property from the andrew lloyd webber

PROPERTY FROM
THE ANDREW LLOYD WEBBER FOUNDATION
Pablo Picasso, Portrait d'Angel Fernández de Soto, 1903
£30,000,000-40,000,000
£34,761,250
Exhibited
Buenos Aires, Galeria Müler, Exposición Pablo Ruiz Picasso, October 1934,
no. 4.
Philadelphia, Museum of Art, Exhibition of French Art, March - April 1937.
New York, M. Knoedler & Co., Inc., Loan Exhibition of Allied Art for Allied Aid,
June 1940, no. 18.
New York, M. Knoedler & Co., Inc., Exhibition Celebrating Knoedler's One
Hundred Years -- 1846-1946, April 1946, no. 76.
New York, M. Knoedler & Co., Inc., Picasso before 1907. Loan Exhibition for
the Benefit of the Public Education Association, October - November 1947,
no. 15 (illustrated, titled 'Angel Fernández de Soto').
New York, The Metropolitan Museum of Art, Summer Loan Exhibition, August
1949.
New York, The Metropolitan Museum of Art, Summer Loan Exhibition, July September 1960, no. 87.
New York, M. Knoedler & Co., Inc., Picasso: an American Tribute, April - May
1962, no. 18 (illustrated, titled 'The Absinthe Drinker').
New York, The Metropolitan Museum of Art, Summer Loan Exhibition, July September 1962, no. 63 (loan no. L 62.63.6).
Toronto, The Art Gallery, Picasso and Man, January - February 1964, no. 17
(illustrated p. 37, titled 'Angel Fernández de Soto/The Absinthe Drinker'); this
exhibition later travelled to Montreal, Museum of Fine Arts, February - March
1964.
Dallas, Museum of Fine Arts, Picasso: Two Concurrent Retrospective
Exhibitions, February - March 1967, no. 7 (illustrated p. 14, titled 'The
Absinthe Drinker').
New York, The Metropolitan Museum of Art, Summer Loan Exhibition, July September 1968 (loan no. 68.85.9).
New York, Saidenberg Gallery Inc., Homage to Picasso for his 90th Birthday.
Exhibition for the benefit of the American Cancer Society, October 1971, no. 2
(illustrated p. 17, titled 'The Absinthe Drinker').
New York, Acquavella Galleries, Inc., Picasso. A Loan Exhibition for the
Benefit of Cancer Care, Inc., The National Cancer Foundation, April - May
1975 (illustrated, titled 'The Absinthe Drinker').
New York, The Metropolitan Museum of Art, on loan, 1990-1991.
London, Royal Academy of Arts, Pre-Raphaelite and Other Masters. The
Andrew Lloyd Webber Collection, September - December 2003, no. 282
(illustrated, titled 'Angel Fernández de Soto').
London, The National Gallery, on loan, May - September 2005 (loan no. 665).
London, The National Gallery, Rebels and Martyrs: The Image of the Artist in
the Nineteenth Century, June - August 2006, no. 39 (illustrated p. 117).
PROPERTY FROM THE DAIMLER ART COLLECTION
Jeff Koons, Balloon Flower
$12,000,000-16,000,000
$16,882,500
Exhibited
Berlin, Potsdamer Platz, Daimler Art Collection,
1999-2010 (on extended view)
PROPERTY FORMERLY IN THE COLLECTION OF
DRESDNER BANK AG
Alberto Giacometti, L’Homme qui marche I, 1960
£12,000,000-18,000,000
£65,001,250
Exhibited
New York, Sidney Janis Gallery, Exhibition of Painting
& Sculpture by Giacometti and Dubuffet, 1968, no. 13
(illustrated).
New York, Sidney Janis Gallery, Giacometti, 1976, no.
16 (illustrated).
New York, Sidney Janis Gallery, Masters in 20th
Century Art, 1979.
Frankfurt, Dresdner Bank, on public display from circa
1980-2009.
Frankfurt, Museum of Moderne Kunst,
Szenenwechsel XIV, 1998-99 (illustrated).
Berlin, Kunsthalle Koidl, Kunstsammlung Dresdner
Bank, 2008 (illustrated).
