RACHID TAHA_RIDER_JANV_2013_ENGLISHFRENCH

Transcription

ENGLISH & FRENCH PATCH LIST & RIDER RACHID TAHA 2013 UPDATE >JANUARY 2013
EAR MONITOR
1 TABLE OU UN FLYCASE VIDE
1 TABLE OR EMPTY FLYCASE
14,15,16,17,18,19 direct to the patch
CLAVIER /KEYBOARD
2 DI
1 RTX STAND WITH EXTENTION
LAPTOP
BASS
AMPEG SVT 2 PRO
(MADE IN USA ! )
SPEAKER CABINET
AMPEG 810
(MADE IN USA ! )
DRUM
220 V
220 V
WEDGE
WEDGE
WEDGE
WEDGE
2 TWIN REVERB BLACK FACE
OR
1 MARSHALL JCM 2000
1 ROLAND JAZZ CHORUS
or
FENDER TWIN REVERB
1 ELECTRO ACOUSTIC GTR MARTIN
or GUILD
1 DI
220 V
WEDGE
220 V
WEDGE
WEDGE
WEDGE
WEDGE
PAGE 1
WEDGE
!
N°
DESIGNATION
MICRO / MIC
INSERT
1
KICK
SM 91
COMP
2
KICK
BETA 52
COMP
3
SN TOP
SM 57
COMP
4
SN BOT
SM 57
COMP
5
HH
KM 184/414
6
TOM 1
604
COMP/GATE
7
TOM 2
604
COMP/GATE
8
TOM FLOOR
604
COMP/GATE
9
OH
KM 184/414
10
OH
KM 184/414
11
BASS
DI
12
BASS
MD421/M88
13
GTR
DI
COMP
14
LAPTOP 1
DI
COMP
15
LAPTOP 2
DI
COMP
16
LAPTOP 3
DI
COMP
17
LAPTOP 4
DI
COMP
COMP
PAGE 2
18
LAPTOP 5
DI
COMP
19
LAPTOP 6
DI
COMP
20
SAFE
DI
21
SAFE
DI
22
GTR AMP
E609
23
KEY L
DI
COMP
24
KEY R
DI
COMP
25
LUTH
DI
COMP
26
LUTH AMP
906 SENNHEISER
27
VX KEY
SM58
COMP
28
VX BASS
SM 58
COMP
29
VX LUTH
KMS 105
COMP
30
VX LEAD
KMS105
COMP
31
VX LEAD SPARE
SM 58
COMP
32
33
34
!
PAGE 3
ENGLISH RIDER
RACHID TAHA TECHNICAL RIDER
THIS TECHNICAL RIDER IS AN INTEGRAL PART OF THE AGREEMENT, AND IS
INTENTED TO ENSURE THAT EACH ENGAGAMENT SHALL RUN AS SMOOTHLY AS
POSSIBLE FOR THE MUTUAL BENEFIT OF BOTH THE ARTIST AND THE PROMOTER.
TO SAVE TIME AND SO AS TO BE TOTALLY CLEAR, PLEASE DO NOT AMEND
OR CHANGE THIS RIDER FOR RETURN, INSTEAD READ EACH ITEM
CAREFULLY AND ON SEPERATE PAPER, NOTE ANY OBJECTION, QUESTION OR
IMPOSSIBILITY AS THEY RELATE TO YOUR SITUATION FOR EACH CATEGORY,
BY TELEPHONE, FAX OR E-MAIL, EACH ITEM WILL BE DEALT WITH BY THE
PRODUCTION TEAM.
