Bibliography of secondary sources for the program

Bibliography of secondary sources for the ACRL WESS/SEES Program: Beyond Tintin:
Collecting European Comics in the U.S.
Presented at the ALA Annual Conference & Exhibition, San Francisco CA, June 27, 2015,
1:00-2:30pm
Moscone Convention Center, Room 3004 West
Encyclopedias and Reference
Gaumer, Patrick, and Claude Moliterni. Dictionnaire mondial de la bande dessinée. Paris: Larousse, 1994.
Ládek, Josef, and Robert Pavelka. Encyklopedie komiksu v Československu 1945-1989. Praha: XYZ
nakladatelství, 2010.
Lambeau, Frans. Dictionnaire illustré de la bande dessinée belge sous l’Occupation. Bruxelles: André Versaille
éditeur, 2013.
Scott, Clive. “Bande dessinée (BD)”. The New Oxford Companion to Literature in French. Oxford, England:
Oxford University Press, 2005.
Monographs
Александров, Юрий (ред.) и др. Русский комикс: сборник статей. Москва: Новое литературное
обозрение, 2010.
Богдановић, Жика. Чардак ни на небу ни на земљи4: рађање и живот београдског стрипа, 1934-1941.
Београд: Атенеум, 2006.
Стайков, Антон. Кратка история на българския комикс. София: Кибеа, 2013.
Alaniz, José. Komiks4: Comic Art in Russia. Jackson: University Press of Mississippi, 2010.
Baetens, Jan and Hugo Frey. The Graphic Novel. New York, NY: Cambridge University Press, 2015.
Beaty, Bart. Critical Survey of Graphic Novels: History, Theme, and Technique, edited by Stephen Weiner.
Critical Survey of Graphic Novels. Ipswich, Mass.: Salem Press, 2013.
———. Unpopular Culture: Transforming the European Comic Book in the 1990s. Studies in Book and Print
Culture. Toronto: University of Toronto Press, 2007.
Bellefroid, Thierry, ed., L’âge d’or de la bande dessinée belge: la collection du Musée des beaux-arts de Liège.
Bruxelles: Impressions nouvelles, 2015.
Bezděková, Olga. Po stopách kreslených seriálů. Praha: Volvox Globator, 2012.
Błażejczyk, Michał, ed., Zeszyty komiksowe: magazyn o komiksach. [Poland]: Centrala, 2004.
Błażejczyk, Michał, и Michał Traczyk. Komiks historyczny. ZK Zeszyty Komiksowe, no. 12/2011. Poznań:
Fundacja Tranzyt, 2011.
Brancato, Sergio, и Alberto Abruzzese. Il secolo del fumetto4: lo spettacolo a strisce nella società italiana,
1908-2008. Lapilli, no.14. Latina: Tunué, 2008.
Castaldi, Simone. Drawn and Dangerous4: Italian Comics of the 1970s and 1980s. Jackson: University Press of
Mississippi, 2010.
———. Italian Comics of the 1970s and 1980s. Jackson: University Press of Mississippi, 2010.
Cavanna, Cabu, and Professeur Choron, eds., 1960-1985, la gloire de Hara-kiri. Grenoble: Glénat, 2013.
Chopelin, Paul, and Tristan Martine, eds. Le siècle des lumières en bande dessiée: de poudre et de dentelles.
Paris: Karthala, 2014.
Czaja, Justyna. Historia Polski w Komiksowych Kadrach. Poznań: Wydawn. Poznańskiego Tow. Przyjaciół
Nauk, 2010.
Dacheux, Eric, Sandrine Le Pontois, and Jerôme Dutel, eds. La BD, un miroir du lien social: bande dessinée et
solidarités. Communication et civilisation. Paris: Harmattan, 2011.
Dias de Deus, António, и Leonardo De Sá. Os comics em Portugal: uma história de banda desenhada.
Cadernos da Bedeteca. LisboaB: CotoviaB: Bedeteca, 1997.
Dierick, Charles, ed. Le Centre belge de la bande dessinée. Tournai: Renaissance du livre, 2000.
Dolle-Weinkauff, Bernd, and Deutsche Nationalbibliothek. Comics made in Germany4: 60 Jahre Comics aus
Deutschland 1947-20074; eine Ausstellung der Deutschen Nationalbibliothek Frankfurt am Main und des
Instituts für Jugendbuchforschung der Johann Wolfgang Goethe-Universität Frankfurt am Main.
