ARIK LEVY - Hedge Gallery

ARIK LE V Y
isr a el , 1963
“c r e at ion i s a n u nc on t rol l e d m u s c l e” ac c or di ng t o a r i k l e v y (b or n 19 63).
a rt i s t, t e c h n ic i a n, p ho t o gr a p h e r , de sign e r , f i l m m a k e r , l e v y ’s sk i l l s a r e m u lt i-di s c i p l i n a ry a n d
h i s wor k c a n be se e n i n p r e s t igiou s g a l l e r i e s a n d m u se u m s w or l dw i de . be s t k no w n p u bl ic ly f or
h i s s c u l p t u r e s – s uc h a s h i s sig n at u r e ro c k p i e c e s –, h i s i n s ta l l at ion s , l i m i t e d e di t ion s a n d
de sig n, l e v y n e v e rt h e l e s s f e e l s “ t h e w or l d i s a b ou t p e op l e , no t obj e c t s.”
h a i l i ng or igi n a l ly f rom i sr a e l a n d mo v i ng t o e u rop e a f t e r h i s f i r s t pa rt ic i pat ion i n a grou p
s c u l p t u r e e x h i bi t ion i n t e l -av i v i n 19 88 , l e v y c u r r e n t ly w or k s i n h i s s t u dio i n pa r i s.
h i s f or m at ion wa s u nc on v e n t ion a l w h e r e s u r f i ng, a s w e l l a s h i s a rt a n d gr a p h ic de sign s t u dio,
t o ok u p m uc h of h i s t i m e b a c k hom e . f ol l o w i ng s t u di e s at t h e a rt c e n t e r e u rop e i n s w i t z e r l a n d
h e g a i n e d a di s t i nc t ion i n i n du s t r i a l de sign i n 19 91.
a f t e r a s t i n t i n j a pa n w h e r e h e c on s ol i dat e d h i s i de a s p roduc i ng p roduc t s a n d p i e c e s f or
e x h i bi t ion s , l e v y r e t u r n e d t o e u rop e w h e r e h e con t r i bu t e d h i s a rt i s t ry t o a no t h e r f i e l d –
c on t e m p or a ry da nc e a n d op e r a b y way of se t de sign.
t h e c r e at ion of h i s f i r m t h e n m e a n t a f or ay b ac k t o h i s f i r s t l o v e , a rt a n d i n du s t r i a l de sign, a s
w e l l a s o t h e r br a nc h e s of h i s ta l e n t s.
c on si de r i ng h i m se l f no w mor e of a “f e e l i ng” a rt i s t, a r i k l e v y c on t i n u e s t o con t r i bu t e
s u b s ta n t i a l ly t o ou r i n t e r ior a n d e x t e r ior m i l i e u, h i s w or k i nc lu di ng p u bl ic s c u l p t u r e , a s
w e l l a s c om p l e t e e n v i ron m e n t s t h at c a n be a da p t e d f or m u lt i u se . “l i f e i s a s y s t e m of sign s a n d
s y m b ol s ,” h e s ay s , “ w h e r e no t h i ng i s qu i t e a s i t se e m s.”
