fashion merchandising college

CURRICULUM VITAE
Pamela J. Warner, Ph.D.
P.O. Box 2582
Providence, RI 02906 USA
(401) 654-5308 (home)
(401) 489-4205 (cell)
[email protected]
Department of Art & Art History
University of Rhode Island
105 Upper College Road, Suite 1
Kingston, RI 02881-0820
tel. (401) 874-2728
fax. (401) 874-2729
[email protected]
PROFESSIONAL AND TEACHING EXPERIENCE
2007-present
Assistant Professor of Modern European Art History,
University of Rhode Island, Department of Art & Art History
(3/3 load)




Introduction to Art (200+ students)
Survey Courses in Modern Art (19th and 20th Centuries) (25 students)
Upper-Level Thematic Courses (The Global 19th Century; Abstraction after
Jackson Pollock, The Modern City) (25 students)
400-level seminars in 19th & 20th century art (Fall 2008: Realisms & Realities in Art
History; Fall 2010: Modern Portraiture in Theory & Practice; Spring 2013:
Male & Female in the 19th Century) (10 students)
2010-2011
Scholar in Residence, Deutsches Forum für Kunstgeschichte, Paris,
for theme year “Parler de l’image, parler par l’image,”
organized by Prof. Georges Didi-Huberman of l’E.H.E.S.S.
Oct ‘98-present
Member of research team with the C.N.R.S.-I.T.E.M.M., Paris
2005-2007
Full-Time Lecturer, University of Massachusetts—Dartmouth,
Department of Art History (4/4 load)






Annual seminar on the Goncourt brothers
Development of a new critical edition of the Goncourts’ Journal
Renaissance to Modern survey (70 students)
Modern to Contemporary survey (70 students)
Myth, Religion & Art (200-level writing-intensive class; 25 students)
400-level seminar (Realist & Impressionist Art Criticism)
2
2004—ongoing
Paris Muse Inc., private art historical tours in Parisian museums
(Louvre, Orsay, Pompidou, Rodin, Grand Palais); www.parismuse.com
1996-1998
Part-Time Lecturer, Department of Art History, University of Delaware



