Mick Finch education solo exhibitions group exhibitions

Mick Finch email: [email protected] website: http://www.mickfinch.com Born;;1957, London, England Reader in Visual Art Practice BA Fine Art Course Leader Central Saint Martins, London Languages: English, French education 1982-­85 1976-­80 solo exhibitions 2013 2010 2008 2007 2007 2006 2005 2005 2004 2002 2001 2000 1998 1998 1998 1995 1994 1994 1993 1992 1991 1991 1990 1983 Royal College of Art, London, MA (Fine Art) Painting. Ravensbourne College of Art, BA hons (Fine Art) Painting, 1st class. Engrams, Piper Gallery, London, September, 2013. Bare Life, Tableaux 2009-­10, LAS galerie, Paris, September 2010 Taken As Read, Moments / Christian Aubert, Paris. Point de fuite / vanishing point, gallery 33, Berlin, Germany. LAS galerie, ‘Trisquare – Closer Than You Think, peintures 1996-­98’, Paris, February 2007. ‘Prosopopoeia’, gallery 33 at FON, Berlin, Germany,October 2006. ‘Nevermind’, Galerie Pitch, Paris, France, November, 2005 ‘Sublimey 1’, Galerie Pitch, Paris, France, January, 2005 Mick Finch & Olivier Gourvil, Amilly,Centre,France. 'Camouflage' (with Guillaume Paris), Gallery éof, Paris. Courant d'air, exposition relais, la vitrine Paulin, Solre-­le-­château. Tableaux: 1998 -­ 2000, Gallery éof,, Paris, France. 'plus près que vous ne le croyiez', Gallery Art & Patrimoine, Paris, France 'Closer Than You Think 2', Le Carré, Lille, France. 'Closer Than You Think' , Purdy Hicks Gallery, London. David Holmes Contemporary Art, Peterboro’, U.K. 'N17', Purdy Hicks Gallery, London The Union, London Purdy Hicks Gallery, London Pomeroy Purdy Gallery, London David Holmes Gallery, Peterboro’, U.K. Valence House Museum, Essex, U.K. 'Sodium Nights', Pomeroy Purdy, London City Museum, Peterboro’, U.K. group exhibitions 2014 2013 2013 (detail), H-­Project Space-­Bangkok, Transition Gallery-­London, Usher Gallery-­
Lincoln. www.paintingdetail.com The Perfect Death – Horizons. The Lion & Lamb, London with Phillip Allen, Jo Bruton, Tom Chamberlain, Dan Coobes, Stephen Cooper, Sacha Cradock, John Dougill, Mick Finch, Rebecca Fortnum, Marilyn Hallam, Clyde Hopkins, Vanessa jackson, Mary Maclean, John Mcleod, Lee Maelzer, Dawn Mellor, Gill Ord, Tim Renshaw, Danny Rolph, Howard Rogers, Alan Shipway, David Small, and Rosie West. Summer Salon, The Lion & Lamb, London. With: Phillip Allen, Kiera Bennet,t Simon Bill,Juan Bolivar, Claudia Böse, John Bunker, Jane Bustin, Stephen Chambers, John Chilver Richard Clegg, Dan Coombs, Ashley Davies, Benjamin Deakin, Hayley Field, Mick Finch, Kirsten Glass, Andrew Graves, Hanz Hancock, Dan Hays, Mark Jones, David Leeson, Caroline List, Declan McMullan, Patrick Morrissey, Alex Gene Morrison, Joe Packer, Andy Parkinson, Dan Perfect, Daniel Pettitt, Clare Price, Fiona Rae, Andrew Seto, Francesca Simon, Lucy Stein, Michael Stubbs, Emma Talbot, Dolly 1
Thompsett, Michelle Ussher, Jacqueline Utley, Covadonga Valdes, Caroline Walker, Mark Wright, Freyja Wright. Painting/Tableau/Stage, The Urban Art Space, Columbus, Ohio(forthcoming). With Moyra Derby, Stuart Elliot, Mick Finch and Beth Harland. Dirty Pop, & Model, Leeds, (forthcoming). With Dan Coombs, Mick Finch, Colin Smith, Richard Clegg, Andrea Medjesi Jones, John Stark, Sarah Pickstone, Phil Allen, Mark Wright, Nadine Feinson, Michael Stubbs, Nelson Diplexcito, James White, Jake Clark, David Leeson, Dan Hays, Duncan Newton, Peter Jones, Gavin Lockheart. With Torch and Spear: constructing collage, curated by Ian Dawson, Winchester School of Art Gallery. With Team Shag,Ian Monroe, Chantal Joff, ,Kirsten Glass, John Stezaker, Alexine Chanel, Marcus Harvey, Joseph Cornell, Eduardo Paolozzi, Michael Therbridge, Kristin Posehn, Jack Lavender, Jessica Taylor, Nicola Manuel, Danny Aldred, Steve Cooper, , Louisa Minkin, Claire Mitten, Mia Taylor, Ian Dawson, Mick Finch. Picture/Tableau/Screen. A visual symposium at UCA Canterbury in the Herbert Read Gallery. With Angus Saunders –Dunnachie,
Mick Finch,
Derek Hampson,
Jost Münster, Beth Harland and John Gillet,
Joan Key and Anton Lukoszevieze,
Laura Lisbon,
Andrea Medjesi-­Jones, Nicky Hamlyn,
Bob Matthews,
Philomene Perecki, Ian Bottle,
Kate Hawkins,
Anthony 2013 2013 2013 2012 2012 2011 2011 2011 2010 2009 2008 2007 2007 2007 2006 2006 2006 2005 2004 2003 2003 2001 2000 2000 1999 1998 1998 1998 1997 1997 1997 1997 Matt