1°) STAGING AND RISERS :
PROMOTER AGREES TO PROVIDE AT HIS SOLE COST THE STAGE AND RISERS AS FOLLOWING :
• THE STAGE MUST BE OF THE HIGHEST QUALITY, CLEAN,
WITHOUT SEAMS OR UNEVENESS OF ANY KIND, CAPABLE OF SUPPORTING
THE FULL WEIGHT OF ARTIST’S EQUIPMENT WITHOUT PERCEPTIBLE
WOBBLING (MINIMUM WEIGHT OF 500 KGS/M2). APPROVAL OF STAGING IS
THE SOLE RESPONSABILITY OF ARTIST’S PRODUCTION MANAGER. IN THE
EVENT THAT HE SHOULD DETERMINE THAT SAID STAGING IS UNSAFE OR
UNACCEPTABLE, THE ARTIST SHALL NOT PERFORM, WITHOUT THEREBY
SACRIFICING ANY RIGHTS SET FORTH IN THIS AGREEMENT, INCLUDING BUT
NOT LIMITED TO FULL COMPENSATION AND DAMAGES.
STAGE CONSTRUCTIONS SHOULD BE COMPLETED PRIOR TO STAGE CALL.
STAGE DIMENSIONS :
-WIDTH : 10 METERS
-DEPHT : 8 METERS
-HEIGHT : 1,20 METER
RISERS :
-DRUMS 3 METERS X 2 METERS X 0,60 METER
1KEYBOOARD + COMPUTER 2 METERS X 2 METERS X 0,40 METER
RACHID TAHA OTHER EQUIPMENT :
TWO SETS OF STAIRS WITH HAND RAILS, PROPERLY LIT AND POSITIONNED BEHIND EACH P.A. WING.
THE STAGE MUST HAVE A BLACK SKIRT AROUND THE WHOLE OF ITS BASE.
ON EACH SIDE OF THE STAGE, THERE WILL BE CURTAINS TO HIDE THE
BACKSTAGE AERA AS WELL AS A BLACK BACK-DROP ON THE FULL WIDTH OF STAGE.
ALL RISERS SHOULD BE COVERED WITH CARPET AND HAVE BLACK SKIRTS
AROUND THEIR BASES.
!
PAGE 4
2°) LOCAL CREW REQUIREMENTS :
PROMOTER SHALL ALSO PROVIDE AT HIS OWN EXPENSE THE FOLLOWING CREW :
-2 STAGE HANDS TO BE AVAILABLE FOR LOAD-IN AND LOAD-OUT
-1 ELECTRICIAN WITH A PERFECT KNOWLEDGE OF THE VENUE POWER SUPPLIES,
TO BE IN ATTENDANCE AT THE VENUE FROM LOAD-IN TO LOAD-OUT.
3°) BACKLINE / PA / LIGHTS REQUIREMENTS :
THE BACKLINE, PA, LIGHTING EQUIPMENT WILL BE OF THE HIGHEST QUALITY.
******* ALL EQUIPMENT MUST BE SET UP AND IN GOOD RUNNING ORDER BEFORE
THE ARTIST’S TECHNICAL CREW ARRIVAL *******
DRUM & LAPTOP
A small table or an empty fly case
1 DRUM DW OU YAMAHA 9000 RC WITH REMO NEW PIN STRIPE CHEFS:
22'' BASS DRUM + BASS DRUM PEDAL PEARL / TAMA OU DW
16'' FLOOR TOM
18'' FLOOR TOM
1 14" HI-HAT (ZIDJIAN OU SABIAN)
1 X 14 "CRASH & 2 X 16" CRASH 18 CRASH & 20 "RIDE (ZIDJIAN OU SABIAN)
2 SNARE PEARL FREE FLOATING 6,5''X 14''+ STANDS
1 STAND CHARLESTON WITH PEARL TILTEUR / TAMA OU DW
5 BOOM CYMBALE STANDS
1 AJUSTABLE DRUM STOOL
BASS
1 AMPEG SVT 2 PRO (MADE IN USA ! )
1 SPEAKER CABINET AMPEG 810 (MADE IN USA ! )
1 GTR STAND
KEYBOARD
1 STAND RTX WITH EXTENSION
GUITAR
2 TWIN REVERB BLACK FACE OR 1 MARSHALL JCM 2000
1 ELECTRO ACOUSTIC GTR MARTIN or GUILD
2 GTR STAND
LUTH
1 ROLAND JAZZ CHORUS OR FENDER TWIN REVERB
1 GTR STAND
!