Gesellschaft für das Buch, Bd. 10. Wiesbaden: Harrassowitz, 2008.
Dozo, Björn-Olav, and Fabrice Leroy. La bande dessinée contemporaine. Textyles, no 36-37. Bruxelles: Le Cri
Éd, 2010.
Carlà, Filippo, ed. Caesar, Attila und Co.: Comics und die Antike. Darmstadt: Philipp von Zabern, 2014.
Edwards, Natalie, Amy Hubbell, and Ann Miller. Textual & Visual Selves: Photography, Film, and Comic Art
in French Autobiography / Hubbell, Amy L. Lincoln: University of Nebraska Press, 2011.
Elsner, Daniela, Sissy Helff, and Britta Viebrock, eds. Films, Graphic Novels & Visuals4: Developing
Multiliteracies in Foreign Language Education4: An Interdisciplinary Approach. Fremdsprachendidaktik
in Globaler Perspektive, Band 2. Berlin: Lit, 2013.
Fasiolo, Francesco. Italia da fumetto: il graphic journalism e la narrativa disegnata che raccontano la realtà
italiana di ieri e di oggi. Lapilli. Segni, 28. Latina, Italy: Tunué, 2012.
Foret, Martin. Studia komiksu : možnosti a perspektivy. Olomouc: Univerzita Palackého v Olomouci pro
Centrum kulturálních, mediálních a komunikačních studií při Filozofické fakultě, 2012.
Forsdick, Charles, Laurence Grove, and Libbie McQuillan, eds. The Francophone Bande Dessinée. Faux Titre,
265. AmsterdamB; New York, NY: Rodopi, 2005.
Frąckiewicz, Sebastian. Wyjście z getta4: rozmowy o kulturze komiksowej w Polsce. Warszawa: Stowarzyszenie
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Friske, Matthias. Die Geschichte des Mosaik von Hannes Hegen: eine Comic-Legende in der DDR.
durchgesehene und erg. Aufl, 3. Berlin: Lukas-Verlag, 2010.
Gabut, Jean-Jacques. L’âge d’or de la BD: les journaux illustrés, 1934-1944. Paris: Catleya, 2001.
Gadducci, Fabio, Leonardo Gori, and Sergio Lama. Eccetto Topolino4: lo scontro culturale tra fascismo e
fumetti. L’arte delle nuvole, 3. Roma: NPE, 2011.
Gajewska, Grażyna, and Rafał Wójcik. Kontekstowy Miks4: przez opowieści graficzne do analiz kultury
współczesnej. Prace Komisji Filologicznej, 67. Poznań: Wydawnictwo Poznańskiego Towarzystwa
Przyjaciół Nauk, 2011.
García, Santiago. On the Graphic Novel. Jackson: University Press of Mississippi, 2015.
———. Panorama4: la novela gráfica española hoy. Colección Sillón orejero. Bilbao: Astiberri Ediciones,
2013.
Garric, Henri, ed. L’engendrement des images en bande dessinée. Collection Iconotextes. Tours: Presses
universitaires François-Rabelais, 2013.
Genovese, Renato. L’avventurosa storia del fumetto italiano: quarant’anni di fumetti nelle voci dei protagonisti.
Roma: Castelvecchi, 2009.
Geōrgelos, Giōrgos. 1os katalogos Hellēnikōn ekdoseōn Komiks 1939-2010. [De Rijp]: Esperos Comics, 2011.
Gibson, Mel. Remembered Reading: Memory, Comics and and Post-War Constructions of British Girlhood.
Studies in European Comics and Graphic Novels. Leuven, Belgium: Leuven University Press, 2015.
Gipi, and Alberto Casiraghi, eds. Gipi: lo straordinario e il quotidiano di un narratore per immagini. Lezioni di
fumetto, 16. Roma: ComicOut, 2013.
Gobin, Marie-Hélène. “Proust en B.D.”? Que dirait Baudelaire?: étude sémiotique: littérature et esthétique.
Paris: Connaissances et savoirs, 2006.
Grennan, Simon, and Laurence Grove. Transforming Anthony Trollope: Dispossession, victorianism and
nineteenth-century word and image. Studies in European comics and graphic novels. Leuven, Belgium:
Leuven University Press.
