PATRICK PAINTER, INC

PATRICK PAINTER, INC
Jeff Wall
Seclected Solo Exhibitions
1999
Galerie Johnen & Schöttle, Cologne.
Mies van der Rohe Foundation, Barcelona, Odradek. brochure.
EAC, Castellon, Spain. Jeff Wall/Pepe Espaliu: Suspended Time. catalogue.
Musée d'art contemporain de Montréal, Jeff Wall:Oeuvres 1990 - 1998. catalogue.
1998
Henry Moore Institute, Leeds, Here and Now II: Jeff Wall. brochure.
Museum für Gegenwartskunst, Basel, Jeff Wall: Photographs of Modern
Life. Works from 1978 to 1997 in the Basel Public Art Collection and the EmanuelHoffmann-Foundation. brochure.
Marian Goodman Gallery, New York
Galerie Rüdiger Schöttle, Munich
Galerie Johnen & Schöttle, Cologne
1997
The Hirshhorn Museum and Sculpture Garden, Washington, D. C.
The Museum of Contemporary Art, Los Angeles.
Art Tower Mito, Mito, Japan.
(these three exhibitions are one show, touring, organized by the Museum
of Contemporary Art, Los Angeles). Catalogue.
1996
Museum of Contemporary Art, Helsinki, travelling to the
Whitechapel Gallery, London . Catalogue. (continuation of 1995
exhibition touring Chicago - Paris)
Kunstmuseum Wolfsburg, Wolfsburg, Germany, Jeff Wall: Landscapes and
Other Pictures. Catalogue.
Städtische Galerie im Lenbachhaus, Munich (Munich Art Prize exhibition),
Jeff Wall: Space and Vision. Catalogue.
1995
Museum of Contemporary Art, Chicago, travelling to
the Musee nationale du Jeu de Paume, Paris. Catalogue
Marian Goodman Gallery, New York
1994
The White Cube, London.
Deichtorhallen, Hamburg.
Stadtische Kunsthalle Dusseldorf.
Galerie Rüdiger Schöttle, Munich.
Neue Gesellschaft fur Bildende Kunst, Berlin. Catalogue.
Centro d'Arte Reina Sofia, Madrid. Catalogue.
Galerie Johnen & Schottle, Cologne.
De Pont Foundation for Contemporary Art, Tilburg, The Netherlands.
Catalogue
1993
Kunstmuseum Luzern, Lucerne. Travelling to The Irish Museum of Modern
Art, Dublin (1993). Catalogue.
Galerie Roger Pailhas, Marseille.
Fondation Cartier pour l'art contemporain, Jouy-en-Josas, France.
1992
Louisiana Museum, Humlebaek, Denmark. Catalogue.
Palais des Beaux-Arts, Brussels.
Marian Goodman Gallery , New York.
1991
San Diego Museum of Contemporary Art, San Diego. Brochure.
Galerie Meert-Rihoux, Brussels.
Galerie Christian Stein, Milan.
Galerie Johnen & Schottle, Cologne.
1990
Vancouver Art Gallery, Vancouver. Jeff Wall 1990. Catalogue. Travelled
to Art Gallery of Ontario, Toronto.
The Carnegie Museum of Art, Pittsburgh. Brochure.
The Ydessa Hendeles Art Foundation, Toronto.
1989
Galerie Johnen & Schöttle, Cologne.
Marian Goodman Gallery, New York. Brochure.
1988
Le Nouveau Musée, Villeurbanne, France. Catalogue.
Westfalischer Kunstverein, Munster. Catalogue.
1987
Galerie Ghislaine Hussenot, Paris.
Galerie Johnen & Schöttle, Cologne.
Museum für Gegenwartskunst, Basel, Switzerland, Jeff Wall: Young
Workers. Brochure.
1986
The Ydessa Gallery, Toronto.
Galerie Johnen & Schöttle, Cologne.
1984
Institute of Contemporary Arts, London, England, Jeff Wall:
Transparencies. Catalogue. Travelled to Kunsthalle, Basel.
1983
The Renaissance Society at The University of Chicago. Catalogue.
1982
David Bellman Gallery, Toronto.
1979
Art Gallery of Greater Victoria, Victoria, Canada, Jeff Wall:
Installation of Faking Death (1977), The Destroyed Room (1978), Young
Workers (1978), Picture for Women (1979). Catalogue.
1978
Nova Gallery, Vancouver.
Group Exhibitions
2000
Neues Kunstmusem Luzern, Lucerne, Mixing Memory and Desire/Wunsch und
Erinnerung.
The National Gallery, London, Encounters: New Art from Old . Catalogue.
Biennale of Sydney, Sydney Australia. Catalogue.
Mission for the Year 2000, Avignon, France, La Beauté. Catalogue.
The Americas Society, New York, Icon + Grid + Void: Art of the Americas
from The Chase Manhattan Collection.
P.S. 1 Contemporary Art Center, New York, Around 1984: A Look at Art in
the Eighties. Catalogue.
Queens Museum of Art, New York, Art at Work: Forty Years of the Chase
Manhattan Collection.
Bonakdar Jancou Gallery, New York, Staged.
Art Gallery of Western Australia, Perth, home. Catalogue.
Centro Andaluz de Arte Contemporaneo, Seville, Architecture without
Shadow. Catalogue.
1999
Kaiser Wilhelm Museum, Krefeld, am Horizont. Catalogue.
Carnegie Museum of Art, Pittsburgh, Carnegie International 1999.
Catalogue.
San Francisco Museum of Modern Art, Seeing Time: Selections from the
Pamela and Richard Kramlich Collection of Media Art. Catalogue.
Thread Waxing Space, New York, Foul Play.
Kunst - Werke, Berlin, Warten. (details)
New Museum of Contemporary Art, New York, The Time of Our Lives.
Catalogue.
Kunstmuseum Wolfsburg, Gesammelte Werke 1: Zeitgenössiche Kunst seit
1968. Catalogue.
Barbara Gladstone Gallery, New York, Plain Air.
Centro Cultural de Belem, Portugal, Flashes: Collection Fondation
Cartier pour l'art contemporain. Catalogue.
Kunsthalle Bremen, Bremen, From Beuys to Cindy Sherman: the Lothar
Schirmer Collection. Catalogue. Travelling to the Staatliche Galerie im
Lenbachhaus, Munich.
encore... bruxelles, Brussels, So Faraway, So Close.
The Museum of Modern Art, New York, The Museum as Muse: Artists Reflect.
Catalogue.
Die Photografische Sammlung/SK Stiftung Kultur, Cologne, August Sander:
Landschaftsphotograhien/Jeff Wall: Bilder von Landschaften. Catalogue.
Travelling to the Nederlands Foto Instituut, Rotterdam.
Museum of Fine Arts & Museum of Contemporary Art, Houston, Art at Work:
Forty Years of the Chase Manhattan Collection. Brochure.
1998
Stockholm Metro, Stockholm, Under/Exposed: The World's Greatest Photo
Exhibition, in the Underground of Stockholm. Catalogue.
Aspen Museum of Art (details)
Museum Ludwig, Cologne, The Parkett Artists' Editions at the Museum
Ludwig.
Kunsthalle, Zurich, Auf der Spur: Kunst der 90er Jahre im Spiegel von
Schweizer Sammlungen.
Marian Goodman Gallery, New York, Breaking Ground.
Bienal de Sal Paulo, Sao Paulo, Brazil, Roteiros, Roteiros, Roteiros,
Roteiros, Roteiros, Roteiros, Roteiros. Catalogue.
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY,
Odradek. Catalogue.
Museum of Contemporary Art, Helsinki, Opening exhibition for the new
Museum.
Culturgest, Lisbon, The Art of the 80s, exhibition of contemporary art
for the Lisbon World Expostion 1998. Catalogue.
The Harn Museum of Art, University of Florida, Gainesville, Inner Eye:
Contemporary Art from the Marc and Livia Straus Collection. Travelled to
the Neuberger Museum of Art, 2000.
Kunstmuseum Wolfsburg, Wolfsburg, Tuning Up #5: Selections from the
Permanent Collection. Catalogue.
Museum Boijmans Van Beuningen, Rotterdam, Extenuating Circumstances,
wall hangings for the Law Courts at 's-Hertogenbosch. Brochure.
1997
Marian Goodman Gallery, New York, 20/20
Fondation Cartier, Paris, La Collection de la Fondation Cartier pour
l'art contemporain. Catalogue.
Fundação Calouste Gulbenkian, Lisbon, Deslocaçõs/From Here to There.
Catalogue.
H, Association for Contemporary Arts/l"Albergueria, Vic, Spain, A Bruit
Secret. Catalogue.
Museum Fridericianum, Kassel, documenta X. Catalogue.
Framed Area Foundation, Amsterdam, Framed Area: site-specific works in
Haalemmermeer, Hoofdorp, and Schiphol Airport, Amsterdam. Catalogue.
Zeitgeist-Gesellschaft zur Förderung der Künste in Berlin e.V.,
Martin-Gropius-Bau, Berlin, Die Epoche der Moderne: Kunst im 20.
Jahrhundert/The Age of Modernism--Art in the 20th Century. Catalogue.
Museums Kurhaus, Kleve, Germany, Opening Exhibition/Soweit der Erdkreis
Reicht/Ein Museum für Keitgenössische Kunst.
Centre d'Art Contemporain, Geneva, Veronica's Revenge. (exhibition
touring 1997 -2000)
Galeria Estrany - De La Mota, Barcelona, At the Edge of the Landscape.
Yokohama Museum of Art, Yokohama, Contemporary Photography 1: 'Absolute
Landscape: Between Illusion and Reality'. Catalogue.
1996
Musée nationale d'art moderne, Centre Georges Pompidou, Paris, Face à
l'Histoire 1933 - 1996: L'artiste moderne face à lévénement historique.
Catalogue.
Marian Goodman Gallery, New York, A Group Show.