PAGE 5
B) P.A. SYSTEM:
PROVIDED AT THE SOLE COST OF THE PROMOTER
SEE STAGE PLAN AND PATCH LIST. page 1 et 2
10 DI BOXES ARE NEEDED (SEE STAGE PLAN AND PATCH LIST)
FOH DAT PLAYER
ANALOG FOH & MONITOR DESKS PLEASE
FOH
MIDAS série H ou XL (UNIQUEMENT VCA DESK)
1 PCM 70
1 PCM 90
2 SPX 990
1 TC Electronic D-TWO
3 NOISE GATE
12 COMPRESSEUR DBX 160A
4 COMPRESSEURS STEREO DRAWMER DL 241, BSS 402, DBX
1 LECTEUR CD
1 EQ GRAPHIQUE STEREO
SUB SUR UN DEPART AUXILIAIRE AVEC EQ GRAPHIQUE
MONITOR
MIN 40 INPUTS/12 AUX SENDS INCLUDING STEREO AUX/8 VCA
MIDAS HERITAGE XL 250 XL 8
DRUM - LEAD VOCAL - MONITOR MAN (SOLO OUTPUT)
1 PSM 600 WIRED IN EAR MONITOR SYSTEM P6HWE3 DRUM
7 1/3 OCTAVE STEREO EQUALIZER BSS, KLARK TEKNIK
5 STEREO COMPRESSORS SUCH AS DRAWMER DL 241, BSS 402. (10 CHANNELS )
8 CHANNELS OF NOISE GATE SUCH AS DRAWMER DS 201, BSS DPR 502.
1 SPX 990
10 IDENTICAL PAIRED MONITORS (CUE WEDGE INCLUDED) PREFERRED D&B MAX 15
SIDEFILLS(3 WAYS SUB BASS REQUIRED)
HIGH FREQUENCY HORNS TO BE PLACED AT 2 METERS HIGH MINIMUM
1X SUB BASS WITH ADEQUATE CROSS-OVER (DRUMS)
C) LIGHTING :
DON’T HAVE THE LIGHTING CREW;
!
!
PAGE 6
4°) POWER REQUIREMENTS :
OUR BACKLINE HAS GOT FRENCH PLUGS, PLEASE PROVIDE ADAPTORS (FRENCH/YOUR COUNTRY)
STAGE & HALL LIGHTS SUPPLIES MUST BE INDEPENDANT OF SOUND &
LIGHTS SYSTEM SUPPLIES. PRODUCTION MANAGER SHALL HAVE TOTAL
CONTROL OF THEM. THE HALL MUST BE EFFICIENTLY OCCULTED TO HAVE
COMPLETE BLACKOUT IN ORDER TO FOCUS THE LIGHTS.
REMARKS :
ALL ELECTRICAL SUPPLY MUST BE PROPERLY EARTHED.
ALL SUPPLY VOLTAGES WILL BE A CONSTANT AND UNINTERRUPTED AC 220/380 VOLTS.
5°) CATERING & RESTAURANT :
• LUNCH :
PLEASE CHECK A RESTAURANT OR A GOOD CATERING (HOT MEALS WITH WINE)
FOR 8 PEOPLE (PLEASE ABSOLUTELY NO PORK). CHECK WITH PRODUCTION
MANAGER FOR LUNCH SCHEDULE.
• DINNER :
PLEASE CHECK A RESTAURANT OR A GOOD CATERING (HOT MEALS WITH WINE)
FOR 7 PEOPLE (PLEASE ABSOLUTELY NO PORK). CHECK WITH PRODUCTION
MANAGER FOR DINNER SCHEDULE.
