PDF: Oct-Nov 2014 - or TANA, as it is

Transcription

Volume-24
Issue-3
October-November 2014
❋
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eT+∫ j·Tqï~ |ô +#·TeTHêï
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uÛÑ˝Òyê&ÉT eTq u≤|ü⁄J!
❋
Á|ü<Ûëq dü+bÕ<ä≈£î\T/Chief Editor
&Ü. #Í<ä] »+bÕ\
Dr. Chowdary Jampala
ìsê«Vü≤ø£ dü+bÕ<ä≈î£ \T/Executive Editor
Hêsêj·TDkÕ«$T X¯+ø£–]
Narayanaswamy Sankagiri
düV‰ü j·T dü+bÕ<ä≈î£ \T/Associate Editors
lìyêdüT\T ãkÕã‹Ôq
Sreenivasulu Basabathina
(USA)
qMHé yêdæ¬s&ç¶
Naveen Vasireddy (India)
Editor's contact information:
Narayanaswamy Sankagiri
1872 Squirrel Valley Drive
Bloomfield Hills MI 48304
Phone: (248) 495 7629
Email: [email protected]
The opinions expressed in TANA
Patrika belong to the individual
authors and do not necessarily re-flect
those of TANA or the Editorial Board.
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This Issue is Sponsored...
In Memory of late Dr. Kasaraneni Sadasiva Rao and Jayapradamba (Guntur)
by
Drs. Suresh, Yamuna and Jayaprada Kasaraneni.
Portraits by Bapu
ñ‘·Ôs¡ nyÓT]ø± ‘Ó\T>∑T dü+|òüTeTT
Telugu Association of North America
President
Mohan Nannapaneni
(508) 612-6676; [email protected]
Executive Vice President
(A 501(c)(3) Certified Nonprofit Organization, Established in 1977
Our Mission
"To identify and address social, cultural and educational NEEDS of
North America Telugu Community in particular and Telugu people in general"
Web: www.tana.org email: [email protected]
Dr. V. Chowdary Jampala
Secretary
Satish Vemana
Treasurer
Madhu Tata
Joint Secretary
Subbarao Kolla
(703)728-1573
Joint Treasurer
Anjaiah Chowdary Lavu
(770) 235-2709
Chairperson, Board of Directors
Dr. Naren Kodali
(703) 371-5029
Chairperson, Foundation
Jay Talluri
(631) 523-1999
Immediate Past President
Prasad Thotakura
(817) 300-4747
Regional Representatives
Anil Lingamaneni - Canada
(647) 709-9999
Vijay Gudiseva - Capital
(703) 400-5047
Prasad Kolli - Great Plains
402-201-2276
Ravi Potluri - Mid-Atlantic
(267) 252-2496
Rajani Akurati - Midwest
(630) 674-4633
Rao Yalamanchili - New England
(203) 815-7627
Jogeswararao Peddiboyina - North
(248) 946-1520
Mahidhar Reddy - Northwest
(425) 802-0219
Sekhar Kolla - Rocky Mountains
(480) 252-0210
Goutham Kumar Gurram - Southeast
(404) 916-9899
Dr. Rajesh Adusumilli - Southwest
(732) 406-6980
Bhakta Balla - West
(408) 431-7849
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Contribute to Cyclone HudHud Relief
20th TANA Conference, Detroit Information
‘êHê bòÂ+&˚wHü é ùdyê ø±s¡´Áø£e÷\T
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Sitarama Kalyanam Celebrations across the USA
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TANA EMERGENCY ASSISTANCE MANAGEMENT TEAM - TEAM Square
TEAM Square 6th ANNIVERSARY
September 2014 marks the completion of
SIX YEARS of activities of
TANA TEAM Square
❖
Helped in more than 500 Emergency Incidents for
Telugu People
❖
Disbursed a Quarter Million Dollars in Emergency Aid
❖
Several Thousands of Donors and Hundreds of Volunteers ensure that the emergency needs of Telugu people
in North America are met.
❖
On this anniversary, TANA thanks each and every one
of the donors and the volunteers and promises to continue its efforts to help the fellow Telugus caught in
emergency situations.
6 dü+e‘·‡sê\T>±
‘êHê {°yYT ùdÿ«sY ùde\T
ñ‘·Ôs¡ nyÓT]ø±˝À ‘Ó\T>∑Tyê]øÏ n‘·édüs¡ |ü]dæú‘·T\˝À
düV‰ü j·TeT+~+#·{≤ìøÏ ‘êHê dü«#·Ã+¤ <ä <äfi+¯ {°yTY ùdÿ«sY
@s¡Œ&ç ôdô|º+ãs¡T≈£î Äπsfi¯ófl. á Äπsfi¯fl˝À e+<ä˝≤~ ‘êHê
ø±s¡´ø£s\Ô¡ T, y˚˝≤~ <ë‘·\T 500 $T+∫ n‘·édüs¡ dü+øÏw¢ üº
dü+|òTü ≥q\˝À ∫≈£îÿ≈£îqï kÕ{Ï ‘Ó\T>∑Tyê]øÏ kÕj·T|ü&Ü¶sT¡ .
s¬ +&ÉTqïs¡ \ø£\å &Ü\s¡q¢ T$T+∫q Ä]úø£ düV‰ü j·TeT+~+#ês¡T.
‘êHê≈£î yÓqTï<äqTï>± ì\∫q <ë‘·\≈£î, ø±s¡´ø£s\Ô¡ ≈£î #˚jTÓ ‹Ô
ø£è‘·»‘
„ ê_Ûe+<äHê\T n]Œdü÷,Ô ‘√{Ï ‘Ó\T>∑Tyê]øÏ düV‰ü j·T
eT+~+#·{≤ìøÏ m|ü&É÷ dæ<äΔ+>± ñ+{≤eTì ‘êHê á
yê]¸ø√‘·‡e dü+<äs“¡ +¤ >± eTs√kÕ] Á|üe÷D+ #˚dTü qÔ ï~.
BECOME A TEAM SQUARE VOLUNTEER
‘êHê {°yYT ùdÿ «sY ø±s¡´ø£s¡Ô>± #˚s¡+&ç.
http://www.tana.org/help-line-team-square/about-team-square
‘êHê|üÁ‹ø£
nø√ºãsY`qe+ãsY 2014 ❖
6
SUPPORT TEAM SQUARE
$sêfi≤*∫Ã kÕj·T|ü&É+&ç.
https://www.tana.org/foundation/donate
CONTRIBUTE TO CYCLONE HUDHUD RELIEF
TANA Announces an Initial Contribution of
$100,000
TANA is reaching out to all Telugu people living in North
America to generously contribute to the relief efforts for the victims of Cyclone Hudhud. TANA has already announced that it will
be sending an initial contribution of 100,000 dollars to these relief
efforts and will continue to raise funds for further relief activities.
The current picture is grim and TANA intends to help with the rescue and rehabilitation, immediate relief for the displaced and affected people and also assist with long term rebuilding measures.
As Andhra Pradesh state is starting to build the infrastructure for a
capital and other administrative needs, this catastrophe dealt a severe blow to all these developmental activities. More funds are
needed to rehabilitate all the victims, and TANA is putting forward
its best efforts to raise the necessary funds and coordinate the relief efforts.
TANA has a proven history of service and has always been in the
forefront and provided immediate and long term assistance in similar situations in the past. TANA built more than 800 permanent
homes for past flood and cyclone victims in Kurnool, Krishna and
Prakasam Districts. Altogether, TANA has contributed
more than 40 million dollars for various service and developmental activities in undivided Andhra Pradesh.
Any amount of donation is welcome; even a donation of
$25 can help with immediate assistance. Larger donations
can help with complete rehabilitation and building of infrastructure. TANA and TANA Foundation will be matching the contributions from individual donations. All the
funds collected by TANA for this cause will be directly sent
to the relief efforts.
All contributions to TANA are tax-deductible in USA.
Donations to the TANA Flood Relief Fund can be made
by credit card at www.tana.org/donate. Checks can be sent
in the name of TANA (with a memo "AP Cyclone Relief
Fund") to TANA, 2655 Cobb Parkway SE, Atlanta, GA
30339.
b
For more information, please contact
Mohan Nannapaneni, President, TANA, at 508-612-6676
TANA EMERGENCY ASSISTANCE MANAGEMENT TEAM - TEAM Square
To become a volunteer or for all other communication, contact:
TEAM Square Mentor
Anjaiah Chowdary Lavu [email protected], 770-235-2709
TEAM Square - East
Suresh Babu Kakarla (919) 370-0136
TEAM Square - South
Srikanth Polavarapu (248) 497-1029
TEAM Square - West
Ashok Babu Kolla (614) 218-1496
Mohan Nannapaneni at [email protected], 508-612-6676
7 ❖
nø√ºãsY`qe+ãsY 2014 ‘êHê|üÁ‹ø£
20th TANA CONFERENCE
Detroit, Michigan
July 2-4, 2015
On behalf of Telugu Association of North America (TANA), the Detroit Telugu Community and TANA Conference Committees, I invite
you all to attend the 20th TANA Conference at COBO Hall, Detroit,
Michigan, during July 2-4, 2015.
Gangadhar Nadella
Conference Coordinator
Ph: 248-613-5943
[email protected]
As you may know, COBO Hall is located in downtown Detroit, situated on the Detroit River, just across from Windsor, Canada. COBO
Hall is under major renovation and the majority work is completed, with
a new grand entrance from the riverfront side. We have made reservation for the new ballroom for our banquet facility that accommodates
about 2500 people and the main conference hall with a seating capacity for 20,000 + people. We have a contract with two major nearby
hotels, the Marriott at the Renaissance Center and Crown Plaza Detroit
River front.
