My Home is a Dark and Cloud-hung Land, Kunstmuseum

Julian Rosefeldt
Born in 1965, Munich
Lives and works in Berlin
Education
1988-1994 MA Architecture, Technische Universität, Munich
Fellowships / Awards
2010
2004
2000
1991
Vattenfall Contemporary Prize
Produktionsstipendium Kunst und neue Medien, Munich
DG Bank Kunststipendium, Berlin
Hoffmann Collection, Berlin (residency)
DAAD Award, ETS Barcelona
Solo Exhibitions
2014
My Home is a Dark and Cloud-hung Land, Kunstmuseum Magdeburg, Magdeburg
My Home is a Dark and Cloud-hung Land, ARNDT, Berlin
2012
American Night, YOUNGPROJECTS, Los Angeles, California
Julian Rosefeldt, Galerie West, The Hague
Julian Rosefeldt – World-Making. Film and photo works, Taipei Fine Arts Museum
American Night, Bayerische Akademie der Schönen Künste, Munich
Lonely Planet, Barbara Gross Galerie, Munich
The Ship of Fools, Kunsthalle Wien Karlsplatz, Vienna
Asylum, curated by Heinz Peter Schwerfel, Dirimart Garibaldi, Istanbul
Julian Rosefeldt / Piero Steinle. Meine Kunst kriegt hier zu fressen – Hommage an Max
Beckmann, Kunsthalle Wien Museumsquartier videolounge (Ursula Blickle Stiftung), Vienna
2011
American Night, ACMI - Australian Centre for the Moving Image, Melbourne
Photo Works, ARNDT, Berlin
2010
Making Of: Film Film Installations and Photo Works 2004-2010, DA2, Salamanca
American Night, British Film Institute, London
American Night, Kunstmuseum Bonn
Living in Oblivion, Berlinische Galerie, Berlin
Arndt & Partner, Berlin, Germany (solo show to coincide with Berlin Gallery weekend)
2009
American Night, EX3, Centro per l'Arte Contemporanea, Florence
Prospectif Cinéma, Centre Georges Pompidou, Paris
American Night, Film Installations 2004–2009, Kunstmuseum Bonn
American Night, Arndt & Partner, Berlin
2008
Requiem, Galeria Helga de Alvear, Madrid
The Ship of Fools, Arndt & Partner Project Space, Berlin
The Ship of Fools, Max Wigram Gallery, London
The Ship of Fools, Phillips de Pury & Company, New York
2007
Apeejay Media Gallery, New Delhi
The Perfectionist, Platform China, Beijing
Galeria Vermelho, São Paulo
Koraalberg, Antwerp
2006
Julian Rosefeldt, Chapter Gallery, Cardiff
Trilogie des Scheiterns, Part III, ZKMax, Munich
Clown, Max Wigram Gallery, London
Lonely Planet, Arndt & Partner, Berlin
Lonely Planet (under the auspices of the Biennale Bonn Theatre Festival), Bonner Kunstverein,
Bonn
2005
Galería Leyendecker, Santa Cruz de Tenerife
The Soundmaker Arndt & Partner, Zurich
Trilogie des Scheiterns, Parts I+II, ZKMax, Munich
Asylum (as part of Spielart Theatre Festival), Haus der Kunst, Munich
2004
Asylum, Spike Island, Bristol
Asylum, BALTIC Centre for Contemporary Art, Gateshead; Spike Island, Bristol, UK
Trilogy of Failure, Kunst-Werke, Berlin
MWprojects, London
Asylum, Festival d’Avignon, Avignon
2003
Asylum, Atlantis Gallery, London
The Chulalongkorn Art Gallery, Bangkok
Julian Rosefeldt und Piero Steinle, Museum Franz Gertsch, Burgdorf*
2002
Asylum, Hamburger Bahnhof – Museum für Gegenwart, Berlin
Julian Rosefeldt – Global Soap, XXL Gallery, Sofia, Bulgaria
2001
Global Soap, Künstlerhaus Bethanien, Berlin; Goethe-Institut, Salvador de Bahia; Herzliya
Museum of Art, Tel Aviv
Detonation Deutschland, Architekturzentrum, Vienna
Global Soap, Künstlerhaus Bethanien, Berlin
Herzliya Museum of Contemporary Art
2000
Julian Rosefeldt / Piero Steinle: Les Cathédrales Inconnues, Goethe-Institut, Paris
Julian Rosefeldt / Piero Steinle, Galerie Six Friedrich Lisa Ungar, Munich*
Julian Rosefeldt / Piero Steinle, Galerie Romain Larivière, Paris*
1999
News, Julian Rosefeldt / Piero Steinle, Galerie für Zeitgenössische Kunst, Leipzig
News, ZKM, Karlsruhe
1998
News, Kunstsammlung NRW, Düsseldorf
1997
Paris - Les Cathédrales Inconnues, Espace des Blancs Manteaux, Paris
As Catedrais Desconhecidas, Alfândega, Porto
1996
Detonation Deutschland, Orangerie, Munich
1995
München - Die unbekannten Kathedralen, Orangerie, Munich
1994
Stadt im Verborgenen, Orangerie, Munich
Selected Group Exhibitions
2014
Conflict, Time, Photography, Tate Modern, London
Der Stachel des Skorpions. Ein Cadavre exquis nach Luis Buñuels »L'Âge d'Or«, Mathildenhöhe
Darmstadt [cat.]