6°) TRANSPORTATION :
IF THE BAND TRAVEL BY PLANE OR TRAIN :
PROMOTER SHALL PROVIDE AT HIS OWN EXPENSE 1 LARGE COMFORTABLE
BUS FOR 7 PEOPLE + LUGGAGES + INSTRUMENTS FOR ALL TRANSFERS
BETWEEN AIRPORT OR TRAIN STATION / HOTEL / VENUE. DRIVER WILL HAVE
A PERFECT KNOWLEDGE OF THE AERA. VEHICLE AND DRIVER WILL BE
AVAILABLE AT ALL TIMES FOR THE ARTIST AND HIS CREW DURING THE
CONTRACT DURATION
7 ) ACCOMMODATION
FOR THE DURATION OF THE ENGAGEMENT THE PROMOTER WILL BOOK INDIVIDUAL ROOMS IN A MINIMUM 3/4 STAR CATEGORY HOTEL
FOR 7 PEOPLE (8 DOUBLE BEDDED ROOMS) THE HOTEL MUST BE QUIET, COMFORTABLE AND AS NEAR AS POSSIBLE TO THE VENUE
AND THE RESTAURANT. ALL ACCOMMODATIONS MUST INCLUDE BATHROOM WITH BATH AND WC, TELEPHONE, MINI-BAR AND TV.
ROOMS SHOULD BE ADEQUATELY HEATED AND/OR AIR CONDITIONED. THE HOTEL SHOULD HAVE AN ELEVATOR, RESTAURANT AND 24
HOUR ROOM SERVICE. AN AMPLE BREAKFAST SHOULD BE PROVIDED, IF REQUIRED, IN ARTISTʼS ROOMS. THE PROMOTER WILL
CHECK WITH HOTEL STAFF IF BREAKFAST CAN BE SERVED LATE IN THE MORNING. ALL ARTISTS AND CREW TO BE ACCOMMODATED
IN THE SAME HOTEL.
!
!
PAGE 7
8°) DRESSING ROOM MISCELLANEOUS :
16 CANS / BOTTLES OF VERY GOOD LOCAL QUALITY BEERS
2 BOTTLES OF GOOD RED WINE
1 BOTTLE OF VODKA (THIS TO BE GIVEN TO THE PRODUCTION MANAGER)
2 BOTTLES CHAMPAGNE (THIS TO BE GIVEN TO THE PRODUCTION MANAGER)
15 LITERS OF FLAT MINERAL WATER
6 LITERS OF MINERAL GAS WATER
6 LITERS OF 100% PURE FRESH FRUIT JUICE
3 BIG BOWLS WITH ASSORTMENT OF FRESH FRUITS
3 TRAYS WITH COLD VARIOUS MEATS (ABSOLUTELY NO PORK)
1 CHEESE PLATE
VARIOUS SALADS
ICE
THIS TO BE READY AT THE BAND ARRIVAL
14 SMALL BOTTLES OF FLAT MINERAL WATER ON STAGE BEFORE THE SHOW
7 TOWELS ON STAGE BEFORE THE SHOW
VARIOUS SANDWICHS
9°) SECURITY :
THE PROMOTER AGREES TO PROVIDE THE FOLLOWING TERMS AND CONDITIONS REGARDING SECURITY AND THE SECURITY
PERSONAL IS BEING EMPLOYED FOR THE ENGAGEMENT SCHEDULED HEREIN.
THE PROMOTER AGREES TO PROVIDE BONIFADE SECURITY COVER FROM THE TIME OF THE CREW ARRIVAL RIGHT THROUGH
THE COMPLETION OF THE LOAD OUT. THE PROMOTER WILL PROVIDE ONE SECURITY PERSON TO GUARD THE BACKSTAGE
AERA FOR THE ENTIRE WORKING DAY.
THE PROMOTER AGREES TO ENSURE THAT THE HEAD OF SECURITY MEETS WITH THE PRODUCTION MANAGER PRIOR TO THE
DOORS OPENING TO CHECK THE SECURITY PEOPLE AND TO CONFIRM BACKSTAGE PASSES AND AFTER SHOW
ARRANGEMENTS.
THE PROMOTER AGREES THAT NO GLASSES OR BOTLLES WILL BE ALLOWED IN THE VENUE. WHEN A BAR IS SITUATED IN
THE VENUE, IT IS AGREED THAT IT WILL BE CLOSED DURING THE PERFORMANCE IF IT IS SITUATED DIRECTLY IN THE HALL AND
VISIBLE FROM THE STAGE.
