CV - Kim Waldron

Kim Waldron
Born in Montreal, Canada, 1979
Education
2013 – Master’s Degree in Fine Arts, Photography Program, Concordia University, Montreal,
Quebec.
2003 – Bachelor’s Degree in Fine Arts, Major in Media Arts, NSCAD University, Halifax, Nova
Scotia.
2001 – NSCAD exchange program (four months), École nationale supérieure des beaux-arts,
Paris, France.
1998 – Diplome D’Études Collègiales in Creative Arts, Dawson College, Montreal, Quebec.
Solo Exhibitions
2017 – CIRCA art actuel, Montreal, QC.
2016 – FOFA Gallery, Montreal, QC.
2015 – Made in Québec, Chinese European Art Center, Xiamen, China.
2014 – Rétrospective 2003 – 2013, Galerie Thomas Henry Ross, Montreal, QC. This exhibition
received support from Ville de Montréal as part of the 2013 Pierre Ayot Award.
– Public Office, Galerie Thomas Henry Ross (Pop-up), Montreal, QC. This exhibition
received support from Ville de Montréal as part of the 2013 Pierre Ayot Award.
2013 – Beautiful Creatures, Oboro, Montreal, QC
– Same Day, MFA Gallery, Concordia University, Montreal, QC
2009 – Triples, Vu, centre de diffusion et de production de la photographie, Quebec, QC
– Triples, Occurrence, Montreal, Quebec
2008 – The Dad Tapes / The Mom Photographs, Articule Special Projects and Gallery Werner
Whitman co-production, Montreal, Quebec.
2007 – Working Assumption, Eleanor London Cote-St-Luc Public Library, Montreal, Quebec.
– The Dad Tapes / The Mom Photographs, Eastern Edge Gallery, St. John’s,
Newfoundland.
2004 – Working Assumption, La Centrale, Montreal, Quebec.
– Kim Waldron: Working Assumption, Art Gallery of Windsor, Windsor, Ontario.
2003 – Working Assumption, Khyber Center for the Arts, Halifax, Nova Scotia.
Group Exhibitions
2017 – Denison University, Newark, Ohio.
2016 – Ortega y Gasset Projects, New York, New York.
– On the Table, Dunlop Art Gallery, Regina, SK.
2015 – Papineau All-Candidates Debate 2015, presented by Optica and VIVA! Art Action,
Montreal, QC.
– The Sixth Month, Red Gate Residency, Beijing, China.
– Refaire le monde, Galerie Thomas Henry Ross, Montreal, QC.
2014 – Territoires Imaginés, by the Artists of Collection Loto-Québec, Musée d’art
contemporain des Laurentides, St-Jérôme, QC.
2013 – Sous les projecteurs, Maison de la culture Frontenac, Montreal, Quebec.
– Eleventh Annual Students Graduating Exhibition, FOFA Gallery, Montréal, QC.
2012 – Artworks You Can Smuggle in Your Suitecase, Galerie Thomas Henry Ross at Art
Market Budapest 2012, Hungary.
– Orange 2012: Les Mangeurs, Expression, Saint-Hyacinthe, Quebec. Curators: Ève
Dorais, Véronique Grenier, Eve Katinoglou.
– Galerie Thomas Henry Ross art contemporain présente Galerie Thomas Henry Ross art
contemporain, Galerie Thomas Henry Ross, pop-up in Galerie B-312, Montreal.
– Collectionner, Maison de la Culture de Notre-Dame-de-Grâce, Montreal, Quebec.
– All Work And No Play Makes Thomas A Dull Boy, Galerie Thomas Henry Ross, pop-up
in Radiator Gallery, New York.
2010 – Au Travail! Musée régional de Rimouski, Rimouski, Quebec. Curated by Marie-Ève
Charron.
– La Colonie, Oeil de Poisson, Ville de Deschambault-Grondines, Quebec. Curated by
Jean-Michel Ross.
– Le Tarot de Montréal, Maison de la Culture Plateau Mont-Royal, Montreal, Quebec.
Curated by Marie-Claude Bouthillier.