We are in the process of forming Conference Committees. Our great
Detroit Telugu community has tremendous and overflowing talent in
cultural, social, literary and political activities. We are involving all the
talented individuals to lead and help in various committees. With the
support from Mr. Mohan Nannapaneni, TANA President, and the other
TANA leaders, I am confident that we will have a memorable conference in Detroit in 2015.
We are planning a kick-off and fund-raising event for the conference
on Oct 25, 2014 at St. Toma Hall, Farmington Hills, MI. We are inviting musicians, singers and mimicry artists for the grand occasion. Please
plan to attend the event.
I look forward to seeing you all in Detroit soon.
Thanks...
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#ÛÓ’s¡àHé, ‘êHê bòÂ+&˚wüHé
"We Care, We Share, We Serve The Needy"
Please visit www.tana.org/foundation
11 ❖
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13 ❖
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www.tana.org/membership/how-to-become-a-member-
‘êHê bòÂ+&˚wüHé, {°yYT ùdÿ«sY, ‘êHê Á|ü#·Ts¡D\T, Ç‘·s¡ ‘êHê düVü‰j·T, kÕ+düÿè‹ø£ ø±s¡´Áø£e÷\˝À
düV‰ü j·T|ü&Ü\+fÒ www.tana.org/donate≈£î yÓ[¢ Á¬ø&ç{Ÿ ø±s¡T¶ <ë«sê $sêfi≤*e«e#·TÃ.
#Ó≈î£ ÿ\ s¡÷|ü+˝À ‘êHê |
ù s¡ $sêfi≤\T |ü+|üe\dæq ∫s¡THêe÷
Madhu Tata, Treasurer, TANA
2655 Cobb Parkway SE, Atlanta, GA 30339
With Best Compliments From
Prasada R. Nalluri, MDPA
Internal Medicine and Primary Care
920 Medical Plaza Dr
Suite #390
The Woodlands, TX 77380
281-298-7555
14
Backpack Donation
Dallas-Fort Worth, TX
TANA Dallas team with the support of Telugu Association of North Texas (TANTEX) organized successful backpack programs in various schools in the Southwest region.
Over 600 backpacks have been donated to needy children in HEB Independent School District in Euless on
August 16th, City of Fort Worth on August 23rd, and
Hope Medrano Elementary School in Dallas on August
30th. The donation program in Fort Worth is organized
at Brighter Outlook Community Center and the program is attended by Fort Worth City Mayor Betsy Price,
Texas State Representative Nicole Collier, City of Fort
Worth Council Woman Gyna Bivens and representatives from Dallas Cowboys team. They all appreciated
TANA's service initiative of "giving back to the community". Dallas City Council Member Adam Medrano
attended the donation program in Dallas.
Thanks to Ramu Narne, Chairperson for TANA Back-
pack Program, local prominent leaders Dr. Navaneethakrishna
Gorrepati, Dr. Prasad Thotakura, Ram Yalamanchili,
Manjulatha Kanneganti, Murali Vennam, Srikanth Polavarapu,
Samba Dodda, Paramesh Devineni, Anil Veerapaneni, LK
Gorrepati and all TANTEX members who supported these
donation programs by providing their time, donations and energy to make them a grand success. The programs were coordinated by Southwest Regional Representative, Dr. Rajesh
Adusumilli. Thanks to our President Mohan Nannapaneni garu
and other TANA leaders who are providing their continued
support to this wonderful program through the years.
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16
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Seventy Years of
Bapu's Art
V. Chowdary Jampala
You have to excuse my audacity in attempting to write
about Bapu's pictures. I am not an artist. Neither am I an
art critic. Other than admiring some paintings that strike
my fancy from time to time, I know very little about art.
While I had the good fortune of enjoying for many years
the benevolent affection of this genius, this issue already
has many articles about Bapu including one by Mullapudi
Venkata Ramana himself, a man so close to Bapu that BapuRamana has become a single word in Telugu language.
Then you may well ask why I am doing this. A second generation young man that I know well, recently admired the logo of a Telugu institution. During the course
of the conversation, I told him that the logo in question
was designed by Bapu. The youngster, who knew Bapu's
name from the cartoons in TANA Patrika said, "You mean
Bapu draws this kind of pictures as well? I thought he was
only a cartoonist." I thought that this may be a good time
to introduce this genius of an artist to the younger generation and explain to them why we older people go gaga
over him.
I have been a Bapu fan for over five decades. Even
before I knew his name, I was struck by the funny cartoons about bookworms that adorned the covers of the
Telugu monthly 'Pustaka Prapancham' (Book World), the
various cartoons and pictures in 'Jyoti' monthly, and the
illustrations that appeared in the popular magazines during my childhood. Growing up in sixties and seventies in
Andhra Pradesh, I was smitten by Bapu's pictures and
humor, both in print and on screen. My admiration for him
as an artist, humorist, and film maker has continued to
21 ❖
Bapu Art Show, Chicago 1985
grow over the years. In the past few years, I had a unique
opportunity to look at thousands of pictures drawn by Bapu,
covering the 70 year span of his paintings, illustrations, and
cartoons These pictures, which included originals, illustrations saved from old magazines, xerox or photographic
copies, and - more recently - digitized prints, were from
private collections of various individuals, all of whom are
'unabashed fans' of Bapu. This has given me a chance to
observe the range of his work, and share my lay perspective on these changes in his style over the years.
First, a few words about the artist himself. Bapu is the
nickname given by his family members to the young
Sathiraju I.akshmi Narayana, son of Suryakanthamma and
Venugopala Rao. Growing up in Madras, he became friends
with Mullapudi Venkata Ramana, an enduring friendship for
which the Telugus are thankful for. The duo was very active in the local Balananda Sangham, a children's club sponsored by a children's radio program. The program's producer
and announcer, Baalannayya Nyaapati Raghava Rao nurtured and supported the creativity he recognized in these
gifted children. Young Bapu, who was already interested in
painting, and Ramana who already started to write, even
started a hand written magazine, Udayabhaanu, during their
school years.
Nyaapati Raghava Rao also published a children's
22
monthly, Baala. It was almost 70 years ago, in August 1945,
that Bapu published his first picture - girl churning butter in Baala (page 19). Ramana also published his first work, a
poem, at the same time in Baala.
Bapu, even though his heart was into drawing pictures
and studying art, ended up studying law per the wishes of
his father, a lawyer. Bapu, however, did not practice law at
all. He studied art informally for a time under S.N.
Chamakur and Pilaka Lakshmi Narasimha Murty. Soon, he
was sought after an art director for leading advertising agencies in India, drawing a salary of 1,500 Rs. a month (in mid1950s). Over the next few years, he began to illustrate regularly for various magazines and, became a regular at the
Andhra Patrika weekly, where Ramana was a staff writer.
The early pictures of Bapu are very detailed with lots of
lines, shades, and elaborate backgrounds and referred to the
scenes from the stories, as the editors preferred them. Bapu's
eye for detail and his ability for realistic portrayal can be
seen even in this early work.
Bapu's pen and ink sketches of famous Telugu people
of the time were immensely popular as were his 'cartunes',
portraits of famous personalities coupled with a humorous
doggerels about them. One of the works from that period
is, The First Letter, a color picture in this issue (page 27)
that originally adorned the cover of a special issue of Andhra
Patrika weekly. The young woman in that picture is not an
unattainable ideal beauty, but a Telugu girl next door, per-
haps a newly wed reading a letter- probably from her husband-in rapt attention. In fact, it is a portrait of Bapu's wife
Bhaagyawati, during the early days of marriage (there is a
later version of this picture with Bapu's daughter
Bhanumathi being the model). The Bapu paintings and
pictures from this period (1950s) are mostly of this genre.
He adorned his illustrations with a fluent dynamic style of
lettering, completely different from the well rounded formal font that was the norm.
During late 50s and early 60s, Bapu's pictures began
to simplify. The iconic Bapu Bomma (Bapu's painting) began to evolve. One can recognize the trademark eyes, the
plaits, the thin waist, and the delicately draped sensuous female figures, alternately innocent or haughty. Some of
Bapu's best known pictures including the Janaardanaashtakam series are from this period. To be called a Bapu
Bomma became the ultimate compliment for a beautiful
Telugu young girl.
In 70s, Bapu's pictures changed even more. The pictures were getting further simplified and stylized. Now, he
is not merely illustrating a scene from the book or the story.
His illustrations became a shorthand graphic representation
of the essence of the work. The backgrounds to the main
illustration began to either disappear or be confined to a
small number of important elements.
In 80s, Bapu's pictures changed again. A lot of oriental style curves began to appear in his pictures. The oval and
angular faces give way to more rounded faces. The bodies,
especially limbs, are a little chubbier. The pictures sometimes look a lot more complex even though the number of
lines in the pictures continue to dwindle His script has
changed again. The letters are simplified to the extent of losing certain elements (for example, the circles associated with
letters - like va - are now gone). By 1995, most of Bapu's
pictures are very simple with a minimum number of lines.
The background detail that was present in the early works
has completely disappeared.
