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Bibliographic Orientations - The Medieval History Journal
Bibliographic Orientations J 185 Bibliographic Orientations As the Arabic material provides a wide and rich source for the study of vision and visuality and as some of the main Arabic literature pertaining to optics, linguistics, topography, philosophy, religion and the like is mentioned in the articles of this volume, the editor abstained from including a section on Arabic writings as any such a selection would remain too arbitrary. 1. Scientific Literature Cyrus, Alai. 1995. The Rise and Fall of Cartography in the Premodern Islamic Societies, 16th International Conference of the History of Cartography, unpublished paper, Vienna. Dallal, Ahmad S. 1995. An Islamic Response to Greek Astronomy: Kitb Tad l ayat alAflk of Sadr al-Shar a. Edited and translated, Leiden. Firsa, Encyclopedia of Islam, second edition, edited by H.A.R. Gibb et al. (T. Fahd). King, David A. 1982. Astronomical Alignments in Medieval Islamic Religious Architecture, Annals of the New York Academy of Sciences, vol. 385: 30312. . 1997. Two Iranian World Maps for Finding the Direction and Distance to Mecca, Imago Mundi: The International Journal for the History of Cartography, vol. 49: 6282. . 1999. World-Maps for Finding the Direction and Distance to Mecca: Innovation and Tradition in Islamic Science, Leiden. Koning, P. de. 1903. Trois Traités dAnatomie Arabes, Leiden. Lawlor, Robert. 1982. Sacred Geometry: Philosophy and Practice, New York. Lemay, Richard. 1997. Acquis de la Tradition Scientifique Grecque confrontés aux Réalités des Civilisations Médiévales: Cas Particulier de lAstrologie-Cosmologie, in Ahmad Hasnawi, Abdelali Elamrani-Jamal et Maorun Aouad (eds), Perspectives Arabes et Médiévales sur la Tradition Scientifque et Philosophique Grecque. Actes du Colloque de la SIHSPAI, Paris: 13767. Lindberg, David C. 1976. Theories of Vision from al-Kindi to Kelper, Chicago. . 1983. Studies in the History of Medieval Optics, London. Livingston, John W. 1971. Ibn Qayyim al-Jawziyyah. A Fourteenth Century Defense against Astrological Divination and Alchemical Transmutation, Journal of the American Oriental Society, vol. 91: 96103. Rashed, Roshdi. 1992. LApplication des Mathématiques dans lOptique dIbn AlHaytham, in ibid., Optique et Mathématiques. Recherches sur lHistorie de la Pensée Scientifique en Arabe. Aldershot. The Medieval History Journal, 9, 1 (2006) Sage Publications J New Delhi, Thousand Oaks, London DOI: 10.1177/097194580500900110 186 J The Medieval History Journal, 9, 1 (2006) Rashed, Roshdi (ed.). 1993. Géometrie et Dioptrique aux Xe Siècles: Ibn Sahl, al-Qh et Ibn al-Haytham, translated by Roshdi Rashed, Paris: (Arabic translation: Beirut, 1996.) . 1997. uvres Philosophiques et scientifiques dal-K nd . Vol I. LOptique et la Catoptrics dal-Kindî, Leiden. Rashed, Roshdi et al. (eds). 1999. Les Doctrines de la Science de lAntiquité à lAge Classique, Leuven. Rosenthal, Franz. 1978. Ar-Rz on the Hidden Illness, Bulletin of the History of Medicin, vol. 1(2): 4560. Russell, Gül. 1992. The Owl and the Pussy Cat: The Process of Cultural Transmission in Anatomical Illustration, in Ekmeleddin Ihsano lu (ed.), Transfer of Modern Science and Technology to the Muslim World, Istanbul [IRCIA]: 180212. Sabra, Abdelhamid I. 1967. Theories of Light: From Descartes to Newton, second edition, London. . 1978. Sensation and Inference in Alhazens Theory of Visual Perception, in Peter K. Machmer and Robert D. Turnbull (eds), Studies in Perception, Columbus: 13754. . 