– Art Souterrain, Montreal, Quebec. The Dad Tapes / The Mom Photographs video
installation.
2009 – The Make Station, Gallery 44, Toronto, Ontario. The Dad Tapes / The Mom Photographs
shown in a three-person exhibition.
2008 – Eyelevel Gallery, Halifax, Nova Scotia. The Dad Tapes / The Mom Photographs shown
as part of a two-person exhibition in conjunction with Photopolis, a Halifax-wide
exhibition of photo-based contemporary art.
2004 – Blur, St-Mary’s University Art Gallery, Halifax, Nova Scotia. Curated by Robert Zingone.
2003 – Proof 10, Gallery 44, Toronto, Ontario. A selection of photographs from Working
Assumption.
Publications
- Waldron, Kim. “Serious Politics”. Canadian Theater Review. CTR 166 (Winter 2016): Performing
Politicians.
- Waldron, Kim. Travail, espoir et honnêteté. Montreal, Qc: FOFA Gallery, Concordia University,
2015. 111p.
- Waldron, Kim. Honesty, Hope and Hard Work. Montreal, Qc: FOFA Gallery, Concordia
University, 2014. 101p.
- Waldron, Kim. The Do-It Yourself Cookbook. Montreal, Qc: Galerie Thomas Henry Ross art
contemporain, 2013. 127p.
Collections
– City of Montreal
– Cégep de St-Hyacinthe
– Various private collections
Artist Residencies
2015 – Red Gate Residency, June, Beijing, China.
– Chinese European Art Center, Mar – May, Xiamen, China.
2013 – Le Cabinet, espace de production photographique, Jun – Oct, Montreal, Quebec.
2009 – English Harbour Arts Centre, Oct – Nov, English Harbour, Newfoundland.
2007 – Federal Ministry for Education, Arts and Culture, Oct – Dec, Vienna, Austria.
2005 – Sagamie, The National Research Center for Contemporary Digital Art, Alma, Quebec.
Artist Presentations
2015 – Université du Québec à Montreal, course titled Les pratiques artistiques dans les
espaces de diffusion.
– Université du Québec à Montreal, course titled Structures et formes temporelles.
– Université du Québec à Montreal, course titled Les pratiques artistiques dans les
espaces publics.
– Concordia University, IdeaLab.01, faculté des beaux-arts.
– C-Platform, 人 (person) + 工 (work) = 人工 (artificial), Xiamen, China.
– Concordia University, course titled Art and it’s Changing Contexts: Sensory and Social
Participation in Contemporary Art.
2014 – Université du Québec à Montreal, course titled Espace social et politique de l'art: Art et
vie confondus.
– Université du Québec à Montreal, course titled Autorépresentation.
– Concordia University, course titled Encultured Eating.
2013 – Le Cabinet, espace de production photographique, Montreal, Quebec.
– Trajectoires Montréal et Orange, Montreal, Quebec, Panel discussion about food and
death in arts and litterature, titled Autopsie du mangeur (la suite).
2012 – Ontario College of Art and Design, course titled Current Practice.
2009 – Gallery 44, Toronto, Ontario.
2008 – Universidade de Trás-os-Montes e Alto Douro, Chaves, Portugal. Video Screening of
Chronology (2007) in conjunction with an anthropology lecture presented by Professor
Sharon Roseman.
– Gallery Werner Whitman, Montreal, Quebec.
2007 – Eastern Edge Gallery, St. John’s, Newfoundland.
2004 – La Centrale, Montreal, Quebec.
– Art Gallery of Windsor, Windsor, Ontario.
2003 – Khyber Center for the Arts, Halifax, Nova Scotia. Panel discussion titled Auto-Fiction.