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY,
a/drift.
Sammlung Goetz, Munich, Matthew Barney, Tony Oursler, Jeff Wall.
Catalogue.
Galerie Rodolphe Janssen, Brussels, Tableaux de la Vie Moderne/Pictures
of Modern Life. (travelling to the Ecole des Beaux-Arts, Tours, France.
Catalogue.)
Anthony d'Offay Gallery, London, Portrait of the Artist.
Casino Luxembourg, Forum d'art contemporain, Luxembourg, Arrêt sur
Images.
The Museum of Contemporary Art, Los Angeles, Hall of Mirrors:Art & Film
Since 1945. Catalogue. Travelling to the Wexner Center for the Arts,
Columbus, Ohio (September 1996), Rome (details), and the Museum of
Contemporary Art, Chicago (September 1997).
Frankfurter Kunstverein & Schirn Kunsthalle, Frankfurt, Prospect 96:
Photographie in der Gegenwartskunst. Catalogue.
Le Carré-Musée Bonnat & the FRAC Collection Aquitaine, Bayonne, France,
Consommation/Contemplation.
1995
San Francisco Museum of Modern Art, Public Information: Desire,
Disaster, Document. Catalogue.
Setagaya Museum, Tokyo, Spirits on the Crossing Travellers to/from
Nowhere: Contemporary Art in Canada 1980 - 94, travelling to the
National Museum of Modern Art, Kyoto, and the Hokkaido Museum of Modern
Art, Sapporo. Catalogue
Art Institute of Chicago, About Place: Recent Art of the Americas.
Catalogue
The American Center, Paris, Micromegas. Travelling to the Israel Museum,
Jerusalem. Catalogue
Whitney Museum of American Art, New York, Biennial Exhibition. Catalogue
Centro per l'Arte Contemporanea Luigi Pecci, Prato, l'immagine riflessa:
a selection of contemporary photography from the LAC Collection,
Switzerland. Catalogue.
Ydessa Hendeles Art Foundation, Toronto, Projections: Alfred Stieglitz,
Walker Evans, Brassaï, Weegee, Cindy Sherman, Jeff Wall
Stedelijk Museum, Amsterdam, Notion of Conflict: A Selection of
Contemporary Canadian Art. Catalogue
Kwangju Museum of Contemporary Art, Kwangju, Korea, Kwangju Biennale.
Catalogue.
Le Domaine de Kerguéhennec, Centre d'art contemporain, Kerguéhennec,
France, Le Domaine du Diaphane.
Musée d'art contemporain de Montréal, L'Effet Cinéma. Catalogue
Musée du Luxembourg, Paris, L'Effet Cinéma. Catalogue
Musée nationale d'art moderne, Centre Georges Pompidou, Paris,
fémininmasculin: le sexe de l'art. Catalogue.
Gemäldegalerie Neue Meister, Albertinum, Dresden, 4 x 1 im Albertinum:
Golub, Huber, Julius, Wall. Catalogue.
Musée d'Art Moderne de la Ville de Paris, Passions Privées: Collections
particulières d'art moderne et contemporain en France. Catalogue.
1994
Angles Gallery, Los Angeles, Patrick Painter Editions, Rodney Graham,
Stephen Prina, Jeff Wall
Institute of Contemporary Arts, London, The Institute of Cultural
Anxiety: Works from the Collection.
National Museum of Contemporary Art, Seoul, Foundation Cartier: a
Collection (travelling to the Fine Art Museum of Taipei (1995).
Catalogue
Institut Français de Madrid, ‘Le Corps en Scène’, works from the
collection of the Fonds Régional d‘art Contemporain Aquitaine.
Catalogue
Centro Nacional de Exposiciones, Madrid, Los Generos de la Pintura.
Catalogue.
Nicole Klagsbrun Gallery, New York, Ashley Bickerton, Jimmie Durham,
Walton Ford, Jeff Wall
Kunstmuseum, Lucerne, Prospect/Retrospect: Contemporary Art from the
Collection
MIT List Visual Arts Center, Cambridge, The Ghost in the Machine.
Catalogue
Deichtorhallen, Hamburg, The Century of the Multiple: from Duchamp to
the Present.
Catalogue
Gimpel Fils, London, Patrick Painter Editions.
Hayward Gallery, London, The Epic and the Everyday: Contemporary
Photographic Art. Catalogue.
The Artimo Foundation / The Netherlands Red Cross, Amsterdam, Ik + de
Ander: dignity for all: reflections on humanity. Catalogue
Marian Goodman Gallery, New York, A Painting Show.
Public Art Fund / Paine Webber Art Gallery, New York, Urban Paradise:
Gardens in the City. Catalogue.
Arteleku, Bilbao & the Frac Aquitaine, Bordeaux, Exposition di 14
Janvier au 4 Fevrier.
Paula Cooper Gallery, New York, Pictures of the Real World (In Real
Time).
1993
Charles H. Scott Gallery, Emily Carr College of Art & Design, Vancouver,
Beneath the Paving Stones: Art, Architecture, City.
Foundation Still / Archipel Apeldoorn, Rotterdam, (Erratum). Brochure.
Bayerische Staatsgemaldesammlungen, Munich, Widerstand: Denkbilder fur
die Zukunft. Catalogue.
Museum Boymans-van Beuningen, Rotterdam, The Childrens’ Pavilion.
Brochure.
Parachute magazine, Montreal, Bestiarium/Endangered Species,
Aarhus Kunstmuseum, Aarhus, Denmark, Strange Hotel: International Art.
Catalogue.
Le Magasin, Centre Nationale d'Art Contemporain, Grenoble, The Childrens
Pavilion.
Center for the Fine Arts, Miami, Photoplay: Works from the Chase
Manhattan Collection (touring through Latin America 1993-94). Catalogue.
Deichtorhallen, Hamburg, Post-Human. Catalogue.
Norwich Gallery, Norfolk Institute of Art & Design, Norfolk, England,
Renegotiations: Class, Modernity, Photography. Catalogue.
FRAC des Pays de la Loire, Clisson, France, Canada--une nouvelle
generation. (touring to Musee des Beaux-Arts de Dole, Dole, France.
Catalogue.
Marian Goodman Gallery, New York, A Summer Show.
Palais Royale des Beaux-Arts, Antwerp, The Sublime Void: An Exhibition
on the Memory of the Imagination. Catalogue.
1992
Walter Phillips Gallery, Banff Centre for the Arts, Banff, Queues,
Rendezvous and Riots: Questioning the Public. Catalogue.
Stadtische Kunsthalle, Dusseldorf, Avantgarde & Kampagne.
Institut du Monde Arabe, Paris, Images Metisses.
Kunst-und Austellungshalle der Bundesrepublik Deutschland, Bonn,
Territorium Artis. Catalogue.
Musee d'Ixelles, Brussels, The Binary Era. Catalogue. Travelled to
Kunsthalle Wien, Vienna, 1993.
Konstmuseum, Boras, Sweden, What Is Political Anyway? Catalogue
Commune di Roma, Assessorato alla Cultura, Molteplici Culture: Itinerari
dell'arte contemporanea in un mondo che cambia. Catalogue
Musee d'art contemporain de Montreal, Pour la Suite du Monde. Catalogue.
Salas del Arenal, Seville, The Last Days. Catalogue.
Centre d'Art Santa Monica, Barcelona, Cameres indiscretes. Catalogue.
Travelled to Circulo de Bellas Artes, Madrid.
1991
Museum Haus Lange and Haus Esters, Krefeld, in anderen Raumen.
Galerie Pierre Huber, Geneva, La Revanche de l'Image. Catalogue
Marian Goodman Gallery, New York, This Land...
Stuart Regen Gallery, Los Angeles, Bernd & Hilla Becher, James Welling,
Jeff Wall.
Vancouver Art Gallery, Vancouver, Lost Illusions: Recent Landscape Art.
Catalogue.
Martin-Gropius Bau, Berlin, Metropolis. Catalogue.
Centre internationale d'art contemporain de Montreal, Jes: Dan Graham,
Ludger Gerdes, Jeff Wall.
Castello di Rivoli, Museo d'arte contemporanea, Squardo di Medusa.
Catalogue.
Sala de Arte La Recova, Santa Cruz de Tenerife, Centro de Fotografía
Isla de Tenerife, Elegía de la Mirada: Raymonde April, Bill Henson,
Patrick Tosani, Thomas Ruff, Jeff Wall
1990
The Israel Museum, Jerusalem, Life Size: A Sense of the Real in Recent
Art. Catalogue.
Krefelder Kunstmuseen, Krefeld, Weitersehen. Catalogue.
Centre Georges Pompidou, Paris, Passages de l'Image. Catalogue.
Travelled to Fundacio Caixa de Pensions, Barcelona; Wexner Center for
the Visual Arts, Ohio State University, Columbus, Ohio; San Francisco
Museum of Modern Art, San Francisco.
Hirshhorn Museum and Sculpture Garden, Washington, D.C., Culture and
Commentary: An Eighties Perspective. Catalogue.
National Garden Festival, Gateshead, Newcastle, The First Tyne
International: A New Necessity. Catalogue.
Musée Russe, Leningrad, Le Territoire de l'Art 1910 - 1990. Catalogue
Chateau d'Oiron, Oiron, France, "La Guerre De Troie N'Aura Pas Lieu":
Oeuvres du Fonds National d'Art Contemporain
Musee des Beaux-Arts/FRAC Nord Pas de Calais, Tourcoing, France, La
Diaphane: Une Reflection, une Collection, une Exposition, un Lieu.
Catalogue.
Galerie Roger Pailhas, Paris, Ouverture
1989
Staatsgalerie, Stuttgart, Foto-Kunst: Arbeiten aus 150 Jahren, Du XXéme
au XIX éme Siècle, Aller et Retour. Catalogue.
Barbara Gladstone Gallery, New York, Selected Photographs from The
Donnelley Collection.
