docDaniel Buren - a FresCO
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Daniel Buren - a FresCO
VGBuren_A2.indd 1 2/10/16 10:19 AM Centre FOR Fine Arts BRUSSELS 19 FEBRUARY— 22 MAY 2016 62 MALEVICH Kazimir 58 LIMOUSE Roger 61 MAGNELLI Alberto 50 KOUNELLIS Jannis 64 MARCHAND André 52 KUNTZEL Thierry 56 LEGER Fernand 55 LEE Ufan 53 LAVIER Bernard 65 MARTIN Agnes 54 LAWLER Louise 47 KELLY Ellsworth 70 MONET Claude 72 MOSTA-HEIRT Côme 67 MATISSE Henri 63 MANZONI Piero 75 NOCHET Guy 84 POUGNY Jean 71 MONTICELLI Adolphe 76 PALERMO Blinky 77 PARMENTIER Michel 74 NEWMAN Barnett 66 MASSON André 69 MONDRIAAN Piet 79 PASQUIER Francis 83 POLLOCK Jackson 78 PARRENO Philippe 82 POLKE Sigmar 98 TAYOU Pascale Marthine 86 RICHTER Gerhard 85 REINHARDT Ad 89 RYMAN Robert 81 PICASSO Pablo 88 RUSCHA Ed 91 SCURTI Franck 93 SMITH Tony 99 TUTTLE Richard 97 STRUTH Thomas 101 VILLEGLE Jacques 92 SERRA Richard 87 96 RODCHENKO STAZEWSKI Alexander Henryk 104 ZORIO Gilberto 102 WEINER Lawrence 90 SCARPITTA Salvatore 103 WILSON Ian 2 ANDRE Carl 60 LONG Richard 57 LEWITT Sol EXPO 73 NAUMAN Bruce 13 BELL Larry 100 VALENTINE De Wain 59 LOHAUS Bernd 21 CAZAL Philippe 5 ARP Jean 9 BALDESSARI John 22 CEZANNE Paul 11 BAZILE Bernard 51 KRASINSKI Edward 38 HAACKE Hans 19 CALLE Sophie 19 CALLE Sophie 17b BROODTHAERS Marcel 25 CHEN Zhen 23 CHAGALL Marc 20 CAMOIN Charles 15 BOETTI Alighiero 17a BROODTHAERS Marcel 18 BROUWN Stanley 35 FLAVIN Dan 4 ANTIC Igor 80 PENONE Giuseppe 8 AUJAME Jean 16 95 94 BRANCUSI Identifications Land Art Constantin (SCHUM Gerry) (SCHUM Gerry) 68 MERZ Mario 6 7 ASHER Michael ATGET Eugène 29 DAURIAC Jacqueline 3 ANSELMO Giovanni 12 BECHER Bernd & Hilla 24 CHASTEL Roger 1 AFIF Saâdane 10 BARRY Robert 14 BEUYS Joseph 36 FONTANA Lucio 30 DEBORD Guy PINOT-GALLIZIO Giuseppe 37 FRANÇOIS Michel 37 FRANÇOIS Michel 31 DMITRIENKO Pierre 46 KAWARA On 45 KAPOOR Anish 40 HANTAI Simon 34 FISCHER Morgan 28 DARBOVEN Hanne 44 JUDD Donald 41 HUEBLER Douglas 39 HAINS Raymond 26 CONVERT Pascal 33 FAUTRIER Jean 27 CURLET François 49 KOSUTH Joseph 43 JANSSENS Ann Veronica 42 48 KNIGHT John HUYGHE Pierre 32 DUYCKAERTS Eric PALEIS VOOR SCHONE KUNSTEN BRUSSEL Palais des beaux-arts bruxelles Daniel Buren - A FresCO EN Since 1967, Daniel Buren has been in his work using a recurrent motif inspired by the printed fabrics used for the blinds of shops and Parisian bistrots: an alternation of vertical white and coloured strips that are 8.7cm wide. He was looking for a sign, a visual tool, that could stand out in and outside the museum. The street and the exhibition spaces of all sorts have thus become his favourite places to work. Consequently, the alternating strips have meaning only in the connection that they maintain with the site where they are installed. While the specific character and the often ephemeral nature of Daniel Buren’s work make the idea of a traditional retrospective impossible, the artist does however propose an original response to this issue. A FRESCO The exhibition is designed as a visual and temporal crossing during which Daniel Buren sets up a dialogue between his work and works of art chosen from more than 100 artists from the 20th and 21st centuries. These have all, in one way or another, marked his journey, from Paul Cézanne, Fernand Leger to Pablo Picasso, going via Jackson Pollock, Sol LeWitt up to Pierre Huyghe and many others. What is more, a specific work of art, in the form of a film produced by the artist, proposes a huge panorama of his works and more particularly of his ephemeral works. This real fresco with multiple images is made up of archives, extracts of films, commentaries and interviews… It allows us to glimpse, as near as can be, what would be the idea of a retrospective of Daniel Buren’s works of art. THE FILM This new creation in film form evokes memories of Buren’s interventions from the 1960s right up until today, 80% of which no longer exist. “A very long time ago the idea came to me to make a wall of images so as to have an introductory room to the exhibition