Groensteen, Thierry. M. Töpffer invente la bande dessinée. Bruxelles: Les Impressions Nouvelles, 2014.
Groensteen, Thierry, Bibliothèque nationale de France, and Centre national de la bande dessinée et de l’image
(France), eds. Maîtres de la bande dessinée européenne. Paris: Bibliothèque nationale de FranceB: Seuil,
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Grove, Laurence. Comics in French4: The European Bande Dessinée in Context. Polygons, 14. New York:
Berghahn Books, 2010.
Grünberg, Reiner, and Michael Hebestreit. Mosaik-Handbuch: die Welt der Digedags. Leipzig: Lehmstedt,
2012.
Gual Boronat, Óscar. Viñetas de posguerra: los cómics como fuente para el estudio de la historia. História i
memória del franquisme. Valencia: Universitat de València, 2013.
Hamelin associazione culturale. Perdersi a ...: esplorazioni urbane a fumetti. Bologna: Kappa edizioni, 2012.
Kertész, Sándor. Comics szocialista álruhában. Nyíregyháza: Kertész Nyomda és Kiadó, 2007.
Kořínek, Pavel, and Tomáš Prokůpek, eds. Signals from the Unknown4: Czech Comics 1922-2012. Řevnice:
Arbor vitae, 2012.
———. Signály z Neznáma4: Český Komiks 1922-2012. Řevnice: Arbor vitae, 2012.
Krzanicki, Marcin. Komiks w PRL, PRL w komiksie. Rzeszów: Instytut Pamięci Narodowej, Oddział w
Rzeszowie, 2011.
La BD est Charlie. Grenoble: Glénat, 2015.
Leclerc, Michel-Edouard, Jean-Baptiste Barbier, CIBDI (Organization), and Fonds Hélène & Édouard Leclerc
pour la culture, eds. Métal hurlant: (À suivre). Landemeau: Fonds Hélène et Edouard Leclerc pour la
culture, 2013.
Leclerc, Michel-Edouard, и Chantal-Marie Wahl. Itinéraires dans l’univers de la bande dessinée. Paris:
Flammarion, 2003.
Leroy, Fabrice. Sfar so Far: Identity, History, Fantasy, and Mimesis in Joann Sfar’s Graphic Novels. Studies in
European Comics and Graphic Novels, 2. Leuven, Belgium: Leuven University Press, 2014.
Marie, Vincent, Gilles Ollivier, Alain David, Celia Bornas, and Palais de la porte dorée (Paris, France), eds.
Albums: des histoires dessinées entre ici et ailleurs: bande dessinée et immigration 1913-2013. Paris:
FuturopolisB: Musée de l’histoire de l’immigration, 2013.
Maris, Bernard, Charb, and Riss, eds. Charlie hebdo: les 20 ans: 1992/2012. Paris: Éditions les Échappés, 2012.
Mazur, Dan, и Alexander Danner. Comics4: A Global History, 1968 to the Present. London: Thames & Hudson,
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McKinney, Mark. History and Politics in French Language Comics and Graphic Novels. Jackson: University
Press of Mississippi, 2008.
———. Redrawing French Empire in Comics. Studies in Comics and Cartoons. Columbus: The Ohio State
University Press, 2013.
———. The Colonial Heritage of French Comics. Contemporary French and Francophone Cultures, 17.
Liverpool: Liverpool University Press, 2011.
Miller, Ann. Reading Bande Dessinée: Critical Approaches to French-Language Comic Strip. Bristol, UKB;
Chicago, IL.: Intellect Books, 2007.
Miller, Ann, and Bart Beaty, eds. The French Comics Theory Reader. Studies in European Comics and Graphic
Novels, 1. Leuven, Belgium: Leuven University Press, 2014.
Nolent, Alexis. Made in France4: 8 artists and the graphic novel. [New York, N.Y.]: NyehausB: Foundation 20
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Obremski, Wojciech. Krótka historia sztuki komiksu w Polsce4: 1945-2003. Toruń: Adam Marszałek, 2005.
Pérez-del-Solar, Pedro. Imágenes del desencanto: nueva historieta española 1980-1986. La casa de la riqueza.
Estudios de cultura de España, 23. MadridB: Frankfurt am Main: IberoamericanaB; Vervuert, 2013.
Pontier, Jean-Marc. Lectures de David B. Montrouge: PLG, 2010.
