BIBLIOGRAPHIE Performance

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BIBLIOGRAPHIE Performance
Abramovic Marina, Sur la voie, Paris, Musée National d’Art Moderne, Centre Georges Pompidou,
1990.
Auslander Philip, Liveness. Performance in a Mediatized Culture, New York, Routledge, 1999.
Banes Sally, Democracy’s Body. Judson Dance Theater 1962-1964, Durham, Londres, Duke
University Press, 1995.
Banes Sally, Greenwich Village 1963. Avant-Garde Performance and the Effervescent Body,
Durham, Londres, Duke University Press, 1993.
Banes, Sally, Subversive expectations : performance art and paratheatre in New York, 1976-85,
Ann Arbor : The University of Michigan press,1998
Barthelmes Barbara, "Der Komponist als Ausführender und der Interpret als Komponist. Zur
Ästhetik der Musikperformance", Improvisation-Performance-Szene, Mainz, Schott Verlag, ED
8763, 1997, p. 9-18.
Benamou Michel et Caramello Charles, Performance in Postmodern Culture, Milwaukee,
University of Wisconsin, Center for Twentieth Studies, Wisconsin, Coda Press, 1977.
Berghaus Günther, Avant-Garde Performance. Live Events and Electronic Technologies, Palgrave,
MacMillan, 2005.
Joseph Beuys, Qu’est-ce que l’art ?, entretien avec Volker Harlan, Paris, L’Arche, 1992 (trad. de
Laurent Cassagnau).
Blocker Jane, What the Body Cost. Desire, History, and Performance, Londres, Minneapolis,
University of Minnesota Press, 2004.
Broadhurst Susan, Liminal Acts. A Critical Overview of Contemporary Performance and Theory,
Londres, New York, Cassell, 1999.
Butt Gavin, After Criticism. New Responses to Art and Performance, Blackwell Publishing, New
Interventions in Art and Technology, Malden, Oxford, 2005.
Carlson Marvin, Performance. An Introduction, New York, Londres, Routledge, 1996.
Carolee Schneemann. I. Early Work 1960/1970, Documentext-Max Hutchinson Gallery, 1982.
Carolee Schneemann. More Than Meat Joy. Performance Works and Selected Writings, Edited by
Bruce R. McPherson, New York, 1997.
Carolee Schneemann. Up To and Including Her Limits, New York, The New Museum of
Contemporary Art, 1997.
Collins Nicholas, "Ubiquitous Electronics. Technology and Live Performance 1966-1976",
Improvisation-Performance-Szene, Mainz, Schott Verlag, ED 8763, 1997.
Dimitriadis Greg, Performing Identity/Performing Culture. Hip Hop as Text, Pedagogy, and Lived
Practrice, New York, Peter Lang, Intersections in Communication and Culture, 2005.
Dixon Steve, Digital Performance. A History of New Media in Theater, Dance, Performance Art,
and Installation, Cambridge, Massachussetts Institute of Technology, The MIT Press, 2007.
Dreher Thomas, Performance Art nach 1945. Aktionstheater und Intermedia, Munich Wilhem
Fink Verlag, 2001.
Goldberg RoseLee, Performance Art. From Futurism to the Present, Londres, Thames & Hudson,
1995.
Haskell Barbara, Yoko Ono. Arias & Objects, Utah, Layton, Peregrine Smith Book, 1991.
Hassan Ihab, The Postmodern Turn. Essays in Postmodern Theory and Culture, Ohio State
University Press, 1987.
Heathfield Adrian, Live, New York, Routledge, 2004.
Henri Adrian, Total Art. Environments, Happenings, and Performance, New York, Toronto,
Oxford University Press, 1974.
Higgins Dick, Modernism Since Postmodernism. Essays on Intermedia, San Diego, San Diego
State University Press, 1997.
Hoffmann Jean & Jonas Joan, Perform (Art Works), Londres, Thames & Hudson, 2005.
Hoffmann Justin, Destruktionkunst. Der Mythos der Zerstörung in der Kunst der frühen sechziger
Jahre, München, Silke Schreiber Verlag, 1995.
Jappe Elisabeth, "Plastik hört man bevor man sie sieh". Klangperformance von bildenden
Künstlern", Improvisation-Performance-Szene, Mainz, Schott Verlag, ED 8763, 1997.
Jones Amelia, Body Art. Performing the Subject, Londres, Minneapolis, University of Minnesota
Press, 1998.
Kauffman Linda S., Bad Girls and Sick Boys. Fantasies in Contemporary Art and Culture,
Berkeley, Los Angeles, Londres, University of California Press, 1998.
Kaye Nick, Site Specific Art, New York, Routledge, 2000.
Kelley Mike, Foul Perfection. Essays And Criticism, Edited by John C. Welchman,
Massachussetts Institute of Technology, Cambridge, Londres, The MIT Press, 2003.
Kershaw Baz, The Radical in Performance : Between Brecht and Baudrillard, New York,
Londres, Routledge, 1998.
Lamarche-Vadel Bernard, Joseph Beuys. it is about a bicycle ?, Paris, Marval, Paris, Galerie
Beaubourg, Vérone, Sarenco-Strazzer, 1985.
Lepecki, André, Exhausting dance : performance and the politics of movement, New York, Ed.