Galerie Chantal Boulanger and Galerie René Blouin, Montreal, Benefit
Exhibition for Parachute.
Galerie Grita Insam, Vienna, Vis A Vis Der Kamera: Aspekte Der
Actuellen Portrait Fotografie. Travelled to Museum of Contemporary Art,
s'Hertogenbosch, The Netherlands.
Musée d'art contemporain de Montréal, Montreal, Tenir l'Image à
Distance. Catalogue.
Centre Georges Pompidou, Musée National d'Art Moderne, and La Grand
Halle de la Villette, Paris, Les Magiciens de la Terre. Catalogue.
Marian Goodman Gallery, New York, A Photo Show: A Selection.
Centre National des Arts Plastiques, Paris, Une autre objectivité/
Another objectivity. Catalogue. Travelled to Centro per l'Arte
Contemporanea Luigi Pecci, Prato.
Galerie Rüdiger Schöttle, Munich, Ken Lum, Jeff Wall.
Rooseum, Malmo, Sweden, What Is Contemporary Art? Catalogue.
Galerie Roger Pailhas, Marseille, France, Dan Graham, Jeff Wall: The
Children's Pavilion. Catalogue. Travelled to F.R.A.C. Rhone Alps, Villa
Gillet, Lyon; Santa Barbara Contemporary Art Forum, Santa Barbara.
P. S. 1, Institute for Contemporary Art, Long Island City, New York,
Theatergarden Bestiarium. Catalogue. Travelled toTeatro Lope de Vega,
Casino de la Exposición, Seville; Galerie du Confort Moderne, Poitiers.
Musée d'Art Moderne de la Ville de Paris, Paris, Images Critiques: J.
Wall, D. Adams, A. Jaar, L. Jammes. Catalogue.
Mai 36 Galerie, Lucerne, Switzerland, Arrangements I.
1988
Galleri Contur, Stockholm, Sweden, John Hilliard, Barbara Kruger, Ken
Lum,
Richard Prince, Jeff Wall.
The Carnegie Museum of Art, Pittsburgh, Carnegie International.
Catalogue.
Studio Casoli, Milan, Rodney Graham, Robert Kleyn, Jeff Wall, Ian
Wallace. Catalogue.
Tomoko Liguori Gallery, New York, Dennis Adams, Alfredo Jaar, Jeff Wall.
F.R.A.C. (Fonds régional d'art contemporain) Champagne Ardenne, Reims,
France,
A l'Hôtel de la Région.
Monika Spruth Gallery, Cologne, Das Licht von deranderen Seite, part II:
Photography.
The Guinness Hop Store and The Royal Hospital Kilmainham, Dublin,
Ireland, Rosc '88. Catalogue.
Galerie Roger Pailhas, Marseille, France, Elements Manifestes.
Padiglione d'Arte Contemporanea, Milan, Presi Per Incantamento:
L'Immagine Fotografica nelle Nuove Tendenze Internationali. Catalogue.
Barbara Gladstone Gallery, New York, Robert Mapplethorpe, Richard
Prince, Thomas Ruff, Jeff Wall.
Art Gallery of New South Wales and Pier 2/3, Walsh Bay, Sydney,
Australia, Australian Biennale 1988: From the Southern Cross: A View of
World Art c. 1940 - 88. Catalogue. Travelled to National Gallery of
Victoria, Melbourne.
Galerie Johnen & Schöttle, Cologne, Krieg, Liebe, Geld: Katharina
Fritsch, Michael van Ofen, Jeff Wall.
capc, Musée d'art contemporain, Bordeaux, France, Collection pour une
région. Brochure.
Kaiser Wilhelm Museum, Krefeld, West Germany, Bilanz/Balance.
Galerie Rüdiger Schöttle, Munich, Landschafts--Ansichten: Stephen
Balkenhol, Michael van Ofen, Jeff Wall, and Giovanni Battista Piranesi.
Institute of Contemporary Art, Boston, Utopia Post Utopia:
Configurations of nature and culture in recent sculpture and
photography. Catalogue.
1987
De Appel, Amsterdam, Nightfire. Brochure.
Künstlerwerkstatt, Munich, Theatergarten Bestiarium.
Christine Burgin Gallery, New York, Dan Graham, Rodney Graham, Robert
Smithson, Jeff Wall.
Museum Fridericianum, Kassel, West Germany, Documenta 8. Catalogue.
Centre Georges Pompidou, Musée national d'art moderne, Paris, L'epoque,
la mode, la morale, la passion: Aspects de l'art d'aujord'hui,
1977-1987. Catalogue.
Galerie Ralph Wernicke, Stuttgart, Kunst Mit Fotografie. Catalogue.
Württembergischer Kunstverein Stuttgart, Stuttgart Zeitgeschichten/ Blow
Up. Travelled to Haus am Waldsee, Berlin (1987); Kunstverein in Hamburg,
Hamburg (1987); Kunstverein Hannover e.V., Hannover (1987); Frankfurter
Kunstverein, Frankfurt am Main (1988).
1986
Or Gallery, Vancouver, Camera Works.
Rheinhallen Messegëland, Cologne, Art Cologne, Focus: Kanadische Kunst
1960-1985.
Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt, Prospect 86.
Catalogue.
Vancouver Art Gallery, Vancouver, Making History; Recent Art of the
Pacific West.
Galerie Rüdiger Schöttle, Munich, Zwei Landschaften: Glenn Branca, Jeff
Wall.
1985
Stedelijk Museum, Amsterdam, Günther Förg en Jeff Wall: Fotowerken.
Brochure.
Centre international d'art contemporain de Montréal, Montreal, Aurora
Borealis. Catalogue.
Third Eye Centre, Glasgow, Scotland, Visual Facts: Photography and
Video by Eight Artists in Canada. Catalogue. Travelled to Graves Art
Gallery, Sheffield, England; Canada House Cultural Centre Gallery,
London.
Aorta, Amsterdam, Cover/Doppelgänger. Catalogue.
Grand Halle du Parc de la Villette, Paris, La Nouvelle Biennale de
Paris. Catalogue.
Galerie der Künstler, Munich, Louis XIV Tanzt/Louis XIV Dances.
Travelled to Vereinkunsthalle, Zürich (1986); F.R.A.C. Rhone Alpes, St.
Etienne, France (1988).
49th Parallel, Centre for Contemporary Canadian Art, New York, Rodney
Graham, Ken Lum, Jeff Wall, Ian Wallace. Brochure.
London Regional Art Gallery, London, Canada, Subjects and Subject
Matter. Catalogue. Travelled to The Art Gallery at Harbourfront,
Toronto; Laurentian University Museum and Arts Centre, Sudbury, Canada;
Mendel Art Gallery, Saskatoon, Canada.
1984
The New Museum of Contemporary Art, New York, Difference: On
Representation and Sexuality. Catalogue. Travelled to The Renaissance
Society at The University of Chicago (1985); Institute of Contemporary
Arts, London, England (1985); The List Visual Arts Center, Massachusetts
Institute of Technology, Cambridge, USA(1985).
Städtisches Kunsthalle, Düsseldorf, Ein anderes klima: Aspekte der
Schönheit in der zeitgenössischen Kunst / A different climate: Aspects
of Beauty in Contemporary Art. Catalogue.
Coquitlam Centre Mall, Coquitlam, B.C, Canada, Poco Rococo.
1982
Museum Fridericianum, Kassel, West Germany, Documenta 7. Catalogue.
1981
Rheinhallen Messegëlande, Cologne, Westkunst: Zeitgenössische Kunst seit
1939/Contemporary Art Since 1939. Catalogue.
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution,
Washington (D.C.), Directions 1981. Catalogue. Travelled to Sarah
Campbell Blaffer Gallery, University of Houston, Houston.
1980
National Gallery of Canada, Ottawa, Canada Pluralities/1980/Pluralités.
Catalogue.
Photo Gallery, National Film Board of Canada, Ottawa, Canada,
Cibachrome.
Hal Bromm Gallery, New York, New Work: Mac Adams, Roger Cutforth, Dan
Graham, John Hilliard, Jeff Wall.
1973
Vancouver Art Gallery, Vancouver, Pacific Vibrations. Catalogue.
1971
Sir George Williams University and the Saidye Bronfman Centre, Montreal,
45° 30' N - 73° 36' W.
City of Bad Salzdetfurth, West Germany, Ecological Art.
Prague, Czechoslovakia, New Art.
Fine Arts Gallery, University of British Columbia, Vancouver, Collage
Show.
1970
Whitechapel Art Gallery, London, England, 3 to Infinity: New Multiple
Art. Catalogue.
Museum of Modern Art, New York, Information. Catalogue.
Allen Memorial Art Museum, Oberlin College, Oberlin,Ohio, Art in the
Mind. Catalogue.
Fine Arts Gallery, University of British Columbia, Vancouver, Four
Artists: Tom Burrows, Duane Lunden, Jeff Wall, Ian Wallace.
1969
S.U.B. Art Gallery, University of British Columbia, Vancouver, Photo
Show.
Seattle Art Museum, Seattle, 557,087, Catalogue. Exhibition held in
expanded form at the Vancouver Art Gallery, Vancouver, as 955,000,
January - February1970
Bau-Xi Gallery, Vancouver, Focus '69.
JEFF WALL
Selected publications on the artist
1. Texts in Monographs
Atkinson , Terry, "Dead Troops Talk', in Dead Troops Talk, Kunstmuseum
Luzern, The Irish Museum of Modern Art, Deichtorhallen, Hamburg, 1993 94.
Auffermann, Verena, "Triangular Relationships in an Unwritten Novel", in
Jeff Wall; The Storyteller, Schriften zur Sammlung des Museums für
Moderne Kunst, Frankfurt, 1992.