and Pat O'Connor Ex Roma. A.P.T Gallery, London with Edward Peake, Dragica Carlin, Luke Caulfield, Graham Durwood, William Gharrale, Philip Allen, Martin Westwood, Lothar Götz, Mick Finch, David Smith, Diana Taylor, David Lock, Jessica Fitzpatrick, Fiona Macdonald, Vovadonga Valdes. The Beach and the Pavement, Paradise Row Gallery, London. Curated by Mick Finch, Guillaume Paris and Nick Hackworth. The Producers, The British School at Rome. 'One Day Wonder'. Valentines Mansion Ilford, Essex. Mona Lisa, Collective Studios, Wandsworth, London. RCA Secrets, the Royal College of Art London Constellation, oeuvres sur papier, Louisa Minkin -­ Gérard Diaz -­ Florim Hasani -­ Mick Finch -­ Julie Lorinet -­ Régis Rizzo -­ Franz Ackerman, Las galerie, Paris Las galerie @ se0ne, London, Mauren Brodbeck, Philippe Fabian, Mick Finch, Regis Rizzo, Claude Temin Vergez Tease Art Fair Cologne with Gallery 33 ‘Doubleuse’, The Nunnery, London. ‘Mickey dans tous ses états ’, Artcurial, Paris. ‘Abstract Mode’, Fosterart, London, with Olivier Gourvil, Jane Harris, Richard Kirwan , Monique Prieto, Danny Rolph, Gary Simmonds, Daniel Sturgis,Claude Temin-­Vergez . ‘Trendmarks’, galerie Suty, Coye-­la-­Forêt, France ‘Mythomania’, The Metropole, Folkestone, England and Le Lieu d’Art & Action Contemporaine, Dunkerque, France ‘Dessins’, Galerie Pitch, Paris, France. ‘L'art dans ses passages/ Ce que porte la peinture’, curated by Tristan Trémeau, with Aristide Bianchi, Gabriele Chiari, Ron Johnson & Roxana Stoleru. Galerie Pitch, Paris. 'Dessins d'ici', ESAD, Amiens, France and l'espace St-­Jacques de St-­Quentin, St-­Quentin, France. 'Appelation d'origine non contolée', Maison de la culture d'Amiens / Espace culturel François-­Mitterand, Beauvais. 'Le pays où le ciel est toujours bleu', 20 rue des Curés, Orleans, France. With: Bonnefoi, Corne, Fanchon, Gelzer, Joubert, Labussiére, Madaoui, Monteault, Perrot, Phelipott, Prulhière, Rivey, Taïb, Turpin, Urgano Bravo. 'The Wreck of Hope', curated by the Friedrich Society, The Nunnery Gallery, London. 'Du côté du tableau II, with Bonnefoi, Joubert, Pinceman, Prulhiere and Richard. Galerie le Carré, Lille. 'Tech', Gallerie é.o.f., Paris. 'Tech', Jason & Rhodes Gallery, London. 'Suface', Art & Patrimoine, Paris 'push', Gallerie é.o.f., Paris with Cefai, Colrat,Teisseire. Ateliers Portes Ouvertes Des Artistes De l'Oise, Conseil Général De L'Oise. La Biennale d'Issy, Issey-­Les-­Moulineaux, France. 10 Jours de l'Art Contemporain, Galerie Art & Patrimoine, Paris. 2
1996 1996 1994 1994 1994 'Color & Light', Jeffrey Coploff Gallery , New York. Gallery artists, Purdy Hicks, London, . ‘Credo’, Purdy Hicks, London. 3/4 South Square, London with David Hiscock. Contemporary Art Society Art Market, London. 1994 1994 1993 1993 1993 1993 1993 1993 1993 1993 1993 1992 1992 1992 1991 1991 1991 1991 1991 1991 1989 1988 1987 1986 1986 1986 1985 1984 1981 1980 1978 1978 ' L’Ame du Fond', Couvent des Cordeliers, Paris (F.R.A.C. d'Ile de France). 'Drawing', Purdy Hicks, London. 'Le Sens Figuré'. Tour of Canada : Centre Culturel Pierrefonds, Galerie Les3 C, La Salle, Maison de la Culture Côte-­des Nieges,Studio A Montreal. Europ ‘Art Sans Frontieres Espace Wallonie-­Bruxelles, Paris. 'What Are They Doing Now', Artists from the BDO Binder Hamlyn Collection, London. 38e Salon de Montrouge, Paris. Purdy Hicks Gallery Artists, London. Collection Colas exhibition, Colas, Paris. The Economist Building Gallery, with Ayres, Porter and Budd. David Holmes Gallery, Peterboro', with Hilton and Minton. Parsons School of Art Faculty exhibition, Paris. 'Lo Cal', Institute of Higher Education, London. Parsons School of Art Faculty exhibition, Paris;; 'Le Sens Figuré', Centre International d’Art Contemporain, Montréal, Canada. Works on Paper, David Holmes Gallery, Peterboro',. The Green Auction, Bonhams, London International Contemporary Art Fair, London. Bohnams Contemporary Art Auction Gallery Artists, Pomeroy Purdy Gallery, London. The Circle Project, Bermondsey, London. 'Metro', The Cut Gallery, London. Summer Show, Pomeroy Purdy Gallery, London. 'Peter de Francia and Artists Who Studied Under Him', Camden Arts Center, Summer Show, The Moreton Gallery, London. The Druce Exhibition, Camden Arts Center, London. Group show Art Now Gallery, London. RCA Final Show, The Royal College of Art, London. Six RCA Painters, Consort Gallery, London. 'Pacesetters1', City Museum, Peterboro'. Paintings From Ravensbourne,Concourse Gallery, London. The Stowells Trophey, The Royal Academy, London. The Northern Young Contemporaries, The Whitworth Museum, Manchester. practice related projects 2009 -­ present The Tableau Project. A discursive project that examines the tableau form and its related concepts of apparatus and dispositif. The project so far has mounted 2 research symposia, a seminar with Jean-­François Chevrier and a 2 day event at Tate Modern. 2006 Machine room : a blueprint for painting, research group (Mick Finch, Beth Harland, Louisa Minkin & Claude Temin-­Vergez engaged with questions of painting and its contexts, workshop project, Crate Space, Margate, U.K., July September 2006. project website :http://www.cratespace.co.uk/machineroom/ . awards & prizes 2003 1985 1985 1985 1982 1976 Pollock-­Krasner Foundation Grant The Unilever Award The Unilever Purchase Prize The Burston Award The Milner Kite Award The Wiggins Teape Award selected collections The Royal Mint Collection Deutsche Bank Nelson & Hirst Fonds Regional d’Art Contemporain d’Ile de France. 3