However, some things have remained constant. Bapu's
commitment to stick to his Telugu roots in his pictures has
remained the same. The pictures are still as stunning, and
the illustrations still as clever, a continuing testimony to the
old comment by the famous writer Rachakonda Viswanatha
Sastry that it is a disadvantage for a writer to have his work
illustrated by Bapu since the illustration reveals the entire
plot, sometimes even more effectively than the writer him/
herself can. The truth is that many writers longed for their
works to be illustrated by Bapu and the publishers clamored
after him for illustrating the front covers of their books.
There was a time when the Telugu bookstores looked like
Bapu art galleries.
One of the great things about Bapu is his versatility. It
is rare for an artist to be a cartoonist and vice-versa. When
an artist tries to draw a cartoon or a cartoonist draws a portrait, one can usually see that their lines still belong to their
usual genre. However, Bapu is at once a cartoonist, a caricaturist, an illustrator, a graphics artist, and a painter. And
his works in each of these spheres have different styles and
different lines, with simplicity and cleverness being the only
common features. He experimented in many different styles.
He once remarked that whenever he admired a new painter,
he tried to imbibe that style.
He drew thousands of illustrations for the Telugu
magazines of the last 50 years. There were also thousands
of special paintings commissioned as the cover art for maga-
23 ❖
zine special issues. There are book covers, logos, greeting
cards, publicity pictures, portraits, and above all cartoons.
His cartoons included cartoon stories (BangaaramSingaaram etc), political cartoons for newspapers, the cartoon strips featuring the iconic 'Budugu' and 'Gireesam', the
cartunes (caricatures coupled with short doggerels), and
cartoons that brought out the humor in our daily life. He was
also a sought after graphics artist. Many people believed that
having their company's logo designed by Bapu brought good
luck. The logos that Bapu designed for various companies
have become part of the daily Telugu life. The logo Bapu
designed for the 1985 Los Angeles TANA Conference
(Donald Duck and a Telugu girl greeting each other) is one
of my favorites.
That's not all. He also drew several panels to be used
in the background for his films. Then, there are his series
on the classics for Telugu literature, Aamukta Maalyada,
Janaardanaashtakam, and Annamacharya keertanas to
name a few. When Videsandhra Publications published
SriSri's Mahaprasthanam in facsimile, Bapu has been asked
to illustrate it. When Andhrajyoti weekly decided to reprint
Mahaprasthanam, Bapu again illustrated the verses. His
murals of Ramayana adorn the temple complex of
Bhadrachalam, his Siva murals the temple complex of
Kotappa Konda and the Mahabharata murals in Ramoji Film
City complex. He was honored as the Aasthana Chitrakaar
(Painter Laureate) of the Tirumala Tirupati Devasthaanam.
A discussion about Bapu would be incomplete if we
do not talk about his Ramayana. Bapu, who made several
films with Ramayana themes, is a devotee of Rama (all his
illustrative work begins with a faintly penciled 'Sri Rama'
in Telugu written near the top border). He illustrated (in
color) and published a book on Ramayana for children, an
immensely popular book aimed at people outside of India.
He went on to illustrate the other epics, Mahabharata and
Bhagavatha as well for children. His depictions of the vari-
24
ous deities from the Hindu pantheon and mythology are now
ubiquitous in the Telugu land as are those of the iconic characters from Telugu literature.
To understand Bapu's genius as an illustrator, one
should look at his work for Satyam Sankaramanchi's
Amaraavati Kathalu (Navodaya Publishers, 1978). The stories themselves are delicately crafted sensuous works, some
of the best in the modern era. Bapu's illustrations for this
series often match the stories in their creative excellence.
Actually, one doesn't need to go even that far. Look at the
illustrations in this issue. Look at that little girl on the cover
page of this issue which originally appeared in a TANA Conference souvenir. At first glance, you see a cute little Indian,
if not Telugu, girl saying 'Namaste' with folded hands. Look
again. You will notice the stars and stripes on the little girl's
skirt. This is not just another Indian girl, but one from the
Land of the Stars and Stripes, welcoming you or saluting
Bapu. Somebody once remarked that Bapu draws 'clever'
pictures instead of cover pictures.
His uniqueness as an illustrator can be gleaned from
the following incident. Dasarathi, the poet, translated
Ghalib's Urdu ghazals into Telugu in early 1960s. Bapu illustrated all these ghazals (incidentally, he drew these pictures in the Persian style). Dasarathi went to Bombay in
1962, to a meet of Urdu poets, bringing along a copy of his
book. Whenever the Urdu poets looked at the pictures accompanied by text in Telugu, a language they can't read, they
would immediately begin reciting the appropriate ghajal in
Urdu. Dasarathi said that when it happened the first time,
he thought that his Urdu poet friend lucked out. But, it happened with almost all the illustrations and with other poets
as well, making him acknowledge that the artist captured
and conveyed eloquently the essence of each of the ghazals.
I have heard people comment that the color drawings
by Bapu, particularly the book covers, don't seem depth and
look rather flat. A quick look at the color pictures in this
section should dispel the notion. A few things
need to be mentioned here. One is that Bapu
has at times drawn his pictures inspired by the
traditional Andhra art, which has been two dimensional. One also needs to realize that the
color printing technology available for the
Telugu book publishers, until recently, was
rather primitive. The artist basically, had to
make a line drawing and then specify colors for
different regions of the line drawing - sort of
like coloring by numbers (referred to as cut colors in the trade). Here, the color choice is rather
limited, the colors have to be uniform shades,
and overlays of colors is not feasible. This
made it really difficult for the artist to provide
depth, other than with a proportional framing of the visual
elements. Bapu is a master at using this technique and in
proportional placement of the elements, thereby compensating for the limits imposed on him by the available technology. In the last 15 years, with the advances in scanning
and printing, Bapu became free to draw the color pictures
the way he wanted to and the results can be seen in his more
recent pictures (for example, the stunning illustrations for
Vamsee's serialized novel, Manyam Raani).
Another interesting thing is how Bapu has influenced
the art scene in Andhra Pradesh. Many of the graphic artists and cartoonists today try to emulate Bapu unabashedly.
Bali's pictures remind one of Bapu from the sixties. Chandra
seems to emulate Bapu of the early 70s. Karunakar seemed
to emulate Bapu of the late 70s. Every young man with literary or artistic pretensions that I know tried at one time or
other to emulate Bapu style of lettering. Once Bapu's script
has been captured by S. Muralikrishna of Anu Graphics,
Madras, as computerized Telugu font, it has become one of
the most popular fonts to be used in Telugu magazines for
decorative writing.
Bapu himself admits to many influences on his pictures. He says that whenever he is impressed by a great
painter or a new style of painting, he has an urge to draw in
that style. It is the main reason why his pictures have
changed over the years. He admires the paintings of Sri
Pilaka Lakshmi Narasimha Murty and expresses his indebtedness to 'Gopulu', another commercial artist who worked
for Andhra Patrika and later became the art director for an
advertising agency. He never hesitated to publicly acknowledge the inspiration he derived from old masters to little
known cartoonists.
Bapu, who started directing films in 1967, is a celebrated film director achieving both artistic and commercial success. His lyrical ballad of a film, Sita Kalyanam
(Sita's Wedding), was exhibited in several international festivals to much acclaim. There is not enough space here to
discuss his films in detail.
In early 90s, Ramesh Ravella, Ramakrishna
Pillalamarri, and I attempted to translate (the captions of)
Bapu's cartoons into English and published them in our
TANA Patrika. It was a popular feature. I used to be especially pleased when young readers used to tell me that they
looked forward to TANA Patrika because of these cartoons.
Youngsters reading this issue can appreciate the depth and
breadth of the gifted talent of this artist Bapu, who always
ventured to pursue newer horizons with his art, has already
enchanted several generations of Telugus and will continue
to enthrall many more new generations to come.
Bapu's passing away marks the end of an era in modern Telugu culture. While his art and his memories will live
on among the Telugu hearts, his versatile genius will be
missed. But, we should count our blessings that we were
able to partake from his cup for almost seventy years and
rejoice in the gift of many iconic works that are now a permanent part of the Telugu landscape.
b
Modified from the original article written for the Souvenir of the 10th TANA Conference in 1995
that celebrated the Golden Jubilee anniversary of the first publication of a Bapu drawing. The author,
Chowdary Jampala, is the Chief Editor of TANA Patrika and the Executive Vice President of TANA.
25 ❖
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Publication of this painting is sponsored by
Smt. Bharathi Chukkapalli, Burr Ridge, IL
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Drs Krishna Sarada and Ramesh Bathina, Aurora, IL
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39 ❖
The Light of India
SITA KALYANAM
This article was published on 21 Jan 1978 (Saturday) in The Guardian, Arts Section (page 12)
While attending the Filmotsav 78 in Madras, the famous
British film critic, Derek Malcolm discovered and fell in love
with Bapu's Sita Kalyanam which was not included in the
Indian Panorama section. After singing its praises, Derek
Malcolm arranged for the film to be screened at the London
Film Festival and later at the Chicago Film Festival. The
handwritten note on this page is a comment Malcolm made
in the Visitor's Book after a special screening of Sita
Kalyanam during Filmotsav 78 (3-17 January 1978)
But first a real discovery outside the Indian Panorama
section. Bapu's Sita Kalyanam (Sita's wedding) was
refused inclusion because it was felt that few foreigners would want to see even a superior specimen of the
mythological movies that are so popular in these parts.
How wrong the organisers were. It is one of the most
extravagantly beautiful films I've seen. And I'm glad
to say that those I sent scurrying after it from a private
showing agreed that I wasn't going off my head. It will
certainly he at the London Festival in November.