COMPE TITIONS A ND PRIZE S
2014
design plus pow er ed by light+building 2014 : best of design plus - w ir eflow penda n ts by a r ik le v y for
v ibi a – fr a nk furt
wa llpa per* design awa r ds 2014 – best line wor k – w ir eflow penda n ts by a r ik le v y for v ibi a – london
2013
in ter ior design best of y e a r 2013 – best floor a nd sconce lighting – fold by a r ik le v y for v ibi a – ne w
yor k
2011
good design awa r d : pat ter n collection for emu - usa
design plus pow er ed by ish 2011 awa r d : best product – struct u r e collection for inba ni – fr a nk f u rt
2010
gr a nd pr i x str atžgies du design 2010 : best br a nding pack aging – bot tle a scen t for isse y mi ya k e – pa r is
2009
r ed d o t design awa r d : best produc t design 2009 – sh05 a r ie shelv ing s y st e m by e15 – essen
t he in t er ior in novat ion awa r d, c at eg ory “best of t he best” sh05 a r ie shelv ing s y st e m by e15 – köl n
wa l l pa per* design awa r ds 2009 - best n e w beds - l a n dsc a pe by a r ik l e v y for v er a r d o – i ta ly
wa l l pa per* design awa r ds 2009 - best shelv ing - f lu id by a r ik l e v y for des a lt o - i ta ly
h e d ge g a l l e r y.c om / + 1 4 15 433 2 233
2008
ja n us awa r d for in dust ry, design a n d in novat ion 2008, l o g l igh t by s a a sz – pa r is
l a bel v i a , t orch ta bl e l a m p by b acc a r at - f r a nce
r ed d o t design awa r d : best produc t design 2008 – m ist ic col l ec t ion by g a i a & gino – essen, ger m a n y
el l e decor at ion in t er nat iona l design awa r ds 2008 – design er of t he y e a r
wa l l pa per* design awa r ds 200 7 - best modu l a r f u r n i t u r e - c u bic m et er by a . l e v y for k en n y sch ach t er
l on d on
design plus awa r d 2008, m i t os gl a ss wa r e col l ec t ion by k v et na - f r a n k f u rt
gl obes de cry sta l a rts et c u lt u r e 2008 pa r is pr e m ièr e – best design er - pa r is
2007
ja n us awa r d for in dust ry, design a n d in novat ion 200 7, in v isibl e s y st e m by v ispl ay – pa r is
wa l l pa per* design awa r ds 200 7, f u r n i t u r e design er of t he y e a r , f ina l ist - l on d on
2006
design plus awa r d 2006, m ist ic va se by g a i a & gino
2005
t he in t er ior in novat ion awa r d, c at eg ory “best deta il” 4t o8 ta bl e by des a lt o - köl n
t he in t er ior in novat ion awa r d, c at eg ory “best deta il” l iko gl a ss ta bl e by des a lt o - köl n
el l e decor at ion m ag a z in e design awa r d for l igh t ing (2n d edi t ion)
2003
t he in t er ior in novat ion awa r d, c at eg ory “best of t he best” l iko ta bl e by des a lt o - köl n
2002
pr i x de l’observ eu r du design/a p ci, a r ik sofa by l ign e roset - f r a nce
gr a n d pr i x de l a pr esse in t er nat iona l e de l a cr i t iqu e du m eu bl e con t e m p or a in, a r ik sofa by l ign e
roset - f r a nce, 2002
l a bel v i a , a r ik sofa by l ign e roset
2001
c a rt ier in t er nat iona l of f ice f u r n i t u r e a n d l igh t s y st e m in col l a bor at ion w i t h v i t r a
l a bel v i a , sl i m stack ing ch a ir by l ign e roset
george n el son awa r d, in t er ior m ag a zin e
2000
l a bel v i a , u cd shel f by l ign e roset - f r a nce
if awa r d l igh t f i x t u r es - ger m a n y
l’e x pr ess best of c at eg ory l igh t - f r a nce