Colas Peterborough City Gallery Unilever Neville Burston County Nat West The Groucho Club BDO Binder Hamlyn The Circle Ltd;;. Partnership, London TI Group PLC The Royal College of Art residence 2011 2005 Abbey Fellowship in Painting, British School in Rome, January – March, 2011. Terra Foundation for American Art Fellowship, Musée d’Art Americain Giverny. exhibition texts & reviews 2009 2008 2005 2005 2004 2001 2001 2001 2000 2000 1998 1998 1998 1998 1998 1998 1998 1998 1997 1997 1996 1994 1994 1993 1992 1992 1992 1991 “Cuestion de visibilidad” , dossier “Abstraccion hoy” by Tristan Trémeau, Exit Express magazine n°46 octobre 2009. Featured in the article Cuestion de visibilidad by Tristan Trémeau, about the contemporary context of painting, for the Spanish journal Exit Express. Montages de quelque archives du travail du travail de (l'histoire de) art article by Tristan Trémeau, L'Art Même N°38, bruxelles, 1e trimestre 2008 Tristan Trémeau, ‘Le Tact du Tableau’, Art 21, N° 3. Tristan Trémeau, ‘ Soudain, les fantômes théologiques de l’image vinrent à ma e
rencontre ‘, L’Art Même, 2 trimestre, 2005. ‘Stations’ by Stéphane Doré, Mick Finch et Olivier Gourvil, Amilly,Centre, exhibition catalogue. Review of the exhibition 'Apellation d'origine non contrôlée' by Tristan Trémeau, Artpress 274, December,2001 'Le Crisscross pop art / supports-­surfaces croiser les faire' byTristan Trémeau, Ligeia, Special edition, 'Nouvelles abstractions'. Review of the exhibition 'Courant d'air';; 'L'art sans territoire fixe' by Amandine Delcourt, DDO n°44. Review of the exhibition 'Le pays où le ciel est toujours bleu', 'Trans/formes', France Culture, 7 June 2000. Review of the 'Wreck of Hope' by Michael Wilson in Art Monthly, May 2000. Review of 'plus près que vous ne le croyiez' , by Tristan Trémeau in Artpress, December edition. Beaux Arts Magazine, 'À Voir' ,Oct. '98. Pariscope, July 1998, preview in 'échos'. 'In the Image of Painting /A l'Image de la Peinture ' catalogue text by Philip Armstrong, for the exhibition 'plus près que vous ne le croyiez', Art & Patrimoine Paris, France. 'Peinture Critique', catalogue text by Tristan Trémeau for the exhibition 'closer than you think 2', Le Carré, Lille, France. 'Du Pré-­texte à L'Oeuvre', article by Tristan Trémeau, DDO, N° 32, France. 'Artist Transmanche', interview with Tristan Trémeau in DDO, N°32, France. Art & Antiquities du Nord, N° 7, June -­ July -­ August. 'Push', feature on the exhibition, Elle magazine (France), Nov. '97. 'Push' reviewed by Christophe Domino for Accrochage, Frequence Protestante, France. 'Constable on Opium' catalogue text Friedhelm Hütte, Contemporary Art at Deutsche Bank, The Deutsche Bank collection catalogue. 'L’Ame du Fonds', catalogue text by Enrique Juncosa, F.R.A.C. d’Ile de France. 'N17', catalogue text by John Milne and Mick Finch, Purdy Hicks, London La Collection Colas, catalogue monograph by Fabrice Hergott, Colas, Paris. 'Le Sens Figuré', monograph by Bernard Goy, F.R.A.C. d’Ile de France, Paris. Preview by Alistair Hicks. Antique and New Art, Summer edition. Interview with Dominque Hoff, Bonjour Magazine, Institut Francais de Londre. 'City and Dogs', article by Enrique Juncosa, Balcon N°38. 4
1990 1985 'Sodium Nights', catalogue text by James Maw, Pomeroy Purdy London. 'The Final Shows', review by William Feaver, The Financial Times, London. catalogues / book projects / journals 2015 With Laura Lisbon and Dan Sturgis edited and co-­author of the editorial for the Journal of Contemporary Painting Volume 1, number 2 on Simon Hantaï. 2014 With Beth Harland edited and author of the editorial for Volume 1, number 1 of the 2013 2013 Journal of Contemporary Painting, ‘Painting and Cinema'. Engrams exhibition catalogue with studio notes by Mick Finch, The Piper Gallery, London. Edited Volume 12, Number 1, 2013 of the Journal of Visual Art Practice featuring the research papers from the Tableau: Painting Photo Object symposium at Tate Modern. Includes the article 'The Tableau Project' 'by Mick Finch and papers by Cristina Cojanu, Moyra Derby, Adi Efal, Francis Gaube, Atsuhide Ito, Laura Lisbon, Cédric Loire, Andrea Medjesi-­Jones and Alexandra Oliver. 2011 Engrams, bookwork, Pinson Press, London.. 2010 Bare Life, exhibition catalogue, Pinson Press / Las galerie, London,Paris 2010 Constellation, Pinson Press, London 2009 With Chris Smith edited 'Writing on Practice', n°. 