Barents, Els, "Typology, Luminescence, Freedom: Selections from a
conversation with Jeff Wall." in Jeff Wall: Transparencies,
Schirmer/Mosel, Munich, 1986; Rizzoli, New York, 1987. Reprinted in
French in Jeff Wall (trans. M. Hugonnet and J.-L. Maubant), in
exhibition catalogue, Le Nouveau Musée, Villeurbanne, 1988.
De Duve, Thierry, "The Mainstream and the Crooked Path", in Jeff Wall,
Phaidon Books, London, 1996, pp. 26 - 55.
Groys, Boris, "Life Without Shadows", in Jeff Wall, Phaidon Books,
London, 1996, pp. 56 - 69.
Linsley, Robert, "Jeff Wall: The Storyteller", in Jeff Wall; The
Storyteller, Schriften zur Sammlung des Museums für Moderne Kunst,
Frankfurt, 1992.
Migayrou, Frédéric, Jeff Wall, Simple indication, la lettre volée,
Singularités, Collection directed by Marie - Angre Brayer, Brussels,
1995.
Pelenc, Arielle, "The Uncanny", English version of French original,
"Cette 'Inquietante Etrangete", in Restoration, Kunstmuseum Luzern,
Kunsthalle Dusseldorf, 1994.
Roberts, John, "Jeff Wall: the social pathology of everyday life", in
The Art of Interruption: Realism, Photography and the Everyday,
Manchester University Press, Manchester and New York, 1998, pp. 184 198.
Stemmrich, Gregor, "Vorwart", in Jeff Wall, Szenarien in Bildraum der
Wirklichkeit: Essays und Interviews. Verlag der Kunst, Fundus Books,
1997, pp. 7 - 31.
2. Essays in solo exhibition catalogues
Ammann, Jean - Christophe, Jeff Wall: Odradek, Taboritskà 8, Prag, 18.
Juli 1994, brochure, Museum für Moderne Kunst, Frankfurt, 1996.
Brougher, Kerry, "The Photographer of Modern Life" in Jeff Wall, The
Museum of Contemporary Art/Scalo Verlag, Los Angeles and Zurich, 1997,
pp. 13 - 41.
Chevrier, Jean - François, "Jeu, drame, énigme", in Jeff Wall, The
Museum of Contemporary Art, Chicago; Galerie Nationale du Jeu de Paume,
Paris; Helsinki Museum of Contemporary Art, Helsinki; Whitechapel Art
Gallery, London, 1995, pp. 16 - 21. English translation by Brian Holmes,
"Play, Drama, Enigma", in same publication, pp. 11 - 16.
Chevrier, Jean - François, "Die dunkle Seite einer Glücksverheißung",
German translation by Wieland Grommes of French original text, "Le
versant sombre d'une promesse de bonheur", in Jeff Wall: Space and
Vision, catalogue for the Munich Art Prize exhibition at the Städtische
Galerie im Lenbachhaus, Munich, Schirmer/Mosel, Munich, 1996, pp. 25
-32.
Chevrier, Jean - François, "Spiel, Drama, Rätsel", German translation by
Wieland Grommes of French original text, "Jeu, drame, énigme", in Jeff
Wall: Space and Vision, catalogue for the Munich Art Prize exhibition at
the Städtische Galerie im Lenbachhaus, Munich, Schirmer/Mosel, Munich,
1996, pp. 13 -24.
Cortès, José Miguel, "Temps Suspés: Fragilitat I Dramatisme en l'Obra de
Jeff Wall I Pepe Espaliù", In Jeff Wall, Pepe Espaliù: Temps
Suspés/Tiempo Suspendido, Espai d'Art Contemporani de Castello,
Castellón, Spain, 1999, pp. 22 - 57. English translated (uncredited) pp.
215 - 225.
Fer, Briony, "The Space of Anxiety", in Jeff Wall, The Museum of
Contemorary Art, Chicago; Galerie Nationale du Jeu de Paume, Paris;
Helsinki Museum of Contemporary Art, Helsinki; Whitechapel Art Gallery,
London, 1995, pp. 23 -26. French translation by Bruno Alcala, "L'espace
de l'anxiété", in same publication, pp.28 - 32.
Fischer - Jonge, Ingrid, "The Repressed Encounter: Pictures by Jeff
Wall, in Jeff Wall, The Louisiana Museum, Humlebaek, 1992, pp. 16 - 23.
Ganteführer, Anne, Lange, Susanne, and Wiesenhöfer, Michael, "Ein
Gespräch über die Landschaften im Werk von Jeff Wall", in Jeff Wall:
Bilder von Landschaften, The Photographic Collection/SK Culture
Foundation, Cologne, 1999, pp. 25 - 30.
Gingras, Nicole, "De l'invisible et d'autres préoccupations
photographiques/On the Invisible and Other Photographic Concerns", in
Jeff Wall: Oeuvres 1990 - 1998, The Musée de l'art contemporain de
Montréal, 1999, pp. 15 - 21, 86 - 91. English translation by Kathleen
Fleming.
Grynstejn, Madeleine, "Notes on a Work by Jeff Wall", Museum of
Contemporary Art, San Diego, 1990, brochure, np.
Lussier, Réal, "Regard sur les années 90/A Survey of the 90s", in Jeff
Wall: Oeuvres 1990 - 1998, The Musée de l'art contemporain de Montréal,
1999, pp. 9 - 14, 81 - 85. English translation by Robert McGee.
Migayrou, Frédéric. "Transfiguration des types." In Jeff Wall, Le
Nouveau Musée, Villeurbanne, 1988, pp. 12 - 28..
Newman, Michael, "The True Appearance of Jeff Wall's Pictures", in Jeff
Wall, De Pont Foundation for Contemporary Art, Tilburg, 1994, pp. 28 47.
Stals, Jose Lebrero, "Landscapes and Physiognomies in the City", English
translation of Spanish original, "Paisajes y Fisonomías en la Ciudad",
in Jeff Wall, Museo Nacional Centro de Arte Reina Sofia, Madrid, 1994,
np.
Thielemann, Andreas. "Licht zeigt sich und anderes Prismen und Schatten
Streifen und Fluchten." In Jeff Wall, Münster: Westfälischer
Kunstverein, 1988, pp. 26-39.
van Winkel, Camiel, "Figure goes to ground", in Jeff Wall: Landscapes
and Other Pictures, Kunstmuseum Wolfsburg, Wolfsburg, Germany, 1996, pp.
14 - 22. Also published in German in the same catalogue, translated as
"Figur im Grund versinkend" by Magda Moses and Bram Opstelten.
Wagner, Frank, "Dead Troops Talk" and "Fragen an Jeff Wall", brochure,
Neue Gesellschaft für Bildende Kunst, Berlin, 1994.
Wallace, Ian, "Jeff Wall." In Jeff Wall: Selected Works. Exhibition
catalogue. Chicago: The Renaissance Society at The University of
Chicago, 1983.
Wallace, Ian, "Jeff Wall's Transparencies." In Jeff Wall:
Transparencies. Exhibition catalogue. London, England: Institute of
Contemporary Art, 1984, (reprinted in German as catalogue insert, trans.
Urs Aregger and Jean-Christophe Ammann).
Zaslove, Jerald, "Faking Nature and Reading History: The Mindfulness
toward Reality in the Dialogical World of Jeff Wall's Pictures", in Jeff
Wall 1990, Vancouver Art Gallery, Vancouver, 1990, pp. 64 - 102,
3. Essays in group exhibition catalogues
Barents, Els, "Günther Förg en Jeff Wall", in Günther Förg en Jeff Wall:
Fotowerken. Exhibition brochure, Stedelijk Museum, Amsterdam, 1985.
Brea, Jose Luis, "The Last Days", in The Last Days, Spanish Pavilion of
the Seville Universal Exposition 1992, 1992, pp. 13 - 31.
Buchloh, Benjamin H. D., "The Politics of Representation", The
Photographic Paradigm, Lier en Boog, Series of Philosophy of Art and Art
Theory, vol. 12, 1997, pp. 17 - 29.
Cacciari, Massimo, "From Hegel to Duchamp", in The Last Days, Spanish
Pavilion of the Seville Universal Exposition, Seville, 1992, pp. 33 48.
Chevrier, Jean - François, and David, Catherine, "Actualité de l'Image",
in Passages de l'Image, Musée nationale d'art moderne/Centre Georges
Pompidou, Paris, 1990, pp.17 - 36. English version, "The Present State
of the Image", in the catalogue for the same exhibition, as presented at
the Centre Cultural de la Fundació Caixa de Pensions, Barcelona, 1991,
pp. 26 - 46.
Chevrier, Jean - François, and Lingwood, James. "Une autre
objectivité/Another objectivity." In Une autre objectivité/Another
objectivity. Centre National des Arts Plastiques, Paris:; Centro per
l'Arte Contemporanea Luigi Pecci, Prato, Italy. Milan: Idea Books, 1989.
Chevrier, Jean - François, "Die Abenteuer de Tableau-Form in der
Geschichte der Photographie/Les aventures de la forme tableau dans
l'histoire de la photographie." In Foto-Kunst, Staatsgalerie,
Stuttgart,1989.
Crow, Thomas, "Unwritten Histories of Conceptual Art", Oehlen Williams
95, Wexner Center for the Arts, Ohio State University, Columbus, 1995,
pp. 86 - 101.
David, Catherine. "L'inventaire." In Louis XIV Tanzt FRAC Rhone Alpes,
St. Etienne, 1988.
Dickel, Hans, "Jeff Wall -- Drei Interieurs", in Matthew Barney, Tony
Oursler, Jeff Wall, Goetz Collection, Munich, 1996, pp. 72 - 77. English
translation as "Jeff Wall -- Three Interiors", by Baker & Harrison, pp.
78 -82.
Garrells, Gary, "Public Information: Desire, Disaster, Document", in
Public Information: Desire, Disaster, Document, San Francisco Museum of
Modern Art, San Francisco, 1995, pp. 11 - 17.