c a rt e bl a nche v i a - f r a nce
1999
l a bel v i a , l igh t p o ck et l a m p by l ign e roset - f r a nce
gr a n d pr i x de l a pr esse in t er nat iona l e de l a cr i t iqu e du m eu bl e con t e m p or a in, cl ou d l a m p - f r a nce
design plus awa r d 1999, a m bien t e fa ir , seed p orcel a in e l a m p – f r a n k f u rt
1997
mou v e m en t f r a nç a is de l a qua l i t é – p ost er s for “qua l i t é 97 ” c a m pa ign - pa r is
1991
seiko epson (in t er nat iona l a rt cen t er awa r d) - ja pa n
DE SIGN E X HIBITIONS
2012
sl o t t l a b, pa r is – design w eek – grou p e x hibi t ion – f r ac ta l l ed + p ow er edby j i m m y ja n e + shin e +
w el l of l if e
h e d ge g a l l e r y.c om / + 1 4 15 433 2 233
2011
jgm. g a l er ie, pa r is – m+c design 2008-2011 – grou p e x hibi t ion – facet mo on + w ir ef l ow r a n d om +
bigro ck
g a l er ie pier r e-a l a in ch a l l ier , pa r is – u n r eg a r d d’obsidien n e – grou p e x hibi t ion – a bsence
design m useu m hol on, isr a el – p ost fossil: e xc avat ing 21st cen t u ry cr e at ion – grou p e x hibi t ion –
rock f usion + sel fa rcheol o g y
21 _ 21 design sigh t g a l l ery, t ok yo – r e a l i t y l a b – grou p e x hibi t ion – f i x ing nat u r e l o g insta l l at ion
2010
a l on sege v g a l l ery, t el av i v – u n t i t l ed – sol o e x hibi t ion
m i t t er r a n d+cr a m er , genﾏ v e – geo t ec t on ic – sol o e x hibi t ion
pr i v eekol l ek t ie, heusden a a n de m a a s – m y na m e is a r ik l e v y – sol o e x hibi t ion
ista n bu l moder n, ista n bu l – l o g for est insta l l at ion – dice k ay ek’s ista n bu l con t r a st
per sona l i t y disor der so ci a l codes insta l l at ion – no hol ds b a r r ed – a rt a mst er da m
eigh t h v eil g a l l ery, l os a ngel es – ou t t her e l o g ging – sol o e x hibi t ion
s a n ta mon ic a m useu m of a rt, us a – lu m in escence, bet w een f ir e & ice – sol o e x hibi t ion
st r a f design ho t el , m il a no – con f essions – insta l l at ion
l a m br et t o a rt proj ec t, m il a no – 13 798 gr a ms of design – grou p e x hibi t ion – ro ck f usion br a ss –
21 _ 21 design sigh t, t ok yo – p ost fossil: e xc avat ing 21st cen t u ry cr e at ion – grou p e x hibi t ion –
rock f usion + sel fa rcheol o g y
a r k i t ek t u r m useet, st o ck hol m – design bo ost: design for l if e – grou p e x hibi t ion – cr isis bl ow u p
furniture –
2009
sl o t t g a l l ery, pa r is – con f essions – sol o insta l l at ion in pr žl i m ina ir es e x hibi t ion
design m i a m i – hscb design er s l ou nge – con n ec t ion col l ec t ion / volu m e 1 – ro ck shelv es +
rock spl i t
s wa rov sk i cry sta l pa l ace, e x m ag a z z in i di p orta genova m il a no – osmosis
or at or io b a sil ic a di s. a m bro gio, m il a no - prophets & pen i t en ts, con f essions of a ch a ir – grou p e x hibi t ion- iden t i t y disor der ch a ir
g a l l er i a n ina lu m er , m il a no - l ov e design – grou p e x hibi t ion – p ow er ed by j i m m y ja n e
2008
design m i a m i, m i a m i – be yon d org a n ic: design in t he stat e of nat u r e – grou p e x hibi t ion
k en n y sch ach t er /rov e, l on d on – di v er sion – grou p e x hibi t ion