8.1/2 of the Journal of Visual Art Practice which also included the article Studio Notes: Closer Than You Think, Ply-­, Sublimey and Nevermind. 2008 Five Years Periodical vol.2, n°.1, Five Years, London. 2008 Taken As Read, Pinson Press / Moments, Paris 2007 Point de fuite / Vanishing Point, Pinson Press, Gallery 33, Paris/Berlin. 2006 ‘Mickey dans tous ses états’, Artcurial, Paris. 2004 Mick Finch/Olivier Gourvil, Amilly,Centre. Text by Stéphane Doré. 2003 (Group exhibition), Dessins d'Ici, L'Espace St. Jacques, St. Quentin, France, la Galerie la Petite Fabrique, Amiens, France, text by Alain Snyers. 2002 CD ROM catalogue for the exhibition 'Appelation d'origine non contolée', Maison de la culture d'Amiens /Espace culturel François-­Mitterand, Beauvais, France. 2001 'La collection du Fonds régional d'art contemporain d'Ile-­de-­France', catalogue and CD ROM of the collection. 2000 The TI Group Art Collection, Painting Graduates of the Royal College of Art, 1975 -­ 2000, TI Group, London. 2000 (Group exhibition) 'Le pays où le ciel est toujours bleu', published by the association '20 rue des Curés', Orleans, France. 1998 (Solo exhibition) 'plus près que vous ne le croyiez', text by Philip Armstrong (French and English), published by Galerie Art & Patrimoine, Paris, France. 1998 (Solo exhibition) 'Closer Than You Think 2', text by Tristan Trémeau (French), published by Galerie Le Carré, Lille, France 1998 (Group exhibition) 'Tech', text by Mick Finch (English), published by Galerie é.o.f., Paris, France & Jason & Rhodes Gallery, London, England 1997 (Group exhibition) La Biennale D'Issy, published by the La Biennale d'Issy, Issey-­Les-­Moulineaux, France 1996 Deutsche Bank collection catalogue, text by Friedhelm Hütte (English), published by Deutsche Bank, London ,England. 1994 (Solo exhibition) 'N17', text by John Milne (English), published by the Purdy Hicks Gallery, London, England 1994 (Group exhibition) 'L’Ame du Fond', text by Enrique Juncosa (French), published by the F.R.A.C. d'Ile de France, Paris, France. 1993 (Group exhibition) Collection Colas, text by Fabrice Hergott, published by Colas, Paris, France. 1992 (Group exhibition) 'Le Sens Figuré'. text by Bernard Goy (French), published by the F.R.A.C. d'Ile de France, Paris, France. 1991 Bohnams Contemporary Art Auction, auction catalogue, Bohnams, London, England. 1990 (Solo exhibition) Sodium Nights', text by James Maw (English), published by the Pomeroy Purdy, London, England published texts by Mick Finch 2015 Chapter, Synthetic Composition 1, 1923: Some Possible Constellations, in Wladyslaw Strzeminski : Readability of Images, published in English by the Muzeum Sztuki, Lodz, Poland, ISBN 9788363820398. Contributions by Jean-­François Chevrier, Mick Finch, Ekaterina Degot, Lukasz Kiepuszewski, Esther Levinger, Jaroslaw Lubiak,Steven Mansbach, John Milner, Luiza Nader, Michael Newman, Brandon Taylor and Andrzej Turowski from a conference held in 2011at the Muzeum Sztuki. 5
2015 2015 2012 2011 2010 2009 Eric de Chassey on Simon Hantai, Journal of Contemporary Painting Volume 1, number 2 on Simon Hantaï. Edited transcript of an interview with Eric de Chassey on Simon Hantai's work. Simon Hantaï: Round table discussion, Journal of Contemporary Painting Volume 1, number 2 on Simon Hantaï. Edited transcript of the round table discussion about the work of Simon Hantaï held at the French Institute, 3 June 2014 François Rouan, Isabelle Monod-­Fontaine, Mick Finch, Philip Armstrong, Stuart Elliot, Andy Harper, Laura Lisbon and Daniel Sturgis. Chapter, Synthetic Composition 1, 1923: Some Possible Constellations, in Wladyslaw Strzeminski : Czytelnosc Obrazow, published in Polish by the Muzeum Sztuki, Lodz, Poland, ISBN 978-­83-­63820-­05-­03. Contributions byJean-­François Chevrier, Mick Finch, Ekaterina Degot, Lukasz Kiepuszewski, Esther Levinger, Jaroslaw Lubiak,Steven Mansbach, Luiza Nader, Michael Newman and Andrzej Turowski Catalogue essay for an exhibition of Stuart Elliot's work, Seventeen Gallery London. Catalogue essay for an exhibition of the work of 'Thomas' (1941 -­ 2000), Galerie Michael Hasenclever, Munich. Editor of and contributor of the article, ‘Studio notes: Closer Than You Think, Ply-­ series, Riposte, Sublimey and Nevermind’, The Journal of Visual Art Practice, n°. 8.1/2. This edition also edited by Mick Finch 2009 Review of the exhibition, The Russian Linesman, Hayward Gallery, London in artcritical.com. 2009 Review of the exhibition, Figures du corps -­ une leçon d’anatomie aux Beaux-­arts at the École nationale supérieure des beaux-­arts de Paris, in artcritical.com 2008 Article , Notes From … Paris: Bridget Riley and Peter Doig at the Musée d’art moderne de la ville de Paris, artcritical.com, New York. 2007 Article, 'Insidious' by Guillaume Paris & Mick Finch with Cécile Dazord, for the internet journal /seconds. 