French Cinema (Semester Year 2016/17)

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02/15/17
French Cinema | University of Glasgow
French Cinema
(Semester Year 2016/17)
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Films and bibliographical resources for the Honours
option in French Cinema
Abel, Richard. 1984. French Cinema: The First Wave, 1915-1929. Princeton, N.J.: Princeton
University Press.
Anne Delgrange. n.d. ‘Les Garçons et Guillaume, à Table ! - Article.’ Carnet de Notes Sur
Les Maltraitances Infantiles N° 1(1):74–75. Retrieved
(https://www.cairn.info/revue-carnet-de-notes-sur-les-maltraitances-infantiles-2015-1-page
-74.htm).
Anon. n.d. ‘Costa-Gavras, “The Prospects for Political Cinema Today”.’ Retrieved
(http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/912869257/fullt
extPDF/B27DE8359A054FB0PQ/1?accountid=14540).
Anon. n.d. ‘Dada and Surrealism in Cinema and Photography.’ Retrieved
(http://www.surrealist-film.gla.ac.uk/).
Anon. n.d. ‘Girl on the Bridge - Wikipedia.’ Retrieved
(https://en.wikipedia.org/wiki/Girl_on_the_Bridge).
Anon. n.d. ‘Guillaume Gallienne - La Biographie de Guillaume Gallienne Avec Gala.fr.’
Retrieved (http://www.gala.fr/stars_et_gotha/guillaume_gallienne).
Anon. n.d. ‘Guillaume Gallienne : Je N’ai Jamais Dit Que Je N'étais Pas Gay''’. Retrieved
(http://www.purepeople.com/article/guillaume-gallienne-je-n-ai-jamais-dit-que-je-n-etais-pa
s-gay_a135435/1).
Anon. n.d. ‘Guillaume Gallienne : “Mon Pèree Est Mort Dans D’atroces Souffrances”.’
Retrieved
(http://www.purepeople.com/article/guillaume-gallienne-mon-pere-est-mort-dans-d-atroces
-souffrances_a173266/1).
Anon. n.d. ‘Guillaume Gallienne : Sa Biographie - AlloCiné.’ Retrieved
(http://www.allocine.fr/personne/fichepersonne-93932/biographie/).
Anon. n.d. ‘Guillaume Gallienne : Son Actualité Sur France Inter.’ Retrieved
(https://www.franceinter.fr/personnes/guillaume-gallienne).
Anon. n.d. ‘La Fille Sur Le Pont (film 1998) - Comédie Dramatique - L’essentiel Télérama.fr.’ Retrieved
(http://www.telerama.fr/cinema/films/la-fille-sur-le-pont,31598.php).
Anon. n.d. ‘Les Garçons et Guillaume, à Table! De Guillaume Gallienne - Dossier.’
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Retrieved (http://www.grignoux.be/dossiers/354).
Anon. n.d. ‘Un Chien Andalou (Short Film).’ Retrieved
(http://www.youtube.com/watch?v=_DZ1x-xBtUM).
Anon. n.d. ‘Vers Un Cinéma Social - Article.’ Retrieved
(http://www.derives.tv/IMG/article_PDF/article_a48.pdf).
Austin, Guy. 2008. Contemporary French Cinema: An Introduction. 2nd ed. Manchester:
Manchester University Press.
Baecque, Antoine de and Toubiana, Serge. 1996. François Truffaut. [Paris]: Gallimard.
Beineix, Jean-Jacques. 2004. ‘Diva.’
Besson, Luc. 2003. ‘Subway.’
Besson, Luc, Anne Parillaud, Jean-Hugues Anglade, and Tcheky Karyo. 2009. ‘Nikita, 19:15
12/04/2015, Arte, 110 Mins.’ Retrieved
(https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://idp.gla.ac.uk/shibbolet
h&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/09C3C4B0).
Brody, Richard. 2008. Everything Is Cinema: The Working Life of Jean-Luc Godard. London:
Faber & Faber.