ch ats wort h, u k – be yon d l i m i ts – grou p e x hibi t ion – l o g cor n er + l o g cor n er gr id
su del e y c a st l e, u k – t he a rt ist’s pl aygrou n d – grou p e x hibi t ion – mo on ta bl es
w r igh t20, chic ag o, il – a bsen t nat u r e
b a r b a r a dav is g a l l ery, houst on, t x - i m per at i v e design – grou p e x hibi t ion
ta i ping, col o gn e – t he ro ck c a r pet col l ec t ion : ro ck wor l d insta l l at ion – pa ss agen
2007
hom e ta bl e deco fa ir 200 7, seou l – gu est of honou r – a r ik at hom e e x hibi t
t he g a l l ery, brussel s – l i m i t ed edi t ion col l ec t ions by bi t ossi cer a m iche – t u bes
su per design cov en t g a r den/k en n y sch ach t er rov e, l on d on – cosm ic nat u r e
h e d ge g a l l e r y.c om / + 1 4 15 433 2 233
2006
hed ge g a l l ery, s a n f r a ncisco – no t f u r n i t u r e : x x i cen t u ry design
t r iode, pa r is – t o ta l w hi t e – g a l ac t ic a
k u nst pav iljoen, n ieu w-roden – m useu m house – by l i edel ko ort – ro ck
cen t r e c u lt u r el f r a nç a is, m il a n - r ép u bl iqu e l ibr e du design- org a n insta l l at ion,
foru m dif f usion, pa r is - 2 4 h
shi m m ergl i m m ert w in k l espa r k l eshin e! - moss g a l l ery, n e w yor k
pa ss age de r et z , pa r is – du bois d on t on se ch au f f e
2005
m useu m of moder n a rt, n e w yor k – s a f e: design ta k es on r isk
seou l a rts cen t er , h a ng a r a m design m useu m
espace silv er a , pa r is - v ipp for h a n dic a p in t er nat iona l
g wa ngj u design bien na l e, kor e a - n e w wav e in design
t r av el ing e x hibi t ion - 40/4 fort y ch a ir s in fou r f eet
u n i v er s a l c u r iosi t ies / t r en d u n ion by l i edel ko ort
cen t r e georges p om pid ou, pa r is - d -day, f rom pr i m i t i v e t o v irt ua l g a l er ies l a fay et t e hom e, pa r is - l e pet i t p oucet - design er’s day s
foru m dif f usion, pa r is - bel l e r ebel l e au bois d or m a n t - design er’s day s
design _ m a i, ber l in - sho ts on br av e n e w wor l d - 30’ f il m
g a r a n t i g a l l ery, ista n bu l - f eel befor e you see
espace taja n, pa r is - l e siège da ns t ous ses états - pr esen t ing bo ok st o ol
m a ison & obj et, espace t en da nce, pa r is - u lt r a lu x
f nac, fon d nat iona l d’a rt con t e m p or a in, f r a nce - design en st o ck
2004
pa r k ry uso ok g a l l ery seou l - l ov e cou n ts
2003
design l a b, pa r is
sen t ou, pa r is - in t he a ir
eu ro r scg bet c agenc y, pa r is – 2d 3d - 01/2003ci t é de l a sciences et de l’in dust r ie, pa r is - observ eu r
2002
du design – pr esen t ing a r ik sofa
v i a , pa r is – t r a nslucide - pr esen t ing l igh t o c t op uss
g a l l ery h2o, t ok yo - f r ench design
cen t r e georges p om pid ou, pa r is - m y dif f er en t g a r den
v i a , pa r is - l a bel v i a
espace silv er a – design er’s day s – pr esen t ing get-set of f ice s y st e m
a bi ta r e il t e m p o, v erona - isr a el i design er s
2001
v i a , pa r is - l a bel v i a – pr esen t ing sl i m ch a ir a n d cd r ack
pa sc a l e co t ta r d - ol lsson g a l l ery, st o ck hol m - per sona l e x hibi t ion
g a l er ie en at t en da n t l es b a r b a r es, pa r is
sen t ou g a l er ie, pa r is – ta bou r ets
cen t r e georges p om pid ou, pa r is - col l ec t ion design