2005 Review (written under the name of "James Pinson") of a solo exhibition of Michel Paysant's 'Inventari(a'), Musée des Beaux-­arts, Mulhouse, France, Contemporary Magazine. 2005 Review (written under the name of "James Pinson") of a solo exhibition o f Dominique Figarella 's work, Le Quartier centre d’art contemporain de Quimper, France, Contemporary Magazine. 2004 Review (written in the name of "James Pinson") of ‘24H Foucault’ by Thomas Hirschhorn, Paris, Contemporary Magazine (66). 2004 Review (written in the name of "James Pinson") of a solo exhibition of Edouard Pruhlière’s work, Paris, Contemporary Magazine (65). 2004 Review (written in the name of "James Pinson") of a solo exhibition of Stephen Maas’ work, Paris, Contemporary Magazine (60). 2004 Review (written in the name of "James Pinson") of a solo exhibition of Olivier Gourvil's painting, Marseilles, Contemporary Magazine (59). 2004 Article, 'Night Shift', for a special edition on the 'situation of painting', Contemporary Magazine (58). 2004 Review (written in the name of "James Pinson") of a solo exhibition of Pascal Pinaud's painting, galerie Nathalie Obadia, Paris, Contemporary Magazine (58). 2003 Review (written in the name of "James Pinson") of a solo exhibition of Guillaume Paris' work, galerie Nelson, Paris, Contemporary Magazine (57). 2003 Review (written in the name of "James Pinson") of the Bernard Frize retrospective at the musée d'art moderne, Paris. Contemporary Magazine (56). 2001 'Peinture: Trois Regards, Contemporary Visual Art Magazine (33). 2000 'Daniel Buren', Contemporary Visual Art Magazine (28). 2000 Review of 'La peinture après l'abstraction' (MAM,Paris) and 'Tableaux: La peinture n'est pas un genre' (museum tour, France), The Burlington Magazine, London. 2000 'Die Marquis Von O: A painting by Frank Stella?' exhibition text for the Bonnington Gallery web site, Nottingham & Trent University, Nottingham. 1999 1999 1998 1998 1998 1998 Review of the 'Laboratorium' exhibition in Antwerp, Belgium. Contemporary Visual Art Magazine (25). Review of David Hockney's exhibition 'Espace et Paysage' (at the Pompidou Center, Paris). The Burlington Magazine, London. 'Prime Cuts', catalogue essay for an exhibition of Nicky Hoberman's paintings. Published by the Entwistle Gallery London. 'Supports/Surfaces', Contemporary Visual Art Magazine (20). ' Notes on Tech', catalogue essay for 'Tech', Jason & Rhodes, London and Galerie é.of, Paris. 'Camping Out : the work of Guillaume Paris & Malachi Farrell ', 6
1998 1997 1997 1997 1996 1996 1995 1994 1994 1994 1994 1994 Contemporary Visual Art Magazine (18). 'New Technology, New Painting?', Contemporary Visual Art Magazine (17), 'Painting As Vigiiance', Contemporary Visual Art Magazine (15). ‘Apparently Real’, catalogue essay for an exhibition of Torie Begg's work, Wateroren, Theo Van Doesburgcentrum, Holland. 'Life /Live ', Contemporary Visual Arts Magazine (14), Spring 1997. 'Keeping the Dialect of the Tribe Alive;; English Sculpture at the Jeu de Paume', Contemporary Art Magazine (13), Autumn Edition. 'Conversations with van Velde & Beckett', book review, Contemporary Art Magazine, summer edition. 'François Rouan', Contemporary Art Magazine, winter edition. 'Georges Braque', Galeries Magazine N° 61, Paris. 'An Endless Metamorphosis', the work of Miquel Barcelô, Contemporary Art, autumn edition. 'Battle of the Giants', Contemporary Art, autumn edition. 'L’Hostage par Art and Language' L’Ame du Fond, F.R.A.C. d’Ile de France. 'Pulling Faces', (Review of Art and Language at the Jeu de Paume) Contemporary Art, spring edition. conferences / seminars / symposia 2015 2014 2014 2013 2013 2011 Presented the paper, 'The Technical Apparatus of the Warburg Haus', in the workshop event 'Headstone to Hard Drive III. Spolia, Relic, Data' at the British School at Rome. Presented the paper , 'Dead and Alive: Warburg's Mnemosyne Atlas' in the symposium, 'Headstone to Hardrive', organised by Martin Westwood with Louisa Minkin, Daniel Rubinstein, Martin Westwood, Judy Wilcocks and Elizabeth Wright at Central Saint Martins. Simon Hantaï: Round Table, with François Rouan, Isabelle Monod-­Fontaine, Mick Finch, Philip Armstrong, Stuart Elliot, Andy Harper, Laura Lisbon and Daniel Sturgis, Institut Français, London. Painting with Architecture in Mind, with Eric Alliez, Alex Landrum and Ed Whittaker, CSM, London. Tableau Plus with Philip Armstrong, Stephen Melville and Michael Newman, CSM, London. Organiser of the symposia Tableau: Painting Photo Object, Friday 28 October 2011 and Saturday 29 October 2011. Keynote presentations by Philip Armstrong, Fulvia Carnevale, Jean-­François Chevrier, Michael Fried, Michael Newman and research papers by Moyra Derby, Adi Efal, Françis Gaube, Atsuhide Ito, Cédric Loire and Andrea Medjesi Jones. Part of the ongoing Tableau Project. 