Bapu himself seemed genuienly surprised at all the
fuss. After all, he has so far made 13 films without managing to be included in the official list of India's leading directors. And though he was rather hurt about that,
he admits only to being a more careful than usual commercial film-maker. But Sita's Wedding is something
special.
It was really made by a team who have worked together
often before. Mullapudi Venkata Ramana (writer), K.
V. Mahadevan (the superb Carnatic music), K.S.
Prasad (cinematography) and Ravee Nagaich (the Ray
Harryhausen of Indian special effects) have combined
with Bapu to illustrate part of the Ramayana - culminating in the marriage of Rama, incarnation of Vishnu,
to Sita, adopted daughter of King Janaka.
ek Malcolm
Bapu with Der
The result is like a Hollywood Bible epic done with
real taste - an amalgam of lyricism, poetry and spectacle achieved with rare authenticity (everything is as
accurate as possible to the legend and to the centuriesold paintings and decorations that embellish it). All is
done with a gravitas and dignity that is ultimately very
moving. I've seen nothing like it before and can't help
thinking that its popularity in the West is assured.
Which makes it all the more amazing that Sita's Wedding was a flop commercially in India, perhaps because
a more obvious, rip-roaring approach generally suffices.
Courtesy
Sri B. Vijayavardhan, Hyderabad
40
Smt. Saraswathi and Dr. Venkata Subbarao Uppuluri, Chicago, IL
41 ❖
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Hêqï ø£+fÒ, e÷eTøÏ #ê˝≤ ˝À≥T>± nì|æ+#˚~. ªMT Hêqï Áu…&é n+&é
ã≥πs, ‘Ó\T>∑T! m+‘· $Tdt nsTTb˛‘·THêïy√ ‘Ó*j·TfÒ¢<äT MT n+<ä]ø°.
‘Ó\T>∑T uÛ≤wü n+‘· >=|üŒ~ eTs=ø£f<¢Ò eä ÷à,μ nì #ê˝≤ Áã‹$T˝≤&˚yês¡T.
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qì, e÷eT ‘·qT y˚dæq ø±s¡÷ºHé‡ Á{≤Hé‡˝Ò{Ÿ #˚dæ eTØ |ü+ù|yês¡T. ‘·qøÏ
q∫Ãq ø£<∏ä\T fÒ|t #˚dæ |ü+ù|yês¡T. á Áù|eT n+‘ê ‘Ó\T>∑T MT<ë? Hê
MT<ë? nì H˚qT m|ü&É÷ n&É>∑˝Ò<äT. Ä qe⁄«\ì ø£fi¯fl ø£<äT›≈£îì
øö>∑*+#·T≈£îHêïqT. b˛˙, n|ü&Ó’Hê ‘Ó\T>∑T e∫Ã+<ë?
∫qï ø√‹ø=eTà∫Ã Çø£ÿ&É. Hêqï, e÷eT m+‘· >=|üŒ Áô|ò+&é‡
nsTTHê, yêfi¯flø° ø√|ü‘êbÕ\T ‘·|Œü ˝Ò<Tä . n<˚ |ò÷ü f…qÆ Áù|eTøÏ <∏sä êàMT≥sY
nì ˝À>∑&É e÷ &Ü&û #ÓbÕŒ¬s¢+&ç. ˇø£kÕ], k˛ºØuÀsY¶ y˚düTÔ+fÒ, H˚qT
e÷eT÷\T Á|üø±s¡+ ≈£L#·Tì e÷eTøÏ @<√ k˛~ #ÓãT‘·THêï. dü&ÓHé>±,
ª#·÷&ÉT, m+‘· u≤>± sêXÊs√, MT Hêqï. ˇø£ÿ yÓ+ø£Á{≤y˚ Ç+‘· >=|üŒ>±
sêj·T>∑\&ÉT,μ nì bı>∑s¡T‘√ ø£*dæq Áù|eT‘√ ø£*dæq n_Ûe÷q+‘√
nHêïs¡T. ªeT] Ç+‘· #ÓbÕÔe⁄ ø£<ë, m|ü⁄Œ&É÷ Ä Äs¡TZýÓT+≥T¢ m+<äT≈£î
e÷e÷?μ nì n&ç>±. ª#·÷&ÉT, MT Hêqï ÁãVü≤à<˚e⁄&ÉT. Äj·Tq ø£Hêï Hê≈£î
˝Àø£+˝À Ç+ø± >=|üŒyês¡T me«s¡T ˝Òs¡T, ø£<ë? Äj·Tq ‘Ó\T>∑T yê]>±
|ü⁄≥º&+É , eTq n<äèwü+º , n+<äT˝À, Hê˝≤+{Ï yê&çøÏ Áô|ò+&é>± |ü⁄≥º&+É Ç+ø£
#Ó|üŒ˝ÒqT, ø£<ë? n+‘· ô|<ä› Äj·Tqì H˚qT Hê Áô|ò+&é nqTø√e&É+˝À
m+‘· >∑s¡«+. ô|’>± ‹{Ïº, Äj·Tq‘√ Äs¡÷Z´ #Ój·T´&É+ Ç+ø± m+‘· >=|üŒ
Hê≈£î! @<√ bı>∑πs Hê≈£î, eTTfi¯fl|üP&ç>±]H˚ ‹≥º>∑*π> kÕº≥dt ñ+<äì!μ nì
ø=+f… u§eTà\ u≤|ü⁄>±s¡T nHêïs¡T.
Wsê, n<ë ø£<∏ä! H˚qT #ê˝≤kÕs¡T¢ nqT≈£î+{≤qT: H˚qT ªf…\÷Zdtμ
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‘Ó\T>∑T ø£<\ä∏ T, ø±s¡÷qº T¢, bÕ≥÷´qT¢ n˙ï Á{≤Hé‡˝Ò{Ÿ #˚d,æ Hêø√dü+, Hê‘√
f…ÆyYT ôdŒ+&é #˚XÊs¡T. Áu…Ì{Ÿ ôd’&é ≥÷ mÁM~∏+>¥.
eT] Hêπø ‘Ó\T>∑T e#·TÃ+fÒ? Ç+ø± >=|üŒ &çdüÿwüHé‡ nj˚T´Hê?
Hê≈£î >±s¡+ ø£+fÒ ¬sôdŒøº̆ m≈£îÿej˚T´<ë??? @yÓ÷? á >∑TÁs¡+ u≤|ü⁄s¡eTD\ Ç+{À¢ |ü⁄{Ïº Ç+‘· m–]+<˚! m|ü&√ @ »qeT˝ÀH√ kÕHê |ü⁄D´+
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m>∑sêy=#·TÃ.
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yê\ì nì|æ+∫q ø£ãTs¡T¢. mìï sêdæHê, #ê\fÒ¢<äT, @$T sêdæHê dü]b˛
m|ü&É÷ |ü+≈£îÃé˝Ÿ. yÓfifl‚ ~ wüO{Ï+>∑Tø¬ H’ ê düsπ , dæìe÷ ◊Hê
düπs, Áf…sTTHé ùdºwüHé nsTTHê düπs, ¬skÕº¬s+{Ïÿ nsTTHê düπs
Ä˝Ò«dt ÄHé f…Æ+. ì»+ #ÓbÕŒ\+fÒ áyÓHé _bò˛sY f…Æ+. Hêqï
≈£L&Ü ÄHé f…Æy˚T ø±ì Äj·Tq zHé f…Æ+. kÕj·T+Á‘·+ Äs¡T
>∑+≥\øÏ Áf…sTTHé n+fÒ, e÷eT ¬s&û nsTTb˛sTT, dü]>±Z
s¬ +&ÉTqïs¡øÏ øÏ+<äøÏ y=#˚ÃkÕÔsT¡ . e÷‘√ ø±ùd|ü⁄ CÀø˘ #˚d,æ Ç+ø£
yêNì #·÷&É&É+ yÓTT<ä\Tô|&É‘ês¡T. HêH˚ïyÓ÷ eTC≤®qï+
ìÁ<ä˝À ñ+{≤s¡T. yÓT\¢>∑ eT÷&ÉTqïs¡øÏ ãj·T{ÏøÏ ekÕÔs¡T.