m useu m of moder n a rt, n e w yor k - wor k shiper s – pr esen t ing a n of f ice s y st e m
g a l er ie f ü r a nge wa n d t e k u nst, m u n ich - l ich t
h e d ge g a l l e r y.c om / + 1 4 15 433 2 233
2000
l a n v in, pa r is - l of t éphé m èr e
v i a , pa r is - c a rt e bl a nche mobil ier
s a l on du m eu bl e/ m et rop ol e, pa r is - r epèr es 2000 - 2000
1999
s a l on lu m ina ir e, pa r is
fr ench design - design w eek , t ok yo
g a l er ie pa ss age de r et z , pa r is - l e pa ss age du siècl e 1899 -1999
v i a , pa r is - l a bel v i a
s a l on du m eu bl e - r epèr es 1999 - 1999
sen t ou g a l er ie, pa r is - 980°/220v
1998
g a l l ery openspace, m il a n - l a bir in t i di luce
in t er ior 98, design for eu rope, kort r ij k , bel gi u m - con t e m p or a ry l igh t design
spa z io g a l l ery, m il a n - con t e m p or a ry l igh t design
g a l er ie pa ss age de r et z , pa r is - t he f u t u r e t o m eet
g a l er ie pa ss age de r et z , pa r is - l igh t l igh t
1997
l’a r a di dio gen e g a l l ery, pa r is-m il a n pa r is-m il a no r encon t r e av ec u n e nou v el l e gén ér at ion
ozon e g a l l ery, t ok io - pr esen t ing t er r a p orcel a in l igh t,
1996
seiko ags gin z a g a l l ery, t ok io - concep t ua l wat ch design
l ou isi a na m useu m, da n e m a r k - design a n d iden t i t y – pr esen t ing a n insta l l at ion
1995
¬giepac grou pe e m b a l l age, f r a nce - e x p osi t ion cr e a pac
“lust r a” modu l a r l a m p, e x hibi t ion of n e w design ed produc ts
1991
a x is g a l l ery, t ok io - design t hin k ing - pr esen t ing si x proj ec ts w i t h f u l l sc a l e model s
A RT E X HIBITIONS A ND INSTA LL ATIONS
2014
l ou ise a l e x a n der g a l l ery, p ort o cervo – u ncon t rol l ed nat u r e – sol o e x hibi t ion il a n engel g a l l ery,
pa r is – n e w wor k s – sol o e x hibi t ion
at om i u m, brussel s – ro ckgrow t h 808 at om i u m – p u bl ic space per m a n en t insta l l at ion a n d e x hibi t ion
cry sta l wor l ds m useu m, wat t ens – t r a nspa r en t opaci t y – f i v e-y e a r sol o insta l l at ion
fon dat ion edf, pa r is – qu e l a lu m ièr e soi t – r e w in da bl el igh t a rt v ideo
l a m a ison ch a m ps ely sées, pa r is – cr at er _ f210 a n d insta l l at ion of o t her a rt wor k s
2013
m usée des a rts décor at ifs, pa r is – sel ec t ion of a rt wor k s a l ongside t he e x hibi t ion “da ns l a l ign e de
m ir e”
v i t r a design m useu m, w eil a m r hein – r e w in da bl el igh t a rt v ideo – l igh t opi a grou p e x hibi t ion
g a l er ist, ista n bu l – ac t i vat ed nat u r e
encl os des ber na r dins, pa r is – ro ckgrow t h insta l l at ion
g a l er ie m au bert, pa r is –nou v el l e lu n e – grou p e x hibi t ion
a l c a z a r , pa r is – f r ac ta l insta l l at ion a n d pho t o e x hibi t ion (orchids a n d seduc t ion ser ies)
m i t t er r a n d+cr a m er , gen e va – n e w sc u l p t u r es – sol o e x hibi t ion
h e d ge g a l l e r y.c om / + 1 4 15 433 2 233
2012
pa ss age de r et z , pa r is – no t hing is qu i t e a s i t see ms – sol o e x hibi t ion
bis a z z a fou n dat ion, mon t ecchio m ag gior e – e x per i m en ta l grow t h – sol o e x hibi t ion & per m a n en t
col l ec t ion