2011 Presented the paper Synthetic Composition 1, 1923: Some Possible Constellations at the conference WladislavStrzeminski: Readability of Images, 13-­14 October 2011, Museum Sztuki, Lodz. Other papers given by -­ Jean-­François Chevrier,Ekaterina Degot, Lukasz Kiepuszewski, Esther Levinger, Jaros?aw Lubiak,Steven Mansbach, Luiza Nader, Michael Newman and Andrzej Turowski 2011 Delivered a paper with Andrew Mcgettigan for Practice-­Based and Practice-­Led Doctorates: Supervision and Success organised by the UK Council for Graduate Eductaion, Bath. 2010 ‘The ‘A’ Course: An Inquiry’, on the panel of the session ‘Art education in 2010: Central Saint Martins now’, Central Saint Martins College of Art & Design, London. 2009 Panel discussion, 'Who is Art For': with Ingrid Swenson, Andrew McGettigan, Nick Lambrianou, Adam Knight and Mick Finch. Hosted by the Byam Shaw MA in Fine Art Course, 16 September. 2009 Ideas and aperitifs research seminar at the International Centre for Fine Art Research 2009 The Processes of Painting, How Art Thinks, the International Centre for Fine Art Research at the University of the Arts London. A one day symposium on Friday, June 26th 2009, 10 – 5pm at the Swedenborg Society Hall, 20-­21 Bloomsbury Way, WC1 -­ Speakers: Stella Capes, Mikey Cuddihy, Jeff Dennis, Mick Finch, Rebecca Fortnum, Dereck Harris, Katrine Hjelde, Vanessa Jackson, Paula Kane, Katie Pratt, Mario Rossi and Daniel Sturgis. Mick Finch's symposium paper: Painting as Tableau. Tableau as Process. 2008 Participation on the round table about the exhibition, Working Space at the University of the Arts Gallery, Davies Street with J.J. Charlesworth, Peter Fillingham, Mick Finch, Justin Hibbs, Guillaume Paris, Dylan Shipton and David Ben White and chaired by Jane Lee. 2007 Participation on the round table ‘L'économie de l'art : questions de production, de diffusion et d'exposition à l'ère numérique’, moderated by Tristan Trémeau in the conference SIANA 2007 (semaine international des arts numérique et alternatifs), Evry, France, with : Hélène Mugnier, conseil art-­entreprise, Pascale Ract, artiste consultante pour Mona Lisa et Société Réaliste, coopérative d’artistes. 7
2003 2003 2002 2000 1999 1998 Gallery discussion during the exhibition "L'art dans ses passages/ Ce que porte la peinture", with Tristan Trémeau, Aristide Bianchi, Gabriele Chiari, Ron Johnson & Roxana Stoleru. Galerie Pitch, Paris. Participation in a workshop and on the panel of a conference 'Y-­a-­t-­il encore une critique d'art?'’ With Christophe Domino, Emmanuel Hermange, Cédric Loire, Frédéric Maufras, Jean-­Claude Moineau, Tristan Trémeau , during 'FRAAP', La Grande Halle de la Villette, Paris. 'Politics, Mass Media and Artists' Responsibility in Todays World': Jerôme Sans, Julie Thomas, Anton Koslov, Tristan Trémeau, Amar Lakal, Marwan Bishara, Waddick Doyle. The American University of Paris, 20 November 2002. ‘Tableaux: La Peinture n'est pas un genre' with the artists -­ Monique Frydmen, Bernard Joubert, Jean-­Pierre Pinceman, Philippe Richard, François Rouan. With the critics -­ Tristan Trémeau and Eric de Chassey. The Musée des Beaux-­Arts, Tourcoing, France, 5 February 2000. Presented the paper: 'Supports/Surfaces : Contexts and Issues' for the conference, 'Supports/Surfaces, Critiques of Modernism'. The Courtauld Institute, London, England. Presented the paper: 'Theatre/Spectacle, Absorption/Lived Time ' for the 'Painting & Time' conference, The University of Hull, Hull, England. TV / radio 2009 2000 1996 1996 1995 1989 Inside the Art Schools, The Sunday Feature, 11 Jan 2009, 21:30, BBC Radio 3. ‘A quoi bon des école d’art’, on the panel discussion on Trans/formes, France Culture. 'Accrochage', discussion about exhibitions by Walravens and Soulages, Radio F.P., Paris. 