1987. Optics, Islamic, in Joseph R. Strayer (ed.), Dictionary of the Middle Ages, vol. 9: 24047, New York. . 1987. The Appropriation and Subsequent Naturalization of Greek Science in Medieval Islam: A Preliminary Statement, History of Science, vol. 25: 22343. . 1989. Form in Ibn al-Haythams Theory of Vision, Zeitschrift für Geschichte der Arabisch-Islamischen Wissenschaften, vol. 5: 11540. . 1994. Optics, Astronomy, and Logic. Studies in Arabic Science and Philosophy, Aldershot. Sanagustin, Floreal. 1991. Epistemologie de la Medicine Avicenienne, Arabica, vol. 38: 37579. Simon, Gérard. 1988. Le Regard, lEtre et lApparence dans lOptique de lAntiquité, Paris. . 1997. La Psychologie de la Vision chez Ptolémée et Ibn al-Haytham, in Ahmad Hasnawi, Abdelali Elamrani-Jamal and Maorun Aouad (eds), Perspectives Arabes et Médiévales sur la Tradition Scientifque et Philosophique Grecque. Actes du colloque de la SIHSPAI, Paris: 189207. al-Suy.t , Jall al-D n. 1982. Islamic Cosmology: A Study of al-Suy.t s al Haya alsan ya f l-haya al-sunn ya. Translated, edited, and annotated by Anton M. Heinen, Beirut. Weitzman, K. 1952. The Greek Sources of Islamic Scientific Illustrations, Archeologica Orientala, in memoriam of Ernst Herszfeld, Locust Valley: 24466. 2. General Approaches Arkoun, Mohammed. 1961. LHumanisme Arabe au IXe Siecle, Studia Islamica, vol. 15: 6387. . 1972. Logocentrisme et Verité Religieuse dans la Pensée Islamique daprès alIlm b Manqib al-Islm dal-Am r , Studia Islamica, vol. 35: 551. Arkoun, Mohammed, J. Le Goff, T. Fahd and M. Rodinson. 1978. LÉtrange et le Merveilleux dans lIslam Médiéval, Paris. Bibliographic Orientations J 187 Averroes and the Aristotelian Tradition. Sources, Constitution and Reception of the Philosophy of Ibn Rushd (11261198). Proceedings of the Fourth Symposium Averroicum, Cologne 1996. Edited by Gerhard Endress and Jan A. Artsen, Leiden. Al-Azmeh, Aziz. 1986. Arabic Thought and Islamic Societies, London. Beaugé, Gilbert and Jean Francois Clément (eds). 1995. LImage dans le Monde Arabe, Paris (CNRS Editions). Berque, Jacques and Jean-Paul Charnay (eds). 1967. LAmbivalence dans la Culture Arabe, Paris. Bernard, Marie. 1974. Le Savoir entre la Volonté et la Spontaneité selon an-Naz. z.m et al-Jiz., Studia Islamica, vol. XXXIX: 2557. . 1982. Le Problème de la Connaissance daprès le Mughn du Cadi Abd alJabbr, Algiers. Butterworth, Charles E. 1997. Opinion, Point de Vue, Croyance et Supposition, in Ahmad Hasnawi, Abdelali Elamrani-Jamal et Maorun Aouad (eds), Perspectives Arabes et Médiévales sur la Tradition Scientifque et Philosophique Grecque. Actes du Colloque de la SIHSPAI, Paris: 45364. Gätje, Helmut von. 1959. Philosophische Traumlehren im Islam, Zeitschrift der Deutschen Morgenländischen Gesellschaft, vol. 109: 25885. . 1964. Der Liber de sensu et sensato des al-Farabi bei Albertus Magnus, Oriens Christianus, vol. 48. . 1965. Die inneren Sinne bei Averroes, Zeitschrift der Deutschen Morgenländischen Gesellschaft, vol. 115: 25593. . 1967. Zur Farbenlehre in der muslimischen Philosophie, Der Islam, vol. 43: 280301. Elamrani-Jamal, Abdelali. 1966. Expérience de la Vision Contemplative et Form du Récit chez Ibn µufayl, in M.A. Amir-Moezzi (ed.), Le Voyage Initiatique en Terre dIslam, Leuven and Paris: 15972. Fowden, Garth. 2004. Late-Antique Art in Syria and its Umayyad Evolutions, Journal of Roman Archeology, vol. 17: 30122. Gelfer-Jørgensen, M. 1986. Medieval Islamic Symbolism and the Paintings in the Cefalù Cathedral, Leiden. Gero, Stephen. 1973. Byzantine Iconoclasm during the Reign of Leo III with Particular Attention to the Oriental Sources, Louvain. Gutas, Dimitri. 