itself. That seemed to be a more interesting, more effective and less annoying possibility than a book (that few people buy in the end!). A room offered to all the visitors. But that had never been possible for different reasons, first of all due to the huge amount of work that that represented and especially the cost of such a project.” Daniel Buren For his exhibition at the Centre for Fine Arts, Buren saw an opportunity to create his wall of images. This film is, for the artist, a big visual, moving fresco with a sound track and music, noises, voices, old documents etc. It consists of showing, just as in a fresco, i.e. from A to Z, from left to right and from top to bottom, a very big part of the works of art that he produced. The combination of existing works with others that have disappeared, all given the same treatment, offers to those who know his work well and to those who know his work less, a broad panorama of his oeuvre from 1960 to 2015. The film is constructed around big themes that cut across Daniel Buren’s work: les Cabanes éclatées, la Lumière du Jour, le Mouvement, les Traversées, le Théâtre, les Films, l’Outil visuel, les Paysages empruntés… La Salle des Empreintes It consists of arranging on the two main opposite walls, all the artists’ selected art works in alphabetic order going from the left of the room as you enter and continuing along the opposite wall always from left to right up to the entrance itself. We thus see from the entrance a sort of set of rules which, in an arbitrary and relatively objective way, comes to position all these works of art without taking into account either the artist or the era nor even what the works of art may say. To distinguish between them we only have their respective shapes. Fairly quickly, we guess that these shapes must be paintings which are going to be hung as were the paintings in the 18th century. Some above others and some next to others, thus VGBuren_A2.indd 2 In ‘Les Salles des Ombres et des Lumières’, you will see a repetition of the forms presented in La Salle des Empreintes. However, this time the cutouts are filled with light-coloured filters, the shapes and placement of the imprints (‘les Ombres) and ‘les Lumières’, the tangible works of art from more than one century of art history. Some bring to mind forgotten artists who formed the artistic vision of Buren during his years as a student, others are a tribute to his compagnons de route with whom he exhibits since 1968. Others where students of Buren at the Institut des Hautes Études et Art Plastique in Paris and at the Kunstakademie in Düsseldorf where Buren teached for five years. These have all, in one way or another, marked his journey. Not a single artwork hangs or stands without a reason. Admittedly, the list of artists chosen by Daniel Buren represents the works of art that are being exhibited. Some artworks can nevertheless not be present in the exhibition given their specific nature, such as the work of certain Mexican muralists whose selected creations were reproduced in the exhibition catalogue or the work of Jacques Charlier, an artist but also a tireless “columnist” of the art world and who Daniel Buren wished to include in the publication entitled LIBRETTO. This catalogue in the form of a newspaper will allow you to better understand Daniel Buren’s approach for this exhibition and give you further information on the many others presented artists. Enjoy the exhibition! “This film with its very distinct specificity with regard to my work is no doubt for the first time something that I present and claim as coming as close as possible to a retrospective. More alive than souvenir photos in a book, serving as memory of a big part of my work, it offers the majority of people who will visit this exhibition a broader idea than ever of over fifty years of different works carried out across the world. In a certain way, it is not only “Une Fresque” but also a sort of retrospective.” Daniel Buren 44. Donald Judd FILM 7 6 2 3 4 Room 1 7. Eugène