the brussels ancient art fair 2012

Transcription

The Brussels Ancient Art Fair
is organised by
BAAF Organisation asbl
Rue des Minimes 17
1000 Brussels - Belgium
[email protected]
www.baaf.be
Board of BAAF Organisation asbl:
Jacques Billen
Dominique Thirion
Coordination:
Bénédicte Duhaut
Graphic design:
Geluck-Suykens, Brussels, Belgium
Lay-out:
Raymond Aubry
Printer:
Crousse Graphic s.p.r.l.
With special thanks to:
Transport: Ziegler Expo logistics, Brussels, Belgium
Box heads: Jo Bogaert Perennials, Kampenhout, Belgium
Legal adviser: Marc Matthys, Brussels, Belgium
THE BRUSSELS ANCIENT ART FAIR 2012
1 Akanthos Ancient Art
Rue Ernest Allard 32
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2 Antiken-Kabinett
3 Archea Ancient Art
Place du Grand Sablon 3
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4 Arteas
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Wate
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5 Art Loss Register
6 Dr. Robert R. Bigler
Asian & Egyptian Art
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THE BRUSSELS ANCIENT ART FAIR 2012
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13 Laboratory Ralf Kotalla
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10th edition - special
exhibition
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Cercle de Lorraine
Place Poelaert 6
Rue Van M
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Pla
11 Harmakhis
Archeologie
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Rue desoMinimes
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Petit Sablon
12 Hixenbaugh
Ancient Art
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Cercle de
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Club van
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9 David Ghezelbash Archéologie
Rue Watteeu 21
18 Dominique Thirion
Rue des Minimes 35
FROM WEDNESDAY JUNE 6 TILL SUNDAY JUNE 10
Rue de la Chapelle
Kapellestraat
THE BRUSSELS ANCIENT ART FAIR
The Brussels Ancient Art Fair (BAAF) was created completely from scratch on a whim in
2003 in less than three months. It was a major challenge and few people would have bet
on it being successful. I will never forget the incredulous and anxious email that my
colleague from Amsterdam, Vincent Geerling, with whom I set up the fair, sent me at
the time. Although brief, he made his feelings clear. “Jacques, what kind of adventure
are we embarking on!?” Neither of us could have suspected that the fair would still be
in existence so many years later, that it would become a benchmark and a not-to-bemissed date for archaeological collectors from around the world, and that it would
have a sister fair in Switzerland, the Basel Ancient Art Fair.
To mark its tenth anniversary, the Brussels Ancient Art Fair is proud to welcome two new
high quality exhibitors, who have just been included in the IADAA (International Association
of Dealers in Ancient Art). The first is Karl Stimm, an art historian by training, who is
based in Antwerp and who runs the gallery Akanthos. The second is Randy Hixenbaugh,
a classical archaeologist originally from New York, who was trained in art dealing by
Jerry Eisenberg from Royal-Athena Galleries and who runs Hixenbaugh Ancient Art.
For this tenth jubilee edition, we have arranged a large Egyptian art exhibition, entitled
Ancient Egypt. Masterpieces from Collectors and Collections. It has only seen the light of
day thanks to support from private collectors and European museums (the Kestner
Museum in Hannover and the Antikenmuseum und Sammlung Ludwig in Basel), to whom
we are extremely grateful.
FROM WEDNESDAY JUNE 6 TILL SUNDAY JUNE 10
Vernissage
Wednesday
June 6th 3 pm – 9 pm
Thursday
June 7th 11 am – 7 pm
Friday
Saturday
Sunday
Exhibition
The exhibition will take place just a stone’s throw from Sablon, opposite the Palais de
Justice at Hôtel de Mérode, one of Brussels’ great venues. This princely palace dates back
to the 17th century and is home to the very select Cercle de Lorraine Business Club, which
counts the elite of the Brussels’ business world among its members. It will enable the
public to see around one hundred very high quality Egyptian pieces, which stand apart
due to their charm and originality. Many of them have never been exhibited before.
A superb catalogue produced by around a dozen renowned Egyptologists details all of
the pieces in the exhibition.
Our tenth anniversary is also the perfect opportunity for us to thank all of our exhibitors
for their exemplary loyalty. Most of them have been with us from the very beginning, some
of them travel far to be with us, and year after year they appreciate the warm atmosphere
that descends on Sablon at the beginning of June.