1988. Avicenna and the Aristotelian Tradition: Introduction to Reading Avicennas Pilosophical Works, Leiden and New York. Gutmann, Joseph (ed.). 1977. The Image and the World: Confrontations in Judaism, Christianity, and Islam, Montana. Kraemer, Joel C. 1986. Humanism in the Renaissance of Islam, Leiden. Naz.ar, Encyclopedia of Islam, second edition, edited by H.A.R. Gibb et al. ([Boer] Klaus Daiber). Rosenthal, Franz. 1990. The Symbolism of the Tabula Cebetis according to Ab l-Faraj ibn al-µayyib, idem, Greek Philosophy in the Arab World. A Collection of Essays, London: 27383. Vadja, G. 1977. Pour le Dossier de nazar, in Recherches dIslamologie. Recueil dArticles offert à Georges C. Anawati et Louis Gardet par leurs Collègues et Amis, Louvain: 33336. Wolfson, H.A.R. 1935. The Internal Senses in Latin, Arabic, and Hebrew Philosophical Text, The Harvard Theological Review, vol. 28: 69133. 188 J The Medieval History Journal, 9, 1 (2006) 3. Theology, Religion and Magic Abduh, Muammad, al-±uwar wa-al-tamth , wa-fawiduh, wa-ukumuh, in al-Aml al-kam la lil Imm Muammad Abduh, 6 vols, Beirut, vol. II. Autour du Regard. Mélanges Gimaret. 2003. Edited by D. Aigle, M.A. Amir-Moezzi et al., Leuven. Baffioni, Carmela. 1998. From Sense Perception to the Vision of God: A Path towards Knowledge according to the Ikhwn al-Saf, Arabic Sciences and Philosophy, vol. 8: 21331. al-Bsh, asan. 1959. al-Taw r al-islm fi-l-uur al-wut, Cairo. Bowering, Gerhard. 1980. The Mystical Vision of Existence in Classical Islam: The Quranic Hermeneutics of the Sufi Sahl at-Tustari (d. 283/896), in Studien zur Sprache, Geschichte und Kultur des islamischen Orients, vol. IX, Berlin-NY: Walter de Gruyter. . 1996. From the Word of God to the Vision of God, in M.A. Amir-Moezzi, (ed.), Le Voyage Initiatique en Terre dIslam, Leuven, Paris: 20521. Centlivres, Pierre and Micheline Centlivres-Demont. 1997. Imageries populaires en Islam, Geneva. Contenau, Georges. 1940. La Divination chez les Assyriens et les Babyloniens, Paris. Corbin, Henry. 1958. Creative Imagination in the ±fism of Ibn Arab . Translated by R. Manheim, Princeton. Corrigan, Kathleen. 1992. Visual Polemics in the Ninth-Century Byzantine Psalters, Cambridge: 78103. (Chap. 5 The Threat of Islam.) Creswell, K.A.C. 1946. The Lawfulness of Painting in Islam, Ars Islamica, vol. 1112: 15966. Crone, Patricia. 1980. Islam, Judeo-Christianity, and Byzantine Iconoclasm, Jerusalem Studies in Arabic and Islam, vol. 2: 5995. La Divination en Mésopotamie ancienne et dans les Regions Voisines. Travaux du Centre dEtudes Supérieurs spécialisé dHistoire des Religions de Strasbourg. 1966, Paris. Dundes, Alan. 1981. Wet and Dry, the Evil Eye: An Eye in Indo-European and Semitic Worldview, in idem (ed.), The Evil Eye. A Folklore Casebook, New York and London: 257312. Ebeling, Erich. 1949. Beschwörungen gegen den Feind und den bösen Blick aus dem Zweistromlande, Archiv Orientálin, vol. 17: 172211. Fahd, Toufic. 1966. La Diviniation Arabe. Etudes religieuses, sociologiques et folkloriques sur le Milieu Natif de lIslam, Leiden (repr. Paris 1987). Fuchs, H.F. 1978. Sehen und Schauen. Die Wurzel hzh im Alten Orient und im Alten Testament. Ein Beitrag zum prophetischen Offenbarungsempfang, Würzburg. Griffith, H. Sidney. 1984. Theodore Ab Qurrahs Arabic Tract on the Christian Practice of Venerating Images, Journal of the American Oriental Society, vol. 105: 5373. . 1992. Images, Islam, and Christian Icons, in P. Canivet and J. Paul Rey-Coquais (eds), La Syrie, de Byzance à lIslam, VIIeVIIIe Siècles, Damascus: 12138. . 