ª@ej·÷´ y=#˚ÃXÊyê, ø±|ò” ‘ê>∑T‘êyê? Ç<äT>√ Áo<˚M...!μ
eTT+<äT e÷eT kÕ|òtº>±, ªHê≈£î ø±|ò” y=<ä›j·÷´, qTyÓ«[fl ¬s&û
ne⁄«,μ n+{≤s¡T. ‘·s¡yê‘·, Hêqï y˚&ç y˚&ç ø±|ò” yÓT\¢>± dæ|t
#˚dü÷Ô ñ+fÒ, e÷eTøÏ u≤sTT*+>¥ bÕsTT+{Ÿ <ä–Zs¡e⁄‘·÷
ñ+&˚~. Çø£ Hê\T>∑T >∑+≥\ø£˝≤¢ zs¡TŒ, ‘·÷s¡TŒøÏ ‘·TÁs¡T
eTH˚~, ˇø£ÿkÕ], ªyÓfifl¯ ej·÷´... Áf…sTTqTøÏ ˝Ò{Ÿ ne⁄‘√+~,μ
nì >∑{Ïº>± n]ùdÔ, n|ü&ÉT, Hêqï yÓT\¢>± Ä ø±|ò” ø£|t øÏ+<ä
ô|{Ïº... ªÄ, Ç+ø£ f…ÆeTT ñ+~ ø£<äj·÷´, ‘=+<äs¡ j˚T\,μ nì
˝À|ü\øÏ yÓfi‚flyês¡T. Ä y√\ÿH√ ms¡|ü̧Hé˝≤>∑ y=∫Ãq ø√|ü+
e÷eTøÏ 30 ôdø£+&ÉT¢ ≈£L&Ü ñ+&˚~ ø±<äT. eT∞fl Hêqï ¬s&û
nsTT´ ãj·T≥øÏ y=#˚Ãdü]øÏ, n+‘ê e÷eT÷˝Ò, CÀ≈£î‡, ‹+&ç,
Áf…sTTqT` y˚TeTT |üø£ÿq ≈£L#·TÃì Çyê«fi¯ m+‘·ùd|ü{ÏøÏ
e÷eTøÏ ãs¡dæº+>¥ bÕsTT+{Ÿ edüTÔ+~ nì #·÷dü÷Ô ñ+&˚
yêfi¯fl+. Ç+ø√ $wüj·T+˝À ≈£L&Ü ádtº ádt ádtº n+&é
yÓdtº ádt yÓdtº, n+&é <ä f…«sTTHé wü˝Ÿº HÓesY MT{Ÿ nì
ìs¡÷|æ+#ês¡T. e÷eTì Hêqï |üì sêø£då Tü &ÉT nH˚yês¡T. @ø£+>±
s¬ dtº ˝Ò≈î£ +&Ü e÷eT s√EøÏ 18-20 >∑+≥\T |üì #ÓjT· ´>∑\s¡T,
#˚ùdyês¡T. Ä s¡÷+ qT+∫ yÓTVæ≤B Vü≤düHé>±] |òüT»˝Ÿ‡ n˝≤
$ì|ædü÷ÔH˚ ñ+{≤sTT, Ç˝≤ u§eTà\T, ø±s¡÷ºqT¢ y=#˚Ãdü÷ÔH˚
ñ+{≤sTT. eT] HêqïπøyÓ÷ ‹+&ç ìÁ<ä ‘·s¡yê‘˚ Ç+ø√ <Ûë´dü.
47 ❖
Ç<ä›]ø° |æ\¢\T n+fÒ eTVü‰ #Ó&É¶ Áù|eT.
m+‘· wüO{Ï+>∑T˝À e⁄Hêï, Ådæÿ|tº eT<Û´ä ˝À
e⁄Hêï, u§eTà˝ÒdTü HÔ êï, eTeTà*ï m|ü&É÷
HÓ¬>¢øº̆ #Ój·T´˝Ò<äT. n+fÒ s√p ≈£L#·Tì
|ü<äeT÷&√ jÓTø£ÿ+ H˚]Œ+#˚yês¡T nì
nqT≈£îH˚s¡T. nuÒ“. y˚TeTT @ ø±¢dt˝À
e⁄HêïeTì ≈£L&Ü eTeTà*ï n&ç– ‘Ó\TdüT
≈£îH˚yês¡T ø±<äT. ˇø£ÿ ù|¬s+{Ÿ {°#·sY
MT{Ï+>¥øÏ y=ùdÔ ˇ≥Tº! ø±ì, ET, kÕºsY
yêsY‡, dü÷|üseY ÷Hé dæìe÷\øÏ |òdü ºt &˚ |òdü ºt
c˛øÏ rdüT¬øfi‚flyês¡T. 007 y˚cÕ\T m+‘·
eT+~ j·÷ø£ºs¡T¢ y˚XÊs¡T, JHé ¬sHê«j·TsY
s¡÷˝Ÿ‡ Ä|òt <ä π>+ m˝≤ rXÊ&ÉT, d”‘ê
ø£˝≤´D+˝À ‘ê≥øÏe<Ûä Á>±|òæ≈£î‡ ø£<∏ä,
mf…‡Á{≤ mf…‡Á{≤˝≤+{Ï >=|üŒ $wüj÷· \T
uÀ<Ûä|ü]#˚yês¡T.
eTqesêfi¯ó¢ ˝≤dü´, u≤\\‘√ u≤|ü⁄, uÛ≤>∑é‹ <ä+|ü‘T· \T
e÷ Ç+{À¢ #ê˝≤eT+~ ñ+&˚yês¡ì #ÓbÕŒqTø£<ë. yês¡+‘ê
e÷ bòÕ´$T© yÓT+ãsY‡ eT≥Tºπø ø±<äT. m|ü&É÷ mefiÀfl ˇø£fi¯fl
Áô|ò+&é‡ Ç+{À¢H˚ ñ+&˚yês¡T. e÷ ∫qï|ü&ÉT Hêqï e÷eT\
Áô|ò+&é‡ Ç+{ÏøÏ y=ùdÔ uÛÑ˝Ò dü+<ä&ç>± ñ+&˚~. eT÷´õø˘
ôdwüHé‡, *≥s¡Ø ôdwüHé‡, dæìe÷ ôdwüHé‡` Ç˝≤¢>∑ yêfi¯fløÏ
ôd|üπs{Ÿ Ç+≥¬sdtº‡øÏ &ç|òü¬s+{Ÿ Áô|ò+&é‡ ñ+&˚yês¡T. ô|’øÏ
|üø√&û ãJ®\T Çe«&ÜìøÏ eTeTà*ï |ü+|æùdÔ y˚TeTT n$
&Ó*esY #˚XÊø£, ‘·\T|ü⁄ #ê≥T qT+∫ #·÷ùd yêfi¯fl+.
ô|<ä›j·÷´ø£ mìï }fi¯ófl ‹]–Hê, mìï ø£\ÃsY‡ mø˘‡|”]j·THé‡
#˚dæHê, Ç+‘· dü+|üPs¡í+>±, ¬s+&ÉT #˚‘·T\‘√ J$‘êìï Ç+‘·
eTqdü÷Œ¤]Ô>± yÓ\ÿ+ #˚dæq Ç<äΔs¡T e´≈£îÔ*ï H˚HÓ’‘˚ mø£ÿ&Ü
#·÷&É˝Ò<äT.
efÒ<¢ Tä . VüAéTsY ndü‡\T sêefÒ<¢ Tä . Suddenly, there seems to be a pause.
It's as if Laurel and Hardy have paused in their antics. Groucho has
stopped his incessant chatter. P G Wodehouse has put his pen down. But,
the smile will be back. m+<äTø£+fÒ, Hêqï e÷eT y˚dæq~ ÁãVü‰àÅdüÔ+
nì, Hêqï e÷eT #ÓbÕŒs¡T, #ê˝≤kÕs¡T¢.
Ç+ø√kÕ] eTfi≤fl #ÛêHé‡ <=]øÏ‘,˚ Ç+ø± #ê˝≤ $wüj÷· \T #ÓbÕÔ u≤|ü⁄s¡eTD\ >∑T]+∫. q$«+#˚, qe⁄«≈£îH˚ $wüj÷· \T #ÓbÕÔ. n+‘·es¡≈î£ , e÷eT
Hê≈£î Ç∫Ãq ø=ìï –|ò‡ºt MT‘√ ≈£L&Ü ùwsY #˚dTü ≈£î+≥÷ ôd\e⁄ rdüT≈£î+{≤.
ø±<ä+&ç, qyê«ÅdüÔ+. <ëìø£+fÒ |üesY|òü⁄˝Ÿ nÅdüÔ+ düèwæº˝ÀH˚ ˝Ò<ä≥ ø£<ë?
qeTùdÔ.
b
‘êHê |üÁ‹ø£ø√dü+ Á|ü‘˚´ø£+>± á yê´kÕìï Áyêdæq eTTfi¯fl|üP&ç nq÷sê<Ûä, eTTfi¯fl|üP&ç yÓ+ø£≥s¡eTD>±]
ne÷àsTT. uÛÑs¡Ô ø±]Ôø˘ düT+<äs¡+, ≈£îe÷¬sÔ ‘˚»\‘√ ø£\dæ ô|¢»+≥Hé, ø±*bò˛]ïj·÷˝À ñ+{≤s¡T.
Ç+‘·≈£îeTT+<äT u≤|ü⁄-s¡eTD\T, ‘·eT ≈£î≥T+ã+ >∑T]+∫ ÄyÓT sêdæq ªHêqï e÷eT y˚TeTT ªnqTμ ‘√ø£
ø=eTà∫Ãμ yê´kÕìï http://pustakam.net/?p=10761˝À #·<äee#·TÃ.
48
u≤|ü⁄‘√ u≤|ü⁄...
Hê >±&ébòÕ<äsY... >∑T]+∫ ø±düÔ
Hê u§eTà\ ø£<∏ä eT]ø±düÔ...
Ç+^¢wüß˝À >±&ébòÕ<äsY nH˚e÷≥ ñ+~. ‘Ó\T>∑T˝À <ëqs¡ú+ ªÁ|ü‘·´ø£å <Ó’e+μ nì Hê
qeTàø£+. Hê≈£î >±&ébòÕ<äsY` Á|ü‘·´ø£å <Ó’e+ ns¡÷ºsY áôdHéãsYZ nH˚ nyÓT]ø£Hé p´.
