GALERIE DUTKO Bonaparte
Transcription
GALERIE DUTKO Bonaparte
GALERIE DUTKO Bonaparte Après des expositions consacrées à Jean-Pierre Pincemin, Georges Koskas, André Fougeron, Louis Cane et Robert Courtright, je suis heureux de donner aujourd’hui la parole à un artiste contemporain qui sera à n’en pas douter une valeur sûre de demain. C’est la première fois que j’expose les œuvres de Tom Henderson dans ma galerie de Saint Germain des Prés, et j’invite les visiteurs à découvrir cette œuvre si particulière qui, au travers des couleurs changeantes, transforme la bi dimensionnalité en tri dimensionnalité. Les œuvres de Tom Henderson paraissent flotter sur les murs. Composées de panneaux de Plexiglas, recouvertes partiellement de peinture à l’huile, chaque œuvre est soutenue par une armature en aluminium qui transparait sous la surface du tableau. L’œuvre de Tom est constituée d’un mélange de peinture et de matériaux sculpturaux combinés par un procédé particulier explorant ainsi le concept d’une image plane jouant avec le mur et l’environnement immédiat. Les œuvres de Tom Henderson, à différents degrés de transparence, sont des abstractions complexes d’une grande beauté. SAINT-GERMAIN-DES-PRES : 11, RUE BONAPARTE - PARIS 6E - T : +33 1 56 24 04 20 ILE SAINT-LOUIS : 4, RUE DE BRETONVILLIERS - PARIS 4E - T : +33 1 43 26 17 77 [email protected] - WWW.DUTKO.COM GALERIE DUTKO Bonaparte BIOGRAPHIE Tom Henderson est né à Londres en 1976 1989-1994 : Etudes au collège d’Eton 1994-1998 : Etudes à l’Université de Newcastle sur Tyne (BA Hons) 1998-2003 : a travaillé pour la télévision et le cinéma 2003-2009 : a travaillé à la librairie Daunts Books à Londres Since 2009 : vit en Provence à Villecroze et est devenu artiste à temps complet EXPOSITIONS 2014 - Jaggedart – Dark Matter, Londres, UK 2013 - Jaggedart - Arclight (Solo) – Londres, UK Châteaux des Demoiselles (Solo) – La Motte, France Domaine St Jean (Solo) – Villecroze, France Galerie Ponchon (Solo) – Draguignan, France Jaggedart – Still Dark – Londres, UK London Art Fair – Jaggedart, UK 2012 - London Art Fair – Jaggedart, UK Slick Brussels – Agosti Gallery, Belgique Jaggedart – The Unseen - Londres, UK Krikhaar Foundation (Solo), Salernes, France Galerie Vision – Tourtour, France 2011 - Jaggedart - Corners (Solo), Londres, UK Domaine St Jean - (Solo) - Villecroze, France Galerie Vision - Tourtour, France 2010 - ArtNim - Agosti Gallery – Nimes Jaggedart – Exchanging Space – Londres, UK London Art Fair – Jaggedart – UK 2009 - Jaggedart – Plane Space (Solo) – Londres, UK London art Fair – Jaggedart – UK 2008 - Jaggedart – Converge/ Diverge – Londres, UK Jaggedart – Linescapes – Lond, UK London Art Fair – Jaggedart – UK Jaggedart – Translated into Space – Londres, UK 2007 - Adam Street Gallery (solo) – Londres, UK 2006 - Jaggedart – Surface Tension – London, UK SAINT-GERMAIN-DES-PRES : 11, RUE BONAPARTE - PARIS 6E - T : +33 1 56 24 04 20 ILE SAINT-LOUIS : 4, RUE DE BRETONVILLIERS - PARIS 4E - T : +33 1 43 26 17 77 [email protected] - WWW.DUTKO.COM GALERIE DUTKO Bonaparte Arclight Tom Henderson’s works focuses on an interest in material objectivity, three-dimensional optics and twentieth century abstract art. The works’ main aim is to blend sculptural materials with painterly characteristics to such a degree that it’s impossible to decipher in which realm they truly belong. He was born and educated in the UK but now lives and works in France. His work is predominantly made up of wall-mounted objects that continue his ongoing investigation into ideas of the picture plane and spatial optics while questioning the very essence of materials. The principal material common to every piece is Plexiglas. It is an extremely versatile material that light. It is the combination of these two qualities, and innovative processes, that inform the work. The large-scale works consist of cut and reassembled sheets of Plexiglas. The process starts with a simple line drawing on paper, which is then transposed onto the Plexiglas. The lines are then cut creating several segments, each one with edges that can be coloured and surfaces that can be altered for effect. These sections are carefully reassembled but with borders that permeate colour diffusion of local colour on either side, allowing each section to resonate with subtle and alternative effects are dependent entirely on the light. is situated, but it is an inexpressive and mechanical depth that lacks any deep emotional feeling. A matt white surface, on the other hand, absorbs the light, trapping it within the shallow picture plane, enabling colour to bleed across each separate section, which in turn, draws the viewer towards the inner world of the artwork itself. This creates a tension in the very fabric of the work between the The shifting perception in an encounter with the works is crucial to the central idea that these perfectly edges and surfaces that draw our attention to the painting as an object and its relationship to the room in which it is situated. Indeed the paintings demand resolution not only in perceptual terms but also in the physical space of the viewer who has to move about the work to make sense of it. In the absence of elaborate pictorial arrangements, the paintings appeal to a heightened awareness of chromatic shift. The lines, which are cut through the panel early on in the process, provide formal composition but also establish the physical attributes of the work. When painted and reassembled each section is susceptible to the colours that radiate from the adjacent lines. It is this interaction and diffusion of colour that gives each work’s simple compilation of sections its surprising complexity and richness. Through a process of deconstruction and reconstruction, the key qualities of form and light succeed in creating objects which focus our attentions on some of the mysteries of SAINT-GERMAIN-DES-PRES : 11, RUE BONAPARTE - PARIS 6E - T : +33 1 56 24 04 20 ILE SAINT-LOUIS : 4, RUE DE BRETONVILLIERS - PARIS 4E - T : +33 1 43 26 17 77 [email protected] - WWW.DUTKO.COM