focus - Nikon

Transcription

focus - Nikon

F
OCUS
ISSUE 18 • FEB 07
MICA (P) 274/06/2008
THEME: NOTHING COMES CLOSE
A QUARTERLY NEWSLETTER FROM
PHOTO: LIEW TONG LENG
Q & A CONTEST
QUICK GLANCE
WHAT’S WITHIN
03 - 43
NEW RELEASES &
PRODUCT INFO:
- AF-S DX NIKKOR 16-85MM
F/3.5-5.6G ED VR
- AF-S DX NIKKOR 18-55MM
F/3.5-5.6G VR
- AF-S MICRO NIKKOR 60MM
F/2.8G ED
- PC-E NIKKOR 24MM
F/3.5D ED
- DIGITUTOR FOR D3
- WT-4 WIRELESS TRANSMITTER
- DIGITUTOR FOR D300
- POWER BOOST YOUR D300
- WITH MB-D10
- D60
- COOLPIX COMPARISON
- L16/L18
- S210/S550/S600
- P60
44 - 54
ROMANCING VIETNAM
WITH D300 PART 1
58 - 69
PHOTOGRAPHY TIPS BY
STEVEN YEE
70 - 71
PHOTOGRAPHY CONTEST
72 - 81
FEATURED
PHOTOGRAPHERLIEW TONG LENG
82
COOLPIX FREE
WORKSHOP
83
Q & A CONTEST
84 - 90
EVENT
- EMBRACE NATURE @
JURONG BIRKPARK BY
CLUBSNAP
92
CONTACTS
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W
FEATURED PRODUCT - AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR
COMPACT 5.3X ZOOM DX-NIKKOR
LENS WITH SWM AND VR II
Welcome to Focus
to that produced by a 24 to 127.5mm focal length
Focus Newsletter was created just for
you, our Nikon Customer, to keep you
updated with Nikon's latest
developments and products.
J
lens on a 35mm film camera.
An ultra-compact Silent Wave Motor (SWM) built
into the lens body ensures fast, quiet and accurate
Each issue of FOCUS will be packed
with information, valuable tips, insightful
profiles and more.
J
We're here for you, and we look
forward to building on a relationship
that Nikon has developed with its
customers over the years, and taking it
to new heights!
autofocus operation and complements the compact,
lightweight design for superb handling. With
dimensions of only Ø72 x 85 mm/Ø2.8 x 3.4
in., this new lens is ideal for general photography
J
To obtain a copy of our newsletter
every quarterly, kindly log in to
www.nikon.com.sg/focus for free
subscription.
J
and perfectly suited for many who specialize in
travel and nature photography.
Editor
: Brenda Ang
Contributors
: Max Sim
Production
: Wang Design Station
Distributor
: Nikon Singapore Pte Ltd
Nikon's Vibration Reduction II, specifically
engineered for each NIKKOR lens, gives
photographers the ability to shoot at shutter speeds
up to four stops* slower than would otherwise be
80 Anson Road
#10-01/02
Thank you and enjoy reading!
Fuji Xerox Towers
Singapore 079907
Co. Reg. No.
Front Cover
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S$1099
sharper handheld shooting at dusk or at night, or
even in poorly lit interiors. And because Nikon’s
Tel: (65) 6559 3618
Tokyo — Nikon Corporation is pleased to announce
Fax: (65) 6559 3665
the introduction of the AF-S DX-NIKKOR 16-85mm
f/3.5-5.6G ED VR lens featuring Nikon's Silent
Wave Motor and Vibration Reduction II. The new
wide ratio zoom DX-NIKKOR lens boasts a focal
length range of 16 to 85mm, which makes it ideal
VR function is incorporated in and designed
expressly for the lens, it provides state-of-the-art
image sharpness capacity and a stable viewfinder
image, which makes framing and composing a
for a broad range of shooting situations, including
indoor-outdoor events, streetscapes, portraits and
scenery. When mounted on any DX-format Nikon
digital SLR camera, the picture angle is equivalent
*As determined in Nikon performance tests
: 199503875K
Feedback Email : [email protected]
Website
RCP
possible, thereby minimizing image blur caused
by camera shake. This enables dramatically
: www.nikon.com.sg/focus
By ERIC GOH
scene far more comfor table and accurate.
The new high-performance optical system has
been optimized for Nikon digital SLRs, with two
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ED glass elements, three aspherical lenses that
deliver higher resolution, high-contrast images
while minimizing chromatic aberration. Nikon’s
Super Integrated Coating ensures outstanding
color balance and reproduction while greatly
reducing ghosting and flare. The rounded 7-blade
• Three aspherical lens elements minimize various
• High-performance Nikon Super Integrated
Coating achieves superior color reproduction
while substantially reducing ghosting and flare
• Nikon’s exclusive Silent Wave Motor ensures
fast, quiet autofocus operation
offers a short closest focus distance of
• Rounded seven-blade diaphragm opening makes
0.38 m/1.3ft. throughout the entire zoom range.
out-of-focus elements appear more natural
The AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED
• 0.38 m/1.3 ft. closest focus distance throughout
lineup, is cer tain to become a favorite of
photographers who seek a wide-ratio zoom with
exceptional wide-angle capability along with a
telephoto perspective ideal for portraiture.
AF-S DX NIKKOR 16-85MM f/3.5-5.6G ED VR Specifications
types of lens aberration
diaphragm opening gives out-of-focus background
elements a more natural appearance. The lens
VR, a significant addition to the DX-NIKKOR lens
the entire zoom range
• Accepts 67 mm filter attachments
Focal length
16-85 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-36
Lens construction
17 elements in 11 groups (with two ED glass elements, three aspherical
lenses)
Notes:
DX-NIKKOR lenses are engineered and optimized for use on
Picture angle
83° - 18°50’
Nikon DX-format and FX-format digital SLR cameras. When
Closest focus distance
0.38 m/1.3 ft. (throughout the entire zoom range)
Maximum reproduction ratio
1/4.6
No. of diaphragm blades
7 (rounded)
Filter/attachment size
67 mm
Diameter x length
Approx. 72 x 85 mm/2.8 x 3.4 in.
mounted on an FX-format digital SLR, the camera’s DX-Crop
Mode is automatically engaged, altering the image capture area
accordingly. DX-NIKKOR lenses are not compatible with 35mm
[135] or IX240 [APS] format film cameras.
AF-S DX NIKKOR 16-85MM F/3.5-5.6G ED VR
MAJOR FEATURES
(Extension from lens mount)
Weight Approx.
485 g/17.1 oz.
• 5.3x zoom lens covering a wide focal range of
16 to 85mm (picture angle is equivalent to focal
Supplied accessories
67 mm snap-on front lens cap LC-67, Rear lens cap LF-1, Bayonet
length of 24 to 127.5mm in the 35mm format)
Optional Accessories
hood HB-39, Flexible lens pouch CL-1015
67 mm screw-in filters
• Vibration Reduction II enables sharper pictures
while shooting at shutter speeds up to four stops
slower than would other wise be possible
• Optical design optimized for superior
performance with Nikon digital SLRs
• ED (Extra-low Dispersion) glass elements
minimize chromatic aberration while providing
higher resolution and superior contrast
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FEATURED PRODUCT - AF-S DX NIKKOR18-55mm f/3.5-5.6G VR
focus elements. Furthermore, it boasts a short
AF-S DX NIKKOR 18-55MM F/3.5-5.6G VR
closest focus distance of 0.28 m/0.9 ft. throughout
the entire zoom range.
MAJOR FEATURES
With compact dimensions of Ø73 x 79.5 mm/
COMPACT 3X ZOOM DX-NIKKOR
LENS WITH SWM AND VR FUNCTION
Ø2.9 x 3.1 in. and a low weight of approx. 265
g/9.3 oz., this new lens is easy to handle and
carry.
stops slower than would otherwise be possible.
• Optical design optimized for use with Nikon
digital SLRs for superior performance.
the ability to shoot at shutter speeds up to three
stops slower than would otherwise be possible.*
flexibility for a wide range of applications.
DX-NIKKOR lenses are engineered and optimized for use on
Nikon DX-format and FX-format digital SLR cameras. When
mounted on an FX-format digital SLR, the camera’s DX-Crop
Mode is automatically engaged, altering the image capture area
accordingly. DX-NIKKOR lenses are not compatible with 35mm
viewfinder image. This makes the process of
framing and composition much more comfortable
[135] or IX240 [APS] format film cameras.
and accurate.
VR ON - IMAGE TAKEN AT SHUTTER SPEED OF
1/10
*As determined in Nikon performance tests
Reduction. This compact, lightweight and
af fordable 3x zoom NIKKOR lens of fers
remarkable versatility and covers the essential
focal range of 18 to 55mm. When mounted on
any DX-format Nikon digital SLR camera, the
picture angle is equivalent to that produced by a
27 to 82.5mm focal length lens on a 35mm-format
film camera or Nikon FX-format camera.
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distortion. Nikon’s Super Integrated Coating
ensures outstanding color balance and
reproduction while greatly reducing ghosting and
flare.
aberration.
Coating offers superior color reproduction, while
substantially reducing ghosting and flare.
fast, quiet autofocus operation.
• Rounded seven-blade diaphragm opening makes
out-of-focus elements appear more natural
• Accepts 52 mm filter attachments.
new lens, and has achieved greater overall
resolution. The newly developed optical system,
optimized for use with Nikon DX-format digital
SLR cameras, incorporates a hybrid aspherical
lens element that minimizes image-degrading
• Hybrid aspherical lens element minimizes lens
• 0.28 m/0.9 ft. closest-focusing distance
throughout the entire zoom range
To deliver superior optical performance, Nikon
set even stricter engineering standards for this
the introduction of the AF-S DX NIKKOR 18-55mm
f/3.5-5.6G VR, a new DX-NIKKOR zoom lens
with built-in Silent Wave Motor and Vibration
• Vibration Reduction enables sharper pictures
while shooting at shutter speeds up to three
is a significant addition to the DX-NIKKOR lens
lineup, offering digital photographers enhanced
handheld shooting at dusk or at night, or even in
poorly lit interiors. Another major advantage of
Nikon’s VR function is that it produces a stable
in Nikon FX or 35mm format).
The AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR
Nikon VR technology enables dramatically sharper
S$484.69
isequivalent to focal length from 27 to 82.5mm
Nikon’s VR (Vibration Reduction) system minimizes
the image blur caused by camera shake, providing
Notes:
RCP
• 3x zoom lens covering the most frequently used
focal range of 18 to 55mm (picture angle
Ergonomic lens barrel features rugged
construction with a comfortable fit; separate
VR OFF - IMAGE TAKEN AT SHUTTER SPEED OF
1/10
zoom and focus rings provide the accuracy
professionals expect
An ultra-compact Silent Wave Motor (SWM) built
into the lens body ensures fast, quiet autofocus
operation. The seven-blade rounded diaphragm
opening imparts a rich, natural look to out-of-
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FEATURED PRODUCT - AF-S Micro NIKKOR 60mm f/2.8G ED
AF-S DX-NIKKOR 18-55mm f/3.5-5.6G VR Specifications
LENS CONSTRUCTION
NEW MICRO NIKKOR LENS FOR
CLOSE-UP AND GENERAL PHTOGRAPHY
autofocusing. Two aspherical lenses are employed
to correct spherical aberration and coma. The
incorporation of a Nikon’s exclusive Nano Crystal
Focal length
18-55 mm
Maximum aperture
f/3.5-5.6
Minimum aperture
f/22-36
Lens construction
11 elements in 8 groups (with one aspherical lens element)
glass element minimizes chromatic aberration to
deliver higher resolution, high-contrast images.
