© President and Fellows of Harvard College
Transcription
© President and Fellows of Harvard College
© President and Fellows of Harvard College 1 of 10 © President and Fellows of Harvard College Gallery Text In the mid-1850s, Delacroix returned to themes he had treated thirty years earlier, though with an important 2 of 10 difference. Rather than carefully distinguish literary from historical and topical subjects, he conflated them, as in this instance. Here, he draws on Byron’s description of the giaour (a Turkish slur for nonMuslims) overcoming the Turkish pasha in his poem “The Giaour, a Fragment of a Turkish Tale” (1813). To a contemporary audience, the composition could have appeared to be an episode from the Greek War of Independence (1821–32), a romantic cause célèbre that had inspired two of Delacroix’s large canvases of the 1820s. The result is a nostalgic invention that appealed to mid-century French orientalist fantasies. Identification and Creation Object Number 1943.233 People Ferdinand-Victor-Eugène Delacroix, French (Charenton Saint-Maurice France 1798 - 1863 Paris France) Title A Turk Surrenders to a Greek Horseman Classification Paintings Work Type painting Date 1856 Culture 3 of 10 French Location Level 2, Room 2200, European and American Art, 17th– 19th century, The Emergence of Romanticism in Early Nineteenth-Century France View this object's location on our interactive map Physical Descriptions Medium Oil on canvas Dimensions 80 x 64.1 cm (31 1/2 x 25 1/4 in.) framed: 107.3 x 90.8 x 11.4 cm (42 1/4 x 35 3/4 x 4 1/2 in.) Inscriptions and Marks Signed: l.l.: Eug. Delacroix 1856 Provenance Ferdinand Victor Eugène Delacroix, sold; to [Tedesco Frères, Paris, April 1856]. Léon Fraissinet, Marseille, by 1873. Baron de Beurnonville. E. Secrétan, by 1855, sold [his sale, Christie's, London, July 12, 1889, no. 14]; to [Boussod, Valadon et Cie, Paris], sold; to Isidore Montaignac, October 4, 1890. George I. Seney, New York, sold; to [Broussod, Valadon et Cie, Paris, March 9, 1892], sold; to F. L. Ames, New York, March 24, 1892. Louis Sarlin, Paris, by 1910, sold [through his sale, Galerie Georges Petit, Paris, March 2, 1918, no. 28], sold; to Herman Heilbuth, Copenhagen, sold [probably on his behalf by Winkel and Magnusson, Copenhagen 4 of 10 (?)]. Hodebert, Paris, by 1929. Renou, by 1930. Grenville L. Winthrop [through Martin Birnbaum], November 30, 1930, bequest; to Fogg Art Museum, 1943. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Accession Year 1943 Object Number 1943.233 Division European and American Art Contact [email protected] Publication History Adolphe Moreau, Eugene Delacroix et son Oeuvre (Paris, France, 1873), p. 244, no. 1 Alfred Robaut, L'Oeuvre Complète de Eugène Delacroix, Chavanay Freres (Paris, France, 1885), no. 1293 Catalogue de 17 Tableaux Anciens... de la Collection Secrétan, auct. cat., Christie's, London (London, England, July 13, 1889), no. 14, repr. Etienne Moreau-Nélaton, Delacroix Reconte par Lui- Même, Henri Laurens (Paris, France, 1916), vol. II, p. 166, repr. fig. 384 Catalogue des Tableaux Modernes... composant la 5 of 10 Collection Louis Sarlin, auct. cat., Galerie Georges Petit (London, England, March 2, 1918), no. 28, repr. Raymond Escholier, Delacroix, Peintre, Graveur, Ecrivain, Henri Floury (Paris, France, 1926 - 1929), vol. III, repr. opposite p. 230 René Huyghe, "L'Exposition Delacroix au Musée du Louvre", Bulletin des Musées de France (June 1930), vol. II, no. 6, pp. 117-134 Paul Jamot, Centenaire du Romantisme: Exposition Eugène Delacroix, exh. cat., Musée du Louvre (Paris, France, 1930), no. 170, pp. 101-102 Louis Hourticq, Delacroix: l'oeuvre du maitre, Hachette (Paris, France, 1930), repr. p. 168 Ferdinand-Victor-Eugène Delacroix, Journal de Eugène Delacroix, ed. André Joubain, Plon (Paris, France, 1932), vol. II, pp. 210, 442 Michel Florisoone, Delacroix, Braun et Cie (Paris, France, 1938), repr. Chinese Sculpture, Bronzes, Jades, Paintings and Drawings, Egyptian and Persian sculpture, PreColumbian art; selected from the collection of