Pratt, Hugo, Patrizia Zanotti, and Thierry Thomas. Periplo incantato: 1945-1995, 50 anni a fumetti. Milano:
Rizzoli Lizard, 2013.
Prokůpek, Tomáš. AARGH! Výroční speciál. Brno: Analphabet Books, 2010.
Roca, Paco, and Koldo Azpitarte. Una Retrospectiva de la obra de Paco Roca. [Barcelona]: Laukatu, 2009.
Rubovszky, Kálmán. Apropó, comics!: a hazai fogyasztású, magyar nyelvű képregények értékjellegzetességei.
[Budapest]: Művelődéskutató Intézet, 1988.
Rusek, Adam. Od rozrywki do ideowego zaangażowania komiksowa rzeczywistość w Polsce w latach 19391955. Warszawa: Biblioteka Narodowa, 2011.
———. Tarzan, Matołek i inni4: cykliczne historyjki obrazkowe w Polsce w latach 1919-1939. Warszawa:
Biblioteka Narodowa, 2001.
Sackmann, Eckart. Deutsche Comicforschung, 2005.
Scott, Randall W. European Comics in English Translation4: A Descriptive Sourcebook. Jefferson, N.C.:
McFarland & Co., 2002.
Screech, Matthew. Masters of the Ninth Art: Bandes Dessinées and Franco-Belgian Identity. Contemporary
French and Francophone CulturesB;; 3. Liverpool: Liverpool University Press, 2005.
Sekulić, Aleksandra, and Radovan Popović. Invisible Comics: Alternative Comics in Serbia 1980-2010.
Belgrade: National Library of Serbia, 2011.
Smolderen, Thierry. Naissances de la bande dessinée4: de William Hogarth à Winsor McCay. [Bruxelles]: Les
Impressions nouvelles, 2009.
Steimberg, Oscar. Leyendo historietas: textos sobre relatos visuales y humor gràfico. Ex libris. Buenos Aires:
Eterna Cadencia Editora, 2013.
Szyłak, Jerzy. Gra ciałem4: o obrazach kobiet w kulturze współczesnej. Gdańsk: Timof i Cisi Wspólnicy, 2013.
———. Komiks w szponach miernoty4: rozprawy i szkice. Warszawa: Timof Comics, 2013.
Valloatto, Stéphanie. Caricaturistes - Fantassins de la démocratie. EuropaCorp. Distribution, 2014.
Vessels, Joel E. French Comics and the Republic. Jackson: University Press of Mississippi, 2010.
Weiner, Stephen. The Rise of the Graphic Novel. New York: NBM Publishing, Inc., 2012.
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Zanatta, Sara. Le donne del fumetto: l’altra metà dei comics italiani: temi, autrici, personaggi al femminile.
Lapilli, 17. Latina: Tunué, 2009.
Journals & Periodicals
Российская государственная библиотека для молодежи. Центр комиксов и визуальной культуры.
Изотекст, 2010-.
Aaarg!: Bande dessinée & culture à la masse. Marseille: Bigger Boat, 2013-.
Citrus: revue illustrée. Paris: Éditions L’Agrume, 2014-.
International Journal of Comic Art. Drexel Hill, PA: John A. Lent, 1999-; http://www.ijoca.com
9e art: les cahiers du musée de la bande dessinée. Angoulême: Centre national de la bande dessinée et de
l’image; 1996-.
Journal Articles and Book Chapters
Alaniz, José. “Towards a history of a “stalled” medium: comics in Russia”. International Journal of Comic Art
1, no. 2: 4–28.
Alaniz, José. “Czech Comics Anthropology: Life and Story in O Přibjehi: Keva. Comics Forum (May 11,
2012).” Comics Forum, 2012; http://comicsforum.org/2012/05/11/czech-comics-anthropology-life-andstory-in-o-pribjehi-keva-by-jose-alaniz.
———. “Czech Comics: A Symposium”. International Journal of Comic Art 11, no. 1 (2009): 5–79.
———. “History in Czech Comics: Lucie Lomová’s Divoši. Ulbandus, Vol. 15 (2013).” Ulbandus 15 (2013):
81–108.
———. “Introduction: A Czech Patchwork”. International Journal of Comic Art 11, no. 1 (2009): 7–20.