All of these factors contribute to the extremely
Picture angle
76° - 28°50’
accurate image reproduction capability of the AF-
0.28 m/0.9 ft. (throughout the entire zoom range)
S Micro NIKKOR 60mm f/2.8G ED.
0.31x
7 (rounded)
The Silent Wave Motor (SWM) built into the lens
52 mm
Focusing
Autofocus with built-in SWM and manual focus
body ensures°°fast, quiet autofocus operation and
contributes to the compact, lightweight design.
Diameter x length
Approx. 73 x 79.5mm/ 2.9 x 3.1 in.
Weight Approx.
265 g/9.3 oz.
52 mm snap-on front lens cap LC-52
Optional accessories
52 mm screw-in filters, Rear lens cap LF-1, Flexible lens pouch CL0815, Lens hood HB-45
Coat dramatically reduces ghosting and flare
caused by internal reflections. An additional ED
Availability and pricing
TBA
the introduction of the AF-S Micro NIKKOR 60mm
f/2.8G ED lens featuring a built-in Silent Wave
Motor.
This new Micro lens allows photographers to shoot
1:1 life-size close-ups without the need for
additional accessories. To ensure superior picture
quality at all subject distances from macro to
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Focus modes include M/A (Manual-priority Auto)
to enable rapid switching between autofocus and
manual focusing with virtually no time lag, even
when the lens is in the process of focusing.
The rounded nine-blade diaphragm opening
creates a substantially more natural appearance
of out-of-focus background objects.
AF-S MICRO NIKKOR 60MM F/2.8G ED MAJOR
FEATURES
infinity, a host of state-of-the-art, Nikon original
optical features and technologies are incorporated.
fast, quiet autofocus operation
Internal Focusing (IF) design allows faster, smoother
• Internal Focusing (IF) design allows faster,
smoother autofocusing and eliminates changes
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FEATURED PRODUCT - AF-S Micro NIKKOR 60mm f/2.8G ED
FEATURED PRODUCT - PC-E NIKKOR 24mm f/3.5D ED
in lens barrel length, for consistent handling
• Nano Crystal Coat and high-performance Nikon
• Two aspherical elements virtually eliminate coma
and other types of lens aberration, even at the
Super Integrated Coating delivers superior color
reproduction, while substantially reducing
ghosting and flare
widest aperture
• M/A mode allows rapid switching between
• Closest focus distance of approximately
0.185 m (0.6 ft.)
autofocus and manual focusing
• ED (Extra-low Dispersion) glass element for
superior sharpness and color correction by
effectively minimizing chromatic aberration
• Rounded nine-blade diaphragm opening makes
out-of-focus objects appear more natural
Accepts 62 mm filter attachments
NEW WIDE-ANGLE NIKKOR LENS
WITH PERSPECTIVE CONTROL
AF-S Micro NIKKOR 60mm f/2.8G ED f/2.8G ED Specifications
The lens aperture can be preset
by using the aperture ring and
LENS CONSTRUCTION
aperture stop-down button. It
remains stopped down until the
button is pressed again, for easy
depth-of-field confirmation. With
SLR models compatible with
electromagnetic diaphragm (D3
and D300), auto aperture control
is available.
TBA
Focal length
60 mm
Maximum aperture
f/2.8
In addition to perspective control
photographic applications such as architecture
Minimum aperture
f/32
Lens construction
12 elements in 9 groups (with one ED glass lens, two aspherical lenses,
the introduction of the high-performance PC-E
NIKKOR 24mm f/3.5D ED, PC (Perspective
and interiors, this lens can also be used for any
subject appropriate for a 24mm wideangle lens.
Control) lens. This new lens is equipped with a
tilt/shift mechanism that gives photographers the
With a closest focusing distance of only 0.21
m/0.7 ft. and a maximum reproduction ratio of
flexibility to manipulate image perspective,
distortion and focus.
1/2.7, it’s also an excellent choice for close-up
photography.
The lens employs a special mount that enables up
to ±11.5 mm shift and ±8.5° tilt for perspective
To ensure superior picture quality, the lens
control. Shift and tilt can be adjusted via convenient
side-mounted controls while referring to the scales
provided with gradations at 1mm or 1° intervals.
The lens optics can be rotated up to 90° right or
features and technologies. Nikon’s exclusive Nano
Crystal Coat dramatically reduces ghosting and
flare caused by internal reflections. Three ED glass
elements minimize chromatic aberration for higher-
left for perspective control adjustment, and
click-stops are provided every 30°.
resolution, higher-contrast images. Three aspherical
lenses effectively correct spherical aberration and
one with Nano Crystal Coat)
Picture angle
39°40’ (26°30’ with Nikon DX format)
0.185 m/0.6 ft. (life-size)
1.0x (life-size)
9 (rounded)
62 mm
Diameter x length
Approx. 73 x 89 mm
Weight Approx.
Approx. 425 g/15.0 oz.
62mm snap-on front lens cap LC-62, Rear lens cap LF-1, Bayonet
hood HB-42, Flexible lens pouch CL-1018
Optional accessories
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62mm screw-in filters, including circular polarizing filter
incorporates a host of state-of-the-art optical
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coma. And a rounded nine-blade diaphragm
opening gives out-of-focus elements a more natural
appearance. All of which adds up to exceptional
optical performance even at the maximum tilt
and/or shift settings.
• Maximum reproduction ratio of 1/2.7
PC-E NIKKOR 24mm f/3.5D ED Specifications
(at 0.21 m/0.7 ft.)
• Three ED (Extra-low Dispersion) glass elements
for superior sharpness and color correction by
effectively minimizing chromatic aberration
As both a special-purpose lens and highperformance wideangle lens, the new PC-E
• Three aspherical lens elements minimize various
types of lens aberration
NIKKOR 24mm f/3.5D ED lens represents a
significant addition to the field-proven NIKKOR
lens lineup, providing professional and serious
amateur photographers with innovative, effective
solutions to photographic challenges.
Nikon Corporation is also pleased to share
important news about two more lenses to expand
and strengthen our PC NIKKOR lens lineup. The
new PC-E Micro NIKKOR 45mm f/2.8D ED and
PC-E Micro NIKKOR 85mm f/2.8D ED will be
exhibited at the PMA 2008 Inter national
Convention and Trade Show in Las Vegas, USA
from Januar y 31 to Februar y 2, 2008.
Notes:
The Nikon D3 can be used without any limitation. With other
cameras, there are limitations in tilt/shift operation. The Nikon
F90X series, F90 series, F70, F60D, F55, F50D, F-401 series,
F-801 series, F-601, F-601M, F3AF, F-501, PRONEA S or MF
cameras cannot be used.°°
• Nano Crystal Coat virtually eliminates internal
lens element reflections, effectively reducing
ghosting and flare
Coating delivers superior color reproduction
while substantially reducing ghosting and flare
Focal length
24 mm
Maximum aperture
f/3.5
Minimum aperture
f/32
Lens construction
13 elements in 10 groups (with three ED glass elements, three aspherical
• Rounded 9-blade diaphragm for more natural
appearance of out-of-focus image elements
• Lens aperture can be preset by using aperture
ring and aperture stop-down button
• With the Nikon D3 and D300, auto aperture
control with electromagnetic diaphragm
is possible
lenses, one with Nano Crystal Coat)
Picture angle
84° (maximum 101° when fully shifted)
0.21m/0.7 ft.
1/2.7
9 (rounded)
77 mm
FOCUSING
Manual focus
Diameter x length
Approx. 82.5 x 108 mm/3.2 x 4.3 in.
Weight Approx.
730 g/25.7 oz.
Bayonet Hood HB-41, Flexible Lens Pouch CL-1120
Specifications, design, standard accessories, and release schedule
may differ by country or area.
PC-E NIKKOR 24MM F/3.5D ED MAJOR
FEATURES
• Wide
shifting
and
tilting
range
(shift: ±11.5 mm; tilt: ±8.5°)
• ±90° lens revolving capability for versatile
tilt/shift effects
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FEATURED PRODUCT - DIGITUTOR FOR D3
Didn’t manage to get it right the first time?
Play it again with the available timeline
Preview of content extracted from DigiTutor for D3.
Just purchased your latest Nikon’s full frame flagship model, D3 and having trouble maximizing the
functionality of this piece of fine machine? Fear not, as Nikon just release the latest DigiTutor for D3.
DigiTutor for D3 covers the following areas:
• New Features
• Wireless Transmitter
• Image Area
• Adjusting Camera Settings
• ISO Sensitivity
• Movies
• Continuous Release Mode
• Top Control Panel
• Focus
• Rear Control Panel
• Live View
• Viewfinder Display
• Active D-Lighting
• Shooting Information Display
• Picture Control System
• Photo Gallery
DigiTutor for D3 incorporates easy to understand video footages that allow user to follow the instruction
shown and try the function on the go.
For more information on DigiTutor for D3, visit http://www.nikondigitutor.com/eng/d3/
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FEATURED PRODUCT - WT-4 WIRELESS TRANSMITTER
SPORTS COVERAGE READY WITH
WT-4 WIRELESS TRANSMITTER
WT-4 Wireless Transmitter is the latest introduction
Select the photographers to be transmitted from
to Nikon range of wireless transmitter. (WT-1, WT-
pictures on the memor y card or upload new
2, WT-3)
photographers as they are taken.
The WT-4 is compatible to both the D3 and D300
Thumbnail Selection Mode NEW!
and it connect snugly to the USB port of the camera
Photographs taken with [Thumbnail select mode]
via provided rubber fittings for D3 and D300.
selected for [Mode] are saved both to the camera
In the view of the upcoming Beijing Olympic 2008,
memory card and to the WT-4 wireless transmitter’s
there is a need for a more efficient way of handling
internal memory. Small thumbnail previews of the
huge amount of images for major paper media
copies on the WT-4 are transmitted to the computer
and online news portal. To address the demand,
for display in the supplied Thumbnail Selector
the WT-4 supports a new function called Thumbnail
software, making it possible to select photographs
Selection Mode beside the basic functionality of
for transfer to the computer.
a Wireless Transmitter.
Example
THE BASIC FEATURES OF WT-4:
Suppose multiple photographers using cameras
equipped with WT-4 wireless transmitters are
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Data Transfer
stationed around the field at a soccer game,
Upload pictures to a host computer or FTP server.
recording the action from different angles.
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FEATURED PRODUCT - S550
Thumbnail Selector
With Camera Control Pro 2, Live View(with D3
Thumbnail Selector displays the images stored in
and D300 only) can be established from within
the WT-4 as small thumbnail previews thus
the application thus allowing better control of the
speeding up the thumbnail display in the Thumbnail
application as shown below:
Selector tremendously as only the thumbnails are
transferred. Photographs from up to five cameras
Wireless Printing
can be previewed instantly and selected for upload
Allow the printing of JPEG images from the camera
as desired.
memory card directly to a printer connected to
a network computer.
PC Mode
Thumbnail previews are transmitted over a wireless
in real time. Workers at the computer can select
network to a computer, where Thumbnail Selector
the thumbnails they prefer and download only
can display photographs from up to five cameras
t h e s e s e l e c t e d i m a g e s t o t h e c o m p u t e r.
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Control camera remotely from the computer and
The WT-4 Wireless Transmitter for D3 and D300
save photographs directly to the computer hard
is retailing for SIN$1200 and it comes with
disk using Camera Control Pro 2 software.
Software Suite CD containing WT-4 Configurator
(Available Separately).
and Thumbnail
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Preview of content extracted from DigiTutor for D300.
FOR THOSE WHO HAD ACQUIRED THE NIKON’S
D300 DSLR CAMERA, FEAR NOT. DIGITUTOR
FOR D300 IS MADE AVAILABLE ONLINE TOO.