Grynstejn, Madeleine, "About Place: Recent Art of the Americas", in
About Place: Recent Art of the Americas, The Art Institute of Chicago,
1995, pp. 33 - 36.
Halbreich, Kathy, "Culture and Commentary: An Eighties Perspective", in
Culture and Commentary: An Eighties Perspective, Hirshhorn Museum,
Washington, 1990, pp. 15 - 22; 114 - 116.
Holmes, Willard. "Jeff Wall." In Pluralities/1980/Pluralités, National
Gallery of Canada, Ottawa,1980, pp. 115 - 119.
Jameson, Fredric. "Postmodernism and Utopia." In Utopia Post Utopia:
Configurations of nature and culture in recent sculpture and
photography, Institute of Contemporary Art, Boston, 1988, pp. 11 - 32.
Jardine, Alice. "Alice In Wonderland Looking/For the Body." In Utopia
Post Utopia: Configurations of nature and culture in recent sculpture
and photography, Institute of Contemporary Art, Boston, 1988, pp. 100
-117.
Joselit, David. "Saying the Unspeakable." In Utopia Post Utopia:
Configurations of nature and culture in recent sculpture and
photography, Institute of Contemporary Art, Boston, 1988, pp, 76 - 82.
Lingwood, James, "Different Times", in The Epic & the Everyday, The
Hayward Gallery/The Southbank Centre, London, 1994, pp. 9 - 20.
Linsley, Robert, "Image Literatures" in Cameres Indiscretes, Centre
de'Art Santa Monica, Barcelona, 1992, pp. 111 - 118.
Magnani, Gregorio, Daniela Salvioni, and Giorgio Verzotti. Special
Effects: The Photographic Experience in Contemporary Art, Giancarlo
Politi Editore, Milan,1989, p.189 and passim.
Marin, Louis, "Une Image D'Apollon à Dyonisos", in Passages de l'Image,
Musée nationale d'art moderne/Centre Georges Pompidou, Paris, 1990, pp.
182 - 185. English version, "An Image, from Apollo to Dionysius",
translated by James Eddy, in the catalogue for the same exhibition, as
presented at the Centre Cultural de la Fundació Caixa de Pensions,
Barcelona, 1991, pp. 210 -216.
Michaud, Eric. "The Real as A Primal Scene (A Note on Art and
Devouring)." In Utopia Post Utopia: Configurations of nature and culture
in recent sculpture and photography, Institute of Contemporary Art,
Boston, 1988, pp. 34 - 51.
Migayrou, Frédéric, "Shared Reflections." In Children's Pavilion,
Galerie Roger Pailhas, Marseille, 1989, pp. 10 - 22.
Migayrou, Frédéric, "The Stage and the Register", English translation of
French original, in Bestiarium Theatergarden Bestiarium: The Garden as
Theater as Museum, exhibition catalogue, The Institute of Contemporary
Art, P.S. 1 Museum, New York/MIT Press, Cambridge, Mass., 1990, pp. 60 75. French version, "Sans Paragon et la Reine des Feés" in Bestiarium
Jardin - Theatre: Art Contemporain, Entrepot - Galerie du Confort
Moderne, Poitiers, 1989, pp. 15 - 28.
Newman, Michael, "Jeff Wall." In Carnegie International, The Carnegie
Museum of Art, Pittsburgh, 1988, p. 48.
Owens, Craig, "Posing", in Difference: On Representation and Sexuality,
The New Museum of Contemporary Art, New York, 1985, pp. 7 - 17.
Parent, Béatrice. "Images Critiques." In Images Critiques: J. Wall, D.
Adams, A. Jaar, L. Jammes, Musée d'Art Moderne de la Ville de Paris,
1989.
Pélenc, Arielle. "La gifle au goût public." In Images Critiques: J.
Wall, D. Adams, A. Jaar, L. Jammes, Musée d'Art Moderne de la Ville de
Paris, 1989.
Roberts, John, "Class, Modernity and Photography", in Renegotiations:
Class, Modernity and Photography, Norwich Gallery, Norfolk Institute of
Art & Design, Norwich, 1993, pp. 4 - 21.
Solomon-Godeau, Abigail. "Beyond the Simulation Principle." In Utopia
Post Utopia: Configurations of nature and culture in recent sculpture
and photography, Institute of Contemporary Art, Boston, 1988. pp. 82 99.
Stals, José lebrero, "As a Manner of Discrete Introduction", in Cameres
Indiscretes, Centre de'Art Santa Monica, Barcelona, 1992, pp. 7 - 9; 99
- 101.
Town, Elke. "Subjects and Subject Matter." In Subjects and Subject
Matter, London Regional Art Gallery, London, Ontario,1985.
Wallace, Ian, "An Introduction to the Exhibition." In Rodney Graham, Ken
Lum, Jeff Wall, Ian Wallace. 49th Parallel, Centre for Contemporary
Canadian Art, New York, 1985.
4. Essays in magazines and books
Abrioux, Yves, "Jeff Wall: Jeu de Paume, Paris, and Whitechapel,
London", Untitled, a review of contemporary art, no. 10, Spring, 1996,
n.p.
Ainardi, Dolène, "Jeff Wall: Chroniques du temps présent", Halle Sud
(Geneva), 2e trimestre 1988, p. 11.
Albig, Jörg-Uwe, "Wahrheit ist kein Werk von Sekunden", art: Das
Kunstmagazin, nr. 6, June 1996, pp. 14 - 25.
Bangma, Anke, "Rotterdam and the Children's Pavilion by Dan Graham and
Jeff Wall", Witte de With Cahier #3, Witte de With Center for
Contemporary Art, Rotterdam, February, 1995, pp. 163 - 167.
Barry, Judith: 'Spiegelbeeld: Notities over de achtergrond van Jeff
Walls dubbelzelfportret' (translated by Paul Groot), Museumjournaal no.
6, 1984, pp. 354 - 363.
Birnbaum, Daniel, "Iron Still", Artforum, May, 1997, p. 14.
Boddy, Trevor, "Plastic Lion's Gate: A Short History of the Post Modern
in Vancouver Architecture", Vancouver: Representing the Postmodern City,
edited by Paul Delany, Arsenal Pulp Press, Vancouver, 1994, pp. 25 - 49.
Brayshaw, Christopher, "Jeff Wall: Critical Transparencies: a Defense,
an Exegesis", Artichoke (Calgary, Alberta), vol. 8, no. 1, Spring 1996,
pp. 30 - 35.
Bryson, Norman, "Jeff Wall: Enlightenment Boxes", Art & Text, no. 56,
February - April 1997, pp. 56 - 63.
Bryson, Norman, "Too Near, Too Far", Parkett, no. 49, May, 1997, pp. 85
- 89.
Carels, Edwin, "Meditaties over het alledaagse: Sokurov, Horsfield,
Wall", Metropolis M (Utrecht), no. 1, February 1997, pp. 22 - 27.
Celant, Germano. Unexpressionism: Art Beyond the Contemporary, pp. 62 71 passim. Costa & Nolan spa., Genoa; Rizzoli, New York 1988.
Chevrier, Jean-François. "Les Peintres de la Vie Moderne." Galeries
Magazine, no.24 April - May 1988, pp. 64 - 67.
Chevrier, Jean - François, "Une Exigence de Réalisme", in Symposium: Die
Photographie in der Zeitgenössischen Kunst: Eine Veranstaltung der
Akademie Schloss Solitude, 6/7 Dezember 1989, Edition Cantz, Stuttgart,
1990, pp.153 -156. German and English
-Chevrier, Jean-François, "Jeff Wall: The Storyteller", Forum
International 7 March - April 1991, pp. 38- 43.
translations also included.
Couderc, Sylvie, "Distance et Possession: Les photographies de Jeff Wall
et de Clegg & Guttmann", Artefactum (Antwerp), vol. 5, no. 25, September
- October, 1988, pp. 6 - 10.
Criqui, Jean - Pierre, "Jeff Wall, Jeu de Paume", Artforum, March 1996,
pp. 96 - 97; 119.
Crow, Thomas, "Profane Illuminations: Social History and the Art of
Jeff Wall", Artforum , February 1993, pp. 62 - 69.
David Catherine, "Photographie et Cinéma", in Symposium: Die
Photographie in der Zeitgenössischen Kunst: Eine Veranstaltung der
Akademie Schloss Solitude, 6/7 Dezember 1989, Edition Cantz, Stuttgart,
1990, pp. 101 - 109. German and English translations also included.
David, Catherine, "Ouvertures: Nanni Moretti, Bruce Nauman, Jeff Wall",
Parachute, October - November - December, 1990, pp. 24 - 28.
Dickel, Hans, "Beobachter der Beobachtung: Konturen des Menschenbildes
X.: Jeff Wall", Kunst + Unterricht, Heft 173, June 1993, pp. 10 - 11.
Dickel, Hans, "Im Licht der Bilder: Der Platz des Betrachters im Werk
von Jeff Wall", in Wolfgang Kemp, Zeitgenössische Kunst und ihre
Betrachter, Jahresring 43, Jahrbuch für moderne Kunst, Oktagon Verlag,
Cologne, 1996, pp. 69 - 83.
Diep, Tran. "Velasquez sous les neons." Lyon Libération, March 4, 1988.
Disch, Maddalena, "The Stumbling Block", Rivista D'Arte E Di Cultura
(Lugano), no. 32 - 33, 1994, pp. 2 - 11.
Durden, Mark, "Spectacle and Illumination: Jeff Wall", Portfolio: the
Catalogue of Contemporary Photography in Britain, (Edinburgh) no. 23,
June 1996, pp. 12 - 17; 50 - 51.
Fer, Briony, "Jeff Wall", Art & Design, Profile no. 44, Photography in
the Visual Arts, (London) pp. 78 - 86.
Fol, Jac. "Jeff Wall: le mur écran." Des Arts (Paris), no.3-4 ,Autumn
1986, pp. 15 - 18.