———. ““I Want”: Women in post-Soviet Russian Comics”. ULBANDUS, The Slavic Review of Columbia
University 11 (2008): 142–79.
———. “KomMissia: The Natasha Monastyrova International Festival of Drawn Stories”. International Journal
of Comic Art 9, no. 2 (2007): 591–95.
———. “Late/Post-Soviet Russian Komiks: A Symposium”. International Journal of Comic Art 7, no. 1
(2005): 4–125.
———. “Masculinity and the Superhero in Post-Soviet Russian Comics”. International Journal of Comic Art
11, no. 1 (2009): 396–425.
———. “([Post]-Soviet) Zone of Dystopia: Voronovich/Tkalenko’s Sterva”. Slavic & East European Journal
57, no. 2 (2013): 203–28.
———. ““Serious” Comics Adaptations of the Classics in the Late Soviet Era: Askol’d Akishin’s A Chronicle
of Military Actions”. International Journal of Comic Art 13, no. 1 (2011): 235–48.
———. “The “Quintessentially Russian” Komiks of Zhora Litichevsky”. International Journal of Comic Art 7,
no. 1 (2005): 110–25.
———. “The 7th Annual Natalya Monastyrova KomMissia International Festival of Drawn Stories”.
International Journal of Comic Art 10, no. 2 (2008): 840–61.
———. “Where the White Clouds Sail ... (100 Years Since the Birth of Jaroslav Foglar)”. International Journal
of Comic Art 10, no. 1 (2008): 583–86.
Alaniz, José, and Michael Rhode. ““6th Annual Komiksfest!” Festival”. International Journal of Comic Art 14,
no. 1 (2012): 615–17.
———. “Fifth Annual Komiksfest!”. International Journal of Comic Art 13, no. 1 (2011): 756–60.
Baetens, Jan. “Littérature et bande dessinée: Enjeux et limites”. Cahiers de Narratologie 16 (2009).
Baetens, Jan and Ari J. Blatt. “Of Graphic Novels and Minor CulturesB: The Fréon Collective (English)”. Yale
French studies 114 (2008): 95–115.
Barry, Lynda. “Car and Batman”. Critical Inquiry 40, no. 3 (2014): 11–19. doi:10.1086/677326.
Barry, Lynda, Ivan Brunetti, Crumb R., and Gary Panter. “Panel: Lines on Paper”. Critical Inquiry 40, no. 3
(2014): 237–54. doi:10.1086/677375.
Baudot, Anne. “Le manga en bibliothèque publique: Un mauvais genre pour reconquérir les publics.” Bulletin
des Bibliotheques de France 55, no. 3 (2010): 62–66.
Bechdel, Alison, и Hillary Chute. “Public Conversation”. Critical Inquiry 40, no. 3 (2014): 203–19.
doi:10.1086/677373.
Benhaïm, André. “La Langue au Chat (du Rabbin)B: Itinéraires dans l’Etrange Bande Dessinée de Joann Sfar”.
Contemporary French & Francophone Studies 11, no. 2 (2007): 241–52.
doi:10.1080/17409290701248898.
Berrada, Taïeb. “L’Intrus postcolonial maghrébin dans la littérature, le cinéma et la bande dessinée
francophones”. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 68,
no. 3 (2007): 1010–1010.
Berthou, Benoit. “La Bande dessinee de FantasyB: un genre françaisB?”. Contemporary French & Francophone
Studies 15, no. 2 (2011): 209–22. doi:10.1080/17409292.2011.557931.
Bolalek, Radoslaw. “The Most Popular Polish Comics (1957-1989)”. International Journal of Comic Art 11, no.
2 (2009): 59–87.
Bugailiškienė, Jurgita. “Šiulaikinis Lietuvos Komiksas (1990-2005).” Knygotyra, no. 49 (2007): 138–67.
Bukatman, Scott. “Sculpture, Stasis, the Comics, and Hellboy”. Critical Inquiry 40, no. 3 (2014): 104–17.
doi:10.1086/677334.
Burns, Charles, Daniel Clowes, Seth, and Chris Ware. “Panel: Graphic Novel Forms Today”. Critical Inquiry
40, no. 3 (2014): 151–68. doi:10.1086/677339.
Chute, Hillary, and Alison Bechdel. “Bartheses: Barthesian Doubt Edition”. Critical Inquiry 40, no. 3 (2014):
52. doi:10.1086/677329.