In fact, we are not the only ones to occupy Sablon. Our sister fairs BRUNEAF and BOAFair,
under the inspired leadership of Pierre Loos and Georgia Chrischilles, also draw a
large number of visitors to Brussels. It is this combination of ancient, tribal and oriental
art that gives this tripartite event its originality and unique identity.
If you have a passion for ancient art, you owe it to yourself to be in Brussels–and
nowhere else–for BAAF. The fair is exceptional in every way.
Jacques Billen Member of the organising committee of the Brussels Ancient Art Fair
Exhibiting at
Chambre Royale
des Antiquaires de Belgique,
Rue Ernest Allard 32 - Brussels
Akanthos Ancient Art
Karl Stimm
Fragment of a funerary stela - Eastern Greece - Roman period, 2nd century AD
Pentelic marble - Height: 98 cm.
‘For the most holy/honourable and her husband loving Apfia/apoia,
daughter of Meleagros. Proklos Alypos, son of Proklos made this for himself.’
Greek epigraphical translation: Prof. Dr. E. M. Moormann,
University of Nijmegen, Netherlands.
Provenance: private collection Barbier, Belgium, about 1980.
Lit. Pfuhl, E., / Mobius, H., “Die Ostgriechische Grabreliëfs,” Mainz am Rhein, 1977, Tafelband II.
Akanthos Ancient Art
Oever 7 - 2000 Antwerp - Belgium
T 32 3 2481855 - M 32 486282354 - akanthos@ telenet.be - www.akanthos.be
Exhibiting at
Galerie Synthese
Antiken-Kabinett
Bernd Gackstätter
Bell krater - Lucanian, circa 400 BC - Terracotta - Height: 28.7 cm
Red-figure bell krater attributed to the Creusa painter.
Provenance: collection Dr Linn, Germany.
Antiken-Kabinett
Ganghoferstrasse 24 - 60320 Frankfurt/Main - Germany
T 49 (0)69 519015 - F 49 (0)69 519026 - M 49 (0)1717124229
mail@ antiken-kabinett.de - www.antiken-kabinett.de
Exhibiting at
Galerie Lorelei
Brussels
Archea Ancient Art
Vincent J. Geerling
Terracotta statuette of a dancer moving forward, performing the Mantle Dance
Greek, Boeotia - Mid 4th century BC - Height: 18.8 cm
She is entirely enveloped within the folds of her himation, with white slip.
Provenance: private collection Boston, U.S.A., acquired in the 1960s.
CF: R. Higgens, Catalogue of the terracotta’s in the British Museum.
London 1964. no 881 an example apparently from the same mould.
Archea Ancient Art
Nieuwe Spiegelstraat 37 1 - 1017 DC Amsterdam - The Netherlands
T 31 (0)20 6250552 - F 31 (0) 20 4218768 - info @ archea.nl - www.archea.nl
Exhibiting at
Galerie Christine Ritter
Arteas
Laura Bosc de Ganay
Large ex-voto figure representing Osiris - Egypt, Third Intermediate Period
(1070-715 BC) - Bronze, red and green oxidations - Height: 29 cm - Feet restored
He is wearing the Atef crown with a large Uraeus, the false beard, and he is
holding the heqa (crook) and nekhakha (flail) sceptres. The face is finely modelled.
Old French private collection, before 1980.
Published: “Exhibition catalogue”, Musée du Quai Branly Paris, 2011, p.350.
Arteas
315 Trafalgar House - Grenville Place - London NW7 3SA - England
T 44 2082114775 - F 44 2082114962 - M 33 607587876 - arteasltd @ gmail.com
Exhibiting at
Galerie Pierre Hallet
Dr. Robert R. Bigler Asian & Egyptian Art
Dr. Robert R. Bigler
Canopic jar for the scribe Hapy - Egypt - New Kingdom, 1st half of
the 18th Dynasty, ca. 1470-1450 BC - Calcite-alabaster - Height: 29,3 cm
The iconographic style of the face on the lid and this specific version of
the inscription suggest that this example was produced during the reigns
of either Hatshepsut or Thutmose III.
Provenance: private collection France (acquired in the 1960’s).