Routledge, 2006
Lussac, Olivier, Happening & Fluxus : polyexpressivité et pratique concrète des arts, Ed
l’Harmattan, 2004
Marranca Bonnie & Dasgupta Gautam, Conversations on Art and Performance, Baltimore, The
John Hopkins University Press, PAJ Books, 1999.
Marranca Bonnie & Dasgupta Gautam, Interculturalism & Performance, New York, PAJ
Publications, 1991.
Ono Yoko, Grapefruit. A Book of Instructions And Drawings by Yoko Ono, (Introduction de John
Lennon, with a new introduction by the autor), New York, Londres, Toronto, Sydney, Singapour,
Simon & Schuster, 2000 (version originale : 1964).
Ono Yoko, Yoko Ono. Instructions Paintings, New York & Tokyo, 1995.
Performance. Valie Export, Immendorf, Sieverding, Schlingensief, Interview mit Judith
Halberstam, revue Text zur Kunst, mars 2000, helft 37.
Phelan Peggy, Unmarked. The Politics of Performance, New York, London, 1996.
Phelan Peggy & Lane Jill, The Ends of Performance, New York, Londres, New York University
Press, 1998.
Pontbriand Chantal, Fragments critiques (1978-1998), Nîmes, Éditions Jacqueline Chambon, coll.
Critiques d’Art, 1998.
Roux, Céline , Danse(s) performative(s) : enjeux et développements dans le champ
chorégraphique français (1993-2003), Paris, Ed. l’Harmattan, 2007
Sayre Henri, The Object of Performance. The American Avant-Garde since 1970, Chicago, The
University of Chicago Press, 1989.
Schechner Richard, Between Theater & Anthropology, Philadelphia, University of Pennsylvania
Press, 1985.
Schechner Richard, Performance Theory, New York, Routledge, 2003 (1988).
Schechner Richard, The Future of Ritual. Writings on Culture and Performance, New York,
Londres, Routledge, 1993.
Schechner Richard , Performance : expérimentation et théorie du théâtre aux USA ; édition
établie par Anne Cuisset et Marie Pecorari ; sous la direction de Christian Biet ; Éd. théâtrales, 2008
Schneemann Carolee, Imaging Her Erotics. Essays, Interviews, Projects, Massachussetts Institute
of Technology, Cambridge, Londres, The MIT Press, 2002.
Schneider Rebecca, The Explicit Body in Performance, New York, Londres, Routledge, 1997.
Tronche Anne, Gina Pane, Paris, Fall Éditions, 1997.
Turner Victor, The Anthropology of Performance, New York, PAJ Publications, 1987.
Vergine Lea, Body Art and Performance. The Body as LanguageMilan, Skira, 2000.
Yoko Ono. Have You Seen The Horizon Lately ?catalogue Oxford, Museum of Modern Art, 1997.
CATALOGUES, OUVRAGES COLLECTIFS
After criticism :new responses to art and performance / Gavin Butt Publication : Oxford :
Blackwell, 2005
Art, lies and videotape : exposing performance / [edited by Adrian George], Londres, Ed. Tate,
2003
Hors limites : l’art et la vie, 1952-1994, exposition, Paris, Musée national d’art modernePompidou, 9 novembre 1994-23 janvier 1995, Ed. centre pompidou, 1994
Life, once more : forms of reenactement in contemporary art, exhibition January 27 - March 27,
2005, Witte de With, Center for contemporary art, Rotterdam
Live : art and performance / edited by Adrian Heathfield, Ed. Tate publishing, 2004
L.A.-ex Performances, catalogue Munich, Hatje Cantz Verlag, Reihe Verlag, 2001.
Improvisation-Performance-Szene, Mainz, Schott Verlag, ED 1997.
Out of actions : between performance and the object, 1949-1979 : [exhibition, Los Angeles,
Museum of contemporary art, 8 February-10 May 1998, Vienna, Austrian museum of applied arts,
17 June-6 September 1998, Barcelona, Museu d’art contemporani, 15 October 1998-6 January
1999, Tokyo, Museum of contemporary art, 11 February-11 April 1999]
Performance Artists Talking in the Eighties, edited by Linda Montano, Berkeley, University of
California Press, 2000.
Performance und Performance Art, revue Kunstforum International, Band 96, Köln, AugustOktober 1988.
Performing the body : performing the text, by Amelia Jones and Andrew Stephenson, London,
Routledge, 1999.
Le "performatif" : les arts de la performance en Suisse / textes rassemblés par Sibylle Omlin ;
Sibylle Omlin, Françoise Ninghetto, Rayelle Niemann... Zurich, Ed. Pro Helvetia, 2004
The senses in performance, by Sally Banes and André Lepecki, New York Ed. Routledge, 2007
Baudelot, Alexandra, Jennifer Lacey & Nadia Lauro : dispositifs chorégraphiques, Dijon, Ed.les
Presses du réel, 2007
DVDs
Destricted, Katapult Film Sales, Revolver Entertainment, UK, 2006 (dvd), films de Larry Clark,
Gaspar Noé, Sam Taylor-Wood, Matthew Barney, Richard Prince, Marco Brambilla et Marina
Abramovic (interdit - de 18 ans)
Vier Videokünstler : Barney, Hill, McCarthy, Neshat, Fünf Filme von Maria Tappeiner, Jörg und
Ralf Raimo Jung, Reinhard Wulf. Kunstmuseum Wolfsburg, AbsolutMedien Dokumente 933, 2
DVDs, 2007.
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