Cahiers Élisabéthains - IRCL

Cahiers Élisabéthains
A Biannual Journal of English Renaissance Studies
General Editors: Yves Peyré & Charles Whitworth
Founded in 1972 & published by
L’INSTITUT DE RECHERCHES SUR LA RENAISSANCE, L’ÂGE CLASSIQUE ET LES LUMIÈRES (IRCL)
UMR 5186 du CNRS, Université Paul Valéry, Route de Mende, 34199 Montpellier, France
Special Issue 2007: The Royal Shakespeare Company Complete
Works Festival 2006-07, Stratford-upon-Avon
edited by Peter J. Smith and Janice Valls-Russell with Kath Bradley
Read up in-depth reviews of all the plays
performed during the Festival; overviews of
the Festival, articles on various aspects of the
theatre, interviews and a guide to Festival
companies and directors.
A sample of insights “Yukio Ninagawa’s staging, and his
physically and vocally impressive ensemble, gave birth to a
terrible beauty” — an unforgettable Titus Andronicus.
“Why can’t theatre always be like this?” Declan Donnellan’s
Twelfth Night, from Russia.
Sulayman Al-Bassam’s Arabic version
of Richard III
“transposed a piece of the Arabian Gulf to Stratford”.
Janet Suzman and the Baxter Theatre Company raised “the
question of how far the social and political realities of life
in South Africa should be allowed to infuse a Cape Town
production of Hamlet”.
Dominic Cooke’s Pericles “was suffused by a palpable sense of
the inner song of loss and yearning that belongs to the stranger
in a strange land”.
A Midsummer Night’s Dream, directed by Tim Supple, “pushed
boundaries, not just between actor and audience, but between
Asian and English performance styles and cultures”.
Greg Doran transformed Venus and Adonis into a masque
for puppets, with narrator and musical accompaniment, “a
charming and beguiling combination which seemed somehow
perfectly and mysteriously suited to the humour and pathos of
Shakespeare’s epyllion”.
One of the finest permanent records of an
extraordinary year in the English theatre and the
life of the Royal Shakespeare Company
Trinity Church provided an evocative setting for The Phoenix
and the Turtle, “the flickering light from hundreds of candles
creating a timeless enclosed space in which the appearance
of actors and musicians in Elizabethan dress seemed entirely
natural”.
Organised and hosted by the RSC, the Festival welcomed
a worldwide range of companies and directors, whose Contributors: Neil Allan, Jonathan Bate, Kath Bradley, Sarah
Cummins, Paul Edmondson, Gabriel Egan, Gaëlle Ginestet,
productions appeared alongside those of the RSC.
112 p. + 16 p. colour photographs — ISSN: 9770184767006
— 25 euros (17 euros for students) plus p&p (details overleaf) —
— Contact: [email protected] —
— Orders: [email protected] —
http: www.ircl.cnrs.fr
David Hill, Michael Jones, John Jowett, Claire Jowitt, Andy
Kesson, Yvette K. Khoury, Peter Kirwan, Peter Malin, Kelly
N. O’Connor, Eve-Marie Oesterlen, Elinor Parsons, Poonperm
Paitayawat, Scott Revers, Jami Rogers, Jan Sewell, Will Sharpe,
Peter J. Smith, Liisa Spink, Rosemary Stiles, Erin Sullivan,
Janice Valls-Russell, Greg Walker, Nick Walton, Stanley Wells,
Brian Willis.
Cahiers Élisabéthains
A Biannual Journal of English Renaissance Studies
General Editors: Yves Peyré & Charles Whitworth
Revue fondée en/Founded in 1972 (ISSN 0184-7678) & publiée par/ published by
L’INSTITUT DE RECHERCHES SUR LA RENAISSANCE, L’ÂGE CLASSIQUE ET LES LUMIÈRES (IRCL)
UMR 5186 du CNRS, Université Paul Valéry, Route de Mende, 34199 Montpellier, France
Complete Works Festival Special Issue
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