Dr. Robert R. Bigler Asian & Egyptian Art
Seestrasse 92 - 8803 Rüschlikon/Zürich - Switzerland
T/F 41 (0)44 724 27 37 - M 41 (0)793361459 - robert.bigler @ cwmail.ch
Exhibiting at
Centre Yogashram
Rue des Minimes 27 - Brussels
Cybèle
Jean-Pierre Montesino
Amphoriskos - Egypt, 18th dynasty, Amarna period - Glass - Height: 13.9 cm
A very rare example of a small group, the closest parallel being
in the Metropolitan Museum of Art in New York.
German private collection, 1980.
Cybèle
65 bis, Rue Galande - 75005 Paris - France
T 33 (0)1 43 54 16 26 - F 33 (0)1 46 33 96 84
cybele5 @ wanadoo.fr - www.librairie-cybele.com
Exhibiting at
Galerie Synthese
Roswitha Eberwein
Antike Kunst Göttingen
Roswitha and Antonia Eberwein
From right to left:
Reis of King Sheshonq II - Dark green faience with black details
Egypt - 3rd Intermediate Period, early XXII. Dynasty (c. 890 BC)
Height: 12.7 cm
Former French private collection 1960s
Lit.: Kêmi Tome IX, Pierre Montet, Paris 1942, Pl. XXVI
Statuettes Egyptiennes, Jacques Aubert, Paris 1974 Pg. 151-155, Pl.: 83
Tanis, L’or des Pharaons, Paris Galeries nationales du Grand Palais 1987. Pg 116, Pl 29
Shabti of King Osorkon II - Green faience with black details
Egypt - 3rd Intermediate Period, XXII. Dynasty (874-850 BC)
Height: 15.8 cm
Former German private collection 1964
Lit.: Kêmi Tome IX, Pierre Montet, Paris 1942, Pg 80, Pl. XXVI
Female Worker-Shabti of King Psusennes II – Blue faience with black details
and inscription on the front
Egypt - 3rd Intermediate Period, Late XXI. Dynasty (c. 959-945 BC)
Height: 6.9 cm
Former French private collection 1970s
Lit.: Kêmi Tome IX, Pierre Montet, Paris 1942, Pg 78, Pl. XXVI, 256
Roswitha Eberwein Antike Kunst
Bismarckstrasse 4 - 37085 Göttingen - Germany
T 49 (0)55147083 - F 49 (0)55141543
antonia.eberwein@ gmail.com - www.antike-kunst-goettingen.de
Exhibiting at
Wim Prové Antiquair
Rue Watteeu 21 - Brussels
David Ghezelbash Archéologie
David Ghezelbash
Statuette of a steatopygous stylized woman, both arms underneath the chest.
Amlash culture, circa 10th-12th century BC - Orange terracotta
Height: 35.8 cm
Former private collection of Mr Sam Dubiner, acquired around 1960-70.
David Ghezelbash Archéologie
12 rue Jacob (fond de cour à gauche) - 75006 Paris - France
T 33 (0)1 46336481 - M 33 (0)6 88233911
david.ghezelbash@ orange.fr - www.davidghezelbash.com
Exhibiting at
Galerie Ritter
Galerie Jürgen Haering
Jürgen Haering
Bull - Roman Art, 2nd–3rd century AD - Bronze
Height: 11.5 cm, Length: 12.7 cm.
The majestic bull is adorned with a decorated ribbon.
It was probably part of a relief depicting a procession leading to the sacrifice of
the bull, performed for the welfare of the Roman Empire.
Provenance: German private collection, acquired in the 1980s.
Galerie Jürgen Haering
Marienstrasse 13 - 79098 Freiburg - Germany
T 49 (0)76125330 - F 49 (0)7612927425 - M 49 (0)1752437489
info @ galerie-haering.de
Exhibiting at
Harmakhis Archeologie
Jacques Billen
Lion devouring the head of an Asian - Egypt, 26th-27th dynasty (664-404 BC)
Faience - H: 3.3 cm, L: 6.8 cm.
Depicted as a lion devouring an Asian prisoner–who can be recognized by his
pointed beard and Roman nose–the Pharaoh provides magical protection from
Egypt’s traditional enemies.
The best parallel, from an iconographical point of view, is the famous Ramesside
lion’s head swallowing the head of a Nubian, from the Schimmel Collection,
kept in the Metropolitan Museum of Art in New York (1989.281.92).