Nineteenth-Century European & American Art & Architecture (30 students)
Eighteenth-Century European Art & Architecture (30 students)
European Baroque Art (80 students)
EDUCATION
1993-2005
University of Delaware, Newark, DE
Ph.D. in Art History, granted in January 2005
Dissertation: Word and Image in the Art Criticism of the Goncourt Brothers,
directed by Professor Nina Athanassoglou-Kallmyer
Master of Arts in Art History, May 1996
M.A. Thesis: Nature's Ruins: Art in the Golden Age of Geology,
directed by Professor Nina Athanassoglou-Kallmyer
1988-1992
University of Michigan, Ann Arbor, MI
Bachelor of Arts with High Distinction Honors in French
Second Major in Art History
Honors Thesis: « Noa Noa » de Paul Gauguin et la création d’un
mythe primitiviste, directed by Professor Roy Nelson
1990-1991
Université Paul Valéry, Montpellier, France
D.E.U.G. (first year completed)
Junior Year Abroad with the College of William and Mary
FELLOWSHIPS AND GRANTS
2011
University of Rhode Island Center for Humanities Junior Faculty Fellowship
2010
University of Rhode Island Council for Research Competitive Faculty
Development Grant (Summer 2010)
3
2009
University of Rhode Island Center for the Humanities Subvention Grant,
Provost’s Office Faculty Development Grant, Hope & Heritage Fund Faculty
Development Grant
2008
University of Rhode Island Hope & Heritage Fund Travel Grant
2007
University of Rhode Island Foundation Faculty Development Grant; Hope and
Heritage Fund Travel Grant; Alumni Fund Travel Grant
2003-2004
Pre-Doctoral Residential Fellowship, Deutsches Forum für Kunstgeschichte/
Centre Allemand d’histoire de l’art, Paris
2000-2003
Paul Mellon Pre-Doctoral Fellow, Center for the Advanced Study of the
Visual Arts (CASVA), National Gallery of Art, Washington DC
2000-2001
Samuel H. Kress Foundation Pre-Doctoral Travel Fellowship in Art History
1995-1999
University of Delaware Department of Art History Fellowships, including
Annual Fellow, Alumni Fund Travel Grants, Commission on Women Scholars
Travel Grants, Charles Isaacs Travel Grants, and the Center for Historic
Architecture and Engineering Research Assistantship
PUBLICATIONS: Book
2011
Interior Portraiture and Masculine Identity in France, 1780-1914, Ashgate Press.
Anthology co-edited with Temma Balducci (University of Arkansas)
and Heather Belnap Jensen (Southern Methodist University). Contributors
include Hollis Clayson, James Smalls, Heather McPherson, Laurie Dahlberg,
and more.
4
PUBLICATIONS: Peer-Reviewed Articles
2011
“La politique identitaire du japonisme: Edmond de Goncourt and Hayashi
Tadamasa,” Cahiers Edmond & Jules de Goncourt, Vol. 18 (Fall 2011): 83-101.
2009
“Compare and Contrast: Rhetorical Strategies in Edmond de Goncourt’s
Japonisme,” Nineteenth-Century Art Worldwide, Vol. 8, Issue 1 (Spring 2009);
http://www.19thc-artworldwide.org/spring_09/articles/warn.shtml
2008
“Framing, Symmetry and Contrast in Edmond de Goncourt’s Aesthetic
Interior,” Studies in the Decorative Arts, 15/2 (Spring 2008): 36-64.
2004
“Jules de Goncourt aquafortiste: la rhétorique visuelle de l’eau-forte.” Cahiers
Goncourt. 11 (Fall 2004): 93-102.
2002
“La critique du paysage dans le Salon de 1852 d’Edmond et Jules de
Goncourt.” Cahiers Goncourt. 9 (Fall 2002): 7-29.
PUBLICATIONS: Conference Proceedings and Other Articles
Invited
“The Language of Art History,” commissioned for the Festschrift anthology
in honor of Prof. Jean-Louis Cabanès, to be published by Pierre Dufief
(Université de Brest) and Vérane Partensky (Université de Bordeaux) in 2014.
In Proofs
“Amateur vs. Connoisseur: A Late Eighteenth-Century Debate on Taste
and Authority,” in Christian Michel, ed. Les Mutations dans les discours sur l’art
en France dans le seconde moitié du dix-huitième siècle. Actes du colloque qui a
eu lieu à Lausanne, Paris, et Rome (Rome: Académie Française de Rome and
Lausanne: Université de Lausanne). [Proofs due Nov, 2012.]
In Press
“La Philosophie dans le Journal des Goncourt,” in the proceedings of the
conference Le Journal des Goncourt, held in Paris and Brest, 2011. The
edited volume, directed by Prof. Pierre Dufief, will appear in 2013 with
the Presses universitaires de France—Université Paris X Nanterre.