Buänuel, Luis and Dali, Salvador. 2007. ‘Un Chien Andalou.’
Carax, Léos et al. 2001. Mauvais Sang: The Night Is Young. New York, NY: Fox Lorber Films.
Carax, Léos, Denis Lavant, Juliette Binoche, Klaus-Michael Grüber, and Arrow Films (Firm).
2009. ‘Les Amants Du Pont Neuf.’
Carné, Marcel. n.d. ‘Le Jour Se Léve.’ Studio Canal classique.
Carné, Marcel and MacOrlan, Pierre. 2004. Port of Shadows. [Irvington, N.Y. ]: Criterion
Collection.
Chazal, Robert. 1965. Marcel Carné. Paris: Seghers.
Collet, Jean. 1977. Le Cinéma de François Truffaut. Paris: P. L’Herminier.
Conley, Tom and T. Jefferson Kline, eds. 2014. A Companion to Jean-Luc Godard.
Chichester, West Sussex: John Wiley and Sons Inc. Retrieved
(http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1002/9781118586815).
Cromwell, John and Duvivier, Julien. 2006. ‘Casbah: American Remake of Pépé Le Moko.’
Les chefs-d’¶uvre du film noir.
Daly, Fergus and Garin Dowd. 2003. Leos Carax. Manchester: Manchester University Press.
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Estève, Michel. 1966. Jean Vigo. Paris: Minard, Lettres modernes.
Ezra, Elizabeth. 2000. Georges Méliès: The Birth of the Auteur. Manchester: Manchester
University Press.
Faulkner, Christopher and Duncan, Paul. 2007. Jean Renoir: A Conversation with His Films,
1894-1979. Köln: Taschen.
Feldman, Joseph, Feldman, Harry, Weinberg, Herman G., and Agee, James. n.d. Jean Vigo.
London: British Film Institute.
Fiant, Antony, Hamery, Roxane, and Thouvenel, Éric. 2009. Agnès Varda: Le Cinéma et
Au-Delà. Rennes: Presses universitaires de Rennes.
Fotiade, R. 1995. ‘The Untamed Eye: Surrealism and Film Theory.’ Screen 36(4):394–407.
Fotiade, Ramona. 1998. ‘The Slit Eye, the Scorpion and the Sign of the Cross: Surrealist
Film Theory and Practice Revisited.’ Screen 39(2). Retrieved
(http://ezproxy.lib.gla.ac.uk/login?url=http://screen.oxfordjournals.org/content/39/2/109.ful
l.pdf).
Fotiade, Ramona. 2013. À Bout de Souffle. London: I.B. Tauris & Co. Ltd.
Frodon, Jean-Michel. 1995. L’âge Moderne Du Cinéma Français: De La Nouvelle Vague à
Nos Jours. Paris: Flammarion.
Gabin, Jean and Ashelbe. n.d. ‘Pépé Le Moko.’ Studio Canal classique.
Gallienne, Guillaume et al. 2013. ‘Les Garçons et Guillaume, à Table!’ edited by V.
Deseine.
Godard, Jean Luc, Gaumont Video (Firm), and Centre National de la Cinématographie
(France). 2008. ‘Histoire(s) Du Cinéma.’ Artificial Eye.
Godard, Jean-Luc. 1980. Introduction à Une Véritable Histoire Du Cinéma. Paris: Albatros.
Godard, Jean-Luc et al. 2014. ‘Goodbye to Language.’
Godard, Jean-Luc et al. 2000. ‘Breathless, 00:25 12/11/2004, BBC2 England, 90 Mins.’
Retrieved
h&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/00020428).
Gomes, Paolo Emilio Salles. 1972. Jean Vigo. London: Secker and Warburg.
Guillaume-Grimaud, Geneviève. 1986a. Le Cinéma Du Front Populaire. Paris: Lherminier.
