WIF 2015 Final Version Conference Programme
Transcription
WIF 2015 Final Version Conference Programme
WOMEN IN FRENCH CONFERENCE 2015 LES FEMMES S’ENTÊTENT: FEMINISM, WRITING, ART AND FILM 1975-2015: BILAN(S) ET AVENIR(S) SCHOOL OF LANGUAGES, CULTURES AND SOCIETIES, UNIVERSITY OF LEEDS HINSLEY HALL LEEDS MAY 8-10 2015 FRIDAY MAY 8 2015 12.00 REGISTRATION 2.00 2.30 WELCOME FROM THE ORGANISERS CHAIR : ALISON FELL PLENARY : Christine Bard, Université d’Angers, ‘L’année 1975’ Margaret Clitherow Room 3.30 Tea 4.00 THE ASSOCIATION FOR THE STUDY OF MODERN AND CONTEMPORARY FRANCE PLENARY CHAIR: MARGARET ATACK Maggie Allison, University of Bradford: Parole(s) de femmes from Le Torchon brûle to Les Nouvelles News Margaret Clitherow Room 4.30 VALÉRIE MRÉJEN: FILMS FOLLOWED BY DISCUSSION WITH MARIE-CLAIRE BARNET Margaret Clitherow Room 6.00 DRINKS with presentation of Antoinette Fouque, There are two sexes, by Michèle Idels introduced by Maggie Allison 7.00 DINNER SATURDAY MAY 9 2015 Margaret Clitherow Room John Wesley Room Mary Ward Room CHAIR: TAMARA CHAPLIN CHAIR : AUDREY LASSERRE CHAIR : MARIE-ANDRÉE BERGERON MODIFIER L’IMAGINAIRE: NEGOTIATING HISTOIRE(S) (RE)PENSER L’HERITAGE LITTERAIRE ET POLITIQUE DE MONIQUE WITTIG PERTURBATIONS ET MÉTAMORPHOSE : QUÉBEC ET AILLEURS Margaret Atack, University of Leeds: Désirs/Délires: Valentine Goby’s Occupation Novels Audrey Lasserre, Université Paris 3 – Sorbonne nouvelle : « Un jour mon prince viendra » : l’héritage politique complexe du matérialisme littéraire wittigien Anne Caumartin, Collège militaire royal de St-Jean : Avidité, dénégation, coercition : lorsque l’héritage paternel se soumet aux réponses des filles Alison Fell, University of Leeds: La Femme du soldat inconnu: Feminism and French lieux de mémoire from the 1970s to the present Yannick Chevalier, Université de Lyon 2 : La Réception critique du Corps lesbien Marie-Andrée Bergeron, Université du Québec à Montréal : Filiation et prospection dans le discours des féministes de la troisième vague au Québec : le cas du fanzine Dirty Plottes (19881991) Bronwen Winter, University of Sydney : A Mediterranean Bazaar: The Bazar du Genre exhibition at the Musée des Civilisations de l’Europe et de la Méditerranée (MUCEM) in Marseille, 2013 Chloé Jacquesson, Université de Lyon 2 : Le Brouillon pour un dictionnaire des amantes : du sens des mots au sens de l’histoire chez Monique Wittig Gabrielle Parker, Middlesex University The Gendering of Space : Michèle Perrein and Ying Chen 9.00 10.30 COFFEE Margaret Clitherow Room John Wesley Room CHAIR: IMOGEN LONG CHAIR: KATE AVERIS INTERSECTIONS: CLASS, GENDER AND RACE LA PERTURBATION DE LA VIEILLESSE : 40 YEARS OF FEMALE AGEING IN FRENCH WOMEN’S WRITING Annick Durand, Zayed University Dubai A Twisted Use of Autobiography: NinaBouraoui’s La Voyeuse interdite Kate Averis, University of London Institute in Paris: Writing Female Ageing into the 21st Century: Annie Ernaux and Nancy Huston Elliott Evans, Kings College London: Materiality of Embodiment in Preciado and Wittig Susan Ireland, Grinnell College: Explorations of Ageing in Michèle Sarde’s Constance a la cinquantaine Nadia Kiwan, University of Aberdeen: Secular Muslim Women in the French Public Arena: the Case of Dounia Bouzar Siobhán McIlvanney, Kings College London: Grandmother Through the Looking Glass: Perspectives on (Anti)Ageing in Noëlle Châtelet’s Au Pays des vermeilles Lyn Thomas, University of Sussex: Voix blanche? Annie Ernaux and the challenge of intersectionality Gillian Ni Cheallaigh, Kings College London: Ageing and Madness in Simone de Beauvoir’s Les Belles Images and La Femme rompue 11.00 1pm LUNCH 2pm EXCURSIONS TO LEEDS/FREE TIME 3.30 TEA Margaret Clitherow Room John Wesley Room Mary Ward Room CHAIR: GABRIELLE