Chute, Hillary, and Patrick Jagoda. “Special Issue: Comics & Media”. Critical Inquiry 40, no. 3 (2014): 1–10.
doi:10.1086/677316.
De Bruyn, Dieter. “Patriotism of Tomorrow? The Commemoration and Popularization of the Warsaw Rising
Through Comics”. Slovo (Maney Publishing) 22, no. 2 (2010): 46–65.
De Bruyn, Dieter, and Michel De Dobbeleer. “Classics Interpreted: Graphic Narrative Adaptations of Slavic
Literary Works [Special Section]”. Slavic and East European Journal 57, no. 2 (2013): 150–228.
De Dobbeleer, Michel, and Dieter De Bruyn. “Graphic Grotesque? Comics Adaptations of Bohumil Hrabal and
Bruno Schulz”. Slavic and East European Journal 57, no. 2 (2013): 175–202.
Ðergović-Joksimović, Zorica N., and Ivana Ðurić-Paunović. “Školska lektira u stripu: od noćne more do
horora”. Književna istorija 43, no. 145 (2011): 757–71.
Diesing, Helena. “Kája Saudek: The King of Czech Comics”. International Journal of Comic Art 11, no. 1
(2009): 51–62.
Dozo, Björn-Olav. “Ambivalence de l’éthylisme: Représentations des figures d’auteurs alcoolisés dans la
„nouvelle bande dessinée“ francophone”. COnTEXTES: Revue de Sociologie de la Littérature 6 (2009).
———. “La Bande dessinée francophone contemporaine à la lumière de sa propre critique: Quand une avantgarde esthétique s’interroge sur sa pérennité”. Belphégor: Littérature Populaire et Culture Médiatique 6,
no. 2 (2007).
Duée, Claude. “Là où le mot se fait image et où l’image se fait mot: Nouvelle bande dessinée et bande dessinée
d’avant-garde”. In Orientations: Space/Time/Image/Word: Word & Image Interactions 5, edited by Claus
Clüver, Véronique Plesch, Leo Hoek, and Charlotte Schoell-Glass, 229–43. Textxet: Studies in
Comparative Literature (Textxet), 48. Amsterdam, Netherlands: Rodopi, 2005.
Gabilliet, Jean-Paul. “Comic Art and Bande Dessinée: From the Funnies to Graphic Novels”. In The Cambridge
History of Canadian Literature, edited by Coral Ann Howells и Eva-Marie Kröller, 460–77. Cambridge,
England: Cambridge UP, 2009.
Gloeckner, Phoebe. “Valiente and Arpía”. Critical Inquiry 40, no. 3 (2014): 182–86. doi:10.1086/677341.
Gloeckner, Phoebe, Justin Green, Aline Kominsky-Crumb, and Carol Tyler. “Panel: Comics and
Autobiography”. Critical Inquiry 40, no. 3 (2014): 86–103. doi:10.1086/677333.
Gunning, Tom. “The Art of Succession: Reading, Writing, and Watching Comics”. Critical Inquiry 40, no. 3
(2014): 36–51. doi:10.1086/677328.
Hathaway, Rosemary V. “Reading Art Spiegelman’s “Maus” as Postmodern Ethnography”. Journal of Folklore
Research 48, no. 3 (2011): 249–67. doi:10.2979/jfolkrese.48.3.249.
Hautemulle, Mathieu. “Cesta do Syldávie. Pohled (nejen) francouzských komiksů na východní Evropu”.
Soudobé dějiny 10 (2003): 319–33.
Hayles, N. Katherine, Patrick Jagoda, and Patrick LeMieux. “Speculation: Financial Games and Derivative
Worlding in a Transmedia Era”. Critical Inquiry 40, no. 3 (2014): 220–36. doi:10.1086/677374.
Ignjatović, Srba. “Posle tri decenije ponovo o stripu”. Književnost 67, no. 3 (2012): 167–91.
Jardel, Jean-Pierre. “La Bande dessinée “antillaise” comme moyen de communication, d’information et
d’éducation”. Etudes Creoles 15, no. 2 (1992): 126–37.
Jareš, Michal, and Tomáš Prokůpek. “‘Dobrý voják Švejk” a komiks”. Česká literatura 58, no. 5 (2010): 607–
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J...n, Dominik. “The Four-Leafed Phenomenon”. New Presence: The Prague Journal of Central European
Affairs 7, no. 3 (2005): 44–46.