(ãsYZ nì ∫es=ùdÔ p´ nqïe÷≥. Ç+ø√ eTVü≤˙j·TT&ÉT d”ºyÓHé d”Œ˝ŸãsYZ.) Isen nì
ñ+~ ø£<ë ◊ôdHé nHê˝≤? n+fÒ ø±<äT áôdHé nHê*` MT ø±eTsêEì πø+sêCŸ
n+fÒ m˝≤ ñ+≥T+~ nH˚yês¡T. Äj·Tq 1955`1960 ÁbÕ+‘ê˝À¢ bò˛sY¶ bòÂ+&˚wüHé
Á|ü‹ì~Û>± eTÁ<ëdüT˝À ñ+&˚yês¡T. |ü⁄düÔø±\+fÒ Äj·Tq≈£îqï n_Ûe÷q+ (‘Ó\T>∑T˝À
#ÓbÕŒ\+fÒ nu…‡wüHé) n+‘ê Ç+‘ê ø±<äT. sêÁ‹ |üHÓï+&É÷ ¬s+&É÷ nsTTHê düπs`
y˚T\T≈£îì >∑T&éù≤´&é`n^¢ (#·~y˚<ëø± ‘Ó©<äT>±) @<√ z |ü⁄düøÔ +£ |üP]Ô #˚j÷· *‡+<˚.
n˝≤ #·~$q$ n|ü&É|ü&ÉT HêøÏdü÷Ô, 'Promise not to return,' nH˚yês¡T.
eTq<˚X¯+ Á{≤Hé‡|òüsY ne>±H˚ Çø£ÿ&çøÏ ‘Ó#·TÃ≈£îqï eTTKýÓTÆq kÕe÷qT ‘·q
˝…’ÁãØ. Äj·Tq ˝…’ÁãØ˝ÀøÏ n&ÉT>∑Tô|≥º>±H˚ |ü⁄düÔø±\÷, ô|’|ü⁄ ≥Tu≤ø√ düTyêdüq
eTè<äTe⁄>± ‘·–˝Ò~. bò˛sY¶ bòÂ+&˚wüHé ‘·s¡|òü⁄q Äj·Tq dü<äs¡Hé ˝≤+π>«CŸ ãTø˘ Á≥dtº
yÓTT<ä˝{
… ≤ºsT¡ . ‘Ó\T>∑T, ‘·$Tfi¯, eT\j·÷fi¯, ø£qï&É uÛ≤wü\˝À eT+∫ |ü⁄düøÔ ±\T n+<ä]ø°
n+<äTu≤≥T˝À ñ+&˚˝≤ Á|ü#·T]+#·&É+ <ëì |üì.
H˚qHêï, Hê u§eTà\Hêï` Ä es¡Tdü˝À yê‘·‡\´+, Áù|eT #·÷|æ+#˚yês¡T. n~
ªnyê´»yÓTÆμq≥Te+{Ï~. (á e÷≥ yê&Ü\ì mHêïfi¢̄ qT+#√ Á|üj·T‘·ï+.) Á|ü‹yêìø°
Hê ø±s¡T #·÷|æ+∫ (ôdø£+&ÉT Vü‰´+&ÉT~) e÷ u≤|ü⁄ u§eTà˝Òdæ dü+bÕ~+#·T≈£îqï
&ÉãT“‘√ ø=qT≈£îÿHêï&ÉT ‘Ó\TkÕ nì >∑s«¡ +>±, e÷ Hêj·TqeTà #Ó|Œæ q≥Tº #Óù|Œyês¡T.
ze÷s¡T ñ‘·Œ\yê] |ü<ë´\øÏ Hê u§eTà\Tqï |ü⁄düÔø±ìøÏ nyês¡T¶ eùdÔ >∑s¡«+>± yÓ[¢
#ÓbÕŒ. Äj·Tq, ªH˚qT nyês¡T¶ ø£$T{°˝À ñHêïH√jYT. $T>∑‘ê ø£$T{° düuÛÑT´\T
#·÷&É≈î£ +&Ü n&ÉT>∑Tì+∫ ô|’øÏ rdæ ô|fÒyº ê&çì ˙ |ü⁄düøÔ ±ìï,μ nì qyê«s¡T. á dü+>∑‹
>∑Ts¡T#Ô d˚ ÷ü Ô ÄeT<Û´ä ÇÁC≤sTT˝Ÿ˝À ñqï Äj·Tq≈£î (Ç|ü&Éøÿ£ &É ]f…sÆ j
¡ ÷· ´s¡T) ñ‘·sÔ +¡
sêdü÷Ô, "When I told you about my award, you said- My dear idiot, I put it on the top
49 ❖
of the other books all the time" nì ø√{Ÿ #˚ùdÔ` Äj·Tq »yêãT>± bò˛Hé
#˚dü÷Ô, "Bapu- I never called you an idiot- at least not in your presence,"
nHêïs¡T. Äj·Tq≈£î CÀ≈£î|ü&˚ #ÛêqT‡ <=]øÏ‘˚ e~˝Òyês¡T ø±<äT. dü<äs¡T
dü<äs¡Hé ˝≤+π>«C…dt ãTø˘ Á≥düTº (SLBT)øÏ qqTï Äqs¡Ø Äs¡Tº &Ó’¬sø£ºs¡Tì
#˚ùdXÊs¡T. m+. X‚cÕ#·\+ n+&é ø£+ô|˙ ù|s¡T $H˚ ñ+{≤s¡T. Ä Á|ü#·Ts¡D
dü+düú bÕsƒ¡´|ü⁄düÔø±\÷ nM y˚ùdyês¡T ã+<äs¡T qT+∫.
áôdHéãsYZøÏ yês¡u≤“sTT l m+.mHé. sêe⁄>±]‘√ ùdïVü≤eTsTT+~.
ÇVü≤ sêe⁄>±]#˚‘· ÁãVü‰à+&ÉyÓTÆq |ü⁄düÔø£ùde #˚sTT+#ês¡T. s¡ø£s¡ø±\
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#˚sTT+#ê¬s+<äTø£ì?
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Ä]ºdüTº\øÏ MTs¡T j·÷øº̆ #˚dæ #·÷|ækÕÔsê?
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˝≤u§πs≥Ø˝À nH˚yê&ÉT.
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Arabic design. There were no crotons in those times." d”‘e
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Publication of this painting is sponsored by Smt. Lakshmi and Dr. Rajendra Prasad Kakarla, St. Mary's, OH
72
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...I feel a strong bond with all of you, because we are all mourning for one man -Bapu.
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73 ❖
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Publication of this issue is sponsored by
Drs. Jayaprada, Yamuna and Suresh Kasaraneni, Louisville, IL
74
TANA Establishing
Bapu Statue in Narasapuram
qs¡kÕ|ü⁄s¡+˝À
TANA is proud to honor the Telugu legend
Bapu with a statue in his birthplace,
Narasapuram, to be inaugurated on his birthday
December 15, 2014. We encourage you to be a
part of this project by making a donation at
www.tana.org/donate and select Bapu Statue in
the dropdown box.
$Á>∑Vü≤+
‘·q ∫Á‘ê\‘√, #·\q∫Á‘ê\‘√ ‘·q J$‘·eT+‘ê
‘Ó\T>∑Tyê]ì n\]+∫q eTVü‰ø£fi≤ø±s¡T&ÉT eTq u≤|ü⁄
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Ä ø±s¡´ ìs¡«Vü≤D˝À bÕ\T|ü+#·Tø√eTì $TeTà*ï
ÄVü‰«ìdüTH
Ô êï+. www.tana.org/donate≈£î yÓ[¢ Bapu
Statue ì m+#·Tø√+&ç.
#Ó≈î£ ÿ\ s¡÷|ü+˝À ‘êHê |
ù s¡ $sêfi≤\T |ü+|üe\dæq ∫s¡THêe÷
Send Donation Checks in the name of TANA to
Madhu Tata, Treasurer, TANA, 2655 Cobb Parkway SE, Atlanta, GA 30339
PLOT
for sale
1000 plus sq yds plot for sale in Sainikpuri Army officers society, Secunderabad. Well maintained, green
surroundings, calm and serene atmosphere. Society does
not allow flats to be constructed. East facing, perfect
vaastu plot. Expecting Rs 32000 per sq yard. Looking
for a hassle free transaction with NRIs who can pay in
bank cheque in Indian Rupees.
Plot has 25 year old house which can be renovated or
demolished for new construction. Army society manages
water supply. Basic electrical and plumbing maintenance provided by society along with security guard for
lane. Society club has gym, swimming pool. Parks,
green and clean areas available for walkers, joggers.
All independent houses owned by Defence personnel
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Self contained locality with all shopping, medical and
entertainment facilities available in adjacent fully
developed AS Rao Nagar.
Interested buyers can email us at
[email protected]
75 ❖
SRI SIT
ARAMA KAL
YANAM CELEBRA
TIONS
ITARAMA
ALY
ELEBRATIONS
Acr
oss the USA
Across
T
hough TANA had hosted events like Srinivasa Kalyanam in the past, this is the first
time that an authentic Telugu temple celebration is being organized all across the US,
the entire tour spearheaded by TANA. TANA committee members and volunteers are
providing crucial support in their cities.
We at TTANA
ANA P
atr
ika are hap
py to br
ing our readers
Patr
atrika
happy
bring
a ffew
ew glimpses of the ffestivities
estivities
estivities..
The Priests
A team of priests from the Bhadrachalam Temple conducted this auspicious ceremony in thirteen cities, according to the authentic temple traditions, with consecrated
moortis brought from Bhadrachalam.
The team is led by the head priest of Bhadrachalam
temple, Sriman Podicheti Sitaramanujacharyulu. Senior
priest and Vedic scholar, Sriman Gudimella Muralikrishnamacharyulu has been acting as the commentator, providing engaging and captivating commentary on the Kalyanam
76
proceedings. Koti Ramasvarupa Raghavacharyulu, Koti
Srimannarayanacharyulu and Perambudur Madanamohanacharyulu assisted the head priest in conducting the ceremony
efficiently.