1997. Abu Qurrah Thawdhurus, A Treatise on the Veneration of the Holy Icons. Written in Arabic by Theodore Ab Qurrah, Bishop of Harran (C. 755830 AD), translated into English, with introduction and notes, Louvain. (Eastern Christian Texts in Translation; 1). Hawting, G.R. 1999. The Idea of Idolatry and the Emergence of Islam: From Polemic to History, Cambridge. Bibliographic Orientations J 189 De Jong, F. 1989. The Iconography of Bektashiism: A Survey of Themes and Symbolism in Clerical Costume, Liturgical Objects and Pictorial Art, in Manuscripts of the Middle East, vol. 4, Leiden. King, G.R.D. 1985. Islam, Iconoclasm, and the Declaration of Doctrine, Bulletin of the School of Oriental and African Studies, vol. 48: 26777. Khoury, A.T. 1969. Les Théologiens Byzantines et lIslam. Textes et Auteurs (VIIIeXIIIe S.), Louvain, Paris. Khoury, Paul. 1994. Jean Damascène et lIslam, Würzburg (second edition, corrected and augmented). Kraus, Paul. 1994. Alchemie, Ketzerei, Apokryphen im frühen Islam: gesammelte Aufsätze, edited by Rémi Brague, Hildesheim, New York. Lammens, Henri. 1930. L Attitude de lIslam Primitif en face des art figures, in Etudes sur le siecle des Omayyades, Beirut. Maloney, Clarence (ed.). 1976. The Evil Eye, New York. Lifchez, R. (ed.). 1984. The Dervish Lodge. Architecture and Sufism in Ottoman Turkey, Berkeley. Neuwirth, Angelika. 1993. Images and Metaphors in the Introductory Sections of the Makkan Suras, in G.R. Hawting and Shareef (eds), Approaches to the Quran, London: 3770. Paret, Rudi. 1960. Textbelege zum islamischen Bilderverbot, in Rudi Paret, Das Werk des Künstlers, Studien zur Ikonographie und Formgeschichte, Stuttgart. . 1968. Das islamische Bilderverbot und die Schia, in Erwin Gräf (ed.), Festschrift Werner Caskel, Leiden. . 1970. Das islamische Bilderverbot und die Schia, ZDMG, vol. 120: 27173. . 197677. Die Entstehungszeit des islamischen Bilderverbotes, Kunst des Orients IX, vols. 1/2: 15881. Sahas, Daniel. 1972. John of Damascus on Islam The Heresey of the Ishmaelites, Leiden. Savage-Smith, Emilie and Marion B. Smith. 1980. Islamic Geomancy and a Thirteenth Century Divinatory Device, Malibu CA. Schimmel, Annemarie. 1984. Calligraphy and Islamic Culture, New York. . 1993. Sciences Occultes et Islam, Bulletin dEtudes Orientales, vol. XLIV, Damascus. Stocchi, Sergio. 1988. LIslam nelle Stampe, Milano. Vasiliev, A. 1956. The Iconoclastic Edict of the Caliph Yazid II, A.D. 721, Dumbarton Oaks Papers, vols. 910: 2347. 4. Arab Literature, Linguistics and Philology Abu Deeb, Kamal. 1979. Al-Jurjanis Theory of Poetic Imagery, Warminster. Al-Bagdadi, Nadia. 1999. The Visible and the Invisible City: The Colonial City of Cairo and the Encyclopaedist Al Mubrak, in Angelika Neuwirth (ed.), Historical Archetypes and Symbolic Figures in Arabic Literature, Deutsches Orient Institute Beirut. Cantarino, Vincente. 1975. Arabic Poetics in the Golden Age, Leiden. Fischer, Wolfdietrich. 1965. Farb-und Formbezeichungen in der Sprache der altarabischen Dichtung, Wiesbaden. . 1994. Der Altarabische Dichter als Maler, in W. Heinrichs and Georg Schoeler (eds), Festschrift Ewald Wagner zum 65. Geburtstag, Beirut, Stuttgart. 190 J The Medieval History Journal, 9, 1 (2006) Ghazi, Mohammed Ferid. 1957. La Littérature dImagination en Arabe du IIe/VIIIe au Ve/XIe Siècles, Arabica, vol. 4: 16478. Heinrichs, Wolfhart. 1969. Arabische Dichtung und Griechische Poetik. zim alQatjann s Grundlegung der Poetik mit Hilfe Aristotelischer Begriffe, Beirut. Mansour, Ajami. 