Atget Fête foraine aux Invalides 1898 Private Collection, Paris 12. Bernd & Hilla Becher Coal Bunkers 1972 S.M.A.K., Ghent 11. Bernard Bazile Ouverture 1989-2009 Private Collection, Brussels 21. Philippe Cazal Compacité « QUESTION » 2011 Collection of the Artist, Paris 17a. Marcel Broodthaers Poèmes industriels – Museum, enfants non admis (black) 1969/70 Herbert Foundation, Ghent 17b. Marcel Broodthaers 15. Alighiero Boetti I sei sensi 1978 Fundació Suñol , Barcelona 20. Charles Camoin Madame Matisse faisant de la tapisserie 1904 Musée d’Art Moderne et Contemporain de Strasbourg 96. Henryk Stażewski Untitled 1979 Private Collection. Courtesy of the Museum of Modern Art, Warsaw 99. Richard Tuttle 98. Pascale Marthine Tayou Sculptures 2. Carl Andre Painting (Silver over Black, White, Yellow and Red) 1948 Purchase, 1972 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris Chalk G 2008 Private Collection, Paris Duration Piece 31 1974 FRAC Limousin, Limoges 53. Bernard Lavier On reflexion 1984 FRAC Île-de-France, Paris Sponsor: Le grand vent 1955 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 32. Éric Duyckaerts VARIA 2011 Collection of the Artist, Bordeaux 37. Michel François Froissé 2015 Courtesy of the Artist and carlier | gebauer, Berlin 39. Raymond Hains Festival d’Helsinki 1962 Collection Eric Fabre, Brussels Double Weight 2010 Private Collection, Paris 83. Jackson Pollock Sewn no.7 1998 Courtesy of the Artist and Galerie Greta Meert, Brussels 67. Henri Matisse Icaré in: Jazz, Plate VIII 1947 Gift of Mrs Alice Tériade, 2000 Musée départemental Matisse, Le Cateau-Cambrésis 66. André Masson in: Gerry Schum - Land Art. Fernsehausstellung I 1969 Van Abbemuseum, Eindhoven Lancelot 1927 Gift of Louise and Michel Leiris, 1984 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 4. 9. Partners: 1. Ciel 2002 (2016) Courtesy of the Artist and Galerie Micheline Szwajcer, Brussels Saâdane Afif Et l’Eternité 2013 Private Collection, Berlin 10. Robert Barry 5. Multicolored Word List 2009 Courtesy of the Artist and Galerie Greta Meert, Brussels Jean Arp Trousse du naufragé 1920-1921 Musée d’Art Moderne et Contemporain de Strasbourg 14. Joseph Beuys Joyce 1961 Private Collection, Antwerp 18. Stanley Brouwn 10 mm, 10 cm, 10 dm 1976 Courtesy of the Artist and Galerie Micheline Szwajcer, Brussels 19. Sophie Calle Prenez soin de vous. Traductrice en langage sms, Alice Lenay 2007 Courtesy of Galerie Perrotin, Paris 26. Pascal Convert Fragment de bibliothèque cœur de verre rouge #1 2015 Private Collection, Paris 29. Jacqueline Dauriac Trapèze bleu pour femme en noir 1986 Private Collection, Paris 28. Hanne Darboven Giovanni Anselmo Oltremare Reconstruction in 2016 Courtesy of the Artist and Galerie Micheline Szwajcer, Brussels Etude 1969 Musée d’Art moderne de la Ville de Paris 102.Lawrence Weiner 50. Jannis Kounellis Untitled 1984 Carré d’art - Musée d’art contemporain, Nîmes 70. Claude Monet Le Grand Canal 1908 Collection Davide Nahmad 72. Côme Mosta-Heirt Untitled 2015 Collection of the Artist, Paris 74. Barnett Newman Jericho 1968-1969 Purchase with the support of Basil and Elisa Goulandris, 1986 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 77. Michel Parmentier 20 février 1968 1968 Private Collection, Paris 86. Gerhard Richter Stadtbild PL 1970 Collection Böckmann, Berlin A 36” x 36” Removal to the Lathing or Support Wall of Plaster or Wallboard from a Wall 1968 The Museum of Modern Art, New York 54. Louise Lawler Fake or Contemporary (Center) 2008-2010 Courtesy of the Artist and Galerie Greta Meert, Brussels Sculptures 16. Constantin Brancusi Torse de jeune homme 1923 Legacy Constantin Brancusi, 1957 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris Day Rider 1979 Vitart SA, Lugano 100.De Wain Valentine 90. Salvatore Scarpitta 104.Gilberto Zorio Stella di piombi 2002 Albert Baronian, Brussels Untitled 2006 Private Collection, Antwerp Column Gray with Cloud 1969-1970 Fundación Almine y Bernard RuizPicasso para el Arte, Brussels 56. Fernand Léger La fôret 