The Kalyanam Ceremony
The consecrated idols of Srirama, Lakshmana, Sita and
Hanuman are brought to the stage amidst applause from
devotees, accompanied by all the royal signs of Srirama the white umbrella, the flag, the Sankha and Chakra (conch
and discus). The priests declare the sankalpam of the wed-
ding, inviting the devotees to join. The divine captain
Vishvaksena is worshipped, to remove all obstacles. Then
punyahavachanam is performed with raksha bandhanam
and moksha bandhanam. All the materials used in the wedding process are sanctified during this process.
This opens the stage to the actual wedding, starting
with the recitation of Kanyavaranams. The priests recite
the lineage of both the bride and the groom. After appropriate steps, on the auspicious time, the priests place
jeelakarra-bellam on the heads of Srirama and Sita moortis,
signifying their union. The mangalyam is worshipped with
appropriate vedic rituals and mangalyadharanam is performed while the devotees rejoice with chants of Jaya Jaya
Rama. They conduct playful events like banthulaata, with
recitation of the Tamil poem "vaaranam aayiram" that was
composed for Godadevi's wedding with Sriranganatha. The
event concludes with offering of karpura neerajanam and
benedictions from the four vedas.
DETROIT, MI
Detroit Telugu community was fortunate to host and
witness the very first Kalyanam in this auspicious tour. The
event was celebrated in grand style at Sri Venkateswara
Temple in Novi, MI, on August 9. Prasad Pinnamaneni,
Sarada Gullapalli, Udaya Kumar Chapalamadugu, Prasad
Ravipati, Padma Sanam, Venu Suraparaju and several other
trustees took active part in the event. Hundreds of devotees attended and sought the blessings of the divine couple.
The proceedings and some of the background stories were
narrated in an engaging manner by Sriman Gudimella
Muralikrishnamacharyulu.
A Divine Inspiration
I have always felt that our Indian family could be
a role model to the world in defining the strength
of familial bonds. And for the Indian family, Sita
and Rama represent the ultimate perfection as the
ideal wife and husband. Moreover, Sri Rama
embodied many wonderful qualities that could
serve as guidelines even in today's world, to help
us lead fulfilling and successful lives.
I hail from Bhadrachalam, with the ancient temple
dedicated to Sri Rama - where the Sitarama
Kalyanam is celebrated every year during Sri
Ramanavami festival in a grand manner. Moreover,
this wedding ceremony is something quintessentially linked to Telugu culture. I sincerely wanted
my American Telugu brethren to experience this
wonderful event firsthand. A lot of people, from
across the US, who have attended the event in their
respective cities, told me that this was like a dream
come true. I take that as a blessing from the divine
couple.
Mohan Nannapaneni
TANA President
COLUMBUS, OH
Telugu Association of Central Ohio (TACO), with the
support of Bharateeya Hindu Temple, has organised the
Bhadrachala Sita Rama Kalyanam in Columbus, OH, on
Sunday, August 10.
TACO made elaborate arrangements in the Yaagsala
Detroit, MI
Columbus, OH
Auditorium of Bharateeya Hindu Temple with beautiful
decorations, a large specially built stage and seating arrangements for devotees. More than 600 devotees, participated in the divine wedding. Traditional prasadam of
panakam and vadaappu were distributed, the event concluding with mahaprasadam. Many participating devotees
expressed the joy they derived from attending the beautifully conducted event.
77 ❖
Jacksonville, FL
Chicago, IL
CHICAGO, IL
The Hindu Temple of Greater Chicago (Lemont, IL)
hosted the divine Bhadrachala Srisitarama Kalyanam on August 16. TANA President, Mohan Nannapaneni attended the
event and presented the traditional new silk clothes to the divine couple. Leaders and members of other Telugu associations
such as TAGC, TTA, ATA, and others too graced the occasion
and took part in the celebration. TANA Foundation Trustee,
Hema Kanuru coordinated the local efforts that included beau-
tiful stage decorations of the wedding venue.
CLEVELAND, OH
Bhadrachala Srisitarama Kalyanam was conducted on August 17 at the Sree Venkatesvara Temple
in Richfield, OH with great pomp and vigor. Local
TANA volunteer, Ashok Kolla took the responsibility
for organizing the event which was attended by several hundred devotees. Both the organizers and participants expressed satisfaction that such a rare event was
celebrated in their city.
JACKSONVILLE, FL
Triumph of Persistence
I have been fortunate that I was entrusted with conducting a couple of very prestigious religious
ceremony tours earlier in the USA- one was Sri
Srinivasa Kalyanam tour with participation from
Tirumala Tirupati Devasthanams, and the other was
Sri Satyanarayana Vratam tour with the team from
Annavaram temple. Both of those demanded a lot of
time and effort. However, Sri Bhadrachala Sitarama
Kalyanam tour was in a class by itself.
With persistence, we obtained all necessary permits
and the visas. This is also the first time that a
national tour of this magnitude is organized on such
massive scale, covering thirteen cities in just six weeks.
It is nothing but the blessings of Sri Sitarama that
made this possible. I humbly thank TANA and all the
local organizations and temples for their unwavering
support. The priests conducted each ceremony in
every city with special care, as if they were
conducting it in Bhadrachalam itself. When I
witnessed the joy of the devotees in each city, I felt
truly blessed.
Subbarow Chennuri
National Convener of Sitarama Kalyanam
Editor-Publisher of Telugu Times
Cleveland, OH
78
Sri Bhadrachala Sita Rama Kalyanam was performed in a grand manner in the Jacksonville Hindu
Temple on Saturday 23 Aug 2014. Over 600 devotees
witnessed this kalyanotsavam and sought the blessings
of Lord Rama. The event was facilitated locally by Sri
Shirdi Sai Society of North East Florida (SSSNEF).
Speaking on behalf of SSSNEF, Venkanna Karanam,
Trustee, said that it was a very grand event and thanked
the public for having participated with enthusiasm. Local TANA representatives Ramesh Vedula, Srini Patcha
and Suresh Mittapalli coordinated the event and ensured to make it a grand success.
ORLANDO, FL
The program at Orlando was celebrated on August 24 by Hindu temple of Central Florida. Srinivas
Jarugula supervised the local facilities and more than
500 devotees have attended and received the blessings.
The local priests also participated along with the visiting archakas from the Bhadrachalam temple.
MIDDLETOWN, CT
Telugu devotees of New York and Connecticut regions had the opportunity to witness Srisitarama
Kalyanam on August 30 at the Sri Satyanarayana
Temple (CVHTS). TANA Regional Representative,
Rao Yalamanchili, greeted the devotees and thanked
the local organizers for their support. Over 150 families attended and took the blessings.
BOSTON, MA
The Swamy Narayan Temple of Boston played host to
the Bhadrachala Sri Sitarama Kalyanam. Telugu Association of Greater Boston, on August 30, helped make the local arrangements for a gala celebration. The divine wedding
party was given a grand traditional welcome by TANA
President, Mohan Nannapaneni, Syama Nannapaneni,
Ammani Dasari and others. Over seven hundred devotees
took part in the wedding and received blessings. The local
Telugu women took an active part in the proceedings, extending traditional courtesies to all attendees, and conducting haarathi to the divine couple at the end of the wedding.
ALBANY, NY
Over 500 devotees attended this grand celebration on
September 1 in the capital area of New York State, which
was hosted by the Capital Area Hindu Society Temple.
Temple chair, Govindarao, and Albany Telugu Association
President, Sreenivas Nadella, have worked hard to make this
program a grand success. Mohan Nannapaneni, TANA
President also attended and commended the local organizers. Mr. Rao expressed satisfaction that devotees attended
in large number and made it a festive occasion.
ATLANTA, GA
The Southern hospitality was extended to Srirama and
Sita Devi by the Telugu people of Atlanta when they celebrated the divine couple's wedding on September 6. The
wedding stage was beautifully decorated by Sheela Lingam,
Asha Vellanki, Gayatri Devineni, Vijaya Lanka, Sandhya
Yellapragada and Madhavi Korrapati.
Mohan Nannapaneni, TANA President and Subbarow
Chennuri, the Kalyanam convenor attended the event along
with former TANA President, Gangadhar Nadella. The local arrangements were led by Madhu Tata (TANA Treasurer), Anjaiah Chowdary Lavu (Joint Treasurer) and
Goutam Gurram (Southeast RR). They were ably assisted
by Purna Veerapaneni, Anil Yalamanchili, Srinivas
Segireddy, Aluvala Reddy Seelam, Sunil Savile, Vasu Nalla,
Malathi Nagabhairava, Sohini Inala, Varaprasad Yadana,
Murali Kakumani and Nagesh Chilakapati.
CHARLOTTE, NC
Sri Sitarama Kalyanam was conducted at the Hindu
Center of Charlotte on September 7, with the help of Greater
Charlotte Area Telugu Association. Purushottam Gude took
the lead in making the arrangements in a grand fashion. The
function was attended by several members of TANA leadership, including Mohan Nannapaneni, Satish Vemana,
Madhu Tata, Anjaiah Chowdary Lavu, Goutam Gurram,
Gangadhar Nadella, et al. Devotees turned out in large numbers to relish and enjoy the ceremony conducted in traditional manner by the Bhadrachalam priests.