[Manuscript submitted for copy-editing August, 2012]
5
2011
“The Competing Dialectics of the Cabinet de Travail: Masculinity at the
Threshold,” in Balducci et. al., eds. Interior Portraiture and Masculine
Identity in France, 1780-1914 (Ashgate, 2011): 159-176.
2005
“To Paint the Color of Things: The Goncourt Brothers and the Pictoriality
of History,” pp. 3-16 in Orientations: Actes du 6eme Colloque de l’Association
Internationale de l’Etude des Rapports en Texte et Image, Leo H. Hoek, ed.
Amsterdam, 2005.
PUBLICATIONS: Contemporary Art Criticism
2011
“The State of Being Single: Justyna Badach’s Bachelor Series,” in F-Stop:
A Photography Magazine, Issue 48 (July 2011); available on-line at:
http://www.fstopmagazine.com/pastissues/48/Warner.html
2007
“See How We Love One Another: Judith Rosbe’s Long Term Marriage.”
Introduction to exh. cat., Marion Arts Center (MA), 13 April – 15 May 2007.
PUBLICATIONS: Critical Editions & Reference Books
2005-on-going
Edmond et Jules de Goncourt, Journal des Goncourt. Vols. 1-3. Christiane et
Jean-Louis Cabanès, eds. Paris: chez Champion, 2005. [Numerous footnotes and
biographical entries in the historical repertoire at the end of the volume.]
2002
“Edmond and Jules de Goncourt.” In Key Thinkers in Art. 2 vols.
Chris Murray, ed. London: Routledge. Available on-line at:
http://books.google.com/books?id=dC1MdLU5lB4C
2001
“Chinoiserie.” In Encyclopedia of Gardens: History and Design.
Candice Shoemaker, ed. Chicago: Fitzroy Dearborn Publishers.
6
PUBLICATIONS: Exhibition Catalogue Essays
1995
“The Poetry of László Moholy-Nagy,” in László Moholy-Nagy:
From Budapest to Berlin, 1914-1923. Newark: University Gallery, 1995.
1992
The Romance of Transportation: Vehicle and Voyage in North American Art.
With Dr. Ellen A. Plummer. Ann Arbor: Artrain, Inc., 1992.
PUBLICATIONS: Book Reviews
2012
Stephen Muthesius, The Poetic Home: Designing the Nineteenth-Century
Domestic Interior. London: Thames & Hudson, 2009, in Zeitschrift fur
Kunstgeschichte 75/3 (2012): 434-439.
2011
Félix Régamey, Le Carnet Rose de Madame Chrysanthème, critical edition
by Christopher Reed. Honolulu: University of Hawaii Press, 2010; for the
Cahiers Goncourt, vol. 18 (Autumn 2011): 171-76.
2011
The Orient Expressed: Japan’s Influence on Western Art, 1854-1918,
exh. cat., Mississippi Museum of Art, 2011; for the Cahiers Goncourt, vol. 18
(Autumn 2011): 176-81.
2011
Ingrid R. Vermeulen, Picturing Art History : The Rise of the Illustrated
History of Art in the Eighteenth Century. Amsterdam: Amsterdam University
Press, 2010. Commissioned for caa.reviews. http://www.caareviews.org/
2010
Göran Blix, From Paris to Pompeii: French Romanticism and the Cultural
Politics of Archaeology (Univ. of Pennsylvania Press, 2009), CAA Reviews;
http://www.caareviews.org/
2005
Dominique Pety, Les Goncourt et la collection (Geneva: Droz, 2004).
Cahiers naturalistes, no. 79 (2005): 291-293.
7
2005
Uwe Fleckner and Thomas W. Gaehtgens, eds. De Grünewald à Menzel:
L’Image de l’art en France au XIXè siècle (Paris: Editions de la Maison des
Sciences de l’Homme, 2003). Published on-line in Nineteenth-Century Art
Worldwide 4/1 (Spring 2005):
http://www.19thc-artworldwide.org/spring_05/reviews/warn.html
CONFERENCE PARTICIPATION & INVITED LECTURES
October 2012
“One Man’s Feast is Another’s Famine: The Goncourts and Impressionism,”
Nineteenth-Century French Studies Conference, Raleigh, NC.
October 2011
“Idéalisme et Matérialisme dans le Journal des Goncourt: Esquisse d’un contour”
Paper read at the “Colloque Journal des Goncourt,” Université de Paris X—
Naneterre, organized by Prof. Pierre-Jean Dufief.
June 2011
Primary organizer and moderator for a study-day for “Manet, l’inventeur du
moderne,” at the Musée d’Orsay for members of AHNCA (Association of
Historians of Nineteenth-Century Art), with speakers from U-Penn, SUNYStonybrook, and the Université de Reims.
May 2011
Co-organizer of 2-day conference on “Le jeu entre le texte et l’image,”
held at the Centre Allemand d’histoire de l’art/Institut National d’histoire de l’art,
Paris. Program available on-line at
http://www.dtforum.org/uploads/media/Programme_online_Colloque_DFK_INH
A.pdf
March 2011
Organized an on-site seminar at the Musée du Louvre, Paris for the members