Having similar layout as DigiTutor for D3, the
DigiTutor for D300 covers the following content:
• Adjusting Camera Settings
• New Features
• Control Panel
• Basic Photography and Playback
• Viewfinder Display
• ISO Sensitivity
• Shooting Information Display
• Continuous Release Mode
• Photo Gallery
• Focus
DigiTutor for D300 also incorporates easy to
understand video footages that allow user to follow
the instruction shown and try the function on the
• Live View
• Active D-Lighting
• Picture Control System
• Movies
go.
• Optional Accessories
• Image Sensor Cleaning
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For more information on DigiTutor for D300, visit http://www.nikondigitutor.com/eng/d300/
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FEATURED PRODUCT - POWER BOOST YOUR D300 WITH MB-D10
POWER BOOST YOUR D300 WITH
MULTI-POWER BATTERY PACK MB-D10
POWER BOOST YOUR D300 WITH Multi-Power
Battery Pack MB-D10
The MB-D10 combines added stability with
extended shooting potential and the durability of
a magnesium alloy external case with the same
level of sealing protection inherent to the D300
to help protect against moisture and dust.
D300 when used with one EN-EL3e battery is
capable of shooting at a frame rate of 6 frames
per second.
The MB-D10 supports 3 types of battery and
featuring a sequential power supply with autoswitching to the battery installed inside the camera
body, the MB-D10 also enables high-speed
continuous shooting at a rate of 8 fps* for up to
100 consecutive shots.
*To achieve 8 fps requires either
1. Multi-Power Battery Pack MB-D10 with Battery
Chamber Cover BL-3 and either Rechargeable
Li-ion Battery EN-EL4/EN-EL4a or
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2. Eight R6/AA-size batteries or
3. AC Adapter EH-5a/EH-5, all of which are sold
separately.
Unlike other battery pack, there is no need for the
removal of the main battery in the D300 in order
to fit the MB-D10.
Even if EN-EL3e is not inserted in the main body,
the MB-D10 will still be able to power up the D300
normally.
When MB-D10 is attached, user will be able to
select whether the battery in the camera or the
batteries in the batter y pack are used first.
For example, if the camera is configured to use
the batteries in the MB-D10 first, the camera will
deplete the batteries in the MB-D10 before
switching to the internal EN-EL3e in the camera.
Below shows an example of the battery indicator
on the Control Panel when the camera is configured
to utilize the batteries in the MB-D10.
FEATURED PRODUCT - D60
it possible to deliver smoother tones and more
accurate colors.
Nikon’s fast, quiet and precise autofocus system
adds significantly to the performance of the D60,
capturing exact moments with astounding clarity.
NIKON INTEGRATED DUST REDUCTION SYSTEM
Dust in front of your camera sensor can mean
distracting spots on your pictures. That’s why Nikon
does everything to ensure clear pictures, including
minimizing the build-up and appearance of dust.
Nikon’s exclusive Airflow Control.
D60 Kit with AF-S DX
18-55mm f/3.5-5.6G VR
With all these measures in place, you can
concentrate on getting the shot while exploring
the wide array of NIKKOR interchangeable lenses
that a Nikon digital SLR opens up to you.
In addition to new dust reduction features, the
D60 offers a variety of ways to experience more
fun and creativity when taking pictures. Users can
easily capture dynamic images in different shooting
situations with a simple turn of the mode dial. The
Retouch Menu offers even more creative excitement,
letting you change your pictures into even more
striking images – all fast, all simple and all without
RCP S$1188
With 10.2 megapixels and remarkable compactness,
the D60 offers incredible picture quality, extensive
built-in dust reduction technologies and
a comprehensive set of creative options.
TOKYO – Nikon Corporation is pleased to
announce the D60, one of the smallest Nikon
digital SLRs ever. The D60 makes it fun and easy
to take breathtaking pictures while also offering
plenty of features for those who want to deepen
their interest in creative shooting.
With a split-second shutter response, the D60
captures pictures that cameras with longer time
lags miss. Ease of use and creative options both
come standard with the D60, whose exclusive
Nikon technologies help deliver high-quality
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pictures with vibrant color
and stunning, edge-toedge detail. Such superior
results are achieved
through a high-resolution
image sensor utilizing
10.2 megapixels, worldfamous NIKKOR lenses delivering razor-sharp
pictures, and many cutting-edge Nikon features
to further enhance your picture-taking experience. Nikon’s advanced 3D Color Matrix Metering II
ensures consistently balanced exposures for images
with natural color and contrast, while Nikon’s new
digital image processing concept, EXPEED, makes
System is one of the two main protections against
dust. It leads air within the mirror box towards
small ducts near the base, preventing internal dust
from settling in front of the image sensor. The
D60’s second form of defense is the Imaging Sensor
Cleaning function, which was originally built for
the D300. Every time you turn the camera on or
off, this function uses vibrations to steer dust away
from the optical low-pass filter in front of the
sensor (deactivation and manual activation are
also possible). Nikon engineers have also dealt
with dust and other tiny particles in many other
ways to prevent such image degrading material
from attaching to the filter or being seen by the
sensor when you are taking pictures.
the need for a computer.
Compact and comfortable, the D60 has so much
to offer: amazing picture quality, simple operation,
an Integrated Dust Reduction System for clearer
pictures and an extensive selection of creative
features. The result: fun, fantastic and inspired
pictures. The world of stunning photography is
j u s t a s t e p a w a y, w i t h t h e N i k o n D 6 0 .
NIKON D60 FEATURE HIGHLIGHTS
Superior image quality and resolution
The D60’s image sensor utilizes 10.2 megapixels
to produce superb, high-quality images with
incredible resolution, allowing you to make large
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prints, even if you only use part of an image. And
thanks to EXPEED, Nikon’s unique digital image
processing concept, your pictures will contain fine
detail and smooth, natural tonal reproduction.
Integrated Dust Reduction System
The Airflow Control System used in the D60 leads
air within the mirror box towards small ducts near
the base, directing dust away from the image
sensor. The Image Sensor Cleaning function also
reduces
dust
accumulation near the
sensor
using
specifically determined
vibrations, which
activate automatically
or whenever the user
chooses. This team of dust reduction
countermeasures lets the user switch lenses
confidently, taking advantage of the extensive
lineup of NIKKOR interchangeable optics while
worrying less about the effects of dust in the
camera.
Active D-lighting for smoother gradation
The D60’s new Active D-Lighting feature can adjust
the look of the final image while you shoot. This
automatic process works in the highlight and
shadow areas, compensating for difficult lighting
conditions and producing optimized exposures
with rich, smooth detail.
Intuitive, simple operation within a compact body
The D60 is not just compact; its shape is
ergonomically designed to fit in your hand naturally
and comfortably. The body design is inherited
from the highly regarded Nikon D40 series. The
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26
bright and clear
viewfinder ensures
p r e c i s e
composition, while
the large, 2.5-in.
LCD monitor
displays an easy-to-use menu system with a wide
viewing angle so that anyone can navigate the
settings and view images with ease.
Eye Sensor
format images are “developed” within the camera
after shooting, allowing you to control specific
aspects of your pictures, such as image quality,
image size and white balance. Also included is a
convenient Quick Retouch option, which enhances
contrast and saturation, to improve images without
using a computer. The D60’s extensive Retouch
Menu increases the fun and creative freedom of
using a digital SLR.
Original animation - Stop-motion movie
Want more fun out of digital photography?
Try making a stopmotion movie from a series of
Nikon D60 Other Fea tures
• Fast, 0.19-second power-up to respond to every
photographic opportunity
• Split-second shutter response eliminates the
annoyance of shooting lag
• Fast continuous shooting mode enables up to
100 JPEG images (FINE L-size or smaller) at
3 frames* per second
*Fastest frame rates achieved by choosing manual focus,
rotating the mode dial to S or M and selecting a shutter speed
of 1/250 s. or faster, using defaults for all other settings
• Advanced three-point AF system offers fast,
efficient and precise autofocus
• Nikon 3D Color Matrix Metering II for ideal
exposures in almost any lighting situation
• Bright and clear viewfinder with 0.8x
magnification for precise composition
The new Eye Sensor function turns off the LCD
monitor when the viewfinder is used. When the
user moves away from the viewfinder, the LCD
m o n i t o r t u r n s o n a g a i n a u t o m a t i c a l l y.
• Long-life rechargeable lithium-ion battery that
allows up to 500 images* with the AF-S DX
NIKKOR 18-55mm f/3.5-5.6G VR on a single
charge (*CIPA standards)
• Digital Vari-Programs that adjust camera settings
automatically for scene-specific pictures
– selections include Auto, Auto (Flash Off),
Portrait, Landscape, Child, Sports, Close Up,
and Night Portrait
Retouch Menu
The D60’s Retouch Menu offers many exclusive
in-camera editing features to choose from. Use
the Filter Effects option to intensify a color
(Red/Green/Blue) of your choice, or try the Cross
Screen feature to produce star-like lines radiating
from brightly lit objects in the image. In-camera
NEF (RAW) processing is also available. RAW
• Manual control over shutter speed and aperture:
P (Programmed Auto), S (Shutter-priority Auto),
A (Aperture-priority Auto) and M (Manual)
consecutive pictures. Simply select the first and
last frames from a sequence of shots. You can
easily re-edit before saving it as a movie by
changing the starting image or removing specific
images. There are also several size and frame
rates to choose from.
• Built-in flash with Nikon’s dependable i-TTL
flash control, supporting Auto flash, Red-eye
reduction, Slow sync, Rear curtain sync and
Flash exposure compensation
• Simultaneous recording of NEF (RAW) and JPEG
basic data of the same image
• Camera setting menus can be customized to suit
individual preferences
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• Imprint date function
Record the date on pictures you’ve taken with
the D60. Position of imprint is automatically
adjusted in accordance with the camera’s
positioning: horizontal or vertical. You can also
print the time the picture was taken.
• Electronic rangefinder display that also indicates
focus distance when using manual focus mode
• Fully compatible with AF-S and AF-I NIKKOR
lenses, that are equipped with an autofocus
motor (Autofocus supported. Also compatible
with most F-mount NIKKOR lenses when using
manual focus mode)
• Supports the Nikon Creative Lighting System
when using the SB-800, SB-600, SB-400, SB-
R200 or the Wireless Close-Up Speedlight system
R1C1. Offers accurate exposures via i-TTL flash
• Optional Wireless Remote Control ML-L3 for
easy remote shutter release
• Included Nikon ViewNX software lets you share,
organize and edit pictures with ease
Nikon D60 Microsite
NEW AD INSERT
Visit http://nikonimaging.com/global/products/d60/index.htm to know more about Nikon D60.