The Surface of the World: Architecture and the Moving Image, curated by Clare Carolin, MCAD
- Museum of Contemporary Art and Design, Manila
Der Stachel des Skorpions. Ein Cadavre exquis nach Luis Buñuels »L'Âge d'Or«, Museum Villa
Stuck, Munich
2013
Crescendo, Australian Centre for Contemporary Art, Victoria
K21 Museum, Dusseldorf
Reality Based, Galeria Leyendecker, Santa Cruz de Tenerife
1st Kochi-Muziris Biennale, Kochi, Kerala
Toulouse International Arts Festival, Toulouse
Realität und Fiktion, Villa Schöningen, Potsdam
Kino der Kunst, Maximiliansforum, Munich
Super 8, MAM Museo de Arte Moderna, Rio de Janeiro
2012
Video-Holes: I do not know what it is I am, Manege, Moscow
1st Bienal de Montevideo – El Gran Sur, Montevideo
Based on a True Story, Museo de la Solidaridad Salvador Allende, Santiago
BEYOND TIME. International Video Art Today, Kulturhuset Stockholm
The Circus as a Parallel Universe, Kunsthalle Wien, Vienna
Migration, ARNDT, Melbourne
Volkspaleis, group show, Grote Kerk, The Hague
Die Sammlung. Color and Content, Kunstmuseum Bonn, Bonn
Kochi-Muziris Biennale, BRICS (Collateral Segment), Kochi
Video-Holes: I do not know what it is I am, Manege, Moscow
Super 8, Künstlerhaus Bethanien, Berlin
Il Fuoco della Natura / The Flash of Nature, Salone degli Incanti Ex Pescheria, Trieste
Super 8, YBCA Yerba Buena Center for the Arts, San Francisco
2011
Gesamtkunstwerk: New Art from Germany, Saatchi Gallery, London
Heimatkunde, Jewish Museum, Berlin
Star Voyager, Australian Centre for the Moving Image, Melbourne
El efecto del cine, Caixa Forum Palma de Mallorca
El efecto del cine, Caixa Forum Madrid
Color and Content, Kunstmuseum Bonn
Brick + Mortar Video Festival, Greenfield
Super 8, Christopher Grimes Gallery, Los Angeles, California
Alive she cried. A Film & Video Exhibition curated by Reynold Reynolds, Galerie Zink Berlin
The Ephemeral, Arndt Berlin, Berlin
Architektur in der Kunst – Architekturen des Augenblicks, Kunsthalle Bahnitz
ROJO NOVA Contemporary Culture Festival, Fundação Casa França Brasil, Rio de Janeiro
2010
Changing The World, Arndt Berlin
FischGrätenMelkStand, Temporäre Kunsthalle, Berlin
Fast forward 2. The Power of Motion – Media Art Sammlung Goetz, ZKM, Center for Art and
Media Karlsruhe
Dreaming with Open Eyes, MoCA Museum of Contemporary Art, Taipei
Margins of Silence, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres
Asteroide B612 | Diseño regenerativo y balances ambientales, MAM Museo de Arte Moderno de
la Ciudad de México, Mexico City
Changing the World, ARNDT, Berlin
Decalogue: Films you can count on two hands, Winkleman Gallery, New York
2009
Conflicting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin
Kurs: The Tree, curated by Sören Lose, Fuglsang Kunstmuseum, Toreby
MARZlive, Marz Galeria, Lisbon
My Evil Twin, MacKenzie Art Gallery, Regina
Contour 2009: The 4th Biennial of the Moving Image, Mechelen
Leichtigkeit und Enthusiasmus. Junge Kunst und die Moderne, Kunstmuseum Wolfsburg
Selection de la KunstFilmBiennale Cologne 2007, Centre Nacional Georges Pompidou, Paris
Green Platform- Art, Ecology, Sustainability, Centro di Cultura Contemporanea Strozzina (CCCS),
Florence
2nd Bienal de Canarias de Arquitectura, Arte y Paisaje, Canary Islands
Intemperie, Bienal del Fin del Mundo, Ushuaia
Lo Mejor de la KunstFilmBiennale 2007, Museo Nacional Centro de Arte Reina Sofía, Madrid