Francblin, Catherine. "Jeff Wall: la pose et la vie." Art Press (Paris)
no.123 March 1988, pp. 24-27. Reprinted in English in Jeff Wall (trans.
Carol Knicely Guilbaut), Exhibition brochure, Marian Goodman Gallery,
New York, 1989.
Francblin, Catherine, "La peinture sur d'autres tableaux", Art Press
(Paris), Hors-Serie No. 16, 1995, pp. 131 - 135.
Freedman, Adele, "Vancouver to Paris", Canadian Art, vol. 13, no. 1,
Spring 1996, pp. 38 - 47.
Gintz, Claude. "Suite à Un 'A Suivre.'" Art Press, no.133 February 1989,
p. 96
Gordon, Kim. "Unresolved Desires: Redefining Masculinity in some Recent
Art." ZG, no. 7, 1982, np.
Graham, Dan. "The Destroyed Room of Jeff Wall." Real Life Magazine,
no.3, March 1980. pp. 4 - 6.
Groot, Paul. "Gebalsemd theater: Over Jeff Wall's absurdistische
fotowerken." Museumjournaal, no.5, 1986, pp. 285-88.
Honnef, Klaus. "Jeff Wall" in "Die Welt als Vorstellung - Die
Vorstellung als Welt." Kunstforum International (Cologne), no.84,
June-August 1986, pp. 72 - 115.
11.
Imdahl, Georg, "Wenn die Zombies leuchten: Die Rätselbilder des
Kanadiers Jeff Wall", Frankfurter Allgemeine Zeitung, 22 April, 1995,
Bilder und Zeiten section, np.
James, Geoffrey. "Pictures from an Explosive World." Book review of Jeff
Wall: Transparencies, Maclean's 101 January 11, 1988, pp. 54 - 55.
Johnen, Jörg, and Rüdiger Schöttle. "Jeff Wall." Kunstforum
International ('Goldener Oktober' special issue) no.65, September 1983,
pp. 101 - 9.
Johnson, Ken, "Small World", Art in America, April, 1990, pp. 246 - 47.
Kirschner, Judith. "A Blinding Light." Real Life Magazine, no.11/12
Winter 1983. pp. 40 - 42.
Kremer, Mark, "Wonde plekken: Over enkele werken van Jeff Wall", De
Witte Raaf (Ghent), Jan. - Feb. 1995, pp. 18 - 19.
Kuspit, Donald B. "Looking up at Jeff Wall's modern 'Appassionamento.'"
Artforum 20, March 1982, pp. 52 - 56.
Lauter, Rolf, "Auf dem Weg zu einer ganzheitlichen Gesellschaftsästhetik
in der Gegenwart: Anmerkungen über den Verlust des autonomen
Werkbegriffs und die Suche nach neuen Funktionen in der zeitgenössischen
Kunst", Positionen zur Gegenwartskunst, Band 1: Formen der Kunst und
Formen des Lebens: Asthetische Betrachtungen als Dialog Von der Antike
bis zur Gegenwart und wieder zuruck, ed. by Tonio Hölscher & Rolf
Lauter, Cantz, Stuttgart, 1995, pp. 47 - 95.
Linsley, Robert, "Landscape and Literature in the Art of British
Columbia", Vancouver: Representing the Postmodern City, edited by Paul
Delany, Arsenal Pulp Press, Vancouver, 1994, pp. 193 - 216.
Linsley, Robert, "Painting and the Social History of British Columbia",
Vancouver Anthology: the institutional politics of art, edited by Stan
Douglas, Talon Books, Vancouver, 1991, pp. 225 - 245.
Lippard, Lucy R.: Six Years: The Dematerialization of the Art Object
1966 - 72, Praeger, New York, 1973.
Lütticken, Sven, "Het geheugen van de hedendaagse kunst: Over Gerhard
Richter, Jeff Wall en Mat Collishaw", De Witte Raaf, nr. 65, January February 1997, pp. 20 - 22.
Mack, Gerhard, "Manets Vampire: Jeff Wall und seine arrangierten
Genreszenen: Licht-bilder als Innenansichten unserer Epoche", Die Woche
(Hamburg), 10 March 1994.
Marzo, Jorge Luis, "Escenografias de la vida cotidiana", Lapiz
(Madrid), no. 65, February 1990, pp. 66 - 75.
Meuris, Jacques. "L'art conceptuel aujourd'hui: fin d'une aventure."
Book review of Claude Gintz's French translation of Kammerspiel de Dan
Graham by Jeff Wall. La Libre Belgique, July 24, 1988.
Migayrou, Frédéric "Bestiarium." Galeries Magazine, no.33,
October-November 1989. pp. 96 - 99.
Milovanoff, Christian, "Bobok le rouge, ou la satire ménipée
luminescent", imagies: Art Culture Médiation Ethétique, no. 1, 1996, pp.
57- 58.
Müller, Jürgen, "Progressive Universalpoesie des Medienzeitalters",
Texte zur Kunst, ---Newman, Michael. "Revising Modernism, Representing Postmodernism."
Postmodernism, (ICA Documents, London, no. 4.1986). pp. 32 - 51.
Newman, Michael, "Jeff Wall's Pictures", Flash Art International, March
- April, 1995, pp. 77 - 81.
Ord, Douglas, "Magic Lanterns, Stars, and No - Place: The Symposium as
Art Form", Parachute, no. 83, April - May - June, 1996, pp. 61 - 63.
Pélenc, Arielle, "Excavation of the Image", Parkett , no. 22, 1989, pp.
78 - 81.
Perl, Jed, "Impersonal Enchantment", The New Republic, April 28, 1997,
pp. 31 - 35.
Pontbriand, Chantal, "The Non - Sites of Jeff Wall", Parkett, no. 49,
May, 1997, pp. 98 - 102.
Rimanelli, David, "The Best of 1998", Artforum, December, 1998, p. 116.
Russo, Antonella, Il Luogo e lo Squardo: Letture di Storia e Teoria
della Fotografia, Scriptorium, Turin, 1997, pp. 51 -60.
Schorr, Collier, "The Pine on the Corner and Other Possibilities",
Parkett, no. 49, May, 1997, pp. 112 - 117.
Seamon, Roger, "The Uneasy Sublime" Defiance and Melancholy in Jeff
Wall's Documentary Spectacle", Parachute, April - May - June, 1992, pp.
11 - 19.
Seamon, Roger, "Uneasy in Eden: Jeff Wall and the Vancouver Syndrome",
Vancouver: Representing the Postmodern City, edited by Paul Delany,
Arsenal Pulp Press, Vancouver, 1994, pp. 242 - 256.
Smith, Paul. "Difference in America." Art in America 73 , April 1985,
pp. 190 - 99.
Smolik, Noemi, "Der Spiegel bleibt: Die Präsenz der Malerei im Zeitalter
technisch reproduzierbarer Abbilder", Im Augenblick der Gegenwart.
Zeitgenössische Kunst in den Deichtorhallen Hamburg, edited by Belinda
Grace Gardner, Helmut Metz Verlag, Hamburg, 1998, pp. 127 - 138.
Soutif, Daniel. "Wall au clair du mur." Libération (Lyon), May 3, 1988,
pp. 38 - 39.
Spector, Nancy, "The Children's Pavilion: Jeff Wall and Dan Graham's
Collaborative Project", Canadian Art, Summer, 1990, pp. 70 - 73.
unsigned, "Das Kind im Kasten", Der Spiegel, no. 31, 2 August 1993, pp.
144 - 47.
van den Boogerd, Dominic, "De architectuur van het kinderspel: Dan
Graham & Jeff Wall: het Children's Pavilion", Archis (Amsterdam), June,
1991, pp. 46 - 51.
van den Boogerd, Dominic, "Digitale allegorieën", Metropolis M, no. 5,
October 1994, pp. 32 - 38.
Van Winkel, Camiel, "Blind Figures", Archis, no. 12, December, 1994, pp.
62 - 73.
van Duyn, Edna. "I wonder after all the progress why are we still living
like this." de Appel Journal (Amsterdam), no.2,1987, pp. 10 - 13.
van Gelder, Hilde, "Photography: From Modus to Picture", The
Photographic Paradigm, Lier en Boog, Series of Philosophy of Art and Art
Theory, vol. 12, 1997, pp. 148 - 162.
Wagner, Anselm, "Jeff Wall: Photografie als 'tableau vivant'", Noëma
(Vienna), no. 42, Aug/Sept/Oct 1996, pp. 84 - 93.
Wallace, Ian, "Revisionism and its Discontents." Vanguard 10, September
1981, pp. 12 - 19.
Wallace, Ian, "The Era of Judgement: the 7th Documenta." Vanguard 11,
December 1982 - January 1983. pp. 12 - 15.
Watson, Scott. "Zweimal Canada Dry: Sechs Künstler aus Vancouver."
Wolkenkratzer Art Journal, no.2, February 1988, pp. 28 - 33.
Watson, Scott, "The Situation of Photography and Contemporary Art in
Canada, in Particular in Vancouver", inSymposium: Die Photographie in
der Zeitgenössischen Kunst: Eine Veranstaltung der Akademie Schloss
Solitude, 6/7 Dezember 1989, Edition Cantz, Stuttgart, 1990, pp 23 37.
German translation also included.
Watson, Scott, "Discovering the Defeatured Landscape", Vancouver
Anthology: the institutional politics of art, edited by Stan Douglas,
Talon Books, Vancouver, 1991, pp. 247 - 265.
Watson, Scott, "Apocolypse Now", Canadian Art, vol. 10, no. 4, Winter
1993, pp. 40 -45.
Welzer, Harald, "Über Jeff Wall", artist Kunstmagazin (Bremen), Heft 28,
no. 3, 1996, pp. 20 - 23.
