Conference Schedule - QUB Blogs
Transcription
Conference Schedule - QUB Blogs
French Autopathography Queen’s University Belfast, 21-22 November 2014 Conference Schedule All sessions, including registration, will take place in the Auditorium, McClay Library Friday 21st November 8.45 – 9.15 Registration 9.15 – 10.30 Welcome from Head of the School of Modern Languages. Keynote 1 Hannah Thompson (Royal Holloway, University of London): ‘De simple malade j’étais devenu un handicapé’: (re)negotiating medical and social models of disability in French (from ThérèseAdèle Husson to Jacques Sémelin) 10.30 – 10.50 Tea/Coffee 10.50 – 12.20 Panel 1: L’atroce beauté des corps malades. Esthétisations, érotisations et mises en scène de la souffrance dans l’écriture autopathographique contemporaine (19e–20e siècles) Chair: Jutta Fortin (Université de Vienne) Adrien Guignard (Swiss National Science Foundation): Eros et bacille (de Koch): au régime sanatorial et testimonial Aude Fauvel (University of Lausanne): I cut my breast, therefore I am. Representations of Self-Mutilated Bodies in NineteenthCentury First-Person Narratives of Madness Noémie Christen (University of Saint Gall, Switzerland): L’effroi et la grâce: le corps oxymoron d'Hervé Guibert 12.20 – 1.30 Lunch, Old Staff Common Room 1.30 – 3.00 Panel 2: Séropositivité Chair: Anna Elsner (King’s College London) Enda McCaffrey (Nottingham Trent University): The Intelligence of Illness: an Epistemology of HIV/AIDS Michael Deml (Pennsylvania State University): Le Séropositif est maintenant une espèce: Discursivité, altérité, séropositivité Jean-Pierre Boulé (Nottingham Trent University): Hervé Guibert: autoportraits photographiques et séropositivité 3.00 – 3.20 Tea/Coffee 3.20 – 4.50 Panel 3: Locked-in Syndrome Chair: Sam Haigh (University of Warwick) Claire Boyle (University of Edinburgh): ‘Sais-tu que B[auby] est transformé en légume?’: Corporeality, Humanity and the FirstPerson Perspective in Julian Schnabel’s Film Le Scaphandre et le Papillon Marie-Christine Clemente (University of Cambridge): Scaphandre et le papillon: A Voice Beyond the Body Le Áine Larkin (University of Aberdeen): Philippe Pozzo di Borgo and Philippe Vigand: A Comparative Analysis of their Accounts of Paralysis and Locked-in Syndrome 4.50 – 5.10 Tea/Coffee 5.10 – 6.40 Panel 4: The Social Construction of Illness and Disability: Voice and (inter)subjectivity Chair: Marie-Christine Clemente (University of Cambridge) Dawn Sherratt-Bado (University of Edinburgh): Postcolonial Pathologies: Labour Migration and Disordered Subjectivities in Gisèle Pineau’s Devil’s Dance Vivienne Orchard (University of Southampton) ‘De-pathologise, anti-pathologise, auto-pathologise’: The Ethics of Visual LifeWriting and Autism Sam Haigh (University of Warwick): Autopathography and ‘handicap psychique’ Recovering 6.45 Drinks Reception, The Naughton Gallery at Queen’s 7.45 Conference Dinner, Beatrice Kennedy’s Minds: Saturday 22nd November 10.15 – 11.45 Panel 5: The Poetics of Suffering Chair: Áine Larkin (University of Aberdeen) Steven Wilson (Queen’s University Belfast): “Dictante dolore”: Language and Pain in Alphonse Daudet’s La Doulou Anna Elsner (King’s College London): ‘Je-sans-moi’: Dying and the absence of pain in Malraux’s Lazare Carolyn Rickett (Avondale College of Higher Education, Australia): ‘Live and invent’: The bibliotherapeutic function of Samuel Beckett’s Malone Dies in Brenda Walker’s breast cancer narrative 11.45 – 12.00 Tea/Coffee 12.00 – 1.00 Keynote 2 Tamar Tembeck (McGill University): Expanding the Boundaries of the Genre: Contemporary Québécois Autopathographies in the Visual and Performing Arts 1.00 – 1.30 Lunch 1.30 – 3.00 Panel 6: The Writing Process and the Limits of Autopathography Chair: Jean-Pierre Boulé (Nottingham Trent University) Jutta Fortin (Université de Vienne): « La lumière de l’ombre » : Hervé Guibert journaliste Cécile Decousu (MIC – University of Limerick): L’écriture en protocole: Les histoires d’amours de Violette Leduc et Hervé Guibert Loren Wolfe (Barnard College, NYC): Jean-Luc Nancy: L’immunité, l’ex-criture and a change of heart 3.00 – 3.15 Tea/Coffee 3.15 – 4.45 Panel 7: Pathology and the Poet Chair: Steven Wilson (Queen’s University Belfast) Brenton Hobart (The American University of Paris): The Malady of Clément Marot: From the End of Adolescence to the Start of the Renaissance Solène Thomas (Université Lyon III – Jean Moulin): « Dans la fade odeur de l'iodoforme et du phénol » : Verlaine à l'hôpital Marthe Compain-Benguigui (Université Toulouse 2 Le Mirail): « La lassitude glacée » du corps de Mireille Havet Closing remarks