Berlin change plus vite que mon coeur- Vidéos et visions mouvantes actuelles, Lille 3000, Lille
2. Bienal del Fin del Mundo, Ushuaia
Höhepunkte der Kölner KunstFilmBiennale in Berlin, KW Institute for Contemporary Art, Berlin
German Inspiration. Part 1 – Dreaming with Open Eyes, Art Center Nabi, Seoul
Eclectic Images, BodhiBerlin, Berlin
2008
Berlin Dub, Bodhi Art, Mumbai
The Order of Things, Museum of Contemporary Art, Antwerp
Variable Capital, The Bluecoat, Liverpool
Laughing in a Foreign Language, The Hayward Gallery London
The Cinema Effect: Illusion, Reality, and the Moving Image, Hirshhorn Museum and Sculpture
Garden, Washington, DC
Molten States, Royal Academy of Arts, London
Die Tropen, Ansichten von der Mitte der Weltkugel, Martin-Gropius-Bau, Berlin
After Effects, Museo de Arte Contemporaneo, Santiago de Chile
Bad Joke, Riga Art Space, Riga
Cinema Indeed - Narratives and Projections, Itaú Cultural São Paulo
Through the Looking Glass, Glenbow Museum, Calgary
The Way Things Are... Works from the Thyssen-Bornemisza Art Contemporary Collection
Centre of Contemporary Art Torun, Torun
Schwarze Galle - roter Saft. Aspekte des Melancholischen in der Kunst, b-05 Kunt- und
Kulturzentrum, Montabaur
The Prisoner's Dilemma: Selections from the Ella Fontanals-Cisneros Collection, CIFO Cisneros Fontanals Art Foundation, Miami
Emergency Biennale in Chechnya, CCA Playspace Gallery, California College of the Arts, San
Francisco, California; Galeria Arsena⌅, Bia⌅ystok
Licht, Neuer Pfaffenhofener Kunstverein, Pfaffenhofen
2007
Cuestión Xeracional, Santiago de Compostela
Destroy Athens 1st. Athens Biennial, Athens
Drei Farben – Weiss, XIV. Rohkunstbau, Groß Leuthen
Made in Germany, Sprengel Museum, kestnergesellschaft and Kunstverein Hannover, Hannover
100 TAGE=100 VIDEOS , GL Strand, Copenhagen
Relics & Ruins, Cultural Telemar, Rio de Janeiro
Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madri
Existencias, MUSAC - Museo de Arte Contemporaneo de Castilla y León
Kino wie noch nie, Akademie der Kunste, Berlin
Manipulations.On Economies of Deceit, CCA Ujazdowski Castle, Warsaw
Silence. Listen to the Show, Fondazione Sandretto Re Rebaudengo, Turino
Scheitern, Landesgalerie, Linz
The Hurricane Projects, The Moore Space, Miami, Florida
Generational Issue, Centro Galego de Arte Contemporanea, Santiago de Compostela
Bad Joke, Tallinn Art Hall, Tallinn
KunstFilmBiennale Köln, Baukunst Galerie, Cologne
Emergency Biennale in Chechnya, 10th Istanbul Biennial, Kadiköy Public Education Centre
Generational Issue, Centro Galego de Arte Contemporánea, Santiago de Compostela
XIV. Rohkunstbau: Drei Farben – Weiss, Schloss Sacrow, Potsdam
2006
Forms of Classification: Alternative Knowledge and Contemporary Art, Cisneros Fontanals Art
Foundation, Miami, Florida
1. Bienal de Canarias Arquitectura Arte y Paisaje, Canary Islands
Le Printemps de septembre, Toulouse
Highlights from the KunstFilmBiennale Köln in Berlin, Kunst-Werke Institute for Contemporary
Art, Berlin
El equilibrio y sus derivados, Casa del Lago (UNAM), Mexico City
100 Tage = 100 Videos, Kunstverein Heidelberg
Die Vergaenglichkeit des Schoenen, Stadthalle Goerlitz, Goerlitz
Video Installations from the Olbricht Collection Essen, Skulpturenmuseum Glaskasten Marl,
Marl
Mathilda is calling, Institut Mathildenhöhe, Darmstadt
