
12
13
14
15
16
17
18
19
20
MARIZA / Voice
Portuguese Guitar
Classic Guitar
Acoustic Bass
MARIZA
MARIZA
Return FX L
Return FX R
Return FX L
Return FX R
Return FX L
Return FX R
CD L
CD R
SM 87 or similar
4.
Stand Insert
Obs.
Comp. 1
Aux. 1
Comp. 2
Aux. 2
Comp. 3
Comp. 4
Aux. 3
Aux. 4
Aux. 5
Spare
Mon. Split Ch1
Mon. Split Ch3
Mon. Split Ch5
Mon. Split Ch7
Mon. Split Ch8
Aux. 6
Aux. 6
Aux. 7
Aux. 7
Aux. 8
Aux. 8
Small
Small
* = nous fournissons ce materiel
Stage Plan
Classic
Guitar
Portuguese
Guitar
2
3
1
Mixes
1. Portuguese Guitar
2. Classic Guitar
3. Acoustic Bass
4. / 5. MARIZA (in-ear Monitors)
Acoustic
Bass
MARIZA
4/5
2003.01.21
M a r i z a
“Fado Curvo”
Tour 2004
5.
FICHE TECHNIQUE LUMIERE
5.1 Light Equipment:
-
6 perches de 6 projecteurs PAR 64 1000W CP61 ou 62, jamais CP60
6 perches de 4 projecteurs ACL 250W – 28V (type P64)
3 projecteurs PAR 64 1000W – CP60 Floorlite (Floor) ou CP61
8 ETC Source Four Profiles Zoom 25º/50º - 750W HPL W/ íris
3 PC´s 1K
12 Cyc Lights 1250W
6 projecteurs Moving Head 575W (Martin Mac 500 ou similair)
1 poursuite 575W avec une gelatine #204 (Rosco) et avec dimmer
1 machine à fumée Haze ou Cracker oil w/ DMX
1 console Avolites Pearl 2000 / 2004
2 points d’intercom (poursuite et console)
5.2 Colour List: ROSCO Supergel
PAR 64:
6 x #358 - Rose Indigo
8 x #27 - Medium Red
6 x #49 - Medium Purple
8 x #74 - Night Blue
8 x #382 - Congo Blue
3 x #19 - Fire
ACL:
16 x #22 - Deep Amber
8 x #46 - Magenta
PC´s:
3 x #317 - Apricot
5.3 Autres demandes:
-
escalier devant la scène;
5 chaises noires sans acoudoir;
1 technicien pour le poursuite.
1 black Drop 8 x 12 (minimum)
6 praticables 2 x 1 mtr.
Contact:
Nuno Marques (LD)
Mobil: (+351) 93 991 30 33
E-Mail: [email protected]
Cyc Unit´s:
3 x #27 - Medium Red
3 x #74 - Night Blue
3 x #49 - Medium Purple
3 x #382 - Congo Blue
M a r i z a
“Fado Curvo”
Tour 2004
6. HOSPITALITY RIDER
DRESSING ROOMS:
The PROMOTER will provide: 1 dressing room with private toilette for Mariza and 1
large dressing rooms with private toilette for the musicians.
All dressing rooms must be fully equipped with water facilities, full length mirror,
hand towels, toilette paper, soaps, make-up table with mirror, chairs, waste basket,
etc. plus lock on door with key available only to ARTIST and/or his representative
and access to a telephone. In the event the dressing rooms do not have private
toilette facilities, the PROMOTER must provide ARTIST with easy access to private
toilette facilities in the venue and as near as possible to the dressing rooms.
CATERING AND ITEMS: IN MARIZA'S DRESSING ROOM:
1 (one)
large bottle fresh squeezed orange juice
1 (one)
bottle of red wine
1 (one)
large bottle of COCA-COLA (classic)
3 (three)
large bottles of spring water (no gas)
1 (one)
vegetable soup
A platter of sandwiches sufficient for two persons
A platter of fresh fruits & assorted nuts
Hot tea with: sugar, lemon slices & honey
Glasses, 1 bottle opener & 1 cork screw, napkins, lots of ice
1 (one)
box of Kleenex
1 (one)
clothes rack with hangers
2 (two)
large towels
1 (one)
small towel
1 (one)
iron (for clothes)
A full-length mirror, tables, chairs, etc.
CATERING AND ITEMS: IN MUSICIANS DRESSING ROOM:
2 (two)
large bottles of COCA-COLA (classic)
1 (one)
large bottles of spring water (no gas)
1 (one)
large bottles of fresh orange juice
12 (twelve) cold beers
1 (one)
bottle of red wine
1 (one)
bottle of scotch whiskey
Coffee & Tea with: milk, sugar, lemon & honey
A platter of sandwiches sufficient for 5 people
A platter of fresh fruits & assorted nuts
Glasses, 1 bottle opener & 1 cork screw, napkins, lots of ice
1 (one)
clothes rack with hangers
7 (seven)
large towels
A dressing table with lights, mirror & chairs
A full-length mirror, tables, chairs, etc.
The HOSPITALITY RIDER for MARIZA is an integral part of this contract and must
also be returned signed for this contract to be valid.