CV Anne C. DYMEK E 1015 - Institut ACTE

Anne C. Dymek (PhD) - Curriculum Vitae
ANNE C.DYMEK
[email protected]
Current Position
Lecturer
Department of Philosophy II
Otto-Friedrich-Universität Bamberg, Germany
Docteur Associé
UMR Acte / CNRS « Cinéma et Audiovisuel »
Université Paris 1 Panthéon-Sorbonne, France
Education, Diploma, Qualifications
04/2014
Qualification for the French Assistant Professorship (Maîtres des Conférences) in section 17
(Philosophy) and section 18 (Arts and Sciences of Arts)
11/2008–12/2013
PhD in Arts and Sciences of Arts: Cinema, Université Paris 1 Panthéon-Sorbonne, Paris, France
Obtained with Summa cum laude (Très Honorable avec les Félicitations du Jury à l’unamité)
Title of Dissertation:
“Approches peirciennes de la perception filmique” (“Peircian Approaches to Filmic Perception”)
Supervision:
2008-2011 Professor Jacques Aumont, Université Paris 3 Sorbonne-Nouvelle, Paris, France.
2011-2013 Professor Dominique Chateau, Université Paris 1 Panthéon-Sorbonne, Paris, France.
Composition of examination committee:
Professor Martin Lefebvre, Concordia University, Montréal, Canada
Professor Dominique Chateau, Université Paris 1 Panthéon-Sorbonne, France
Professor José Moure, Université Paris 1 Panthéon-Sorbonne, France
Professor Pere Salabert, University of Barcelona, Spain
09/2006–06/2007
Master’ s Degree (Master II Recherche) in Cinematographic and Audiovisual Studies,
Université Paris 3 Sorbonne Nouvelle, Paris, France
Obtained with Highest Honours (Mention Très Bien)
Title of Dissertation:
“L’image-temps deleuzienne – La pensée « faible » de la différence comme concept
philosophique du cinéma postmoderne ?” (“The Deleuzian Time-Image – The “Weak Thought” of
Difference as Philosophical Concept of Postmodern Cinema?”)
Supervision:
Professor Jean-Louis Leutrat
Composition of examination committee:
Professor Jacques Aumont, Université Paris 3 Sorbonne Nouvelle, France
Professor Philippe Dubois, Université Paris 3 Sorbonne Nouvelle, France
10/2003–02/2006
Master’s (Maîtrise) in Sciences of Information and Communication, Université Paris 3
Sorbonne-Nouvelle, Paris, France
Obtained with Honours (Mention Bien)
Title of Dissertation:
“L’image-cristal deleuzienne – Un concept cinématographique postmoderne?” (“The Deleuzian
Crystal-Image – A Postmodern cinematographic concept?”)
Supervision:
Professor Jean-François Bordron
Composition of examination committee:
Professor Jean-François Bordron, Université Paris 3 Sorbonne Nouvelle, France
Professor Marie-Dominique Popelard, Université Paris 3 Sorbonne Nouvelle, France
04/2001–04/2002
B.A. equivalent (Zwischenprüfung) in Sciences of Information and Communication, Freie
Universität Berlin
Obtained with Highest Honours (1,0)
Anne C. Dymek (PhD) - Curriculum Vitae
Teaching, Research and Organisational
Experience
October 2015 – February 2016:
Lecturer at Otto-Friedrich-Universität Bamberg, Department of Philosophy II, Germany.
Teaching 1 seminar “Philosophy and Film”.
September – December 2015:
Associated Researcher at NeuroCine @ Crucible Studio, aivoAALTO research project, Aalto
University, Helsinki, Finland, - Department of Media (director : Dr. Pia Tikka).
March – April 2015:
Researcher at Université de Lorraine, France – Center of research on mediations,
communication, languages, arts, cultures, EA 3476. Empirical research “Edusemiotics of the
Filmic Medium”.
2014 - Today: Direction of a triple issue of the Canadian Journal Recherches
Sémiotiques/Semiotic Inquiry, RS•SI, on the theme “Music and Semiotics”, planned for
publication in 2016
September 2014 – February 2015:
Lecturer at IECA, Université de Lorraine, Nancy, France, Lecture “Filmic Diagrams”
September 2014:
Coordination and Chair of Round Table “Cinema and Semiotics”, 12th World Congress of
Semiotics, Sofia, Bulgaria
September 2012 – August 2014:
Adjunct Instructor ( A T E R ) at Université Paris 1 Panthéon-Sorbonne, UFR 04:
Teaching 8 seminars on: Film Theory, Filmic Aestehtics, Filmic Perception, Film and
Semiotics, Christian Metz, Gilles Deleuze
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Talks
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September 2014: 12th World Congress of Semiotics, Sofia, Bulgaria: “Genuine Filmic Signs:
Diagrams of Perception”
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June 2014: Visual Methodologies Conference, Neuchatel, Switzerland: “Visual Semiotics of Filmic
Perception”
May 2014: Conference on Philosophy and Film, Lisbon, Portugal:
“Cinema as Pheno-Prosthesis: Accessing the Real Through Filmic Perception”
March 2014: Conference of the Society of Phenomenology and Media, Freiburg, Germany: “Films
as Phenomenological Maps”
May 2013: First International Deleuze in Asia Studies Conference, Taipei, Taiwan: “Signs and
Images: Deleuze, Peirce and Bergson on Semiotic Phenomenology in the Cinema I and
II”
October 2012: 11th World Congress of t he IASS/AIS, Nanjing, China: “Excess of
Emotions in Filmic Perception“
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Anne C. Dymek (PhD) - Curriculum Vitae
Publications
A) Articles / Book Chapters with Peer-Review:
1.
“L’iconicité filmique: un métalangage de la perception?”, in: Signata, Annales des Sémiotiques,
04/2013. Presses Universitaires de Liège, pp. 295-314.
2. “Perception, Dreams, Films: Iconicity and Indexicality in Peirce’s Theory of Perception”, in:
Recherches Sémiotiques /Semiotic Inquiry, RS•SI, vol. 33 (2013), no. 1-2-3, Association canadienne de
sémiotique / Canadian Semiotic Association, pp. 267-289.
3. (BOOK CHAPTER) “Chapter 7: Visual Edusemiotics : Educational Dimensions of Film”, in:
Handbook of Edusemiotics, dir: Inna Semetsky, Springer, forthcoming in 2016.
4. (BOOK REVIEW) “Paul Forster, Peirce and the Threat of Nominalism. Cambridge:
Cambridge University Press, 2011. 259 pages”, in: Recherches Sémiotiques /Semiotic Inquiry, RS•SI,
vol. 30 (2010), no. 1-2-3, pp. 189-195.
B) Articles without Peer-Review:
1. “Excess of Emotions in Filmic Perception”, in : Proceedings of the 11th World Congress of the IASS/
AIS, Vol. 1, Traversing the Mental and the Artistic Worlds, 2014, pp. 212-224.
2. “Images du monde visionnaire : toucher aux limites du filmique” (with Vincent LOWY), in: Eric
Duvivier : Cinéaste Médical, Thierry Lefebvre et Christian Bonah (dir.), Le Bord de l’Eau Editions,
forthcoming in 2015.
C) Monographies:
1. Cinéma et Sémiotique : Deleuze en question. Le Bord de L’Eau Éditions, Lormont, 02/2015, 113 pp..
Languages
German – native / French – fluent /Englisch – fluent/ Italian – basic/ Spanish -basic