Sonambiente, Akademie der Künste, Berlin,
Dark Places, Santa Monica Museum of Art, California
Indeterminate States, Ella Fontanals Cisneros Foundation, Miami, Florida
Global Players. Contemporary Japanese and German artists, Ludwig Forum fur Internationale
Kunst, Achen
Manipulations. On Economies of Deceit, Laznia Centre for Contemporary Art
Mas de lo que los ojos pueden ver, MARCO – Museo de Arte Contemporáneo de Monterrey
Global Players: Contemporary Japanese and German Artists, Ludwig Forum für Internationale
Kunst, Aachen
Emergency Biennale in Chechnya, Riga City Exhibition Hall; Tallinn Art Hall; CENTRE A,
Vancouver; Plataforma, Ciudad de Puebla
2005
Beyond Delirious, Cisneros Fontanals Art Foundation, Miami, Florida
Contrabandistas de Imágenes: Selección de la 26, Museo de Arte Contemporáneo, Santiago de
Chile
El diablo no es tan feo como lo pintan: Selección de la 26. Bienal de São Paulo, MNBA, Museo
de Bellas Artes, Buenos Aires
Manipulations. On Economies of Deceit, Prague Biennial, National Gallery, Prague
Biennial of Urgency, Palais de Tokyo, Paris, France (travelling to Brussels, Bolzano,
Milan, Riga, Tallinn and Grozny)
Comedy: The Funny Side of the Moving Image (curated by Ekaterina Degot), Moscow Art Fair
Art Basel Unlimited (under the auspices of Arndt & Partner, Berlin), Basel
Others, Sørlandet Art Museum, Kristiansand
Baroque and Neo-Baroque: The Hell of the Beautiful, Domus Artium DA2, Salamanca
Architektur mobil, wilhem Hack-Museum, Ludwigshafen
Global players, Contemporary Japanese and German Artists, Bankart Yokohama and Tokyo
Gallery
KunstFilmBiennale Köln, Kino im Museum Ludwig, Cologne
Andre/Others, Sørlandet Art Museum, Kristiansand
Museo de Arte Contemporáneo, Santiago de Chile
2004
26th São Paulo Biennale, São Paulo
Shake Staatsaffaire (Affaire d’ Etat), O.K Centrum fur Gegenwartskunst, Linz; Villa Arson,
National Centre of Contemporary Art, Nice
Einleuchten Museum der Moderne, Salzburg
2003
Rituale, Akademie der Künste, Berlin
Melodrama, Museo de Arte Contemporánea de Vigo
2002
Hommage à Max Beckmann, Centre National Georges Pompidou, Paris
Architourism, Columbia University, Buell Center, New York,
Melodrama, , MARCO Museo Vasco de Arte Contemporáneo, Vitoria; Centro José Guerrero,
Granada
2001
De Schoonheid van het Kwaad, De Zonnehof, Amersfoort
2000
Tele[visions], Kunsthalle Vienna
Multiple Sensations, Yerba Buena Center for the Arts, San Francisco, California
Deep Distance: Die Entfernung der Fotografie, Kunsthalle Basel, Basel
Wohin kein Auge reicht: Von der Entdeckung des Unsichtbaren, Deichtorhallen, Hamburg
1998
Performing Buildings, Tate Gallery, London
Deep Storage, P.S.1, New York / Kunstmuseum Düsseldorf / Henry Art Gallery, Seattle,
Washington
Commissioned Film and Video Works for Theatre
2008
The City / The Cut, by Martin Crimp and Mark Ravenhill, directed by Thomas Ostermeier,
Schaubühne am Lehniner Platz, Berlin
2004
Electronic City, by Falk Richter, directed by Tom Kühnel, Schaubühne am Lehniner Platz, Berlin
2003
Im Dickicht der Städte, by Bertolt Brecht, directed by Grzegorz Jarzyna, Schaubühne am
Lehniner Platz, Berlin
2002
Better Days, by Richard Dresser, directed by Thomas Ostereier, Schaubühne am Lehniner Platz,
Berlin, Germany
2001
Supermarket, by Bilijana Srbljanovic, directed by Thomas Ostermeier, Schaubühne am Lehniner