Scholarships and Grants
2016 – Conseil des arts du Canada, Visual Arts Research/Creation Grant
2014 – Réperage Loto-Québec Prize
2013 – Pierre-Ayot Prize
– Claudine and Stephen Bronfman Fellowship in Contemporary Art
– Conseil des arts et des letters du Québec, Visual Arts Research/Creation Grant
2010 – FQRSC Scholarship
– Concordia University Graduate Fellowship
2009 – SSHRC Scholarship
th
– Concordia University 25 Anniversary Fellowship
– Conseil des arts et des letters du Québec, Visual Arts Research/Creation Grant
2007 – Conseil des arts et des letters du Québec, Travel Grant
2004 – Canada Council for the Arts, Media Arts Research/Creation Grant
2002 – Joseph Beuys Scholarship
– Endowment Scholarship
2001 – Zwicker Leroy Scholarship
– Henry B. Larsen Scholarship
2000 – Elizabeth Nutt Fund Bursary
Bibliography
– Laurence, Jean-Christophe. “Peu de pouvoir, beaucoup de travail”. La Presse. October 11,
2015.
– Anderson, Fortner. “Two Works in Progress: Chris Lloyd and Kim Waldron”. VIVA Blog. October
7, 2015.
– Champagne, Sarah R. “Un bulletin unilingue masculine”, Le Devoir. September 25, 2015.
– Lévesque, Catherine. “Kim Waldron Wants Elections Canada To Recognize Her As Female
Candidate”. The Huffington Post. September 23, 2015.
– Charron, Marie-Ève. “La boucherie hier, la politique demain”. Le Devoir. September 27-28,
2014. P. E1 & E8.
– Pelletier, Sonia. “On the Job or in the Work”. Ciel variable. No. 96 : January – May 2014. P. 3241.
– Pelletier, Sonia. “New and Worthy”. Ciel variable. No. 95 : September 2013 – January 2014.
– Delgado, Jérôme. “Dans le vif de la chaîne alimentaire”. Le Devoir. March 30 – 31, 2013.
– Charron, Marie-Ève. “Tuer, manger, mourir”. Le Devoir. October 20-21, 2012.
– Delgado, Jérôme. “Une cuvée rouge sanguine”. Le Devoir. September 8-9, 2012.
– Charron, Marie-Ève. “La Régularité trompeuse du banal”. Le Devoir. August 18-19, 2012.
– Cotton, Sylvie. “La colonie, Centre de production et de diffusion en art actuel”. Spirale. No.
236 : Spring 2011.
– Clintberg, Mark. “Slaughtering and Eating Beautiful Creatures : Kim Waldron’s Folk Feast”.
ETC. No. 92: Feb. - May 2011. p. 29 – 35.
– Pageot, Édith-Anne. “D’un quiproquo à l’autre: mises au point sur la notion de folklore dans
son rapport à l’art contemporain”. ETC. No. 92: Feb. - May 2011. p. 18 – 22.
– Paré, André-Louis. “Il faut bien manger”. Espace Sculpture. Issue 91: Spring 2010. p. 6 – 12.
– Ross, Nadia. “Kim Waldron à Vu: triples à trois”. Le Soleil. November 21, 2009.
– Charron, Marie-Ève. “Ménage à Trois”. Le Devoir. Weekend edition, July 4-5, 2009.
– Mah, Justin. “The Make Station: Up Close and Personal”. Canadian Art – Online Review. July 2,
2009.
– Landry, Mike. “Triples”. Things of Desire: Canada’s Alternative Art Weekly. Volume 1 Issue 40:
June 18 – 24, 2009.
– Ross, Jean-Michel. “Kim Waldron, The Dad Tapes / The Mom Photographs, Galerie Werner
Whitman and Articule Special Projects, Montreal” Trans. Mona Filip. C-Magazine.
September 2008. p. 46 – 47.
– Westcott, James. www.artreview.com, an online magazine based in London, England. An
interview and a selection from Sunsets (2007) are posted in their project space archives.
– Centre Sagamie, L’Imprimé numérique en art contemporain. Alma / Trois-Rivières : Sagamie et
Les Éditions d’art Le Sabord, 2007. p.150 – 151.
– Antle, Angela. Socket. Sirius Satellite, CBC Radio One. CBC Radio, St. John’s. An Interview
about my art practice was broadcast 9 times between March and July 2006.
– “Liar Liar Band’s on Fire.” Tank Magazine (London, UK). Volume 3, Issue 10, 2004: p16.