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EFFECTIVE MEGAPIXELS
12.1 million
8.1 million
8.1 million
10.0 million
10.0 million
8.0 million
8.0 million
8.1 million
8.1 million
8.0 million
7.1 million
LENS
3.5x Zoom-NIKKOR;
7.5-26.3mm (35mm [135]
format picture angle:
35-123mm); f/2.7-5.3;
7 elements in 6 groups;
Digital zoom: up to 4x
(35mm [135] format
picture angle: 492mm)
5x Zoom-NIKKOR;
6.4-32mm (35mm [135]
36-180mm); f/3.6-4.5;
(35mm [135] format
3.6x Zoom-NIKKOR;
4.7-17mm (35mm [135]
28-102mm); f/2.8-5.6;
(35mm [135] format
4x Zoom-NIKKOR;
5.0-20mm (35mm [135]
28-112mm); f/2.7-5.8;
(35mm [135] format
5x Zoom-NIKKOR;
6.3-31.5mm (35mm [135]
36-180mm); f/3.5-5.6; 8
elements in 6 groups;
(35mm [135] format
3x Zoom-NIKKOR;
5.7-17.1mm (35mm [135]
35-105mm); f/2.8-4.7;
(35mm [135] format
3x Zoom-NIKKOR;
6.3-18.9mm (35mm [135]
38-114mm); f/3.1-5.9;
(35mm [135] format
3x Zoom-NIKKOR; 6.318.9mm (35mm [135]
38-114mm); f/3.3-4.2;
(35mm [135] format
3x Zoom-NIKKOR;
6.3-18.9mm (35mm [135]
38-114mm); f/3.3-4.2;
(35mm [135] format
3x Zoom-NIKKOR;
5.7-17.1mm (35mm [135]
35-105mm); f/2.8-4.7;
(35mm [135] format
3x Zoom-NIKKOR;
5.7-17.1mm (35mm [135]
35-105mm); f/2.8-4.7;
(35mm [135] format
VIBRATION REDUCTION
Optical Lens Shift
Image Sensor Shift
Electronic Vibration
Reduction
Optical Lens Shift
Reduction
Optical Lens Shift
Reduction
Optical Lens Shift
Optical Lens Shift
NIL
NIL
FOCUS RANGE
(FROM LENS)
1 ft. (30cm) to infinity (∞);
Macro close-up mode:
1.6 in. (4cm) to infinity (∞)
1 ft. 4 in. (40cm) to infinity
(∞); Macro close-up mode:
4 in. (10cm) to infinity (∞)
1 ft. 7.7 in. (50cm) to
infinity (∞); Macro
close-up mode: 1.9
in.(5cm) to infinity (∞)
1 ft. 7.7 in. (50cm) to
infinity (∞), Macro
close-up mode: 1.2 in.
(3cm) to infinity (∞)
1 ft. 2 in. (35cm) to infinity
(∞), Macro close-up mode:
at wide-angle
1 ft. 7.7 in. (50cm) to
infinity (∞), Macro
2 ft. (60cm) to infinity (∞);
1 ft. (30cm) to infinity (∞),
1 ft. (30cm) to infinity (∞),
1 ft. 7.7 in. (50cm)
to infinity(∞); Macro
1 ft. 7.7 in. (50cm)
to infinity(∞); Macro
MONITOR
2.5-in., approx. 230k-dot,
wide viewing angle
TFT LCD with
anti–reflection coating
TFT LCD, Electronic
Viewfinder
2.4-in., approx.115k-dot,
TFT LCD
2.7-in.,approx.230k-dot,
wide viewing angle
TFT LCD with
anti-reflection coating
wide viewing angle
TFT LCD with
TFT LCD with
wide viewing TFT LCD with
wide viewing angle
TFT LCD with
wide viewing angle
TFT LCD with
TFT LCD
TFT LCD
IMAGE AND MOVIE
FORMAT
JPEG: JPEG-baselinecompliant; can be selected
from Size priority and
Optimal quality; AVI; WAV
Optimal quality, AVI, WAV
STORAGE MEDIA
Internal memory (approx.
52 MB), SD memory cards
ISO SENSITIVITY
ISO 64, 100, 200, 400,
800, 1600, 2000, 3200*2,
Auto (auto gain
ISO 64-800)
ISO 80, 100, 200, 400,
800, 1600, 2000, Auto
(auto gain ISO 80-800)
ISO 64, 100, 200, 400,
800, 1600, 2000, Auto
ISO 100, 200, 400, 800,
1600, 3200, Auto
(auto gain ISO 100-800),
High-Sensitivity mode
(ISO 100-2000)
ISO 64, 100, 200, 400,
800, 1600, 2000, Auto
(ISO 64-1600)
ISO 64, 100, 200, 400,
800, 1600, 2000, Auto
ISO 64, 100, 200, 400,
800, 1600, 2000, Auto
(ISO 64-1600)
ISO 100, 200, 400, 800,
1600, Auto (auto gain
ISO 100-800)
ISO 100, 200, 400, 800,
1600, Auto (auto gain
ISO 100-800)
Auto
Auto
POWER SOURCES
Rechargeable Li-ion
Battery EN-EL5 (supplied),
AC Adapter EH-62A
(optional)
Two AA alkaline (supplied),
lithium or oxyride batteries,
AC Adapter
EH-65A (optional)
AC Adapter EH-65A
(optional)
Rechargeable Li-ion
Battery EN-EL10
(supplied), AC Adapter
EH-62D (optional)
Rechargeable Li-ion
Battery EN-EL11
EH-62E (optional)
Rechargeable Li-ion
Battery EN-EL10
EH-62D (optional)
Rechargeable Li-ion
Battery EN-EL10
EH-62D (optional)
Rechargeable Li-ion
AC Adapter EH-64
(supplied)
Rechargeable Li-ion
AC Adapter EH-64
(supplied)
AC adapter EH-65A
(optional)
AC adapter EH-65A
(optional)
BATTERY LIFE
Approx. 240 shots with
EN-EL5 battery
alkaline batteries
alkaline, 580 shots with
lithium
EN-EL10 battery
EN-EL11 battery
EN-EL10 battery
EN-EL10 battery
EN-EL8 battery
EN-EL8 battery
lithium
lithium
DIMENSIONS (WXHXD)
Approx. 3.9 x 2.5 x 1.6 in.
(98 x 64.5 x 41 mm)
excluding projections
Approx. 3.8 x 2.5 x 1.4 in.
(95.5 x 63.5 x 36 mm)
Approx. 3.8 x 2.6 x 1.8 in.
(94.5 x 66 x 44 mm)
Approx. 3.5 x 2.1 x 0.9 in.
(88.5 x 53 x 22.5 mm)
Approx. 3.6 x 2.1 x 0.9 in.
(90 x 53.5 x 22 mm)
Approx. 3.7 x 2.1 x 0.9 in.
(94 x 53 x 22.5 mm)
Approx. 3.6 x 2.2 x 0.7 in.
(90 x 55.5 x 18 mm)
Approx. 3.8 x 2.3 x 0.8 in.
(97.5 x 59 x 21 mm)
Approx. 3.6 x 2.3 x 0.8 in.
(92.5 x 59 x 21 mm)
Approx. 3.7 x 2.4 x 1.2 in.
(95 x 61 x 29.5 mm)
Approx. 3.7 x 2.4 x 1.2 in.
(95 x 61 x 29.5 mm)
WEIGHT
Approx. 7.1 oz. (200 g)
without battery and
SD memory card
Approx. 5.6 oz. (160 g)
without battery and
SD memory card
Approx. 5.6 oz. (160 g)
without battery and
SD memory card
Approx. 4.6 oz. (130 g)
without battery and
SD memory card
Approx. 4.2 oz. (120 g)
without battery and
SD memory card
Approx. 4.1 oz. (115 g)
without battery and
SD memory card
Approx. 3.5 oz. (100 g)
without battery and
SD memory card
Approx. 4.4 oz. (125 g)
without battery and
SD memory card
Approx. 4.4 oz. (125 g)
without battery and
SD memory card
Approx. 4.4 oz. (125 g)
without battery and
SD memor y card
Approx. 4.4 oz. (125 g)
without battery and
SD memory card
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FEATURED PRODUCT - COOLPIX L16 / L18
FEATURED PRODUCT - COOLPIX L16 / L18
35-105mm (35mm format equivalent) to ably
capture everything from group shots to close-up
portraits. Extended light sensitivity as high as ISO
1600 prevents blurred shots in lower light, or
when capturing fast-moving subjects.
The COOLPIX L18 and L16 feature Easy auto mode
where users can turn on the camera and shoot
without worrying about any settings. Automatically
enabled D-Lighting and Anti-shake AE compensate
for lighting and camera movement, enabling users
to shoot great pictures without difficult operation.
automatically compensates to
help eradicate traces of the
annoying red-eye effect that can
sometimes be encountered
during flash photography. And
D-Lighting can be applied to
improve underexposed images or shots taken with
too much backlight. D-Lighting automatically
creates a copy of the image with detail added
where necessary, but with well-exposed areas left
completely untouched.
*Face recognition capability may be limited in some shooting
conditions.
Note: Specifications, design, product name, standard accessories,
and release schedule may differ by country or area.
NIKON COOLPIX L18/L16 FEATURE HIGHLIGHTS
TBA
COMBINING SIMPLE OPERATION AND HIGH
PERFORMANCE FOR OUTSTANDING PHOTOGRAPH
the introduction of the COOLPIX L16 and L18,
quality compact digital cameras that combine high
performance with operating ease.
The COOLPIX L18 and L16 offer simple operation
for beautiful photographs and are equipped with
Nikon’s innovative EXPEED digital image
processing concept and a NIKKOR lens.
Intuitive operation ensures error-free command
over the performance features of the COOLPIX
L18 and L16.
Dedicated buttons on the top of the body make it
easy to switch between shooting and playback
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modes. The large 3.0-inch (L18) and 2.8-inch
(L16) LCD monitors offer a bright image that is a
pleasure to view, even outdoors. And the body
itself assures a solid grip with a balance of flowing
sur faces contrasted by sharp edge lines.
The COOLPIX L18 and L16 make full use of their
respective 8.0 and 7.1 effective megapixels of
imaging power to capture true-to-life color and
leaves plenty of freedom to crop or produce
enlargements. And the precision optics of a 3x
Zoom-NIKKOR lens covers a practical range from
Easy auto mode and scene modes for carefree
shooting.
Easy auto mode makes it easier to turn on the
camera and shoot without worrying about settings.
Easy access to 14 different scene modes and three
movie modes also ensures shooting that is tuned
to give the best results to match the moment.
Anti-shake Ae For Great Pictures At Great Ease
Effortlessly take better pictures
with the COOLPIX L18 and L16
with new Anti-shake AE. It
detects subject movement and
camera
shake,
and
automatically overcomes blur
by adjusting to high shutter speeds and higher
ISO sensitivity.
Iso 1600 Capability For Better Pictures In Lower
Light
Making it easier to take greatlooking pictures in lower
lighting conditions, or to capture
fast-moving subjects with
o u t s t a n d i n g c l a r i t y, t h e
COOLPIX L18 and L16
accurately measure available light to automatically
select the optimal sensitivity setting for the shot
between the range of ISO 64 to as high as ISO
1600.
Nikon Coolpix L18/L16 Other Features
• Light weight with highly compact dimensions
• Face Zoom-in zooms right in on the subject’s
face at playback
• Macro shooting from as close as 15 cm
(5.9 in.)
• 4x digital zoom extends compositional freedom
Three Unique Nikon Image Innovations
The COOLPIX L18 and L16 feature a selection of
three innovative functions that provide the ability
to actually improve the quality of images within
the camera. Face-priority AF* automatically finds,
then focuses on people’s faces for crisp, clear
results time after time. In-Camera Red-Eye Fix
• Time zone function for easy setting of multiple
locations
• Approx. 21 MB of internal memor y
• USB connectivity PictBridge support
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Functional beauty
and classic camera
appeal are the
theme throughout,
from the hairline
treatment on the
face to the clean
design of the back with large control buttons and
the user-friendly rotary multi selector carefully
positioned to provide intuitive operation.
NIKON COOLPIX S210 FEATURE HIGHLIGHTS
RCP
S$349
ELEGANTLY SLIM DESIGN BLENDS WITH HIGH
PERFORMANCE TO BRING GREATER PLEASURE TO
PHOTOGRAPHY AND TO CARRYING A CAMERA
the introduction of the COOLPIX S210, a stylish
new camera that’s a pleasure to carry and a joy
to shoot with.
Built on a custom application of Nikon's innovative
EXPEED digital image processing concept and
incorporating the precision optics of a NIKKOR
lens, the COOLPIX S210 places advanced shooting
functions comfortably in the hand for greater fun
with photography.
