TABLE OF CONTENTS

JoLIE 2:2 (2009)
TABLE OF CONTENTS
Alcina SOUSA, Aline BAZENGA and Luisa Marinho ANTUNES
Crosscultural humour: “Humour that divides; humour that unites”. An introduction……p.9
Maria Elisete ALMEIDA
O riso: Medium entre o grito e o apelo – em La Chute de Albert Camus...……………...p.13
Luísa Marinho ANTUNES
Visões críticas do “nós”: O jogo divertido da imagem nacional..………………………..p.21
Aline BAZENGA and Luísa Marinho ANTUNES
Tem mas não há: Sorrir em Timor………………………………………………………..p.33
Bernard BOSREDON
Comment l’esprit vient-il aux titres de peinture? L`experience magrittienne
……………...………………..…….……………………………………………………..p.43
Laura Fernanda BULGER
“We are no longer mega” in England, England by Julian Barnes ………………………p.51
Caterina CALAFAT
Encore quelque chose à déclarer...……...…………………………...………….....…….p.59
Telmo Corujo dos REIS
Jerónimo Cardoso e o humor dos humanistas…………………………………………....p.67
Paulo Alexandre e CASTRO
De Borat e Bush: Sub-versões humorísticas e humor subversivo em torno da realidade
……………………………………..…..............................................................................p.75
Anne Martina EMONTS
Humour versus domination: Mechtilde Lichnowsky, a female knight against windmills?
…………………...…………………………………………………………….….……...p.85
Isabel ERMIDA
Together or apart: Targeting, offence and group dynamics in humour …………….........p.93
Christine ESCALLIER
Pédagogie et humour. Le rire comme moyen de construction d’un public attentif d’une salle
de classe...……...…………...……………………………………………………….…..p.105
Anne HOYER
National identity in a popular Scottish comic……………………………………….….p.115
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Table of contents
Hanae KATAYAMA
A cross-cultural analysis of humour in stand-up comedy in the United States and Japan
…………………………………………………………..………………………………p.125
Minh Ha LO CICERO
L’humour: reflet de la culture d’un peuple. L’exemple de la littérature populaire
vietnamienne…………………………………………………………………………....p.143
Donatella LOMBELLO
La nascita e lo sviluppo della letteratura moderna per l’infanzia. Libri di testo e letteratura
per l’infanzia nell’Ottocento in Italia: il Giannetto e il Giannettino…………………....p.153
Agostinho LOPES
O obra de Fernão Ornelas vista pelo Re – Nhau – Nhau: 1935 – 1946………………...p.165
Paula LÓPEZ RÚA
Code mixing and word-formation as sources of humour: Some evidence from alternative
music……………………………………………………………………………………p.179
Daniela MARCHESCHI
The tradition of humour: “Humourism” in nineteenth and twentieth century Europe
…………………………………………………………………………………………..p.187
John McRae
“THE SQUINTASENSE OF SATIETY”: Corruption and comic cure in Humphry Clinker
……………………………………………………………………………………….....p.201
Joaquim PINHEIRO
O efeito retórico das histórias anedóticas na biopsicografia de Plutarco………………p.213
Sírio POSSENTI
O humor é universal……………………………………………………………………p.221
José Igor PRIETO ARRANZ
Anyone up for a good laugh? The humour that unites vs. the university that divides….p.231
Chantal RITTAUD-HUTINET
L’homophonie, un grand ressort de l’humour français………………………………...p.241
Ana Salgueiro RODRIGUES
O riso de Deus e o riso do homem na ficção de G.T. Didial…………………………....p.255
Ria SNELLINX
Humour that divides, humour that unites. American sitcoms: A case in point…………p.267
Alcina SOUSA
Adrian strikes back with style and humour…………………………………………..p.277
Table of contents
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BOOK REVIEWS
Teodora POPESCU
Neal R. Norrick and Delia Chiaro, Eds., Humor in Interaction, Amsterdam / Philadelphia:
John Benjamins Publishing Company. 2009. Pp. xvii + 238. ISBN 978 90 272 8933 9
…………………………………………………………………………………………..p.293
NOTES ON CONTRIBUTORS…………………………………………….………...p.297
EDITORIAL PROCEDURE………………………………………………….……....p.305