1942 Gift, 1982 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 42. Pierre Huyghe Timekeeper 1999 (2016) Architectural intervention, succession of exhibition layers Courtesy of the Artist and Esther Schipper Gallery, Berlin 61. Alberto Magnelli Voyage lumineux 1950 Acquisition of Mr Eric de Fortemps de Loneux, SintGenesius-Rode, 1967 Royal Museums of Fine Arts of Belgium, Brussels 65. Agnes Martin Lemon Tree 1985 Centre national des arts plastiques, Paris 69. Piet Mondriaan Igor Antic Mise en demeure 06 07 15 2015 Collection of the Artist, Paris John Baldessari Scene () / Take () : Bowler Hat 2014 Courtesy of the Artist and Galerie Greta Meert, Brussels 23. Marc Chagall Esquisse pour La Révolution 1937 Gift, 1988 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 76. Blinky Palermo Untitled (Stoffbild Nr. 35) 1969 Purchase at public auction, Sotheby’s, London, November 30 1994, lot no. 35 Royal Museums of Fine Arts of Belgium, Brussels 82. Sigmar Polke Ein Bild sollte nicht grösser sein als ein Bett 1985 FRAC Bourgogne 85. Ad Reinhardt Ultimate Painting n° 6 1960 Purchase of the State, 1974 Attribution, 1974 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 27. François Curlet 93. Tony Smith Waffle #4 2014 Courtesy of the Artist and Galerie Micheline Szwajcer, Brussels The Back of Hollywood 1977 Musée d’Art Contemporain de Lyon Untitled 1969 Private Collection, Paris 13. Larry Bell 87. Alexander Rodchenko 88. Ed Ruscha 89. Robert Ryman 40. Simon Hantaï Paperweight from : Rénovation = expulsion, Le Nouveau Musée, Villeurbanne 1991 Private Collections, Brussels & Paris Le libraire 1938 Musée d’Art moderne de la Ville de Paris Untitled 1974 FRAC Nord-Pas de Calais Salaire Solaire (Sunshine) 2015 Courtesy of the Artist and Michel Rein, Brussels & Paris 24. Roger Chastel Room 3 43. Ann Veronica Janssens Intervention 1982 Private Collection. Courtesy of the Museum of Modern Art, Warsaw 6. Michael Asher Falaises au vent d’Ouest 1958 Musée d’Art moderne de la Ville de Paris 91. Franck Scurti in: Gerry Schum – Identifications. Fernsehausstellung II 1970 LIMA, Amsterdam 63. Piero Manzoni Achrome 1959 Private Collection, Pavia 79. Francis Pasquier Vieux Mas Catalan no date Art Collection Javier Méndez y Salgado, Geneva 75. Guy Nochet vue de Paris 1972 Private Collection, Paris Sculptures 80. Giuseppe Penone Nel Legno 2010 Private Collection, Turin Room 6 51. Edward Krasiński Nineteenth Steel Cardinal 1974 Private Collection, Antwerp Video 94.Richard Long, Barry Flanagan, Dennis Oppenheim, Robert Smithson, Marinus Boezem, Jan Dibbets, Walter De Maria Imaginary Friends 2005 (2016) Courtesy of the Artist and Air de Paris, Paris Untitled 1923 Private Collection 3. 64. André Marchand Grenade, verre et pipe 1911 Musée national Picasso-Paris Sculptures / Video 95.Joseph Beuys, Klaus Rinke, Ulrich Rückriem, Daniel Buren, Hamish Fulton, Gilbert & George, Stanley Brouwn, Ger van Elk, Giovanni Anselmo, Alighiero Boetti, Mario Merz, Keith Sonnier, Richard Serra, Franz Erhard Walther, Lawrence Weiner Room 5 92. Richard Serra Poèmes industriels – Museum, enfants non admis (white) 1969/70 Herbert Foundation, Ghent 41. Douglas Huebler As part of the project ‘A Fresco’, Daniel Buren invites Tino Sehgal for a presentation of the choreography ‘Untitled’, 2000. The date and hour will subsequently be communicated. Prestidigitateur nocturne 1960 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 31. Pierre Dmitrienko The sequence of the labels is arranged following the order of the artworks, room by room and clockwise. JK 1982 Private Collection, Brussels Saturday · 23/04/2016, 16:00 Info & reservation: +32 (0)2 507 82 00 – www.bozar.be Jean Aujame Les Textes de la Lumière / La Lumière des Textes 1992 Courtesy Galleria Continua, San Gimignano / Beijing / Les Moulins / Habana 1 48. John Knight Daniel Buren: Performance Couleurs superposées Titled (A.A.I.A.I.) Blank 1968 Courtesy of the Artist and Almine Rech Gallery, Brussels, London & Paris 25. Chen Zhen Cornerpiece 1978 M HKA / Flemish