Outstanding imaging ability begins with 8.0
effective megapixels of sharp resolution. It gets
even better with its digital image processing engine
that faithfully reproduces fine details and subtle
tones, delivers quick response, and maintains
image quality and clarity when taking advantage
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of extended light
sensitivity settings
as high as ISO
2000.
And
completing the
triad is the clarity
and precision
provided by a 3x
Zoom-NIKKOR
lens that covers a practical range from 38-114mm
(35mm format equivalent) to ably capture
everything from group shots to close-up portraits.
Electronic VR image stabilization adds extra
reassurance that the results will be sharper and
clearer, especially in lower light or when shooting
moving subjects.
As befits a fine photographic tool, the COOLPIX
S210 is housed in a slim, quality-crafted aluminum
body with gentle contours that fit comfortably in
the hand.
The COOLPIX S210 features a
selection of three innovative
functions that provide the ability
to actually improve the quality
of images within the camera.
Face-priority AF* automatically
finds, then focuses on people’s
faces for crisp, clear results time after time. InCamera Red-Eye Fix automatically compensates
to help eradicate traces of the annoying red-eye
effect that can sometimes be encountered during
flash photography. And D-Lighting can be applied
to improve underexposed images or shots taken
with too much backlight. D-Lighting automatically
conditions.
VR image stabilization
Compensating for the effects of
camera shake to realize sharper
results, electronic VR (Vibration
Reduction) image stabilization
frees you to enjoy capturing
special moments without
worrying about slight hand movements, particularly
in lower light conditions.
up to ISO 2000 makes it easier
to take great-looking pictures in
lower lighting conditions, or to
capture moving subjects with
outstanding clarity. Automatic
sensitivity control is also
available, freeing you to
concentrate on the shot while the camera selects
the optimal setting across a range between ISO
64 and ISO 800. And High-Sensitivity mode
minimizes blur by automatically selecting optimal
light sensitivity.
Large 2.5-inch LCD monitor for quality viewing
and menu operation
The COOLPIX S210
is equipped with a
quality 2.5-inch
LCD monitor that
features 230k-dots
of high resolution,
a wide 170-degree
horizontal and
vertical viewing angle, anti-reflection coating for
better display in bright situations, and an acrylic
panel that prevents scratches and fingerprints.
Improved shooting displays with revised icons and
information feedback help make framing and
shooting easier.
Nikon COOLPIX S210 Other Features
• Three Unique Nikon Image Innovations
Improved Face-priority AF, In-Camera Red-Eye
Fix, D-Lighting
• 15 handy scene modes for optimized shooting
in various settings
• Macro shooting from as close as 10 cm (4 in.)
• Three movie modes with sound, plus time-lapse
movie mode
locations
• SDHC card compatibility
ISO 2000 capability provides extended shooting
range
Extended light sensitivity range with manual settings
• USB connectivity
• PictBridge support
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RCP
The COOLPIX S520 is housed in a quality-crafted
aluminum body that fits comfortably in the hand.
From the hairline treatment on the face to the
clean design of the back and cable connectors
hidden along the bottom, the compact body
conveys functional beauty and classic camera
appeal.
S$399
Nikon COOLPIX S520 Feature Highlights
ELEGANT DESIGN, QUALITY FINISH AND UNIQUE
ADVANCED FUNCTIONS TAKE THE EFFORT OUT
OF TAKING BEAUTIFUL PICTURES
new camera that pushes the level of photographic
performance, operating ease and design elegance
to new heights.
lens, the COOLPIX S520 makes it easier to express
individual expression in beautiful fashion.
The COOLPIX S520 offers 8.0 effective megapixels
of sharp resolution, quick response, and maintains
image quality and clarity with sensitivity settings
as high as ISO 2000. It also includes the clarity
and precision of a 3x Zoom-NIKKOR lens featuring
Nikon's optical lens shift VR image stabilization.
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Unique new functions
for the COOLPIX
S520 provide easier
ways to express the
scene and organize
results.
Food mode is a new scene mode selection enabling
beautiful close-ups of food at high ISO settings in
restaurants and other locations where flash
photography is not permitted. Another new feature
allows users to select their favorite three of the 16
available scene modes to appear in the Mode
menu for easier access. Easy in-camera image
organization allows favorite pictures to be saved
to individual albums. And new viewing options
include Face Zoom-in, which allows quick zooming
in on and switching between faces during
playback, to ensure that all subjects in the frame
are captured clearly.
Proven lens shift VR image stabilization
Optical lens shift VR (Vibration
Reduction) is field proven
technology originally developed
for Nikon SLR camera lenses.
The VR system counteracts
camera shake in lower light or
when shooting moving subjects, providing the
ability to shoot at shutter speeds as much as three
steps slower without blurring the picture. Active
full time, VR also stabilizes images displayed on
the 2.5-inch high-resolution LCD monitor for easier
framing and more reassured shooting.
range
Extended light sensitivity range
with manual settings up to ISO
2000 makes it easier to take
great-looking pictures in lower
moving subjects with
outstanding clarity. Automatic sensitivity control
is also available, freeing you to concentrate on
the shot while the camera selects the optimal setting
across a range between ISO 64 and ISO 1600.
And the image processing engine preserves high
image quality even when shooting with high ISO
settings, thanks to enhanced noise reduction and
an improved signal-to-noise ratio.
The COOLPIX S520 features a selection of three
innovative functions that provide the ability to
actually improve the quality of images within the
camera. Face-priority AF*
automatically finds, then focuses
on people’s faces for crisp, clear
results time after time. InCamera Red-Eye Fix
automatically compensates to
help eradicate traces of the annoying red-eye
conditions.
and menu operation
The COOLPIX S520 has a high quality 2.5-inch
LCD monitor with anti-reflection coating for better
display in bright situations. Improved shooting
displays with revised icons and information
feedback help make framing and shooting easier.
– Face-priority AF, In-Camera Red-Eye Fix,
D-Lighting
• 1:1 size format with black or white borders
available on playback
• Macro shooting from as close as 15 cm
(5.9 in.)
movie mode
locations
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Nikon COOLPIX S550 Feature Highlights
VR image stabilization
Compensating for the effects of
camera shake to realize sharper
results, electronic VR (Vibration
frees you to enjoy capturing
special moments without
worrying about slight hand movements, particularly
in lower light conditions.
TBA
HIGH PERFORMANCE, ELEGANT DESIGN AND
ADVANCED FUNCTIONS THAT HELP CAPTURE
SMILES MORE CONSISTENTLY AND BEAUTIFULLY
new camera that elegantly packs high performance
and advanced functions into the ultra compact
body.
lens, the COOLPIX S550 brings new ease and fun
to capturing smiling faces in the full beauty of
special moments.
The COOLPIX S550 teams 10 effective megapixels
of sharp resolution with quick response, and
maintains image quality when taking advantage
of sensitivity settings as high as ISO 2000.
Enhancing compositional freedom is a 5x Zoom-
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38
NIKKOR lens with the range to ably cover scenes
from buildings and group pictures to close-up
portraits.
Unique new
functions for the
COOLPIX S550
help make it
easier to shoot
b e a u t i f u l
portraits and
faithfully record precious smiles when they appear.
Smile mode displays a gauge that indicates when
the selected subject smiles, enabling the user to
capture just the right moment.
Blink warning displays a message when it detects
that a subject has blinked, offers quick magnified
visual confirmation, and allows the shot to be
retaken immediately.
range
2000 makes it easier to take
great-looking pictures in lower
moving subjects with
outstanding clarity. Automatic sensitivity control
is also available, freeing you to concentrate on
the shot while the camera selects the optimal setting
And High-Sensitivity mode minimizes blur by
automatically selecting optimal light sensitivity.
finds, then focuses on people’s faces for crisp,
clear results time after time. In-Camera Red-Eye
Fix automatically compensates to help eradicate
traces of the annoying red-eye effect that can
sometimes be encountered during flash
photography. And D-Lighting can be applied to
improve underexposed images or shots taken with
too much backlight. D-Lighting automatically
completely untouched. *Face recognition capability
may be limited in some shooting conditions.
and menu operation
The COOLPIX S550 is equipped with a quality
2.5-inch LCD monitor that features 230k- dots of
high resolution, a wide 170-degree horizontal
and vertical viewing angle, anti-reflection coating
for better display in bright situations, and an
acr ylic panel that prevents scratches and
fingerprints. Improved shooting displays with
revised icons and information feedback help make
framing and shooting easier.
Nikon
Coolpix
S550
Other
Features
– Improved Face-priority AF, In-Camera
Red-Eye Fix, D-Lighting
• Active Zoom allows smoother zooming for
close-ups
movie mode
locations
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39
NIKON COOLPIX S600 FEATURE HIGHLIGHTS
Proven lens shift VR image stabilization for
sharper results
Optical lens shift VR (Vibration
helps achieve sharper results
by applying field proven
technology originally developed
for Nikon SLR camera lenses to
counteract camera shake in
lower light or when shooting moving subjects.
Active full time, VR also stabilizes images displayed
on the 2.7-inch high-resolution LCD monitor for
easier framing and more reassured shooting.
TBA
MAKING PHOTOGRAPHY MORE BEAUTIFUL AND
MORE FUN WITH THE PREMIUM QUALITY OF AN
ULTRA COMPACT BODY AND SWIFT START-UP TIME
new camera that squeezes swift response,
advanced functions and outstanding photographic
per formance into an ultra compact body.
lens, the COOLPIX S600 is a powerful
photographic tool that offers the added pleasure
of sophisticated design and go-anywhere, shootanytime fun.
The COOLPIX S600 teams 10 effective megapixels
of sharp resolution with a new digital image
processing engine that faithfully reproduces fine
details and subtle tones, delivers ultra-swift
response, and maintains image quality and clarity
when taking advantage of sensitivity settings as
high as ISO 3200.
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40
A 4x Zoom-NIKKOR
lens featuring Nikon's
optical lens shift VR
image stabilization
enhances compositional
freedom 28 mm wideangle capabilities
(35mm
format
equivalent) and the range to ably cover everything
from panoramic landscapes to close-up portraits.
The COOLPIX S600 delivers high-speed auto focus
performance and ultra swift start-up time* within
0.7 seconds and realizes fast AF.
The clean lines, solid feel and reassuringly firm
hold of its metallic body demonstrate dedication
to quality materials and fine craftsmanship. Large
buttons and the user-friendly rotary multi selector
are carefully positioned to provide intuitive
operation, and the clear, bright image offered by
large 2.7-inch LCD monitor makes it a pleasure
to use, in or out of doors.
range
3200 adds the power to shoot
more effectively in lower lighting
conditions, or to capture moving
subjects with outstanding clarity.
Automatic sensitivity control is
also available, freeing you to concentrate on the
shot while the camera selects the optimal setting
and easier menu operation
Practically defying the COOLPIX S600’s compact
body proportions is a high quality 2.7-inch LCD
monitor with improved shooting displays and
revised icons. Features include approx. 230k-dots
of high resolution and a wide 160-degree
horizontal and vertical viewing angle.
New Active Child mode for carefree shooting
with beautiful results
Active Child mode
joins the lineup of
14 different scene
modes and three
movie modes
tuned to produce
the best results to
match the moment. In Active Child mode, simply
frame and select your subject before shooting.
The camera then tracks and focuses on that moving
subject as you shoot for faster, more reassuring
operation with clearer results.
D-Lighting
• Active Zoom allows smoother zooming for
close-ups
• New Pastel mode produces bright images with
a watercolor effect
• Macro shooting from as close as 3 cm (1.2 in.)
locations
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41
FEATURED PRODUCT -P60
FEATURED PRODUCT -P60
is achieved thanks to its electronic viewfinder and
a 2.5-inch LCD monitor.
to capture fast moving subjects with impressive
clarity.
