Barbican announces Beck: Song Reader Live A stellarline up of
Transcription
Barbican announces Beck: Song Reader Live A stellarline up of
Barbican announces Beck: Song Reader Live A stellarline up of artists including Beck, Jarvis Cocker, Franz Ferdinand, Beth Orton, Charlotte Gainsbourg, Joan As Police Woman, Conor J O’Brien (Villagers), Michael Kiwanuka, The Staves, The Guillemots, Pictish Trail and James Yorkston bring Beck’s critically acclaimed catalogue of sheet music to life Thursday 4 July 2013, 7.30pm, Barbican Hall, Tickets: £35/30/25/20 The Barbican in association with Faber Social and Glenn Max events brings together an eclectic mix of high profile musicians for a very special night of live music, in which they perform Beck Hansen’s unique publishing project Song Reader. The lineup includes: Beck himself; Pulp frontman and solo artist Jarvis Cocker; Glasgow’s finest Franz Ferdinand; singersongwriter Beth Orton; French icon Charlotte Gainsbourg; Joan Wasser aka Joan As Police Woman; Villagers front man Conor J O’Brien; acoustic indie trio The Staves; indie mavericks The Guillemots; soul stylist Michael Kiwanuka and singersongwriters James Yorkston and The Pictish Trail, with more guests to be announced. At the heart of the evening will be a speciallyassembled house band featuring Seb Rochford (drums), Tom Herbert (bass), Dave Okumu (guitar), with music direction by Ed Harcourt and David Coulter. Beck has always been one of music’s great pioneers and Song Reader is an experiment in what an album might look like in the digital age: 20 songs, including two instrumentals, existing only as a book of individual pieces of sheet music, never before released or recorded. The songs are meant to come to life in a new golden age of home performance, leaving the listener, essentially, to be the performer. Current interpretations can be found at http://www.songreader.net Ten years in the making, Song Reader was published by Faber at the end of last year, and comes complete with fullcolour, heydayofhomeplayinspired art for each song and a lavishly produced hardcover carrying case (and, when necessary, ukulele notation). Beautifully illustrated by Marcel Dzama, Leanne Shapton, Josh Cochran, Jessica Hische and others, Song Reader was designed by Beck with the help of McSweeney’s publishing Company in San Francisco. Beck says:” These songs are meant to be pulled apart and reshaped. The idea of them being played by choirs, brass bands, string ensembles, anything outside of traditional rockband constructs — it’s interesting because it’s outside of where my songs normally exist. I thought a lot about making these songs playable and approachable, but still musically interesting. I think some of the best covers will reimagine the chord structure, take liberties with the melodies, the phrasing, even the lyrics themselves. There are no rules in interpretation.” In the lead up to, and at the event, the Barbican and Faber Social will celebrate the life of Becks’ Song Reader so far, with an exhibition of the artwork and a presentation of a selection of some of the very best amateur interpretations of the songs. ENDS Notes to Editors Barbican Box Office: 0845 120 7550 www.barbican.org.uk Faber Social www.fabersocial.co.uk Press Information For any further information, images or to arrange interviews, please contact the Barbican’s music media relations team: Annikaisa VainioMiles, Media Relations Manager t – +44 (0)20 7382 7090 e – annikaisa.vainio[email protected] Sabine Kindel, Senior Media Relations Officer t – +44 (0)20 7382 6199 e – [email protected] Eleanor Chapman, Media Relations Officer t – +44 (0)20 7382 6196 e – [email protected] Sagar Shah, Media Relations Assistant t – +44 (0)20 7382 6138 e – [email protected] For more information about Beck’s Song Reader please contact: Becky Fincham, Manager of Faber Social t – +44 (0)20 7927 3908 e – [email protected] About the Barbican A worldclass arts and learning organisation, the Barbican pushes the boundaries of all major art forms including dance, film, music, theatre and visual arts. Its creative learning programme further underpins everything it does. Over 1.5 million people pass through the Barbican’s doors annually, hundreds of artists and performers are featured, and more than 300 staff work onsite. The architecturally renowned centre opened in 1982 and comprises the Barbican Hall, the Barbican Theatre, the Pit, Cinemas One, Two and Three, Barbican Art Gallery, a second gallery The Curve, foyers and public spaces, a library, Lakeside Terrace, a glasshouse conservatory, conference facilities and three restaurants. The City of London Corporation is the founder and principal funder of the Barbican Centre. Find us on Facebook | Twitter | Flickr | YouTube About Faber Social Faber Social is bright to you by Faber & Faber, one of the last of the great independent publishing houses in London. Faber Social exists in the place where music and literature meet. A forum for ambitious publishing, a live events programme, an online hub, Faber Social celebrates experimentation in a landscape where stories, music and performance cohabit. The first Monday of each month, we invite you to us in London for an evening with artists who are assembled by theme, who so far have included Jarvis Cocker, Viv Albertine, SJ Watson, David Peace, Edwyn Collins, Edna O’ Brien, Olivia Laing. In recent months we have celebrated Dissent, the Occult, Vinyl, Rivers and Power, Corruption & Lies and our events continue to spread to different locations and in different forms. Faber Social has published a range of music books including Beck’s Song Reader, Julian Cope’s Copendium, Jarvis Cocker’s Mother Brother, Lover, Nicky Wire’s Death of a Polaroid and will publish the forthcoming memoir by Beastie Boys. Find us on Twitter | Facebook | Tumblr | You Tube Resources More about Song Reader here: http://www.faber.co.uk/catalog/songreader/9780571299409 Beck quote taken from McSweeney’s Q&A, full version can be found here: http://www.mcsweeneys.net/articles/aqawithbeckhansenauthorofsongre ader Beck wrote “A Preface to Song Reader” for the New York Times: http://www.newyorker.com/online/blogs/culture/2012/11/beckaprefacetoson greader.html