'Accrochage', interviewed about the exhibition 'Un Siècle de Sculpture Anglaise' Radio F.P., Paris. Interviewed in a programme about George Braque, France Culture . Works presented in the programme 'One Day’ BSB TV. journals Since 2013 Simon Hantai. Since 2000 Associate and a founding editor of the Journal of Contemporary Painting. Co-­editor of an issue on painting and cinema and an edition on the work of Member of the editorial board of the Journal of Visual Art Practice' Published by Intellect. Editor of 2 issues – Artist Writing and the Tableau Project. teaching • • • • • • • Since 2014 Reader in Visual Art Practice at University of the Arts London. Since 2013 BA Fine Art Course Leader Since 2008:2D Pathway Leader, B.A. Fine Art,Central Saint Martins, London, U.K. November 1999 -­ December 2007 Professeur de couleur et pratiques picturales at the Ecole des Beaux-­arts de Valenciennes, Valenciennes, France. January 1998 -­ December 1999, Subject Leader in Painting, Kent Institute of Art and Design, Canterbury, England. September 1993 -­ December 1997 Professor at Parsons School of Design, Paris, France. September 1996 -­December 1997: Chair of Foundation September 1992 -­ June 1996: Senior year studio Fine Art tutor, Liberal Studies tutor, Visiting practitioner: The Royal Academy Schools Royal College of Art Winchester School of Art Camberwell College of Art Norwich College of Art. Nottingham-­Trent University Kent Institute of Art and Design KUVA, Fine Art Academy, Helsinki, Finland. The School of Fine Art, Ohio State University, USA. Loughborough School of Art and Design Middlesex University 8
Wimbledon School of Art Manchester School of Art Ravensbourne School of Art and Design West Dean, MA Fine Art, Chichester Ecole des Beaux-­arts de Valence, France. Ecole nationale supérieure d'arts de Cergy-­Pontoise , Bath Spa University Académie Royale des Beaux-­arts de Bruxelles La Cambre, Brussels, Teaching Activities and Experience. Current post, 2D pathway leader, B.A. Fine Art, Central Saint Martins College of Art and Design, University of the Arts, London. 2012 Member of the jury for the 1ere and 2eme cycle section de gravure at La Cambre, Brussels. 2009 -­ 2012 External Examiner, Fine Art B.A., Winchester School of Art. Since January 2008 2D (painting, photography and print) pathway leader of the BA Fine Art course, Central Saint Martins College of Art and Design, London. Approx. 200 students. Inductions completed: UAL Welcome Event, Fairness and Equality in Recruiting, Fairness and Equality in Interviewing, Managing Performance, Planning, Review & Appraisal, (2009) CLTAD supervision in Research Degrees. Member of the College Academic Committee. Acting Course Director summer term 2009. 2008 -­ 2011 Member of the jury for the 1ere and 2eme cycle section de dessin at the Académie Royale des Beaux-­arts de Bruxelles. 2007 Second supervisor on Linda Khatir’s Phd, The Vital Space of Painting: Changing perceptual and material conditions of space, place and viewer in contemporary European Abstract painting, Bath Spa University, completion in 2007. 2005 -­ 2006 External Examiner, B.A. Painting, University of the Arts London / Camberwell College of Art. November 1999 – December 2007 Professor of couleur et de pratiques picturales and the chef d'atelier de peinture at the Ecole des beaux-­arts de Valenciennes in France. This is comprised of the following teaching responsibilities and activities within the school. November 1999 – December 2007 Studio course: Pratiques et techniques;; Couleur et pratiques picturale Course title;; "Couleur dans le site du tableau". 4 hours per week. 1st cycle, 1st year (année propédeutique), 2 semesters per year. Studio course: Mise en oeuvre et techniques;; couleur Course title ;; "La position du spectateur". st
rd
4 hours per week. 1 ycle, 2nd & 3 years,DNAT & DNAP, 2 semesters per year 9
Research;; problematique et méthodologie appliquées: rd
2hours per week. 1st cycle, 2nd & 3 years, DNAT & DNAP, 2 semesters per year. Recherche;; projet de diplôme: 2hours per week. 2nd cycle, 4th & 5th years, DNSEP, 2 semesters per year. November 1999 – October 2002 Studio research: st
2hours per week. 1 cycle, 1st year (année propédeutique), 2 semesters per year. Since October 2002 Recherche plastique: Suivi de mémoire st
2hours per week. 1 cycle, 1st year (année propédeutique), 2 semesters per year. October 2003 – April 2005 Project Leader and coordinator of ‘The Arts Movement’, an Interreg project between Medway Council, Kent, England and the Ville de Valenciennes, France. Project comprised of pedagogical trips with 75 students, the construction of a web site, by the students in terms of these visits and 2 exhibitions in the Medway region. The project is funded by the European Union, La Ville de Valenciennes and Medway Council. Teaching experience at Kent Institute of Art and Design, Canterbury, Kent, England. January1998 – December 1999 Subject Leader in Painting in the Fine Art B.A programme. Pedagogical and administrative responsibilities for 100 students of a programme of lectures, seminars and visiting artists programme. Participation on the Fine Art M.A. lecture programme: : "Issues in Contemporary Painting". Responsibilities, international activities of KIAD: October 1998: Coordinator of the 'Intensive figure drawing project' a collaboration