alabaster - Atelier Alain Ellouz

Transcription

alabaster - Atelier Alain Ellouz
alabaster
M u r s - C l o i s o n s - P l a f o n d s
W a l l
- P a n n e l s - C e i l i n g s
Murs
Walls
private residence
Pascal Desprez design
paris, France
"At first, our client had expected to hang
paintings on the alabaster walls.
When she saw the walls achieved, she
changed her mind. The paintings were
needless.
The alabaster is the artwork."
Pascal Desprez
Alain Ellouz leads a qualified and dynamic team
capable of realizing his ideas. His alliance of three
strong, creative personalities gives coherence and
presence to the creations. Each work is a result of the
cumulative efforts of these three.
Interaction, dialogue, rigour, and pragmatism- all of
these necessary values were applied to ensure the
success of this collection, and the signature of Atelier
Alain Ellouz.
L a te c h n i q u e d e m o n t a g e d e s m u r s
L’Atelier Alain Ellouz offre depuis bientôt 10 ans une
solide expérience de la mise en œuvre de la pierre
à travers la réalisation de projets sur mesure prestigieux, de toutes dimensions, jusqu’au plus monumental. Le calepinage est étudié en concertation avec
l’architecte. Nous avons mis au point des techniques
innovantes de découpe, d’assemblage, de traitements
pour intégrer l’albâtre avec le soin du détail et de la
finition. Le toucher est soyeux.
L a te c h n i q u e d e m o n t a g e d e s m u r s
L’Atelier Alain Ellouz offre depuis bientôt 10 ans une
solide expérience de la mise en œuvre de la pierre
à travers la réalisation de projets sur mesure prestigieux, de toutes dimensions, jusqu’au plus monumental. Le calepinage est étudié en concertation avec
l’architecte. Nous avons mis au point des techniques
innovantes de découpe, d’assemblage, de traitements
pour intégrer l’albâtre avec le soin du détail et de la
finition. Le toucher est soyeux.
A u c o e u r d e l ’ a l b â t re
Il existe deux sortes d’albâtre : l’albâtre calcaire et
l’albâtre gypseux. Seul l’albâtre gypseux offre une
vraie transparence. Perméable, le gypse qui compose
majoritairement la pierre, a laissé les sédiments végétaux et minéraux le pénétrer au cours des siècles,
et dessiner les formes visibles aujourd’hui au coeur
de la pierre.
Mais cet albâtre est rare : peu de gisements
exploitables, et peu de carrières en activité.
Il faut extraire une grande quantité de pierres
pour trouver les blocs avec la bonne dureté,
la belle qualité de transparence et des dimensions utilisables pour les projets. La taille,
au delà de 50 cm, est un facteur de rareté.
La production est irrégulière, il peut se passer plusieurs mois sans trouver de blocs de qualité.
A t t h e h e a r t o f t h e a l a b a s te r
There are two kinds of alabaster stone: calcite alabaster and gypsum alabaster. Only the gypsum alabaster
offers true transparency.
A permeable gypsum of which the stone mostly composed of, allowed the plant and mineral sediments to
penetrate it over the centuries ,and draw the visible
forms at the heart of the stone.
But this alabaster is rare: few excavated fields, and
few active quarries. It is necessary to extract a large
quantity of stones to find blocks with good hardness,
good quality and transparency, and dimensions suitable for projects. The size beyond 50 cm is a rarity
factor. The production is irregular, it may take several
months to find quality blocks.
L a q u a l i t é d e l a p i e r re , e s s e n t i e l l e
p o u r l a r é u s s i te d u p ro j e t
L’Atelier Alain Ellouz n’emploie que les pierres les
plus belles, les plus blanches, directement choisies
dans les carrières.
Nous avons constitué un stock important avec un
réassort régulier. Les plaques sont réunies en ensembles qui permettent de réaliser des calepinages
subtils et des projets multiples et exigents pour la
cohérence du rendu.
Albâtre CRISTAL
CRISTAL ALABASTER
L a q u a l i t é d e l a p i e r re , e s s e n t i e l l e
p o u r l a r é u s s i te d u p ro j e t
Atelier Alain Ellouz use the most beautiful stones, the
most white, chosen directly in quarries.
We have an important stock with regular replenishment. The slabs are marshalled that allowes to carry
out subtle layouts and multiple and demanding projects for coherence of rendition.