THE PROMOTER AGREES THAT ALL PERSONS ENTERING THE VENUE WILL BE SEARCHED FOR CAMERAS, VIDEO CAMERAS,
TAPE RECORDER, BOTTLES AND ANY OFFENSIVE WEAPONS.
THE PROMOTER AGREES TO PROVIDE STATUATORY FIRST AID COVER FOR ALL WORKING STAFF AND AUDIENCE.
RACHID TAHA
!
!
PAGE 8
10°) GUEST LIST :
AS DESCRIBED IN CONTRACT
A GUEST LIST WILL BE KEPT FOR THE ARTIST’S SOLE USE, 20 PERSONS.
11°) OTHER NECESSARY CONDITIONS :
NO PORTION OF PERFORMANCE MAY BE BROADCASTED, RECORDED,
FILMED, TAPED OR OTHERWISE EMBIODED WITHOUT PRIOR WRITTEN
CONSENTEMENT OF ARTIST’S PRODUCTION MANAGEMENT.
PLEASE DISPLAY AT EACH ENTRANCE OF THE VENUE NOTICES RESERVING
THE RIGHT TO REFUSE ADMITANCE TO ANY PERSON WHO HAS IN HIS OR
HER POSSESSION ANY DEVICE WICH COULD ENABLE ANY PART OF THE
PERFORMANCE TO BE RECORDED IN ANY WAY. SUCH DEVICES INCLUDE
PHOTOGRAPHIC CAMERAS.
12°)MEDICAL ASSISTANCE : PLEASE HAVE AVAILABLE ON THE DAY OF PERFORMANCE,
THE NAMES AND PHONE NUMBERS OF ONE OR TWO RECOMMENDED DOCTORS.
!
!
PAGE 9
RIDER FRANCAIS
FICHE TECHNIQUE RACHID TAHA
CETTE FICHE TECHNIQUE EST UNE PARTIE INTEGRANTE DU CONTRAT, ELLE A POUR BUT DE S'ASSURER QUE CHAQUE
PRESTATION SE DEROULE LE MIEUX QUE POSSIBLE, TANT POUR L'ARTISTE QUE POUR LE PROMOTEUR.
AFIN DE GAGNER DU TEMPS ET DE MANIERE A ETRE PARFAITEMENT CLAIR, NE MODIFIEZ PAS CETTE FICHE TECHNIQUE,
LISEZ LA ATTENTIVEMENT ET NOTEZ SUR UNE FEUILLE SEPAREE TOUTE OBJECTION, QUESTION OU IMPOSSIBILITE,
ENVOYEZ VOS COMMENTAIRES PAR TELEPHONE, FAX OU E-MAIL, ILS SERONT TRAITES PAR L’EQUIPE DE PRODUCTION.
1 °) STAGING ET CONTREMARCHES:
LE PROMOTEUR ACCEPTE DE FOURNIR A SES SEULS FRAIS LA SCENE :
•LA SCENE DOIT ETRE DE QUALITE ET CONFORME AUX NORMES DE SECURITE, ELLE DOIT ÊTRE CAPABLE DE SUPPORTER
LE POIDS DE L’EQUIPEMENT SANS OSCILLATION (POIDS MINIMAL DE 500 KGS/M2).
SON APPROBATION, AINSI QUE CELLE DE LA TOTALITE DU MATERIEL TECHNIQUE FOURNI, SERA DE LA SEULE
RESPONSABILITE DU RESPONSABLE DE PRODUCTION DE L’ARTISTE.
DANS LE CAS OU IL ESTIMERAIT LA SCENE, OU TOUT AUTRE ELEMENT TECHNIQUE, DANGEREUX OU INACCEPTABLE,
L'ARTISTE NE SE PRODUIRA PAS, SANS POUR AUTANT RENONCER A SES DROITS, TEL QU’ENONCES AU PRESENT
CONTRAT, Y COMPRIS, MAIS NON LIMITEE A LA REPARATION INTEGRALE DES DOMMAGES.
LE MONTAGE DE LA SCENE ET SON EQUIPEMENT DEVRA ETRE TERMINEE AVANT LA BALANCE DE L’ARTISTE.