Provenance: O.L. collection, Brussels, 1980s
Rue des Minimes 17 - 1000 Brussels - Belgium
T 32 (0)2 511 65 39 - F 32 (0)71 81 31 64 - M 32 (0)475 650 285
harmakhis@ skynet.be - www.harmakhis.be
Exhibiting at
Costermans-Antiques
Brussels
Hixenbaugh Ancient Art
Randall Hixenbaugh
Roman Marble Aphrodite Anadyomene - An ancient Roman marble statuette of
Aphrodite Anadyomene, the goddess of love, rising from her bath and leaning her
head to wring out her hair. At her feet a dolphin sits with its tail curling upward.
Ca. 1st century BC / 1st century AD - Height: 32.5 cm - Repaired at the knee Fine grain Greek Island marble - Very fine style.
Aphrodite was the Greek goddess of sexual love and beauty. She was also known
as Cypris and Cytherea after the two places, Cyprus and Cythera, where she
was said to have originated. Hephaestus was her husband, the child Eros her
companion, and Ares one of her lovers. The dove, the sparrow, and the swan
were the animals sacred to her. In Rome the goddess was known as Venus.
The Aphrodite Anadyomene type statue depicted the goddess nude, wringing out
her hair or adjusting the fillet in her hair after rising from her bath or the sea.
Confer: Metropolitan Museum of Art, New York, inv. no. 27.122.17;
The Walters Art Museum, Baltimore, inv. no. 23.101.
Formerly in a German private collection, prior to 1970.
Hixenbaugh Ancient Art
320 East 81st Street - New York, NY 10028 - United States
T 1 212 861 9743 - M 1 646 326 0820
info @ hixenbaugh.net - www.hixenbaugh.net
Exhibiting at
Galerie Harold t’Kint
Galerie Günter Puhze GmbH
Günter Puhze
Bronze statuette of a warrior - Etruscan, ca. 500 BC - Height: 12 cm
Provenance: Swiss collection, acquired ca. 1970
Galerie Günter Puhze GmbH
Stadtstrasse 28 - 79104 Freiburg - Germany
T 49 (0)761 25476 - F 49 (0)761 26459
office @ galerie-puhze.de - www.galerie-puhze.de
Exhibiting at
Rue des Minimes 19
Brussels
Galerie Rhéa
Michael G. Petropoulos
Stunning Gorgoneion antefix - Greek art, Taras, circa 500 BC - Terracotta
(traces of red polychrome on the lips, tongue and hair; black on the serpents)
Height: 24.5 cm
Provenance: Swiss private collection, bought at MuM, Basel, 11.01.1953, No. 299.
Published: Schefold, Meisterwerke griechischer Kunst 1960, No. 275 and Solothurn Exhibition
catalogue 1967, No. 334.
From the same matrix: Mollard-Besques 1, No. B 522, pl. 47; Naples, Museo Nationale, room 86;
Reggio Calabria, Museo Nazionale, inv. 2390C; University of Catania, collection Libertini;
Brindisi Museum, coll. Gorga; C. Laviosa, Arch Cl 6, 1954, p. 217ff.
Galerie Rhéa
Stadelhoferstrasse 38 - 8001 Zürich - Switzerland
T 41 (0)44 252 06 20 - F 41 (0)44 252 06 26 - M 41 (0)79 407 38 00
rhea@ swissonline.ch - www.rheagallery.com
Exhibiting at
Galerie Arts 4
Royal-Athena Galleries
Dr. Jerome M. Eisenberg
Important Egyptian large limestone figure of a royal lady Later Ptolemaic Period, 2nd-1st Century BC - Height: 60.3 cm
Striding on a rectangular base, her arms held to her sides, and wearing a long
close-fitting dress and a headdress that echoes the nemes, royal headcloth.
Provenance: collection of Jan van der Werff (1901-1988), Delft,
acquired ca. 1950s, then by descent.
For related statues of the mid Ptolemaic and early Roman periods cf.
S. Albersmeier, Untersuchungen zu den Frauenstatuen des ptolemaeischen Aegypten,
Mainz am Rhein, 2002, pls. 68a, 69a (Cleopatra of Egypt, Age of the Ptolemies, Brooklyn, 1988,
cat. 28), 71ab, and 74a-d, statues in Brussels, Paris and Cairo respectively.