Wheeler, Dennis. "The limits of the defeatured landscape: a review of
'Four Artists,' Fine Arts Gallery, University of B.C., Feb. 1970."
Artscanada 27, June 1970, pp. 51 - 52.
Wood, William, "Three theses on Jeff Wall." C Magazine, no.3, Fall 1984,
pp. 10 - 15.
Wood, William, "Jeff Wall." C Magazine, no.13, Spring 1987, p. 70.
Zabunyan, Elvan, "Memoire et réalité mises en scène", Les Lettres
Françaises, January 1991, p. 22.
5. Published Interviews with the artist
Arden, Roy, and J.W., 'la photographie d'art, expression parfaite du
reportage', art press, Paris, no. 251, November 1999, pp. 16 - 25. (also
in English)
Balkema, Annette W. and Slager, Henk, "Transformational Aesthetics: A
fax interview with Jeff Wall", The Photographic Paradigm, Lier en Boog,
Series of Philosophy of Art and Art Theory, vol. 12, 1997, pp. 169 174.
Bickers, Patricia, "Wall Pieces", Art Monthly, London, September 1994,
pp. 3 - 7.
Chevrier, Jean - François, "L'Académie Intérieure", Galeries Magazine,
Paris, February - March, 1990, pp. 96 - 103, 141.
Clark, T. J., Gintz, Claude, Guilbaut, Serge, and Wagner, Anne, "Three
excerpts from a discussion with Jeff Wall", Parkett no. 22, 1989, pp.
82 - 85.
Clark, T. J., Guilbaut, Serge, and Wagner, Anne, "Representations,
Suspicions, and Critical Transparency: an Interview with Jeff Wall",
Parachute 59, July - August - September 1990, pp. 4 - 10.
Enright, Robert, "The Consolation of Plausibility: An Interview with
Jeff Wall". Border Crossings, No. 73, Vol. 19, no. 1, 1999, pp. 38 - 51.
Gardner, Belinda, "Dialektik der Schönheit", Hamburger Rundschau, 3
March 1994, pp. 52 - 53. Reprinted in Im Augenblick der Gegenwart.
Zeitgenössische Kunst in den Deichtorhallen Hamburg, edited by Belinda
Grace Gardner, Helmut Metz Verlag, Hamburg, 1998, pp. 139 - 148.
Gardner, Belinda, "Lakonie der Landschaft. Jeff Wall in Gespräch mit
Belinda Gardner" neue bildende kunst (Berlin), no. 4, August September, 1996, pp. 34 - 41.
Groys, Boris, "Die Photographie und die Strategien der Avantgarde: Jeff
Wall im Gespräch mit Boris Groys", Paradex. Cologne, November 1998, pp.
4 - 8.
Jones, Bill, "False Documents: A Conversation with Jeff Wall", Arts
Magazine, May 1990, pp. 50 - 55.
Kaila, Jan, "Jeff Wall", Valokuva: Finnish Photography, 3/96, pp. 8 17. Republished in Norwegian, as "Jeff Walls hybride bilder", Hyperfoto
(Oslo), Nr. 3-4, 1996, pp.22 - 27.
Lewis, Mark, "An Interview with Jeff Wall", Public 9, Toronto, 1994, pp.
55 -62.
Metzger, Rainer, and Bonnet, Anne - Marie, "Eine Demokratishce, Eine
Bourgeoise Tradition der Kunst: Ein Gespräch mit Jeff Wall", Artis
(Bern/Stuttgart) 47, no. 2, February - March, 1995, pp. 46 -51.
Millar, Jeremy, "Digital Phantoms", Creative Camera, Feb.-Mar. 94, pp.
24 - 28.
Müller, Jürgen, and Heusel, Thomas, "History begins now: ein Interview
mit Jeff Wall in Kunstmuseum Wolfsburg", Neue Zürcher Zeitung, 29 July
1996, p. 15.
Muniz, Vik, "Angels Don't Fly Too Well in Photographs", Blind Spot, New
York, no. 12, 1994, np.
Noever, Peter, ed., Kunst im abseits?/Art in the Center: Two discussions
on documenta X, MAK Center for Art and Architecture, Los Angeles, 1997,
pp. 63 - 87, published by Cantz Verlag, Stuttgart.
Pelenc, Arielle, "Arielle Pelenc in dialogue with Jeff Wall", in Jeff
Wall, Phaidon Books, London, 1996, pp. 6 - 23.
Pieroni, Augusto, "Verso L'Immagine Globale", Opening: Trimestrale di
Arte Contemporanea (Rome), IX, no. 25, summer 1995, pp. 14 - 15.
Reeve, Charles, "If Computers Could Paint: Charles Reeve speaks with
Jeff Wall", Books in Canada, vol. 28, no. 8/9, Winter 2000, pp. 3 - 7.
Reprinted in Documents (Los Angeles), entitled, "A Conversation with
Jeff Wall", no. 17, Winter - Spring, 2000, pp. 6 - 16.
Sanders, Mark, "Jeff Wall: The Photographer of Modern Life", Dazed &
Confused (London), no. 49, December 1998, pp. 92 - 99.
Shapiro, David, "A Conversation with Jeff Wall", Museo (Columbia
University, NY), vol 3, Spring 2000, pp. 9 - 19.
Schwander, Martin, "Jeff Wall Interviewed", Restoration , Kunstmuseum
Luzern, Kunsthalle Dusseldorf, 1994, pp. 22 - 30.
Snauwaert, Dirk, "Written Interview with Jeff Wall", in catalogue for
the exhibition Matthew Barney, Tony Oursler, Jeff Wall, Goetz Collection
Munich, 1996, pp. 89 - 93. German translation, "Schriftliches Interview
mit Jeff Wall" by Christiane Spelsberg, pp. 83 - 88.
Stigter, Bianca, "Voor de nieuwe landverhuizers is Europa en America.
Gesprek met fotograf Jeff Wall", in NRC Handelsblad (Rotterdam),
Cultural Supplement, 20 June 1997, p. 7.
Tazi, Nadia, "Quand passe L'Image", L'Autre Journal (Paris), October,
1990, pp. 184 - 188.
Vancouver Art Gallery, "An Evening Forum at the Vancouver Art Gallery
with Terry Atkinson, Jeff Wall, Ian Wallace and Lawrence Weiner", VAG
documents, no. 2, February, 1990.
Wagner, Frank, 'Fragen an Jeff Wall', in brochure of the exhibition of
Dead Troops Talk, Neue Gesellschaft für Bildende Kunst, Berlin, 1994,
np.
Woods, Alan, ed., 'Jeff Wall interview/lecture', transcript,: a journal
of visual culture, Dundee, Scotland, vol. 2, issue 3, 1997, pp. 5 - 29.
6. Other published interviews
Lewis, Mark, "Mark Lewis in Conversation with Jeff Wall", transcript,
vol. 3, no. 3, 1998, pp. 167 - 198. Excerpts translated into German, and
published as "Mimikry des Kinos: Warum dieKunst das Kino imitiert",
Schnitt, Das Filmmagazin, Bochum, Germany, no. 14, 2/1999, pp. 6 - 11.
JEFF WALL
Selected critical writings & interviews
(Several of these essays have been reprinted and translated into various
languages. Here I note only their original English publication or, if an
essay was originally published in translation, I give any extant English
publication.)
Szenarien im Bildraum der Wirklichkeit, Essays und Interviews, edited by
Gregor Stemmrich, translated by various translators, Verlag der Kunst,
Fundus-Bücher, Berlin/Dresden, 1997. (Selected essays and interviews, in
German translations)
'Unity and Fragmentation in Manet', Parachute, no. 35, Summer 1984, pp.
5 - 7.
'A Note on Movie Audience', in exhibition catalogue for Jeff Wall
Transparencies, Institute of Contemporary Arts, London/Kunsthalle Basel,
1984.
'Gestus', in exhibition catalogue for Ein anderes klima/A Different
Climate: Aspects of Beauty in Contemporary Art, Stadtische Kunsthalle,
Dusseldorf, 1984.
'Dan Graham's Kammerspiel', in exhibition catalogue, Dan Graham, The Art
Gallery of Western Australia, Perth, 1984. Published as Kammerspiel de
Dan Graham, in a monograph in French, translated by Claude Gintz, by
Editions Daled/Goldscmidt, Brussels, 1988. Reprinted in English as a
monograph by Art Metropole, Toronto, 1992.
'La Melancolie de la rue: Idyll and Monochrome in the work of Ian
Wallace', in exhibition catalogue for Ian Wallace: Selected Works
1970-87, The Vancouver Art Gallery, Vancouver, 1988.
'Into the Forest: Two sketches for studies of Rodney Graham's work', in
exhibition catalogue, Rodney Graham: Works 1976-88, The Vancouver Art
Gallery, Vancouver, 1988. Reprinted in Rodney Graham: Works from 1976 to
1994, Art Gallery of York University, Toronto, Yves Gevaert, Brussels,
The Renaissance Society at the University of Chicago, 1994, pp. 11 - 26.
'An outline of a context for Stephan Balkenhol's work', published in
German, translated by Elisabeth Brockmann, in exhibition catalogue,
Stephan Balkenhol, Kunsthalle Basel, Basel, 1988. Published in English
in exhibition catalogue for Stephan Balkenhol, Witte de With Center for
Contemporary Art, Rotterdam, 1993.
"Loge Theater With Its Plan Displayed as an Illuminated Sign", in
exhibition catalogue, Theatergarden Bestiarium, The Institute for
Contemporary Art P. S. 1 Museum, New York/The MIT Press, Cambridge,
Mass. 1990, pp. 56 - 57. "Théatre-loge avec son plan exposé comme un
signe lumineux", French translation, by Sylvie Volland, of English
original, in Bestiarium Jardin-Theatre: Art Contemporain, Entrepot Galerie du Confort Moderne, Poitiers, 1989, p. 120.