Claude Monet, Le Pont du chemin de fer à Argenteuil , 1873
Estimate on Request
$41,480,000
Exhibited
Paris, Galerie Durand-Ruel et Cie., La 2ème exposition de
peinture, April 1876, no. 152.
Paris, Galerie Georges Petit, Tableaux par Besnard,
Cazin, C. Monet, Sisley, Thaulow, February-March 1899,
no. 44.
London, New Gallery, The International Society of
Sculptors, Painters and Gravers, Art Congress: Sixth
Exhibition, January-February 1906, no. 190.
Copenhagen, Musée Royal, Art français du XIXe siècle,
May-June 1914, no. 146.
Basel, Kunsthalle, Impressionisten: Monet, Pissarro,
Sisley, Vorlaufer und Zeitgenossen, September-November
1949, no. 126.
Paris, Galerie des Beaux-Arts, Claude Monet, June-July
1952, no. 32.
Washington, D.C., The Phillips Collection, Impressionists
on the Seine: A Celebration of Renoir's Luncheon of the
Boating Party, September 1996-February 1997
(illustrated).
London, Helly Nahmad Gallery, The New Painting: The
New Vision in Modern Art (1835-1956), February-May
1998, no. 1 (illustrated in color, p. 17).
Washington, D.C., National Gallery of Art and Hartford,
Wadsworth Atheneum Museum of Art, The Impressionists
at Argenteuil, May-December 2000, no. 26 (illustrated in
color, pp. 110-111).
Hiroshima Prefectural Art Museum and The Bunkamura
Museum of Art, Monet and Renoir: Two Great
Impressionist Trends, November 2003-May 2004, no. 2, p.
149 (illustrated in color, pp. 22-23).
Exhibited
Fernand Leger, La femme en rouge et vert, 1914
$10,000,000-15,000,000
$22,407,500
Prague, Umelecke Beseda, April 1931.
Amsterdam, Stedelijk Museum, Tentoonstelling van Fransche Schilderkunst uit de twintigste eeuw, AprilMay 1932, no. 136 (lent by Léonce Rosenberg).
Paris, Galerie des Beaux-Arts, Les créateurs du cubisme, March-April 1935, no. 93 (lent by Léonce
Rosenberg).
London, Tate Gallery, Fernand Léger, An Exhibition of Paintings, Drawings, Lithographs and Book
Illustrations, February-March 1950, no. 10.
Amsterdam, Stedelijk Museum and Brussels, Palais des Beaux-Arts, Honderd Meesterwerken uit het
National Museum voor Moderne Kunst te Parijs, April-July 1952, no. 47 (illustrated).
São Paulo, Museo de Arte Moderna, 2 Bienel, December 1953-February 1954, no. 35 (illustrated).
Rio de Janeiro, Museo de Arte Moderna, Exposiçao do cubismo, March-May 1954, no. 35 (illustrated).
Besançon, Palais Gravelle; Valenciennes (no. 27); Dijon (no. 27); Strasbourg (no. 27); Reims (no. 27),
Cent vingt chefs-d'oeuvre du Musée National d'Art Moderne, September 1956-January 1957, no. 67.
Cardiff, National Museum of Wales, Pictures from the Musée National d'Art Moderne, Paris, March-April
1957, no. 35.
London, R.B.A. Galleries, An Exhibition of Paintings from the Musée National d'Art Moderne, Paris, AprilMay 1957, no. 81 (illustrated, pl. XII).
Tours, Musée des Beaux-Arts, Artistes du XXème siècle, July-September 1957, no. 26.
Liège, Musée d'Art Wallon, Léger-Matisse, July-September 1958, p. 17, no. 1.
Paris, Musée National d'Art Moderne, Les sources du XXème siècle: Les arts en Europe de 1884 à
1914, November 1960-January 1961, no. 373.
Tokyo, National Museum and Kyoto, Municipal Museum, Exposition of French Art in Japan, November
1961-January 1962, no. 373 (illustrated).
Grenoble, Musée de Peinture et de Sculpture, Albert Gleizes et tempête dans les salons, 1910-1914,
June-August 1963, no. 35.
