programme. colloque international sur les mémoires de guerre.

PROGRAMME. COLLOQUE INTERNATIONAL SUR
LES MÉMOIRES DE GUERRE.
Mardi 14 juin
Accueil 9h00-9h30
9h30-11h
9h30-11h
1. The construction of war hero in three films of the 1920s
about WWI: Wings (William Wellman) Broken Lullaby
(Lubitsch) The Great Parade (Vidor). / Raphaelle Costa de
Beauregard.
2. Requiem for a Tommy: impersonality and subjectivity in
Stuart Cooper’s Overlord (1975). / Nicole Cloarec.
3. The Spanish-American War on Film: an International
Approach. / Andras Lenart.
1. Constructing Wilfred Owen’s Legacy:
from Poet’s Poet to War Poet. / Jane Potter.
2. Critical Reverberations of the Memory
Boom: Veterans in Pat Barker’s Fictions of
the First World War (1986-2012). / Marlene
Briggs.
3. No Rest for the War Weary: Insomnia and
Memory in Ernest Hemingway's “Now I Lay
Me” / Sarah Kingston.
11h 11h30 pause
11h30-12h30
11h30-12h30
1. Les deux guerres mondiales à travers les caricatures et les
bandes dessinées en Grande-Bretagne. / Renée Dickason.
1. “I don’t know how one would stick it here
if it wasn’t for you”: reconsidering the First
World War through exchanges of letters
between couples. / Carol Acton.
2. The Empire Fights Back: First World War Postcards &
Combat Representations of Indian Colonial Troops. / Gilles
Teulié.
2. Robert Briffault’s War letters: A Divided
Self Under Fire. / Emmanuel Roudaut.
12h30-14h00 repas
14h00-15h00 keynote speaker
Stephen Whitfield
Brandeis University, Massachusetts
The Meaning of Memory: The American Civil War
15h00-15h15 pause
15h15-16h15
15h15-16h15
1. War Voices - Australian Aboriginal Political Revolt Post
WWI. / John Maynard.
2. Wars and Memories of Wars - Impact on the elaboration
of indigenous stereotypes in colonial and postcolonial
societies: the case of New Zealand. / Corinne David.
1. Between Nigeria and Biafra: Locating
Ethnic Minorities in Narratives of the
Nigerian Civil War, 1967-70. / Dominique
Otigbah.
2. A dirty little colonial war: British strategies
to control the visual representation of the
Kenya “emergency” 1952-60. / Keith Bell.
16h15-16h30 pause
16h30-17h30
1. For the Privilege of Dying: African American Artists and
the Imagery of World War 1. / Amy Kirschke.
2. Allies or Enemies? The Representation of Coloured
Soldiers in Contemporary First World War Fiction in English
and French. / Anna Branach-Kallas.
16h30-17h30
1. They fought alone: la mémoire oubliée des
envoyés britanniques et américains auprès de
la résistance française. / Raphaele Balu.
2. Une « époque abominable» : le regard
d’une Australienne sur la France occupée. /
Sylvie Maréchal.
Mercredi 15 juin
Accueil 9h00-9h30
10h-11h
9h30-11h
1. Remembering Gallipoli from Female
Perspectives: Daughters of Mars and The Wing
of Night. / Azer Kemaloglu.
1. Construction de la figure du “héros-combattant juif” :
représentations et contre-représentations sur l’écran
américain. / Véronique Elefteriou-Perrin.
2. ‘Absolutely Napoleonic’: War, Death and
Sibling Intimacy in Katherine Mansfield. /
Gerardo Rodriguez-Salas.
2. « Écrire le Blitz, Entendre la nation » : récit
individuel du Blitz et construction d’une identité
collective sonore dans le cinéma britannique de la
Seconde Guerre mondiale (1939-1945). / Anita Jorge.
3. Celebration, education, entertainment, or commerce?
Transnational influences and local characteristics in
commemorating the WWII Liberation, 2014-2015. /
Susan Hogervorst and Kees Ribbons.
11h 11h30 pause
11h30-12h30
11h30-12h30
1. The Afghanistan Wars in Film: from
Communism to Terrorism. The Changing
Menace towards the United States. / Tatiana
Prorokova.
1. A Duty To Remember, A Duty To Forget: Examining
Americans’ Unequal Memories of the War on
Armenians and the War on Jews. / Jeffrey Demsky.