Power is supplied by readily available AA-size
batteries, which means the COOLPIX P60 can be
used in virtually any location without worrying
about recharging or running out of power.
The COOLPIX P60 features a
NIKON COOLPIX P60 FEATURE HIGHLIGHTS
TBA
SOLID PHOTOGRAPHIC PERFORMANCE, FUNCTIONAL STYLING
AND AN ADVANCED FEATURE SET FOR EXCELLENT PHOTOS
Tokyo — Nikon Corporation is pleased to
announce the introduction of the COOLPIX P60.
Delivering reliability and familiarity within its
orthodox design, the COOLPIX P60 satisfies the
traditional camera enthusiast.
lens, the COOLPIX P60 realizes optimum
per formance and maximum image quality.
An impressive effective megapixel count of 8.1
enhances the potential of the high performance
digital imageprocessing engine for
outstanding image
q u a l i t y, w h i l e a n
improved 5x ZoomNIKKOR lens delivers
yet more flexibility by
ably covering a
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42
range from panoramic landscapes to close-up
portraits.
Image sensor shift VR (Vibration Reduction) image
stabilization compensates for camera shake or
movement by unsteady subjects to realize yet
sharper results. And extended light sensitivity up
to ISO 2000 further helps prevent blurred shots
in lower light, or when capturing fast-moving
subjects.
The COOLPIX P60 also offers Programmed Auto
Intuitive access to a wealth of practical shooting
modes
The handy Mode dial includes settings for two
exposure modes that provide greater personal
control over camera
o p e r a t i o n .
Programmed Auto [P]
mode automatically
selects the optimal
shutter and aperture
settings, while Manual
[M] exposure mode
provides full control over both the aperture and
shutter speed settings. In addition, the COOLPIX
P60 is equipped with a selection of 15 sceneoptimized modes and four different movie modes.
Image sensor shift VR image stabilization for
sharp images
The COOLPIX P60 features the
image stabilizing performance
of image sensor shift VR
capability. The system applies
in-camera image processing to
help overcome the effects of
camera shake and produce
satisfyingly crisp results, while also contributing
to a reassuring shooting experience.
AA-size batteries for shoot-anywhere convenience
Experience the convenience of an AA-size battery
compatible compact digital camera. Thanks to the
advantage of being able to pick up a new set of
batteries in virtually any corner of the world, users
can shoot with reassurance, free of any worries
about recharging batteries or running out of power
when a special shutter chance arises.
Nikon
COOLPIX
P60
Other
Features
D-Lighting
• 4x digital zoom extends compositional freedom
[P] and Manual [M] exposure modes, enabling
the user to enjoy shooting in a variety of styles.
A functional body design with a defined grip for
secure finger placement allows for intuitive
operation including the use of the Mode dial.
Compositional versatility, even in bright sunlight,
ISO 2000 capability for better pictures in lower
light
With an extended light
sensitivity range from ISO 80
all the way up to ISO 2000, the
COOLPIX P60 makes it easier
to take great-looking pictures
in lower lighting conditions, or
locations
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43
ROMANCING VIETNAM WITH D300 - PART 1
ROMANCING VIETNAM WITH D300 – PART 1
Text and Pictures By
Steven Yee Pui Chung
MBA, B.Eng (Mech), FRPS, FPSS, FPSM, Hon.FPSM, Hon.FKCC, AFIAP
photography will be good to have as he or
she will know when to stop when the bus
pass by some interesting subjects or places.
☛
camera works very well with my usual set of 18200mm DX VR, 12-24mm DX and 10.5mm fisheye.
☛
It is good to know more about the places you
are going to, getting the information from
the guide books, internet resources and
photography books. In other words, plan
what you would like to shoot.
guide to help you.
☛
backup set of images in a separate hard disk.
☛
so that you can better prepare yourself what
as and when needed to fill in light. What amazed
you are in for. Print them and ask your local
Do not eat the food by the roadside
(anywhere) until you are “localised”.
☛
It is good to have an extra set of equipment
on standby, in case your equipment
malfunctions.
Get some reference shots from stock libraries
The built in flashlight can be conveniently activated
Shoot more, shortlist everyday and keep a
☛
Bring sufficient medicine, for sore throat,
cough, flu etc.
me is that the noise level is well controlled when
high ISO is used. For me who am using the DX
lenses, the D300 will come in handy to continue
the legacy left behind by my ageing D2X workhorse
which has already clocked for me more than
250,000 shots in my previous travel stints.
Recent years have seen a keen interest among
One of our difficulties faced was the limited ability
many photographers venturing into Vietnam for
photography opportunities. Initially, I thought this
was probably due to some tourism promotion
gimmicks by some tour agency until I was urged
by some of my students to organise a photography
trip to Vietnam. I read through a few travel guide
books, especially my favourite DK Eye Witness
Guide. A trip was thus organised during the
Christmas to explore central Vietnam (Danang,
Hoi An, My Son, Hue) and then southwards to Ho
Chi Minh, Can Tho and My Tho.
For the first time in recent years, my usual hardy
D2X became my backup camera for this trip while
I test the D300 to the limit. I shot about 9000
pictures over a period of 8 days, shooting
continuously about 10 frames if the angle is good.
The buffer is good. Under the “Set Picture Control”,
I set to D2XMode3 and the colour rendition is
similar to what I would expect from the D2X. The
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44
of the local guide in conversing in English. We
had to speak within the simplest means to avoid
any miscommunication. Even the pronunciation
of the city names left much to be desired. Hoi An
can be easily pronounced by us, but Hue, Can
Tho, My Son and My Tho are pronounced
differently from what we would expect them to be
correct. What was embarrassing was when I told
the hotel receptionist that our next stop is Can Tho
(I pronounced as the usual Canto as in the Canto
Pub), she stared at me blankly, only to realise a
few days later in Can Tho that it should be
pronounced as “Kern Therd”. My Tho is to be
pronounced as “Mi Tho”, Hue to be pronounced
as “Huay”.
Some Tips for travelling:
☛
You are not likely to spend more than 2 weeks
in the location, hence time is a limiting factor.
A good local guide who knows a bit of
Nikon D300, 3-D Matrix metering, Daylight White Balance, ISO250, Aperture Priority Mode, Shutter speed 1/1600s, Aperture f5.3, 18-200mm VR set at
112mm focal length
The ferry continued to fetch the people and their wares between the shores in Hoi An. This picture is technically challenging as I had to photograph the people
against a brighter background. The D300 is able to capture the details of the people well despite the contrast in the lighting.
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ROMANCING
PHOTOGRAPHY
VIETNAM
TIPS
WITH D300 - PART 1
Nikon D300, Centre Weighted metering, Daylight White Balance,
ISO400, Aperture Priority Mode, Shutter speed 1/3200s, Aperture f4,
18-200mm VR set at 27mm focal length
One of the ways to photograph Vietnam’s tallest and biggest flag pole
in Hue is to shoot with the leaves as frame at the top.
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO320, Aperture Priority Mode, Shutter speed 1/500s, Aperture f4.8, 18-200mm VR set
at 52mm focal length
Hoi An is also known for its marble. In this marble carving workshop, the workers in action are worth photographing. The white reflective surface of the marble
served as a good reflector to brighten the workers’ clothes.
Nikon D300, 3-D Matrix metering, Daylight White Balance, ISO320,
Aperture Priority Mode, Shutter speed 1/500s, Aperture f5.3, 18200mm VR set at 105mm focal length
The 2 wheels are still a common mean of transport. Many Vietnamese
ride on bicycles or motorbikes everyday. The texture on the wall caught
my attention and the bird cage complement the bicycle very well.
Even if the check in luggage is not big enough to buy bulky souvenirs, no harm photographing the statues. I once told my students, “By taking this picture, even
if you did not buy any of the statues, you can always print the picture and put on the table top.”
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3-D Matrix metering, Daylight White Balance, ISO800,
Aperture Priority Mode, Shutter speed 1/500s,
Ape rture f5.6
It is good to have backlight to light up this subject from the
backt. The backlight created the outline of light around the
subject’s body. A clean background was chosen while I try
to ensure that the backlight effect was still possible at where
he stood. Communication is important and I needed the help
of my local guide in Xinjiang to talk to the old man.
Nikon D300, 3-D Matrix metering, Daylight White Balance, ISO1600, Aperture Priority Mode, Shutter speed 1/50s, Aperture f5.3, 18-200mm VR set at
105mm focal length, EV -0.7
My Son, a short drive from Hoi An, was home to the ancient Cham people. We were treated to an eye opening Apsara dance in this simple theatre. The ancient
ruins of the temple complexes continue to stand till this day.
Nikon D300, 3-D Matrix metering, Daylight White Balance, ISO800,
Aperture Priority Mode, Shutter speed 1/250s, Aperture f5.6, 18200mm VR set at 200mm focal length
The streets of Hoi An reveal interesting findings where modernisation has
not really set in yet in this ancient port town. This picture was shot through
the glass of our spacious tour bus (a 20 seater bus for just 9 of us). We
were able to move freely on the bus to shoot through the windows from
either sides.
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/500s, Aperture f5, 18-200mm VR set at
50mm focal length
We stayed in La Residence in Hue. I told the bell boy to pose for this picture. This was the former residence of the French governor, situated right beside the famed
Perfume River. Legend has it that the princess bride of the ancient Cham King bathed in perfume water and the servants later poured the water into the river.
This was how the Perfume River got its name. What was unbelievable was there exist free wireless internet connection in this hotel!
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49
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/2000s, Aperture f5.3, 18-200mm VR
set at 95mm focal length
The morning was a bit foggy when we set off for a boat ride along the Perfume River. The old boats which are still put in use today reveals the rustic side of Hue.
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO200, Program Mode, Shutter speed 1/640s, Aperture f4, 10.5mm fisheye, EV -0.7
One of the former holiday retreats of the ancient Kings in Vietnam, it now serve as the tomb for the late King. I attempted to isolate the building by framing it
with the shed using the fisheye lense.
A visit to the Thien My Pagoda temple enabled us to encounter the monks for the first time in Vietnam. This monk was deep in thoughts as he walked around the
compound. I located this angle and when he walked into the frame, I fired away.
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f4.2, 18-200mm VR
Smoke gets in your eyes. Some burning activity took place in this ancient tomb in Hue. The effect was dramatise by the setting sun which sent its rays piercing
through the snoke. I waited until there are people at the gate before I fired away.
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The receptionists at the La Residence hotel stood in contrast to the characters in the painting behind them.
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO640, Program Mode, Shutter speed 1/1000s, Aperture f5.6, 18-200mm VR set at 170mm
focal length
The river in Can Tho remained busy. We were taking a boat ride to experience the life on the water as well as the floating market. They peddled their wares and
food in these small boats.
The fisherman was trying his luck as he threw the net from his “fishing vessel” in Danang.
Nikon D300, 3-D Matrix metering, Daylight White Balance, ISO320, Aperture Priority Mode, Shutter speed 1/1250s, Aperture f5, 18-200mm VR set at 70mm
focal length, EV -0.3
The old folded door ser ves as a good backdrop. I waited for a while until this old lady came into the picture. I fired away.
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New Ad insert
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO800, Aperture Priority Mode, Shutter speed 1/400s, Aperture f3.5, 10.5mm fisheye
This is a Cao Dai temple in My Tho, between Can Tho and Ho Chi Minh city. We were lucky to arrive at the temple when there was a prayer session.
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO1250, Shutter Speed Priority Mode, Shutter speed 1/15s, Aperture f5, 18-200mm VR
I tried to do panning while shooting from the bus in Ho Chi Minh. As the traffic was slow and the bikes moved at about the same speed as the bus, I just have to
select the right subject, set the shutter speed to 1/15 s to get the panning shot.