Rio de Janeiro, Museu de Arte Moderna; Buenos Aires, Museo Nacional de Bellas Artes; Montevideo,
Museo Nacional de Bellas Artes; and Santiago, Museo Nacional de Bellas Artes, Pintura Francesa
Contemporánea, June-December 1965, no. 18.
Vienna, Museum des 20 Jahrhunderts, Fernand Léger, April-June 1968, no. 4.
London, Institute of Contemporary Arts; Liverpool, Walker Art Gallery; and Bristol, City Art Gallery,
Guillaume Apollinaire, 1880-1918: A Celebration, November 1968-January 1969, no. 277.
Paris, Grand Palais, Salon des Indépendants, Les Indépendants de 1911-1914, March-April 1970, no.
45.
Paris, Grand Palais, Fernand Léger, October 1971-January 1972, p. 6, no. 20 (illustrated, p. 42).
Tokyo, Galeries Seibu; Nagoya, Galerie Meitetsu; and Fukuoka, Cultural Center, Fernand Léger, MarchMay 1972, no. 4 (illustrated).
Villeneuve-d'Ascq, Musée d'Art Moderne, "Les Contrastes de formes de Léger dans les collections
publiques françaises", June-September 1987.
Villeneuve-d'Ascq, Mushe d'Art Moderne, Fernand Léger, March-June 1990, p. 148, no. 62 (illustrated in
color).
Paris, Musée National d'Art Moderne, Centre Georges Pompidou, Présentation des oeuvres récupérées
après la Seconde Guerre Mondiale confiées à la garde du Musée National d'Art Moderne, April 1997, p.
49, no. 20 (illustrated in color).
Paris, Musée National d'Art Moderne, Centre Georges Pompidou, Fernand Léger, May-September 1997,
p. 49 (illustrated in color; illustrated again, p. 336).
Madrid, Museo Nacional, Centro de Arte Reina Sofia, Fernand Léger, October 1997-January 1998, p. 76
(illustrated in color).
Biot, Musée National Fernand Léger, Fernand Léger, les années 1910-1930: Collections du Centre
Georges Pompidou, Musée National d'Art Moderne et du Musée Fernand Léger, Biot, June-September
1998 (illustrated in color).
Villeneuve d'Ascq, Musée d'Art Moderne de Lille Métropole, Fernand Léger, les années cubistes:
Collections du Centre Georges Pompidou, Musée National d'Art Moderne et du Musée d'Art Moderne de
Lille Métropole, March-July 1998, p. 88 (illustrated in color).
Vincent van Gogh, Parc de l'hôpital Saint-Paul, 1889
£8,000,000-12,000,000
£9,001,250
Exhibited
Amsterdam, Municipal Museum, The Municipal Museum Exhibition,
July - August 1905, no. 207.
New York, Montross Gallery, October 1905, no. 66.
Basel, Kunsthalle, Vincent van Gogh, March - April 1924, no. 46.
Zurich, Kunsthaus, Vincent van Gogh, 3 July - 10 August 1924, no.
57.
Stuttgart, Württembergischer Kunstverein, October - November
1924, no. 28.
Paris, Galerie Marcel Bernheim, Vincent van Gogh, Exposition
Rétrospective, January 1925, no. 36.
The Hague, Pulchri Studio, March - April 1925, no. 26.
Munich, Glaspalast, 1926, no. 2071.
Berlin, Galerie Thannhauser, 8 January - February 1927 (not in
catalogue).
Cleveland, Museum of Art, French art since 1800, 1929 (illustrated p.
168).
New York, Wildenstein & Co.,The art and life of Vincent van Gogh,
1943, no.49 (illustrated).
Cleveland, Museum of Art, The work of Vincent van Gogh, 1943, no.
49 (illustrated p. 90).
Cleveland, Museum of Art, Work by Vincent van Gogh, 1948, no. 23
(illustrated pl. XXIV).
Columbus, Gallery of Fine Arts, Masterpieces of Painting, 1950, no.
37.
New York, Wildenstein & Co., Van Gogh, 1955, no. 52 (illustrated p.