Royal-Athena Galleries
153 East 57th Street - New York, NY 10022 - U.S.A.
T 1 2123552034 - F 1 2126880412 - M 44 (0)7771787597
Ancientart @ aol.com - www.royalathena.com
Exhibiting at
Dominique Thirion
Dominique Thirion Ars Antiqua
Dominique Thirion
Ring stone engraved with Faustulus, with she-wolf and twins
Roman Republic - 1st century BC - Red jasper - Height: 1.6 cm - Intact.
Faustulus is standing to the right, an animal skin on his back, leaning on his stick.
Before him, the she-wolf is suckling Romulus and Remus. In the background,
vine stock with five bunches of grapes.
According to Roman mythology, Faustulus was a shepherd who guarded flocks
belonging to Amulius, usurper king of Alba Longa. Amulius took the twins
Romulus and Remus and threw them into the river Tiber. They were found and
then suckled by a she-wolf. Faustulus raised them with his wife Acca Larentia.
The twins, who were Amulius’s great-nephews, were the children of Rhea Silvia
and the god Mars (as claimed by their mother, herself the daughter of the
deposed king Numitor).
Dominique Thirion
Rue des Minimes 35 - 1000 Brussels - Belgium
T 32 (0)2 503 50 21 - F 32 (0)2 503 50 22 - M 32 (0)477 465 907
dt @ thirion-ancient-art.com - www.thirion-ancient-art.com
Holding office at
Costermans-Antiques
Brussels
The Art Loss Register
William Webber
Collectors, Museums
and the Art Trade
The Art Loss Register (ALR) has over 300,000 stolen art and
antiques on its database and has returned over £90m worth of
items to their rightful owners.
Worldwide Offices
London
63-66 Hatton Garden
London EC1N 8LE
Our aim is to identify and recover stolen and missing works of
art, deter art theft, reduce the trade in stolen art and protect art
collections against loss.
T:+44 (0)20 7841 5780
F:+44 (0)20 7841 5781
E: [email protected]
The ALR provides a research service to buyers and sellers of art; subject
New York
to the results, an ALR certificate is provided. To set up a search account
please visit www.artloss.com and select ‘Search to see if an item is lost or
stolen’.
Stolen and missing works of art and antiques may be registered via our
website, please select ‘Register a lost or stolen item’. Items will remain on
the Register until such time as they are recovered.
As a deterrent to theft and to avoid unauthorised sales, large private and
public collections may be registered with the ALR. These items will be
checked against private and public sales
worldwide. To register a collection, please
visit our website and select ‘Register a
possession’ or contact your nearest office
for further information.
Specialist services include World War II
and expert provenance research and the
resolution of art related civil disputes.
First Floor - 63-66 Hatton Garden - London EC1N 8LE - United Kingdom
T 44 (0)207841 5780 - F 44 (0)207841 5781
artloss@ artloss.com - www.artloss.com
Representatives will be available
throughout the fair and will be located at:
Place du Grand Sablon 5,
1000 Brussels, Belgium.
Paris
Cologne
Amsterdam
Exhibiting at
Costermans-Antiques
Brussels
Laboratory Ralf Kotalla
Ralf Kotalla
Worldwide oldest private laboratory
specialized for genuine TL analyses
Sampling – scientific evaluation and documentation
Since 1979
Safe, well-founded, precise
Quick and discreet
Only service – no sales
Laboratory Ralf Kotalla
Kätzling 2 - D-72401 Haigerloch - Germany
T 49 (0) 747495360 - F 49 (0) 7474953610 - M 49 (0) 171 622 85 21
ralfkotalla @ me.com - www.kotalla.de
Exhibiting at
Costermans-Antiques
Brussels
PAZ Laboratorien für Archäometrie
Dr. Boaz Paz
Dr. Boaz Paz is an experienced analytical scientist who has worked for over
15 years in the field of scientific archaeometrical research. He worked for several
years at the Rathgen Research Laboratory of the Berlin State Museums and
continued his work at the Curt-Engelhorn-Centre in Mannheim as senior scientist,
where he was responsible for scientific investigations concerning the authenticity,
provenance and dating of antiquities.
Now he offers with PAZlab a variety of analytical services to the archaeological
community, private collectors, antique and art dealers, conservators, artisans
and educational institutions.