Jardin des Roses
Didier Gomez design
RABAT, Morocco
For this 5-star hotel, located close to the
Royal Palace in Rabat, Architects Didier
Gomez and Karim Chakor have combined
French design with Moroccan art on themes
of alabaster, water, roses, mashrabiya
latticework and mosaics.
The 5-star Sofitel Rabat Jardin des Roses in Rabat is
located close to the Royal Palace surrounded by 17.3
acres (7 hectares) of Andalusian gardens with 3000
roses.
Architects Didier Gomez and Karim Chakor have combined French design with Moroccan art on themes of
alabaster, water, roses, mashrabiya latticework and
mosaics. Murano glass and marble chandeliers illuminate the hallway.
Lose yourself amongst the roses, eucalyptus and citrus trees, relax by the swimming pool shaded with
palm trees, sample a mint tea in La Galerie or savor a
cocktail in the Amber Bar at this 5-star hotel in Rabat.
There are two kinds of alabaster stone: calcite alabaster and gypsum alabaster. Only the gypsum alabaster
offers true transparency.
A permeable gypsum of which the stone mostly composed of, allowed the plant and mineral sediments to
penetrate it over the centuries ,and draw the visible
forms at the heart of the stone.
But this alabaster is rare: few excavated fields, and
few active quarries. It is necessary to extract a large
quantity of stones to find blocks with good hardness,
good quality and transparency, and dimensions suitable for projects. The size beyond 50 cm is a rarity
factor. The production is irregular, it may take several
months to find quality blocks .
AlbâtreS nuage
cloudy ALABASTER
private residence
Maxime d'Angeac design
paris, France
Di iliquam, con nem volupti blab inci odi
sitatus a doluptatur, sincto occus eosam
facea dolore vidus re porrum autem ati
doluptas et quiatem acculparibus non etur
solumenis sitem escil molorec tiatam.
Inherently, the alabaster is brittle and friable, with a
high sensitivity to shock. Any shock, even very light,
embeds a standstill in the heart of the matter. In order
to overcome this fragility, we developed highly technical process. These treatments in the heart of alabaster are repeated until the slab becomes hard enough
for the intended use: door, wall, floor, ceiling...
The treated alabaster, shaped and implemented in
our workshop has unique properties. It is ready to
comply with strong technical constraints.
De la création à la fabrication
Alain Ellouz s’entoure d’une équipe complète et dynamique capable de mettre en œuvre ses intuitions.
L’alliance de trois fortes personnalités créatives
donne une ligne forte et une véritable cohérence aux
créations de pierres et de lumière. Chaque luminaire
est le fruit de cette écriture à trois.
Interactivité, dialogue, rigueur, pragmatisme, autant
de valeurs appliquées pour l’aboutissement de cette
collection unique et audacieuse, signature de l’Atelier
Alain Ellouz.
M a r i o n B i a i s - S a u v ê t re
Fro m c o n c e p t u a l i z a t i o n to f a b r i c a tion
Alain Ellouz leads a qualified and dynamic team
capable of realizing his ideas. His alliance of three
strong, creative personalities gives coherence and
presence to the creations of stone and light. Each
light fixture is a result of the cumulative efforts of
these three.
Interaction, dialogue, rigour, and pragmatism- all of
these necessary values were applied to ensure the
success of this collection, and the signature of Atelier
Alain Ellouz.
Trained as a designer, Marion has been with Atelier
Alain Ellouz since its inception, creating unusual
objects, furniture, light fixtures, and interior designs.
She is a sought-after partner of architects and
designers alike; able to realize custom projects for the
most distinguished clientele.
To all of the pieces in the collection, Marion has gifted
her balanced accuracy, precise selection of material,
and contemporary aesthetic.
Trained as a designer, Marion has been with Atelier
Alain Ellouz since its inception, creating unusual
objects, furniture, light fixtures, and interior designs.
She is a sought-after partner of architects and
designers alike; able to realize custom projects for the
most distinguished clientele.
To all of the pieces in the collection, Marion has gifted
her balanced accuracy, precise selection of material,
and contemporary aesthetic.
Alain Ellouz
A creative talent: an experienced entrepreneur as
well as a sensitive sculptor, he is fascinated by the
unknown, and all that is new. Above all, he is one who
likes to push past the limits of what is considered
possible. He dreams and draws unexpected objects,
then invites his team to find the design and technical
solutions necessary to complete the project.
A creative talent: an experienced entrepreneur as
well as a sensitive sculptor, he is fascinated by the
unknown, and all that is new. Above all, he is one who
likes to push past the limits of what is considered
possible. He dreams and draws unexpected objects,
then invites his team to find the design and technical
solutions necessary to complete the project.