g a l er ist, ista n bu l – l e ja r din de l a spéc u l at ion cosm iqu e – grou p e x hibi t ion c u r at ed by fat od üst ek
s wa rov sk i cry sta l wor l ds, wat t ens – t r a nspa r en t opaci t y – t wo -y e a r sol o insta l l at ion
a l on sege v g a l l ery, t el av i v – gen et ic in t i m ac y – sol o e x hibi t ion
l on d on design m useu m, l on d on – osmosis in t er ac t i v e insta l l at ion at s wa rov sk i’s digi ta l cry sta l –
grou p e x hibi t ion
ja r din du h au v el , s a in t-h y m er – a rt et nat u r e – grou p e x hibi t ion c u r at ed by j e a n- g a br iel m i t t er r a n d
hed ge g a l l ery, s a n f r a ncisco – f l ec t ion – grou p e x hibi t ion c u r at ed by s a br ina bu el l
pr i v eekol l ek t ie, heusden a a n de m a a s – e mo t iona l def l ec t ion – sol o e x hibi t ion
g a l er ie m au bert, pa r is – l e s acr e du pr in t e m ps – grou p e x hibi t ion
a l on sege v g a l l ery, t el av i v – a r ik l e v y & gu y ya na i – grou p e x hibi t ion
st on et ouch, gen e va – c a n del a br a – grou p e x hibi t ion – n u i t des b a ins
2011
nat u r a l hist ory m useu m, l on d on - insta l l at ion - r egen er at ion : ch at on su per st ruc t u r es at t he
nat u r a l hist ory m useu m
jgm. g a l er ie, pa r is – m+c grou p e x hibi t ion
g a l er ie pier r e-a l a in ch a l l ier , pa r is – u n r eg a r d d’obsidien n e – grou p e x hibi t ion design m useu m hol on,
isr a el – p ost fossil: e xc avat ing 21st cen t u ry cr e at ion – grou p e x hibi t ion –
21 _ 21 design sigh t g a l l ery, t ok yo – r e a l i t y l a b – grou p e x hibi t ion
2010
a l on sege v g a l l ery, t el av i v – nat u r a l disor der – sol o e x hibi t ion
m i t t er r a n d+cr a m er , gen è v e – geo t ec t on ic – sol o e x hibi t ion
pr i v eekol l ek t ie, heusden a a n de m a a s – m y na m e is a r ik – sol o e x hibi t ion
ista n bu l moder n, ista n bu l – l o g for est insta l l at ion – dice k ay ek’s ista n bu l con t r a st
a rt a mst er da m, a mst er da m – per sona l i t y disor der so ci a l codes – insta l l at ion at no hol ds b a r r ed
eigh t h v eil g a l l ery, l os a ngel es – ou t t her e l o g ging – sol o e x hibi t ion
s a n ta mon ic a m useu m of a rt, s a n ta mon ic a c a – lu m in escence, bet w een f ir e & ice – sol o
e x hibi t ion
l a m br et t o a rt proj ec t, m il a no – 13 798 gr a ms of design – grou p e x hibi t ion
21 _ 21 design sigh t g a l l ery, t ok yo – p ost fossil: e xc avat ing 21st cen t u ry cr e at ion – grou p e x hibi t ion
2009
s wa rov sk i cry sta l pa l ace, e x m ag a z z in i di p orta genova m il a no – osmosis
or at or io b a sil ic a di s. a m bro gio, m il a no - prophets & pen i t en ts, con f essions of a ch a ir – grou p
e x hibi t ion- iden t i t y disor der ch a ir
g a l l er i a n ina lu m er , m il a no - l ov e design – grou p e x hibi t ion – p ow er ed by j i m m y ja n e
2008
design m i a m i, m i a m i – be yon d org a n ic: design in t he stat e of nat u r e – grou p e x hibi t ion
k en n y sch ach t er /rov e, l on d on – di v er sion – grou p e x hibi t ion
ch ats wort h, u k – be yon d l i m i ts – grou p e x hibi t ion – l o g cor n er + l o g cor n er gr id
su del e y c a st l e, u k – t he a rt ist’s pl aygrou n d – grou p e x hibi t ion – mo on ta bl es