1988. The Alchemy of Glory. The Dialectic of Truthfulness and Untruthfulness in Medieval Arabic Literary Criticism, Washington. Ritter, Hellmut. 1927. Über die Bildersprache Niz. m s, Berlin, Leipzig. Schoeler, Gregor. 1974. Arabische Naturdichtung. Die zahr yt, rab yt und rau yt von ihren Anfängen bis al-±anaubar , Wiesbaden, Beirut. Stetkevych, Jaroslav. 1986. Name and Epithet: The Philology and Semiotics of Animal Nomenclature in Early Arabic Poetry, Journal of Near Eastern Studies, vol. 45: 89124. 5. Islamic Art* Aga-Oglu, Mehmet. 1954. Remarks on the Character of Islamic Art, The Art Bulletin, vol. 36 (3): 175202. Agémian, Sylvia. 1997. Les Icônes Melkites, in Lumieres de lOrient Chrétien. Icônes de la Collection Abou Adal, Geneva. Allen, Terry. 1988. Five Essays on Islamic Art, s.1. Arnold, T.W. 1928. Painting in Islam: A Study of the Place of Pictorial Art in Muslim Culture, Oxford. Ars IslamicaDictionary of Islamic Artists. Published by the Research Seminary in Islamic Art, Institute of Fine Arts, University of Michigan, 1934. The Art and Archaelogy of Ancient Persia. New Light on the Parthian and Sassanian Empires. 1998. Edited by Vesta Sarkhosh Curtis and R. Hillenbrand, M. Rogers, London. Atanasius, Vlad. 1999. de la fréquence des lettres et de son influence en calligraphe arabe, Paris. Aziza, Mohamed. 1978. LImage et lIslam, Paris. Bakr, Osman. 1998. Classification of Knowledge in Islam. A Study in Islamic Philosophies of Science, Cambridge. (First edition Kuala Lumpur, 1992.) Behrens-Abouseif, Doris. 1999. Beauty in Arabic Culture, Princeton. Blair, Sheila S. and Jonathon M. Bloom. 2003. The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field, in Art Bulletin, vol. LXXXV (1): 15284. Bourgoin, J. 1873. Les Art Arabes, Paris. Bundy, Murray W. 1927. The Theory of Imagination in Classical and Medieval Thought, Urbana. Burckhardt, Titus. 1976. Art of Islam: Language and Meaning, London. . 1981. The Void in Islamic Art, Studies in Comparative Religion, vol. 16: 7982. * Note should be made that for the present purpose, the vast and elaborate field of Islamic art, architecture, numismatic and archeology are not included. References given here are of a more general and introductory nature. A sketchy summary and reference to basic literature can be found in R. Stephen Humphreys 1991. Islamic History. A Framework for Inquiry. London, Cairo: 5968 and Oleg Grabar 1976. Islamic Art and Archeology, in Leonard Binder (ed.), The Study of the Middle East, Research and Scholarship in the Humanities and Social Sciences, New York: 22964. Bibliographic Orientations J 191 Çagman, F. and Z. Tanindi. 1979. Islamic Miniatures in the Topkapi Palace, Istanbul. . 1984. Portreler (Topkapi Sarayi Müzesi: 10), Istanbul. Champault, D. and A.R. Verbrugge, 1969. La Main et ses Figurations au Maghreb et au Levant, Paris. Clark, Kenneth. 1981. Iconophobia, in idem: Moments of Vision and other Essays, London: 3049. Clément, Jean-François. 1995. LImage dans le Monde Arabe: Interdit et Possibilités, in Gilbert Beaugé and Jean Francois Clément (eds), LImage dans le Monde Arabe, CNRS Editions: 1142. Creswell, K.A.C. 1953. A Bibliography of Painting in Islam. Cairo (Publication de lInst. Français dArchéologie Orientale du Caire, Art Islamique, tome 1). Critchlow, Keith. 1976. Islamic Patterns: An Analytical and Cosmological Approach, New York. Denny, Walter. 1991. Reflections of Paradise in Islamic Art, in Sheila S. Blair and Jonathan M. Bloom (eds), Images of Paradise in Islamic Art, Austin, Texas (Hood Museum of Art/Darmouth College): 3343. Dodd, E.C. and Shereen Khairallah. 1981. The Image and the World, 2 vols, Beirut. Edhem, Fehmi. 