of the Deutsche Forum für Kunstgeschichte on “Who’s Eighteenth-Century?
Critically Evaluating Diderot and the Goncourt Brothers.”
January 2011
“Edmond and Jules de Goncourt’s Brush with Death: The French Revolution,
la ‘nouvelle histoire’, and Benjaminian jeztzeit,” at Waking the Dead: Sublime
Poetics and Popular Culture in the Aftermath of the French Revolution,
sponsored by the Académie de France & the Royal Dutch Institute in Rome
8
November 2010
“Interior Portraiture and Masculine Identity in France, 1780-1914,”
Center for Humanities, University of Rhode Island
April 2010
“Material Aesthetics: The Goncourt Brothers and the Language of Realism”
Poster session at “Research, Creative Activities and Service Projects
of Undergraduates, Graduate Students, and Faculty of the University of
Rhode Island,” on the occasion of the inauguration of President David Dooley.
November 2008
Respondent, “Interior Portraiture and Masculine Identity,” Western Society
for French Historical Studies Annual Conference, Quebec, Canada.
May 2008
“Connoisseur vs. Amateur: A Debate over Taste & Authority in Late
Eighteenth-Century Paris,” at a conference on Les mutations des discours
sur l'art en France dans la seconde moitié du XVIIIe siècle at the
Académie de France à Rome.
February 2008
“Alterity and Identity: Edmond de Goncourt’s japonisme,”
at the 2008 annual conference of the College Art Association, Dallas, TX
November 2007
“Living Impressionism: Edmond & Jules de Goncourt,” Dept. of Art & Art
History, University of Rhode Island, Kingston
June 2007
Poster session on the Haffenreffer Museum of Anthropology at “Histoire
de l’art et anthropologie,” Musée du Quai Branly, Paris, 21-23 June, 2007.
October 2006
“A Man’s Place is in the Home: Modernity and Masculinity in Late NineteenthCentury France,” at the Southeast College Art Association Conference, Nashville
February 2005
“Cracking the Da Vinci Code: Tales from the Front Line,” with Ellen Mc Breen
of New York University for the College Art Association conference in Boston
April 2005
“La Maison d’un artiste en photographies,” invited by Jean-Louis Cabanès,
director of the Séminaire Goncourt, C.N.R.S.-I.T.E.M.M., Paris
9
June 2004
“Jules de Goncourt et la rhétorique visuelle de l’estampe de reproduction,”
Colloque de fin d’année, Deutsches Forum für Kunstgeschichte/Centre
Allemand d’histoire de l’art, Paris
August 2003
“Can we escape the ‘Rococo Goddess’? 150 Years of Debate about Madame
de Pompadour, from the Goncourt Brothers to Xavier Salomon,” International
Association of Eighteenth Century Studies Conference, UCLA
February 2003
Co-Chair of session “Impressionism as End-Game” with Dr. Andrew Shelton,
Department of Art History, Ohio State University at the College Art Association
Annual Meeting, New York
November 2002
“Documenting History with Prints: The Goncourt Brothers’ Eighteenth-Century
Projects,” invited by Professor Thomas Gaehtgens, Director, Deutsches Forum
für Kunstgeschichte, Paris
November 2002
“The Destabilization of Form and Function in Carpeaux’s La Danse: A Case
Study of the Critical Reaction,” at Sculpture in Architecture, 1800 to the
Present, Courtauld Institute, London
July 2002
“Word and Image in the Goncourt Brothers’ Construction of History,”
International Association of Word and Image Studies Conference,
Hamburg, Germany
March 2002
“’To Paint the Color of Things:’ The Goncourt Brothers and the Pictoriality
of History,” at Traveling Concepts: Memory, Narrative, Image, Amsterdam
School of Cultural Analysis, University of Amsterdam
February 2002
“Les Goncourt et la critique des peintres paysagistes autour de 1850,” invited
by Jean-Louis Cabanès, director of the Séminaire Goncourt, C.N.R.S.I.T.E.M.M., Paris
February 2002
“The Goncourt Brothers and the Battle Between Paint and Nature in
Landscape Painting of the 1850s,” at the College Art Association Annual
Meeting, Philadelphia
10
January 2001
“Edmond and Jules de Goncourt and the Formulation of Aesthetic Identity,”
invited by Thomas Gaehtgens, Deutsches Forum für Kunstgeschichte, Paris
April 2000
“Urban Planning at Soufflot’s Sainte-Geneviève,” at the American
Society for Eighteenth-Century Studies, Philadelphia, Pennsylvania
March 1998