The general aim of archaeometry is to collect natural-scientific information
about artifacts and ancient objects that is inaccessible through purely archaeological and/or art historical methods. By using several methods of material
analysis it is possible to obtain information about ancient production techniques
or the provenance of archaeological artifacts and antique objects. PAZlab also
specializes in performing non-destructive analysis of glass, ceramics, metals
and art works.
Please contact us for further information. www.pazlab.de
PAZ Laboratorien für Archäometrie
Planiger Straße 34, Haus 18/19 - D-55543 Bad Kreuznach - Germany
T 49 (0)671-483 483 64 - M 49 (0)176-32104580 - info @ paz-lab.de
PAZ
LABORATORIEN
FÜR
ARCHÄOMETRIE
ANCIENT EGYPT
Masterpieces from Collectors and Collections
Art Exhibition held
to mark the 10th Anniversary
of the Brussels Ancient Art Fair
(BAAF)
6 to 10 June 2012
Le Cercle de Lorraine
Place Poelaert, 6
1000 Brussels
Belgium
Open daily from
10 am to 6 pm
www.baaf.be
BRUNEAF présente
La tête dans les étoiles
BRUNEAF
World’s largest Tribal Art Fair
Appuie-nuques du monde
du 6 au 10 juin 2012
XXII
June 6th - 10th 2012
B
WINTER
SA
Les Caves de la Nonciature
7 Rue des Sablons - Place du Grand Sablon - 1000 Brussels
Exposition ouverte pendant les horaires de Bruneaf, accompagnée d’un catalogue illustré
3
LON
Save the date
January 16th - 20th 2013
www.bruneaf.com
BAAF
The Sablon - June 6-10, 2012
Exhibition from Wednesday June 6 to Sunday June 10, 2012
Opening Hours Wednesday June 6, Vernissage - 3 p.m. to 9 p.m.
Thursday June 7 - 11 a.m. to 7 p.m. / Friday June 8 - 11 a.m. to 7 p.m.
Saturday June 9 - 11 a.m. to 7 p.m. / Sunday June 10 - 11 a.m. to 5 p.m.
www.boafair.be
map and invitation 2012 can be downloaded from our web-page (starting from May)
or contact [email protected]
November
2–7
the
BASEL ANCIENT ART FAIR
2012
the ancient art event
In the autumn 18 top international dealers in classical,
Egyptian and Near Eastern antiquities gather again in the
elegant setting of the Wenkenhof – a lavish baroque residence
in Riehen, on the outskirts of Basel.
Quality is the key word, not only in objects and expertise but
in context too.
Set in a magnificent park, the Reithalle Wenkenhof has
proved to provide the perfect ambience for a November fair.
All participants are member of the International Association
of Dealers in Ancient Art (IADAA) and follow a strict code
of ethics concerning the authenticity and provenance of the
objects they sell. Lunch or a refreshment at the BAAF Bistro
completes the experience.
Please visit our website for more information;
www.baaf.ch
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The InTernATIonAl ArT MAgAzIne
The Collection of Stewart and lynda resnick | Van Dyck in Sicily
Mortlake’s Banquet of the Senses | 20th-Century Venetian glass
TeFAF
MAASTrIChT
PreVIeW
Marc Quinn and Asian Art | The Mesdag Collection | Salon du Dessin
11/2/12 10:03:46
novemBer/DecemBer 2011
A stitch
in time
minervamagazine.com
marcH/aPriL 2012
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In search of
the shofar
Arms and
the man
Along the last
Roman frontier
Sounding
the ram’s
horn of
history
Unpicking
the story
of the
Bayeux
Tapestry
Greek warfare
examined
News from
Hadrian’s Wall
JANUARY/FEBRUARY 2012
MINERVAMAGAZINE.COM
Egyptian
mummies
Stolen,
restored,
on show
A castle in
California
Hearst’s
eclectic
home
A new
future for
the past?
Fascinating
Mummies
On show in Edinburgh
Enchanted
landscapes
Seeing Claude’s view
of the countryside
Second
Life Roma
Visiting a virtual
Classical world
Mighty Aphrodite
Venerating the goddess of love in Boston
Interview with Bettany Hughes – historian, writer and
broadcaster – from Helen to the Hemlock Cup
Inspired by the past
A tribute to the Alexandrian
poet CP Cavafy
Painting Pompeii
Life in the decadent, doomed Roman city as portrayed
by Neo-Classical artists of the 19th-century
Interview with Professor Mary Beard – once dubbed ‘the
dangerous don’ of Cambridge
Archaeology
in Libya
Time
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Tours of
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Interview with Neil Oliver – archaeologist,
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ORIENTATIONS
THE MAGAZINE FOR COLLECTORS AND CONNOISSEURS OF ASIAN ART
Orientations, a beautifully illustrated publication dedicated to the
arts of East and Southeast Asia, India and the Himalayas,
is an authoritative guide to the riches of the past and an
introduction to modern and contemporary directions.