1933. Les Manuscrits Orientaux illustrés de la Bibliothèque de lUniversité de Stamboul, Paris. . 1970. Le Dévelopment Hétérodoce de la Peinture Figurative Religieuse Turqueislamique, V Congrès International dArabisants et dIslamisants, Correspondence dOrient, on 11 (Bruxelles). Ettinghausen, Richard and Oleg Grabar 1987: The Art and Architecture of Islam: 650 1250. New York. Ettinghausen, Richard. 1946. The Character of Islamic Art, in The Arab Heritage, Princeton. . 1972. From Byzantium to Sasanian Iran and the Islamic World. Three Modes of Artistic Influence, Leiden. Esin, Emel. 1989. The Quranic Verses and the Hadith as Sources of Inspiration in Islamic Art, in Ahmed Mohammed Issa and Tahsin Ömer Tahao lu, (eds), Islamic Art: Common Principles, Forms and Themes, Proceedings of the International Symposium (Istanbul, IRCICA), Damascus: 7383. Fares, Bishr. 1949. Distinction de deux Tendances Syrienne et Iranienne dans la Miniature de lEcole de Baghdâd, Actes du XXe Congrès International des Orientalistes, Paris. . 1952. Sirr al-Zakharf al-islmiyya, Cairo. (list of Islamic references against and for painting, including legal opinions.) . 1962. Vision Chrétienne et Signes Musulmans autour dun Manuscript Arabe Illustré du dix-huitième Siècle, Mémoires de lInstitut dEgypte, vol. 56, Cairo. Al-Faruqi, Ismail. 1970. Misconceptions of the Nature of Islamic Art, Islam and the Modern Age, vol. 1(1): 2949. . 1989. Figurative Representation and Drama: Their Prohibition and Transfiguration in Islamic Art, in Ahmed Mohammed Issa and Tahsin Ömer Tahao lu (eds), Islamic Art: Common Principles, Forms and Themes, Proceedings of the International Symposium (Istanbul, IRCICA), Damascus: 26169. Al Faqih, Zuheir. 1970. Islamic Art, Submission to Divine Will, The Arab World, vol. 16(56): 1625. Flood, F.B. 2001. The Great Mosque of Damascus. Studies on the Makings of an Umayyad Visual Culture, Leiden. 192 J The Medieval History Journal, 9, 1 (2006) Flood, F.B. 2002. Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum, The Art Bulletin, vol. LXXXIV (4): 64159. Fowden, Garth. 2004. Art and the Umayyad Elite in Late Antique Syria, Berkeley, Los Angeles, London. Gelfer-Jorgensen, Mirjam. 1986. Medieval Islamic Symbolism and the Paintings in the Cefal u Cathedral, Leiden. Gocer, Asli. 1998. The Theological Basis of Platos Criticism of Art with Reference to Icons, The Southern Journal of Philosophy, vol. 36: 35365. . 1999. A Hypothesis Concerning the Character of Islamic Art, Journal of the History of Ideas, vol. 60: 68392. Gonzales, Valérie. 1995. Réflexions Esthétiques sur lApproche de lImage dans lArt Islamique, in Gilbert Beaugé and Jean-François Clément (eds), LImage dans le monde arabe, CNRS Editions: 6979. . 2001. Beauty and Islam: Aesthetics in Islamic Art and Architecture. London. Grabar, André. 1984. Hostilité aux Images: Chrétiens dAsie, Juifs, Musulmans, (chap. V in idem: LIconclasme Byzantin. Le Dossier Archéologique, Paris: 11132). . 1992. Les Origines de lEstétique médiévale, Paris. Grabar, Oleg. 1973. The Formation of Islamic Art, New Haven. . 1975. Islam and Iconclasm, in Iconoclasm: Papers Given at the Ninth Spring Symposium of Byzantine Studies, University of Birmingham, March 1975. Edited by Anthony Bryer and Judith Herrin, Birmingham. . 1976. Studies in Medieval Islamic Art, London. . 1983. Symbols and Signs in Islamic Architecture, in Renata Holod (ed.), Architecture and Community, New York: 2532. . 1984. The Illustrations of the Maqamat, Chicago and London. Hillenbrand, Robert (ed.) 1999. Persian Painting: From the Mongols to the Qajars, London. Hodgson, Marshall. 