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PHOTOGRAPHY TIPS
PHOTOGRAPHY TIPS
PATTERN
Text and Pictures By
Steven Yee Pui Chung
MBA, B.Eng (Mech), FRPS, FPSS, FPSM, Hon.FPSM, Hon.FKCC, AFIAP
In this ninth part of a series of techniques, Steven
Yee shall share with you tips on photographing
patterns. A travel photographer and photography
instructor, Steven Yee conducts the Nikon
D40/D40X, D70/D70s and D80 workshop
monthly
at
Knowledge
Bowl
(www.knowledgebowl.com.sg). More of his works
can be found on the Volume One collection of
www.discovernikon.com
distracting objects in the background which can
disrupt the pattern or draw the viewers’ attention
away from the pattern. If at all possible, it is
usually good to avoid having the background in
the image. One quick way to solve this problem
is to either move yourself or if you can, try to rearrange the subjects. Should the background
cannot be avoided in the image, try to have a
simple background.
"Art is the imposing of a pattern on experience,
and our aesthetic enjoyment is recognition of
the pattern."
Another common problem faced by photographers
is the lack of ideas as to what angle and
composition to use to shoot the pattern. Whether
to focus on one part of the pattern and render the
rest out of focus, or shoot directly head on and
have all the patterns sharp, or shoot from an
angle, these often leave the photographers with
so many options to choose from. It is good to
spend some time exploring the various angles.
Experiment with the various angles and shoot
more, especially if the pattern is nice, shoot both
horizontally and vertically. If the results are
unsatisfactory, you can always delete the images
later.
Alfred North Whitehead (1861-1947), English philosopher
and mathematician. Dialogues, June 10, 1943.
A pattern is a recurring set of events or objects
which repeat in a predictable way. It is one of the
things that seasoned photographers will look out
for in their quest for new images. It can be the
tiles on the floor, the veins of the leaves, the neatly
arranged rows of shoes in the kindergarten or
even the rows of long shadows created by the
pillars in the late afternoon. The photographers’
obsessions for patterns can be evident in some of
the world’s greatest images.
One need not be an expert in photography to be
able to identify patterns from their surroundings.
To take nice pictures of the patterns, one needs to
equip oneself with the necessary basic photography
knowledge as well as with the right equipment.
For many beginners, some of the common problems
faced will include:
Camera or subject shake
Messy background
Unsure of which angle to adopt
In many cases, many beginners overlook the
☛
☛
☛
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58
Poor lighting condition and use of low ISO which
results in slow shutter speed is the main culprit for
camera and subject shake. If the subject is
stationar y, a good tripod will be useful in
preventing camera shake. If you are shooting
handheld, it is good to achieve a shutter speed of
at least 1/(focal length).
Equally important is the ability to appreciate the
quality of light at different times of the day as well
as the weather condition. Mid day sun is usually
avoided to prevent having hotspot on the subjects.
Early morning and late afternoon often produces
good lighting that light up the subjects nicely. Even
on a cloudy day, the flat lighting can also help to
produce some modest images. Hence, do not
discount the possibility of photographing nice
images even on a cloudy day.
Some Tips:
☛
☛
☛
Be conscious of your surrounding where you
can find patterns. It can be closer to you
than you can imagine.
Try various angles (top, low, eye level).
Any lens can shoot pattern, including the
fisheye lens.
☛
☛
☛
Avoid clutter in the background. Keep it
simple.
Use of lighting to create visual impact.
If need be, increase ISO to minimize camera
shake.
With the tips above in mind as well as the case
studies below, enjoy feasting your eyes in a world
of pattern.
COMING UP NEXT...
Coming up in the next issue, Steven Yee shall share with you his
tips on shooting with smoke and fog. How are such pictures
taken? What can be good subjects? Look out for it.
Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO400, Aperture Priority Mode, Shutter speed 1/750s, Aperture f5, 18-200mm VR set at
70mm focal length
One of the icons of Singapore, the Esplanade is probably one of the most photographed subjects besides the Merlion. Different time of the day, different quality
of light, different angles, shall yield many different pictures of this “spike studded” architectural masterpiece.
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59
PHOTOGRAPHY TIPS
PHOTOGRAPHY TIPS
Nikon D300, 3-D Matrix metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/40s, Aperture f4.8, 18-200mm VR set at 50mm
focal length
What attracted me are the colours and the way the incense are neatly arranged in this roadside incense stall in Vietnam. I left my tripod in the bus and the lighting
is a bit flat that day. I switch on the VR (Vibration Reduction) on my lenses and set the ISO at 200. Though I did not manage to get 1/(focal length) for the shutter
speed, the VR helps. (To minimise camera shake, it is good to have a shutter speed at least 1/focal length). I had to position my angle to minimise the background
clutter and put my attention to just the incense sticks.
Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO400, Aperture Priority Mode, Shutter speed 1/45s, Aperture f6.3, 18-200mm VR set at
42mm focal length
Try to be observant and look at things around you. When you were walking in some alleys, or waiting for your drinks to be served in a coffeeshop, some pictures
can be taken. I saw this crate of empty bottles and took this shot right from the top. Cropping was done after that to remove any unwanted background.
Nikon D2X, Center Weighted metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/250s, Aperture f5, 18-200mm VR set at
70mm focal length
The repetitive pillars caught my attention but there was no main subject. I asked my local guide to source for some possible main subject and somehow we managed
to find a few workers who were dressed colourfully. Got one of them to pose. Well, it is a custom for them not to reveal their faces, and we respected that.
Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO250, Program Mode, Shutter speed 1/400s, Aperture f10, 18-200mm VR set at 82mm
focal length
I saw the row of windows in this old fort in India and I tried to figure out how to approach this shot. I looked around and saw a few workers ferrying baskets of
construction materials. I took my position and waited. With everyone of them in the frame, the shot can be a bit messy but nonetheless I shot a couple of shots
first. The last one in the group was in blue and I thought to keep the picture simple, I just need one subject. I waited for the rest of the group to clear and when
she was left alone, I fired away.
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PHOTOGRAPHY TIPS
PHOTOGRAPHY TIPS
This is one of my most interesting encounters where I had a chance to photograph the Cao Dai temple in Vietnam. It is an interesting fusion of a few religions. I
was also fascinated by the beautiful tiles on the floor where the devotees were prostrating.
Nikon D300, 3-D Matrix metering, Daylight White Balance, ISO250, Aperture Priority Mode, Shutter speed 1/40s, Aperture f5.6,
18-200mm VR set at 200mm focal length
It may be hard to guess what this is. I was attracted by the lines. This was the inside of the traditional conical hat of the Vietnamese, shot at
an angle. Some cropping was done to remove the unwanted areas. The VR helps to minimise camera shake.
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62
Nikon D300, 3-D Matrix metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/640s, Aperture f4, 18-200mm VR set at 18mm
focal length
Stacks of incense were arranged in this manner by the roadside in Hue, Vietnam. To be able to see the repetition of the circular arrangement, I chose to shoot
from a top angle. I had to tip toe and lean forward, at the same time, avoid casting my shadow on the incense.
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63
PHOTOGRAPHY TIPS
PHOTOGRAPHY TIPS
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO500, Aperture Priority Mode, Shutter speed 1/50s, Aperture f5, 10.5mm fisheye
Symmetry and patterns can often be seen in the architecture of the buildings. From the inside of the post office in Saigon, Vietnam, I experimented with the fisheye
lenses to catch as much of the pattern as I could. The distortion at the side added a different touch to the image.
focal length
This is a roadside stall in Vietnam selling padlocks. The padlocks are locked together to form an interesting pattern. The stall owner was adding more padlocks
to the chain of locks and this provides more interesting story content compared to just shooting the padlocks alone.
focal length
We were walking along the streets of Saigon on our way to a temple to do some shots. Along the way, we noticed that many of the shops were closing for the
evening. The sliding gates caught my attention and I was hoping that one of the shops’ gates could open partially with someone peeking out from the shop. And
somehow, it happened and I fired away.
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO400, Program Mode, Shutter speed 1/400s, Aperture f10, 18-200mm VR set at 18mm
focal length
These colourful shoes in Singapore’s Little India are neatly arranged in rows. The evening light was subtle and lit up the shoes with shadows and highlights. Well,
if the shoes were not arranged neatly, you can help to arrange them. Actually, this was what I did!
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PHOTOGRAPHY TIPS
PHOTOGRAPHY TIPS
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO400, Program Mode, Shutter speed 1/400s, Aperture f10, 18-200mm VR set at 40mm
focal length
It is good to have a main subject in the midst of the pattern. In this case, I choose to shoot at an angle and use the padlock as my main subject. As usual, I will
avoid mid day sun and choose late afternoon as the lighting is not so harsh.
Nikon D2X, 3-D Matrix metering, Daylight White Balance, ISO200, Program Mode, Shutter speed 1/250s, Aperture f7.6, 18-200mm VR set at 62mm focal
length
Look around you, I am sure you can find something interesting in some neighbourhood. This flat in downtown Selegie Road attracted my attention whenever I
was around the area. The red balconies form an interesting pattern. Despite the fact that I often pass by this area, there is a tendency for procrastination to shoot
this pix at a later date. I finally decide to walk to the area to shoot the picture.
Nikon D300, Centre Weighted metering, Daylight White Balance, ISO250, Aperture Priority Mode, Shutter speed 1/5000s, Aperture f5, 18-200mm VR set
“Brooms for sale. Brooms for sale.” The makeshift stall owner shouted as she peddled her wares. The late afternoon lighting was good and the brooms were
arranged side by side. Ignoring the shoutings by the stall owner, I photographed the brooms from various angles.
Nikon D2X, 3-D Matrix metering, Auto White Balance, ISO125, Aperture Priority Mode, Shutter speed 1/20s, Aperture f5.6, 18-200mm VR set at 18mm
focal length
When overseas, I always have a habit of bringing my camera to wherever I go, even to dinner or toilet! You can be caught by surprise some interesting subject
or photography opportunities. The ceiling of this restaurant looks interesting so I took some shots while enjoying my meal at the same time.
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EVENTS
PHOTOGRAPHY TIPS
PHOTOGRAPHY TIPS
Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO125, Aperture Priority Mode, Shutter speed 1/8000s, Aperture f2.8, 80-200mm VR set
These two interesting buildings in Beach Road, Singapore look like 2 slices of cakes. When viewed from certain angles, you can be treated with some visually
powerful composition of repetitive lines.
Nikon D2X, 3-D Matrix metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/250s, Aperture f4, 18-70mm set at 22mm focal
length
The monks sat in neat rows as they listened to the teachings of their teacher. I have to be careful in not photographing the mess in the background by choosing a
high angle. If I had the oppor tunity of shooting from the tree top, it would be a unique angle overlooking them from the top.
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Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO640, Program Mode, Shutter speed 1/30s, Aperture f5.3, 18-200mm
VR set at 105mm focal length
This is a combination of framing and composing patterns. This door of the Buddha Tooth Relic Temple in Singapore has a very nice coat of
red paint with a nice door knob. To just shoot the door with the patterns and the door knob, it will be a bit boring. I managed to choose an
angle where the red door is framed by another door and a wall.
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EVENTS
FOCUS PHOTOGRAPHY CONTEST
PORTRAIT
THE WINNING ENTRY OF FOCUS
FOCUS PHOTOGRAPHY CONTEST
PHOTOGRAPHY CONTEST
Send in your best
‘PATTERN’ shot and
WIN
a
COOLPIX
Nikon
P50
Digital Camera
worth S$449 plus a
chance to have your
work featured in our
next issue. Contest is
open to all Nikon
users.