Each issue also offers invaluable insights into the flourishing Asian
art market, with in-depth analysis of major auctions, as well as
previews and reviews of international fairs and gallery shows,
revealing the latest price and collecting trends.
Interviews with and profiles of foremost
specialists and collectors in the field provide
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THE GLOBAL LOGISTIC SOLUTION
We, ZIEGLER Expo Logistics, are delighted to welcome you in Brussels
and any other art city in Belgium.
Due to our woldwide network of agents we could offer you a tailor-made
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TEL. +32 (0)2 475 45 40 - FAX +32 (0)2 475 45 69
EMAIL : [email protected] - www.ziegler-expolog.com
International Association of Dealers in Ancient Art
A selection of Belgian museums with archaeological collections
Musées Royaux d’Art et d’Histoire Koninklijke Musea voor Kunst en Geschiedenis
Parc du Cinquantenaire - Jubelpark 10
1000 Brussels
Tel: +32 (0)2 741.72.11
Website: www.kmkg-mrah.be
Open: Tue-Fri 9.30-17.00
Sat-Sun 10.00-17.00
Gallo-Roman Museum
Kielenstraat 15
B-3700 Tongeren
Tel.: +32 (0)12 670330
E-mail: [email protected]
Website: www.galloromeinsmuseum.be
Sat-Sun and public holidays 10.00-18.00
The largest collections of Classical, Egyptian
and Near-Eastern archaeology in Belgium.
Important collection of Gallo-Roman and Merovingian
archaeology, beautifully displayed.
6 Members guarantee the authenticity of all objects they offer for sale.
Musée de Louvain-la-Neuve
Place Blaise Pascal 1
1348 Louvain-la-Neuve
Tel: +32 (0)10 47.48.41
Website: www.muse.ucl.ac.be
Open: Mon-Fri 10.00-18.00
Sun 14.00-18.00
Museum aan de Stroom (MAS)
Hanzestedenplaats 1
2000 Antwerpen
Tel: +32 (03) 338.44.44
E-mail: [email protected]
Website: www.mas.be
Open: Tue-Sun 10.00-17.00
7 Members of IADAA undertake to the best of their ability to inform the Administrative Board about stolen goods
Small but interesting collections of Classical, Egyptian
and Near-Eastern archaeology.
Antwerp and the world through objects from
5 continents, including the Egyptian collections
formerly in the Vleeshuis.
Code of Ethics – an extract from Article 11 of the Rules of the IADAA
1 The members of IADAA undertake to the best of their ability to make their purchases in good faith.
2 The members of IADAA undertake not to purchase or sell objects until they have established to the best of
their ability that such objects were not stolen from excavations, architectural monuments, public institutions
or private property.
3 The members of IADAA refuse to dismember and sell separately parts of one complete object.
4 The members of IADAA undertake to the best of their ability to keep objects together that were originally meant
to be kept together.
5 The members of IADAA undertake to the best of their ability to keep photographic records prior to repair and
restoration, to be honest and open by describing in writing the amount of repair and restoration undertaken to
a prospective purchaser.
and thefts. They also undertake to co-operate with international and national agencies involved with the recovery
of stolen goods.
8 It is a condition of membership that all members undertake to check items which are to be sold at a price
of € 5,000 or over (or local currency equivalent) with the Art Loss Register or with a stolen art register which
is recognised by the Board, unless the item has already been checked.
9 IADAA condemns illegal use of metal detectors.
More information about IADAA and its views on collecting antiquities can be found on the IADAA website
www.iadaa.org
Musée Royal de Mariemont
Chaussée de Mariemont 100
7140 Morlanwelz
Tel: +32 (0)64 21.21.93
Website: www.musee-mariemont.be
Very important collections of Classical, Egyptian and
Near-Eastern archaeology. Located in a wonderful park.

the brussels ancient art fair 2012

Transcription

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