LOS ANGELES, CA
On September 13, Sri Lakshmi Narayan Mandir of
Riverside was the venue for Sitarama Kalyanam in the LA
Boston, MA
Middletown, NE
Orlondo, FL
79 ❖
area. Temple Chairman Dr. Sreenivas Nakka, alongwith
other officials- Lakshman Koka, Dharmesh Kumar, Sanjay
Jalota and others, made grand arrangements for the ceremony. A massive outdoor tent was erected so that over 600
day. This was the very last stop in a grand tour of 13 cities
over six weeks for the sacred deities and the temple priests
from Bhadrachalam temple. The imaginative stage decoration attracted praise from all attendees. Former TANA President, Jayaram Komati and several other prominent locals
took an active role in the proceedings. Mr. Komati expressed
satisfaction over successful completion of this grand tour
which was made possible through determined efforts by
TANA.
b
lsêe÷! ˙<äT
devotess in attendance could sit in comfort and participate
in the proceedings. Several hundred Telugu families as well
as many Indians and non-Indian devotees too attended and
received blessings. Officials of the local Telugu Association, Prasad Rani, Kumar Koneru and others attended the
event. Mr. Koka expressed his gratitude to TANA for bringing this wonderful ceremony to LA residents.
SUNNYVALE, CA
Raj Bhanot, Trustee of Sunnyvale Hindu Temple, along
with Kota Reddy and Indira Reddy played host to the
Sitarama Kalyanam in the Bay Area on September 14, Sun-
80
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Requesting FFeedback
eedback On
TANA Bylaws
Dear TANA member,
Greetings! The main objective of TANA Bylaws Committee is to review the current bylaws, discuss the amendment proposals submitted to the Bylaws Committee and submit its recommendations to TANA leadership.
The committee is currently in the process of reviewing the existing bylaws and requesting proposals for
amendments for evaluation from TANA membership. If you have any proposal to amend the current bylaws,
please submit it as soon as possible by sending email to [email protected]. Please include clear description of
proposal and the reasons/justification to amend the bylaws.
Best Regards,
Murali Vennam
Chair, TANA Bylaws Committee
82
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83 ❖
TANA MATRIMONIALS - OCTOBER 2014
[TMS F271] Kamma parents invite alliance for their daughter, 5'6", 31yrs
doctor (OBGYN), divorcee without encumbrances. She is beautiful, responsible, caring, currently working in Tennessee. Looking for US born
and raised successful professional doctor/engineer between 31-34, 5'10"
and above and fair. Please send photo and biodata to shweta23r@
gmail.com [0W011515]
[TMS F272] Telugu Telaga Kapu brother is seeking a suitable US groom
(37-40yrs) from similar castes for his sister, 37, MS (USA), H1B-EAD,
settled in Washington DC. May get GC very soon. Please contact:
[email protected] [1W011515]
[TMS F241] Telugu Brahmin parents seek alliance from US settled
[TMS F250] Telugu family seeks a US-born/raised professional groom
for their 33 year old daughter. She is a US-born/raised physician in
Pennsylvania and is 5'5", slim, smart, pretty, and friendly. Please contact us with details at [email protected] [2W030115]
[TMS F273] Telugu, Kamma family well settled in USA, looking for a
suitable match for their daughter 28, born and raised in US, medium
color, 5'4", sophisticated, ambitious and kind hearted, settled in west coast,
graduated from top business school. Please contact: appapra1953@
[TMS F257] Kamma parents invite alliance for their slim, fair, attractive, athletic and Telugu speaking daughter, 26yrs, 5'4", US born, raised
& educated. Studied undergrad at one of the nation's best business
schools and currently working as a Business Analyst in Finance & IT
for a reputed Bank in PA. Planning to do MBA. Seeking alliance from
well educated professionals raised in US. Caste no bar. Please contact#
949-237-2743 or email- [email protected] [2W021515]
[TMS F274] Telugu Kamma family invite alliance for their very beautiful 24 year old daughter. She is 5'8" tall, US raised and in fourth year of
Med school. Looking for a professionally qualified boy between 24-27 years.
Please contact with details: [email protected] [2W020115]
[TMS F264] Telugu Kamma family invite alliance for their fair, tall,
very beautiful daughter, 23 yrs, 5'5", US raised and is in second year
Medical school. Looking for US born/raised Doctor, handsome age between 25-30 years. Please contact with details: srama1221@
gmail.com[0W120114]
[TMS F265] Andhra Kamma parents settled in Hyderabad and uncle
and aunt settled in US invite alliance for 25 year old girl with fair complexion, 5'6", Indian Medical graduate (completed USMLE step 1) from
good looking, fair complexion, 5'10" or taller Kamma boys who are
India born and raised doctors or Medical residents. Please contact at
[email protected][0W120114]
[TMS F266] Parents are looking for a suitable groom for their 27 years,
5'5" fair, slim daughter, who graduated with MBA from an Ivy League
University last summer. Currently working in a tech firm in Southern
California. Ideal partner for her is an open minded, goal oriented, ambitious, professionally qualified person who grew up in USA or Canada
only. Please contact [email protected] [0W120114]
[TMS F267] US settled South Indian Brahmins invite alliance for 36
years/5'3" daughter working as Instructional Designer in Georgia. Please
contact 229-894-7334 [0W010115]
[TMS F268] Brother seeking alliance for his 47 year old sister. Kamma,
divorcee without encumbrances, 5'8", Master's degree in IT, US citizen, born
and raised in India. Please respond [email protected] [0W010115]
[TMS F269] Parents looking for suitable US born and raised Hindu groom,
30-32 yrs, based in SF Bay area, for their US born and raised daughter,
29 yrs, 5'3" lawyer, well read and sophisticated. Never married. For
serious inquiries, please contact [email protected] [0W010115]
[TMS F270] Kamma parents settled in Hyderabad invite alliance for
their daughter, 5'4" tall, 25yrs, M.S from Stanford. She is beautiful,
lively, responsible and caring person aspiring to meet a good natured
individual with strong ethical, moral and family values. Looking for
handsome, good looking, fair complexion, Kamma boy who has done
M.S/MBA from Ivy League Universities/Stanford/MIT/UC Berkeley.
Please contact with details [email protected] [0W010115]
84
[TMS F275] Telugu parents well settled in US seek alliance for their 24
year old US born and raised, sophisticated, very beautiful and successful
daughter, who just graduated from an IVY league law school. She has
strong moral values and is a very compassionate and kind hearted individual. Seeking well educated and qualified US born and raised boy from
Kamma, Kapu, Reddy, Brahmin families. Please contact: ar1tulasi@
[TMS F276] Kamma parents invite alliance for their US raised/educated
daughter 26yrs, 5'4", caring, friendly, doing 2nd year residency from US
raised professional 27-32 yrs, with positive attitude and family values.
Please contact with bio-data and pictures: [email protected] [2W021515]
[TMS M606] Well-settled Kamma Physician parents invite alliance for
their 28 yrs old son, 5'11", fair, doing 2nd year Internal Medicine Residency. Born and raised in USA. Seeking USA raised Physician, fair 23
to 27 yrs. Caste no bar. Contact with info at [email protected]
[0W0120114]
[TMS M609] Telugu Arya Vysya US based parents inviting alliance for
their handsome son, 26 years, raised and educated in the West, US &
UK Citizenship with OCI card for India, 5'6",150lbs, MS in Bio-Technology and a healthcare IT professional at a major teaching Medical
Institution in Chicago. Please contact [email protected]
[0W120114]
[TMS M610] Kamma parents invite alliance for their son, 29, 5'9", US
educated MD, final year resident from US educated MD Physician, 2428. Contact us with details [email protected][0W121514]
[TMS M611] Telugu Kamma parents invite alliance for their physician
son, 28yrs, 6'1" tall, very fair and handsome, born and brought up in US.
He is doing 3rd year residence in Internal Medicine and starting Cardiology Fellowship in July 2015 in Northeast. Seeking alliance from well
educated professionals raised in US, between 24 to 28 years. Please
send bio-data and photos to [email protected] [1W121514]
To Advertise in the
MATRIMONIALS SECTION
on the TANA Website
Rates:
$100 for placement of a 500 character (including spaces) advertisement for 6 months on the web
site; $50 renewal for the same period. There would be an additional charge of $1 for each additional word. We reserve the right to refuse the ad or make changes to suit the web site style.
Please provide your name, mailing address and/or phone # for our communication. This information will be kept confidential. TANA will assign a TMS # to each advertisement. Confidentiality guaranteed.
To place the Advertisement:
Mail your advertisement along with a check (payable to TANA) to the following address:
TANA Patrika Matrimonials; P.O.Box # 627, Hines, IL 60141
Or (faster method)
Pay online through the link : www.tana.org/donate . Choose Patrika Matrimonial from the drop
down menu. Please give the matrimonial ad you want us to post in Comments section or email to:
[email protected]
If you have any questions, please contact the Chairman of the TANA Matrimonials Committee:
Jagadish Kanuru, Phone# 630-212-7792; Email: [email protected]
Please note that TANA Patrika will not be sent to all advertisers automatically. It will be mailed to our
members only. Please become a life member at www.tana.org/signup to receive TANA Patrika regularly.
TANA PATRIKA ADVERTISEMENT TARIFFS
Back Cover
Inside Front cover
Inside Back cover
Single Page - Color
1/2 Page color
Single Insert
6 Months
1 Year
2 Years
N/A
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750
500
300
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2000
1500
900
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2500
1800
1300
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3500
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Reach more than 12,000 Telugu families!
Advertise in TANA Patrika!
85 ❖
TANA Patrika
October-November 2014

PDF: Oct-Nov 2014 - or TANA, as it is

Transcription

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