“The Biblical Flood as Site of Artistic and Scientific Debate in the Early
Nineteenth Century,” at Ut Pictura Scientia: Technology, Art and Science
in the History of Art, University of Virginia, Charlottesville
February 1997
“Canaletto’s Rio dei Mendicanti Looking South: Poverty and Charity in Early
Eighteenth-Century Venice,” at College Art Association, New York
May 1996
"Penises in the Book of Kells: A Study in Gendered Text-Image Relationships,"
Thirty-First International Congress on Medieval Studies, Kalamazoo
October 1995
“Dis[Un]Covering the Body in the Book of Kells,” at the Southeastern Art
College Association Conference, Georgetown University, Washington D.C.
PUBLISHED TRANSLATIONS (From French to English)
2011
“Théophile Gautier’s Bellini: A Rediscovered Painting,” Nineteenth-Century
Art Worldwide, vol. 10, issue 2 (Fall 2011). Available on-line at:
http://www.19thc-artworldwide.org/index.php/autumn11/a-nineteenthcentury-copy-of-giovanni-bellinis-madonna-degli-alberetti-from-thecollection-of-theophile-gautier
2009
“From Current Events to History: Decorative Themes for the Creation
of Drawings at the Oberkampf Manufacture at Jouy-en-Josas (17601820), feature length article by Aziza Gril-Mariotte. For Studies in
Decorative Arts. Volume 17, no. 1 (Fall/Winter 2009).
2007
“Recent Exhibitions: Pierre-Victor Galland and Maurice Denis,” exhibition
and catalogue review by Rossella Froissart-Pezone. For Studies in
Decorative Arts. Volume 15, No. 1 (Fall/Winter 2007), 210-17.
11
2007
Papers of Johann von Besser (1654-1729), Master of Ceremonies
to the Saxon Court in Dresden, on diplomatic gifts. For Studies in the
Decorative Arts, Volume 15, No. 1 (Fall/Winter 2007), 114-177.
2007
“Présents du Roi: An Archive at the Ministry of Foreign Affairs in Paris,” by
Corinne Thépaut-Cabasset, for Studies in the Decorative Arts,
Volume 15, No. 1 (Fall/Winter 2007), 4-18.
2006
“A New Method of Interpreting the Valois Tapestries, through a History of
Catherine de Médicis,” feature article by Pascal-François Bertrand, for
Studies in Decorative Arts, Volume 14, No. 1 (Fall/Winter 2006), 27-52.
2006
Lesley Hoskins, ed. The Papered Wall. The History, Patterns and
Techniques of Wallpaper. London, Thames & Hudson, 2005. Reviewed
by Jérémie Cerman and translated for Studies in the Decorative Arts.
Volume 14, No. 1 (Fall/Winter 2006), 124-26.
2006
“Félix Bracquemond et les arts décoratifs,” Exhibition and catalogue
review by Rossella Froissart-Pezone translated for Studies in Decorative Arts,
Volume 13, No. 2 (Spring-Summer 2006).
2005
Letters of Max Ernst included in Werner Spies, Max Ernst: Life and Work.
Cologne: Dumont-Verlag, 2005.
2005
Pierre de Coubertin and the Greek Miracle by Jean Durry of the Musée
National du Sport, Paris. Published by Soundgarden Audioguidance, Munich.
2005
“Greco-Phoenician Anthropoid Sarcophagus,” for the Weber Kunsthandel,
Cologne, Germany.
PUBLISHED TRANSLATIONS (From English to French)
2011
“Hayashi Tadamasa et le langage universel des beaux-arts,” for the
Cahiers Goncourt, vol. 18 (Fall 2011): 69-82.
12
SERVICE TO THE PROFESSION
2012
External peer reviewer for the academic journals Art Bulletin & Art History, the
University of Georgia Press, and the Rutgers Art Review, the Saylor Foundation
2012
General art history lectures for Chinese students visiting Europe through
Music Masters—ICT Management, Vienna
2010
Ph.D. Dissertation committee member for Maria Chiancola Glade,
“Flight of the Mind: Reading Virginia Woolf Reading,”
URI Department of English
2009
Master’s Thesis committee member for Elsbeth Dijxhoorn,
“Symmetry in Armenian Needlework, ca. 1860-1915,” URI Department of
Textiles, Fashion Merchandising, and Design
PROFESSIONAL MEMBERSHIPS

College Art Association

Association of Historians of Nineteenth Century Art (Board Member at Large since 2009)

Society for French Eighteenth-Century Studies

Eighteenth-Century Studies

Western Society for French Historical Studies

International Association of Word and Image Studies

Société des Amis des Frères Goncourt (Elected to the Conseil Scientifique in 2010)
LANGUAGES

French (fluent in reading, speaking, writing)

German (competent in reading, speaking, writing)

Italian (competent in reading, speaking)