Platz, Berlin
Selected Screenings and Film Festival Participations
2014
KIK, kino – international – kunst, Kino International, Berlin
2011
Bloomberg New Contemporaries Present... Artists’ Film Choice, 23rd September
2010
Rojo Nova Festival, Museum of Image and Sound, São Paulo, 29th July
fullframe Kurz- und Kunstfilmfestival, Wien, 15th April
Dreaming with Open Eyes, Württembergischer Kunstverein, Stuttgart, 16th March
2009
Dreaming with Open Eyes, Image Forum Festival, Tokyo
Zeitgenössische Kunst am Wittelsbacherplatz, Munich
2008
Gramophones, Films, Typewriters, Tate Modern, London, 28th June
Más o Menos Cine, Centro Andaluz de Arte Contemporáneo, Sevilla, 13th May
Re-Imagining Asia, Haus der Kulturen der Welt, Berlin, 5th – 6th April
2007
Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofía, Madrid, 5th November – 17th December
Frontiére(s) - Paroles d'Hiver, ODDC, Saint-Brieuc, 28th November – 1st December
KunstFilmBiennale Cologne 2007, 18 – 24 October, First Prize
Scanners: The 2007 New York Video Festival, Lincoln Center, New York, 27th – 29th July
100 Tage = 100 Videos, GL Strand, Copenhagen, 21st September – 27th January
Kino wie noch nie, Kino Arsenal, Berlin, 9th June
Museum Istanbul Modern, 31st May – 15st June
ambulart - Festival de las artes visuales: Hamburg, Guadalajara, Quito, Guayaquil, 9th – 26th April
Búsquedas sin palabras, ambulart - Festival de las artes visuales: Hamburg, Guadalajara, Quito, Guayaquil
2006
Bombay Maximum City - Lille 3000, Lille, 14th October 2006 – 14th January 2007
Künstlerhaus Mousonturm, Frankfurt, 7th October
Festival of European Films on Wheels: Ankara, Kars, Tbilisi , Baku, 3rd – 26th November
KunstFilmBiennale Cologne at Kunst-Werke Berlin, 29th September – 4th October
100 Tage = 100 Videos, Kunstverein Heidelberg, 1st September – 31st December
The Peninsula, M1 Singapore Fringe Festival, Singapore
2005
Cinema Tout Ecran International Film & Television Festival, Geneva, 29th October – 7th
November
KunstFilmBiennale Cologne, 19th – 24th October
Iraq Short Film Festival, 24th – 29th September
L’Etrange Festival Paris, 31st August – 13th September
Belo Horizonte International Short Film Festival, 21st – 31st July
Sarajevo Film Festival, 19st – 27st August
Némo Film Festival Paris, 5th – 10th April
Festival Premiers Plans Angers, 21st – 30th January
Filmfestival Max-Ophüls-Preis Saarbrücken, 17th – 23rd January
Cinéma Katorza, Nantes
2004
Corto Imola Festival, 8th – 12th December (first prize)
Brief Encounters International Short Film Festival, Bristol, 17th – 21st November
Festival du Nouveau Cinéma, Montréal, 14th – 24th October
Internationales Kurzfilmfest, Hamburg, 9th – 14th June
Collections
Berlinische Galerie, Berlin
Burger Collection, Hong Kong
CAC Málaga – Centro de Arte Contemporáneo, Málaga
CIFO – Cisneros Fontanals Art Foundation, Miami
DA2, Salamanca
Ellipse Foundation – Contemporary Art Collection, Cascais
Goetz Collection, Munich
Hoffmann Collection, Berlin
Kunstmuseum Bonn
Maison Européenne de la Photographie, Paris
MoMA – The Museum of Modern Art, New York
MUSAC – Museo de Arte Contemporáneo de Castilla y León, León
Museum Franz Gertsch, Burgdorf
T-BA21 – Thyssen-Bornemisza Art Contemporary, Vienna
The Saatchi Collection, London
Selected Bibliography
2014