Grenville Lindall Winthrop, exh. cat., Fogg Art Museum (Cambridge, MA, 1943), p. 10 Otto Benesch, "The Winthrop Collection: From NeoClassic to Romanticism; David, Ingres, Géricault", Art News (January 1-14, 1944), vol. 42, no. 16, pp. 9-10, 2021, 32, p. 32 Between the Empires: Géricault, Delacroix, Chassériau, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), p. 9 Maria Luisa Saco, "Joyas del arte en los museos Norteamericanos", Cultura Peruana (Lima, Peru, 1957), vol. XVII, no. 105, repr. Beatrice Farwell, "Sources for Delacroix' 'Death of 6 of 10 Sardanapalus' ", The Art Bulletin, College Art Association of America (March 1958), vol. XL, no. 1, pp. 66, no. 3 S. Lane Faison, Jr., A Guide to the Art Museums of New England, Harcourt, Brace and Co. (New York, NY, 1958), p. 115, repr. as fig. 9 Martin Birnbaum, The Last Romantic (New York, NY, 1960), p. 200 Philippe Lannes de Montebello, "The Problem of Composition in Eugene Delacroix's Small Canvases" (Thesis, Harvard University?, 1961), Unpublished, p. 11, 1-5 Camille Bernard, "Some Aspects of Delacroix's Orientalism", The Bulletin of the Cleveland Museum of Art, Cleveland Museum of Art (Cleveland, OH, April 1971), p. 126, repr. Frank Anderson Trapp, The Attainment of Delacroix, The Johns Hopkins University Press (Baltimore, MD and London, England, 1971), pps. 120, 122, repr. in b/w fig. 62 Lee Johnson, The Paintings of Eugene Delacroix: a critical catalogue, 1816-1831, The Clarendon Press (Oxford & New York, 1981), vol. I, p. 105; vol. 3, p. 142, no. 323 Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), no. 205, p. 180, ill. Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum , Harvard University Art Museums (Cambridge, MA, 1990), p. 73, color plate; pp. 105, 230, repr. b/w cat. no. 291 7 of 10 Chikashi Kitazaki, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum , exh. cat., National Museum of Western Art (Ueno, Japan, 2002), pp. 94-95, cat. #14, color repr. Stephan Wolohojian, ed., A Private Passion: 19th- Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (New York, NY, 2003), no. 31, pp. 112-113, repr. in color Christopher Riopelle, Harvard's Winthrop Collection: Nineteenth-Century Paintings and Drawings from the Grenville L. Winthrop Collection, exh. cat., National Gallery Company Limited (London, 2003), p. 32, cat. 19, ill. Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 31, pp. 118-119, repr. in color Exhibition History Exposition de chef-d'oeuvre de l'ecole française: vingt peintres du xixe siècle, Galerie Georges Petit, Paris, 05/02/1910 - 05/31/1910 Exposition Eugène Delacroix: Peintures, aquarelles, pastels, dessins, gravures, documents, Musée du Louvre, Paris Cedex 01, 06/01/1930 - 09/30/1930 Chinese sculpture, bronzes, jades, paintings and drawings, Egyptian and Persian sculpture, PreColumbian art : selected from the collection of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 10/01/1943 - 02/28/1944 Between the Empires: Gericault, Delacroix, Chasseriau- 8 of 10 -Painters of the Romantic Movement, Fogg Art Museum, Cambridge, 04/30/1946 - 06/01/1946 Delacroix in New England Collections, Fogg Art Museum, Cambridge, 10/15/1955 - 11/26/1955 Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977 Masterpieces of European Art, Busch-Reisinger Museum, Cambridge, 06/22/1985 - 09/15/1985 Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum , National Museum of Western Art, Tokyo, 09/14/2002 - 12/08/2002 A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004 For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/16/2004 Re-View: S424-426 Western Art from 1560 to 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/16/2008 - 06/18/2011 Modern Art and Modernity, Harvard Art Museums, Cambridge, 01/31/2013 - 06/01/2013 32Q: 2200 19th Century, Harvard Art Museums, Cambridge, 11/01/2014 Subjects and Contexts Google Art Project This record has been reviewed by the curatorial staff 9 of 10 but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at [email protected] Generated on February 15, 2017 at 12:12pm 10 of 10