'My Photographic Production' , Symposium: Die Photographie in der
Zeitgenössischen Kunst. Eine Veranstaltung der Akademie Schloss
Solitude, 6/7 Dezember 1989, Edition Cantz, Stuttgart, 1990, pp. 57 67, 70 - 82.
'A Guide to the Childrens Pavilion' (co-authored with Dan Graham),
published as a brochure for the exhibition, Dan Graham/Jeff Wall: The
Childrens Pavilion, Contemporary Art Forum, Santa Barbara, Cal., 1990.
'Photography and Liquid Intelligence', in exhibition catalogue, Une
Autre
Objectivite/Another Objectivity, Centre Nationale des Arts Plastiques,
Paris, and Centro per l'Arte Contemporanea Luigi Pecci, Prato, Italy,
1989.
'Four Essays on Ken Lum', in exhibition catalogue, Ken Lum, Winnipeg Art
Gallery, Winnipeg and Witte de With Center for Contemporary Art,
Rotterdam, 1990.
'Tradition and Counter-Tradition in Vancouver Art: A Deeper Background
to Ken Lum's Work', Witte de With: The Lectures 1991, Witte de With
Center for Contemporary Art, Rotterdam, 1991.
'Gedanken Fluss (A Certain Flow of Thought): for Antoine Laroche',
published in German, translated by Elisabeth Brockmann, in Innenraume,
edited by Avner Sundelson, Verlag Walther Konig/Editions Anna Friebe,
Cologne, 1991.
'A Note on Computer Montage', The Binary Era: 14 Interactions between
Art & Technology, Musée d'Ixelles, Brussels, 1992, n.p.
'An Artist and his Models', in exhibition catalogue, Roy Arden,
Contemporary Art Gallery, Vancouver, 1993. Reprinted in Parachute, no.
74, April - June 1994, pp. 4 - 11.
'Monochrome and Photojournalism in On Kawara's Today Paintings', lecture
presented at D I A Foundation, New York, December, 1993. Published in
Robert Lehman Lectures on Contemporary Art, Dia Center for the Arts, New
York, 1996, pp. 135 - 156.
'Some Sources for Warhol in Duchamp and Others', in exhibition
catalogue, Andy Warhol: Paintings 1960 - 1986, Kunstmuseum Lucerne,
Lucerne, 1995.
'Marks of Indifference: aspects of photography in, or as, conceptual
art', in exhibition catalogue, Questioning the Object of Art: 1965 1975, Museum of Contemporary Art, Los Angeles, 1995. Spanish
translation, '«Señales de indiferencia»: aspectos de la fotografia en el
arte conceptual o como arte conceptual', by Elena Vilallonga, in
Indiferncia y Singularidad: La fotografia en el pensamiento artístico
contemporáneo, Llibres de recerca, Museu d'Art Contemporani de Barcelon,
1997, pp. 217 - 250. German translation, abridged, 'Zeichen von
Gleichgültigkeit: Aspekte der Fotografie in oder als konzeptuelle
Kunst', in Die Rache der Veronika: Aktuelle Perspektiven der
zeitgenössischen Fotografie. Die Fotosammlung Lambert, Scalo,
Zurich/Deichtorhallen, Hamburg, edited by Elizabeth Janus, 1998, pp. 73
- 91. Reprinted in the catalogue for the exhibition Aufnahmen:
Fotografische Recherchen in der Stadt, Österreichische Galerie
Belvedere, Vienna, 1999, pp. 47 - 69. German translation "Zeichen der
Indifferenz, Aspekte der Fotografie in der, oder als Konzeptkunst", by
Gerlinde Stoni, pp. 15 - 44.
'About Making Landscapes' in Jeff Wall, Phaidon Books, London, 1996, pp.
140 - 147. Also published in Jeff Wall: Landscapes and Other Pictures,
exhibition catalogue, Kunstmuseum Wolfsburg, Wolfsburg, Germany, 1996,
pp. 9 - 12; German translation, "Über das Machen von Landschaften", by
Uta Grosenick. Grosenick translation reprinted in Jeff Wall: Bilder von
Landschaften, The Photographic Collection/SK Culture Foundation,
Cologne, 1999, pp. 7 - 11.
'The Guitarist', in a/drift, exhibition catalogue, Center for Curatorial
Studies, Bard College, Annandale-on-Hudson, NY, 1997, p. 56.
'A Note about Cleaning', in Carnegie International 1999/2000: Artists'
Reader, The Carnegie Museum of Art, Pittsburgh, 2000, p. 211.
Published Interviews
Balkema, Annette W. and Slager, Henk, "Transformational Aesthetics: A
fax interview with Jeff Wall", The Photographic Paradigm, Lier en Boog,
Series of Philosophy of Art and Art Theory, vol. 12, 1997, pp. 169 174.
Bickers, Patricia, "Wall Pieces", Art Monthly, London, September 1994,
pp. 3 - 7.
Chevrier, Jean - François, "L'Académie Intérieure", Galeries Magazine,
Paris, February - March, 1990, pp. 96 - 103, 141.
Clark, T. J., Gintz, Claude, Guilbaut, Serge, and Wagner, Anne, "Three
excerpts from a discussion with Jeff Wall", Parkett no. 22, 1989, pp.
82 - 85.
Clark, T. J., Guilbaut, Serge, and Wagner, Anne, "Representations,
Suspicions, and Critical Transparency: an Interview with Jeff Wall",
Parachute 59, July - August - September 1990, pp. 4 - 10.
Gardner, Belinda, "Dialektik der Schönheit", Hamburger Rundschau, 3
March 1994, pp. 52 - 53. Reprinted in Im Augenblick der Gegenwart.
Zeitgenössische Kunst in den Deichtorhallen Hamburg, edited by Belinda
Grace Gardner, Helmut Metz Verlag, Hamburg, 1998, pp. 139 - 148.
Gardner, Belinda, "Lakonie der Landschaft. Jeff Wall in Gespräch mit
Belinda Gardner" neue bildende kunst (Berlin), no. 4, August September, 1996, pp. 34 - 41.
Groys, Boris, "Die Photographie und die Strategien der Avantgarde: Jeff
Wall im Gespräch mit Boris Groys", Paradex. Cologne, November 1998, pp.
4 - 8.
Jones, Bill, "False Documents: A Conversation with Jeff Wall", Arts
Magazine, May 1990, pp. 50 - 55.
Kaila, Jan, "Jeff Wall", Valokuva: Finnish Photography, 3/96, pp. 8 17. Republished in Norwegian, as "Jeff Walls hybride bilder", Hyperfoto
(Oslo), Nr. 3-4, 1996, pp.22 - 27.
Lewis, Mark, "An Interview with Jeff Wall", Public 9, Toronto, 1994, pp.
55 -62.
Metzger, Rainer, and Bonnet, Anne - Marie, "Eine Demokratishce, Eine
Bourgeoise Tradition der Kunst: Ein Gespräch mit Jeff Wall", Artis
(Bern/Stuttgart) 47, no. 2, February - March, 1995, pp. 46 -51.
Millar, Jeremy, "Digital Phantoms", Creative Camera, Feb.-Mar. 94, pp.
24 - 28.
Müller, Jürgen, and Heusel, Thomas, "History begins now: ein Interview
mit Jeff Wall in Kunstmuseum Wolfsburg", Neue Zürcher Zeitung, 29 July
1996, p. 15.
Muniz, Vik, "Angels Don't Fly Too Well in Photographs", Blind Spot, New
York, no. 12, 1994, np.
Noever, Peter, ed., Kunst im abseits?/Art in the Center: Two discussions
on documenta X, MAK Center for Art and Architecture, Los Angeles, 1997,
pp. 63 - 87, published by Cantz Verlag, Stuttgart.
Pelenc, Arielle, "Arielle Pelenc in dialogue with Jeff Wall", in Jeff
Wall, Phaidon Books, London, 1996, pp. 6 - 23.
Pieroni, Augusto, "Verso L'Immagine Globale", Opening: Trimestrale di
Arte Contemporanea (Rome), IX, no. 25, summer 1995, pp. 14 - 15.
Sanders, Mark, "The Photographer of Modern Life", Dazed and Confused
(London), no. 49, December 1998, pp. 92 - 99.
Schwander, Martin, "Jeff Wall Interviewed", Restoration , Kunstmuseum
Luzern, Kunsthalle Dusseldorf, 1994, pp. 22 - 30.
Snauwaert, Dirk, "Written Interview with Jeff Wall", in catalogue for
the exhibition Matthew Barney, Tony Oursler, Jeff Wall, Goetz Collection
Munich, 1996, pp. 89 - 93. German translation, "Schriftliches Interview
mit Jeff Wall" by Christiane Spelsberg, pp. 83 - 88.
Stigter, Bianca, "Voor de nieuwe landverhuizers is Europa en America.
Gesprek met fotograf Jeff Wall", in NRC Handelsblad (Rotterdam),
Cultural Supplement, 20 June 1997, p. 7.
Tazi, Nadia, "Quand passe L'Image", L'Autre Journal (Paris), October,
1990, pp. 184 - 188.
Van Doxell, Nathalie, "Entretien avec Jeff Wall" (in English), les
cahiers de la Villa Médicis, revue de l'Academie de France à Rome, Anno
IX, no. 1, 1995, pp. 154 - 157.
Vancouver Art Gallery, "An Evening Forum at the Vancouver Art Gallery
with Terry Atkinson, Jeff Wall, Ian Wallace and Lawrence Weiner", VAG
documents, no. 2, February, 1990.
von Klinggräff, Fritz, "Das Bild aus Istanbul. Zeit-Gespräch mit dem
kanadischen Künstler Jeff Wall", Die Zeit, nr. 23, 28 May 1998, p. 72.
Wagner, Frank, 'Fragen an Jeff Wall', in brochure of the exhibition of
Dead Troops Talk, Neue Gesellschaft für Bildende Kunst, Berlin, 1994,
np.