Robert Nelson, "Ghosts of Past Continue to Wield Power in Crescendo at ACCA", The Age
online, 15th January
http://www.theage.com.au/entertainment/art-and-design/ghosts-of-past-continue-to-wield-powerin-crescendo-at-acca-20140114-30svk.html
2013
Mickaël Pierson, "A Brief Look at Moving Images in Contemporary Art”, Chinese Art Gallery
Magazine, November, pp. 65 - 71
Cornelia Gockel, “MAN KANN DEN HEMATBEGRIFF”, Kunstforum, April
2011
Claudia Graeter, Coax Magazine, July, http://www.coaxmagazine.de/2011/07/julian-rosefeldt-photoworks-at-arndt.html
2010
Lars Stamm, “Julian Rosefeldt”, fast forward 2. The Power of Motion, edited by Ingvild Goetz and
Stephan Urbaschek, ZKM Museum für Neue Kunst Karlsruhe, Ostfildern, pp. 190 – 197
Julian Rosefeldt, ed., Living in Oblivion, Berlinische Galerie, Berlin
Marc Glode and Katerina Gregos, Contour 2009: Hidden in Remembrance is the Silent Memory of
our Future, The 4th Biennial of Moving Image, Mechelen
Stephan Berg, “Julian Rosefeldt,” 100 Video Artists, edited by Rosa Olivares, Madrid, pp. 342 – 345
A Prior Magazine Extra #03, vzw Mark and The Royal Academy of Arts (KASK) of the University
College, Ghent, pp. 138 – 147
Esther Barbara and Annelie Lütgens, Leichtigkeit und Enthusiasmus. Kirschner, Junge Kunst und
die Moderne / Ease and Eagerness Modernism Today, Kunstmuseum Wolfsburg
Julian Rosefeldt, et. al., American Night, EX3 Centro per l’Arte Contemporanea, Florence;
Kunstmuseum Bonn
James Bradburne, et. al., Green Platform: Art, Ecology, Sustainablity, Artpress, February, pp.78 –
79
2009
2008
Stephan Berg, et. al., Julian Rosefeldt: Film Works, Hatje Cants Publishing
Diana Baldon, “1st Athens Biennial”, ArtForum, January, pp. 276
Anne Ellegood, “The Cinema Effect: Illusion,” Reality and the Moving Image. Part II: Realisms,
Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, Washington DC
2007
Eliza Williams, “Julian Rosefeldt”, Flash Art, Vol. XL No. 252, January – February, pp. 119 – 120
Michael Rush, Video Art, Revised Edition, London
MUSAC Collection Volume II, MUSAC/ACTAR, Castilla & León
Athens Biennal, edited by Destroy Athens, Exh. cat., Technopolis Art Complex, Athens
Francesco Bonami, Silence: Listen to the Show, edited by Fondazione Sandretto Re Rebaudengo,
Exh. cat., Turin, Milan
Arvid Boellert, XIV, Rohkunstbau: Drei Farben – Weiss, Exh. cat., Schloss Sacrow, Potsdam,
Berlin
Made in Germany – Aktuelle Kunst aus Deutschland, edited by Kestnergesellschaft, Exh. cat.,
Kunstverein Hannover, and the Sprengel Museum, Hannover, Ostfildern
Gabriele Spindler, Scheitern, Exh. cat., Landesgalerie Linz am Oberösterreichischen
Landesmuseum, Linz
Karolina Grabowicz, Manipulations: On Economies of Deceit, Exh. cat., Laznia Centre for
Contemporary Art, Gdansk; Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Gdansk
2006
Judith Behamou-Huet, “Tendances Marche de l’Art”, LE POINT, 12th October, p. 124
Judith Behamou-Huet, “Riche Printemps a Toulouse”, Les Echos, 6th October
“Une Ligne a Suivre”, Sud Ouest, 1st October
Brigitte Ollier, “Toulouse en premieres ‘Lignes’”, Liberation, 26th September
“Toulouse Fête le Printemps”, La Tribune, 29th September
Xerxes Cook, “Preview”, Tank Magazine, October Issue
Anselm Franke, Julian Rosefeldt: Trilogy Of Failure, Next Level Magazine, Issue 9, Summer Issue,
pp. 114 – 123
Christoph Cox, “Reverb Time”, Artforum International, September Issue, pp. 89 – 90