DIMENSIONS DE LA SCENE:
- OUVERTURE : 10 METRES
- PROFONDEUR : 8 METRES
- HAUTEUR : 1,20 M
PODIUMS :
- BATTERIE : 3 METRES X 2 METRES X 0,60 METER
- 1 CLAVIERS : 2 METRES X 2 METRES X 0,40 METER
DEUX ESCALIERS AVEC MAINS COURANTES, CORRECTEMENT ECLAIRES, SERONT POSITIONNES DE PART ET D’AUTRE DE
LA SCENE.
L’INTEGRALITE DE LA SCENE ET DES PODIUMS SERA JUPEE NOIRE. LES PODIUMS RECOUVERTS DE MOQUETTE .
RIDEAUX NOIR EN FOND DE SCENE ET PENDRILLONS NOIRS A COUR ET JARDIN.
2 °) CONDITIONS EQUIPE LOCALE:
LE PROMOTEUR DOIT FOURNIR A SES PROPRES FRAIS LE PERSONNEL SUIVANT :
-2 MACHINISTES DISPONIBLES POUR DECHARGER ET RECHARGER LE MATERIEL.
-1 ELECTRICIEN AVEC UNE PARFAITE CONNAISSANCE DES ALIMENTATIONS ELECTRIQUE DE LA SALLE.
3 °) BACKLINE / PA / EXIGENCES EN LUMIERE:
LE BACKLINE, PA ET ECLAIRAGE SERONT DE QUALITE PROFESSIONNELLE.
TOUT LE MATERIEL DOIT ETRE INSTALLE ET EN ORDRE DE MARCHE AVANT L'ARRIVEE DE L'EQUIPE TECHNIQUE DE L'ARTISTE *******
!
!
PAGE 10
3°)BACKLINE / PA / LIGHTS
LE BACKLINE, PA, LIGHTING EQUIPEMENT DOIVENT ETRE DE BONNE QUALITE.
BATTERIE + COMPUTER
Prévoir une petite table ou un fly vide
1 DRUM DW OU YAMAHA 9000 RC WITH REMO NEW PIN STRIPE CHEFS:
22'' BASS DRUM + BASS DRUM PEDAL PEARL / TAMA OU DW
16'' FLOOR TOM
18'' FLOOR TOM
1 14" HI-HAT (ZIDJIAN OU SABIAN)
1 X 14 "CRASH & 2 X 16" CRASH 18 CRASH & 20 "RIDE (ZIDJIAN OU SABIAN)
2 SNARE PEARL FREE FLOATING 6,5''X 14''+ STANDS
1 STAND CHARLESTON WITH PEARL TILTEUR / TAMA OU DW
5 BOOM CYMBALE STANDS
1 AJUSTABLE DRUM STOOL
BASSE
1 AMPEG SVT 2 PRO (MADE IN USA ! )
1 SPEAKER CABINET AMPEG 810 (MADE IN USA ! )
1 GTR STAND
KEYBOARD
1 STAND RTX WITH EXTENSION
GUITARE
2 TWIN REVERB BLACK FACE OR 1 MARSHALL JCM 2000
1 ELECTRO ACOUSTIC GTR MARTIN or GUILD
2 GTR STAND
LUTH
1 ROLAND JAZZ CHORUS OR FENDER TWIN REVERB
1 GTR STAND
!
!
PAGE 11
B) P.A. SYSTEM:
FOURNI A LA SEULE CHARGE DU PROMOTEUR
PLAN DE SCENE VOIR PATCH. page 1,2,3
MIDAS série H ou XL (UNIQUEMENT VCA DESK)