Khitrova, Daria. ““This Is No Longer Dance”: Media Boundaries and the Politics of Choreography in The Steel
Step”. Critical Inquiry 40, no. 3 (2014): 134–49. doi:10.1086/677337.
Kominsky-Crumb, Aline, and Kristen Schilt. “Public Conversation”. Critical Inquiry 40, no. 3 (2014): 118–31.
doi:10.1086/677335.
Kořínek, Pavel. “Hledání komiksových dějin”. Česká literatura 56, no. 3 (2008): 437–40.
———. “Komiksový bod obratu”. Česká literatura 58, no. 5 (2010): 626–30.
———. “Řítící se novostavba komiksu”. Česká literatura 54, no. 1 (2006): 118–21.
Kowalczyk, Kamila. ““Przed ’dawno, dawno temu” i po “żyli długo i szczęśliwie” - o filmowych i
komiksowych prequelach i sequelach na przykładzie “Jasia i Małgosi” braci Grimmów”.” Literatura
Ludowa 58, no. 4–5 (2014): 39–49.
Kuczyńska, Kinga. “Polish Comics -- A World Without Women?”. International Journal of Comic Art 13, no. 1
(Spring 2011): 385–97.
Kuhlman, Martha. “The Silence of the Page: Une Trop bruyante solitude: The Graphic Novel Adaptation of Too
Loud a Solitude by Bohumil Hrabal”. European Comic Art 1, no. 2 (2008): 157–73.
———. “Time Machine: Rudiš/Jaromír 99’s Wilson Main Train Station”. International Journal of Comic Art
11, no. 1 (2009): 63–73.
Lachman, Magdalena. “Komiks – paradoksy fenomenu (nie)osobnego”. Konteksty kultury 10, no. 4 (2013):
425–42.
Lumbala, Hilaire Mbiye. “Emergence de la bande dessinée africaine”. Notre Librairie: Revue des Litératures du
Sud 145 (2001): 34–39.
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Web Resources
Angoulême 42nd International Comics Festival; http://www.bdangoulemepro.com/
Bande Dessinée, Les Signets de la bibliothèque nationale de France;
http://signets.bnf.fr/html/categories/c_020bande_dessinee.html
Bandes Dessinées & Graphic Novels, library, Alliance française; http://www.fiaf.org/library/bandesdessinees.shtml.
Bedetheque - BD, Manga, Comics; http://www.bedetheque.com
Columbia University Research Guides: Graphic Novels; http://library.columbia.edu/subjectguides/graphic_novels.html
Comic Art Collection Home Page, Michigan State University Libraries; http://comics.lib.msu.edu
Comic Book Legal Defense Fund ; http://cbldf.org
Comiclopedia - Illustrated artist compendium | Lambiek Comiclopedia;
https://www.lambiek.net/artists/index.htm.
ComicsDB; http://www.comicsdb.cz
Comics research bibliography; http://homepages.rpi.edu/~bulloj/comxbib.html
Gilman, Todd. “Yale University Library Subject Guides. Media, Popular Culture, and Communication Rights
Research Guide. Comics & Graphic Novels.”;
http://guides.library.yale.edu/content.php?pid=119897&sid=1032573.
Goethe.de/Comics: Deutschsprachige Comics - Goethe-Institut;
http://www.goethe.de/kue/lit/prj/com/enindex.htm
Graphic Novels and Comics Websites;
http://courses.unt.edu/efiga/GraphicNovels/GraphicNovelsAndComicsWebsites.htm
Guía del Cómic; http://www.guiadelcomic.es
Guide to the Comic Book and Graphic Novel Collection, 1938-2012, David M. Rubenstein Rare Book &
Manuscript Library, Duke University, David M. Rubenstein Rare Book & Manuscript Library;
http://library.duke.edu/rubenstein/findingaids/comicbooks
La cité internationale de la bande dessinée et de l’image; http://www.citebd.org
L’Association; http://www.lassociation.fr
Les signets de la Cité; http://www.citebd.org/spip.php?rubrique24
Suomen sarjakuvaseura; http://www.sarjakuvaseura.fi
www.bdnet.com: 1ère librairie de bande dessinée sur internet; http://www.bdnet.com