Sally O’Reilly, “Reviews: Julian Rosefeldt”, ArtReview, December, p.142
Mark Gisbourne, Kunst Station Berlin, English edition: Berlin Art Now, New York
Jean-Marc Bustamante, et. al., Printemps de septembre à Toulouse, Vol. 3 – Lignes brisées/Broken
lines, Exh. cat., Printemps de septembre, Toulouse
Reinhard Spieler, Mathilda: Eine europäisch-indische Co-Produktion / Mathilda is calling oder
Erinnerung als Zukunft, edited by Ralf Beil, Exh. cat., Institut Mathildenhöhe, Darmstadt,
Ostfildern, pp. 98 – 111
Helga De la Motte-Haber, et al., eds., Sonambiente Berlin: klang kunst sound art, Exh. cat.,
Akademie der Künste, Berlin, Heidelberg
Joshua Decter, ed. Dark Places, Exh. cat., Santa Monica Museum of Art, Santa Monica
2005
“100 Future Greats”, Art Review, Vol. IX, December, pp. 66 – 70
David Thorp, “Julian Rosefeldt”, Contemporary – Special issue on video, Issue 71, April 2005,
pp. 103 – 105
Javier Panera, ed., Baroque and Neo-Baroque: The Hell of the Beautiful, Exh. cat., DA2 – Domus
Artium, Salamanca
Frank Falch, and Erlend Høyesten, eds., Andre = Others, Exh. cat., Sørlandets Kunstmuseum,
Kristiansand
Joan Ockman, and Salomon Frausto, eds., ArchitourismAuthentic Escapist Exotic Spectacular
New York
2004
Sally O’Reilly, “Julian Rosefeldt”, Frieze, Issue 87, p. 123
Francesco Manacorda, “Julian Rosefeldt”, Flash Art, November, Issue 238, p. 84
Eliza Williams, “Julian Rosefeldt”, Art Review, No. 10, October, p. 123
Martin Herbert, “Julian Rosefeldt”, Time Out London, 1st – 8th September, p. 52
Valentina Agostinis, “Julian Rosefeldt, immigranti e riti quotidiani”, Carnet, Issue 02
Patricia Ilya and Reed Gridneff, “Who’s Depending On Who and All These Strange Things”,
Neue Review, July
Kerstin Stremmel, “Wiederkehr des Verdrängten”, Neue Züricher Zeitung, 20th February
Alfons Hug, ed., 26a Bienal de São Paulo, 3 volumes, Exh. cat., Fundação Bienal de São Paulo
Francesca von Habsburg, et al., eds. ein-leuchten. Exh. cat. Museum der Moderne Rupertinum,
Salzburg
O.K Centrum für Gegenwartskunst, ed., Re:Location 1–7, Shake, Exh. cat., Casino Luxembourg Forum d’art contemporain, et al., Bozen
BALTIC Centre for Contemporary Art, Gateshead, ed., Julian Rosefeldt: Asylum,
Exh. cat., Festival d’Avignon et al., Ostfildern
2003
Angelika Sommer, “Rituale in der zeitgenössischen Kunst”, Museums Journal, April
Sead Rainbird, ed., Max Beckmann: Un peintre dans l’histoire, Exh. cat., Centre National d’Artet
de Culture Georges Pompidou, Paris, et. al., New York
2002
Katerina Gregos, “Julian Rosefeldt: Asylum”, Contemporary, December Issue, p. 94
Ulrich Clewing, “Rosen aus Indien”, Der Tagesspiegel, 11th October
Ingeborg Ruthe and Geknickte Stäbchen, “Julian Rosefeldt’s Asylum”, Berliner Zeitung, 2nd
October
Kerstin Stremmel, “Wiederkehr des Verdrängten”, Neue Züricher Zeitung, 20th February
Johanns Wetzel, “Wider das klischee vom berserker”, Berliner Zeitung, 12th October 12 p. 11
Doreet Levitte Harten, ed., Melodrama, Exh. cat, Artium, Centro-Museo Vasco de Arte
Contemporáneo, Vitoria, et al. Granada
Tele[visions] – Kunst sieht fern, Exh. cat., KunsthalleWien, Vienna, 2001 – 2002
2001
Paul Jandl, “Detonation Deutschland”, Neue Züricher Zeitung, 13th August
“’Global Soap’: Fremde Gesichter, bekannte Gesten - Die Welt ist eine seifenoper”, Der
Tagesspiegel, 24th July