To participate, fill in the form and attach it with your entry
F O C U S P H O T O G R A P H Y C O N T E S T - PAT T E R N
Name:
Age:
Address:
Contact No. (HP):
Male
Female
Contact No. (O):
Email:
Title of Photo:
TITLE:
PLAIN RICE
WINNER
JIMMY GOH
Photo Taken by (Model & Setting/Mode):
Closing Date:
15 May 2008
Send entry to:
FOCUS PHOTOGRAPHY
CONTEST - PATTERN
Nikon Singapore Pte Ltd
80 Anson Road #10-01/02
Fuji Xerox Towers
Singapore 079907
Photo Taken by
(Model & Setting/Mode)
Nikon
Nikon
F100,
D2Xs,
F/14,
1/200sec,F6.3,
Spot metering,
105mm
Aperture
macro
Priority
lens,
Velvia 100
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TERMS & CONDITIONS
• Eligibility – Open to all Nikon users residing in Singapore except Nikon staff; photo must be taken by Nikon camera only • Each photographer
is only allowed one entry with one photo • Only prints in 8X10 size will be accepted or send to [email protected]. For more information,
please visit: www.nikon.com.sg/focus • Print submitted are not returnable • Nikon will not be held for entries lost or damaged Nikon reserves the
rights to use any photograph entered for publicity and other purposes • The entries will be judged on their relevance to the theme, creativity and
overall technical quality • The winner will be notified by post and his/her name will be published in the next issue of FOCUS
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FEATURED PHOTOGRAPHER: LIEW TONG LENG
PORTFOLIO : LIEW TONG LENG’S BIOGRAPHY
repeated’. Over the years, he has developed a
skill in panning, flash photography that can
showcase movement in a still photo.
Liew is well known among his peers to take part
in numerous photography competitions, both local
and international and has won numerous awards.
When asked why, Liew says that as a noncommercial photographer, competitions allow him
to horn his skill. It requires a focus on the theme
and trains one’s eyes to see creatively and from
many perspectives. After the competition and by
looking at the submitted entries, one can pick up
a lot from other participants works and be exposed
to many good ideas and styles when taking exactly
the same location, object or theme.
After picking up his first SLR, the Nikon F301 in
1992, for Liew Tong Leng, there was no turning
back. Upon encouragement and influence of many
photographer friends, his dry boxes at home keeps
filling up with more cameras and lenses, and so
does his collection of albums and boxes of CDs.
So what is this attraction that put this Quality
Engineer by profession through days of living in
the freezing grassland of Mongolia and
uncountable hours of waiting? It is the power of
this 2-D piece of paper to tell a story, to capture
emotions and of course, to share with viewers the
beauty around us that we often may not take note
of.
He has to date been awarded distinction awards
including the Associateship of The Royal
Photographic Society (ARPS) and Photographic
Society of Singapore (APSS). He has contributed
to editorials such as ‘To Singapore With Love’
and ‘Chingay Singapore On Parade’. Some of
the competitions that he had come up tops in are
Great Eastern 4th Photography Competition, Best
of Asian Aerospace Photography Contest 2004,
Moments and Memories National Library
Photography Contest 2004 and S.League Canon
Digital Photography Competition.
TITLE:
Websites: www.liewtlphoto.com
www.liewtl.multiply.com
Liew covers a wide range of photography genre,
but would count capturing movement and action
his favourites, reason being, ‘It captures emotions,
requires a sound technique and it cannot be
TITLE: SHADOW AND LIGHT, Moments and Memories National library photography contest, First Prize
TAKEN WITH: Nikon D100, 17-55mm f2.8 lens
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TITLE: VIVOCITY, TAKEN WITH: Nikon D2X, 18-200mmVR f3.5-5.6 lens
TITLE: SINULOG FESTIVAL, TAKEN WITH: Nikon D200, 10.5mm f2.8 fisheye lens, SB800 Flash
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TITLE: LIFE IS GREAT, Great Eastern 4th photography competition, First Prize
TAKEN WITH: Nikon D100, 70-200mmVR f2.8 lens
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TITLE: CHRISTMAS SEASON, Nikon Focus photography contest, First Prize
TAKEN WITH: Nikon D2H, 10.5mm f2.8 fisheye lens, SB800 flash
TITLE: LIGHTS, The Royal Photographic Society 148th International Print Exhibition 2005, Selected Entry
TAKEN WITH: Nikon D2H, 70-200mmVR f2.8 lens, SB800 Flash
TITLE: WALK WITH THE MUSIC, Newpaper Big Walk Nikon shootout competition, Second Prize
TAKEN WITH: Nikon D2H, 10.5mm f2.8 fisheye lens, SB800 flash
TITLE: TRIATHLON, The Royal Photographic Society 148th International Print Exhibition 2005, Selected Entry
TAKEN WITH: Nikon D2H, 70-200mmVR f2.8 lens
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LIEW GOH
TONG LENG
FEATURED PHOTOGRAPHER: ERIC
TITLE: TWIN TOWER, TAKEN WITH: Nikon D100, 18-200mmVR f3.5-5.6 lens
TITLE: CURVES, TAKEN WITH: Nikon D200, 10.5mm f2.8 fisheye lens
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TITLE: DANCE OF JOY, TAKEN WITH: Nikon D200, 18-200mmVR f3.5-5.6 lens, SB800 Flash
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TITLE: SINGAPORE RIVER, TAKEN WITH: Nikon D2X, 12-24mm f4 lens
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Q & A CONTEST
WIN
Kings ton
2GB SD Ca rd
???
Questions:
Q1. What is the viewing angle of the LCD Screen
for COOLPIX S210?
1) 45 degrees 2) 90 degrees
3) 160 degrees 4) 170 degrees
Q2. Which type of Vibration Reduction Mode is
implemented in COOLPIX S520?
1) Electronics VR 2) Optical Lens Shift VR
3) Sensor Shift VR 4) All the 3 options
Q3. What is the optical zoom factor for COOLPIX
Simply send this completed coupon with your answers to:
FOCUS Q & A Contest,
Nikon Singapore Pte Ltd
80 Anson Road #10-01/02 Fuji Xerox Towers
Singapore 079907 b y 1 5 M a y 2 0 0 8
1) 2.5X
2) 3X
3) 5X 4) 10X
Q4. Which types of batteries when used in
MB-D10 will enable Nikon D300 to achieve
ANSWER:
Q1.
S550?
8fps?
Q2.
Q3.
Q4.
1) EN-EL3e 2) EN-EL4/EN-EL4a NAME:
3) AA Size batteries
NRIC:
4) EN-EL4/EN-EL4a and AA batteries
ADDRESS:
WINNER OF FOCUS 17 TH ISSUE Q&A
CONTEST
Name : Aloysius Tan
TELEPHONE (HP/O/R):
EMAIL:
ANSWER:
Q1: 3
Q2: 4
Q3: 4
Q4: 2
TERMS & CONDITIONS: This contest is opened to all readers except employees of Nikon Singapore Pte Ltd • Prize must be taken as
provided and is neither transferable nor exchange for cash • Winner will be notified by post.
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EVENTS
EVENTS
EMBRACE NATURE @ JURONG BIRD PARK
ORGANIZED BY CLUBSNAP • VENUE: Jurong Bird Park • DATE: 15TH December 2007
It was a sunny morning to start off with for
most enthusiastic Nikonians as Clubsnap has
organized an “Embrace Nature Outing” at
the Singapore Jurong Bird Park.
After 3 hours of photo taking session,
participants then headed towards Cashew
Heights Function Room, courtesy from Mr
Chng Peng Eik, for refreshment and Photo
Critique and Competition. Judges for the
More than 60 members participated in this photo competition are Mr Philip and Mr Alex.
outing – aiming to have a closer touch and They had given valuable critiques on the Top
experience with Nikon’s new DSLR D3 & 3 and 10 Consolation Prize winners.
D300 which were launched in November
2007. Participants were brought to 2 main The outing has been a success, especially
attractions - Lory Loft and Waterfall Aviary, when it rain only after the entire event has
to showcase their own Nikon DLSR cameras ended!
as well as interacting with one another on
their photography skills.
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EVENTS
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EVENTS
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EVENTS
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EVENTS
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EVENTS
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EVENTS
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81
CONTACTS
EXHIBITION 2008
Exhibition Name
: Exhibition 2008
Content
: IT Show 2008
Date
: 6 - 9 MARCH 2008
Venue
: SICEC, Level 4
PHOTO: DAREN TAN
Service Centre
Service Hours
Service Hotlines
Sales & Marketing Hotline
Technical Support
Website
:
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Mon – Tue, Thu – Fri: 9am – 5pm, Wed: 9am – 8pm
Tel: (65) 6559 6363, Fax: (65) 6559 3669, Email: [email protected]
Tel: (65) 6559 3630, Fax: (65) 6559 3671, Email: [email protected]
Email: [email protected]
http://www.nikon.com.sg
AUTHORIZED DEALERS:
[ AMK HUB ]: M.S. Colour 6452 2828 • Max Photo 6483 3368. [ Ang Mo Kio Central ]: M.S. Colour Service 6457 6380. [ Bedok Central ]: Parisilk 6441 6066. [ Bedok North Street 1 ]: Parisilk 6441 7151.
[ Bugis Junction ]: LivePowerHub 6338 4480. [ Causeway Point ]: Posh Photo (Metro Dept Store) 6893 9363. [ Centrepoint ]: Max Photo 6733 3848. [ Far East Plaza ]: Ngen Seng 6734 9342.
[ Funan The IT Mall ]: Alan Photo 6883 0922. [ Holland Village ]: Parisilk 6466 6002. [ Liang Court]: Audio House Marketing 6336 7177. [ Lucky Plaza ]: Aik Seng Photo 6734 5771 • Apo Foto 6235 2686
• DG Image 6836 7981 • Ishida Marketing 6734 7679 • Lord’s Camera 6235 4605. [ Marina Square ]: Cathay Photo 6339 6188. [ Mustafa Centre ]: Mohamed Mustafa & Samsuddin 6295 5855.
[ Pagoda Street ]: Max Photo 6226 7226. [ Peninsula Plaza ]: Cathay Photo 6337 4274 • De-Luxe 6334 2589. [ Peninsula Shopping Complex ]: Ishida Marketing 6338 4656.
[ People’s Park Complex ]: Tan Union 6534 1918. [ Sembawang ]: Parisilk 6452 1593. [ Shaw Towers ]: T K Foto 6292 8167. [ Sims Drive ]: Audio House 6841 2122.
[ Sim Lim Square ]: Alan Photo 6337 7245 • Dynasty Audio 6339 8280 • Song Brothers 6336 8001. [ S’pore Changi Airport T1 ]: Dufry Singapor e 6542 4996.
[ S’pore Changi Airport T2 ]: Sprint-Cass 6542 9141. [ Tanglin Shopping Centre ]: Gope’s Foto 6737 2633. [ Tangs Orchard ]: Techno Bay L3 6738 1800. [ Yishun ]: M.S. Colour Service 6758 0538.
CHAIN STORES:
[ Ables Foto’s (Best Denki) ]: Century Square 6783 5607 • IMM Building 6564 7248 • Junction 8 6259 7140 • Ngee Ann City 6835 2932 • Plaza Singapura 6339 4309.
[ Courts ]: Bukit Timah 6468 1355 • Causeway Point 6894 2030 • Jurong Point 6793 5676 • Tampines Mall 6788 8027 • Suntec City 6339 6800.
[ Harvey Norman ]: Funan The IT Mall 6334 5432 • Jurong Point 6795 2135 • Millenia Walk 6311 9988 • North Point 6757 7695 • Raffles City 6339 6777 • Suntec City 6332 2312.
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focus - Nikon

Transcription

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