A l ex i s J o u v i n
Alexis completes the duo initially formed by Alain and
Marion. An architect graduate, and professionally
trained in design and cabinet making- he is able to
utilize all of these competencies, spending as much
time in the workshop as in the research department.
Because he intimately knows the properties of the
materials, he is able to carry out projects from the
design stages through to development.
Alexis completes the duo initially formed by Alain and
Marion. An architect graduate, and professionally
trained in design and cabinet making- he is able to
utilize all of these competencies, spending as much
time in the workshop as in the research department.
Because he intimately knows the properties of the
materials, he is able to carry out projects from the
design stages through to development.
Q u a n d l a l u m i è re t ra n s c e n d e l ’ a l b â t re
L’albâtre est beau mais l’albâtre retroeclairé est extraordinaire :
50% du rendu final des ouvrages dépend de la qualité des sources
lumineuses et du soin apporté à leur intégration au sein des pierres.
L’éclairage doit valoriser la pierre, jouer avec les dessins intérieurs,
rester suffisamment discret pour ne pas écraser les subtilités du veinage. Nous définissons le type de technologie lumineuse en fonction
de chaque réalisation.
Les architectes d’intérieurs nous font confiance et nous demandent
des projets toujours plus originaux et somptueux. Ces savoir-faire
nous permettent de répondre aux attentes les plus ambitieuses de
nos clients.
W h e n t h e l i g h t t ra n s c e n d s t h e a l a b a s te r
The alabaster is beautiful but the backlit alabaster is extraordinary.
50% of final rendition of works depend on the quality of the light
sources and the care given to their integration into stones. The lighting should enhance the stone, play with interior traceries , remain
discreet enough to not crush subtleties of veining. We define the type
of light technology based on each project .
Interior designers trust us, they ask us to carry out ever more inventive and sumptuous projects. These skills allow us to meet the highest
expectations of our customers.
residence
Casablanca
Hakim ben Jelloun & Jean-Pierre Barian
casablanca, Morocco
Ad eos quis aut volentur alictate iniates repro
et voluptis alibus a dis plibus, imus presequis
molut reic tendian turibus, sandigenimo
eost volorep errovita volupta tiist, se in
corro cume inum faciati blam volut optat
praturibus dipsame ntibuscimus del maio od
modi assitem aspiendi asint.
The alabaster is beautiful but the backlit alabaster is
extraordinary. 50% of final rendition of works depend
on the quality of the light sources and the care given to
their integration into stones. The lighting should enhance the stone, play with interior traceries , remain
discreet enough to not crush subtleties of veining. We
define the type of light technology based on each project .
Interior designers trust us, they ask us to carry out
ever more inventive and sumptuous projects. These
skills allow us to meet the highest expectations of our
customers.
Quattro Passi
restaurant
Carte Blanche Design
London, United Kingdom
«For this new Italian restaurant in London,
I wanted a magical design with outstanding
materials, based on alliance of alabaster and
brass.»
Lydia Hegbourne
Carte blanche design
A sculptor by vocation, Alain Ellouz took up the challenge of giving new form and function to both alabaster and rock crystal. These traditional stones used
as light fixtures are transformed into contemporary
design pieces.
His workshop continuously explores dynamic creative
methods, and has been able to realize tables, walls,
bars, ceilings and floors, amongst other pieces. In
less than ten years, Atelier Alain Ellouz has become
the leading alabaster furnishings company, with more
than 300 projects signed throughout the world.
Jaeger-leCoultre
Marika Chaumet architect
Paris, France
Jaeger-leCoultre, a brand named after the
two creators and born from the alliance of
the French luxury and the Swiss precision, is
one of the most prestigious watchmakers in
the world.The alabaster has been selected as
the dominant theme for the creation or the
renovation of 50 stores on all continents.
3 floors dedicated to the great art of watchmaking are
connected by a alabaster framed lift.
The audacity of a breathtaking construction:
- 3 alabaster walls 12 meter high and a weight of 2.5
tonnes
- subtle and variable LEDs backlighting for 50 m2 of
the most pure alabaster
Boucheron
AA Architecture & Artis
Paris, France
Realisation of an alabaster stand for the
famous jeweler Boucheron for the fair
«la biennale des antiquaires » in Paris. In
collaboration with the architect and designer
AA ARCHITECTURE Paris and the stand
designer ARTIS
50 m2 of removable alabaster wall
3 big alabaster showcases
private residence
LPA Architects
paris, France
Ad eos quis aut volentur alictate iniates repro
et voluptis alibus a dis plibus, imus presequis
molut reic tendian turibus, sandigenimo
eost volorep errovita volupta tiist, se in
corro cume inum faciati blam volut optat
praturibus dipsame ntibuscimus del maio od
modi assitem aspiendi asint.
