Bibliographie Agrégation Contre-culture – Théâtre Ouvrages

Bibliographie Agrégation Contre-culture – Théâtre
Ouvrages critiques
BECK, Julian, The Life of the Theatre: The Relation of the Artist to the Struggle of the
People, New York: Limelight, 1991.
BIGSBY, C.W.E.,
Modern American Drama, 1945-1990, Cambridge University Press,
Cambridge, 1992.
A Critical Introduction to Twentieth-Century American Drama: Beyond
Broadway, Cambridge University Press, Cambridge, 1985.
BLAU, Herbert, The Impossible Theater: A Manifesto, Collier Books, New York, 1964.
BRECHT, Stefan, Queer Theater, Surkhamp, New York, 1978.
*BROYLES-GONZALEZ, Yolanda, El Teatro Campesino: Theater in the Chicano
Movement, University of Texas Press, 1994.
CASE, Sue-Ellen, Feminism and Theatre, Methuen, New York, 1988.
*CARLSON, Marvin,
Performance: A Critical Introduction, Routledge, New York, 1996.
Theories of Theatre: A Historical and Critical Survey from the Greeks to the
Present, Cornell University Press, New York, 1984.
CLUM, John, Acting Gay: Male Homosexuality in Modern Drama, Columbia University
Press, New York, 1994.
DAVIS, R. G., The San Francisco Mime Troupe: The First Ten Years, Palo Alto, Calif.:
Ramparts Press, 1975.
DUVIGNAUD, Jean, Sociologie du théâtre, PUF, 1965.
ESSLIN, Martin, The Theatre of the Asburd, Anchor Books, New York, 1961/1969.
FABRE, Geneviève, Le théâtre noir aux Etats-Unis, CNRS, Paris, 1982.
GOLDBERG, Rose Lee, Performance Art: From Futurism to the Present, Harry N.
Abrams, New York, 1979/1988.
*JOTTERAND, Franck, Le nouveau théâtre américain, Seuil, Paris, 1970.
*KAPROW, Allan,
Assemblages, Environments & Happenings, New York: Harry Abrams, 1966.
Some Recent Happenings, Great Bear Pamphlet, New York: Something Else
Press, 1966.
*KIRBY, Michael, Happenings, E.P. Dutton & Co, New York, 1965.
KOURILSKY, Françoise, Le Bread and Puppet Theatre, Lausanne, L'Âge d'homme, 1971.
MARKOWITZ, Charles, Off-Broadway Plays, Volume 1, Penguin, London, 1970.
MALINA, Judith, The Diaries of Judith Malina 1947-1957, New York: Grove, 1984.
NEWTON, Esther, Mother Camp: Female Impersonators in America, University of
Chicago Press, Chicago, 1972/1979.
*PASQUIER, Marie-Claire, Le théâtre américain d'aujourd'hui, P.U.F., Paris, 1978.
*SAVRAN, David,
Taking It Like a Man: White Masculinity, Masochism, and Contemporary
American Culture, Princeton University Press, Princeton, NJ, 1998. (Chapter
Two)
Communists, Cowboys and Queers: The Politics of Masculinity in the Work of
Arthur Miller and Tennessee Williams, University of Minnesota Press,
Minneapolis, 1992.
*SCHECHNER, Richard,
Between Theater and Anthropology, University of Pennsylvania Press,
Philadelphia, 1985.
*Environmental Theater, An Expanded New Version, Applause, London & New
York, 1973/1994.
Public Domain: Essays on the Theatre, Avon Books, New York, 1969.
SHANK, Theodore, Beyond the Boundaries: American Alternative Theatre, Ann Arbor, The
University of Michigan Press, 1982. (Part I)
TURNER, Victor, From Ritual to Theatre: The Human Seriousness of Play, Performing
Art Journal Publications, New York, 1982.
*TYTELL, John, The Living Theater: Art, Exile, Outrage, Grove, New York, 1995.
Scripts
ALBEE, Edward,
Who's Afraid of Virginia Woolf, 1963, Signet, New York, 1983.
The Zoo Story, in Strasberg, pp. 385-415.
BENTLEY, Eric, Round 2 or New York in the 70s, in Gay Plays: Four, ed., Michael
Wilcox, Methuen, London, 1990, pp. 1-43.
*BROWN, The Brig, + The Brig by Jonas Mekas, 1964 / 66' / 16 mm / nb / son (captation
d’une representation de la version du living theater)
CROWLEY, Mart, 3 Plays By Mart CrowleyAlyson, Los Angeles, 1996. [The Boys in the Band,
A Breeze from the Gulf, For Reasons that Remain Unclear.]
CLURMAN, Harold, ed., Famous American Plays of the 1960s, Laurel, New Nork, 1972.
HOFFMAN, Ted, ed., Famous American Plays of the 1970s, (1988, Paperback, Reissue),
Laurel, New York. [Contents: The basic training of Pavlo Hummel / David Rabe -Moonchildren / Michael Weller -- The taking of Miss Janie / Ed Bullins -- Same time, next
year / Bernard Slade -- Gemini / Albert Innaurato -- Buried child / Sam Shepard]
HOFFMAN, William M., ed., Gay Plays: The First Collection, Avon, New York, 1979. [TShirts, Boy Meets Boy, Confessions of a Female Disorder, Entertaining Mr. Slaone, A Late Snow, The Killing of Sister
George, Cornbury.]
INGE, William, Four Plays, Grove Press, New York, 1990. [Come Back ; Little Sheba ; Picnic ; Bus
Stop ; The Dark at the Top of the Stairs.]
INNAURATO, Albert, Best Plays of Albert Innaurato, Gay Press of New York, New York,
1988. [Coming of Age in Soho, Gemini, The Transfiguration of Benno Blimpie.]
*JONES, Leroi, (ou Imamu Amiri Baraka)
The Baptism & The Toilet, Grove Press, New York, 1966.
Dutchman and The Slave: Two Plays, Harper Perennia,
Four Black revolutionary plays, all praises to the Black man, Indianapolis,
Bobbs-Merrill [1969] (Experimental death unit #1.--A black mass.--Great
goodness of life.—Madheart)
KING, Woodie, MILNER, Ron, eds., Black Drama Anthology, Meridian Book, New York,
1971/1986.
LUDLAM, Charles, Complete Plays by Charles Ludlam, eds. Steven Samuels, Everett
Quinton, Harper and Row, New York, 1989.
*MASON, Susan V., ed., The San Francisco Mime Troupe Reader, The University of
Michigan Press, Ann Arbor, 2005.
SMITH, Jack,
Wait For Me at the Bottom of the Pool: The Writings of Jack Smith, J.
Hoberman and Edward Leffingwell, eds., New York and London: High Risk Books,
1997.
ICA/p.s. 1 new york/london.
"Rehearsal for the Destruction of Atlantis", 1965, in Theatre of the Ridiculous, eds.,
Bonnie Marranca, Gautam Dasgupta, PAJ Books, 1998, pp.13-8.
STRASBERG, Lee, ed., Famous American Plays of the 1950s, The Laurel Drama Series,
New York, 1962. [Camino Real ; The Autumn Garden ; Tea and Sympathy ; The Zoo Story ; A Hatful of Rain.]
WILSON, Lanford,
Collected Plays 1965-1970, Smith and Kraus, Lyme, NH, 1996. [Balm in
Gilead, The Sand Castle, The Rimers of Eldritch, The Gingham Dog, Lemon Sky]
5th of July, Hill and Wang, New York, 1978.
The Madness of Lady Bright, 1964, in Hoffman, pp.177-197.