100 Years of Swiss Graphic Design
Transcription
100 Years of Swiss Graphic Design
— Press Release February 2012 New exhibition at the Museum für Gestaltung Zürich Museum of Design Zurich — Museum für Gestaltung Zürich — — — Ausstellungsstrasse 60, CH-8005 Zürich Telefon +41 (0)43 446 67 67 Fax +41 (0)43 446 45 67 — www.museum-gestaltung.ch [email protected] — — Zürcher Hochschule der Künste Zürcher Fachhochschule 100 Years of Swiss Graphic Design Exhibition: 10 February to 3 June 2012, Halle Media conference: Thursday, 9 February 2012, 10 am Opening: Thursday, 9 February 2012, 7 pm Curator: Karin Gimmi, Museum für Gestaltung Zürich Barbara Junod, Graphics Collection, Museum für Gestaltung Zürich Scenography: Matthias Gnehm Up to the present day Swiss graphic design has always been regarded as a pioneering and high-quality product. With a fresh and comprehensive exhibition the Museum für Gestaltung Zürich now presents one hundred years of visual communication. Graphic design is ubiquitous. Who is not familiar with the signet of the SBB, the nine glowing colored dots on the ABM plastic bags, or the legendary advertising campaign for Toni yoghurt? The graphic symbols of everyday life inscribe themselves in the collective memory and exert a lasting impact on visual culture. “100 Years of Swiss Graphic Design” showcases the diversity of contemporary visual culture as well as revealing the fine lines of tradition that extend between works from different epochs. The show reveals that, while it is impossible to identify a single individual style in Swiss graphic design, a certain common approach is certainly to be found. The striking quality of the works, the way in which they are securely rooted in handcraft, as well as precision and reduction to essentials are the characteristics of this approach. Graphic works from Switzerland reflect international tendencies as well as local characteristics. They are accompanied by irony and wit. Graphic design meets art, photography and music This exhibition is a colorful cross-section through one hundred years of visual everyday culture. The chronological link is formed by a continuous frieze made up of 100 posters from the period between 1912 and 2012. The poster has been able to retain its relevance as a medium over this entire period, so that the range extends from classic masters of poster art, such as Otto Baumberger, to designers from the younger generation. The show reveals that, despite changes in needs, aspirations and techniques over the course of time, graphic design always circles around similar themes: the field of tension between art and graphic design is manifested, for example, in the works of Max Bill, the dialogue between graphic design and photography is illustrated by Herbert Matter’s tourism advertising, and the world of signs and symbols in the Migros logo. Advertising is represented by classics from the Zurich advertising agency GGK, the permanent relation- 1/3 ship between music and graphic culture by examples from the club scene or by Max Huber’s legendary Sirenella poster. “100 Years of Swiss Graphic Design” makes reference both to changes in thought patterns as well as constants in the approach of the designers or in the use of design tools. Here the spotlight is turned, for example, on Swissair and its visual presence, the signage in the Centre Georges Pompidou in Paris or the production of the Rote Fabrik. The venue area, a temporary platform within the exhibition, shows consecutively two contemporary positions selected by external curators and teams of artists. To underscore the historical diversity of Swiss graphic design in terms of content, the exhibition also conveys the wide range of media used. In addition to the poster smaller printed items such as the party flyer, examples of book design and signage, memorable advertising campaigns, design objects and moving images are also shown. Many exhibits come from the museum’s own rich poster and graphic design collection, augmented by important donations and loans. With a view ahead to the new collection center of the Museum für Gestaltung Zürich, currently being created on the Toni site, this is the first time that the unique wealth of objects in the collection is being presented to the public at this scale. A comprehensive, illustrated publication in German and English will appear in summer 2013. Opening Hours Tuesday–Sunday 10 am – 5 pm, Wednesday 10 am – 8 pm Easter and Whit: 10 am – 5 pm Closed: Monday, as well as Good Friday 6 April Venues 10 February to 15 April 2012 Aperçu 2011: Graphisme en Romandie Curated from Schönherwehrs/Gregor Schönborn, Stéphane Hernandez, Nils Wehrspann, Geneva 19 April to 3 June 2012, Opening: Wednesday, 18 April 2012, 6 pm Things to Do Jürg Lehni, Urs Lehni and Rafael Koch, Zurich 2/3 Discussions at the Exhibition (in German) Wednesday, 7 March 2012, 6 pm Visual presences. ABM and Centre Georges Pompidou Ernst Hiestand, Ursula Hiestand and Jean Widmer, visual designers, and Karin Gimmi, curator of the exhibition. Wednesday, 14 March 2012, 6 pm ‘Typography can be art under certain circumstances’ Wolfgang Weingart and Ludovic Balland, visual designers, and Barbara Junod, curator of the Graphics Collection Museum für Gestaltung Zürich Wednesday, 21 March 2012, 6 pm Art versus commerce? Jean Etienne Aebi, creative consultant, and Christian Brändle, Director Museum für Gestaltung Zürich Wednesday, 16 May 2012, 6 pm Handmade. Current tendencies in design practice Dafi Kühne and Eric Andersen, visual designers, and Bettina Richter, curator of the Poster Collection Museum für Gestaltung Zürich Public Guided Tours (in German) Sunday, 11 am: 12, 26 February / 11, 18, 25 March / 15, 29 April / 13, 27 May / 3 June Wednesday, 6 pm: 15, 29 February / 28 March / 4 April / 2 May Further information on the guided tours, workshops for schools etc. are available at: www.museum-gestaltung.ch Press images http://www.museum-gestaltung.ch/en/information/media-service/ Contact Bernadette Mock, Head of Communications Tel. +41 (0) 43 446 67 04, [email protected] With the generous support of Advico Young & Rubicam Graphische Anstalt J.E. Wolfensberger AG Migros Kulturprozent Spillmann/Felser/Leo Burnett 3/3