1 PCM 70
1 PCM 90
2 SPX 990
1 TC Electronic D-TWO
3 NOISE GATE
12 COMPRESSEUR DBX 160A
4 COMPRESSEURS STEREO DRAWMER DL 241, BSS 402, DBX
1 LECTEUR CD
1 EQ GRAPHIQUE STEREO
SUB SUR UN DEPART AUXILIAIRE AVEC EQ GRAPHIQUE
MONITOR
40 INPUTS/12 AUX. Y COMPRIS STEREO AUX / 8 VCA.
MIDAS HERITAGE, XL 250, XL 8
2 SYSTEMES WIRELESS MONITEURS OREILLETTE : PSM 600, SENNHEISER SR3256 (PAS DE PSM 700),:
DRUM, CHANTEUR, (SORTIE EN SOLO)
1 PSM 600 WIRED IN-EAR MONITOR SYSTEM, P6HWE3: BATTERIE
7 1/3 OCTAVE BSS EGALISEUR STEREO, KLARK TEKNIK
5 COMPRESSEURS STEREO TYPE DRAWMER DL 241, BSS 402. (10 CANAUX)
8 NOISE-GATE DRAWMER DS 201, BSS DPR 502.
1 SPX 990
10 MONITEURS IDENTIQUES: D & B MAX 15
SIDEFILLS (3-VOIES, SUB BASS REQUIS).
LE MICRO TROMPETTE DOIT ETRE PLACE A 2 METRES DE HAUT MINIMUM.
1 SUB-BASSE AVEC ADEQUATS CROSS-OVER (BATTERIE)
C) ECLAIRAGE:
NOUS N’AVONS PAS DE TECHNICIEN LUMIERE.
NOUS FAISONS CONFIANCE A VOTRE PROFESSIONNALISME ET VOTRE SENSIBILITE ARTISTIQUE.
4 °) ALIMENTATION:
NOTRE BACKLINE ETANT EQUIPE DE PRISES FRANÇAISES, PREVOIR ADAPTATEURS SI NECESSAIRE (FRANÇAIS/STANDARD
LOCAL).
LA LUMIERE HALL/LUMIERE SCENE ET LE SYSTEME DE SONORISATION DEVRONT AVOIR DES ALIMENTATIONS
ELECTRIQUES INDEPENDANTES.
!
!
PAGE 12
REMARQUES:
L’ALIMENTATION ELECTRIQUE DOIT ETRE RELIEE A LA TERRE ET FOURNIR UN 220/380 VOLTS CONSTANT ET REGULIER.
A 5 °) CATERING & RESTAURANT:
• LE DEJEUNER OU DINER SERA FOURNIT PAR UN RESTAURANT OU UN BON SERVICE TRAITEUR (REPAS CHAUD AVEC VIN)
POUR 7 PERSONNES (S'IL VOUS PLAIT ABSOLUMENT PAS DE PORC).
VERIFIER AUPRES DU RESPONSABLE DE PRODUCTION LES HORAIRES DE DEJEUNER ET/OU DINER.
6 °) TRANSPORTS LOCAUX:
LE PROMOTEUR DOIT ASSURER, A SES PROPRES FRAIS, TOUS LES TRANSFERTS ENTRE L'AEROPORT/GARE ET L’HOTEL/
LA SALLE POUR 8 PERSONNES + BAGAGES + INSTRUMENTS, PAR MINIBUS OU TOUT AUTRE VEHICULE AYANT UN NIVEAU
DE CONFORT SATISFAISANT.
LE/LES CHAUFFEURS DEVRONT AVOIR UNE PARFAITE CONNAISSANCE DE LA VILLE ET SES ENVIRONS.
UN VEHICULE ET SON CHAUFFEUR SERA DISPONIBLE A TOUT MOMENT POUR L'ARTISTE ET SON EQUIPE PENDANT LA
DUREE DU CONTRAT.
7) LOGEMENT
LE PROMOTEUR RESERVERA 8 CHAMBRES INDIVIDUELLES DANS UN HOTEL DE CATEGORIE 3/4 ETOILES (SALLE DE BAINS
ET WC, MINI-BAR ET TV).
LES CHAMBRES DOIVENT ETRE SUFFISAMMENT CHAUFFES ET / OU L'AIR CONDITIONNE.
L'HOTEL DEVRA AVOIR UN ASCENSEUR, RESTAURANT ET ROOM SERVICE 24 HEURES/24.
LE PROMOTEUR DOIT S’ASSURER AUPRES DU PERSONNEL HOTEL QUE LE PETIT DEJEUNER (CONTINENTAL) PEUT ETRE
SERVI EN CHAMBRE, MÊME TARD EN MATINEE.