Community, Antwerp Friday 19/02/2016, 19:00 Info & reservation: +32 (0)2 507 82 00 – www.bozar.be 78. Philippe Parreno Rochers près des grottes audessus du Château-Noir c. 1904 Musée d’Orsay, Paris 5 35. Dan Flavin Artist Talk Daniel Buren – Joël Benzakin Untitled (Void) 1989 Kamel Mennour, Paris 22. Paul Cézanne Room 2 Support : French Embassy to Belgium 8. Bain (Lettres) 1924 Gift of Mrs Xénia Pougny, 1966 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 81. Pablo Picasso 49. Joseph Kosuth HORTAHAL HALL HORTA 84. Jean Pougny 21 juni 2007 2007 Private Collection, Antwerp 45. Anish Kapoor Centre Pompidou, Musée national d’art moderne, Paris creating whole walls of paintings. The shapes which are thus defined on the walls are almost exactly the contours of the real works of art which will themselves be dispersed, following the design of the first room, in the other rooms that form the itinerary of the exhibition. And the same goes for the three-dimensional works of art on the ground. In this itinerary there are two things that come to regulate the arrangement. There is first of all the most precise position, the most exactly possible, defined by the artists who have made these works of art and who have indicated where they need to be located, for example, at eye level or near the ceiling or the ground etc. Therefore, these artworks are positioned according to the orders of the artists in question. Furthermore, the positioning is done alphabetically as are all the other works that hang where space has been found for them following the design of the first room. Where the artist imposes such a set of rules, it is to cancel out any idea of aesthetic taste, so as not to bring out any historical chronology or hierarchy. That means something very important for Daniel Buren, who rightly confirms that 98% of the works of art are manipulated by everyone and anyone, specifying that if these works could not be manipulated they would not have the same significance. Lascaux 89-64 1989 Courtesy of the Artist and Galerie Greta Meert, Brussels BOZAR BOUTIK 46. On Kawara Exhibition organized with outstanding loans from the THE EXHIBITION Faced with the impossibility of being able to present a traditional retrospective of Daniel Buren’s oeuvre, he was invited to imagine a trip through his own work in which the works of art of other artists that have influenced him or interested him could take place. It was by discussing the possibilities offered by this invitation that the notion of a twofold, autobiographical exhibition came up: Les Salles des Ombres et des Lumières (1 > 7) “This exhibition isn’t a kind of writing of my souvenirs. It is a journey marked by works of art representing artists who all, at one time or another, for various but important reasons, have influenced my way of approaching things and/or contributed to enriching my own work. That’s why this list will appear to many as an eclectic list, which it is. A real fresco in the visual sense of the term and a very broad panorama as it covers the whole of the 20th century up until today. So we have here, if we can say so, a spectrum of works that present and represent points of view, important for me and so very subjective, on things that have allowed me and which allow me still today, for most of them, to work and to reflect. Questioning works of art and always works of art to be questioned.” […] “In this fresco I go over both the works that are, in one way or another, directly linked to my personal itinerary. Some are present, not just for their influence but also because they have been the subject of personal encounters Room 4 such as Pablo Picasso or Francis Pasquier to take absolute opposites. So we have several levels of reading and for each chosen artist there is a specific reason for his presence in this exhibition that is always in close connection with my own journey. When I was very young, I met artists as prestigious as Chagall, Picasso or Masson during a study that I did on “the influence of the countryside