1964. Islam and Image, History of Religions, vol. 3: 22060. Ibrh m, Abd al-am d, 1989. Qams al-alwn inda l-arab, Cairo. OKane, Bernard (ed.). 2005. The Iconography of Islamic Art. Studies in Honour of Robert Hillenbrand, Edinburgh. Icônes Arabes. Art Chrétien du Levant (Exhibition Catalogue), La Fresquiere, MéolansRevel. (Editions Grégoriennes.) Ipsiro u, Mazhar. 1971. Das Bild im Islam: Ein Verbot und seine Folgen, Vienna and Munich. Issa Mohammed, Ahmad and Tahsin Ömer Tahoalu (eds). 1989. Islamic Art: Common Principles, Forms and Themes, Damascus. al-Khalil, Samir. 1991. The Monument: Art, Vulgarity, and Responsibility in Iraq, Berkeley. Khatibi, Abdelkébir and Mohammaed Sijelmassi. 1976. LArt Calligraphique Arabe ou la Célébration de lInvisible, Casablanca. Lammens, Henri. 1915. LAttitude de lIslam Primitif en Face des Arts Figurés, Journal Asiatique, vol. VI. Mac-Dougall, Elisabeth E. and R. Ettinghausen. 1976. The Islamic Garden, Washington, D.C. Mahdi, Muhsin D. 1980. Islamic Philosophy and The Fine Arts, in Aga Khan Award for Architecture, Geneva: 4347. Marçais, Georges. 1946. LArt de lIslam, Paris. . 1957. La Question des Images dans lArt Musulman, Mélanges dHistorie et d Archéologie de lOccident Musulman, vol. 1: 6780. Bibliographic Orientations J 193 Mason, J.P. 1975. Structural Congruities in the Arab Genealogical Form and the Arabesque Motif, The Muslim World, vol. 65: 2133. Mathew, Gervase. 1963. Byzantine Aesthetics, London. Michon, Jean-Louis. 1985. The Message of Islamic Art, Studies in Comparative Religion, vol. 17: 7079. Neçipo lu, Gülru. 1993. Framing the Gaze in Ottoman, Safavid, and Mughal Palaces, Ars Orientalis, vol. 23: 30342. Neçipo lu, Gülru. 1995. The Topkap Scrolls. Geometry and Ornament in Islamic Architecture, Santa Monica. OKane, B. 1992. Poetry, Geometry and the Arabesque: Notes on Timurid Aesthetics, Annales Islamologiques, vol. 26: 6378. Papadopoulo, Alexandre. 1972. LEsthetique de lArt Musulman. La Peinture. Thèse de Doctorat dEtat, VI Vols, Paris (translated in several languages). Rabbat, Nasser. 1995. The Citadel of Cairo: A New Interpretation of Royal Mamluk Architecture, Leiden. Robinson, B.W. (ed.). 1976. Islamic Painting and the Arts of the Book, London. Safadi, Yasin Hamid. 1979. Islamic Calligraphy, Boulder. El-Said, Issam and Ayşe Parman. 1976. Geometric Concepts in Islamic Art, London. Simpson, Marianna S. 1979. The Illustration of an Epic: The Earliest Shahnama Manuscripts, New York. Schwab, M. 1883. Les Incunables Orientaux et les Impressions Orientales au commencement du XVI. Siècle avec Marques typographiques, Paris. Schimmel, Annemarie. 1984. Calligraphy and Islamic Culture, New York. Sirat, Ahmad. 1996. LImage de Tinguitane, Rome. Soucek, Priscilla P. (ed.). 1988. Content and Context of Visual Arts in the Islamic World, London. . 1988. The Life of the Prophet: Illustrated Versions, in Priscilla P. Soucek (ed.), Content and Context of Visual Arts in the Islamic World, University Park, London: 193217. Sourdel-Thomine, Janine. 1963. LÉcriture Arabe et son Évolution Ornamentale, in LÉcriture et la Psychologie des Peuples, Paris. Spellberg, Denise A. 198990. Marriages made in Heaven and Illustrated on Earth: A Note on the Disjunction between Verbal and Visual Images in an Ottoman Manuscript, Harvard University Bulletin of the Center for the Study of World Religions, vol. 16: 12627. Stevens, John. 1981. Sacred Calligraphy of the East, Boulder, New York. Tanindi, Zeren. 1984. Siyer- Nebi, Islam Tasvir Sanatinda Hz. Muhammedin Hayati, Istanbul.