Guillaume-Grimaud, Geneviève. 1986b. Le Cinéma Du Front Populaire. Paris: Lherminier.
Hammond, Paul. 1974. Marvellous Méliès. London: Gordon Fraser Gallery.
Harper, Graeme and Stone, Rob. 2007. The Unsilvered Screen: Surrealism on Film. London:
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Wallflower.
Hayward, Susan. 1998. Luc Besson. Manchester: Manchester University Press.
Hayward, Susan and Phil Powrie. 2006. The Films of Luc Besson: Master of Spectacle.
Manchester: Manchester University Press.
Hayward, Susan and Vincendeau, Ginette. 2000. French Film: Texts and Contexts. 2nd ed.
London: Routledge.
Holmes, Diana and Ingram, Robert. 1998. François Truffaut. Manchester: Manchester
University Press.
Jackson, Julian and British Film Institute. 2009. La Grande Illusion. Basingstoke: Palgrave
Macmillan in association with the British Film Institute.
Jameson, Fredric. 1990. Signatures of the Visible. New York: Routledge.
Janice Morgan. 1994. ‘In the Labyrinth: Masculine Subjectivity, Expatriation, and
Colonialism in Pépé Le Moko.’ The French Review 67(4):637–47. Retrieved
(http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/396926).
Le Berre, Carole. 1995. Jules et Jim, François Truffaut: étude Critique. Paris: Nathan.
Leconte, Patrice. 2000. ‘The Girl on the Bridge: La Fille Sur Le Pont.’
Leconte, Patrice et al. 2009. ‘Ridicule.’
Lherminier, Pierre. 1967. Jean Vigo. Paris: Seghers.
MacCabe, Colin. 2004. Godard: A Portrait of the Artist at Seventy. New York: Farrrar, Straus
and Giroux.
Man Ray et al. 2005. ‘Avant-Garde: Experimental Cinema of the 1920s and ’30s.’
Marie, Michel. 1999. À Bout de Souffle, Jean-Luc Godard. Paris: Nathan.
Michalczyk, John J. 1984. Costa-Gavras, the Political Fiction Film. Philadelphia: Art Alliance
Press.
Monaco, James. 1976. The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette. Oxford:
Oxford University Press.
Mény, Jacques, Méliès, Georges, and Centre national de la cinématographie (France).
2001. ‘Méliès Le Cinémagicien.’ Cinâema muet.
Orpen, Valerie. 2003. Film Editing: The Art of the Expressive. London: Wallflower.
Orpen, Valerie. 2007. Cléo de 5 à 7 (Agnès Varda, 1961). London: I.B. Tauris.
O’Shaughnessy, M. 1996. ‘Pepe Le Moko or the Impossibility of Being French in the 1930s.’
French Cultural Studies 7(21):247–58.
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O’Shaughnessy, Martin. 2000a. Jean Renoir. Manchester: Manchester University Press.
O’Shaughnessy, Martin. 2000b. Jean Renoir. Manchester: Manchester University Press.
O’Shaughnessy, Martin. 2009. La Grande Illusion (Jean Renoir, 1937). London: I.B. Tauris.
Paulo Emílio Salles Gomes. n.d. Jean Vigo. Retrieved
(http://books.google.co.uk/books?id=LkvGO-qdXGcC&pg=PA242&dq=Jean+Vigo+z%25C3
%25A9ro+de+conduite&hl=en&sa=X&ei=4pJMUvbcDsSX0QWetYCQAg&ved=0CDEQ6AEw
AA#v=onepage&q&f=false).
Perez, Michel. 1986. Les Films de Carné. [Paris]: Ramsay.
Powrie, Phil. 1997. French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity.
Oxford: Clarendon Press.
Powrie, Phil. 1999a. French Cinema in the 1990s: Continuity and Difference. Oxford:
Powrie, Phil. 1999b. French Cinema in the 1990s: Continuity and Difference. Oxford:
Powrie, Phil. 2001. Jean-Jacques Beineix. Manchester: Manchester University Press.
