About Charlotte Perriand and Jean Prouvé Jean-François
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About Charlotte Perriand and Jean Prouvé Jean-François
Tuesday, May 27 th 2014, 6 pm About Charlotte Perriand and Jean Prouvé Jean-François Declercq’s collection Exhibition From Thursday, May 22nd to Tuesday, May 27th 2014 PIASA Rive Gauche 83, rue du Bac 75007 Paris Press & Communication PIASA Rive Gauche Cécile Demtchenko Woringer +33 1 53 34 12 95 +33 6 38 93 44 15 [email protected] Press release PIASA to celebrate Jean Prouvé & Charlotte Perriand at Sale of the Jean-François Declercq Collection – Tuesday 27 May 2014 at 6pm It is over 15 years since Belgian entrepreneur Jean-François Declercq succumbed to a passion for Design. Personal encounters, exhibitions and avid reading have helped him become a specialist connoisseur of the period – constantly on the look-out for iconic works by his favourite artists (Charlotte Perriand, Jean Prouvé and Pierre Jeanneret). Now Declercq is parting with nearly 90 pieces from this important collection, which bears witness to the historic and intellectual creativity of French post-war Design and had been on display in the Constructivist house-cum-studio built for sculptor Oscar Jespers in Brussels by Victor Bourgeois in 1928. © Serge Anton 2 One of the most outstanding lots is Charlotte Perriand’s Mexique bookcase (est. €70,00090,000), designed in 1952 for student rooms in the House of Mexico at the Cité Unversitaire in Paris. The bookcase represents the pinnacle of Perriand’s research on shelving: her invention of compartmentalized modules with metal sides represented an important step in the history of Design. Charlotte Perriand (1903 – 1999) Bibliothèque Maison du Mexique Double-faced library named Maison du Mexique Leg and sleeper in fir wood Compartments and doors in embossed sheet of aluminium Date of creation : 1952 Realisation by Jean Prouvé Ateliers Study of polychromy by Sonia Delaunay 77 existing copies L 182 x H 160 x D 31 cm 70 000 / 90 000 € 3 A free-form Table by Perriand in solid oak, designed at the end of the 1950s and widely considered one of her most emblematic pieces, will also be available (est. €45,000-65,000). Charlotte Perriand (1903 – 1999) Table de forme libre Dining room table named « Forme Libre » Top and leg in solid ash wood Steph Simon edition Realisation by André Chetaille Circa 1967 L 199 x H 75 x D 76 cm 45 000 / 65 000 € Works by Jean Prouvé include an FV 22 Kangaroo chair (est. €50,000-70,000); a sideboard (est. €25,000-30,000); two wood and aluminium Wave panels designed for a village school in Cameroon (est. €12,000-15,000 each); and a set of eight steel and plywood Métropole n°305 standard chairs (est. €40,000-60,000). As these highlights indicate, the Collection to be offered at PIASA bears eloquent witness to the finest years of French post-war creativity and design. 4 Jean Prouvé (1901 – 1984) Fauteuil Kangourou Armchair FV 22 named « Kangourou » Seat in gray lacquered, embossed sheets of metal, back in plywood, leg in oak wood and grey lacquered metal tube, ended by wooden feet Circa 1951 H 86/66, 50/77 50 000 / 70 000 € Charlotte Perriand (1903 – 1999) Bibliothèque Nuage Library on the model of « Nuage » with compartments on the model of « Mexique» Shelves in oak wood and structure in white and black enameled metal, attached with rivets in aluminium Steph Simon edition Circa 1958/62 L 250 x H 82 x D 20 cm 40 000 / 60 000 € 5 Mise en scène Luis Laplace Luis Laplace was born and educated in Buenos Aires. He graduated from the Universidad de Belgrano with a Bachelor and Master’s Degree in Architecture & Urbanism. After successfully completing an high-end project in Mallorca, Luis decided to open with his partner Christophe Comoy his own practice based in Paris, in order to be closer to his European clients and benefit from the city’s proximity and access to international events, art galleries, materials and traditional artisan skills. Founded 10 years ago, the studio Laplace specializes in a design that focuses on contemporary art. Laplace’s ability to create distinctly modern yet intimate architecture and interior design attracts a loyal clientele, particularly artists, gallery owners, and art collector including Hauser & Wirth in London or Emmanuel Perrotin and Cindy Sherman in Paris. © Cristina Macaya After a short period working in Argentina, Luis moved to New York where, from 1999 to 2004, he worked for Selldorf Architects, specializing in architecture for artrelated projects. Laplace works internationally, offering a full design service based on a large expertise in commercial and residential work. The work assembles eras, past and present, creating both private and public spaces which possess the power to unleash atmospheres of timeless elegance with strong impact counterpoised by contemporary elements. Over the years, Laplace has made itself known by its refined, high quality work. Inspired by both South American modernism and the brutalist movement, Luis Laplace likes to mix French sophistication with exclusive vintage. Through good use of space and light, basing his design on local cultures and traditions, choice of materials and a special passion for art and craftsmanship, Luis Laplace combines modern simplicity with great elegance. Interior architecture and design according to Laplace, are far from fashion and trends but synonymous to timelessness, beauty and subtle luxury. 6 Design Department : Cédric Morisset François Epin Cindy Chanthavong Upcoming sales - PIASA rive gauche : March 12 : Scandinavian v. American v. Brazilian Design and rare ensemble by Peder Moos : exhibition designed by India Mahdavi April 15 : Italian design and tribute to Lorenzo Burchiellaro – exhibition designed by Didier Benderli for KERILOS INTERIEURS May 27 : XX century Design and tribute to Jean Prouvé et Charlotte Perriand Part I : Private collection dedicated to Jean Prouvé et Charlotte Perriand Part II : Jean Prouvé in the Alps:Two historic refuges at an altitude of 2 500 meters June 17 : Dialogue between art and design : Michel Deverne and Christian Astuguevieille PIASA OnlineOnly : March 21-31 - Italian lamps Part I (1950-1980) - Precious bracelets de la collection Christian Astuguevieille April 18-28 - Fifty shades of red ceramics - Italian Lamps (1950-80) Part II - Early Continental & Chinese ceramics May 16-26 - Livres de photographies Part I - Affiches communistes, collection de la CFOC - Asian ceramics 7