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Contents - WordPress.com
CINÉMA&CIE
International Film Studies Journal
Vol. XI, no. 16-17 Spring-Fall 2011
New series - Semiannual
Revisiting the archive / Revisiter l’archive
Edited by / Sous la direction de Simone Venturini
CINÉMA & CIE
International Film Studies Journal
New Series - Semiannual
Editorial Board
Richard Abel (University of Michigan)
François Albera (Université de Lausanne)
Rick Altman (University of Iowa)
Jacques Aumont (Université Paris 3)
Sandro Bernardi (Università di Firenze)
Nicole Brenez (Université Paris 3)
Thomas Elsaesser (Universiteit van Amsterdam)
André Gaudreault (Université de Montréal)
Tom Gunning (University of Chicago)
Malte Hagener (Philipps-Universität Marburg)
Vinzenz Hediger (Goethe-Universität Frankfurt
am Main)
François Jost (Université Paris 3)
Michèle Lagny (Université Paris 3)
Marc-Emmanuel Melon (Université de Liège)
Lauren Rabinovitz (University of Iowa)
Vicente Sánchez-Biosca (Universitat de València)
Irmbert Schenk (Universität Bremen)
François Thomas (Université Paris 3)
Editorial Staff
Coordination: Francesco Pitassio,
Alice Autelitano, Federico Zecca
(Università degli Studi di Udine)
Valentina Re (Università Ca’ Foscari, Venezia)
Alice Cati, Miriam De Rosa
(Università Cattolica, Milano)
Teresa Castro, Evgenia Giannouri
(Université Paris 3)
Alessandra Luciano, Diana Wade
(Columbia University)
A special thanks to:
Abigail Keating (University College Cork),
Gloria Lauri-Lucente (University of Malta),
George Riley, Ken Slock (Université Paris 3)
Directors
Francesco Casetti (Università Cattolica, Milano)
Lorenzo Cuccu (Università degli Studi di Pisa)
Philippe Dubois (Université Paris 3)
Leonardo Quaresima (Università degli Studi di
Udine)
CINÉMA & CIE is promoted by:
International Ph.D. Program: “Études
audiovisuelles: Cinéma, Musique,
Communication” (Università degli Studi di
Udine, Université Paris 3, Università Cattolica di
Milano, Università di Pisa)
Dipartimento di Storia e Tutela dei Beni Culturali,
Università degli Studi di Udine
Subscription to CINÉMA & CIE (2 issues)
Yearly Individual Subscription
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Send orders to: Carocci editore
Via Sardegna, 50 - 00187 Roma (Italy)
Tel. +39 06 42 81 84 17 Fax + 39 06 42 74 79 31
Website: http://www.carocci.it
ISBN 978-88-430-5617-0
Printed in Italy, Litografia Varo, San Giuliano
Terme (Pisa), December 2011
Cover image: riproduzione del frontespizio di
Ole Worm, Museum Wormianum seu historia
rerum rariorum, Leiden 1655.
CINÉMA & CIE, vol. XI, no. 16-17, Spring-Fall 2011
CONTENTS/TABLE DES MATIÈRES
REVISITING THE ARCHIVE / REVISITER L’ARCHIVE
Introduction
Simone Venturini
9
Concevoir une archive cinématographique autour de 1900
Frank Kessler
15
Pre-Archival Practices. A Genealogy of the Film Archive
in The Netherlands (1910-1919)
Klaas de Zwaan
23
Inventing a Past, Imagining a Future. The Discovery and Institutionalisation
of Film History in the 1930s
Malte Hagener
29
Images, Traces, and Narrative Imagination: Documentary Approaches
to Archive Memory
Malin Wahlberg
39
Le Médium est l’archive
Enrico Terrone
43
Documentality of Film
Michele Guerra
49
The Film Archive, the Archive as Film
Irini Stathi
55
What Is Our Historical a priori? The State as Common Sense
and the Forgotten Municipal Archive
Ron Makleff
65
The Construction of a Political Memory in The Palace and the Fortress:
Outlining the Use of the Archive in Making a Film on Populism
in Post-Revolutionary Russia
Dunja Dogo
71
The Archive and Its Silences
Giuliana Muscio
77
Archive/Missing. No(Body’s) Images? Reflections on Argentinian Dictatorship
(1976-1983) and on Its Visual Recollection
Valentina Cucca
83
Pratiques d’archive et mémoire de Pieds-noirs. Web, cinéma (et littérature)
Marion Froger, Djemaa Maazouzi
93
NEW STUDIES
Le Cinéma comme espace épigraphique
Abdelhamid Mahfoud
113
The Sin of Repetition
Marco Grosoli
121
Parental Guidance Recommended? Narrative Functions and Cultural
Implications of Bollywood’s Parent Figures
Sophie Einwächter
133
Popular Tradition, American Madness and Some Opera. Music and Songs
in Italian Neo-Realist Cinema
Francesco Pitassio
141
Intermediality in the 1950s Italian Film Industry:
The Case of the Titanus’ Film-Canzone
Francesco Di Chiara
147
PROJECTS & ABSTRACTS
Groupe de recherche sur l’avènement et la formation des institutions
cinématographique et scénique (GRAFICS)
155
Université de Paris IV / Universitat de València
Charisme et image politique dans le monde iberique
(Research Project)
161
Yale University
(Seung-hoon Jeong / Ph.D. Thesis Abstract)
163
Ruhr-Universität Bochum
(Sebastian Kuhn / Ph.D. Thesis Project)
165