Powrie, Phil. 2006. The Cinema of France. London: Wallflower.
Prédal, René. 1985. Le Cinéma de Costa-Gavras. Paris: Éditions du Cerf.
Prédal, René. 2008a. Le Cinéma Français Des Années 1990: Une Génération de Transition.
2e edition. Paris: Armand Colin.
Prédal, René. 2008b. Le Cinéma Français Des Années 1990: Une Génération de Transition.
2e edition. Paris: Armand Colin.
Reader, Keith. 2009. La Règle Du Jeu: (Jean Renoir, 1939). London: I.B. Tauris.
Renoir, Jean. n.d. ‘La Grande Illusion.’ Studio Canal classique. Retrieved
h&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/001DA462).
Renoir, Jean. 1974a. La Grande Illusion. Paris: Ballard.
Renoir, Jean. 1974b. My Life and My Films. New York: Atheneum.
Renoir, Jean. 1974c. My Life and My Films. New York: Atheneum.
Renoir, Jean. 1989a. Renoir on Renoir: Interviews, Essays and Remarks. Cambridge:
Cambridge University Press.
Renoir, Jean. 1989b. Renoir on Renoir: Interviews, Essays and Remarks. Cambridge:
Cambridge University Press.
Renoir, Jean et al. 2005. La Règle Du Jeu. France: Editions Montparnasse.
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Robinson, David. 1993. Georges Melies, Father of Film Fantasy. London: Museum of the
Moving Image.
Sesonske, Alexander. 1980. Jean Renoir: The French Films, 1924-1939. Cambridge, Mass:
Harvard University Press.
Silla, Virginie et al. 2011. ‘Les Adventures Extraordinaires d’Adele Blanc-Sec.’
Smith, Alison. 1998. Agnès Varda. Manchester: Manchester University Press.
Stam, Robert and American Council of Learned Societies. 2006. François Truffaut and
Friends: Modernism, Sexuality, and Film Adaptation. New Brunswick, N.J.: Rutgers
University Press. Retrieved
(http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08066).
Temple, Michael, James Williams, and Michael Witt. 2004. For Ever Godard. London: Black
Dog.
Temple, Michael. 2005. Jean Vigo. Manchester: Manchester University Press.
Temple, Michael, Williams, James, and Witt, Michael. 2004. For Ever Godard. London: Black
Dog.
Truffaut, François. 1971. Jules et Jim. Paris: Seuil/Avant-scène.
Truffaut, François and Roché, Henri Pierre. 2006. ‘Jules and Jim: Jules et Jim.’
Turk, Edward Baron. 1989. Child of Paradise: Marcel Carné and the Golden Age of French
Cinema. Cambridge, Mass: Harvard University Press.
Varda, Agnès and Bernard Bastide. 1994. Varda. Paris: Editions Cahiers du cinéma.
Varda, Agnès et al. 2009. ‘Cléo from 5 to 7.’
Varda, Agnès and Bastide, Bernard. 1994. Varda. Paris: Editions Cahiers du cinéma.
Vasilikos, Vasilēs and Costa-Gavras. 2002. ‘Z.’
Vigo, Jean. 2001. ‘Zéro de Conduite.’
Vigo, Jean and Rozier, Jacques. 2001. ‘The Complete Jean Vigo.’ Artificial eye.
Vincendeau, Ginette. 1998. Pépé Le Moko. London: BFI Publishing.
Vincendeau, Ginette. 2000. Stars and Stardom in French Cinema. London: Continuum
Publishing Co.
Wagner, Jamie Marie. 2010. ‘An American Appeal.’ Film Matters 1(1):14–19.
Warner, Marina. 1993. L’Atalante. London: British Film Institute.
Witt, Michael. 2013. Jean-Luc Godard, Cinema Historian. Bloomington, Indiana: Indiana
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University Press.
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French Cinema (Semester Year 2016/17)

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