2. Perpétuation du souvenir: la communauté chypriote
grecque à Londres. / Solveig Marois.
2. Crimea 1854/ Kuwait 1991: Erasing the
Human. / Martin Danahay.
12h30-14h00 repas
14h00-15h00 keynote speaker
Stéphanie Bélanger
Royal Military College of Canada, Kingston, Ontario
Cultural Memories and Hegemonic Indoctrination: tensions and resolutions in the Canadian Armed Forces
15h00-15h15 pause
15h15-16h15
15h15-16h15
1. The West as the Other in Iran’s literary Postwar journalism (1988-1992). / Maryam
Pirdehghan and Mohsen Mahmoudi.
2. The Digital Soldiers’ Tale? Mediatization and
Memory in the War on Terror. / Michael Gisick.
1. A wounded hero of the war in Vietnam: from blaming
to forgetting. / Natalia Avdonina.
2. All [not so] Quiet On the Korean Front: Lewis
Milestone, Gregory Peck and S L A Marshall at Pork
Chop Hill. / Judith Keene.
16h15-16h30 pause
16h30-17h30
16h30-17h30
1. ‘History will be kind to me for I intend to write 1. Of wars, scars and celluloid memory. Representations
it': Winston Churchill's Eleven Volumes on the of war in Sri Lankan Cinema (2000-2010). / Vilasnee
Two World Wars. / Antoine Capet.
Tampoe-Hautin.
2. « Our visit to Waterloo »: Representing the 2. An experience ‘beyond their ken’: managing responses
Battlefield in the Memoirs of Charlotte Eaton and to captivity across Southeast Asia, 1941 – 1945. / Oliver
Elizabeth Butler. / Nathalie Saudo-Welby.
Lizzie.
Jeudi 16 juin
Accueil 9h00-9h30
9h30-11h
9h30-11h
1. The National World War II Museum, New
Orleans: An Architectural Interpretation of War.
/ Victoria Young.
1. “This day is not for you”: the other side of Anzac.
/ Matthew Graves.
2. Remembrance in the UK of Indians’
Participation in the Second World War. / Robert
Upton.
3. Battles and Marches: Orange Heritage and
Fragmented Commemoration in Northern
Ireland. / M.K. Flynn Sieges.
2. Selective Remembering and Motivated Forgetting:
The Primacy of National Identity in Australia’s
Differential Memorialisation of its Wars. / Sheila
Collingwood-Whittick.
3. From Hostility to Lasting Friendship: An
Exhibition on Turkish and Anzac Soldier Personal
Narratives. / Azer Kemaloglu and Sharon MascallDare.
11h 11h30 pause
11h30-12h30
11h30-12h30
1. American Civil War Re-enactment in Britain,
1951-1977. / Nimrod Tal.
2. U. S. Civil War Monuments and
Remembrance of World War I. / Thomas Brown.
1. The humour of a WWI Indian soldier’s narrative
in M.R. Anand’s Across the Black Waters (1940). /
Florence Cabaret.
2. Finding Forgotten Wars: contesting fictions and
frictions of the Second World War via Northeast
India. / Aditya Kiran Kakati.
12h30-14h00 repas
14h00-15h00 keynote speaker
Daniel Palmieri (historian, Red Cross, Geneva, Switzerland)
Very Important Persons in a Stalag: War Humanitarianism in post-WWII Movies".
15h00-15h15 pause
15h15-16h15
15h15-16h15
1. Historically-Estranged Generations:
Memorials and the Relevance Effect in Nigel
Farndale’s The Blasphemer and Tatiana de
Rosnay’s Sarah’s Key. / Marzena SokolowskaParyz.
1. L’identification au vainqueur : une manifestation
du néocolonialisme. / Yves Laberge.
2. The war to haunt all wars: Canada, Afghanistan
and World War One. / James Clark.
2. Searching for Spirits: Spiritualism, Memory
and the Great War. / Kyle Falcon.
16h15-16h30 pause
16h30-18h
1. The Genocide Convention in the American
Press. / Michelle Penn.
2. Destroy, then record and protect. The Allies’
representation of war damage to the Italian
historical buildings (1943-47). / Morgante
Michela.
3. Their Finest Hour?: The British Extreme
Right and Memory of the Second World War,
1999-2010. / Paul Stocker.