L'HOTEL DOIT ETRE CALME, CONFORTABLE ET AUSSI PRES QUE POSSIBLE DU LIEU DE CONCERT.
L’ARTISTE ET TOUTE SON EQUIPE SERA LOGE DANS LE MÊME HOTEL.
8 °) BUREAU DE PRODUCTION & LOGES:
PREVOIR UN BUREAU DE PRODUCTION AVEC LIGNE TELEPHONIQUE ET ACCES INTERNET WIFI.
PREVOIR 2 LOGES, 1 LOGE ARTISTE (AVEC CANAPE ET MIROIR), 1 LOGE MUSICIENS.
PREVOIR DANS LES LOGES, A DISPOSITION DES L’ARRIVEE DE L’ARTISTE.
DIVERS SANDWICHS
PLATEAUX AVEC DIFFERENTES VIANDES FROIDES (PAS DE PORC)
SALADES VARIEES
1 ASSORTIMENT DE FROMAGE
1 ASSORTIMENT DE FRUITS FRAIS
1 ASSORTIMENT DE CONFISERIE
16 BIERES (CANETTES OU BOUTEILLES) DE QUALITE LOCALE
2 BOUTEILLES DE BON VIN ROUGE
2 BOUTEILLES DE CHAMPAGNE
1 BOUTEILLE DE VODKA
15 LITRES D'EAU MINERALE PLATE
6 LITRES D'EAU MINERALE GAZEUSE
6 LITRES DE 100% PUR JUS DE FRUITS FRAIS
DES GLACONS , CAFE & THE
PREVOIR SUR SCENE, A DISPOSER AVANT SPECTACLE : 14 PETITES BOUTEILLES D'EAU MINERALE 7 SERVIETTES
!
!
PAGE 13
9 °) SECURITE:
LE PROMOTEUR ACCEPTE DE FOURNIR, DE L'ARRIVEE AU DEPART DE L’ARTISTE, UN SERVICE DE SECURITE
PROFESSIONNEL ET EFFICACE QUI GARANTIRA, LES LOGES, LES COULISSES ET LES ABORDS DE SCENE (ET PARKING SI
VEHICULE).
LE RESPONSABLE DE PRODUCTION CONVIENDRA AVEC LE RESPONSABLE DE SECURITE DES ZONES DE VIGILANCES ET DES
DETAILS INHERENTS AUX DIVERS BADGE D’IDENTIFICATION.
CAMERAS VIDEO, MAGNETOPHONE, BOUTEILLES ET ARMES OFFENSIVES SERONT INTERDITS DANS LA SALLE.
10 °) LISTE D’INVITES:
LE JOUR DU SPECTACLE, LE RESPONSABLE DE PRODUCTION REMETTRA AU PROMOTEUR UNE LISTE D'INVITES
(20 PERSONNES MAXIMUM) A L'USAGE EXCLUSIF DE L'ARTISTE.
11 °) AUTRES CONDITIONS :
AUCUNE PARTIE DU SPECTACLE NE PEUT ETRE DIFFUSEE, ENREGISTREE, FILMEE, SANS L'AUTORISATION ECRITE ET
PREALABLE DU MANAGEMENT DE L’ARTISTE.
.
12°) ASSISTANCE MEDICALE :
MERCI DE DISPOSER LE JOUR DU CONCERT D’UNE LISTE D’ASSITANCE MEDICALE D’URGENCE ET DE PREMIER SOIN.
!
!
PAGE 14
THE BAND
RACHID TAHA / VOCAL
HAKIM HAMADOUCHE / MANDO LUTH
KENZI BOURRAS / KEYBOARD
MAXIME DELPIERRE / GUITAR
JUAN DE GUILBON / BASS
GUILLAUME ROSSEL / DRUM
JULIEN RUHL / FOH
YVES FRED AOUIZERATE / TOUR MANAGER
!
!
PAGE 15

RACHID TAHA_RIDER_JANV_2013_ENGLISHFRENCH

Transcription

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