David Rapp, “Bubbling and Squeaking – Ha’aretz Week’s End”, Herald Tribune International,
2nd March
Julian Rosefeldt, ed., Julian Rosefeldt: Global Soap, Exh. cat., Künstlerhaus Bethanien, Berlin
Jörg Lau, “Globale Seife”, Die Zeit, 12th July
2000
Niels Werber, “Zweierlei Aufmerksamkeit in Medien, Kunst und Politik”, Kunstforum, No. 148,
January, pp. 139 – 151
David Bonetti, “Collections, Series form ‘Multiple Sensations’”, San Francisci Examiner, 4th September
1999
Otto Neumaier, “Von deutscher Seele”, noëma, May/June, pp. 76 – 79
Wilhelm Schürmann, ed., Wohin kein Auge reicht – More than meets the eye, Exh. cat.,
Deichtorhallen, Hamburg
Thomas Wolff, “Ozapft is”, Frankfurter Rundschau, 23rd December, p. 9
Esther Ruelfs, “Die ewige Wiederkehr des Ferienstaus”, Taz, 1st October
Robin Updike, “Adding up to History”, The Seattle Times, 5th November
Roberta Smith, “Seeking the Innate Order or Chaos”, The New York Times, 31st July
Laurie Attias, “Forgotten Paris”, Metropolis, February/March, pp. 74 – 75
Laurie Attias, “Julian Rosefeldt and Piero Steinle”, Frieze, January, p. 91
News: Eine Videoinstallation von Julian Rosefeldt und Piero Steinle, Exh. cat, Kunstsammlung
Nordrhein-Westfalen, Düsseldorf, Heidelberg
Matthias Winzen, “Detonation Deutschland”, Deep Storage – Arsenale der Erinnerung, edited by
Ingrid Schaffner and Matthias Winzen, Exh. cat., Haus der Kunst, Munich pp. 259 – 261
Otto Neumaier, “Vom Schwinden der Welt,” Deep Storage – Arsenale der Erinnerung, edited by
Ingrid Schaffner and Matthias Winzen, Exh. cat., Haus der Kunst, Munich, pp. 124 – 128
Justin Hoffmann,“Die Angst vor dem Verschwinden,” Deep Storage – Arsenale der Erinnerung,
edited by Ingrid Schaffner and Matthias Winzen, Exh. cat., Haus der Kunst, Munich, pp. 269 –
272
Ralf Siftel, “Bonn. London, New York, Julian Rosefeldt und Piero Steinle sezieren ‘News’ in der
Kunstsammlung NRW”, Westfälischer Anzeiger, 15th July
1998
1997
Wilfried Wiegand, “Das Schweigen des Grand Palais”, Frankfurter Allgemeine Zeitung, 15th
August, p. 33
Éric Biétry-Rivierre, “Dans les Coulisses de la Ville”, Le Figaro, 9th August
Fréderic Edelmann, “La solitude de Gaspard dans la nuit”, Le Monde, 8th August
Sibylle Vincendon, “Géants Urbains Capturés”, Liberation, 5th August
Myriam Boutoulle, “Lieux de l'ombre”, Beaux Arts, August
Julian Rosefeldt and Piero Steinle, eds., Paris – Les Cathédrales Inconnues – Espaces vides dans
l’ombre de la ville, Exh. cat., Espace des Blancs Manteaux, Paris
1996
Rita Siza, “Fascínio pelo vazio”, Publico, 10th October, p. 25
Brita Sachs, “Wer sich eine Grube sprengt”, Frankfurter Allgemeine Zeitung, 26th April
Till Briegleb, “Detonation Deutschland”, Die Zeit Magazin, 19th April, pp. 10 – 18
“Nieder mit der Architektur”, Der Spiegel, Issue 14, p. 251
Gerhard Matzig, “Einstürzende Altbauten”, Süddeutsche Zeitung, 29th March, p. 15
Peter Michalzik, “Die Ruhe vor dem groβen Knall”, Frankfuther Rundschau, March, p. 6
Julian Rosefeldt and Piero Steinle, eds., Detonation Deutschland – Sprengbilder einer Nation,
Exh. cat., Orangerie, Munich
1995
Dieter Bartetzko, “Anrufung der Toten”, Frankfurter Allgemeine Zeitung, 22nd December, p. 35
Jean Wolfgang Stock, “Die Filiale der Hölle”, Süddeutsche Zeitung, 22nd November, p. 14
Julian Rosefeldt and Piero Steinle, eds., Burokratie und Kult. Munich and Berlin