and light on the art of painters in Provence, from Cézanne to Picasso”. I met around fifty artists more or less well known at the time already. I wanted to take advantage of this exhibition to pay tribute to some among them, who have mostly fallen into general oblivion, but who had welcomed me in their house, shown me their works, opened my eyes and therefore helped me with the rest of my work. They represent very precise things in my mind vis à vis to a general understanding of art and in this sense had to be present here. From a certain point of view, they influenced me, given the age that I was, in as decisive a way as the major artists of the century with their works of art. Where are thus nog confronted to a group exhibition, in the traditional sense of the word, of only the most beautiful artworks of the century. On the contrary, we have a mixture, on the same walls, of influences between artworks from artists for ever to me unknown and the human warmth of other artists who have supported me.” Daniel Buren “… So one can manipulate them since the directors or curators of the museums are not going to ask Mr Zurbarán or Monsieur Picasso where one should hang their works when they are displayed in an exhibition…” Daniel Buren SALLE DES EMPREINTES Daniel Buren is one of the most well known and influential contemporary artists of his generation. Since the end of the 1960s, he has enjoyed major international recognition thanks to works in situ that he carries out throughout the world. His artworks always relate to a specific place or situation, whether art institutions, private or public places. While the majority of his work is ephemeral, Daniel Buren has also produced permanent works of art in the public space and for various museums and individual collections. One of the most famous, Les Deux Plateaux (1986), is a spectacular 3,000m2 production in the main courtyard of the PalaisRoyal in Paris. Fassade von oben 1927 (1979) Fotomuseum Provincie Antwerpen 97. Thomas Struth The Shimada Family, Yamaguchi 1986 1986 Courtesy of the Artist and Galerie Greta Meert, Brussels 101. Jacques Villeglé Rue Transnonnain 1964 Collection Linda and Guy Pieters, Sint-Martens-Latem 103.Ian Wilson Dark Grey Peripheral Rectangle 1966 (2008) Jan Mot, Brussels 58. Roger Limouse Nature morte à l’ananas 1960-1965 Musée d’Art moderne de la Ville de Paris Sculptures / Video 73. Bruce Nauman Flesh to White to Black to Flesh 1968 Electronic Arts Intermix, New York 57. Sol Lewitt White Five Part Modular Piece 1971 Musée de Grenoble The Snake Is Out 1962 Private Collection, Paris Room 7 33. Jean Fautrier 52. Thierry Kuntzel 71. Adolphe Monticelli Concetto Spaziale (1965) Royal Museum of Fine Arts, Antwerp 62. Kazimir Malevich Sculptures 60. Richard Long Abolition du travail aliéné 1963 Private Collection, Paris 55. Lee Ufan Negative Pepsi Crate 2015 Courtesy of the Artist and Bortolami, New York 47. Ellsworth Kelly La cruche blanche 1948 Collection Jean-Marie and Marie Rossi, Paris 36. Lucio Fontana 30. Guy Debord / Giuseppe Pinot-Gallizio 34. Morgan Fischer 38. Hans Haacke Calligraphie 1999-2011 Courtesy of the Artist and Paula Cooper Gallery, New York Buena Vista 1980 Heure Exquise, Centre international pour les arts vidéo, Mons-en-Barœul Black Quadrilateral no date State Museum of Contemporary Art – Costakis Collection, Thessaloniki Dialogue 2013 Private Collection. Courtesy of the Artist and Kamel Mennour Monticelli déguisé en Arabe no date Collection Stammegna, Marseille Flint Spiral 2012 Private Collection, Turin – Courtesy Tucci Russo Studio per l’Arte Contemporanea, Torre Pellice Yellow Red Curve 1972 Gift of Mrs Pierre Schlumberger, 1975 Centre Pompidou, Musée national d’art moderne - Centre de création industrielle, Paris 68. Mario Merz Spostamenti della Terra e della Luna su un asse 2002 Fondazione Merz, Turin 59. Bernd Lohaus Zwischen Während 1981 Courtesy Estate Bernd Lohaus HALL HORTA Daniel Buren Dorures et flèche. Travail in situ Centre for Fine Arts, February 2016 2/10/16 10:19 AM