between KIAD and Campus Saint-­Lucas, the l'école des beaux-­arts à Gand in Belgium. Lectures given within the B.A and M.A. programmes: April 1999: Painting and Digitization, February 1999: Duchamp and Painting, December 1999: The Tableau: Supports/Surfaces, May 1998: Simulationist Painting, April 1998: The Figure in Context, March 1998: Art and Objecthood: 'Absorption and Theatricality' (Michael Fried), February 1998: The Flat-­bed Picture Plane, January 1998: Readings of Richter. Teaching experience at Parsons School of Design, Paris, France. September 1996 – December 1997 Chair of Foundation Studies Bachelor in the Fine Arts (B.F.A.) programme. Pedagogical and administrative responsibilities, 60 students & 15 professors. Taught 'Drawing Concepts': 3 hours per week, 2 semesters. 10
November 1997: organised a conference about digital imaging technology for secondary school teachers in the International system. September 1992 -­ June 1996 Senior year studio Fine Art tutor: 6 hours per week, 2 semesters Personal tutor for the graduating year in fine art. November 1995 Organised a seminar (with Joseph Nechvatel), Hard Copy, around the relationship between digital imaging technologies and painting to accompany an exhibition on the same theme. October 1994 Co-­organiser (with Waddick Doyle & Philip Armstrong) of a seminar around the relationship between photography and painting. September 1995 -­ September 1996 Curated a series of exhibitions in the Parsons School gallery: March1996 'Des concepts autour du dessin'. January 1996 ‘Mac Passion’. November 1995 ‘Hard Copy’. September 1993 -­ September 1996 Course instructor in Liberal Studies Taught the following courses, each being for 2 hours per week for one semester. 1996 Abstraction 1996 Art in Theory 1995 Curatorial Practice 1994 Contemporary Art Institutions 1994 Contemporary Visual Culture 1993 A History of the Avant-­Garde Other teaching experience. March 2007 Bath School of Art and Design ( Bath Spa University). Lecture on my work for the Painting B.A. programme. November 2004 West Dean, Chichester, England. Lecture on my work for the Fine Art diploma and MA programme. November 2004 Kent Institute of Art and Design, Canterbury, England. Lecture on my work for the Painting B.A. programme. November 2003 Ecole de Beaux-­arts de Valence Lecture on the relationship between studio practice and theory and writing. nd
For the school’s 2 cycle, DNSEP, ARC programme. October 2002 October 2002 Winchester School of Art, Winchester, England. Lecture on my work for the Painting B.A. programme. The Royal Academy Schools, London, England. The Palais de Tokyo, questions and problematics. Lecture for the M.A. Fine Art programme. 11
February 2002 May 2001 November 2000 March 2000 April 2000 November 1999 May 1999 November 1998 1988-­1991 The Royal Academy Schools, London, England. 'The Pastural in contemporary visual art’. Lecture for the M.A. Fine Art programme. Ohio State University, Columbus, Ohio, USA. Invited artist for two weeks in the M.F.A programme. 2 seminars, ‘Painting in the expanded field’ plus studio visits . This teaching cycle ended with a lecture on my work at the Wexner Center in Columbus. The Royal Academy Schools, London, England. '...not painting, not sculpture...' Collage as medium.’ Lecture for the M.A. Fine Art programme. The Royal Academy Schools, London, England. ‘Operation, Materiatilty and the Tableau: Hantaï, Villeglé, Barré, Buren et James Hyde.’ Lecture for the M.A. Fine Art programme. Kent Institute of Art and Design, Canterbury, England. ‘Strategies of the Tableau’. Lecture for the Fine Art B.A. programme. The Nottingham Trent University, Nottingham, England. ‘Die Marquis Von O: A painting by Frank Stella?’ Lecture for the Fine Art B.A. programme. Loughborough School of Art and Design, Loughborough, England. ‘French Painting since 1950.’ Lecture for the Fine Art B.A. programme. Norwich School of Art, Norwich, England. ‘The Beholder Discourse’. Lecture for the Fine Art B.A. programme. Studio tutor Richmond College, London, England. visiting practitioner The Royal Academy Schools Royal College of Art Winchester School of Art Camberwell College of Art Norwich College of Art. Nottingham-­Trent University Kent Institute of Art and Design KUVA, Fine Art Academy, Helsinki, Finland. The School of Fine Art, Ohio State University, USA. Loughborough School of Art and Design Middlesex University Wimbledon School of Art Manchester School of Art Ravensbourne School of Art and Design West Dean, MA Fine Art, Chichester Ecole des Beaux-­arts de Valence, France. Ecole nationale supérieure d'arts de Cergy-­Pontoise , Bath Spa University Académie Royale des Beaux-­arts de Bruxelles La Cambre, Brussels, 12