Our workshop, research department, and our
showroom all live together in the same building near
Paris. Our “melting-pot” organizational approach allows for creativity and know-how, while at the same
time provides practical and consistent solutions for
our custom projects.
Cloisons
Pannels
Visits to our showroom allow designers and their
clients the opportunity to see how our stones might
be implemented, further acting as a source of inspiration for their own projects. Here they’ll find collection
pieces, furniture, sinks, and light fixtures; all highlighting our bold alabaster and rock crystal capabilities. This fully-functional space provides the required
departmental crossover to help develop and then realize each creation.
private residence
Isabelle Stanislas - So-AN
paris, France
Di iliquam, con nem volupti blab inci odi
sitatus a doluptatur, sincto occus eosam
facea dolore vidus re porrum autem ati
doluptas et quiatem acculparibus non etur
solumenis sitem escil molorec tiatam.
Plafonds
Ceilings
L’albâtre est façonné et traité dans
nos ateliers par nos équipes de compagnons artisans. Les sculpteurs
attentifs, déployant des gestes précis mélangent d’audacieuses innovations avec les gestes anciens. Ils
réalisent des pièces uniques, polies
à la main, tendres au regard.
The alabaster is shaped and treated in our workshops by our team of
craftsmen. These attentive sculptors
mix bold innovation with old-world
techniques- bringing to life beautiful,
unique, and hand-crafted pieces.
créations et réalisations en albâtre et cristal de roche, pierres naturelles
creations and works with alabaster and rock crystal, natural stones
Atelier Workshop - Show-room - proche near Paris : 121, rue Tabuteau - 78530 Buc - France
+ 33 (0)9 81 46 94 66 - fax + 33 (0)1 30 21 94 66
[email protected] - www.atelier-alain-ellouz.com
Tanit
Casa Bella
Marie Allard - Dominique Pacott
Son Altesse Royale l’Emir du Qatar
Pro-design group
SM Design
Honka
Mille et Une maisons
Louis Vuitton
So-An
Jaeger-leCoultre
Philippe Starck
ADG Architecture
Peter Marino
Finchatton
Galerie Olivier Chetail
Boucheron
Jean-Baptiste Barian
Gilles Delfino
Le Méridien
La Famille Royale d’Arabie Saoudite
French House Design
Chanel
Agence Garcia
MCM Design
Radu Dragan
La Famille Royale du Maroc
FCML Projects
Carte Blanche
Akmerkez
Sankon
Agence Labruyère
Cheval Blanc
Oger International
Giustini Design
RM Design
Geneva House
Artis
Bassam International
Veranda
Jean Louis Deniot
Atelier Philippe Coudray
COGEMAD
Ephémère
My Tailor Home
Ash Design
Agence Pascal Desprez
Chaos and Order
Agence Jean-Michel Rousseau
Ephémère - Guillaume Roger
Sofitel Luxury Hotels
Alberto Pinto
Maison Dupin
THG
Guillaume Dujon
Antoine Pinto
Alto Interiors
Jean Marc Mouchet
Anna Moussinet
Prospect design
Karim Tabet
Agence Leghima
Christopher Guy
VLD
Dior
A Propos De Lieu
Luigi Zanini
AC matières - Caroline Perrin
Stéphanie Coutas
Wall and Spoon
Philippe Hurel
Archidiz
Maxime d’Angeac
Alain Dominique Gallizia
Les Héritiers
Saint-Pétersbourg
Londres
Amsterdam
Bruxelles
Francfort
Paris
Suisse
Courchevel
Milan
New York
Madrid
Lisbonne
San Francisco
Rome
Kiev
Istambul
Beijing
Casablanca
Athènes
Le Caire
Séoul
Beyrouth
Tripoli
Palm Beach
Miami
Bahrain
Kuwait
Doha
Jeddah
Dubaï
Ryiad
Oman
Libreville
1 projet
De 2 à 5 projets
Plus de 5 projets
1 work
2 - 5 works
more than 5 works
Tioumen
Calvi
Rabat
Los Angeles
Moscou
Kaliningrad
Shangai
New Delhi
Hong Kong
Macau
Mumbai
Singapour
Tokyo

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