60).
New Haven, Yale University Art Gallery, Pictures collected by Yale
alumni, 1956, no. 99 (illustrated).
Los Angeles, Municipal Art Gallery, Vincent van Gogh, 1957, no. 17
(illustrated p. 31).
London, Wildenstein & Co., The French Impressionists and some of
their Contemporaries, April - May 1963, no. 71 (illustrated).
Martigny, Fondation Pierre Gianadda, Van Gogh, June - November
2000, no. 79.
Egon Schiele,
Einzelne Häuser (Häuser mit Bergen) (recto);Monk I (fragment; verso), 1915
$20,000,000 - 30,000,000
$22,416,000
Exhibited
Stockholm, Liljevalche Konsthalle, Österrikiska
Konstutställingen, Katalog 8, September 1917, no.
206.
Vienna, Secession, XLIX. Ausstellung der
Vereinigung bildender Künstler Österreichs, March
1918, no. 9.
Vienna, Österreichisches Museum für Kunst und
Industrie, Kunstschau, June-September 1920, no. 75
(illustrated).
Vienna, Künstlerhaus, XLVI. Jahresausstellung/VI.
Kunstschau, April-June 1925, no. 25.
The Hague, Gemeentemuseum; Rotterdam,
Kunstkring, and Amsterdam, Stedelijk Museum,
Oostenrijksche Schilderijn en Kunstnijverheid
1900-1927, October-November 1927, no. 25
(illustrated).
Vienna, Hagenbund/Neue Galerie,
Gedächtnisausstellung Egon Schiele, OctoberNovember 1928, no. 61.
Zurich, Kunsthaus, Ausstellung, March-April 1930,
no. 190.
Dusseldorf, Kunsthalle, Meisterwerke der
österreichischen Malerei 1800-1930, May-June
1959, no. 159.
New York, The Solomon R. Guggenheim Museum,
Gustav Klimt and Egon Schiele, February-April 1965,
no. 39. (illustrated).
Vienna, Österreichische Galerie, Egon SchieleGemälde, April-September 1968, no. 52 (illustrated).
Munich, Haus der Kunst, Egon Schiele, FebruaryMay 1975, p. 29, no. 59 (illustrated).
New York, Neue Galerie, Egon Schiele: The Ronald
S. Lauder and Serge Sabarsky Collections, October
2005-February 2006, p. 190, no. P18 (illustrated in
color, p. 191).
Paul Signac, Arrière du Tub, 1888
$6,000,000 - 8,000,000
$11,688,000
Exhibited
Oslo, Kunstnernes Hus, November 1946, no. 32.
New York, Hammer Galleries, Seurat and his
Friends, October-November 1962.
London, Arthur Tooth & Sons, Ltd., May 1963.
Paris, Musée du Louvre, Signac, December
1963-February 1964, p. 27, no. 23 (illustrated).
London, Arthur Tooth & Sons, Ltd., Pointillisme,
June 1966.
London, Royal Academy of Arts and Washington,
National Gallery of Arts, Post-Impressionism.
Cross Currents in European Painting, November
1979-September 1980, no. 209 (illustrated, pp.
137-138).
London, National Gallery, Seurat and the
Bathers, 1997, no. 165 (illustrated in color, p.
141).
Paris, Galeries nationales du Grand Palais;
Amsterdam, The Van Gogh Museum, and New
York, The Metropolitan Museum of Art, Signac,
1863-1935, February-December 2001, pp.
131-132, no. 28 (illustrated in color, p. 132).
Martigny, Fondation Pierre Gianadda, Paul
Signac, June-November 2003, no. 11.
Juan Gris, Violon et Guitare, 1913
$18,000,000 – 25,000,000
$28,642,500
Exhibited
Paris, Galerie Simon, Exposition Juan Gris, March-April 1923, no. 4.
Paris, Petit Palais, Les Maîtres de l'Art Indépendant, 1895-1937, JuneOctober 1937, no. 17.
New York, Jacques Seligmann & Co., Juan Gris, November-December 1938,
no. 12 (illustrated, pl. 12).