PARKER CHAIR: GILL RYE BACK TO THE FUTURE: RE-IMAGINING FEMINIST REALIZATIONS OF THE 1970S Audrey Evrard, Fordham University: Nouvelles Filiations: Mémoire et luttes sociales « au féminin » dans le documentaire social TURNING FULL CIRCLE? CIXOUS’S REVOLUTION 40 YEARS ON DEBATING DIFFERENCE AND OTHER BINARIES Mairéad Hanrahan, University College London: A Laughing Anniversary : ‘Le Rire de la méduse’ after 40 years Diana Holmes, University of Leeds: 'Les hommes et les femmes, c'est vraiment pas pareil': Nancy Huston's Passions d'Annie Leclerc 4.00 CHAIR: CARRIE TARR Imogen Long, University of Hull: Ainsi soit-elle, aujourd'hui encore : Benoîte Groult forty years on Beatrice Ivey, University of Leeds: Cixous and Mnouchkine, L’Indiade ou l’Inde de leurs rêves: Questions of Orientalism Annabel Kim, Duke University : Reviving the Universal: Anne Garréta's Radical Egalitarianism and the Legacy of Monique Wittig. Jan Windebank, University of Sheffield: Does the Introduction of the ‘Daddy Quota’ to Parental Leave in France Represent a Feminist Turn in work-Family Reconciliation Policy? Maribel Peñalver Vicea, Universidad de Alicante/Paris 3-Sorbonne nouvelle : La Douleur du rétrécissement: autoportrait à la mère mourante Emma Murdoch, University of Birmingham: (Re)reading Trauma and Schizophrenia in the work of Emma Santos Martina Williams, University of Nottingham: Looking again at La jeune née: Feminine Poets in Hélène Cixous’s Voile noire voile blanche Judith Still, University of Nottingham: From Expelling the Animal to Welcoming Animals 6.00 Conference reception sponsored by Peter Lang Nicole Fernandez Ferrer, Director of the Centre Simone de Beauvoir, introduced by Diana Holmes: Introduction to tonight’s screening of Encore Elles! 7.00 DINNER 8.30 – 9.30 FILM : ENCORE ELLES ! - LES COMBATS DES FEMMES DE 1970 À NOS JOURS. Margaret Clitherow Room SUNDAY MAY 10 2015 Margaret Clitherow Room John Wesley Room CHAIR : MARGARET ATACK CHAIR: SIOBHÁN McILVANNEY 9.00 BOULEVERSER LES NORMES : CHALLENGING RECOUNTING THE SELF THROUGH CINEMATIC CONVENTIONS AUTOFICTION(S) Grace An, Oberlin College Ohio: Alice Blackhurst, University of Cambridge: Delphine Seyrig, Feminist Filmmaker : From Anorexic Texts: Writing as Restraint in Muse to Insoumise recent works by Sophie Calle and Annie Ernaux Carrie Tarr, Kingston University: Actresses of Maghrebi origin in recent French cinema Rebecca DeRoo, Rochester Institute of Technology New York: Autofiction and Feminist Strategy in Varda's Plages d'Agnès Nam Lee, Chapman University: Écriture feminine in Film: Agnes Varda’s Cinematic Portrait/Self-portrait in Jane B par Agnes V. and The Gleaners and I Marie-Chantal Killeen, University of Oxford : Esquives, obstacles et désaveux : les « antiConfessions » de Nelly Arcan et d’Anne Garréta 10.30 11– 12.30 Coffee Margaret Clitherow Room John Wesley Room CHAIR: MAIRÉAD HANRAHAN CHAIR: IMOGEN LONG LES FEMMES S’ENTÊTENT : PROTEST THROUGH EXPERIMENTATION RECEPTION AND MEDIATION Rakhee Balaram, State University of New York: Artistic Utopias? Women’s Groups in France after May ‘68 Fanny Mazzone, Université de Toulouse: Feminist publishing and legitimization strategies : from activist capital to symbolic capital Tamara Chaplin, University of Illinois: Sous pli fermé: Writing Lesbian Identity in late 1970s Lyon Michèle Schaal, Iowa State University: Third Wave Manifestoes: What do Feminists Still Want? Maria-Rosa Lehmann, Panthéon-Sorbonne: Surrealist Legacy in 1970s Feminist Performance Stephanie Schechner, Widener University: Marguerite Duras and Mireille Best: A Forgotten Literary Legacy? 12.30 WIF plenary: planning WIF 2017 Margaret Clitherow Room 1pm Lunch and departure Website: http://www.leeds.ac.uk/arts/WIF2015 Twitter: @WomeninFrenchUK