w r igh t20, chic ag o, il – a bsen t nat u r e
h e d ge g a l l e r y.c om / + 1 4 15 433 2 233
b a r b a r a dav is g a l l ery, houst on, t x - i m per at i v e design – grou p e x hibi t ion
g a l er ie a l a in gu t h a rc, pa r is – prop osi t ions lu m in euses 2 – grou p e x hibi t ion
g a l er ie n u m er isc aus a , pa r is – il éta i t u n e fois…- grou p e x hibi t ion for t he g a l l ery ’s open ing– shin e l igh t
sc u l p t u r e
2007
t he m e w s g a l l ery by r a bih h age, l on d on – si t t ing pr et t y – e x hibi t ion of pho t os by jonat h a n roo t, f e at u ring a p ort r a i t of a r ik l e v y w i t h his cr e at ion iden t i t y disor der
di a l o gu es m édi t er r a n éens, st. t rope z – big _ ro ck – insta l l at ion
cen t r e des a rts, enghien-l es-b a ins – l’au t r e
f e at u r ing a p ort r a i t of a r ik l e v y w i t h his cr e at ion iden t i t y disor der
di a l o gu es m édi t er r a n éens, st. t rope z – big _ ro ck – insta l l at ion
cen t r e des a rts, enghien-l es-b a ins – l’au t r e
2006
drugst or e p u bl icis, pa r is – m in i m a x i – insta l l at ion
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pa ss age de r et z , pa r is – big _ ro ck – per m a n en t insta l l at ion
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2005
pa ss age de r et z / mou v e m en ts moder n es, pa r is – du bois d on t on se ch au f f e
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2004
pa r k ry uso ok g a l l ery, kor e a - l ov e cou n ts
v ic t or i a & a l bert m useu m, l on d on – br il l i a n t
2002
hert z l i a m useu m, isr a el v ideo zon e bien na l e - t wo sta r s ho t el - in col l a bor at ion w i t h sig a l i t l a n dau
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2001
is a rt con t e m p or a ry a rt g a l l ery, m u n ich – v irt ua l l igh t
2000
is a rt con t e m p or a ry a rt g a l l ery, m u n ich - v irt ua l /r el igious’
1997
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1996
l ou isi a na m useu m, da n e m a r k - design o g iden t i t et
1986
sc u l p t u r e pa r k , ja f fa , isr a el
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2010
t he a rt inst i t u t e of chic ag o, chic ag o – con t e m p or a ry d om est ic con f essiona l
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2009
t r ien na l e design m useu m, m il a n – m et eor i t e dr aw ing
2006
cen t r e georges p om pid ou, pa r is – insta l l at ion f r ac ta l cl ou d
2005
seou l a rts cen t er , h a ng a r a m design m useu m, seou l - u m bil ic a l l igh t
cen t r e georges p om pid ou, pa r is - h a n dsh a k e l igh t
cen t r e georges p om pid ou, pa r is – pif l ow l igh t
2004
v ic t or i a & a l bert m useu m, l on d on - u m bil ic a l b a l l a n d u m bil ic a l k n i t t ed l igh ts
h e d ge g a l l e r y.c om / + 1 4 15 433 2 233
2002
cen t r e georges p om pid ou, pa r is - d ou bl e l ay er ch a ir , cd shel f
f nac, fon d nat iona l d’a rt con t e m p or a in, pa r is - in f in i t e l igh t v ideo
2001
isr a el m useu m, j erus a l e m - w hi t e hol e l igh t insta l l at ion
isr a el m useu m, j erus a l e m - n eed l igh t
m useu m of moder n a rt, n e w yor k – n eed l igh t
h e d ge g a l l e r y.c om / + 1 4 15 433 2 233