Chicago, Arts Club, Retrospective Exhibition Juan Gris, January 1939, no. 28.
New York, Mortimor Brandt Gallery, Color and Space in Modern Art Since
1900, February-March 1944, no. 12.
Boston, Institute of Modern Art, Four Spaniards: Dalí, Miró, Gris, Picasso,
January-March 1946, no. 20.
New York, Buchholz Gallery (Curt Valentin), Juan Gris, April 1947, no. 1.
Cincinnati Art Museum, A Retrospective Exhibition of the work of Juan Gris,
April-May 1948, no. 9.
Northampton, Smith College Museum of Art, Some Paintings from Alumnae
Collections, June 1948.
New York, The Metropolitan Museum of Art, Summer Loan Show, JulyAugust 1950.
New York, The Museum of Modern Art, New York Private Collections, JuneSeptember 1951.
Kunstmuseum Bern, Juan Gris, October 1955-January 1956, no. 11.
Venice, XXVIII Esposizione Biennale di Venezia, June-October 1956, p. 253,
no. 6.
Boston, Museum of Fine Arts, European Masters of Our Time, OctoberNovember 1957, no. 42 (illustrated, pl. 20).
New York, The Museum of Modern Art; The Minneapolis Institute of Arts; San
Francisco Museum of Art and Los Angeles County Museum of Art, Juan Gris,
April-June 1958, pp. 13 and 26-27 (illustrated in color, p. 29).
New York, M. Knoedler & Co., Inc., The Colin Collection, Paintings,
Watercolors, Drawings and Sculpture collected by Mr. and Mrs. Ralph F.
Colin, Pamela T. Colin and Ralph F. Colin Jr., April-May 1960, no. 58
(illustrated).
Paris, Musée de l'Orangerie, Juan Gris, July-September 1974, p. 27, no. 18
(illustrated in color, pp. 13 and 80).
Baden-Baden, Staatliche Kunsthalle, Juan Gris, July-September 1974, no. 15
(illustrated in color).
New York, The Museum of Modern Art; Sydney, The Gallery of New South
Wales and Melbourne, National Gallery of Victoria, Modern Masters: Manet to
Matisse, 1975, p. 161, no. 43 (illustrated).
Washington, D.C., The National Gallery of Art; Berkeley, University Art Gallery
and New York, The Solomon R. Guggenheim Museum, Juan Gris, October
1983-July 1984, pp. 46 and 178, no. 19 (illustrated in color, p. 47).
Madrid, Salas Pablo Ruiz Picasso, Juan Gris 1887-1927, SeptemberNovember 1985, p. 145, no. 19 (illustrated in color; illustrated, fig. 5).
Rene Magritte, L’empire deslumières, 1952
$5,000,000 – 7,000,000
12,959,500
Exhibited
New York, Iolas Gallery, René Magritte, MarchApril, 1953.
Dallas, Museum for Contemporary Art and
Houston, Museum of Fine Arts, René Magritte in
America, December 1960-March 1961, no. 42.
Minneapolis, Walker Art Center, The Vision of
René Magritte, September-October 1962, no. 36.
Brussels, Palais des Beaux-Arts, René Magritte,
March-June 1998, p. 178, no. 175 (illustrated in
color, p. 179).
Humlebaek, Louisiana Museum of Modern Art;
Edinburgh, Scottish National Gallery of Modern Art;
and The San Francisco Museum of Modern Art
(no. 54), Magritte, August 1999-September 2000,
p. 80, no. 59 (illustrated in color).
Joan Miro, Portrait de Mme. K.
$4,000,000 - 6,000,000
$12,656,000
Exhibited
Brussels, Palais des Beaux-Arts and Amsterdam,
Stedelijk Museum, Joan Miró, January-March 1956,
no. 10 (illustrated; with incorrect dimensions 115 x 89
cm.; attributed to Collection René Gaffé).
London, Tate Gallery and Zurich, Kunsthaus, Joan
Miró, August-December 1964, p. 22, no. 36
(illustrated, pl. 7a; with incorrect medium oil and
charcoal; with incorrect dimensions 115 x 89 cm.).